1 00:00:54,230 --> 00:00:56,410 ( silence ) TESTING, TESTING. 2 00:00:56,410 --> 00:00:58,600 ONE, TWO, THREE. 3 00:00:58,600 --> 00:01:01,980 TESTOSTERONE, TESTICULAR CANCER, "TESS OF THE D'URBERVILLES." 4 00:01:01,980 --> 00:01:06,050 Man OKAY, WE'RE SET. 5 00:01:06,050 --> 00:01:07,790 PARTY MONSTER, TAKE ONE. 6 00:01:07,790 --> 00:01:12,810 Man # GOOD, SO WHY DON'T YOU START AT THE VERY BEGINNING? 7 00:01:12,810 --> 00:01:23,190 A VERY GOOD PLACE TO START, IF YOU SAY SO. 8 00:01:23,190 --> 00:01:26,350 I THINK IT'S SO IMPORTANT TO BEGIN WITH A BANG, DON'T YOU? 9 00:01:26,350 --> 00:01:31,980 LET THEM KNOW SOMETHING HORRIBLE'S GOING TO HAPPEN AND THEN, POOF... 10 00:01:31,980 --> 00:01:35,780 WE'RE SUDDENLY ELSEWHERE. 11 00:01:35,780 --> 00:01:40,840 MICHAEL ALIG'S BLOOD FEAST PARTY. 12 00:01:40,840 --> 00:01:50,970 JUST A QUIET NIGHT OUT WITH A FEW FRIENDS. 13 00:01:50,970 --> 00:01:55,160 ( laughs ) THAT'S MICHAEL, EXHIBIT A, 14 00:01:55,160 --> 00:01:58,130 KING OF THE CLUB KIDS. 15 00:01:58,130 --> 00:01:59,399 WHAT A MESS. 16 00:01:59,399 --> 00:02:04,750 HE USED TO BE SUCH A SWEET KID. 17 00:02:04,750 --> 00:02:07,990 MICHAEL, I HATE YOU FOR MAKING ME SAY SERIOUS THINGS, 18 00:02:07,990 --> 00:02:13,790 SO I WILL ONLY SAY THIS ONCE. 19 00:02:13,790 --> 00:02:15,890 YOU'VE GONE TOO FAR WITH THE DRUGS. 20 00:02:15,890 --> 00:02:20,500 HAVE YOU LOOKED IN THE MIRROR LATELY? 21 00:02:20,500 --> 00:02:25,360 EXHIBIT B, MOI, THE YOUNGER PRETTIER ONE. 22 00:02:25,360 --> 00:02:28,950 I WAS GOING TO WRITE THE GREAT AMERICAN NOVEL. 23 00:02:28,950 --> 00:02:34,680 BUT INSTEAD, I FOUND MYSELF PLAYING THE SIDEKICK IN A SICK AND TWISTED BUDDY MOVIE. 24 00:02:34,680 --> 00:02:39,650 JAMES, ARE YOU SURE YOU'RE NOT THE ONE THAT'S A MESS 25 00:02:39,650 --> 00:02:40,650 HERE? 26 00:02:40,650 --> 00:02:45,660 ( laughs ) James OKAY, GUILTY AS CHARGED. 27 00:02:45,660 --> 00:02:50,670 BUT THINGS WERE ABOUT TO GET A WHOLE LOT MESSIER. 28 00:02:50,670 --> 00:02:54,320 SO COME WITH ME NOW ON THE LAST NIGHT OF MY LIFE, 29 00:02:54,320 --> 00:02:57,030 THE NIGHT OF MY OVERDOSE. 30 00:02:57,030 --> 00:03:01,080 YOO-HOO, ANYBODY HOME? 31 00:03:01,080 --> 00:03:07,769 THERE YOU ARE. 32 00:03:07,769 --> 00:03:09,400 - YOU LOOK AWFUL. 33 00:03:09,400 --> 00:03:13,060 - SO DO YOU. 34 00:03:13,060 --> 00:03:16,120 SO, HOW'S THE NOVEL COMING? 35 00:03:16,120 --> 00:03:19,409 WELL, I'VE DONE ANOTHER PAGE. 36 00:03:19,409 --> 00:03:21,480 BUT NOW I THINK I MIGHT HAVE WRITER'S BLOCK. 37 00:03:21,480 --> 00:03:25,620 TWO PAGES IN FIVE YEARS? 38 00:03:25,620 --> 00:03:27,280 Michael COME. 39 00:03:27,280 --> 00:03:38,359 WE'LL TAKE OUR TEA IN THE BEDROOM. 40 00:03:38,359 --> 00:03:45,879 SO... 41 00:03:45,879 --> 00:03:53,620 NOTICE ANYTHING DIFFERENT? 42 00:03:53,620 --> 00:03:54,810 THE FLIES? 43 00:03:54,810 --> 00:03:58,030 NO, SERIOUSLY, JAMES. 44 00:03:58,030 --> 00:04:00,719 ANYTHING OR ANYONE MISSING? 45 00:04:00,719 --> 00:04:03,290 LIKE A DRUG DEALER THAT USED TO LIVE HERE? 46 00:04:03,290 --> 00:04:06,120 WELL, DARLING, THAT COULD BE ANYONE. 47 00:04:06,120 --> 00:04:11,400 CAN I BUY A VOWEL? 48 00:04:11,400 --> 00:04:12,450 THINK. 49 00:04:12,450 --> 00:04:16,680 ( snorting ) I KNOW, ANGEL. 50 00:04:16,680 --> 00:04:18,789 WHERE IS ANGEL ANYWAY? 51 00:04:18,789 --> 00:04:20,199 - I KILLED HIM. 52 00:04:20,199 --> 00:04:23,480 - OF COURSE YOU DID, DARLING. 53 00:04:23,480 --> 00:04:28,100 OH, HOW I HATE HEROIN. 54 00:04:28,100 --> 00:04:31,410 NEW SHOES? 55 00:04:31,410 --> 00:04:36,380 OH, THEY'RE ANGEL'S. 56 00:04:36,380 --> 00:04:39,830 HE WAS WEARING THEM AT THE TIME. 57 00:04:39,830 --> 00:04:43,060 OF COURSE HE WAS, DARLING. 58 00:04:43,060 --> 00:04:53,669 AND THAT'S BLOOD ON THE TOE, RIGHT? 59 00:04:53,669 --> 00:04:58,330 I DIDN'T MEAN TO. 60 00:04:58,330 --> 00:05:00,820 IT WAS SELF-DEFENSE. 61 00:05:00,820 --> 00:05:02,970 JAMES? 62 00:05:02,970 --> 00:05:05,120 JAMES? 63 00:05:05,120 --> 00:05:07,280 JAMES? 64 00:05:07,280 --> 00:05:13,740 OH, TYPICAL JAMES. 65 00:05:13,740 --> 00:05:18,510 TIRED OLD DRUG ADDICT. 66 00:05:18,510 --> 00:05:20,460 CAN'T EVEN STAY AWAKE FOR YOUR OWN MOVIE. 67 00:05:20,460 --> 00:05:21,790 NOT THAT IT'S YOUR MOVIE. 68 00:05:21,790 --> 00:05:25,270 YOU THINK IT'S YOURS, BUT IT'S REALLY MINE. 69 00:05:25,270 --> 00:05:28,360 ALL MINE. 70 00:05:28,360 --> 00:05:36,090 ( harp playing ) HI, I'M MICHAEL. 71 00:05:36,090 --> 00:05:37,690 I GREW UP IN THE MIDWEST. 72 00:05:37,690 --> 00:05:42,250 USUAL STORY, FELT DIFFERENT, REALLY DIDN'T FIT IN. 73 00:05:42,250 --> 00:05:44,770 BUT I WASN'T GOING TO TURN THE OTHER CHEEK. 74 00:05:44,770 --> 00:05:45,850 NO SIREE. 75 00:05:45,850 --> 00:05:54,200 I STARTED SELLING CANDY IN SCHOOL, JACKED UP THE PRICES SEVERAL HUNDRED PERCENT. 76 00:05:54,200 --> 00:05:55,320 THIS IS MY MICHAEL. 77 00:05:55,320 --> 00:05:59,170 HE WAS ALWAYS MAKING MONEY. 78 00:05:59,170 --> 00:06:02,570 HE JUST-- HE HAD A KNACK FOR IT. 79 00:06:02,570 --> 00:06:04,900 MY LITTLE CANDY MAN. 80 00:06:04,900 --> 00:06:07,630 Michael LET'S SEE, WHAT ELSE? 81 00:06:07,630 --> 00:06:12,320 OH, ONCE WHEN I WAS , MY SUNDAY SCHOOL TEACHER TOOK ME BACK TO HIS 82 00:06:12,320 --> 00:06:13,320 HOUSE. 83 00:06:13,320 --> 00:06:17,560 HE TAUGHT ME HOW TO FRENCH KISS, AMONG OTHER THINGS. 84 00:06:17,560 --> 00:06:20,290 HE REALLY TOOK MY BOY UNDER HIS WING. 85 00:06:20,290 --> 00:06:21,740 VERY NICE MAN. 86 00:06:21,740 --> 00:06:24,950 HIS MOTHER CAUGHT US IN THE BASEMENT AND SHE SCREAMED, 87 00:06:24,950 --> 00:06:26,700 "I TOLD YOU NOT TO BRING THEM HERE!" 88 00:06:26,700 --> 00:06:29,890 AND HE SAID, "DON'T, YOU'LL FRIGHTEN HIM AWAY." 89 00:06:29,890 --> 00:06:38,150 ONE NIGHT MICHAEL GAVE ME A GOOD NIGHT KISS THAT A LITTLE BOY SHOULD NOT GIVE HIS MOTHER. 90 00:06:38,150 --> 00:06:41,850 I THOUGHT EVERYONE KISSED LIKE THAT. 91 00:06:41,850 --> 00:06:45,440 SO LIKE ANY SMALL TOWN BOY I HAD BIG-TIME PLANS. 92 00:06:45,440 --> 00:06:51,640 SO IT SHOULD COME AS NO SURPRISE THAT I ENDED UP IN NEW YORK CITY. 93 00:06:51,640 --> 00:06:55,470 ONE DAY I REALIZED I DIDN'T WANT TO HAVE TO GET UP IN THE MORNING AND GO TO 94 00:06:55,470 --> 00:06:56,470 WORK. 95 00:06:56,470 --> 00:06:59,780 I DIDN'T WANT TO BE LIKE ALL THE DREARIES AND NORMALS. 96 00:06:59,780 --> 00:07:06,070 I WANTED TO CREATE MY OWN WORLD, A WORLD FULL OF COLOR, WHERE EVERYONE COULD 97 00:07:06,070 --> 00:07:08,710 PLAY-- ONE BIG PARTY 98 00:07:08,710 --> 00:07:12,010 THAT NEVER ENDS. 99 00:07:12,010 --> 00:07:14,530 NO, NO, NO! 100 00:07:14,530 --> 00:07:16,430 FOR THE LOVE OF GOD, NO. 101 00:07:16,430 --> 00:07:20,540 WE ARE NOT GOING TO START WITH MICHAEL ALIG'S PATHETIC CHILDHOOD-- 102 00:07:20,540 --> 00:07:22,590 "I WAS MOLESTED." 103 00:07:22,590 --> 00:07:27,400 ( mock crying ) I HAD A HARD TIME GROWING UP, TOO. 104 00:07:27,400 --> 00:07:30,870 - ( toilet flushing ) - AND I DREAMT OF BIGGER AND BETTER THINGS. 105 00:07:30,870 --> 00:07:34,000 AND I MOVED TO NEW YORK CITY BEFORE HE DID. 106 00:07:34,000 --> 00:07:40,460 I, I, I WAS THE ORIGINAL CLUB KID. 107 00:07:40,460 --> 00:07:43,930 SO, NOW THAT THAT'S SORTED... 108 00:07:43,930 --> 00:07:49,129 A FEW SIMPLE RULES OF NEW YORK NIGHTLIFE IN THE EARLY 's 109 00:07:49,129 --> 00:07:57,590 ? NEW YORK, NEW YORK ? ? NEW YORK, NEW YORK... 110 00:07:57,590 --> 00:08:03,320 ? James RULE NUMBER ONE PERCEPTION IS REALITY. 111 00:08:03,320 --> 00:08:06,510 SO WHEN YOU'RE GOING NIGHTCLUBBING, NEVER MERELY ARRIVE, 112 00:08:06,510 --> 00:08:10,430 ALWAYS MAKE AN ENTRANCE. 113 00:08:10,430 --> 00:08:13,860 ( horn honks ) RULE NUMBER TWO 114 00:08:13,860 --> 00:08:18,690 MAKE SURE YOUR OUTFIT WORKS IN BLACK AND WHITE AND THAT IT'S A CONVERSATION PIECE, 115 00:08:18,690 --> 00:08:21,090 EVEN IF YOU ARE THE ONE DOING THE TALKING. 116 00:08:21,090 --> 00:08:23,270 IT'S BLOOD FEAST FOR JUNE BRIDES. 117 00:08:23,270 --> 00:08:26,150 GET ME TO THE CHURCH ON TIME. 118 00:08:26,150 --> 00:08:27,380 ? YOU'LL BE FAMOUS... 119 00:08:27,380 --> 00:08:29,460 ? OKAY, RULE NUMBER THREE 120 00:08:29,460 --> 00:08:36,020 WATCH OUT FOR PUSHY, OBNOXIOUS LITTLE BUSBOYS WHO DON'T KNOW THEIR PLACE IN THE SCHEME OF 121 00:08:36,020 --> 00:08:37,020 THINGS. 122 00:08:37,020 --> 00:08:38,140 HI, I'M MICHAEL ALIG. 123 00:08:38,140 --> 00:08:41,339 WELL, I'LL ALERT THE MEDIA. 124 00:08:41,339 --> 00:08:43,219 GOTTA DASH. 125 00:08:43,219 --> 00:08:48,550 James OH, IF ONLY I HAD TOSSED HIM ASIDE. 126 00:08:48,550 --> 00:08:53,250 BUT I'VE NEVER BEEN ABLE TO RESIST MINISTERING TO LIFE'S LOSERS. 127 00:08:53,250 --> 00:08:55,620 - YOU'RE LATE. 128 00:08:55,620 --> 00:08:57,990 - I KNOW. 129 00:08:57,990 --> 00:08:59,790 I REALLY SHOULDN'T HAVE COME AT ALL. 130 00:08:59,790 --> 00:09:00,890 THAT'S MY DOUGHNUT. 131 00:09:00,890 --> 00:09:04,820 WELL, I DIDN'T EXPECT TO BE DINING AT THE FOUR SEASONS. 132 00:09:04,820 --> 00:09:05,890 - WHAT DO YOU DO? 133 00:09:05,890 --> 00:09:07,310 - I DON'T DO. 134 00:09:07,310 --> 00:09:09,000 I JUST AM. 135 00:09:09,000 --> 00:09:10,170 EXTREMELY RICH. 136 00:09:10,170 --> 00:09:14,340 ANYWAY, IF I'M TO STAY IN THIS ROACH MOTEL A MOMENT LONGER 137 00:09:14,340 --> 00:09:16,830 WE'RE GOING TO NEED TO TAKE THINGS UP A NOTCH. 138 00:09:16,830 --> 00:09:18,770 - I DON'T DO DRUGS. 139 00:09:18,770 --> 00:09:22,690 - NOR DO I. DID YOU SEE THAT? 140 00:09:22,690 --> 00:09:25,420 IT JUST FLEW RIGHT UP MY NOSE! 141 00:09:25,420 --> 00:09:27,679 - MY MOTHER SAYS DRUGS ARE FOR LOSERS. 142 00:09:27,679 --> 00:09:28,930 - SHE'S SO RIGHT. 143 00:09:28,930 --> 00:09:30,970 KETAMINE HYDROCHLORIDE, A.K.A. 144 00:09:30,970 --> 00:09:35,600 SPECIAL K, IS MAINLY USED BY VETS AS AN ANIMAL TRANQUILIZER. 145 00:09:35,600 --> 00:09:39,009 WHEN TAKEN BY HUMANS IT WORKS AS A DISSOCIATIVE DRUG 146 00:09:39,009 --> 00:09:43,040 SELECTIVELY REDUCING EXCITATION OF THE CENTRAL MAMMALIAN NEURONS 147 00:09:43,040 --> 00:09:44,420 BY N METHYL ASPIRATE. 148 00:09:44,420 --> 00:09:49,470 IN OTHER WORDS, IT FUCKS YOU UP! 149 00:09:49,470 --> 00:09:51,759 I WANT YOU TO TEACH ME HOW TO BE FABULOUS. 150 00:09:51,759 --> 00:09:56,149 ( scoffs ) WE HAVE NOTHING IN COMMON. 151 00:09:56,149 --> 00:09:57,149 WAIT! 152 00:09:57,149 --> 00:09:59,920 WE BOTH BITE OUR NAILS. 153 00:09:59,920 --> 00:10:01,950 PLEASE, DON'T GO. 154 00:10:01,950 --> 00:10:03,089 I DON'T HAVE ANY FRIENDS. 155 00:10:03,089 --> 00:10:04,089 I JUST GOT HERE. 156 00:10:04,089 --> 00:10:05,790 I JUST GOT OFF THE BUS. 157 00:10:05,790 --> 00:10:10,350 "THE ROAD OF EXCESS LEADS TO THE PALACE OF WISDOM." 158 00:10:10,350 --> 00:10:12,100 BLAKE, WILLIAM. 159 00:10:12,100 --> 00:10:13,990 THAT'S REALLY ALL YOU NEED TO KNOW. 160 00:10:13,990 --> 00:10:15,830 THAT AND "DON'T DREAM IT, BE IT." 161 00:10:15,830 --> 00:10:17,589 "ROCKY HORROR PICTURE SHOW." 162 00:10:17,589 --> 00:10:18,589 IT'S MY FAVORITE. 163 00:10:18,589 --> 00:10:20,759 AND WILL YOU SIGN MY COPY OF "SLATED"? 164 00:10:20,759 --> 00:10:23,890 YOU LOOK SO GOOD IN IT. 165 00:10:23,890 --> 00:10:27,760 FLATTERY WILL GET YOU EVERYWHERE. 166 00:10:27,760 --> 00:10:29,709 James IT'S ALL ABOUT PHOTO PLACEMENT. 167 00:10:29,709 --> 00:10:33,249 SO IF YOU'RE IN A GROUP OF THREE, ALWAYS, ALWAYS, 168 00:10:33,249 --> 00:10:36,230 ALWAYS MAKE SURE THAT YOU'RE THE ONE STANDING ON THE RIGHT. 169 00:10:36,230 --> 00:10:38,570 THAT WAY WHEN THEY PRINT THE PICTURE, YOU'LL BE THE ONE ON THE LEFT 170 00:10:38,570 --> 00:10:40,850 AND THE CAPTION WILL READ "JAMES ST. 171 00:10:40,850 --> 00:10:45,029 JAMES AND BLAH, BLAH, BLAH, WERE SEEN, OKAY? 172 00:10:45,029 --> 00:10:50,600 OKAY, RULES OF PRESS NUMBER ONE NO PUBLICITY IS BAD PUBLICITY. 