1 00:00:12,000 --> 00:00:13,000 OK? 2 00:00:16,900 --> 00:00:17,900 OK. 3 00:00:17,900 --> 00:00:20,300 - OK? - Yeah, l'll start again. 4 00:00:20,300 --> 00:00:22,500 Same slate still running. 5 00:00:22,500 --> 00:00:23,600 Cutthroat. 6 00:00:23,600 --> 00:00:28,100 Keep running. lt'll get better. Start all over again. Same slate. 7 00:00:32,200 --> 00:00:34,900 OK, Rick, what's the game? 8 00:00:34,900 --> 00:00:36,900 - Cutthroat. - The object is? 9 00:00:36,900 --> 00:00:42,200 The object is to keep your balls on the table and knock everybody else's off. 10 00:00:46,300 --> 00:00:48,900 (cheering) 11 00:00:48,900 --> 00:00:50,700 (clapping) 12 00:01:03,000 --> 00:01:05,100 You're still there, huh? 13 00:01:09,400 --> 00:01:12,400 We're gonna do one more song and that's it. 14 00:01:28,000 --> 00:01:30,100 All right. 15 00:01:34,700 --> 00:01:36,400 And happy Thanksgiving. 16 00:01:36,400 --> 00:01:38,500 (' ''Don't Do lt'') 17 00:02:09,500 --> 00:02:11,600 ' Well, baby, don't you do it 18 00:02:13,500 --> 00:02:15,800 ' Don't do it 19 00:02:15,800 --> 00:02:19,100 ' Don't you break my heart 20 00:02:19,100 --> 00:02:24,500 ' Please, don't do it, don't you break my heart 21 00:02:26,800 --> 00:02:29,800 ' My biggest mistake was loving you too much 22 00:02:31,100 --> 00:02:33,100 ' And letting ya know 23 00:02:33,900 --> 00:02:36,900 ' Now you got me where you want me 24 00:02:36,900 --> 00:02:39,000 ' And you won't let me go 25 00:02:39,500 --> 00:02:42,200 ' lf my heart was made of glass 26 00:02:43,100 --> 00:02:45,400 ' Well, then you'd surely see 27 00:02:47,000 --> 00:02:49,800 ' Heartaches and misery 28 00:02:49,800 --> 00:02:52,000 ' You been causin' me 29 00:02:52,000 --> 00:02:55,000 ' And l been trying to do my best 30 00:02:55,700 --> 00:02:58,400 ' You know l try to do my best 31 00:02:59,300 --> 00:03:01,400 ' Don't do it 32 00:03:01,400 --> 00:03:03,500 ' Don't you break my heart 33 00:03:05,000 --> 00:03:08,000 ' Please don't do it 34 00:03:08,000 --> 00:03:10,100 ' Don't you break my heart 35 00:03:42,800 --> 00:03:44,800 (cheering) 36 00:03:44,800 --> 00:03:47,300 - Thank you very much. - Thank you. 37 00:03:48,200 --> 00:03:50,300 Good night. Goodbye. 38 00:04:04,300 --> 00:04:06,300 (' ''Theme from The Last Waltz'') 39 00:06:16,600 --> 00:06:20,400 (Robertson) OK, look. We've been together 16 years. 40 00:06:20,400 --> 00:06:22,500 - (Martin Scorsese) Who? - Who? 41 00:06:22,900 --> 00:06:25,000 The Band. 42 00:06:26,000 --> 00:06:29,000 - You want me to plug that in? - Let's do it again. 43 00:06:29,000 --> 00:06:32,300 The Band has been together 16 years. 44 00:06:32,300 --> 00:06:34,300 Together on the road. 45 00:06:34,300 --> 00:06:37,700 We did eight years in bars, dives, dance halls. 46 00:06:37,700 --> 00:06:40,900 Eight years of concerts and stadiums, arenas. 47 00:06:40,900 --> 00:06:44,200 We gave our final concert, The Band's final concert, 48 00:06:44,200 --> 00:06:46,200 and we called it The Last Waltz. 49 00:06:46,200 --> 00:06:50,100 Why was it held in San Francisco, in Winterland, 50 00:06:50,100 --> 00:06:52,900 when you guys have been on the road for 16 years? 51 00:06:52,900 --> 00:06:57,700 Winterland was the first place that the band played as The Band. 52 00:06:57,700 --> 00:07:00,700 Some friends showed up and helped us take it home. 53 00:07:00,700 --> 00:07:04,200 Not just friends. They're more than that. 54 00:07:04,200 --> 00:07:07,300 Would you ask me that again? 55 00:07:07,300 --> 00:07:12,900 They weren't just friends. They weren't just friends who came in to say hello. 56 00:07:12,900 --> 00:07:15,000 You know what l mean? Get that fly! 57 00:07:17,100 --> 00:07:19,800 No. They were more than just friends. 58 00:07:19,800 --> 00:07:22,900 l feel they're probably 59 00:07:22,900 --> 00:07:26,900 some of the greatest influences on music on a whole generation. 60 00:07:28,000 --> 00:07:33,200 We wanted it to be more than just a concert. We wanted it to be a celebration. 61 00:07:33,200 --> 00:07:35,400 Celebration of a beginning or an end? 62 00:07:35,400 --> 00:07:38,900 Beginning of the beginning of the end of the beginning. 63 00:07:41,000 --> 00:07:43,400 - (Levon Helm) Good evening. - (cheering) 64 00:07:54,900 --> 00:07:57,000 (' ''Up on Cripple Creek'') 65 00:08:03,000 --> 00:08:05,900 ' When l get off of this mountain 66 00:08:06,600 --> 00:08:08,700 ' You know where l wanna go? 67 00:08:10,700 --> 00:08:16,000 ' Straight down the Mississippi river to the Gulf of Mexico 68 00:08:17,400 --> 00:08:20,100 ' To Lake Charles, Louisiana 69 00:08:20,700 --> 00:08:23,600 ' Little Bessie, girl that l once knew 70 00:08:25,400 --> 00:08:30,700 ' She told me just to come on by if there's anything she could do 71 00:08:32,300 --> 00:08:36,000 ' up on Cripple Creek she sends me 72 00:08:36,000 --> 00:08:39,600 ' lf l spring a leak, she mends me 73 00:08:39,600 --> 00:08:42,800 ' l don't have to speak, she defends me 74 00:08:42,800 --> 00:08:46,800 ' A drunkard's dream if l ever did see one 75 00:08:49,800 --> 00:08:53,400 ' Well, now me and my mate were back at the shack 76 00:08:53,400 --> 00:08:55,800 ' We had Spike Jones on the box 77 00:08:57,800 --> 00:09:03,100 ' She said ''l can't take the way he sings but l love to hear him talk'' 78 00:09:04,600 --> 00:09:10,700 ' Now there's one thing in the whole wide world l sure do love to see 79 00:09:12,200 --> 00:09:17,600 ' That's how that little sweet thing of mine puts her doughnut in my tea 80 00:09:18,700 --> 00:09:22,700 ' l'm going up on Cripple Creek, she sends me 81 00:09:22,700 --> 00:09:26,400 ' lf l spring a leak, she mends me 82 00:09:26,400 --> 00:09:29,800 ' l don't have to speak, she defends me 83 00:09:29,800 --> 00:09:33,600 ' A drunkard's dream, if l ever did see one 84 00:09:37,000 --> 00:09:43,300 ' There's a flood out in California and up north it's freezing cold 85 00:09:44,500 --> 00:09:49,600 ' And this living off of the road is getting pretty old 86 00:09:50,800 --> 00:09:54,400 ' So l guess l'll call up my big mama 87 00:09:54,400 --> 00:09:57,300 ' And tell her l'll be rolling in 88 00:09:58,900 --> 00:10:02,300 ' But you know, deep down, l'm sort of tempted 89 00:10:02,300 --> 00:10:04,800 ' To go and see my Bessie again 90 00:10:05,300 --> 00:10:09,800 ' l'm going up on Cripple Creek, she sends me 91 00:10:09,800 --> 00:10:13,300 ' lf l spring a leak, she mends me 92 00:10:13,300 --> 00:10:16,700 ' l don't have to speak, she defends me 93 00:10:16,700 --> 00:10:20,500 ' A drunkard's dream if l ever did see one 94 00:10:28,200 --> 00:10:31,100 ' Oh, no, oooh-oooh-oooh 95 00:10:31,100 --> 00:10:33,500 ' Yodel yodel yodel oooh-oooh 96 00:10:35,300 --> 00:10:38,100 ' Oh, no, oooh-oooh-oooh 97 00:10:38,100 --> 00:10:41,500 ' Yodel yodel yodel oooh-oooh 98 00:10:42,300 --> 00:10:45,200 ' Oh, no, no, no, no 99 00:10:45,200 --> 00:10:48,600 ' Yodel yodel yodel oooh-oooh 100 00:10:49,300 --> 00:10:51,500 ' Oh, no, oooh-oooh-oooh 101 00:10:52,200 --> 00:10:54,400 ' Yodel yodel yodel oooh-oooh 102 00:10:54,400 --> 00:10:58,100 ' Yeah, yeah, you know, l sure wish l could yodel, l know 103 00:10:58,100 --> 00:11:01,200 ' Yodely, yodely, yodely-oh 104 00:11:01,200 --> 00:11:04,200 ' Yodel yodel yodel oooh-oooh 105 00:11:05,300 --> 00:11:07,600 ' Oh, no, oooh-oooh-oooh 106 00:11:08,200 --> 00:11:11,000 ' Yodel yodel yodel oooh 107 00:11:13,200 --> 00:11:15,200 (cheering) 108 00:11:27,800 --> 00:11:32,800 lt was kind of... We didn't know where we were going, we didn't know what it was. 109 00:11:33,600 --> 00:11:36,900 But, for some reason, it seemed like a good idea. 110 00:11:37,600 --> 00:11:42,100 We got to this place, a joint, in Fort Worth, Texas. 111 00:11:42,800 --> 00:11:47,400 lt was burned out, bombed out. The roof wasn't even on the place any more. 112 00:11:47,400 --> 00:11:51,100 And that's when they decided to call it the Skyline Lounge. 113 00:11:51,100 --> 00:11:54,700 And we got there and set up and... A big place. 114 00:11:55,300 --> 00:11:59,300 Huge. Bar, way at the back and a big dance floor. 115 00:12:00,500 --> 00:12:03,400 - Real old. - So we set up the first night. 116 00:12:03,400 --> 00:12:05,900 We go down to the place to play. 117 00:12:07,000 --> 00:12:11,800 We go in and, in this huge place, there's about three people in the audience. 118 00:12:13,200 --> 00:12:16,400 A one-armed go-go dancer 119 00:12:16,400 --> 00:12:18,400 and a couple of drunk waiters. 120 00:12:18,900 --> 00:12:22,300 - A couple here, a couple there. - Somebody fires a tear gas... 121 00:12:22,300 --> 00:12:24,400 And a fight starts. 122 00:12:25,700 --> 00:12:28,700 There isn't enough people in the place to get angry. 123 00:12:29,200 --> 00:12:33,200 And we found out a few years later that it was Jack Ruby's club. 124 00:12:36,800 --> 00:12:38,900 (' ''The Shape l'm ln'') 125 00:12:50,600 --> 00:12:54,600 ' Go out yonder, peace in the valley 126 00:12:54,600 --> 00:12:58,400 ' Come downtown, have to rumble in the alley 127 00:12:58,400 --> 00:13:02,900 ' Oh, you don't know the shape l'm in 128 00:13:06,900 --> 00:13:10,700 ' Has anybody seen my lady? 129 00:13:10,700 --> 00:13:14,100 ' This living alone will drive me crazy 130 00:13:14,100 --> 00:13:18,600 ' Oh, you don't know the shape l'm in 131 00:13:22,500 --> 00:13:25,900 ' l just been down by the water 132 00:13:26,600 --> 00:13:29,300 ' But l ain't gonna jump in, no, no 133 00:13:30,400 --> 00:13:33,700 ' l'll just be looking for my maker 134 00:13:34,300 --> 00:13:37,900 ' And l hear that's where she's gone? Oh! 135 00:13:37,900 --> 00:13:41,200 ' Out of nine lives, l spent seven 136 00:13:41,900 --> 00:13:45,700 ' Now how in the world do you get to heaven? 137 00:13:45,700 --> 00:13:49,700 ' Oh, you don't know the shape l'm in 138 00:14:33,200 --> 00:14:37,000 ' Well, l just spent 60 days in the jailhouse 139 00:14:37,000 --> 00:14:39,800 ' For the crime of having no dough 140 00:14:41,000 --> 00:14:44,800 ' Now here l am back out on the street 141 00:14:44,800 --> 00:14:48,600 ' For the crime of having nowhere to go 142 00:14:48,600 --> 00:14:51,900 ' Save your neck or save your brother 143 00:14:52,500 --> 00:14:56,100 ' Looks like it's one or the other 144 00:14:56,100 --> 00:15:00,700 ' Oh, you don't know the shape l'm in 145 00:15:31,300 --> 00:15:37,700 16 years ago, when we started, we started with a guy you might have heard of. 146 00:15:39,500 --> 00:15:42,800 We'd like to start with him. The Hawk! Ronnie Hawkins! 