173 00:10:50,600 --> 00:10:53,879 NUMBER TWO ONCE SOMETHING IS PRINTED, IT AUTOMATICALLY BECOMES TRUE, 174 00:10:53,879 --> 00:10:57,579 SO NUMBER THREE NEVER, EVER DISH ANYONE IN PRINT. 175 00:10:57,579 --> 00:11:00,410 NEVER BE SEEN DRINKING ANYTHING OTHER THAN CHAMPAGNE 176 00:11:00,410 --> 00:11:02,589 AND NEVER TAKE HEROIN. 177 00:11:02,589 --> 00:11:08,199 NEVER WEAR WHITE AFTER LABOR DAY AND OH, AVOID THAT ONE LIKE THE PLAGUE. 178 00:11:08,199 --> 00:11:09,199 MORE! 179 00:11:09,199 --> 00:11:10,199 MORE! 180 00:11:10,199 --> 00:11:11,199 OKAY. 181 00:11:11,199 --> 00:11:12,199 OKAY. 182 00:11:12,199 --> 00:11:18,089 THE ART OF WORKING A ROOM UPON MAKING YOUR GRAND ENTRANCE, 183 00:11:18,089 --> 00:11:21,870 TAKE YOUR PARTNER BY THE HAND AND CIRCLE AROUND THE ROOM, 184 00:11:21,870 --> 00:11:25,439 SMILE AND SAY HELLO TO EVERYONE IN THE ROOM, EVEN IF YOU DON'T KNOW THEM. 185 00:11:25,439 --> 00:11:27,149 ESPECIALLY IF YOU DON'T KNOW THEM. 186 00:11:27,149 --> 00:11:28,149 - HI! 187 00:11:28,149 --> 00:11:29,149 HI! 188 00:11:29,149 --> 00:11:30,149 - HI! 189 00:11:30,149 --> 00:11:31,149 HI! 190 00:11:31,149 --> 00:11:32,149 I'M SO GLAD YOU CAME. 191 00:11:32,149 --> 00:11:33,149 - I KNOW YOU. 192 00:11:33,149 --> 00:11:34,149 - HE'S FABULOUS. 193 00:11:34,149 --> 00:11:35,149 GO ONCE AROUND THE ROOM IN OPPOSITE DIRECTIONS. 194 00:11:35,149 --> 00:11:37,209 GO CLOCKWISE TO MY ANTI-CLOCKWISE. 195 00:11:37,209 --> 00:11:41,709 TELL ALL THE PEOPLE HOW YOU'VE LOST YOUR FRIEND AND HOW DESPERATE YOU ARE TO FIND THEM. 196 00:11:41,709 --> 00:11:43,459 WHERE CAN MY FRIEND BE? 197 00:11:43,459 --> 00:11:47,649 NOW, SUDDENLY WE BUMP INTO EACH OTHER AND SCREAM WITH UNCONTAINED JOY. 198 00:11:47,649 --> 00:11:51,839 ( both screaming ) GOOD, NOW LINK ARMS AND ROUND WE GO ONCE MORE 199 00:11:51,839 --> 00:11:55,139 TELLING ALL OUR NEWFOUND FRIENDS HOW WE'VE FOUND EACH OTHER. 200 00:11:55,139 --> 00:11:56,639 - WE FOUND EACH OTHER. 201 00:11:56,639 --> 00:11:58,509 - DON'T WORRY, I FOUND HIM. 202 00:11:58,509 --> 00:11:59,509 THEN LEAVE. 203 00:11:59,509 --> 00:12:00,999 THE WHOLE THING SHOULD TAKE AN HOUR. 204 00:12:00,999 --> 00:12:01,999 MINUTES TOPS. 205 00:12:01,999 --> 00:12:05,199 DO THAT ONCE A NIGHT FOR THREE MONTHS AND YOU'LL BE THE TOAST OF THE TOWN. 206 00:12:05,199 --> 00:12:06,980 HEAVENS, IS THAT THE TIME? 207 00:12:06,980 --> 00:12:07,980 MY SANSKRIT CLASS. 208 00:12:07,980 --> 00:12:08,980 WAIT, WAIT! 209 00:12:08,980 --> 00:12:11,860 I DON'T HAVE ANY MONEY AND AREN'T YOU GOING TO TEACH ME HOW TO THROW 210 00:12:11,860 --> 00:12:12,860 A PARTY? 211 00:12:12,860 --> 00:12:14,629 HOW ABOUT LEARNING TO CRAWL BEFORE YOU WALK? 212 00:12:14,629 --> 00:12:15,629 TOODLES! 213 00:12:15,629 --> 00:12:18,559 James BUT MICHAEL WASN'T INTERESTED IN LEARNING TO CRAWL OR WALK. 214 00:12:18,559 --> 00:12:20,339 JUST RUN, RUN, RUN. 215 00:12:20,339 --> 00:12:26,410 ( techno music playing ) I WENT TO HIS FIRST PARTY. 216 00:12:26,410 --> 00:12:28,980 UNFORTUNATELY. 217 00:12:28,980 --> 00:12:29,980 THERE IS NO ONE HERE. 218 00:12:29,980 --> 00:12:30,980 CHRISTINA'S HERE. 219 00:12:30,980 --> 00:12:32,379 ? FIRST I'M GOING TO WHIP YOU ? ? THEN I'M GOING TO EAT YOU... 220 00:12:32,379 --> 00:12:34,009 ? SHE'S FABULOUS. 221 00:12:34,009 --> 00:12:45,959 ALL I COULD THINK ABOUT WAS HOW I WAS GOING TO BE RUINED 222 00:12:45,959 --> 00:12:52,170 LOOK, JAMES, THIS IS GOING TO BE MORE THAN A CLUB. 223 00:12:52,170 --> 00:12:56,129 IT'LL BE-- IT'LL BE LIKE OUR HOME. 224 00:12:56,129 --> 00:12:58,209 FOR EVERYONE WHO FELT LIKE A FREAK, EVERYONE WHO'S EVER BEAT ON OR SPAT ON IN 225 00:12:58,209 --> 00:12:59,800 HIGH SCHOOL, FOR EVERYONE WHO FELT DIFFERENT. 226 00:12:59,800 --> 00:13:02,810 IT'LL BE LIKE THE FACTORY AND I'LL BE THE NEXT ANDY WARHOL. 227 00:13:02,810 --> 00:13:06,220 EARTH TO YOU, ANDY WARHOL IS STILL ALIVE AND WELL. 228 00:13:06,220 --> 00:13:09,889 IN FACT, I JUST REMEMBERED I'M SUPPOSED TO MEET HIM. 229 00:13:09,889 --> 00:13:11,110 WAIT, DON'T GO! 230 00:13:11,110 --> 00:13:13,160 DO YOU WANT A COCKTAIL? 231 00:13:13,160 --> 00:13:14,160 HERE. 232 00:13:14,160 --> 00:13:15,879 - I HAVE DRINK TICKETS. 233 00:13:15,879 --> 00:13:17,329 - DRINK TICKETS? 234 00:13:17,329 --> 00:13:19,839 ( laughs ) YOU OBVIOUSLY COULDN'T EVEN ORGANIZE A GLASS 235 00:13:19,839 --> 00:13:25,539 OF WATER. 236 00:13:25,539 --> 00:13:31,239 - OH YEAH? 237 00:13:31,239 --> 00:13:34,100 - YEAH. 238 00:13:34,100 --> 00:13:39,800 ( gasping ) ( laughing ) 239 00:13:39,800 --> 00:13:51,209 James YOU CRAZY FUCK! 240 00:13:51,209 --> 00:13:57,390 THAT WAS QUITE A STUNT... 241 00:13:57,390 --> 00:14:00,319 FLOODING MY BASEMENT. 242 00:14:00,319 --> 00:14:04,240 ( giggling ) I'M SORRY. 243 00:14:04,240 --> 00:14:08,529 WHY DON'T YOU TELL ME WHAT YOU INTEND TO DO ABOUT IT? 244 00:14:08,529 --> 00:14:11,080 YOU NEED ME TO PROMOTE THIS PLACE. 245 00:14:11,080 --> 00:14:13,879 I COULD MAKE IT FABULOUS. 246 00:14:13,879 --> 00:14:16,559 NOT IF TONIGHT'S ANYTHING TO GO BY. 247 00:14:16,559 --> 00:14:19,770 IT'S NOT ME THAT'S TIRED, IT'S YOUR CLUB. 248 00:14:19,770 --> 00:14:24,889 NO ONE WANTS TO COME HERE. 249 00:14:24,889 --> 00:14:32,990 Man IT'S A STATEMENT. 250 00:14:32,990 --> 00:14:36,850 THE DAMAGE DONE TO THE CLUB WILL BE REIMBURSED FROM YOUR EARNINGS FROM THIS PARTY AND THE 251 00:14:36,850 --> 00:14:40,589 NEXT TWO PARTIES THAT YOU THROW. 252 00:14:40,589 --> 00:14:41,589 WOW! 253 00:14:41,589 --> 00:14:43,369 A JOB. 254 00:14:43,369 --> 00:14:47,079 - YOU WON'T REGRET THIS. 255 00:14:47,079 --> 00:14:48,079 - WE'LL SEE. 256 00:14:48,079 --> 00:14:50,899 I LOVE THE EYE-PATCH, BY THE WAY. 257 00:14:50,899 --> 00:14:54,100 IT'S VERY "PIRATES OF THE CARIBBEAN." 258 00:14:54,100 --> 00:14:55,100 ARR! 259 00:14:55,100 --> 00:14:56,940 HE LOST IT. 260 00:14:56,940 --> 00:14:57,940 WHATEVER. 261 00:14:57,940 --> 00:15:01,899 YOU SHOULD COME TO MY HOUSE. 262 00:15:01,899 --> 00:15:03,879 I'LL COOK FOR YOU. 263 00:15:03,879 --> 00:15:05,759 YOU'LL LOVE MY MEATLOAF. 264 00:15:05,759 --> 00:15:08,029 YOUR ASSISTANT CAN COME, TOO. 265 00:15:08,029 --> 00:15:09,570 OH, I'M SORRY. 266 00:15:09,570 --> 00:15:12,509 MY HUSBAND IS A VERY BUSY MAN. 267 00:15:12,509 --> 00:15:17,410 BESIDES, WE DON'T SOCIALIZE WITH THE EMPLOYEES. 268 00:15:17,410 --> 00:15:20,350 YOU'LL LOVE ME. 269 00:15:20,350 --> 00:15:28,180 I PROMISE. 270 00:15:28,180 --> 00:15:53,569 Michael HEY, CHRISTINA, I'VE DECIDED TO MAKE YOU MY FIRST SUPERSTAR. 271 00:15:53,569 --> 00:15:56,670 ( giggling ) COME TO MY PARTY. 272 00:15:56,670 --> 00:15:59,149 COME TO MY PARTY. 273 00:15:59,149 --> 00:16:02,240 HERE, COME TO MY PARTY. 274 00:16:02,240 --> 00:16:04,720 COME TO MY PARTY. 275 00:16:04,720 --> 00:16:07,199 COME TO MY PARTY. 276 00:16:07,199 --> 00:16:09,670 COME TO MY PARTY. 277 00:16:09,670 --> 00:16:13,389 OH, DUDE, THANK YOU SO MUCH. 278 00:16:13,389 --> 00:16:16,529 YOU CAN BE MY BOYFRIEND. 279 00:16:16,529 --> 00:16:21,579 OH, ACTUALLY, I'M-- I'M NOT GAY. 280 00:16:21,579 --> 00:16:24,589 I'M ACTUALLY HERE WITH A COUPLE OF BABES, SO-- 281 00:16:24,589 --> 00:16:27,579 LET'S TALK AFTER A COUPLE OF COCKTAILS. 282 00:16:27,579 --> 00:16:28,760 DRINK TICKET? 283 00:16:28,760 --> 00:16:30,540 OH, THANKS, DUDE. 284 00:16:30,540 --> 00:16:37,649 ? YOU ARE MY DISCO PLAYING ON THE RADIO ? ? YOU ARE MY DISCO... 285 00:16:37,649 --> 00:16:53,580 ? I HAVE TONS OF THEM. 286 00:16:53,580 --> 00:16:54,580 ? PLAYING ON THE RADIO, YOU ARE MY DISCO ? ? OH, YOU ARE MY DISCO ? 287 00:16:54,580 --> 00:16:55,580 ? PLAYING ON THE RADIO... 288 00:16:55,580 --> 00:16:56,580 ? ( sniffs ) 289 00:16:56,580 --> 00:16:57,580 OH JAMES, I'M SO GLAD I RAN INTO YOU. 290 00:16:57,580 --> 00:16:58,580 HERE, COME TO MY PARTY. 291 00:16:58,580 --> 00:17:01,089 THE FIRST ANNUAL KING AND QUEEN OF DOWNTOWN PAGEANT. 292 00:17:01,089 --> 00:17:03,110 I'D RATHER SUCK ON A URINAL CAKE. 293 00:17:03,110 --> 00:17:05,010 BUT JAMES, YOU HAVE TO COME. 294 00:17:05,010 --> 00:17:06,400 YOU'RE MY BEST FRIEND. 295 00:17:06,400 --> 00:17:09,880 HOW CAN I BE YOUR BEST FRIEND WHEN I DON'T EVEN LIKE YOU? 296 00:17:09,880 --> 00:17:10,880 HAVE YOU MET KEOKI? 297 00:17:10,880 --> 00:17:11,880 WELL, ALOHA. 298 00:17:11,880 --> 00:17:13,669 HOW ABOUT A LEI? 299 00:17:13,669 --> 00:17:21,660 ( laughing ) I'VE ALWAYS HAD A SOFT SPOT FOR HAWAIIAN PUNCH. 300 00:17:21,660 --> 00:17:25,340 HIS NAME IS KEOKI AND HE'S MY NEW BOYFRIEND. 301 00:17:25,340 --> 00:17:26,770 - MMM. 302 00:17:26,770 --> 00:17:28,190 - TOODLES. 303 00:17:28,190 --> 00:17:29,620 TOODLES? 304 00:17:29,620 --> 00:17:32,470 COME ON. 305 00:17:32,470 --> 00:17:37,870 WAIT, IT SAYS HERE THAT I'M THE MC. 306 00:17:37,870 --> 00:17:38,970 TAXI! 307 00:17:38,970 --> 00:17:44,490 SO, WHAT DO YOU DO? 308 00:17:44,490 --> 00:17:48,919 I'M A BAGGAGE HANDLER, THANK YOU, - AT KENNEDY AIRPORT. 309 00:17:48,919 --> 00:17:50,640 - WELL, NOT ANYMORE. 310 00:17:50,640 --> 00:17:54,679 FROM NOW ON YOU'RE SUPERSTAR DJ KEOKI. 311 00:17:54,679 --> 00:17:56,129 REALLY? 312 00:17:56,129 --> 00:17:57,580 - COOL. 313 00:17:57,580 --> 00:17:59,029 WOW. 314 00:17:59,029 --> 00:18:00,480 - TAXI. 315 00:18:00,480 --> 00:18:03,890 YOU KNOW, I NEVER THOUGHT I'D BE RIDING A CAB 316 00:18:03,890 --> 00:18:04,890 THROUGH THE BRONX WITH A GUY. 317 00:18:04,890 --> 00:18:11,070 YOU KNOW, I FIGURE COME TO THE CLUB AND TELL A COUPLE OF GIRLS NO, NOT TONIGHT. 318 00:18:11,070 --> 00:18:12,070 BUT I NEVER THOUGHT I'D BE-- YOU KNOW... 319 00:18:12,070 --> 00:18:13,070 YOU KNOW-- - GET IN. 320 00:18:13,070 --> 00:18:14,070 - OKAY. 321 00:18:14,070 --> 00:18:15,070 th STREET, ON THE DOUBLE. 322 00:18:15,070 --> 00:18:16,070 - ARE WE GOING FAR? 323 00:18:16,070 --> 00:18:18,940 - ALL THE WAY, I HOPE. 324 00:18:18,940 --> 00:18:35,929 Keoki NO, I MEAN I DON'T HAVE ANY MONEY. 325 00:18:35,929 --> 00:18:36,929 Michael DON'T WORRY. 326 00:18:36,929 --> 00:18:37,929 I'LL TAKE CARE OF IT. 327 00:18:37,929 --> 00:18:38,929 Michael GET OUT! 328 00:18:38,929 --> 00:18:39,929 QUICK, RUN! 329 00:18:39,929 --> 00:18:40,929 NO, YOU FUCKING DEADBEAT, NO! 330 00:18:40,929 --> 00:18:41,929 ? I'LL GIVE YOU ONE MORE NIGHT ? ? NIGHT, NIGHT ? 331 00:18:41,929 --> 00:18:42,929 ? NIGHT, NIGHT... 332 00:18:42,929 --> 00:18:43,929 ? ( sirens wailing ) 333 00:18:43,929 --> 00:18:44,929 ? YOU SPIN ME RIGHT ROUND, BABY, RIGHT ROUND ? 334 00:18:44,929 --> 00:18:45,929 ? LIKE A RECORD, BABY, RIGHT ROUND, ROUND, ROUND ? 335 00:18:45,929 --> 00:18:46,929 ? YOU SPIN ME RIGHT ROUND, BABY, RIGHT ROUND ? 336 00:18:46,929 --> 00:18:58,210 ? LIKE A RECORD, BABY, RIGHT ROUND, ROUND ? 337 00:18:58,210 --> 00:19:11,669 ? I WANT YOUR LOVE... 338 00:19:11,669 --> 00:19:18,399 ? Keoki WHOA! 339 00:19:18,399 --> 00:19:45,330 - ( both laughing ) - ( cat meowing ) Keoki WHAT WAS THAT? 340 00:19:45,330 --> 00:19:49,049 IT'S A KITTY. 341 00:19:49,049 --> 00:19:50,840 IT'S OUR LOVE CHILD. 342 00:19:50,840 --> 00:19:53,820 WE'LL CALL HIM SKRINKLE. 343 00:19:53,820 --> 00:19:59,990 James AS YOU DRY YOUR EYES, LET ME JUST SAY THIS ABOUT THAT. 344 00:19:59,990 --> 00:20:02,440 SKRINKLE WAS JUST THE BEGINNING. 345 00:20:02,440 --> 00:20:05,059 SKRINKLE BEGAT SKRODDLE, AND SKRINKLE AND SKRODDLE 346 00:20:05,059 --> 00:20:09,440 WERE THE LEGO BLOCKS OF A STRANGE NEW WORLD HE WAS BUILDING FOR US ALL. 347 00:20:09,440 --> 00:20:13,000 YOU WERE EITHER A SKRINK OR A SKROD. 348 00:20:13,000 --> 00:20:15,460 I WAS A SKRINK-LA DA IF I WAS GOOD. 349 00:20:15,460 --> 00:20:18,840 OR A STUPID SKROD LOVER IF I WAS BAD. 350 00:20:18,840 --> 00:20:22,480 SOMEHOW HIS DOPEY LANGUAGE CAUGHT ON. 351 00:20:22,480 --> 00:20:25,520 LIKE HIS STUPID PARTIES. 352 00:20:25,520 --> 00:20:30,230 ( drum roll ) THE WINNERS OF MICHAEL ALIG'S 353 00:20:30,230 --> 00:20:31,320 FIRST KING AND QUEEN OF DOWNTOWN CONTEST... 354 00:20:31,320 --> 00:20:32,429 CHRISTINA SUPERSTAR AND KEOKI THE IT BOY. 355 00:20:32,429 --> 00:20:33,429 CONGRATULATIONS. 356 00:20:33,429 --> 00:20:35,110 ? THEY ONLY WANT YOU WHEN YOU'RE ? ? WHEN YOU'RE YOU'RE NO FUN ? 357 00:20:35,110 --> 00:20:50,630 ? THEY TAKE A POLAROID AND LET YOU GO... 358 00:20:50,630 --> 00:20:58,789 ? James HE WAS TROUBLE ALL RIGHT. 359 00:20:58,789 --> 00:21:06,279 MICHAEL WAS OUT FOR REVENGE. 360 00:21:06,279 --> 00:21:14,769 THAT'S WHAT I LIKED ABOUT HIM. 361 00:21:14,769 --> 00:21:17,159 ( whimpering ) ( laughing ) 362 00:21:17,159 --> 00:21:20,480 MICHAEL WAS GROWING ON ME, LIKE A FUNGUS. 363 00:21:20,480 --> 00:21:24,600 HOW ELSE TO EXPLAIN HOW HE GOT ME TO HAUL MY ASS 364 00:21:24,600 --> 00:21:30,280 ABOVE th STREET TO HIS SIXTH FLOOR WALK-UP IN THE BRONX ONE CHRISTMAS EVE? 365 00:21:30,280 --> 00:21:31,280 THE NORTH POLE. 366 00:21:31,280 --> 00:21:35,250 I'VE MADE IT ACROSS THE FROZEN TUNDRA. 367 00:21:35,250 --> 00:21:39,470 MY FAITHFUL HUSKIES PERISHED IN THE BLIZZARD WAY BACK. 368 00:21:39,470 --> 00:21:42,160 I HAD TO EAT THEM. 369 00:21:42,160 --> 00:21:46,740 ( James laughing ) KEOKI, WOULD YOU BE A LAMB AND RUB MY EXTREMITIES? 370 00:21:46,740 --> 00:21:49,860 I FEAR THEY'RE FROSTBITTEN. 371 00:21:49,860 --> 00:21:55,889 JAMES, I WANT YOU TO BE ON YOUR BEST BEHAVIOR BECAUSE TONIGHT I'VE INVITED 372 00:21:55,889 --> 00:21:58,520 A VERY IMPORTANT SURPRISE GUEST. 373 00:21:58,520 --> 00:22:01,140 LET ME GUESS, CHRISTINA. 374 00:22:01,140 --> 00:22:04,270 AND SHE'S GOING TO CHOP US ALL UP AND SERVE US AS FONDUE. 375 00:22:04,270 --> 00:22:07,970 I KNOW WHAT PIECE I WANT. 376 00:22:07,970 --> 00:22:12,940 KEOKI, COULD YOU CARVE THE TURKEY? 377 00:22:12,940 --> 00:22:15,160 YOU KNOW I CAN'T BEAR TO. 378 00:22:15,160 --> 00:22:19,049 DARLING, HALF THE FUN OF EATING MEAT IS HACKING IT UP. 379 00:22:19,049 --> 00:22:25,240 - ( door buzzing ) - JAMES, CAN YOU GET THAT? 380 00:22:25,240 --> 00:22:30,899 Radio ? Think of all the fun I've missed... 381 00:22:30,899 --> 00:22:31,899 ? HELLO. 382 00:22:31,899 --> 00:22:35,759 YEAH, RIGHT THERE IS FINE. 383 00:22:35,759 --> 00:22:50,440 ? Next year I could be just as good ? ? If you'd check off my Christmas list... 384 00:22:50,440 --> 00:22:51,440 ? MICHAEL. 385 00:22:51,440 --> 00:22:52,440 ? SANTA BABY... 386 00:22:52,440 --> 00:22:53,440 ? HA! 387 00:22:53,440 --> 00:22:54,440 MERRY CHRISTMAS, KID. 388 00:22:54,440 --> 00:22:55,440 OH, PETER, THANK YOU. 389 00:22:55,440 --> 00:23:00,779 THANK YOU, PETER. 390 00:23:00,779 --> 00:23:04,440 ( giggles ) IT'S SO... 391 00:23:04,440 --> 00:23:05,929 BIG. 392 00:23:05,929 --> 00:23:18,110 ( clock ticking ) KEOKI, WILL YOU PUT SOME MUSIC ON? 393 00:23:18,110 --> 00:23:19,670 YES. 394 00:23:19,670 --> 00:23:32,120 JAMES, THERE'S CHAMPAGNE ON ICE IN THE FRIDGE. 395 00:23:32,120 --> 00:23:34,040 IT'S SUCH A SHAME YOUR WIFE COULDN'T COME. 396 00:23:34,040 --> 00:23:37,960 BECAUSE I'VE BEEN THINKING, I'VE DECIDED IT'S TIME FOR ME TO START THROWING 397 00:23:37,960 --> 00:23:42,550 MY OWN WEEKLY PARTY AT LIMELIGHT ON THE MAIN DANCE FLOOR. 398 00:23:42,550 --> 00:23:44,429 YOUR PARTIES BARELY BREAK EVEN. 399 00:23:44,429 --> 00:23:46,520 I HAVE TO LET ALL THESE PEOPLE IN FOR FREE. 400 00:23:46,520 --> 00:23:48,309 I HAVE TO GIVE THEM FREE DRINKS. 401 00:23:48,309 --> 00:23:51,820 MICHAEL, I DON'T MAKE ANY MONEY OFF OF YOU. 402 00:23:51,820 --> 00:23:56,010 PETER, WILL YOU STOP BEING SUCH A NEGATIVE NANCY? 403 00:23:56,010 --> 00:23:57,020 PEOPLE WON'T BE SEEN DEAD IN YOUR CLUB. 404 00:23:57,020 --> 00:24:02,100 I'M JUST STARTING TO GET A BUZZ GOING. 405 00:24:02,100 --> 00:24:17,059 ( Michael continues talking ) "O, WOULD THAT I WERE A GLOVE UPON THAT HAND..." 406 00:24:17,059 --> 00:24:18,720 - HUH? 407 00:24:18,720 --> 00:24:22,240 - "O, SPEAK AGAIN BRIGHT ANGEL." 408 00:24:22,240 --> 00:24:26,809 YO, MAN, I'M WITH MICHAEL. 409 00:24:26,809 --> 00:24:35,760 MY ONLY LOVE SPRUNG FROM MY ONLY HATE. 410 00:24:35,760 --> 00:24:44,039 MAN, I CAN'T FIND A RECORD TO PLAY AND I KNOW IT'S A SPECIAL NIGHT FOR MICHAEL. 411 00:24:44,039 --> 00:24:45,690 YOU'RE RIGHT. 412 00:24:45,690 --> 00:24:47,100 IT IS. 413 00:24:47,100 --> 00:24:51,889 ... GIANT ANIMAL COSTUMES LIKE ICY THE POLAR BEAR 414 00:24:51,889 --> 00:24:53,890 AND CLARA THE CAREFREE CHICKEN. 415 00:24:53,890 --> 00:24:57,639 AND TO MAKE THINGS REALLY SIZZLE, WE'LL HAVE A HOT BODY CONTEST. 416 00:24:57,639 --> 00:25:01,560 KEOKI WILL BE THE DJ, OF COURSE. 417 00:25:01,560 --> 00:25:07,210 IF YOU ARE GOING TO BE A SUPERSTAR DJ THERE ARE THREE SIMPLE RULES YOU NEED TO REMEMBER. 418 00:25:07,210 --> 00:25:11,880 NUMBER ONE YOU CAN ALWAYS RELY ON THE STUDIO COMPILATION 419 00:25:11,880 --> 00:25:12,880 SET. 420 00:25:12,880 --> 00:25:15,149 THEY'RE PRE-MIXED, THEY LAST FOR HOURS. 421 00:25:15,149 --> 00:25:20,480 AND NUMBER TWO MADONNA ALWAYS WORKS. 422 00:25:20,480 --> 00:25:25,940 AND NUMBER THREE WHEN ALL ELSE FAILS, 423 00:25:25,940 --> 00:25:27,840 PLAY TECHNO. 424 00:25:27,840 --> 00:25:33,549 IT'S NON-DESCRIPT, NON-RECOGNIZABLE AND EVERYONE WILL THINK THAT YOU ARE SO CUTTING 425 00:25:33,549 --> 00:25:34,580 EDGE. 426 00:25:34,580 --> 00:25:38,210 OH, I LOVE THIS RECORD. 427 00:25:38,210 --> 00:25:40,610 IT'S SO... 428 00:25:40,610 --> 00:25:49,440 DISCO . ( snorting ) 429 00:25:49,440 --> 00:25:52,080 YOU PATHETIC, DRUG-ADDICT LOSERS! 430 00:25:52,080 --> 00:25:55,500 MICHAEL, I AM NOT ADDICTED TO DRUGS, I'M ADDICTED TO GLAMOUR. 431 00:25:55,500 --> 00:25:59,269 Michael YOU, JAMES CLERK, YOU SHOULD BE ASHAMED OF YOURSELF. 432 00:25:59,269 --> 00:26:02,490 HOW DARE YOU USE MY REAL NAME. 433 00:26:02,490 --> 00:26:07,530 AND MICHAEL, YOUR CHAMPAGNE-- CORRECTION, YOUR SPARKLING WINE, TASTES LIKE 434 00:26:07,530 --> 00:26:10,889 PISS. 435 00:26:10,889 --> 00:26:15,440 ( laughs ) SO WHERE WAS I? 436 00:26:15,440 --> 00:26:17,120 OH YEAH. 437 00:26:17,120 --> 00:26:21,980 SO WE'LL PUT JAMES IN A CAGE AND HANG A SIGN OVER IT THAT SAYS 438 00:26:21,980 --> 00:26:24,130 "DO NOT FEED THE DRUG CHILD." 439 00:26:24,130 --> 00:26:26,870 IT'LL TRANSFORM LIMELIGHT AND NEW YORK NIGHTLIFE FOREVER. 440 00:26:26,870 --> 00:26:29,900 IT'LL BE MORE OUTRAGEOUS THAN ANYTHING BEFORE IT. 441 00:26:29,900 --> 00:26:32,399 NEW STARS, NO RULES, ANYTHING GOES. 442 00:26:32,399 --> 00:26:35,380 EVERYONE WILL WANT TO COME. 443 00:26:35,380 --> 00:26:40,280 MICHAEL, AREN'T YOU LISTENING TO ANYTHING I'M SAYING? 444 00:26:40,280 --> 00:26:49,669 YES SIREE, BUT THIS WILL WORK. 445 00:26:49,669 --> 00:26:54,360 ( unzips pants ) ( urinating ) 446 00:26:54,360 --> 00:26:57,779 ( sighs ) I'D STAKE MY LIFE ON IT. 447 00:26:57,779 --> 00:27:00,360 - Peter YOU'RE CRAZY. 448 00:27:00,360 --> 00:27:05,519 - ( disco music plays ) AH, JAMES, KEOKI. 449 00:27:05,519 --> 00:27:08,539 JUST IN TIME TO TOAST TO... 450 00:27:08,539 --> 00:27:14,149 DISCO . Peter TO DISCO . 451 00:27:14,149 --> 00:27:15,149 ? CALLERS AS THOUGH THEY WERE CHRISTMAS EVE ? 452 00:27:15,149 --> 00:27:16,149 ? DISAPPOINTED BUT I DON'T KNOW WHY ? ? SHE GAVE ME LAUGHTER AND HOPE ? 453 00:27:16,149 --> 00:27:17,149 ? AND A SOCK IN THE EYE ? ? IN MY YOUNG LIFE AND I KNOW SOMETHING NOW 454 00:27:17,149 --> 00:27:23,470 ? ? I'VE NEVER TRIED TO CREATE A WOW ? 455 00:27:23,470 --> 00:27:41,370 ? WOWS ARE FEW, FRUSTRATION MORE COMMON... ? 456 00:27:41,370 --> 00:27:51,320 ( laughing ) James MY SOUR GRAPES WERE HIS SWEET WINE. 457 00:27:51,320 --> 00:27:55,980 DON'T ASK ME HOW, BUT IT CLICKED. 458 00:27:55,980 --> 00:28:01,270 ( dance music playing ) SUDDENLY THE HATEFUL LITTLE TURD 459 00:28:01,270 --> 00:28:04,169 WAS THE KING OF THE CLUB KIDS. 460 00:28:04,169 --> 00:28:07,009 I HAD TO ADAPT OR DIE. 461 00:28:07,009 --> 00:28:14,340 BEHIND ME, THE CHOICE OF THE NEW GENERATION-- WEIRD CLOTHES, WILD MAKE-UP 462 00:28:14,340 --> 00:28:17,389 AND NO PARTICULAR SEXUAL PREFERENCE. 463 00:28:17,389 --> 00:28:20,450 CLUB KIDS OR CLUB BRATS? 464 00:28:20,450 --> 00:28:32,440 YOU DECIDE. 465 00:28:32,440 --> 00:28:39,340 THEY HOLD ILLEGAL OUTLAW PARTIES IN SUBWAYS AND THEY TAKE ECSTASY, 466 00:28:39,340 --> 00:28:41,919 A DRUG KNOWN TO CAUSE BRAIN DAMAGE IN RATS. 467 00:28:41,919 --> 00:28:47,960 THE ROAD OF EXCESS LEADS TO A PALACE OF... 468 00:28:47,960 --> 00:28:48,960 FABULOUSNESS. 469 00:28:48,960 --> 00:28:50,580 I'M ELKE, MICHAEL'S MOM, AND I'M HERE TO TELL YOU 470 00:28:50,580 --> 00:28:58,929 THAT ANYONE CAN BE A CLUB KID. 471 00:28:58,929 --> 00:29:01,210 - IT'S ECSTASY. 472 00:29:01,210 --> 00:29:05,769 - ( crowd cheers ) ( changes channel ) 473 00:29:05,769 --> 00:29:07,870 - I WAS WATCHING THAT. 474 00:29:07,870 --> 00:29:09,390 - FAGGOT. 475 00:29:09,390 --> 00:29:27,649 ? TELL ME, TELL ME ? ? TELL ME, TELL ME, TELL ME, TELL ME ? 476 00:29:27,649 --> 00:29:39,830 ? TELL ME, TELL ME, TELL ME, TELL ME... 477 00:29:39,830 --> 00:29:42,880 ? - ALL ABOARD. 478 00:29:42,880 --> 00:29:50,710 - ( cheering ) HOW DO YOU LIKE MY U.F.O.? 479 00:29:50,710 --> 00:29:55,080 ( laughing ) OH, DEAR GOD, NO. 480 00:29:55,080 --> 00:29:56,080 MICHAEL! 481 00:29:56,080 --> 00:30:04,840 ( engine revving ) MICHAEL, I HAVE TO TALK TO YOU. 482 00:30:04,840 --> 00:30:15,540 NOT NOW, WE HAVE TO GO BEFORE THE POLICE GET HERE. 483 00:30:15,540 --> 00:30:16,540 - GET IN. 484 00:30:16,540 --> 00:30:17,540 - BUT, MICHAEL! 485 00:30:17,540 --> 00:30:18,540 Michael I'M FINE. 486 00:30:18,540 --> 00:30:19,540 HELLO. 487 00:30:19,540 --> 00:30:20,540 WHAT'S YOUR NAME? 488 00:30:20,540 --> 00:30:21,540 - I'M ANGEL. 489 00:30:21,540 --> 00:30:22,540 - WELL, WHERE'S YOUR WINGS? 490 00:30:22,540 --> 00:30:23,540 - MICHAEL! 491 00:30:23,540 --> 00:30:24,540 - HUH? 492 00:30:24,540 --> 00:30:25,540 CAN YOU HELP US GET THIS DOOR CLOSED? 493 00:30:25,540 --> 00:30:37,350 YOU HAVE TO DO IT FROM THE OUTSIDE. 494 00:30:37,350 --> 00:31:09,019 BUT IF I DO THAT I WON'T BE ABLE TO COME. 495 00:31:09,019 --> 00:31:10,019 IF YOU DO THIS NOW, YOU'LL BE ONE OF US. 496 00:31:10,019 --> 00:31:11,019 NEXT TIME I'LL MAKE YOU V.I.P.-- VERY VERY IMPORTANT PERSON. 497 00:31:11,019 --> 00:31:12,019 - MICHAEL! 498 00:31:12,019 --> 00:31:13,019 - COME ON NOW. 499 00:31:13,019 --> 00:31:14,019 BE AN ANGEL. 500 00:31:14,019 --> 00:31:15,019 - MICHAEL, YOU'RE OUT OF YOUR MIND. 501 00:31:15,019 --> 00:31:16,019 - OH PLEASE. 502 00:31:16,019 --> 00:31:17,019 - PARTY IN THE TRUCK. 503 00:31:17,019 --> 00:31:18,019 - ( cheering ) ( sirens wailing ) 504 00:31:18,019 --> 00:31:19,019 ALL RIGHT, COME ON. 505 00:31:19,019 --> 00:31:20,019 ( Christina giggling ) LET'S GO, SWEETIE. 506 00:31:20,019 --> 00:31:21,019 YOU'RE A BIG GIRL. 507 00:31:21,019 --> 00:31:22,019 GET UP. 508 00:31:22,019 --> 00:31:26,150 ALL RIGHT. 509 00:31:26,150 --> 00:31:35,350 ( dance music playing ) James MICHAEL, I CAN'T BELIEVE YOU BOUGHT 510 00:31:35,350 --> 00:31:36,350 ALL THIS CRAP. 511 00:31:36,350 --> 00:31:38,320 Michael OH, JAMES, DON'T BE JEALOUS. 512 00:31:38,320 --> 00:31:39,750 I'VE GOT A LUXURY CONDO AND YOU DON'T. 513 00:31:39,750 --> 00:31:40,750 ALL RIGHT, EVERYONE, IT'S MY BIRTHDAY. 514 00:31:40,750 --> 00:31:41,750 TIME TO PAY ATTENTION TO ME. 515 00:31:41,750 --> 00:31:42,750 - HAPPY BIRTHDAY. 