147 00:15:42,800 --> 00:15:45,900 He called me up and l said 148 00:15:46,800 --> 00:15:49,900 ''Sure l'd like a job. What does it mean? What do l do?'' 149 00:15:50,600 --> 00:15:55,300 He said ''You won't make much money but you'll get more pussy than Sinatra.'' 150 00:16:02,100 --> 00:16:04,700 ' Bo Diddley, Bo Diddley, have you heard? 151 00:16:04,700 --> 00:16:07,500 ' Baby's gonna buy me a mockingbird 152 00:16:07,500 --> 00:16:09,700 (' ''Who Do You Love?'') 153 00:16:14,500 --> 00:16:16,200 Whooooo! 154 00:16:16,200 --> 00:16:19,400 Big time, Bill! Big time! Big time! 155 00:16:30,800 --> 00:16:35,600 ' l walked 47 miles of barbed wire, use a cobra snake for a necktie 156 00:16:35,600 --> 00:16:40,200 ' Got a brand-new house on the roadside, made from rattlesnake hide 157 00:16:40,200 --> 00:16:44,600 ' Got a brand-new chimney made on top, made from a human skull 158 00:16:45,200 --> 00:16:49,700 ' Come on, Robbie, let's take a little walk, tell me who do you love? 159 00:16:49,700 --> 00:16:51,200 ' Who do you love? 160 00:16:52,000 --> 00:16:54,100 ' Who do you love? 161 00:16:54,400 --> 00:16:55,700 ' Who do you love? 162 00:17:01,400 --> 00:17:06,100 ' Arlene took me by the hand, says ''Who are you, Ricky? l understand'' 163 00:17:06,100 --> 00:17:07,600 ' Who do you love? 164 00:17:08,500 --> 00:17:10,000 ' Who do you love? 165 00:17:10,800 --> 00:17:12,100 ' Who do you love? 166 00:17:13,100 --> 00:17:15,000 ' Who do you love? 167 00:17:15,600 --> 00:17:17,700 Argh! 168 00:17:17,700 --> 00:17:20,000 Arrrgh! 169 00:17:20,000 --> 00:17:21,900 Arrrrrrgh! 170 00:17:22,300 --> 00:17:24,000 Arrggghhh! 171 00:17:41,900 --> 00:17:44,000 Come on, Robbie! 172 00:17:56,800 --> 00:17:59,200 ' l got a tombstone hand and a graveyard mind 173 00:17:59,200 --> 00:18:01,800 ' l've turned 41, l don't mind dyin' 174 00:18:01,800 --> 00:18:03,400 ' Who do you love? 175 00:18:04,100 --> 00:18:05,700 ' Who do you love? 176 00:18:06,400 --> 00:18:08,000 ' Who do you love? 177 00:18:08,600 --> 00:18:10,300 ' Who do you love? 178 00:18:15,300 --> 00:18:18,000 ' l ride around the county and use a rattlesnake whip 179 00:18:18,000 --> 00:18:20,300 ' Take it easy, Garth, don't you give me no lip 180 00:18:20,300 --> 00:18:21,500 ' Who do you love? 181 00:18:22,400 --> 00:18:24,000 ' Who do you love? 182 00:18:24,700 --> 00:18:26,300 ' Who do you love? 183 00:18:27,200 --> 00:18:28,600 ' Who do you love? 184 00:18:38,300 --> 00:18:40,700 ' The night was black and the night was blue 185 00:18:40,700 --> 00:18:42,900 ' Round the corner an ice wagon flew 186 00:18:42,900 --> 00:18:47,700 ' Bump was hit and somebody screamed, you shoulda heard just what l seen 187 00:18:47,700 --> 00:18:49,000 ' Who do you love? 188 00:18:49,900 --> 00:18:51,200 ' Who do you love? 189 00:18:52,200 --> 00:18:53,600 ' Who do you love? 190 00:18:54,200 --> 00:18:56,000 ' Who do you love? 191 00:18:56,800 --> 00:18:58,900 Argh! 192 00:18:58,900 --> 00:19:01,000 Arrrgh! 193 00:19:01,300 --> 00:19:02,600 Arrrrrrgh! 194 00:19:03,600 --> 00:19:04,900 Arrrggghhh! 195 00:19:59,700 --> 00:20:01,800 Thank you, Ronnie! 196 00:20:03,300 --> 00:20:04,300 The Hawk! 197 00:20:06,000 --> 00:20:09,700 And the week went on and it was a little depressing. 198 00:20:10,700 --> 00:20:16,500 And it was especially depressing cos we didn't have any money at all. No dough. 199 00:20:16,500 --> 00:20:19,300 (Danko) At one point, we had no more food money. 200 00:20:19,300 --> 00:20:23,600 lt got to the point where, coming from Canada, we had these overcoats, 201 00:20:23,600 --> 00:20:27,900 big overcoats with pockets and everything, and we had a little routine. 202 00:20:27,900 --> 00:20:31,600 We'd go to the shopping centre, all together. 203 00:20:31,600 --> 00:20:36,500 - But l stayed home, right? - No, you didn't. 204 00:20:36,500 --> 00:20:37,800 l got the cigarettes. 205 00:20:37,800 --> 00:20:43,200 l turned the cigarette machine upside down and got everybody some cigarettes. 206 00:20:43,200 --> 00:20:47,200 - Yeah, but that was on the... - You got me some baloney. 207 00:20:47,400 --> 00:20:50,000 We'd go to the supermarket 208 00:20:50,000 --> 00:20:56,100 and a couple of people would buy a couple of loaves of bread, 209 00:20:56,100 --> 00:20:59,800 cos that was about the cheapest thing you could get. 210 00:20:59,800 --> 00:21:04,400 And the rest of us would be carousing the aisles, stuffing baloney. 211 00:21:05,200 --> 00:21:09,000 lt'd be time to leave, the guy with the loaves would go to the checkout 212 00:21:09,000 --> 00:21:12,700 and we'd say ''We'll meet you at the car. You take the bread out.'' 213 00:21:12,700 --> 00:21:15,400 - Ya'll come back! - And with these overcoats... 