516 00:31:42,750 --> 00:31:43,750 - THANK YOU. 517 00:31:43,750 --> 00:31:44,750 - HAPPY BIRTHDAY, BABY. 518 00:31:44,750 --> 00:31:47,510 - OH, KEOKI, HOW NICE OF YOU TO SHOW UP AFTER WHAT, FOUR OR FIVE DAYS? 519 00:31:47,510 --> 00:31:52,110 YOU'RE FUCKED UP, AREN'T YOU? 520 00:31:52,110 --> 00:31:55,790 EVERYONE, THIS IS FREEZ. 521 00:31:55,790 --> 00:31:59,820 HE USED TO BE A HAT-MAKER, NOW HE'S A DRUG DEALER. 522 00:31:59,820 --> 00:32:02,570 EVERYONE SAY HELLO. 523 00:32:02,570 --> 00:32:04,410 MICHAEL, PLEASE. 524 00:32:04,410 --> 00:32:05,410 HA! 525 00:32:05,410 --> 00:32:06,720 FUCKING JUNKIE. 526 00:32:06,720 --> 00:32:11,299 OH, IS THAT FOR ME? 527 00:32:11,299 --> 00:32:13,140 HOW LOVELY. 528 00:32:13,140 --> 00:32:14,160 TAKE IT, YOU LITTLE FUCK! 529 00:32:14,160 --> 00:32:18,590 ( record scratches, music stops ) HEY, DON'T TOUCH MY RECORDS, MAN. 530 00:32:18,590 --> 00:32:19,720 YOUR RECORDS? 531 00:32:19,720 --> 00:32:20,720 DON'T MAKE ME LAUGH. 532 00:32:20,720 --> 00:32:21,720 YOU DON'T EVEN KNOW HOW TO PLAY. 533 00:32:21,720 --> 00:32:40,279 YOU'RE NOT A SUPERSTAR DJ, YOU'RE A PIECE OF SHIT DJ AND EVERYBODY KNOWS 534 00:32:40,279 --> 00:32:42,690 IT. 535 00:32:42,690 --> 00:32:48,950 WELL, CONGRATULATIONS ON GETTING OUT OF THE VERY DANGEROUS WORLD OF HABERDASHERY. 536 00:32:48,950 --> 00:32:54,770 OH, DRUGS ARE JUST A SIDELINE. 537 00:32:54,770 --> 00:32:59,370 PROFITABLE, THOUGH. 538 00:32:59,370 --> 00:33:10,870 MAY I SAMPLE YOUR WARES? 539 00:33:10,870 --> 00:33:22,370 ( thunder cracks ) ( music box playing ) 540 00:33:22,370 --> 00:33:29,610 MICHAEL, WHAT ARE YOU DOING? 541 00:33:29,610 --> 00:33:30,830 SKRINKLE AND I JUST DID ALL YOUR COCAINE. 542 00:33:30,830 --> 00:33:31,830 YOU DID WHAT? 543 00:33:31,830 --> 00:33:32,870 I FIGURED IF YOU WERE GOING TO RUIN OUR RELATIONSHIP BY DOING DRUGS 544 00:33:32,870 --> 00:33:35,159 I SHOULD SEE WHAT ALL THE FUSS IS ABOUT. 545 00:33:35,159 --> 00:33:36,980 GREAT, SO NOW WE HAVE TWO DRUG ADDICTS IN THE FAMILY? 546 00:33:36,980 --> 00:33:40,130 AND SKRINKLE MAKES THREE. 547 00:33:40,130 --> 00:33:42,999 DO YOU HAVE ANY MORE? 548 00:33:42,999 --> 00:33:44,580 WHAT DO YOU MEAN, "ANY MORE"? 549 00:33:44,580 --> 00:33:47,580 MORE AS IN MORE, MORON. 550 00:33:47,580 --> 00:33:49,990 WHAT PART DON'T YOU UNDERSTAND, DUH-FACE? 551 00:33:49,990 --> 00:33:50,990 FUCK YOU. 552 00:33:50,990 --> 00:33:53,009 I'M OUT OF HERE. 553 00:33:53,009 --> 00:33:56,419 YOU'RE JUST MAD 'CAUSE I DID ALL YOUR STUFF AND I DIDN'T EVEN LIKE IT. 554 00:33:56,419 --> 00:34:09,960 IF YOU WALK OUT THAT DOOR I'M GOING TO KILL MYSELF. 555 00:34:09,960 --> 00:34:15,869 ( door slams ) ? TURN AROUND ? 556 00:34:15,869 --> 00:34:19,440 ? EVERY NOW AND THEN I GET A LITTLE BIT LONELY ? 557 00:34:19,440 --> 00:34:23,100 ? AND YOU'RE NEVER COMING ROUND ? ? TURN AROUND ? 558 00:34:23,100 --> 00:34:26,460 ? EVERY NOW AND THEN I GET A LITTLE... 559 00:34:26,460 --> 00:34:27,460 ? WAKE UP, MICHAEL. 560 00:34:27,460 --> 00:34:28,460 YOU CAME. 561 00:34:28,460 --> 00:34:33,380 ? EVERY NOW AND THEN I GET A LITTLE... 562 00:34:33,380 --> 00:34:36,120 ? THESE SUICIDE ATTEMPTS HAVE GOT TO STOP. 563 00:34:36,120 --> 00:34:39,810 WE ALL KNOW THAT YOU'RE FAR TOO SELFISH TO EVER HURT YOURSELF. 564 00:34:39,810 --> 00:34:42,450 JAMES, HOLD ME, PLEASE. 565 00:34:42,450 --> 00:34:45,099 I FEEL COLD INSIDE. 566 00:34:45,099 --> 00:34:52,369 ? EVERY NOW AND THEN I FALL APART ? ? TURN AROUND, BRIGHT EYES... 567 00:34:52,369 --> 00:35:04,010 ? OKAY, JUST THIS ONCE. 568 00:35:04,010 --> 00:35:06,869 I JUST WANT TO BE LOVED. 569 00:35:06,869 --> 00:35:10,540 THERE ISN'T ENOUGH LOVE IN THE WHOLE WIDE WORLD TO SATISFY YOU. 570 00:35:10,540 --> 00:35:13,660 WELL, KEOKI'S ALL I NEED. 571 00:35:13,660 --> 00:35:27,460 I KNOW WHAT YOU NEED-- A NICE HOT CUP OF HOT CHOCOLATE. 572 00:35:27,460 --> 00:35:35,500 CAN YOU PUT SOME ECSTASY IN MINE? 573 00:35:35,500 --> 00:35:36,500 WHAT? 574 00:35:36,500 --> 00:35:39,670 SINCE WHEN ARE YOU INTO DRUGS? 575 00:35:39,670 --> 00:35:41,210 ECSTASY ISN'T A DRUG, SILLY. 576 00:35:41,210 --> 00:35:43,800 IT'S NOT EVEN A LISTED SUBSTANCE. 577 00:35:43,800 --> 00:35:57,210 IT'S JUST MEDICATION FOR MY RAPID-CYCLING BIPOLAR DISORDER. 578 00:35:57,210 --> 00:35:58,880 PEOPLE SAY WE'RE SUPERFICIAL. 579 00:35:58,880 --> 00:36:00,849 WE ARE. 580 00:36:00,849 --> 00:36:02,290 PROFOUNDLY SO. 581 00:36:02,290 --> 00:36:08,150 WE'RE TWO PEAS IN A POD, YOU AND I, JAMES. 582 00:36:08,150 --> 00:36:09,630 PITY THE POD. 583 00:36:09,630 --> 00:36:13,600 YOU'RE THE YODA TO MY LUKE. 584 00:36:13,600 --> 00:36:15,349 EXCUSE ME. 585 00:36:15,349 --> 00:36:17,910 YOU ARE THE PAULA ABDUL TO MY JANET JACKSON. 586 00:36:17,910 --> 00:36:20,160 THAT'S GOOD, RIGHT? 587 00:36:20,160 --> 00:36:26,490 DID I EVER TELL YOU ABOUT MY FIRST BOYFRIEND IN JUNIOR HIGH? 588 00:36:26,490 --> 00:36:29,829 I THINK YOU'RE ABOUT TO. 589 00:36:29,829 --> 00:36:30,829 CUE THE MUSIC. 590 00:36:30,829 --> 00:36:33,600 ( soft piano plays ) WHEN I WAS WE WERE INSEPARABLE, HIM AND I. 591 00:36:33,600 --> 00:36:38,750 SO THAT WE WOULD NEVER HAVE TO BE APART WE CAME UP WITH THIS PLAN THAT HE'D KIDNAP 592 00:36:38,750 --> 00:36:41,890 ME AND MY BODY WOULD NEVER EVER BE FOUND. 593 00:36:41,890 --> 00:36:46,700 WE SPENT DAYS PRACTICING TO SEE HOW LONG I COULD SPEND IN CONFINED 594 00:36:46,700 --> 00:36:47,700 SPACES. 595 00:36:47,700 --> 00:36:51,109 ON THE DAY BEFORE THE KIDNAPPING HIS FATHER FOUND US WRESTLING. 596 00:36:51,109 --> 00:36:58,240 AFTER THAT, HE NEVER TALKED TO ME AGAIN. 597 00:36:58,240 --> 00:37:04,599 I CALLED HIM LAST NIGHT, AFTER KEOKI LEFT. 598 00:37:04,599 --> 00:37:09,960 HE'S MARRIED NOW, WITH KIDS. 599 00:37:09,960 --> 00:37:11,530 HE WOULDN'T EVEN COME TO THE PHONE. 600 00:37:11,530 --> 00:37:17,670 HIS WIFE HUNG UP ON ME. 601 00:37:17,670 --> 00:37:24,470 I REALLY THINK YOU SHOULD MOVE IN WITH ME, JAMES. 602 00:37:24,470 --> 00:37:32,500 I'M JUST LIKE A BALLOON, UNLESS SOMEONE HOLDS MY STRING... 603 00:37:32,500 --> 00:37:50,410 I'LL FLOAT AWAY. 604 00:37:50,410 --> 00:38:08,910 GOOD, IT'S SETTLED THEN. 605 00:38:08,910 --> 00:38:13,749 WE'LL GO GET YOUR STUFF LATER TODAY. 606 00:38:13,749 --> 00:38:19,480 ( cuckoo chiming ) ( Michael whistling ) 607 00:38:19,480 --> 00:38:23,089 Michael OUR MAGAZINE'S ON THE STANDS TODAY. 608 00:38:23,089 --> 00:38:24,089 CAN YOU BELIEVE IT? 609 00:38:24,089 --> 00:38:25,660 OUR OWN MAGAZINE. 610 00:38:25,660 --> 00:38:26,820 I'VE ALREADY SEEN IT. 611 00:38:26,820 --> 00:38:30,490 AND THERE'S A PROBLEM, A BIG PROBLEM. 612 00:38:30,490 --> 00:38:32,710 I'VE BEEN CUT OFF. 613 00:38:32,710 --> 00:38:36,050 "JAMES ST. 614 00:38:36,050 --> 00:38:37,510 JAMES HEADS UP WHITE SLAVE RING. 615 00:38:37,510 --> 00:38:41,400 SELLS -YEAR-OLD BOYS ON AVENUE B. EXCLUSIVE BY MICHAEL ALIG." 616 00:38:41,400 --> 00:38:43,589 WHY, MICHAEL, WHY? 617 00:38:43,589 --> 00:38:46,059 COME ON, SKRINK, I THINK IT'S FUNNY. 618 00:38:46,059 --> 00:38:50,380 ( scoffs ) MY FATHER DOES NOT SHARE YOUR SENSE OF HUMOR. 619 00:38:50,380 --> 00:38:52,690 I DIDN'T KNOW HE WAS A "PROJECT X" READER. 620 00:38:52,690 --> 00:38:56,080 YES YOU DID, BECAUSE YOU SENT HIM A LIFETIME SUBSCRIPTION. 621 00:38:56,080 --> 00:38:58,569 AND NOW I'VE BEEN CUT OFF WITHOUT A PENNY. 622 00:38:58,569 --> 00:39:07,520 SO NO MORE TRUST FUND AND NO MORE GAULTIER AND NO MORE FUCKING COMMES DES GARCONS, MICHAEL. 623 00:39:07,520 --> 00:39:10,920 WELL, AT LEAST YOU HAVE A FATHER. 624 00:39:10,920 --> 00:39:16,589 MICHAEL, FOR ONCE, THIS IS NOT ABOUT YOU. 625 00:39:16,589 --> 00:39:21,980 LOOK, JAMES, I'M SORRY. 626 00:39:21,980 --> 00:39:24,000 I'LL TALK TO YOUR FATHER. 627 00:39:24,000 --> 00:39:26,230 I PROMISE. 628 00:39:26,230 --> 00:39:28,070 LOOK... 629 00:39:28,070 --> 00:39:34,730 WHY DON'T WE MAKE A PACT, OKAY? 630 00:39:34,730 --> 00:39:41,770 THAT WHENEVER YOU'RE DOWN, I'LL HELP YOU, AND WHENEVER I'M DOWN, YOU'LL HELP ME. 631 00:39:41,770 --> 00:39:43,809 IT'S KIND OF LIKE A SEESAW. 632 00:39:43,809 --> 00:39:45,840 EXCEPT NEITHER ONE OF US CAN GET OFF. 633 00:39:45,840 --> 00:39:49,220 ( laughs ) ? I-I-I-I-I need ? 634 00:39:49,220 --> 00:39:55,470 ? I need you ? ? I-I-I-I-I-I Need... 635 00:39:55,470 --> 00:39:58,600 ? COME ON. 636 00:39:58,600 --> 00:40:01,720 COME ON. 637 00:40:01,720 --> 00:40:18,160 ? I-I-I need, I need you ? ? Two of hearts ? 638 00:40:18,160 --> 00:40:42,340 ? Two hearts that beat as one ? - ? Two of hearts ? - ? I need you, I need 639 00:40:42,340 --> 00:40:43,340 you ? ? Two of hearts ? 640 00:40:43,340 --> 00:40:44,340 ? Two hearts that beat as one ? ? Two of hearts, come on, come on ? 641 00:40:44,340 --> 00:40:45,340 ? I-I-I-I-I need ? ? I need you ? 642 00:40:45,340 --> 00:40:46,340 ? I-I-I-I-I need ? ? I-I-I-I-I need ? 643 00:40:46,340 --> 00:40:47,340 ? I need, I need ? ? I need you. 644 00:40:47,340 --> 00:40:48,340 ? WHAT'S FOR DINNER, JAMES? 645 00:40:48,340 --> 00:40:49,340 I'M STARVED. 646 00:40:49,340 --> 00:40:50,340 I FINISHED THE MOST MARVELOUS SENTENCE TODAY. 647 00:40:50,340 --> 00:40:51,340 THAT'S GREAT. 648 00:40:51,340 --> 00:40:52,340 WHAT'S FOR DINNER? 649 00:40:52,340 --> 00:40:53,340 I'VE BEEN WORKING ON IT FOR TWO WHOLE WEEKS. 650 00:40:53,340 --> 00:40:54,900 THE RHYTHM, THE SYNTAX, THE DISSONANCE, THE DIPHTHONGS-- IT'S PERFECT. 651 00:40:54,900 --> 00:41:03,589 ( clears throat ) "LAST NIGHT I DREAMT OF GLOCCA MORRA... 652 00:41:03,589 --> 00:41:07,040 AGAIN." 653 00:41:07,040 --> 00:41:10,720 IT'S REALLY A SHAME YOU CAN'T PUBLISH A SENTENCE. 654 00:41:10,720 --> 00:41:21,349 I'M CONVINCED IT WOULD BE A BESTSELLER. 655 00:41:21,349 --> 00:41:24,959 ( bell ringing ) ( James humming ) 656 00:41:24,959 --> 00:41:29,089 ( sizzling ) LIGHTLY TOASTED ANIMAL TRANQUILIZER 657 00:41:29,089 --> 00:41:36,079 EXPERTLY PREPARED BY YOUR SOUS CHEF. 658 00:41:36,079 --> 00:41:42,869 - DID KEOKI CALL? 659 00:41:42,869 --> 00:41:43,869 - NO. 660 00:41:43,869 --> 00:41:45,250 HE PROMISED HE'D CALL. 661 00:41:45,250 --> 00:41:55,010 WE'LL SEE HIM NEXT WEEK IN DALLAS, IF HE BOTHERS TO SHOW UP. 662 00:41:55,010 --> 00:42:02,970 ( laughs ) YOU KNOW WHAT? 663 00:42:02,970 --> 00:42:06,750 YOU NEED A NEW PROJECT, SOMETHING TO KEEP YOU BUSY. 664 00:42:06,750 --> 00:42:09,930 I KNOW, WHY NOT CREATE A NEW SUPERSTAR? 665 00:42:09,930 --> 00:42:12,840 A SUPERSTAR DRUG DEALER. 666 00:42:12,840 --> 00:42:16,369 THEY'D BE INSTANTLY POPULAR BECAUSE DRUG DEALERS CAN AFFORD THE BEST OUTFITS AND EVERYBODY 667 00:42:16,369 --> 00:42:17,470 LOVES DRUGS. 668 00:42:17,470 --> 00:42:20,280 THEY WOULD GIVE YOU ALL THE DRUGS YOU WANTED FOR FREE. 669 00:42:20,280 --> 00:42:25,020 AND IF THEY DIDN'T, I'D JUST THEM RIGHT OUT OF THE CLUB. 670 00:42:25,020 --> 00:42:26,020 - DON'T SPILL IT. 671 00:42:26,020 --> 00:42:29,410 - MICHAEL, YOU'RE SUCH AN ADDICT. 672 00:42:29,410 --> 00:42:35,859 - ( phone ringing ) - THAT'LL BE KEOKI. 673 00:42:35,859 --> 00:42:37,150 HELLO. 674 00:42:37,150 --> 00:42:38,440 NO. 675 00:42:38,440 --> 00:42:47,480 JAMES, NO DIPPING INTO THE COOKING SHERRY! 676 00:42:47,480 --> 00:42:48,770 YEAH. 677 00:42:48,770 --> 00:42:51,349 OH, OKAY. 678 00:42:51,349 --> 00:42:56,510 YES, YES, THANK YOU. 679 00:42:56,510 --> 00:42:57,800 BYE. 680 00:42:57,800 --> 00:43:01,680 WAS THAT KEOKI? 681 00:43:01,680 --> 00:43:05,549 WHAT DID HE SAY? 682 00:43:05,549 --> 00:43:10,400 DID HE ASK ABOUT ME? 683 00:43:10,400 --> 00:43:13,309 IS SOMETHING WRONG? 684 00:43:13,309 --> 00:43:14,400 IT WASN'T KEOKI. 685 00:43:14,400 --> 00:43:16,770 IT WAS THE POLICE. 686 00:43:16,770 --> 00:43:19,710 NOW GIVE ME MY K. THE POLICE? 687 00:43:19,710 --> 00:43:20,880 WHAT DID THEY WANT? 688 00:43:20,880 --> 00:43:22,450 - STOP TRYING TO CHANGE THE SUBJECT. 689 00:43:22,450 --> 00:43:26,310 - MICHAEL, TELL ME. 690 00:43:26,310 --> 00:43:27,310 CHRISTINA'S DEAD. 691 00:43:27,310 --> 00:43:31,460 NOW GIVE ME MY GODDAMN K. MICHAEL, OH MY GOD. 692 00:43:31,460 --> 00:43:36,240 COME ON, LET ME DO YOUR MAKE-UP. 693 00:43:36,240 --> 00:43:37,990 WE'RE GOING TO BE LATE. 694 00:43:37,990 --> 00:43:38,990 LATE? 695 00:43:38,990 --> 00:43:41,710 HOW COULD YOU EVEN THINK ABOUT GOING OUT? 696 00:43:41,710 --> 00:43:44,450 I'VE BEEN PLANNING THIS PARTY FOR MONTHS. 697 00:43:44,450 --> 00:43:46,230 - CHRISTINA HAD NO RIGHT TO GO AND DIE ON US. 698 00:43:46,230 --> 00:43:47,230 - YOU GHOUL. 699 00:43:47,230 --> 00:43:50,210 OH PLEASE, THE BEST SUPERSTAR IS A DEAD SUPERSTAR. 700 00:43:50,210 --> 00:43:51,210 - STOP IT. 701 00:43:51,210 --> 00:43:55,720 I MEAN IT! 702 00:43:55,720 --> 00:44:14,460 - ( Freez screams ) MY FUCKING BUTT IS ON FIRE! 703 00:44:14,460 --> 00:44:21,480 ( laughs ) COME ON. 704 00:44:21,480 --> 00:44:33,190 LET ME DO YOUR FACE. 705 00:44:33,190 --> 00:44:44,900 WE'RE GOING TO BE LATE. 706 00:44:44,900 --> 00:44:47,250 HI. 707 00:44:47,250 --> 00:44:48,710 WELCOME TO CHICKEN BUN. 708 00:44:48,710 --> 00:44:50,690 MAY I TAKE YOUR ORDER, PLEASE? 709 00:44:50,690 --> 00:44:57,990 YES, I'D LIKE CHEESEBURGERS AND FRENCH FRIES, PLEASE. 710 00:44:57,990 --> 00:45:04,270 ( hitting keys ) WILL THAT BE TO STAY OR TO GO? 711 00:45:04,270 --> 00:45:06,819 TO STAY. 712 00:45:06,819 --> 00:45:08,650 WILL THERE BE ANYTHING TO DRINK WITH THAT? 713 00:45:08,650 --> 00:45:15,950 HOW ABOUT ONE OF YOUR THICK AND CREAMY MILKSHAKES? 714 00:45:15,950 --> 00:45:28,790 MY NAME'S RODNEY. 715 00:45:28,790 --> 00:45:29,790 YOU CAN CALL ME ROD FOR SHORT. 716 00:45:29,790 --> 00:45:30,790 HELLO, ROD. 717 00:45:30,790 --> 00:45:31,790 ( cheering ) DINNER'S SERVED. 718 00:45:31,790 --> 00:45:32,790 DON'T BE SHY. 719 00:45:32,790 --> 00:45:33,790 OH, I'M SORRY. 720 00:45:33,790 --> 00:45:34,790 CHRISTINA'S DEAD! 721 00:45:34,790 --> 00:45:35,790 RA LA DIDDLE DOO! 722 00:45:35,790 --> 00:45:36,790 ? YOU GOT TO WALK ? ? WALK ? 723 00:45:36,790 --> 00:45:47,460 ? WALK YOUR ASS DOWN THE RUNWAY, JETWAY ? ? WALK, WALK ? 724 00:45:47,460 --> 00:46:08,450 ? MODELING IS AN UGLY BUSINESS... 725 00:46:08,450 --> 00:46:12,650 ? MICHAEL. 726 00:46:12,650 --> 00:46:16,839 - MICHAEL! 727 00:46:16,839 --> 00:46:29,743 - ( sirens wailing ) HEY, I GOT MY WINGS. 728 00:46:29,743 --> 00:46:30,743 THEN FLY AWAY HOME. 729 00:46:30,743 --> 00:46:41,079 THE POLICE ARE COMING. 730 00:46:41,079 --> 00:46:42,079 ( Rodney laughing ) HEY, HEY! 731 00:46:42,079 --> 00:46:43,079 HEY! 732 00:46:43,079 --> 00:46:44,079 DO YOU STILL WANT THAT MILKSHAKE? 733 00:46:44,079 --> 00:46:45,079 OF COURSE. 734 00:46:45,079 --> 00:46:46,079 TO GO. 735 00:46:46,079 --> 00:46:47,079 Man LADIES AND GENTLEMEN, MEET AMERICA'S FUTURE. 736 00:46:47,079 --> 00:46:48,079 THE CLUB KIDS. 737 00:46:48,079 --> 00:46:49,079 HERE THEY ARE. 738 00:46:49,079 --> 00:46:50,079 - ( dance music playing ) - ( audience applauding ) 739 00:46:50,079 --> 00:46:51,079 ? YOU BETTER WORK, COVER-GIRL ? ? WORK IT, GIRL, GIVE A TWIRL ? 740 00:46:51,079 --> 00:46:52,079 ? DO YOUR THING ON THE RUNWAY ? ? WORK, SUPERMODEL ? 741 00:46:52,079 --> 00:46:53,079 ? WORK IT, GIRL, AROUND THE WORLD ? ? WET YOUR LIPS AND MAKE LOVE TO THE CAMERA 742 00:46:53,079 --> 00:46:57,450 ? ? WORK, TURN TO THE LEFT ? 743 00:46:57,450 --> 00:47:08,650 ? WORK, NOW TURN TO THE RIGHT ? ? WORK, SACHER CHANTER ? 744 00:47:08,650 --> 00:47:22,329 ? WORK, TURN TO THE LEFT ? ? WORK, NOW TURN TO THE RIGHT... 745 00:47:22,329 --> 00:47:26,069 ? WHO INVITED HIM? 746 00:47:26,069 --> 00:47:27,099 - I DID. 747 00:47:27,099 --> 00:47:29,180 - WHATEVER FOR? 748 00:47:29,180 --> 00:47:36,460 AND IT'S NOT EVEN OUR HALLOWEEN SHOW. 749 00:47:36,460 --> 00:47:41,089 ( weak laughter ) CLUB KIDS, SO WHAT DO YOU ACTUALLY DO? 750 00:47:41,089 --> 00:47:43,110 WE DON'T DO, WE JUST ARE. 751 00:47:43,110 --> 00:47:44,850 BUT WHAT ABOUT WORK? 752 00:47:44,850 --> 00:47:48,069 IT TAKES A LOT OF WORK TO LOOK THAT RIDICULOUS. 753 00:47:48,069 --> 00:47:50,970 WELL, MY WINGED VALKYRIE... 754 00:47:50,970 --> 00:47:53,870 - HOW DO YOU SUPPORT YOURSELF? 755 00:47:53,870 --> 00:47:56,080 - WELL I-- CAN'T YOU GUESS? 756 00:47:56,080 --> 00:47:57,080 HE'S A DRUG DEALER. 757 00:47:57,080 --> 00:48:01,360 - ( audience gasps ) - ( Michael laughs ) - NO, BUT SERIOUSLY? 758 00:48:01,360 --> 00:48:02,950 - IT'S ALL JUST INNOCENT FUN. 759 00:48:02,950 --> 00:48:04,420 THEY'RE NOT HURTING ANYONE. 760 00:48:04,420 --> 00:48:06,450 LET THE CHILDREN PLAY. 761 00:48:06,450 --> 00:48:14,140 WE'RE PARTYING WITH THE CLUB KIDS, FAMOUS BECAUSE THEY'RE FABULOUS. 762 00:48:14,140 --> 00:48:21,990 THAT'S SO COOL. 763 00:48:21,990 --> 00:48:25,280 Man AND WE'RE CLEAR. 764 00:48:25,280 --> 00:48:26,280 - MICHAEL, WHERE HAVE YOU BEEN? 765 00:48:26,280 --> 00:48:27,280 - IN JAIL. 766 00:48:27,280 --> 00:48:28,280 NO, MY BABY BEHIND BARS? 767 00:48:28,280 --> 00:48:30,260 ME AND RODNEY HIJACKED AND CRASHED A CAB. 768 00:48:30,260 --> 00:48:31,859 - ANGEL BAILED ME OUT. 769 00:48:31,859 --> 00:48:32,920 - ANGEL? 770 00:48:32,920 --> 00:48:35,170 ACTUALLY, ANGEL BAILED YOU OUT. 771 00:48:35,170 --> 00:48:36,170 ME? 772 00:48:36,170 --> 00:48:39,730 YEAH, I TOLD THE POLICE I WAS YOU. 773 00:48:39,730 --> 00:48:43,950 OH, JAMES, IT'S JUST ALL IN FUN. 774 00:48:43,950 --> 00:48:49,240 AND AFTER I TOLD THEM THAT YOU HAD AIDS THEY GAVE ME MY OWN ROOM WITH A VCR AND ICE 775 00:48:49,240 --> 00:48:50,240 CREAM. 776 00:48:50,240 --> 00:48:52,210 ( laughing ) MICHAEL, I DON'T EVEN LIKE YOU. 777 00:48:52,210 --> 00:48:56,460 I HAVE NEVER LIKED YOU. 778 00:48:56,460 --> 00:49:02,400 Man WE'RE BACK IN FIVE, FOUR, - THREE. 779 00:49:02,400 --> 00:49:08,559 - ( theme music plays ) SO, JUST WHAT IS A CLUB KID? 780 00:49:08,559 --> 00:49:10,980 IT'S ALL ABOUT SELF-EXPRESSION. 781 00:49:10,980 --> 00:49:14,500 IF YOU FEEL LIKE A TROLL, THEN YOU SHOULD LOOK LIKE A TROLL. 782 00:49:14,500 --> 00:49:16,120 IT DOESN'T MATTER WHAT YOU LOOK LIKE. 783 00:49:16,120 --> 00:49:21,350 I MEAN, IF YOU HAVE A HUNCHBACK JUST THROW A LITTLE GLITTER ON IT, HONEY, 784 00:49:21,350 --> 00:49:23,180 AND GO DANCING. 785 00:49:23,180 --> 00:49:24,229 - AND YOU ARE? 786 00:49:24,229 --> 00:49:25,290 - HE'S A TROLL. 787 00:49:25,290 --> 00:49:26,730 TROLL ST. 788 00:49:26,730 --> 00:49:27,730 TROLL. 789 00:49:27,730 --> 00:49:28,970 I AM JAMES ST. 790 00:49:28,970 --> 00:49:30,690 JAMES, THE ORIGINAL. 791 00:49:30,690 --> 00:49:33,380 THE ORIGINAL DRUG CHILD. 792 00:49:33,380 --> 00:49:37,480 AS YOU CAN SEE, YEARS OF ABUSE HAVE TAKEN ITS TOLL ON THE TROLL. 793 00:49:37,480 --> 00:49:41,510 ALTHOUGH HE LOOKS MUCH OLDER, HE JUST TURNED . 794 00:49:41,510 --> 00:49:46,319 I AM AND MICHAEL ALIG HAS STOLEN ALL OF MY IDEAS. 795 00:49:46,319 --> 00:49:47,640 WHAT ABOUT THE FUTURE? 796 00:49:47,640 --> 00:49:51,099 CAN YOU REALLY BE A CLUB KID IN YOUR s? 797 00:49:51,099 --> 00:49:53,840 ASK MY MOM. 798 00:49:53,840 --> 00:49:55,060 WHY NOT? 799 00:49:55,060 --> 00:49:58,109 MY SON IS A SUCCESS. 800 00:49:58,109 --> 00:50:02,579 AND HE STARTED OUT SELLING CANDY FROM A LITTLE SHOEBOX AT SCHOOL 801 00:50:02,579 --> 00:50:06,180 AND NOW HE SENDS A STRETCH LIMOUSINE FOR ME AT THE AIRPORT. 802 00:50:06,180 --> 00:50:11,630 ISN'T IT TRUE, MA'AM, THAT YOUR SON MICHAEL TURNED YOU ON TO THE PILL ECSTASY? 803 00:50:11,630 --> 00:50:14,740 - ( audience murmuring ) - ( Michael chuckles ) 804 00:50:14,740 --> 00:50:17,740 HE SAID IT WAS A HEADACHE PILL. 805 00:50:17,740 --> 00:50:21,109 WHAT HAPPENED WHEN YOU TOOK IT? 806 00:50:21,109 --> 00:50:24,950 MY HEADACHE WENT AWAY. 807 00:50:24,950 --> 00:50:27,960 ( laughing ) CLUB KIDS ARE CONDUCTING A NATIONWIDE TALENT 808 00:50:27,960 --> 00:50:30,700 SEARCH STARTING IN DALLAS NEXT WEEK. 809 00:50:30,700 --> 00:50:31,830 THANK YOU ALL FOR BEING HERE. 810 00:50:31,830 --> 00:50:33,460 THESE ARE THE CLUB KIDS. 811 00:50:33,460 --> 00:50:34,549 GOD BLESS YOU ALL. 812 00:50:34,549 --> 00:50:37,170 THANKS SO MUCH, MR. 813 00:50:37,170 --> 00:50:38,170 CHICKEN. 814 00:50:38,170 --> 00:50:39,170 GREAT. 815 00:50:39,170 --> 00:50:40,440 THANK YOU, DEAR. 816 00:50:40,440 --> 00:50:41,750 Great stuff. 817 00:50:41,750 --> 00:50:43,719 Really liked it. 818 00:50:43,719 --> 00:50:49,280 ( TV turns off ) I KNOW YOU DON'T LIKE THEM, BUT THE PLACE 819 00:50:49,280 --> 00:50:51,240 IS PACKED ALMOST EVERY SINGLE NIGHT. 820 00:50:51,240 --> 00:50:52,809 - THE KID IS DOING SOMETHING RIGHT. 821 00:50:52,809 --> 00:50:53,809 - MM-HMM. 822 00:50:53,809 --> 00:51:03,440 AND THAT'S GOING TO DO US A LOT OF GOOD WHEN THE FEDS SHUT US DOWN. 823 00:51:03,440 --> 00:51:04,570 - HOW COULD YOU DO THAT? 824 00:51:04,570 --> 00:51:07,900 - ANGEL, HAVE YOU GOT-- - MICHAEL, HOW COULD YOU DO THAT? 825 00:51:07,900 --> 00:51:08,900 - DO WHAT? 826 00:51:08,900 --> 00:51:11,020 LIE ABOUT MY AGE TO THE ENTIRE UNITED STATES. 827 00:51:11,020 --> 00:51:14,410 - ANGEL, I REALLY NEED-- - MICHAEL, IT'S TIME TO GO. 828 00:51:14,410 --> 00:51:15,410 I'VE GOT A DATE. 829 00:51:15,410 --> 00:51:17,209 MOM, I CAN'T TAKE YOU TO THE AIRPORT. 830 00:51:17,209 --> 00:51:18,209 - I'M SICK. 831 00:51:18,209 --> 00:51:19,260 - NO, YOU'RE SICK? 832 00:51:19,260 --> 00:51:21,059 WHAT'S-- OH, IT'S NOTHING. 833 00:51:21,059 --> 00:51:23,390 IT'S JUST HEROIN WITHDRAWAL. 834 00:51:23,390 --> 00:51:24,720 MICHAEL. 835 00:51:24,720 --> 00:51:26,050 MICHAEL! 836 00:51:26,050 --> 00:51:32,710 THIS IS ALL YOUR FAULT. 837 00:51:32,710 --> 00:51:33,910 - MY FAULT? 838 00:51:33,910 --> 00:51:36,530 - ALL YOUR FAULT. 839 00:51:36,530 --> 00:51:39,670 YOU-- YOU FEEDING MY CHILD DRUGS. 840 00:51:39,670 --> 00:51:47,690 NO, DIDN'T YOU SEE... 841 00:51:47,690 --> 00:51:52,690 COME ON, I'LL TAKE YOU TO PORT AUTHORITY. 842 00:51:52,690 --> 00:51:55,530 I CAME IN A STRETCH LIMO. 843 00:51:55,530 --> 00:52:01,000 I'M NOT LEAVING IN A BUS. 844 00:52:01,000 --> 00:52:04,950 I KNOW. 845 00:52:04,950 --> 00:52:10,890 IT'S A TRAGEDY. 846 00:52:10,890 --> 00:52:14,030 PAY YOU TO FLY AROUND THE COUNTRY RECRUITING CLUB KIDS? 847 00:52:14,030 --> 00:52:15,030 NO. 848 00:52:15,030 --> 00:52:16,030 - THINK OF THE PRESS. 849 00:52:16,030 --> 00:52:17,030 - THINK OF THE COST. 850 00:52:17,030 --> 00:52:20,930 I BUY YOU AN APARTMENT, SET YOU UP WITH A MAGAZINE, 851 00:52:20,930 --> 00:52:23,319 PAY ALL YOUR BILLS AND STILL YOU WANT MORE. 852 00:52:23,319 --> 00:52:24,480 IT'S NEVER ENOUGH, IS IT? 853 00:52:24,480 --> 00:52:27,410 IT'S A RECIPROCAL KIND OF RELATIONSHIP, YOU KNOW, PETER? 854 00:52:27,410 --> 00:52:29,260 FATHER-SON KIND OF THING? 855 00:52:29,260 --> 00:52:35,099 AND ANOTHER THING, YOUR DRUG USE IS BECOMING INDISCRIMINATE. 856 00:52:35,099 --> 00:52:37,369 I WON'T DO CRACK WITHOUT HEROIN. 857 00:52:37,369 --> 00:52:38,740 COME HERE. 858 00:52:38,740 --> 00:52:42,160 TAKE A LOOK AT THIS. 859 00:52:42,160 --> 00:52:45,390 YOU WANT TO KNOW WHAT THAT IS? 860 00:52:45,390 --> 00:52:50,270 THEY'RE THE FEDS AND THEY'RE WATCHING ME AROUND THE CLOCK. 861 00:52:50,270 --> 00:52:53,230 THEY THINK I'M RUNNING SOME KIND OF DRUG SUPERMARKET. 862 00:52:53,230 --> 00:52:54,849 OH, PETER, YOU'RE JUST PARANOID. 