214 00:21:15,400 --> 00:21:17,500 (' ''lt Makes No Difference'') 215 00:21:29,800 --> 00:21:35,500 ' And it makes no difference where l turn 216 00:21:37,400 --> 00:21:42,300 ' l can't get over you and the flame still burns 217 00:21:44,800 --> 00:21:50,300 ' And it makes no difference, night or day 218 00:21:52,300 --> 00:21:57,000 ' The shadow never seems to fade away 219 00:21:58,300 --> 00:22:09,700 ' And the sun don't shine any more 220 00:22:13,400 --> 00:22:24,900 ' And the rains fall down on my door 221 00:22:29,900 --> 00:22:32,600 ' Well, these old love letters 222 00:22:34,100 --> 00:22:36,100 ' Well, l just can't keep them 223 00:22:37,900 --> 00:22:40,100 ' Cos, like the gambler says 224 00:22:41,100 --> 00:22:43,600 ' Read 'em and weep 225 00:22:43,600 --> 00:22:53,100 ' And the dawn don't rescue me no more 226 00:23:00,300 --> 00:23:06,800 ' Without your love l have nothing at all 227 00:23:08,000 --> 00:23:13,300 ' Like an empty hall, it's a lonely fall 228 00:23:15,400 --> 00:23:22,400 ' Since you've been gone, it's a losing battle 229 00:23:23,800 --> 00:23:33,500 ' Stampeding cattle they rattle the walls 230 00:23:33,500 --> 00:23:45,200 ' And the sun don't shine any more 231 00:23:48,900 --> 00:24:00,800 ' And the rains fall down on my door 232 00:24:05,800 --> 00:24:08,600 ' Well, l love you so much 233 00:24:10,100 --> 00:24:12,300 ' And it's all l can do 234 00:24:13,600 --> 00:24:20,100 ' Just to keep myself from telling you 235 00:24:20,100 --> 00:24:32,000 ' That l never felt so alone before 236 00:25:58,400 --> 00:25:59,700 (cheering) 237 00:26:02,100 --> 00:26:06,100 Hath in the Ram his halfe cours yronne, 238 00:26:07,000 --> 00:26:10,300 And smale foweles maken melodye, 239 00:26:10,300 --> 00:26:13,200 That slepen al the nyght with open eye- 240 00:26:13,200 --> 00:26:17,200 So priketh hem Nature in hir corages; 241 00:26:17,300 --> 00:26:20,800 Thanne longen folk to goon on pilgrimages 242 00:26:20,800 --> 00:26:24,400 To ferne halwes, kowthe in sondry londes; 243 00:26:24,400 --> 00:26:27,200 And specially from every shires ende 244 00:26:27,200 --> 00:26:30,500 Of Engelond, to Caunterbury they wende, 245 00:26:30,500 --> 00:26:34,300 The hooly blisful martir for the seke 246 00:26:34,300 --> 00:26:37,200 That hem hath holpen, whan that they were seeke 247 00:26:39,300 --> 00:26:41,600 Michael McClure! 248 00:26:41,900 --> 00:26:43,900 (applause) 249 00:26:44,600 --> 00:26:46,700 You all know Doctor John? 250 00:26:46,700 --> 00:26:48,900 Mac Rebennack. Come on, Mac. 251 00:26:48,900 --> 00:26:51,000 (cheering) 252 00:26:59,600 --> 00:27:02,700 ln thankfulness to The Band and all the fellas. 253 00:27:02,700 --> 00:27:04,700 Two, three, four, one... 254 00:27:04,700 --> 00:27:07,300 (' ''Such A Night'') 255 00:27:07,300 --> 00:27:08,400 ' Such a night 256 00:27:11,700 --> 00:27:12,700 ' Such a night 257 00:27:16,400 --> 00:27:18,500 ' Sweet confusion 258 00:27:20,200 --> 00:27:22,300 ' under the moonlight 259 00:27:24,400 --> 00:27:25,500 ' Such a night 260 00:27:28,900 --> 00:27:29,800 ' Such a night 261 00:27:33,400 --> 00:27:35,500 ' Got to steal away 262 00:27:37,100 --> 00:27:39,200 ' The time seems right 263 00:27:41,400 --> 00:27:43,500 ' When your eyes met mine 264 00:27:45,600 --> 00:27:47,700 ' At a glance 265 00:27:50,000 --> 00:27:52,500 ' You let me know 266 00:27:52,500 --> 00:27:54,600 ' This was my chance 267 00:27:56,500 --> 00:27:58,500 ' You came in with my best friend Jim 268 00:27:59,800 --> 00:28:03,800 ' See l aim da-da-da to steal you away from him 269 00:28:04,200 --> 00:28:09,600 ' Oh, baby, if l don't do it, somebody else will 270 00:28:10,100 --> 00:28:13,800 ' lf l don't do it, somebody else will 271 00:28:14,400 --> 00:28:18,100 ' lf l don't do it, somebody else will 272 00:28:18,800 --> 00:28:22,500 ' lf l don't do it, somebody else will 273 00:28:24,000 --> 00:28:25,000 ' Such a night 274 00:28:28,200 --> 00:28:29,400 ' Such a night 275 00:28:32,800 --> 00:28:34,900 ' Sweet confusion 276 00:28:36,300 --> 00:28:38,400 ' under the moonlight 277 00:28:40,900 --> 00:28:41,900 ' Such a night 278 00:28:44,600 --> 00:28:45,700 ' Such a night 279 00:28:49,100 --> 00:28:51,200 ' Got to steal away 280 00:28:53,300 --> 00:28:55,300 ' The time seems right 281 00:28:57,200 --> 00:28:59,300 ' Baby, l couldn't believe my ears 282 00:29:01,500 --> 00:29:03,700 ' My heart just skipped a little beat 283 00:29:05,600 --> 00:29:08,000 ' You told me we could slip away 284 00:29:08,600 --> 00:29:11,600 ' Down the dark end of the street 285 00:29:11,600 --> 00:29:14,500 ' Baby, you came in with my best friend Jim 286 00:29:16,000 --> 00:29:21,200 ' See, l aim da-da-da to steal you away from him, baby 287 00:29:21,200 --> 00:29:25,100 ' lf l don't do it, somebody else will 288 00:29:25,600 --> 00:29:29,900 ' lf l don't do it, you know somebody else will 289 00:29:29,900 --> 00:29:33,800 ' lf l don't do it, somebody else will 290 00:29:34,500 --> 00:29:38,200 ' lf l don't do it, somebody else will 291 00:29:58,100 --> 00:29:59,100 Hey! 292 00:30:10,300 --> 00:30:12,400 The Doctor! 293 00:30:22,900 --> 00:30:24,300 Everybody knows him. 294 00:30:26,400 --> 00:30:28,600 You know this guy, l bet. 295 00:30:28,600 --> 00:30:30,700 (cheering) 296 00:30:33,500 --> 00:30:37,100 - Thank you, man, for letting me do this. - Oh, shit. Are you kidding? 