863 00:52:54,849 --> 00:52:57,250 YOU KNOW WHAT YOUR PROBLEM IS? 864 00:52:57,250 --> 00:53:02,549 YOU DON'T KNOW HOW TO HAVE ANY FUN. 865 00:53:02,549 --> 00:53:07,849 LOOK, I HAVE TO START PLAYING THE GAME. 866 00:53:07,849 --> 00:53:15,231 IF I WANT TO HAVE FUN, MICHAEL, I'D GO AWAY ON A LITTLE... 867 00:53:15,231 --> 00:53:16,231 VACATION. 868 00:53:16,231 --> 00:53:28,250 I'D BOOK A HOTEL ROOM AND I'D DISAPPEAR FOR A FEW DAYS. 869 00:53:28,250 --> 00:53:34,650 IN FACT, I'M PLANNING A VACATION QUITE SOON. 870 00:53:34,650 --> 00:53:35,750 COULD I HAVE A LITTLE MORE? 871 00:53:35,750 --> 00:53:42,390 YOU KNOW, FOR EXPENSES. 872 00:53:42,390 --> 00:53:59,089 ( dance music playing ) GOD, 873 00:53:59,089 --> 00:54:01,690 I CAN'T BELIEVE YOU'RE HERE IN DALLAS. 874 00:54:01,690 --> 00:54:05,240 YOU LOOK JUST LIKE YOU DID ON TV. 875 00:54:05,240 --> 00:54:07,539 THAT SHOW CHANGED MY LIFE. 876 00:54:07,539 --> 00:54:13,350 THERE YOU WERE JUST UP ON THAT SCREEN AND FAMOUS FOR NO REASON. 877 00:54:13,350 --> 00:54:16,940 I THOUGHT, OH MY GOD, THAT'S WHAT I WANT TO DO. 878 00:54:16,940 --> 00:54:19,299 I CRIED. 879 00:54:19,299 --> 00:54:20,479 GOD. 880 00:54:20,479 --> 00:54:22,660 JUST WAIT TILL YOU TRY MY DRUG SALAD. 881 00:54:22,660 --> 00:54:23,870 - WHERE'S KEOKI? 882 00:54:23,870 --> 00:54:26,320 - HE DIDN'T MAKE HIS CONNECTION. 883 00:54:26,320 --> 00:54:29,990 SOMETHING HE'S BEEN DOING FOR SOME TIME NOW. 884 00:54:29,990 --> 00:54:34,000 A LITTLE SOMETHING, GENTLEMEN? 885 00:54:34,000 --> 00:54:37,990 ( chuckling ) NOW THAT'S WHAT I CALL A GUARDIAN ANGEL. 886 00:54:37,990 --> 00:54:39,210 STICK WITH ME, ANGEL. 887 00:54:39,210 --> 00:54:40,619 I'LL MAKE YOU A SUPERSTAR. 888 00:54:40,619 --> 00:54:42,180 THANKS, SKROD. 889 00:54:42,180 --> 00:54:46,079 THAT'S SKRINK-LA DOO TO YOU. 890 00:54:46,079 --> 00:54:51,020 ( laughs ) BROOKE, YOU SHOULD REALLY MOVE TO NEW YORK. 891 00:54:51,020 --> 00:54:52,020 SHUT UP. 892 00:54:52,020 --> 00:54:53,020 NEW YORK? 893 00:54:53,020 --> 00:54:55,039 OH HON, HE SAYS THAT TO EVERYONE. 894 00:54:55,039 --> 00:54:57,690 SOME OF THEM ACTUALLY DO MOVE TO NEW YORK, THE POOR THINGS. 895 00:54:57,690 --> 00:54:58,970 NO JOB, NOWHERE TO STAY. 896 00:54:58,970 --> 00:55:01,930 IN THE TWINK OF AN EYE THEY ARE HOMELESS CRACK ADDICTS 897 00:55:01,930 --> 00:55:05,230 PROSTITUTING THEMSELVES ON THE STREETS FOR A BUFFALO NICKEL. 898 00:55:05,230 --> 00:55:06,359 DON'T LISTEN TO JAMES. 899 00:55:06,359 --> 00:55:08,319 HE'S SUFFERING FROM DEMENTIA. 900 00:55:08,319 --> 00:55:09,319 DEMENTIA? 901 00:55:09,319 --> 00:55:10,319 I KNOW HER. 902 00:55:10,319 --> 00:55:11,450 SHE'S A DRAG QUEEN, RIGHT? 903 00:55:11,450 --> 00:55:13,260 CAN MY FRIEND GITSIE COME TOO? 904 00:55:13,260 --> 00:55:17,720 HEY, GITSIE, COME OVER HERE. 905 00:55:17,720 --> 00:55:19,510 COME HERE! 906 00:55:19,510 --> 00:55:22,190 Brooklets GITSIE, MICHAEL. 907 00:55:22,190 --> 00:55:23,969 MICHAEL, GITSIE. 908 00:55:23,969 --> 00:55:24,969 - HI. 909 00:55:24,969 --> 00:55:25,969 - HI. 910 00:55:25,969 --> 00:55:30,230 GITSIE, WHAT A GREAT NAME. 911 00:55:30,230 --> 00:55:31,329 OF COURSE, YOU CAN BOTH COME. 912 00:55:31,329 --> 00:55:33,930 AND YOU CAN BE MY NEW GIRLFRIEND. 913 00:55:33,930 --> 00:55:39,210 I CAN'T BELIEVE I JUST SAW YOU ON TV. 914 00:55:39,210 --> 00:55:40,980 AND YOU CAN BOTH STAY WITH US. 915 00:55:40,980 --> 00:55:45,119 James MICHAEL, ISN'T IT GETTING A LITTLE CROWDED IN HOUR HUMBLE ABODE? 916 00:55:45,119 --> 00:55:49,500 WHAT WITH FREEZ, ANGEL, MOI, YOUR NAME? 917 00:55:49,500 --> 00:55:50,500 - BROOKE. 918 00:55:50,500 --> 00:55:51,890 - BROOKE, AND THIS ONE? 919 00:55:51,890 --> 00:55:55,320 OH, JAMES, IT'S NOT LIKE I SEE YOU PAYING ANY RENT. 920 00:55:55,320 --> 00:55:59,940 RE-- I COOK, I CLEAN, I TAKE CARE OF YOUR MOTHER. 921 00:55:59,940 --> 00:56:02,980 SALAD IS SERVED. 922 00:56:02,980 --> 00:56:04,599 FIVE MINUTES TO SHOW TIME. 923 00:56:04,599 --> 00:56:07,730 Michael and James SHOW TIME? 924 00:56:07,730 --> 00:56:09,810 YOUR SHOW. 925 00:56:09,810 --> 00:56:13,289 BUT WE DON'T HAVE A SHOW. 926 00:56:13,289 --> 00:56:14,289 WE DON'T DO ANYTHING. 927 00:56:14,289 --> 00:56:16,040 CURTAIN UP AT THE END OF THIS SONG. 928 00:56:16,040 --> 00:56:17,040 Michael and James SONG? 929 00:56:17,040 --> 00:56:18,040 Announcer LADIES AND GENTLEMEN, MANHATTAN'S ONLY CLUB KIDS. 930 00:56:18,040 --> 00:56:19,040 ( cheering ) ( dance music playing ) 931 00:56:19,040 --> 00:56:20,040 GREETINGS CITIZENS. 932 00:56:20,040 --> 00:56:31,049 WE ARE LIVING IN THE AGE IN WHICH THE PURSUIT OF ALL VALUES 933 00:56:31,049 --> 00:56:41,329 OTHER THAN MONEY, SUCCESS, FAME, GLAMOUR 934 00:56:41,329 --> 00:56:51,609 HAS EITHER BEEN DISCREDITED OR DESTROYED. 935 00:56:51,609 --> 00:56:58,460 MONEY, SUCCESS, FAME, GLAMOUR. 936 00:56:58,460 --> 00:57:15,599 FOR WE ARE LIVING IN THE AGE OF THE THING. 937 00:57:15,599 --> 00:57:22,450 MONEY, SUCCESS, FAME, GLAMOUR. 938 00:57:22,450 --> 00:57:29,299 MONEY, SUCCESS, FAME, GLAMOUR. 939 00:57:29,299 --> 00:57:39,579 ( all chanting ) MONEY, SUCCESS, FAME, GLAMOUR. 940 00:57:39,579 --> 00:57:46,440 MONEY, SUCCESS, FAME, GLAMOUR. 941 00:57:46,440 --> 00:57:48,150 MONEY. 942 00:57:48,150 --> 00:57:49,960 BLOOD FEAST? 943 00:57:49,960 --> 00:57:50,960 LEGS CUT OFF? 944 00:57:50,960 --> 00:57:52,930 MICHAEL, THIS IS SICK. 945 00:57:52,930 --> 00:57:54,260 OF COURSE IT'S SICK. 946 00:57:54,260 --> 00:57:56,460 IT'S SUPPOSED TO BE SICK. 947 00:57:56,460 --> 00:57:57,750 NO! 948 00:57:57,750 --> 00:58:00,680 BUT IT'S MY BIRTHDAY AND I WANT TO HAVE A BLOOD FEAST. 949 00:58:00,680 --> 00:58:02,599 OVER MY DEAD BODY. 950 00:58:02,599 --> 00:58:05,799 IF YOU WANT YOUR MORTGAGE PAID, YOU WILL CHECK YOURSELF INTO REHAB. 951 00:58:05,799 --> 00:58:08,510 BUT I CAN'T AFFORD TO. 952 00:58:08,510 --> 00:58:14,740 I SAID I WOULD PAY. 953 00:58:14,740 --> 00:58:18,470 DOES SHE SPEAK? 954 00:58:18,470 --> 00:58:25,940 ONLY WHEN HE WANTS ME TO. 955 00:58:25,940 --> 00:58:30,920 MY KIND OF GIRL. 956 00:58:30,920 --> 00:58:36,450 ALL RIGHT LOOK, IF YOU GET YOURSELF INTO A REHAB 957 00:58:36,450 --> 00:58:40,140 YOU CAN HAVE YOUR BLOOD FEAST AS A GOING-AWAY PRESENT. 958 00:58:40,140 --> 00:58:41,140 THANK YOU, PETER. 959 00:58:41,140 --> 00:58:42,140 I PROMISE. 960 00:58:42,140 --> 00:58:43,140 OH, I'VE GOT SOMETHING FOR YOUR VACATION. 961 00:58:43,140 --> 00:58:44,140 ( Gitsie giggling ) TA-DAH! 962 00:58:44,140 --> 00:58:45,140 BUGS. 963 00:58:45,140 --> 00:58:46,140 BUGS. 964 00:58:46,140 --> 00:58:47,140 I KNOW THEY'RE HERE SOMEWHERE. 965 00:58:47,140 --> 00:58:48,140 HE'S OUT THERE. 966 00:58:48,140 --> 00:58:49,140 Peter YOU THINK YOU'RE PETER PAN, MICHAEL. 967 00:58:49,140 --> 00:58:50,140 BUT YOU'RE NOT. 968 00:58:50,140 --> 00:58:51,140 I'M PETER. 969 00:58:51,140 --> 00:58:52,140 AND I'M SITTING ON THE PAN. 970 00:58:52,140 --> 00:58:53,140 ( laughing ) ( snorting ) 971 00:58:53,140 --> 00:59:10,140 Michael I WAS JUST THINKING. 972 00:59:10,140 --> 01:00:22,250 I WAS JUST THINKING HOW NICE IT WOULD BE TO BE IN CENTRAL PARK. 973 01:00:22,250 --> 01:00:40,329 IN THE SUNSHINE. 974 01:00:40,329 --> 01:00:53,270 MICHAEL! 975 01:00:53,270 --> 01:00:54,920 YOU AND ME. 976 01:00:54,920 --> 01:00:56,940 Peter GITSIE! 977 01:00:56,940 --> 01:01:00,980 - WITH AN ICE CREAM. 978 01:01:00,980 --> 01:01:06,140 - IT'S LONELY IN HERE. 979 01:01:06,140 --> 01:01:21,859 I WANT MY MONEY, MICHAEL. 980 01:01:21,859 --> 01:01:40,720 I FEEL SO GOOD RIGHT NOW. 981 01:01:40,720 --> 01:01:48,960 Angel MICHAEL, I WANT MY MONEY. 982 01:01:48,960 --> 01:01:53,760 ( screaming ) MICHAEL, WAKE UP! 983 01:01:53,760 --> 01:01:56,160 COME ON! 984 01:01:56,160 --> 01:02:05,500 OH GOD. 985 01:02:05,500 --> 01:02:42,860 ( screaming ) ( heart monitor beeping ) 986 01:02:42,860 --> 01:03:11,300 ( baby crying ) James ? SKRINK LA DA ? 987 01:03:11,300 --> 01:03:20,900 ? LA SKROD LA DOODLE DA ? ? LA SKRINK LA SKROD LA SKROD LA DOODLE SKRINK 988 01:03:20,900 --> 01:03:25,749 LA DA ? ? SKRINK LA DOODLE DA SKROD. 989 01:03:25,749 --> 01:03:28,509 ? - I KNEW YOU'D COME. 990 01:03:28,509 --> 01:03:29,509 - BANANA? 991 01:03:29,509 --> 01:03:30,509 PEACH? 992 01:03:30,509 --> 01:03:32,660 ( laughs ) OH MY GOD! 993 01:03:32,660 --> 01:03:34,049 YOU'RE ALIVE! 994 01:03:34,049 --> 01:03:37,040 IT WAS SO NICE BEING DEAD. 995 01:03:37,040 --> 01:03:38,549 LOOK AT YOU IN THAT E.R. 996 01:03:38,549 --> 01:03:39,549 SHEET. 997 01:03:39,549 --> 01:03:40,549 OH MY GOD. 998 01:03:40,549 --> 01:03:43,400 I JUST GOT A GREAT IDEA. 999 01:03:43,400 --> 01:03:44,400 THE EMERGENCY ROOM. 1000 01:03:44,400 --> 01:03:49,030 WE'LL ALL GET DRESSED UP LIKE NURSES AND DOCTORS AND GIVE OUT PRESCRIPTIONS FOR FREE DRUGS. 1001 01:03:49,030 --> 01:03:54,220 KEOKI WILL DJ AND YOU CAN BE-- YOU CAN BE A SERIAL KILLER NURSE WITH THE 1002 01:03:54,220 --> 01:03:55,220 ENEMA. 1003 01:03:55,220 --> 01:03:56,220 MICHAEL, I CAN'T. 1004 01:03:56,220 --> 01:03:57,220 - CAN I BE A MENTAL PATIENT? 1005 01:03:57,220 --> 01:03:58,619 - OF COURSE YOU CAN. 1006 01:03:58,619 --> 01:04:01,670 JAMES, DO YOU HAVE A BUMP OF K? 1007 01:04:01,670 --> 01:04:04,660 I'M REALLY TRYING TO GET MY ACT TOGETHER AND WRITE, MICHAEL. 1008 01:04:04,660 --> 01:04:08,400 A BUMP OF K'S GOING TO KILL ME NOW, IS IT? ( laughs ) 1009 01:04:08,400 --> 01:04:11,910 COME ON, LET'S GET OUT OF HERE. 1010 01:04:11,910 --> 01:04:14,630 MICHAEL, YOU CAN'T JUST LEAVE. 1011 01:04:14,630 --> 01:04:21,289 YOU'RE ATTACHED TO THINGS. 1012 01:04:21,289 --> 01:04:22,950 MICHAEL! 1013 01:04:22,950 --> 01:04:27,940 COME ON, JAMES. 1014 01:04:27,940 --> 01:04:31,609 THE SHOW MUST GO ON. 1015 01:04:31,609 --> 01:04:40,220 ( techno music playing ) ? SHE DOESN'T GET ENOUGH ? 1016 01:04:40,220 --> 01:04:50,069 ? SHE DOESN'T GET ENOUGH ? ? SHE DOESN'T GET ENOUGH ? 1017 01:04:50,069 --> 01:04:59,920 ? SHE DOESN'T GET ENOUGH ? ? SHE DOESN'T GET ENOUGH ? 1018 01:04:59,920 --> 01:05:09,769 ? SHE DOESN'T GET ENOUGH ? ? SHE DOESN'T GET ENOUGH ? 1019 01:05:09,769 --> 01:05:19,609 ? SHE DOESN'T GET ENOUGH ? ? SHE DOESN'T GET ENOUGH ? 1020 01:05:19,609 --> 01:05:24,539 ? SHE DOESN'T GET ENOUGH... 1021 01:05:24,539 --> 01:05:27,000 ? PARTY'S OVER. 1022 01:05:27,000 --> 01:05:33,779 AND YOU CAN'T WALK AROUND HERE NAKED ANYMORE. 1023 01:05:33,779 --> 01:05:40,039 I HAVE SOMETHING FOR YOU. 1024 01:05:40,039 --> 01:05:43,789 Michael WHAT'S THIS? 1025 01:05:43,789 --> 01:05:46,529 - IT SAYS SEVERANCE PAY. 1026 01:05:46,529 --> 01:05:47,529 - MM-HMM. 1027 01:05:47,529 --> 01:05:48,789 WHERE'S PETER? 1028 01:05:48,789 --> 01:05:56,329 I THINK HE'S DONE EVERYTHING HE CAN FOR YOU, MICHAEL. 1029 01:05:56,329 --> 01:06:03,059 HE'S NOT YOUR FATHER. 1030 01:06:03,059 --> 01:06:09,640 PETER STILL LOVES ME MORE THAN HE LOVES YOU. 1031 01:06:09,640 --> 01:06:10,880 I'M STILL FABULOUS. 1032 01:06:10,880 --> 01:06:16,180 WHEN I LOOK INTO YOUR EYES, DO YOU WANT TO KNOW WHAT I SEE? 1033 01:06:16,180 --> 01:06:20,030 I SEE A POOR PATHETIC FRIGHTENED LITTLE BOY, TOO SCARED TO FACE REALITY. 1034 01:06:20,030 --> 01:06:21,030 FABULOUS. 1035 01:06:21,030 --> 01:06:29,349 WHERE HAVE YOU BEEN? 1036 01:06:29,349 --> 01:07:19,150 WOW, MICHAEL, YOU LOOK LIKE SHIT. 1037 01:07:19,150 --> 01:07:44,050 NO THANKS, MAN. 1038 01:07:44,050 --> 01:08:01,780 WHY WON'T YOU COME HOME? 1039 01:08:01,780 --> 01:08:03,490 I MISS YOU. 1040 01:08:03,490 --> 01:08:05,760 I MISS YOU, TOO. 1041 01:08:05,760 --> 01:08:08,040 I LOVE YOU, MICHAEL. 1042 01:08:08,040 --> 01:08:10,310 SO YOU'LL COME HOME? 1043 01:08:10,310 --> 01:08:17,140 THAT'D BE NICE BUT, YOU KNOW, MY SCHEDULE'S JUST CRAZY RIGHT NOW. 1044 01:08:17,140 --> 01:08:21,120 DAY AFTER TOMORROW I'M GOING TO ICELAND. 