297 00:30:37,100 --> 00:30:39,600 Are you kidding? 298 00:30:40,700 --> 00:30:45,300 l'd just like to say before l start that it's one of the pleasures of my life 299 00:30:45,300 --> 00:30:48,700 to be able to be on the stage with these people tonight. 300 00:30:52,800 --> 00:30:54,800 (' ''Helpless'') 301 00:31:07,700 --> 00:31:09,800 They got it now, Robbie. 302 00:31:45,400 --> 00:31:50,200 ' There is a town in north Ontario 303 00:31:53,600 --> 00:31:58,000 ' With dream-comfort memories to spare 304 00:32:02,100 --> 00:32:07,300 ' ln my mind l still need a place to go 305 00:32:10,500 --> 00:32:15,100 ' All my changes were there 306 00:32:19,000 --> 00:32:24,500 ' Blue, blue windows behind the stars 307 00:32:27,400 --> 00:32:32,700 ' Yellow moon on the rise 308 00:32:35,500 --> 00:32:40,900 ' The big birds flying across the sky 309 00:32:43,900 --> 00:32:50,100 ' They were throwing shadows on our eyes 310 00:32:50,500 --> 00:32:52,800 ' Leave us 311 00:32:52,800 --> 00:32:57,500 ' Helpless, helpless, helpless 312 00:32:57,500 --> 00:33:00,200 ' You make me feel so helpless 313 00:33:00,900 --> 00:33:05,600 ' Well, baby, can you hear me now? 314 00:33:05,600 --> 00:33:07,700 ' l can hear you now 315 00:33:08,600 --> 00:33:13,600 ' The chains are locked and tied across my door 316 00:33:17,600 --> 00:33:22,800 ' But, baby, baby, sing with me somehow 317 00:33:59,900 --> 00:34:05,500 ' Blue, blue windows behind the stars 318 00:34:08,200 --> 00:34:13,100 ' Yellow moon on the rise 319 00:34:16,600 --> 00:34:22,100 ' The big birds flying across the sky 320 00:34:25,000 --> 00:34:30,500 ' They're throwing shadows on our eyes 321 00:34:31,500 --> 00:34:33,600 ' Leave us 322 00:34:33,600 --> 00:34:38,500 ' Helpless, helpless, helpless 323 00:34:42,300 --> 00:34:47,000 ' Helpless, helpless, helpless 324 00:34:50,800 --> 00:34:54,800 ' Helpless, helpless, helpless 325 00:34:55,300 --> 00:34:58,400 ' Baby, can you hear me now? 326 00:34:59,300 --> 00:35:04,000 ' Helpless, helpless, helpless 327 00:35:07,700 --> 00:35:12,600 ' Helpless, helpless, helpless 328 00:35:16,100 --> 00:35:20,700 ' Helpless, helpless, helpless 329 00:35:21,200 --> 00:35:24,200 ' Chains are locked and tied 330 00:35:24,200 --> 00:35:28,200 ' Helpless, helpless, helpless 331 00:35:28,200 --> 00:35:32,200 ' Baby, baby, baby, sing with me somehow 332 00:35:32,400 --> 00:35:36,300 - ' Helpless, helpless, helpless - ' With me somehow 333 00:35:40,700 --> 00:35:47,300 ' Helpless, helpless, helpless 334 00:35:48,100 --> 00:35:50,100 (cheering) 335 00:35:57,400 --> 00:35:59,400 (Robertson) Neil Young! 336 00:36:03,300 --> 00:36:07,600 l don't know what it is. Maybe the years connect or it's coincidence, 337 00:36:07,600 --> 00:36:10,200 but it seems like that's it. 338 00:36:10,200 --> 00:36:12,400 That's what The Last Waltz is. 339 00:36:12,400 --> 00:36:16,400 l mean, 16 years on the road. The numbers start to scare you. 340 00:36:17,800 --> 00:36:20,800 l couldn't live with 20 years on the road. 341 00:36:20,800 --> 00:36:22,900 l don't think l could even discuss it. 342 00:36:26,800 --> 00:36:28,800 (' ''Stage Fright'') 343 00:36:59,400 --> 00:37:02,400 ' Now deep in the heart of a lonely kid 344 00:37:03,300 --> 00:37:06,300 ' Who suffered so much for what he did 345 00:37:07,400 --> 00:37:10,600 ' They gave this poor boy his fortune and fame 346 00:37:11,400 --> 00:37:14,700 ' Since that day he ain't been the same 347 00:37:16,200 --> 00:37:18,900 ' See the man with the stage fright 348 00:37:19,900 --> 00:37:23,100 ' Just standing up there to give it all his might 349 00:37:24,300 --> 00:37:27,000 ' He got caught in the spotlight 350 00:37:28,500 --> 00:37:30,700 ' But when we get to the end 351 00:37:30,700 --> 00:37:32,700 ' He wants to start all over again 352 00:37:36,600 --> 00:37:39,600 ' l've got firewater right on my breath 353 00:37:40,800 --> 00:37:43,800 ' And the doctor warned me l might catch a death 354 00:37:44,800 --> 00:37:48,100 ' He said ''You can make it in your disguise'' 355 00:37:48,900 --> 00:37:51,800 ' ''Just never show the fear in your eyes'' 356 00:37:53,600 --> 00:37:56,100 ' See the man with the stage fright 357 00:37:57,300 --> 00:38:00,500 ' Just standing up there to give it all his might 358 00:38:01,600 --> 00:38:04,200 ' He got caught in the spotlight 359 00:38:05,900 --> 00:38:08,100 ' But when we get to the end 360 00:38:08,100 --> 00:38:10,300 ' He wants to start all over again 361 00:38:11,900 --> 00:38:14,800 ' Now when he says that he's afraid 362 00:38:16,000 --> 00:38:18,300 ' Won't you take him at his word? 363 00:38:20,200 --> 00:38:23,100 ' And for the price that the poor boy has paid 364 00:38:24,300 --> 00:38:26,500 ' Well, he gets to sing just like a bird 365 00:38:26,500 --> 00:38:29,000 ' Oooh oooh oooh-oooh 366 00:38:49,400 --> 00:38:52,300 ' My brow is sweating and my mouth gets dry 367 00:38:53,600 --> 00:38:56,200 ' The fancy people go drifting by 368 00:38:57,700 --> 00:39:00,900 ' Well, the moment of truth is right at hand 369 00:39:01,600 --> 00:39:05,300 ' Just one more nightmare you can stand 370 00:39:06,200 --> 00:39:09,000 ' See the man with the stage fright 371 00:39:10,000 --> 00:39:13,200 ' Just standing up there to give it all his might 372 00:39:14,200 --> 00:39:16,900 ' And he got caught in the spotlight 373 00:39:18,700 --> 00:39:20,300 ' But when we get to the end 374 00:39:20,300 --> 00:39:24,000 ' Well, he wants to start all over again, no, no, no 375 00:39:24,700 --> 00:39:26,800 ' That's right, make him start 376 00:39:28,700 --> 00:39:30,800 ' Just let him take it from the top 377 00:40:09,600 --> 00:40:11,700 (cheering) 378 00:40:21,600 --> 00:40:24,700 Well, we were The Hawks. 379 00:40:25,800 --> 00:40:28,300 Everything was fine. We were sailing along. 380 00:40:28,300 --> 00:40:32,300 And all of a sudden, one day, The Hawks meant something else altogether. 381 00:40:33,300 --> 00:40:36,700 lt was right in the middle of that whole psychedelia. 382 00:40:38,800 --> 00:40:45,600 ''Chocolate Subway''. ''Marshmallow Overcoat''. Those kind of names. 383 00:40:45,900 --> 00:40:49,900 When we were working with Bob Dylan and we moved to Woodstock, 384 00:40:51,500 --> 00:40:53,800 everybody referred to us as The Band. 385 00:40:53,800 --> 00:40:58,700 He called us The Band. Our friends and neighbours called us The Band. 386 00:40:59,100 --> 00:41:01,400 And we started out with The Crackers. 387 00:41:03,900 --> 00:41:06,200 We tried to call ourselves The Honkies. 388 00:41:09,000 --> 00:41:12,300 Everybody kind of backed off from that, you know? 389 00:41:13,900 --> 00:41:16,400 lt was too straight. 390 00:41:19,600 --> 00:41:25,200 So we decided just to call ourselves The Band. 391 00:41:26,400 --> 00:41:28,500 (' ''The Weight'') 392 00:41:38,600 --> 00:41:44,000 ' l pulled into Nazareth just feeling 'bout half-past dead 393 00:41:45,400 --> 00:41:50,500 ' Just need to find a place where l can lay my head 394 00:41:51,900 --> 00:41:56,900 ' ''Mister, can you tell me where a man might find a bed?'' 395 00:41:58,100 --> 00:42:00,900 ' He just grinned and shook my hand 396 00:42:00,900 --> 00:42:03,200 ' ''No!'' was all he said 397 00:42:04,800 --> 00:42:07,000 ' Take a load off Fanny 398 00:42:08,100 --> 00:42:10,200 ' Take a load for free 399 00:42:11,400 --> 00:42:13,400 ' Take a load off Fanny 400 00:42:15,100 --> 00:42:17,300 ' And... 401 00:42:17,300 --> 00:42:20,500 ' You put the load right on me 402 00:42:27,000 --> 00:42:32,000 ' l picked up my bag and went looking for a place to hide 403 00:42:33,000 --> 00:42:38,300 ' When l saw old Carmen and the Devil walking side by side 404 00:42:39,700 --> 00:42:44,900 ' l said ''Hey, Carmen, come on, let's go downtown'' 405 00:42:46,100 --> 00:42:51,100 ' She said ''l gotta go but my friend can stick around'' 406 00:42:52,400 --> 00:42:54,700 ' Take a load off Fanny 407 00:42:55,800 --> 00:42:58,000 ' Take a load for free 408 00:42:58,900 --> 00:43:01,300 ' Take a load off Fanny 409 00:43:02,800 --> 00:43:04,900 ' And... 410 00:43:05,200 --> 00:43:08,100 ' You put the load right on me 411 00:43:15,000 --> 00:43:19,500 ' Go down, Moses, there's nothin' that you can say 412 00:43:20,900 --> 00:43:26,100 ' lt's just old Luke and Luke is waiting on the Judgment Day 413 00:43:27,400 --> 00:43:32,300 ' ''Hey, Luke, my friend, what about young Anna Lee?'' 414 00:43:33,500 --> 00:43:35,800 ' He said ''Do me a favour, son'' 415 00:43:35,800 --> 00:43:39,500 ''Won't you stay and keep Anna Lee company?'' 416 00:43:40,100 --> 00:43:42,200 ' Take a load off Fanny 417 00:43:43,200 --> 00:43:45,300 ' Take a load for free 418 00:43:46,600 --> 00:43:48,700 ' Take a load off Fanny 419 00:43:50,200 --> 00:43:52,600 ' And... 420 00:43:52,600 --> 00:43:55,500 ' You put the load right on me 421 00:44:02,000 --> 00:44:06,600 ' Crazy Chester followed me and he caught me in the fog 422 00:44:08,100 --> 00:44:13,500 ' He said ''l will fix your rack if you take old Jack, my dog'' 423 00:44:14,400 --> 00:44:19,400 ' l said ''Wait a minute, Chester, you know l'm a peaceful man'' 424 00:44:20,700 --> 00:44:26,600 ' He said ''That's OK, boy, won't you feed him whenever you can'' 425 00:44:27,300 --> 00:44:29,600 ' Take a load off Fanny 426 00:44:30,700 --> 00:44:32,500 ' Take a load for free 427 00:44:33,700 --> 00:44:36,300 ' Take a load off Fanny 428 00:44:37,500 --> 00:44:39,800 ' And... 429 00:44:39,800 --> 00:44:42,900 ' You put the load right on me 430 00:44:56,100 --> 00:45:00,700 ' Catch a cannonball now to take me on down the line 431 00:45:02,100 --> 00:45:07,600 ' My bag is sinking low and l do believe that it's time 432 00:45:08,300 --> 00:45:13,400 ' To get back to Miss Fanny, you know she's the only one 433 00:45:14,800 --> 00:45:19,900 ' She sent me here with regards for everyone 434 00:45:21,300 --> 00:45:23,500 ' Take a load off Fanny 435 00:45:24,500 --> 00:45:26,300 ' Take a load for free 436 00:45:27,600 --> 00:45:30,400 ' Take a load off Fanny 437 00:45:31,300 --> 00:45:36,300 ' And you put the load right on me 438 00:45:41,800 --> 00:45:45,700 ' Oh, Fanny, take a load off Fanny 439 00:45:48,600 --> 00:45:56,500 ' Ohhh 440 00:45:58,500 --> 00:46:00,500 (whispers) Beautiful! 