1045 01:08:21,120 --> 01:08:35,240 THEN IBIZA AND THEN MALAYSIA. 1046 01:08:35,240 --> 01:08:58,609 I THINK I DROPPED A ROCK. 1047 01:08:58,609 --> 01:09:02,510 MICHAEL. 1048 01:09:02,510 --> 01:09:03,510 I DROPPED TWO ROCKS. 1049 01:09:03,510 --> 01:09:04,510 MIKE, MICHAEL. 1050 01:09:04,510 --> 01:09:05,510 I DROPPED A ROCK. 1051 01:09:05,510 --> 01:09:06,510 LOOK ON THE FLOOR. 1052 01:09:06,510 --> 01:09:07,510 LOOK IN THE CARPET. 1053 01:09:07,510 --> 01:09:08,510 FIND THE ROCK. 1054 01:09:08,510 --> 01:09:09,510 REMEMBER? 1055 01:09:09,510 --> 01:09:10,510 THERE, MICHAEL. 1056 01:09:10,510 --> 01:09:17,299 MICHAEL, CHECK BEHIND THE RADIATOR. 1057 01:09:17,299 --> 01:09:26,730 I THINK IT FELL BEHIND THE RADIATOR. 1058 01:09:26,730 --> 01:09:28,299 OW! 1059 01:09:28,299 --> 01:09:31,450 MICHAEL, LOOK. 1060 01:09:31,450 --> 01:09:37,730 YOU SEE THAT HOLE? 1061 01:09:37,730 --> 01:09:49,710 THERE'S A HOLE BACK THERE AND THERE'S SOMETHING IN THERE. 1062 01:09:49,710 --> 01:09:57,840 IF I CAN JUST REACH MY HAND. 1063 01:09:57,840 --> 01:09:58,989 - ( squeaking ) - OW! 1064 01:09:58,989 --> 01:09:59,989 OW! 1065 01:09:59,989 --> 01:10:00,989 FUCK! 1066 01:10:00,989 --> 01:10:01,989 FUCK! 1067 01:10:01,989 --> 01:10:02,989 FUCKING RAT! 1068 01:10:02,989 --> 01:10:03,989 I JUST GOT BIT BY A FUCKING RAT. 1069 01:10:03,989 --> 01:10:04,989 HUH. 1070 01:10:04,989 --> 01:10:05,989 WELL, WHAT DO YOU KNOW? 1071 01:10:05,989 --> 01:10:06,989 THAT'S NOT A CRACK HOLE. 1072 01:10:06,989 --> 01:10:07,989 THAT'S A RAT HOLE. 1073 01:10:07,989 --> 01:10:08,989 - RAT'S ON CRACK ATTACK. 1074 01:10:08,989 --> 01:10:09,989 - WHAT'S GOING ON? 1075 01:10:09,989 --> 01:10:10,989 OH, ANGEL. 1076 01:10:10,989 --> 01:10:13,260 WE DID ALL YOUR DRUGS AND WE NEED SOME MORE. 1077 01:10:13,260 --> 01:10:21,840 YOU DID WHAT? 1078 01:10:21,840 --> 01:10:25,000 WE DID ALL YOUR DRUGS AND WE NEED SOME MORE. 1079 01:10:25,000 --> 01:10:26,000 NOW. 1080 01:10:26,000 --> 01:10:29,560 YOU'RE GOING TO HAVE TO PAY FOR ALL OF THIS. 1081 01:10:29,560 --> 01:10:31,389 HOW ABOUT PAYING ME SOME RENT? 1082 01:10:31,389 --> 01:10:32,389 FOR WHAT? 1083 01:10:32,389 --> 01:10:33,389 HUH? 1084 01:10:33,389 --> 01:10:35,780 FOR ALL THE FUCKING DRUGS YOU'VE DONE FOR FREE? 1085 01:10:35,780 --> 01:10:37,719 FORGET IT. 1086 01:10:37,719 --> 01:10:40,780 OH, I GET IT. 1087 01:10:40,780 --> 01:10:43,590 YOU'RE A NOBODY WHO I TURNED INTO A SOMEBODY. 1088 01:10:43,590 --> 01:10:45,800 BECAUSE OF ME PEOPLE KNOW WHO YOU ARE. 1089 01:10:45,800 --> 01:10:48,010 BECAUSE OF ME YOU GET TO GO ON TELEVISION. 1090 01:10:48,010 --> 01:10:51,400 BUT THAT ISN'T GOOD ENOUGH FOR YOU BECAUSE YOU THINK YOU'RE ABOVE IT. 1091 01:10:51,400 --> 01:10:55,090 YOU AND YOUR TIRED OLD ANGEL WINGS. 1092 01:10:55,090 --> 01:10:58,480 DON'T START WITH ME, MICHAEL. 1093 01:10:58,480 --> 01:11:02,390 YOU'RE JUST SOME-- SOME LAME ASS JOHNNY-COME-LATELY FAIRY FAGGOT COPYCAT. 1094 01:11:02,390 --> 01:11:09,389 YOU DON'T KNOW YOUR SKRINK FROM YOUR SKROD, YOU STUPID LAGER BLOGGER. 1095 01:11:09,389 --> 01:11:14,679 BUT STILL, NO HARD FEELINGS? 1096 01:11:14,679 --> 01:11:19,630 ( scoffs ) MERRY CHRISTMAS. 1097 01:11:19,630 --> 01:11:21,280 FUCK! 1098 01:11:21,280 --> 01:11:22,929 FUCK! 1099 01:11:22,929 --> 01:11:24,579 - FUCK! 1100 01:11:24,579 --> 01:11:32,150 - ( Michael giggling ) I DON'T MEAN TO BUTT IN HERE, 1101 01:11:32,150 --> 01:11:35,400 BUT WHAT IS BROOKE DOING IN MY BEDROOM? 1102 01:11:35,400 --> 01:11:36,909 - FUCK! 1103 01:11:36,909 --> 01:11:39,929 - Brooke MICHAEL! 1104 01:11:39,929 --> 01:11:50,500 WHAT IS JAMES DOING IN MY BEDROOM? 1105 01:11:50,500 --> 01:11:54,260 I'M SO OUT OF HERE. 1106 01:11:54,260 --> 01:11:57,409 WAIT, YOU CAN'T LEAVE. 1107 01:11:57,409 --> 01:11:58,469 YOU PROMISED. 1108 01:11:58,469 --> 01:11:59,469 WE HAVE A PACT, REMEMBER? 1109 01:11:59,469 --> 01:12:00,469 ( door shuts ) Man on TV It's a quarter past . 1110 01:12:00,469 --> 01:12:58,310 In the local news at this hour, police have raided and closed The Limelight 1111 01:12:58,310 --> 01:13:07,020 nightclub alleging it has become a drug den. 1112 01:13:07,020 --> 01:13:23,870 No arrests were made, but narcotics agents... 1113 01:13:23,870 --> 01:13:31,090 ( sirens wailing ) ( ringing ) 1114 01:13:31,090 --> 01:13:38,310 ( phone ringing ) MICHAEL. 1115 01:13:38,310 --> 01:13:40,720 MICHAEL. 1116 01:13:40,720 --> 01:13:52,510 I THOUGHT YOU LOVED ME. 1117 01:13:52,510 --> 01:14:06,460 I CAME, DIDN'T I? 1118 01:14:06,460 --> 01:14:30,870 MICHAEL, I'M TAKING YOU TO REHAB NOW. 1119 01:14:30,870 --> 01:14:37,840 OH, MICHAEL. 1120 01:14:37,840 --> 01:14:51,790 OUR CAT IS DEAD. 1121 01:14:51,790 --> 01:15:02,260 ( sobbing ) Angel MICHAEL! 1122 01:15:02,260 --> 01:15:09,550 WHERE'S MY FUCKING MONEY? 1123 01:15:09,550 --> 01:15:15,340 YOU BETTER GIVE ME MY FUCKING MONEY, MICHAEL. 1124 01:15:15,340 --> 01:15:28,570 'CAUSE I KNOW A LOT OF SHIT THE COPS WOULD BE INTERESTED IN RIGHT NOW. 1125 01:15:28,570 --> 01:15:32,090 BYE BYE, PETER GATIEN. 1126 01:15:32,090 --> 01:15:35,630 YOU FUCKING BASTARD SPIC! 1127 01:15:35,630 --> 01:15:39,240 I DIDN'T MEAN TO. 1128 01:15:39,240 --> 01:15:40,739 HE BROKE MY TEAPOT. 1129 01:15:40,739 --> 01:15:43,960 MY FAVORITE TEAPOT. 1130 01:15:43,960 --> 01:15:46,889 IT WAS SELF-DEFENSE. 1131 01:15:46,889 --> 01:15:49,550 JAMES? 1132 01:15:49,550 --> 01:16:02,830 ( techno music playing ) Michael JAMES? 1133 01:16:02,830 --> 01:16:08,140 Michael JAMES! 1134 01:16:08,140 --> 01:16:34,690 GODDAMN IT, WHY DOES EVERYONE GOT TO DIE ON ME? 1135 01:16:34,690 --> 01:16:42,659 ( muffled voices ) ( gasps ) 1136 01:16:42,659 --> 01:16:52,510 ( heart monitor beeping ) LET ME BE THE FIRST TO CONGRATULATE YOU ON 1137 01:16:52,510 --> 01:16:53,510 YOUR FIRST OVERDOSE. 1138 01:16:53,510 --> 01:16:56,580 LET ME BE THE FIRST TO CONGRATULATE YOU. 1139 01:16:56,580 --> 01:16:57,580 THAT WAS GENIUS. 1140 01:16:57,580 --> 01:17:00,070 ONLY YOU COULD DREAM UP SOMETHING LIKE THIS. 1141 01:17:00,070 --> 01:17:01,900 - DREAM UP WHAT? 1142 01:17:01,900 --> 01:17:03,610 - LAST NIGHT'S PARTY. 1143 01:17:03,610 --> 01:17:06,090 IT WAS BETTER THAN A -INCH DICK AND YOU KNOW IT. 1144 01:17:06,090 --> 01:17:09,180 WHEN ANGEL WAS LOWERED FROM THE CEILING, BOY OH BOY. 1145 01:17:09,180 --> 01:17:13,070 AND TO THINK I BELIEVED YOU ACTUALLY KILLED HIM. 1146 01:17:13,070 --> 01:17:14,580 I SWALLOWED IT HOOK, LINE AND SINKER, BUT I SHOULD HAVE KNOWN. 1147 01:17:14,580 --> 01:17:17,380 I SHOULD HAVE KNOWN YOU COULD NEVER KILL ANYONE. 1148 01:17:17,380 --> 01:17:19,240 JAMES, YOU'RE DELIRIOUS. 1149 01:17:19,240 --> 01:17:21,720 HERE, LISTEN TO THIS. 1150 01:17:21,720 --> 01:17:23,690 MICHAEL MUSTO'S COLUMN. 1151 01:17:23,690 --> 01:17:25,570 "NIGHTCLUBBING" MR. 1152 01:17:25,570 --> 01:17:26,940 MESS... 1153 01:17:26,940 --> 01:17:27,940 WAS FIGHTING MR. 1154 01:17:27,940 --> 01:17:29,760 DEALER ABOUT MONEY HE WAS OWED. 1155 01:17:29,760 --> 01:17:30,760 MR. 1156 01:17:30,760 --> 01:17:31,760 DEALER WAS CHOKING MR. 1157 01:17:31,760 --> 01:17:32,760 MESS JUST AS MR. 1158 01:17:32,760 --> 01:17:34,030 MESS # CAME IN AND HIT MR. 1159 01:17:34,030 --> 01:17:35,480 DEALER OVER THE HEAD WITH A HAMMER." 1160 01:17:35,480 --> 01:17:39,010 FABULOUS, YOU EVEN SUCKERED THE PRESS. 1161 01:17:39,010 --> 01:17:40,510 IT'S GENIUS. 1162 01:17:40,510 --> 01:17:44,300 JAMES, WOULD I LIE TO YOU? 1163 01:17:44,300 --> 01:17:45,370 YES, ALL THE TIME. 1164 01:17:45,370 --> 01:17:47,280 WELL, NOT THIS TIME. 1165 01:17:47,280 --> 01:17:54,760 DON'T YOU WANT TO KNOW HOW I GOT RID OF THE BODY? 1166 01:17:54,760 --> 01:17:55,760 OKAY, MR. 1167 01:17:55,760 --> 01:18:01,700 PSYCHO KILLER, I'LL PLAY ALONG. 1168 01:18:01,700 --> 01:18:04,400 SNUGGLE UP. 1169 01:18:04,400 --> 01:18:07,440 Michael DAYS PASSED. 1170 01:18:07,440 --> 01:18:11,540 WE DIDN'T KNOW WHAT TO DO. 1171 01:18:11,540 --> 01:18:15,120 SHUT UP. 1172 01:18:15,120 --> 01:18:20,489 WHAT'S THAT SMELL? 1173 01:18:20,489 --> 01:18:24,070 PLUMBING'S FUCKED. 1174 01:18:24,070 --> 01:18:29,370 Michael AFTER ABOUT A WEEK OR SO THE SMELL GOT SO BAD I SAID TO FREEZ... 1175 01:18:29,370 --> 01:18:32,290 WE HAVE TO DO SOMETHING ABOUT THIS TERRIBLE MESS. 1176 01:18:32,290 --> 01:18:37,900 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1177 01:18:37,900 --> 01:18:41,140 BUT FREEZ ISN'T VERY GOOD IN THE DEAD BODY DISPOSAL DEPARTMENT, NO SIREE. 1178 01:18:41,140 --> 01:18:44,620 SO I SENT HIM TO MACY'S KITCHENWARE TO BUY SOME KNIVES 1179 01:18:44,620 --> 01:18:53,050 AND A TV BECAUSE WE NEEDED A BIG BOX. 1180 01:18:53,050 --> 01:19:03,570 I DID SO MUCH HEROIN THAT DAY, I HOPED IT WOULD KILL ME. 1181 01:19:03,570 --> 01:19:08,420 BUT IT WAS EASY. 1182 01:19:08,420 --> 01:19:24,070 THE MEAT JUST FELL AWAY AND THE BONES JUST SNAPPED. 1183 01:19:24,070 --> 01:19:28,370 WE PUT IT ALL INTO A BOX IN THE LIVING ROOM. 1184 01:19:28,370 --> 01:19:32,260 AND AFTER A FEW MORE DAYS WE THREW IT INTO THE RIVER 1185 01:19:32,260 --> 01:19:40,909 AND IT FLOATED AWAY. 1186 01:19:40,909 --> 01:19:42,360 IT WASN'T LIKE HE WAS ALIVE OR ANYTHING. 1187 01:19:42,360 --> 01:19:47,620 HE WAS TOTALLY DEAD. 1188 01:19:47,620 --> 01:19:52,210 JAMES? 1189 01:19:52,210 --> 01:19:54,920 SAY SOMETHING. 1190 01:19:54,920 --> 01:20:04,670 MICHAEL, YOU HAVE TO TURN YOURSELF IN. 1191 01:20:04,670 --> 01:20:12,960 MICHAEL, WE HAVE TO GO. 1192 01:20:12,960 --> 01:20:16,540 - WHAT'S SHE DOING HERE? 1193 01:20:16,540 --> 01:20:17,540 - DON'T BE JEALOUS. 1194 01:20:17,540 --> 01:20:19,719 WE'RE GOING TO REHAB RIGHT NOW. 1195 01:20:19,719 --> 01:20:20,870 IT'S GOING TO BE LIKE A HONEYMOON. 1196 01:20:20,870 --> 01:20:24,679 WE'LL START ALL OVER AGAIN. 1197 01:20:24,679 --> 01:20:26,820 NO DRUGS. 1198 01:20:26,820 --> 01:20:27,889 NOTHING. 1199 01:20:27,889 --> 01:20:33,380 WE'RE GOING TO DRIVE CROSS COUNTRY, SLEEP UNDER THE STARS, 1200 01:20:33,380 --> 01:20:37,940 SWIM IN THE COOL CRYSTAL WATERFALLS. 1201 01:20:37,940 --> 01:20:39,520 JUST YOU AND ME. 1202 01:20:39,520 --> 01:20:42,420 AND YOU'LL GET BETTER. 1203 01:20:42,420 --> 01:20:45,600 AND EVERYTHING WILL ALL GET BETTER. 1204 01:20:45,600 --> 01:20:46,780 HOW BUCOLIC. 1205 01:20:46,780 --> 01:20:47,780 MICHAEL. 1206 01:20:47,780 --> 01:20:49,160 I CAN'T PEE. 1207 01:20:49,160 --> 01:21:03,850 COME IN HERE. 1208 01:21:03,850 --> 01:21:21,010 IT'S NICE AND WARM. 1209 01:21:21,010 --> 01:21:25,950 OH, GITSIE. 1210 01:21:25,950 --> 01:21:35,830 EVERYTHING'S SUCH A MESS. 1211 01:21:35,830 --> 01:21:43,240 DON'T WORRY, MICHAEL. 1212 01:21:43,240 --> 01:21:58,070 PROMISE ME YOU'LL NEVER LEAVE ME. 1213 01:21:58,070 --> 01:22:03,010 I PROMISE. 1214 01:22:03,010 --> 01:22:11,010 ( whispering ) YOU PROMISE. 1215 01:22:11,010 --> 01:22:27,610 I LOVE YOU. 1216 01:22:27,610 --> 01:22:29,230 SKROD LA DA. 1217 01:22:29,230 --> 01:22:31,860 I CAN PEE AGAIN. 1218 01:22:31,860 --> 01:22:35,560 ME TOO. 1219 01:22:35,560 --> 01:22:39,260 ( shrieks ) ( knocking ) 1220 01:22:39,260 --> 01:22:42,960 Man HOUSEKEEPING. 1221 01:22:42,960 --> 01:22:52,210 YOU NEED A TURN-DOWN SERVICE? 1222 01:22:52,210 --> 01:22:55,910 GO AWAY! 1223 01:22:55,910 --> 01:23:07,020 WE DON'T NEED ANY MORE TOWELS. 1224 01:23:07,020 --> 01:23:14,420 ( door crashing open ) - NO! 1225 01:23:14,420 --> 01:23:21,190 WHAT THE-- - SHH, SHH. 1226 01:23:21,190 --> 01:23:24,830 I'M SORRY. 1227 01:23:24,830 --> 01:23:28,170 I DIDN'T MEAN TO DO IT. 1228 01:23:28,170 --> 01:23:29,170 HEY, HEY! 1229 01:23:29,170 --> 01:23:30,900 JUST KEEP YOUR MOUTH SHUT, KIDDO. 1230 01:23:30,900 --> 01:23:33,860 DO YOURSELF A BIG FAVOR. 