441 00:46:03,900 --> 00:46:07,900 - (Manuel) Doesn't that need dusting? - (Danko) This looks interesting. 442 00:46:08,000 --> 00:46:10,600 We'll play ''Old-Time Religion'' for the folks. 443 00:46:25,700 --> 00:46:31,000 ' Old-time religion, give me that old-time religion 444 00:46:31,000 --> 00:46:33,200 ' And it's good enough 445 00:46:33,200 --> 00:46:36,300 ' Well, it's good enough 446 00:46:36,600 --> 00:46:42,800 ' lt was good for Grandpa, good for my grandma 447 00:46:42,800 --> 00:46:44,300 ' lt's good enough 448 00:46:44,300 --> 00:46:47,200 ' Good enough, good enough now 449 00:47:04,900 --> 00:47:07,000 Oh, it's not like it used to be! 450 00:47:08,400 --> 00:47:10,700 (' ''The Night They Drove Old Dixie Down'') 451 00:47:21,400 --> 00:47:27,100 ' Virgil Caine is the name and l served on the Danville train 452 00:47:29,000 --> 00:47:34,900 ' Till Stoneman's cavalry came and they tore up the tracks again 453 00:47:36,600 --> 00:47:43,500 ' ln the winter of '65 we were hungry, just barely alive 454 00:47:44,200 --> 00:47:47,400 ' By May the tenth Richmond had fell 455 00:47:47,400 --> 00:47:54,100 ' lt's a time l remember oh so well 456 00:47:54,700 --> 00:48:00,000 ' The night they drove old Dixie down 457 00:48:00,800 --> 00:48:03,200 ' When all the bells were ringing 458 00:48:03,200 --> 00:48:08,100 ' The night they drove old Dixie down 459 00:48:08,700 --> 00:48:11,000 ' And all the people were singing 460 00:48:11,000 --> 00:48:15,000 ' They went la la-la la la-la laaa 461 00:48:15,600 --> 00:48:19,400 ' La la-la la la-la la-la laaa 462 00:48:23,800 --> 00:48:27,500 ' Back with my wife in Tennessee 463 00:48:27,500 --> 00:48:30,600 ' When one day she called to me 464 00:48:32,300 --> 00:48:38,200 ' Said ''Virgil, quick, come and see there goes Robert E Lee!'' 465 00:48:39,200 --> 00:48:42,400 ' Now l don't mind chopping wood 466 00:48:43,000 --> 00:48:47,000 ' And l don't care if the money's no good 467 00:48:47,100 --> 00:48:50,400 ' You take what you need and you leave the rest 468 00:48:50,400 --> 00:48:58,300 ' But they should never have taken the very best 469 00:48:58,600 --> 00:49:03,800 ' The night they drove old Dixie down 470 00:49:04,600 --> 00:49:07,100 ' When all the bells were ringing 471 00:49:07,100 --> 00:49:11,900 ' The night they drove old Dixie down 472 00:49:12,500 --> 00:49:14,800 ' And all the people were singing 473 00:49:14,800 --> 00:49:18,700 ' They went la la-la la la-la laaa 474 00:49:19,600 --> 00:49:23,200 ' La la-la la la-la la-la laaa 475 00:49:31,400 --> 00:49:34,000 ' Like my father before me 476 00:49:34,800 --> 00:49:37,600 ' l will work the land 477 00:49:39,100 --> 00:49:43,000 ' And like my brother above me 478 00:49:43,000 --> 00:49:45,500 ' Who took a rebel stand 479 00:49:46,300 --> 00:49:49,900 ' He was just 18, proud and brave 480 00:49:50,500 --> 00:49:54,200 ' But a Yankee laid him in his grave 481 00:49:54,200 --> 00:49:58,000 ' And l swear by the mud below my feet 482 00:49:58,000 --> 00:50:05,400 ' You can't raise a Caine back up when he's in defeat 483 00:50:05,800 --> 00:50:10,900 ' The night they drove old Dixie down 484 00:50:11,800 --> 00:50:14,300 ' When all the bells were ringing 485 00:50:14,300 --> 00:50:19,100 ' The night they drove old Dixie down 486 00:50:19,900 --> 00:50:22,000 ' And all the people were singing 487 00:50:22,000 --> 00:50:26,000 ' They went la la-la la la-la laaa 488 00:50:26,600 --> 00:50:30,400 ' La la-la la la-la la-la laaa 489 00:50:38,700 --> 00:50:43,900 ' The night they drove old Dixie down, down 490 00:50:44,700 --> 00:50:46,800 ' The bells were ringing 491 00:50:46,800 --> 00:50:51,500 ' The night they drove old Dixie down 492 00:50:52,300 --> 00:50:54,500 ' And all the people were singing 493 00:50:54,500 --> 00:50:58,500 ' They went la la-la la la-la laaa 494 00:50:59,100 --> 00:51:02,600 ' La la-la la la-la la-la laaa 495 00:51:14,400 --> 00:51:16,500 (cheering) 496 00:51:23,700 --> 00:51:26,600 A dream come true. 497 00:51:26,600 --> 00:51:28,700 Fascinating. Scary. 498 00:51:31,000 --> 00:51:34,100 Kind of hard to take the first time. 499 00:51:34,100 --> 00:51:39,800 You have to go there about two or three times before you can fall in love with it. 500 00:51:39,800 --> 00:51:41,800 But that happens eventually. 501 00:51:42,800 --> 00:51:46,800 We stayed at the Times Square Hotel on 42nd Street. 502 00:51:47,600 --> 00:51:49,600 The title of the hotel, 503 00:51:49,600 --> 00:51:54,200 it sounded like it was conveniently located in midtown Manhattan. 504 00:51:54,200 --> 00:51:58,800 What did we know? We came out of the hotel after checking in, 505 00:51:58,800 --> 00:52:01,700 and you think ''lt's great to be back in New York.'' 506 00:52:01,700 --> 00:52:04,400 Movie theatres for ever. 507 00:52:04,400 --> 00:52:08,400 All these friendly women walking up and down the street. 508 00:52:09,000 --> 00:52:11,900 lt was... lt was great. 509 00:52:11,900 --> 00:52:15,900 Yeah, New York, it was an adult portion. lt was an adult dose. 510 00:52:17,300 --> 00:52:21,300 So it took a couple of trips to get into it. 511 00:52:22,700 --> 00:52:26,700 You just go in the first time and you get your ass kicked and you take off. 512 00:52:27,100 --> 00:52:32,300 As soon as it heals up, you come back and you try it again. 513 00:52:32,300 --> 00:52:35,200 Eventually, you fall right in love with it. 514 00:52:36,700 --> 00:52:42,900 Roulette Records was in the middle of this mythical place, Tin Pan Alley. 515 00:52:42,900 --> 00:52:45,400 The songwriting capital of the world. 516 00:52:45,400 --> 00:52:48,700 And we met some of the greatest songwriters ever. 517 00:52:48,700 --> 00:52:54,000 Rock-and-roll songwriters. Doc Pomus. Mort Shuman. Lieber and Stoller. 518 00:52:54,000 --> 00:52:56,800 They were all then. Carole King. Neil Diamond. 519 00:52:57,300 --> 00:53:03,400 At the time it wasn't fair that a songwriter was the low man on the totem pole. 520 00:53:03,400 --> 00:53:06,600 But then, these people... 521 00:53:06,600 --> 00:53:08,800 And here come the '60s, 522 00:53:08,800 --> 00:53:12,600 with change and revolution and war and assassinations, 523 00:53:12,600 --> 00:53:16,300 and a whole other frame of mind coming along. 524 00:53:16,300 --> 00:53:22,400 And these songwriters were expressing the feelings of people in the street. 525 00:53:22,800 --> 00:53:27,400 ln a way, it was kind of the beginning of the end of Tin Pan Alley. 526 00:53:28,300 --> 00:53:30,300 (' ''Dry Your Eyes'') 527 00:53:37,500 --> 00:53:40,100 ' Dry your eyes 528 00:53:40,100 --> 00:53:42,200 ' Take your song out 529 00:53:43,100 --> 00:53:45,700 ' lt's a newborn afternoon 530 00:53:47,600 --> 00:53:51,600 ' And if you can't recall the singer 531 00:53:53,000 --> 00:53:56,200 ' Can you still recall the tune? 532 00:53:59,900 --> 00:54:02,100 ' Dry your eyes 533 00:54:02,100 --> 00:54:04,500 ' And play it slowly 534 00:54:04,500 --> 00:54:08,100 ' Just like you're marching off to war 535 00:54:09,500 --> 00:54:13,500 ' Sing it like you always wanted 536 00:54:15,000 --> 00:54:18,200 ' Like you sung it once before 537 00:54:21,600 --> 00:54:25,100 ' And from the centre of the circle 538 00:54:26,800 --> 00:54:30,100 ' To the midst of the waiting crowd 539 00:54:31,000 --> 00:54:34,800 ' lf it ever is forgotten 540 00:54:36,100 --> 00:54:39,800 ' Sing it long and sing it loud 541 00:54:39,800 --> 00:54:42,300 ' And come dry your eyes 542 00:54:49,600 --> 00:54:54,200 ' And he taught us more about living 543 00:54:54,200 --> 00:54:57,700 ' Than we ever cared to know 544 00:54:58,900 --> 00:55:03,500 ' And we came to learn the secret 545 00:55:03,500 --> 00:55:07,000 ' And we never let it go 546 00:55:10,400 --> 00:55:14,100 ' And it was more than being holy 547 00:55:15,200 --> 00:55:18,500 ' Though it was less than being free 548 00:55:19,600 --> 00:55:23,600 ' And if you can't recall the reason 549 00:55:24,400 --> 00:55:28,300 ' Can you hear the people sing? 550 00:55:31,200 --> 00:55:35,200 ' Right through the lightning and the thunder 551 00:55:36,000 --> 00:55:39,400 ' To the dark side of the moon 552 00:55:40,600 --> 00:55:44,600 ' To that distant falling angel 553 00:55:45,300 --> 00:55:49,000 ' That descended much too soon 554 00:55:49,600 --> 00:55:51,500 ' Come dry your eyes 555 00:55:54,600 --> 00:55:57,100 ' Dry your eyes 556 00:55:57,600 --> 00:56:00,200 ' Take your song out 557 00:56:00,200 --> 00:56:02,800 ' lt's a newborn afternoon 558 00:56:04,400 --> 00:56:07,900 ' And if you can't recall the singer 559 00:56:09,500 --> 00:56:13,400 ' You can still recall the tune 560 00:56:13,400 --> 00:56:15,700 ' Come dry your eyes 561 00:56:18,200 --> 00:56:21,000 ' Come dry your eyes 562 00:56:23,200 --> 00:56:26,800 ' Dry your eyes 563 00:56:33,000 --> 00:56:35,100 (cheering) 564 00:56:35,800 --> 00:56:38,000 (Robertson) Neil Diamond! 565 00:56:38,000 --> 00:56:41,100 - (cheering and applause) - Thanks very much. 566 00:56:46,200 --> 00:56:49,000 (Scorsese) When you started playing as The Band, 567 00:56:49,000 --> 00:56:51,900 you shied away from publicity a lot. 568 00:56:51,900 --> 00:56:54,300 Talk about that a little. 569 00:56:54,300 --> 00:56:59,900 That was just part of a lifestyle that we got to love in Woodstock. 570 00:56:59,900 --> 00:57:04,900 We got to like it, you know, just being able to chop wood 571 00:57:04,900 --> 00:57:07,800 or hit your thumb with a hammer. 572 00:57:08,100 --> 00:57:14,100 We'd be concerned with fixing a tape recorder, fixing a screen door. 573 00:57:14,100 --> 00:57:16,800 Stuff like that. And getting the songs together. 574 00:57:17,200 --> 00:57:19,800 We always seemed to get a whole lot more done 575 00:57:19,800 --> 00:57:22,800 when we didn't have a lot of company around. 576 00:57:23,800 --> 00:57:26,000 We were more productive. 577 00:57:26,000 --> 00:57:30,000 And as soon as company came, of course, we'd start having fun. 578 00:57:31,900 --> 00:57:34,700 You know what happens when you have too much fun. 579 00:57:34,700 --> 00:57:36,800 (laughter) 580 00:57:38,000 --> 00:57:42,600 Something we've kind of evaded around here, but l'll ask it now. 581 00:57:42,600 --> 00:57:46,000 - What about women and the road? - l love 'em. 582 00:57:46,000 --> 00:57:49,200 That's probably why we've been on the road.