1231 01:23:33,860 --> 01:23:35,000 NO! 1232 01:23:35,000 --> 01:23:36,140 FUCKERS! 1233 01:23:36,140 --> 01:23:41,840 Man LIKE "STAR WARS," MIKE. 1234 01:23:41,840 --> 01:23:48,590 YOU'RE LUKE, A FORCE FOR THE GOOD. 1235 01:23:48,590 --> 01:23:53,270 BUT SOMEHOW YOU HAVE BEEN CORRUPTED BY A DARK POWERFUL FORCE. 1236 01:23:53,270 --> 01:23:54,270 PETER GATIEN. 1237 01:23:54,270 --> 01:23:59,420 WE NEED YOU TO HELP US OVERTHROW THE EVIL EMPEROR, YOU SEE? 1238 01:23:59,420 --> 01:24:02,800 BUT HE DIDN'T DO ANYTHING. 1239 01:24:02,800 --> 01:24:04,739 WHAT ABOUT THE DRUGS AT THE CLUBS? 1240 01:24:04,739 --> 01:24:20,340 THE EMERGENCY ROOM AND THE PRIVATE PARTIES AT HOTELS? 1241 01:24:20,340 --> 01:24:33,090 LISTEN, MICHAEL, YOU HELP US AND WE CAN TAKE CARE OF YOUR LITTLE... 1242 01:24:33,090 --> 01:24:34,090 MISHAP. 1243 01:24:34,090 --> 01:24:35,090 - BUT IT WAS-- - WHAT, SELF-DEFENSE? 1244 01:24:35,090 --> 01:24:36,491 WE COULD BE LOOKING AT MURDER IN THE FIRST DEGREE, PAL. 1245 01:24:36,491 --> 01:24:41,300 Man # NOW YOU THINK ABOUT THE BIG THINGS. 1246 01:24:41,300 --> 01:25:25,989 WE CAN MAKE SURE THAT THE LITTLE THINGS TAKE CARE OF THEMSELVES. 1247 01:25:25,989 --> 01:25:47,650 ( knocking ) Michael SKROD LA DA DA. 1248 01:25:47,650 --> 01:26:06,780 ( doorbell buzzing ) WANT TO BUY A CLOCK? 1249 01:26:06,780 --> 01:26:11,989 MICHAEL, I-- I THOUGHT YOU'D BEEN ARRESTED. 1250 01:26:11,989 --> 01:26:13,710 YOU WISH. 1251 01:26:13,710 --> 01:26:14,900 I NEED MONEY. 1252 01:26:14,900 --> 01:26:18,510 WELL, MICHAEL, I'M BROKE. 1253 01:26:18,510 --> 01:26:23,170 AND I'VE GOT A STOMACH-ACHE. 1254 01:26:23,170 --> 01:26:25,050 WHAT'S THIS? 1255 01:26:25,050 --> 01:26:26,270 IS THIS YOUR MANUSCRIPT? 1256 01:26:26,270 --> 01:26:28,320 - NO, MICHAEL, DON'T-- - THERE'S NOTHING HERE. 1257 01:26:28,320 --> 01:26:32,199 OH, JAMES, YOU'RE GOING TO HAVE TO DO BETTER THAN THAT. 1258 01:26:32,199 --> 01:26:37,400 ( doorbell buzzes ) OH, THAT'LL BE BILL AND BEN. 1259 01:26:37,400 --> 01:26:38,400 I MADE A DEAL. 1260 01:26:38,400 --> 01:26:42,210 I'M HELPING THE POLICE WITH THEIR INQUIRES. 1261 01:26:42,210 --> 01:26:43,210 ABOUT THE MURDER? 1262 01:26:43,210 --> 01:26:46,130 NO, SILLY, THE DRUG INVESTIGATION. 1263 01:26:46,130 --> 01:26:47,130 IT'S FUN. 1264 01:26:47,130 --> 01:26:48,380 BILL AND BEN DON'T CARE ABOUT THE MURDER. 1265 01:26:48,380 --> 01:26:50,140 THEY'RE GOING TO GIVE ME ANONYMITY. 1266 01:26:50,140 --> 01:26:51,429 - IMMUNITY. 1267 01:26:51,429 --> 01:26:52,719 - WHATEVER. 1268 01:26:52,719 --> 01:27:03,980 YOU KNOW, MICHAEL, IF IT REALLY WAS SELF-DEFENSE THEN... 1269 01:27:03,980 --> 01:27:05,420 YOU'VE GOT NOTHING TO WORRY ABOUT. 1270 01:27:05,420 --> 01:27:08,469 YOU CAN-- YOU SHOULD JUST TURN YOURSELF IN. 1271 01:27:08,469 --> 01:27:26,572 ( doorbell buzzing ) OH, I'VE GOT TO GO. 1272 01:27:26,572 --> 01:27:30,080 MICHAEL, PETER WAS LIKE A FATHER TO YOU. 1273 01:27:30,080 --> 01:27:32,731 HE GAVE YOU EVERYTHING. 1274 01:27:32,731 --> 01:27:35,440 HOW CAN YOU JUST RAT HIM OUT? 1275 01:27:35,440 --> 01:27:42,830 OH, JAMES, I'M GETTING AWAY WITH MURDER AND YOU'RE JUST JEALOUS. 1276 01:27:42,830 --> 01:27:56,459 ( thunder cracking ) - HELLO. 1277 01:27:56,459 --> 01:28:01,000 - HI. 1278 01:28:01,000 --> 01:28:10,080 REMEMBER ME? 1279 01:28:10,080 --> 01:28:14,630 NO. 1280 01:28:14,630 --> 01:28:16,770 REMEMBER CLARA THE CHICKEN? 1281 01:28:16,770 --> 01:28:18,199 ICY THE BEAR? 1282 01:28:18,199 --> 01:28:21,800 AND TIRESIAS THE RAT? 1283 01:28:21,800 --> 01:28:26,370 NO, I DON'T REMEMBER YOU AT ALL. 1284 01:28:26,370 --> 01:28:31,590 YOU REALLY SHOULD STAY OFF THE K. ANYWAY, I WAS THERE. 1285 01:28:31,590 --> 01:28:33,999 I SAW IT ALL. 1286 01:28:33,999 --> 01:28:34,999 - LOOK. 1287 01:28:34,999 --> 01:28:39,070 - ( TV turns on ) REMEMBER THAT CHRISTMAS WHEN FREEZ GOT BITTEN? 1288 01:28:39,070 --> 01:28:41,989 ( laughing ) THAT WAS ME. 1289 01:28:41,989 --> 01:28:43,360 JUST A PLAYFUL LITTLE NIP. 1290 01:28:43,360 --> 01:28:44,360 NOW WATCH. 1291 01:28:44,360 --> 01:28:46,580 FAST FORWARD A LITTLE BIT. 1292 01:28:46,580 --> 01:28:50,240 SEE, THAT'S ANGEL'S ROOM. 1293 01:28:50,240 --> 01:28:52,420 LOOK OVER THERE IN THE CLOSET. 1294 01:28:52,420 --> 01:28:54,080 THAT'S ANGEL'S STASH. 1295 01:28:54,080 --> 01:28:57,630 AND LOOK WHAT WE GOT HERE. 1296 01:28:57,630 --> 01:29:01,179 GUESS WHO'S COMING TO DINNER? 1297 01:29:01,179 --> 01:29:02,600 THAT'S MICHAEL. 1298 01:29:02,600 --> 01:29:04,010 Rat MM-HMM. 1299 01:29:04,010 --> 01:29:05,429 NOW WATCH. 1300 01:29:05,429 --> 01:29:08,780 I'LL FAST FORWARD A LITTLE BIT. 1301 01:29:08,780 --> 01:29:38,480 YOU FUCKING BASTARD SPIC! 1302 01:29:38,480 --> 01:30:07,820 ( crashing ) ( cracking ) 1303 01:30:07,820 --> 01:30:24,499 Rat NOW HERE'S WHERE IT GETS DISTURBING. 1304 01:30:24,499 --> 01:30:29,960 ( pager beeping ) ALL RIGHT, SO SEE, HE'S NOT DEAD YET. 1305 01:30:29,960 --> 01:30:30,960 HE'S NOT DEAD YET, JIMMY, 'CAUSE THEY'RE NOT DONE. 1306 01:30:30,960 --> 01:30:31,960 FIRST THEY STRIP HIM NAKED. 1307 01:30:31,960 --> 01:30:32,960 AND THEN THE OLD PILLOW TRICK. 1308 01:30:32,960 --> 01:30:34,450 AND THEN, THE PIECE DE RESISTANCE, A DRANO INJECTION. 1309 01:30:34,450 --> 01:30:55,450 THAT STUFF IS USED TO UNCLOG PIPES, JIMMY, NOT VEINS. 1310 01:30:55,450 --> 01:30:59,650 STOP IT! 1311 01:30:59,650 --> 01:31:03,850 STOP IT! 1312 01:31:03,850 --> 01:31:14,350 ( gasping ) Man SO, THIS RAT, 1313 01:31:14,350 --> 01:31:21,080 IT'S SITTING ON YOUR SOFA - AND WHAT EXACTLY-- - ( phone ringing ) 1314 01:31:21,080 --> 01:31:22,770 EXCUSE ME. 1315 01:31:22,770 --> 01:31:23,770 - HELLO? 1316 01:31:23,770 --> 01:31:25,300 - Michael Skrink! 1317 01:31:25,300 --> 01:31:26,300 SKROD! 1318 01:31:26,300 --> 01:31:28,480 I'M JUST IN THE MIDDLE OF A TELEVISION INTERVIEW. 1319 01:31:28,480 --> 01:31:29,960 - About what? 1320 01:31:29,960 --> 01:31:31,179 - MY NOVEL. 1321 01:31:31,179 --> 01:31:32,900 PUBLISHED TODAY. 1322 01:31:32,900 --> 01:31:35,219 IT'S CALLED "DISCO BLOODBATH" AND IT'S ALL ABOUT YOU. 1323 01:31:35,219 --> 01:31:37,260 OH, JAMES, HOW TYPICAL. 1324 01:31:37,260 --> 01:31:40,470 GO AND COMMIT YOUR OWN MURDER. 1325 01:31:40,470 --> 01:31:47,290 I WAS JUST TELLING THE STORY OF HOW I GOT YOU ARRESTED. 1326 01:31:47,290 --> 01:31:49,880 WHAT? 1327 01:31:49,880 --> 01:31:50,880 I CAN'T BELIEVE YOU'D DO THAT. 1328 01:31:50,880 --> 01:31:52,400 WELL, YOU GAVE ME NO CHOICE. 1329 01:31:52,400 --> 01:31:54,739 - BUT I'M YOUR BEST FRIEND. 1330 01:31:54,739 --> 01:31:57,570 - ISN'T THAT WHAT BEST FRIENDS ARE FOR? 1331 01:31:57,570 --> 01:32:00,190 JAMES CLARK, I COULD KILL YOU. 1332 01:32:00,190 --> 01:32:04,610 ( laughing ) You know, 1333 01:32:04,610 --> 01:32:08,750 PRISON ISN'T ALL THAT DIFFERENT FROM A NIGHTCLUB. 1334 01:32:08,750 --> 01:32:12,190 EVERYTHING'S FOR FREE AND I DON'T HAVE TO GET OUT OF BED IN THE 1335 01:32:12,190 --> 01:32:13,190 MORNING. 1336 01:32:13,190 --> 01:32:14,469 AND I CAN GET ALL THE DRUGS AND SEX I WANT. 1337 01:32:14,469 --> 01:32:19,680 AND AFTER GITSIE AND I GET MARRIED WE CAN HAVE CONJUGAL VISITS. 1338 01:32:19,680 --> 01:32:24,979 OH, MICHAEL, I'M SO SORRY. 1339 01:32:24,979 --> 01:32:29,130 - Now what? 1340 01:32:29,130 --> 01:32:35,340 - YOU DIDN'T HEAR? 1341 01:32:35,340 --> 01:32:39,489 GITSIE'S DEAD. 1342 01:32:39,489 --> 01:32:43,640 An overdose. 1343 01:32:43,640 --> 01:32:46,510 YOU SAVED MY LIFE, YOU KNOW. 1344 01:32:46,510 --> 01:32:47,600 THANK YOU. 1345 01:32:47,600 --> 01:32:53,090 I'm afraid I'm going to have to hang up now. 1346 01:32:53,090 --> 01:32:54,090 WHY? 1347 01:32:54,090 --> 01:32:57,429 BECAUSE YOU'RE TRYING TO TURN THIS INTO AN AFTER SCHOOL SPECIAL. 1348 01:32:57,429 --> 01:32:59,820 BECAUSE YOU WANT TO GET THE LAST WORD AND YOU WANT THIS TO END 1349 01:32:59,820 --> 01:33:02,380 WITH EVERYONE LIKING YOU AND IT'S MY MOVIE. 1350 01:33:02,380 --> 01:33:06,290 I CAN'T LET IT END THAT WAY. 1351 01:33:06,290 --> 01:33:07,290 YOU ALWAYS KEPT OUR PACT. 1352 01:33:07,290 --> 01:33:09,860 This is where I need to be. 1353 01:33:09,860 --> 01:33:12,880 I KNOW WHAT YOU'RE TRYING TO DO, AND IT'S NOT GOING TO WORK. 1354 01:33:12,880 --> 01:33:15,300 GOODBYE, MICHAEL ALIG. 1355 01:33:15,300 --> 01:33:24,080 ( dial tone ) Man I CAN'T BELIEVE YOU STILL TALK TO HIM. 1356 01:33:24,080 --> 01:33:27,550 WHEN WAS THE LAST TIME YOU HEARD OF A PEA CHANGING ITS POD? 1357 01:33:27,550 --> 01:33:33,650 WELL, AT LEAST HE GAVE ME SOMETHING TO WRITE ABOUT. 1358 01:33:33,650 --> 01:33:35,370 CURED MY WRITER'S BLOCK. 1359 01:33:35,370 --> 01:33:42,679 ? THE VOICE INSIDE MY HEAD SAID ? ? TAKE IT SLOW ? 1360 01:33:42,679 --> 01:33:50,809 ? TEMPTATION'S GOT AHOLD OF ME ? ? AND I HEAR THEM SAY ? 1361 01:33:50,809 --> 01:33:53,940 ? OH, EVERYTHING GOOD IS BAD ? ? EVERYTHING BAD IS GOOD ? 1362 01:33:53,940 --> 01:33:55,239 ? OH, EVERYTHING GOOD IS BAD ? ? AND EVERYTHING BAD IS GOOD ? 1363 01:33:55,239 --> 01:33:56,280 ? EVERYTHING GOOD IS BAD ? ? EVERYTHING BAD IS GOOD ? 1364 01:33:56,280 --> 01:33:57,329 ? EVERYTHING GOOD IS BAD ? ? EVERYTHING BAD IS GOOD ? 1365 01:33:57,329 --> 01:33:58,369 ? EVERYTHING GOOD IS BAD ? ? EVERYTHING BAD IS GOOD. 1366 01:33:58,369 --> 01:33:59,369 ?? ? SAILING THROUGH THE TOWN ? 1367 01:33:59,369 --> 01:34:40,249 ? IN THE MORNING BY YOURSELF ? ? THERE'S A VERY SPECIAL FEELING ? 1368 01:34:40,249 --> 01:34:44,989 ? A TRUE SENSATION ALL IS WELL ? ? IF YOU STAND AND RAISE YOUR ARMS OUT WIDE 1369 01:34:44,989 --> 01:34:47,349 ? ? CLOSE YOUR EYES AND TRY TO FLY ? 1370 01:34:47,349 --> 01:34:50,729 ? IT'S AN UNDERGROUND ILLUSION ? ? TRICKING YOU FROM SIDE TO SIDE ? 1371 01:34:50,729 --> 01:34:54,449 ? WE KNEW ALL THE ANSWERS ? ? AND WE SHOUTED THEM LIKE ANTHEMS ? 1372 01:34:54,449 --> 01:34:57,829 ? ANXIOUS AND SUSPICIOUS ? ? BET GOD KNEW HOW MUCH WE CHEATED ? 1373 01:34:57,829 --> 01:35:01,199 ? IT CAN'T COME QUICKLY ENOUGH ? ? NOW YOU SPEND YOUR LIFE ? 1374 01:35:01,199 --> 01:35:05,100 ? WAITING FOR THIS MOMENT ? ? WHEN YOU FIND IT ? 1375 01:35:05,100 --> 01:35:08,090 ? IT'S ALREADY COME AND PASSED YOU BY ? ? AND LEFT YOU SO DEFEATED ? 1376 01:35:08,090 --> 01:35:10,580 ? IT CAN'T COME QUICKLY ENOUGH ? ? NOW YOU SPEND YOUR LIFE ? 1377 01:35:10,580 --> 01:35:12,570 ? WAITING FOR THIS MOMENT ? ? WHEN YOU FIND IT ? 1378 01:35:12,570 --> 01:35:15,560 ? IT'S ALREADY COME AND PASSED YOU BY ? ? AND LEFT YOU SO DEFEATED ? 1379 01:35:15,560 --> 01:35:17,959 ? SKYSCRAPERS RISE BETWEEN US ? ? KEEPING ME FROM FINDING YOU ? 1380 01:35:17,959 --> 01:36:03,140 ? IF THE CONCRETE ARCHITECTURE ? ? DISAPPEARED THERE'D BE SO FEW ? 1381 01:36:03,140 --> 01:37:26,409 ? OF US LEFT TO NAVIGATE ? ? AND DEFEND OURSELVES FROM THE TIDE ? 1382 01:37:26,409 --> 01:37:34,719 ? IT'S AN UNDERGROUND ILLUSION ? ? TRICKING YOU FROM SIDE TO SIDE ? 1383 01:37:34,719 --> 01:37:36,019 ? THERE'S NO INDICATION ? ? OF WHAT WE WERE MEANT TO BE ? 1384 01:37:36,019 --> 01:37:37,329 ? SUCKING UP TO STRANGERS ? ? THROWING WISHES TO THE SEA ? 1385 01:37:37,329 --> 01:37:41,430 ? IT CAN'T COME QUICKLY ENOUGH ? ? NOW YOU SPEND YOUR LIFE ? 1386 01:37:41,430 --> 01:37:44,700 ? WAITING FOR THIS MOMENT ? ? WHEN YOU FIND IT ? 1387 01:37:44,700 --> 01:37:49,610 ? IT'S ALREADY COME AND PASSED YOU BY ? ? AND LEFT YOU SO DEFEATED ? 1388 01:37:49,610 --> 01:37:53,700 ? IT CAN'T COME QUICKLY ENOUGH ? ? NOW YOU SPEND YOUR LIFE ? 1389 01:37:53,700 --> 01:37:56,969 ? WAITING FOR THIS MOMENT ? ? WHEN YOU FIND IT ? 1390 01:37:56,969 --> 01:38:01,890 ? IT'S ALREADY COME AND PASSED YOU BY ? ? AND LEFT YOU SO DEFEATED. ?