1 00:00:03,003 --> 00:00:05,505 [WHISTLE BLOWS] 2 00:00:05,505 --> 00:00:07,957 [DRUM CADENCE] 3 00:00:17,450 --> 00:00:19,452 [WHISTLE BLOWS] 4 00:00:28,461 --> 00:00:29,963 [BAND PLAYS76 TROMBONES] 5 00:00:36,970 --> 00:00:39,973 CAPTIONING MADE POSSIBLE BY WARNER BROS. 6 00:02:38,258 --> 00:02:40,760 ALL ABOARD! 7 00:02:48,268 --> 00:02:49,769 LET HIM GO, ORVILLE. 8 00:02:50,270 --> 00:02:53,273 I GUESS WE MADE IT PLAIN WE DON'T WANT 9 00:02:53,773 --> 00:02:56,276 NO MORE TRAVELING SALESMEN IN BRIGHTON. 10 00:02:56,276 --> 00:02:59,779 CREDIT'S NO GOOD FOR A NOTION SALESMAN. 11 00:02:59,779 --> 00:03:01,781 HOW FAR YOU GOING, FRIEND? 12 00:03:01,781 --> 00:03:06,286 WHEREVER THE PEOPLE ARE AS GREEN AS THE MONEY, FRIEND. 13 00:03:06,286 --> 00:03:08,288 WHAT'S WRONG WITH CREDIT? 14 00:03:08,288 --> 00:03:09,789 IT'S OLD-FASHIONED. 15 00:03:09,789 --> 00:03:13,293 YOU'RE AN ANVIL SALESMAN. YOUR FIRM GIVE CREDIT? 16 00:03:13,293 --> 00:03:14,794 NO, SIR! 17 00:03:14,794 --> 00:03:16,296 NOR ANYBODY ELSE. 18 00:03:16,296 --> 00:03:19,799 NEXT STATION STOP, RIVER CITY, IOWA. 19 00:03:22,802 --> 00:03:25,305 ♪♪ CASH FOR THE MERCHANDISE ♪♪ 20 00:03:25,305 --> 00:03:27,807 ♪♪ CASH FOR THE BUTTONHOOKS ♪♪ 21 00:03:27,807 --> 00:03:30,310 ♪♪ CASH FOR THE COTTON GOODS ♪♪ 22 00:03:30,310 --> 00:03:31,811 ♪♪ CASH FOR THE HARD GOODS ♪♪ 23 00:03:31,811 --> 00:03:34,314 ♪♪ CASH FOR THE FANCY GOODS ♪♪ 24 00:03:34,314 --> 00:03:35,815 ♪ ♪♪ CASH FOR THE SOFT GOODS ♪ 25 00:03:35,815 --> 00:03:37,317 ♪♪ CASH FOR THE NOGGINS ♪♪ 26 00:03:37,317 --> 00:03:39,319 ♪♪ AND THE PIGGINS AND THE FIRKINS ♪♪ 27 00:03:39,319 --> 00:03:40,320 ♪♪ CASH FOR THE HOGSHEAD ♪♪ 28 00:03:40,320 --> 00:03:41,821 ♪♪ CASK, AND DEMIJOHN ♪♪ 29 00:03:41,821 --> 00:03:42,822 ♪♪ CASH FOR THE CRACKERS ♪♪ 30 00:03:43,323 --> 00:03:44,324 ♪♪ AND THE PICKLES AND THE FLYPAPER ♪♪ 31 00:03:44,324 --> 00:03:45,325 ♪♪ LOOK, WHADDYA TALK? ♪♪ 32 00:03:45,325 --> 00:03:46,326 ♪♪ WHADDYA TALK? WHADDYA TALK? ♪♪ 33 00:03:46,326 --> 00:03:48,328 ♪ ♪♪ WHERE DO YOU GET IT? ♪ 34 00:03:48,328 --> 00:03:49,829 ♪♪ YOU CAN TALK, YOU CAN TALK ♪♪ 35 00:03:49,829 --> 00:03:50,830 ♪♪ YOU CAN BICKER, YOU CAN TALK ♪♪ 36 00:03:50,830 --> 00:03:51,831 ♪♪ YOU CAN BICKER, BICKER, BICKER ♪♪ 37 00:03:51,831 --> 00:03:53,333 ♪♪ YOU CAN TALK ♪♪ 38 00:03:53,333 --> 00:03:54,334 ♪ ♪♪ TALK, TALK, TALK, BICKER, BICKER, BICKER ♪ 39 00:03:54,834 --> 00:03:55,835 ♪♪ YOU CAN TALK ALL YOU WANT TO ♪♪ 40 00:03:55,835 --> 00:03:56,836 ♪♪ BUT IT'S DIFFEREN T THAN IT WAS ♪♪ 41 00:03:56,836 --> 00:03:58,338 ♪♪ NO, IT AIN'T, NO, IT AIN'T ♪♪ 42 00:03:58,338 --> 00:03:59,839 ♪♪ BUT YOU GOT TO KNOW THE TERRITORY ♪♪ 43 00:03:59,839 --> 00:04:00,840 ♪♪ SHH SHH SHH SHH SHH SHH ♪♪ 44 00:04:00,840 --> 00:04:02,842 ♪♪ IT'S THE MODEL "T" FORD MADE THE TROUBLE ♪♪ 45 00:04:02,842 --> 00:04:03,843 ♪♪ MADE THE PEOPLE WANT TO GO ♪♪ 46 00:04:04,344 --> 00:04:04,844 ♪♪ WANT TO GIT, WANT TO GIT ♪♪ 47 00:04:05,345 --> 00:04:05,845 ♪♪ WANT TO GIT UP AND GO ♪♪ 48 00:04:06,346 --> 00:04:07,347 ♪ ♪♪ 7, 8, 9, 1O, 12 ♪ 49 00:04:07,347 --> 00:04:09,849 ♪ ♪♪ 14, 22, 23 MILES TO THE COUNTY SEAT ♪ 50 00:04:09,849 --> 00:04:10,850 ♪♪ YES, SIR, YES, SIR ♪♪ 51 00:04:11,351 --> 00:04:11,851 ♪♪ WHO'S GONNA PATRONIZE ♪♪ 52 00:04:12,352 --> 00:04:13,353 ♪♪ A LITTLE, BITTY 2-BY-4 ♪♪ 53 00:04:13,353 --> 00:04:14,354 ♪♪ KIND OF STORE ANYMORE? ♪♪ 54 00:04:14,354 --> 00:04:15,855 ♪♪ WHADDYA TALK? WHADDYA TALK? ♪♪ 55 00:04:16,356 --> 00:04:18,858 ♪♪ GONE WITH THE HOGSHEAD, CASK, AND DEMIJOHN ♪♪ 56 00:04:19,359 --> 00:04:21,361 ♪♪ GONE WITH THE SUGAR BARREL, PICKLE BARREL, MILK PAN ♪♪ 57 00:04:21,361 --> 00:04:23,363 ♪♪ GONE WITH THE TUB AND THE PAIL AND THE TIERCE ♪♪ 58 00:04:23,363 --> 00:04:25,365 ♪♪ EVER MEET A FELLOW BY THE NAME OF HILL? ♪♪ 59 00:04:25,365 --> 00:04:26,866 HILL? HILL? HILL? 60 00:04:27,367 --> 00:04:28,368 HILL? HILL? HILL? 61 00:04:28,368 --> 00:04:29,369 HILL? HILL? 62 00:04:29,369 --> 00:04:30,370 NO! 63 00:04:30,370 --> 00:04:32,372 ♪♪ JUST A MINUTE, JUST A MINUTE ♪♪ 64 00:04:32,372 --> 00:04:33,873 ♪♪ NEVER HEARD OF ANY SALESMAN HILL ♪♪ 65 00:04:33,873 --> 00:04:34,874 ♪♪ HE DOESN'T KNOW THE TERRITORY ♪♪ 66 00:04:34,874 --> 00:04:36,876 ♪♪ WHAT'S THE FELLA'S LINE? ♪♪ 67 00:04:36,876 --> 00:04:39,379 ♪♪ NEVER WORRIES ABOUT HIS LINE ♪♪ 68 00:04:39,379 --> 00:04:40,880 ♪♪ OR A DOGGONE THING ♪♪ 69 00:04:40,880 --> 00:04:42,382 ♪♪ HE'S JUST A BANG-BEAT , BELL-RINGIN' ♪♪ 70 00:04:42,382 --> 00:04:43,883 ♪♪ BIG-HAUL, GREAT-GO, NECK-OR-NOTHING ♪♪ 71 00:04:43,883 --> 00:04:44,884 ♪♪ RIP-ROARIN' ♪♪ 72 00:04:44,884 --> 00:04:45,885 ♪♪ EVERY-TIME A-BULL'S-EYE SALESMAN ♪♪ 73 00:04:45,885 --> 00:04:47,387 ♪♪ THAT'S PROFESSOR HAROLD HILL ♪♪ 74 00:04:47,387 --> 00:04:48,888 ♪♪ WHAT'S THE FELLA'S LINE? WHAT'S HIS LINE? ♪♪ 75 00:04:48,888 --> 00:04:50,890 ♪♪ HE'S A FAKE AND DOESN'T KNOW THE TERRITORY ♪♪ 76 00:04:50,890 --> 00:04:52,892 ♪♪ WHADDYA TALK? WHADDYA TALK? WHADDYA TALK? WHADDYA TALK? ♪♪ 77 00:04:52,892 --> 00:04:53,893 ♪♪ HE'S A MUSIC MAN ♪♪ 78 00:04:53,893 --> 00:04:55,395 ♪♪ HE'S A WHAT? HE'S A WHAT? ♪♪ 79 00:04:55,395 --> 00:04:56,396 ♪♪ HE'S A MUSIC MAN ♪♪ 80 00:04:56,396 --> 00:04:58,398 ♪♪ HE SELLS CLARINETS TO THE KIDS IN TOWN ♪♪ 81 00:04:58,398 --> 00:05:00,400 ♪♪ WITH THE BIG TROMBONES AND THE RAT-A-TAT DRUMS ♪♪ 82 00:05:00,900 --> 00:05:02,402 ♪♪ BIG BRASS BASS, BIG BRASS BASS ♪♪ 83 00:05:02,402 --> 00:05:04,904 ♪♪ AND THE PICCOLO, THE UNIFORMS, TOO ♪♪ 84 00:05:04,904 --> 00:05:06,406 ♪♪ WITH A SHINY GOLD BRAID ON THE COAT ♪♪ 85 00:05:06,406 --> 00:05:07,907 ♪♪ AND A BIG RED STRIPE RUNNING-- ♪♪ 86 00:05:07,907 --> 00:05:09,409 ♪♪ WELL, I DON'T KNO W MUCH ABOUT BANDS ♪♪ 87 00:05:09,909 --> 00:05:10,910 ♪♪ BUT I DO KNOW YOU CAN'T MAKE A LIVING ♪♪ 88 00:05:10,910 --> 00:05:12,412 ♪♪ SELLING BIG TROMBONES ♪♪ 89 00:05:12,412 --> 00:05:13,413 ♪♪ NO, SIR ♪♪ 90 00:05:13,413 --> 00:05:14,914 ♪♪ MANDOLIN PICKS, PERHAPS ♪♪ 91 00:05:14,914 --> 00:05:16,416 ♪♪ AND HERE AND THER E A JEW'S-HARP ♪♪ 92 00:05:16,416 --> 00:05:17,417 ♪♪ NO, THE FELLOW SELLS BANDS ♪♪ 93 00:05:17,917 --> 00:05:18,918 ♪♪ BOYS' BANDS ♪♪ 94 00:05:18,918 --> 00:05:19,919 ♪♪ I DON'T KNOW HOW HE DOES IT ♪♪ 95 00:05:20,420 --> 00:05:21,421 ♪♪ BUT HE LIVES LIKE A KING ♪♪ 96 00:05:21,421 --> 00:05:22,422 ♪♪ AND HE DALLIES AND HE GATHERS ♪♪ 97 00:05:22,422 --> 00:05:23,423 ♪♪ AND HE PLUCKS AND HE SHINES ♪♪ 98 00:05:23,423 --> 00:05:24,924 ♪♪ AND WHEN THE MAN DANCES ♪♪ 99 00:05:24,924 --> 00:05:26,426 ♪♪ CERTAINLY, BOYS, WHAT ELSE? ♪♪ 100 00:05:26,426 --> 00:05:27,927 ♪♪ THE PIPER PAYS HIM ♪♪ 101 00:05:27,927 --> 00:05:28,928 ♪♪ YES, SIR ♪♪ 102 00:05:28,928 --> 00:05:29,929 ♪♪ YES, SIR ♪♪ 103 00:05:29,929 --> 00:05:31,931 ♪♪ YES, SIR ♪♪ 104 00:05:31,931 --> 00:05:33,933 ♪♪ YES, SIR ♪♪ 105 00:05:33,933 --> 00:05:35,935 ♪ ♪♪ WHEN THE MAN DANCES ♪ 106 00:05:35,935 --> 00:05:36,936 ♪ ♪♪ CERTAINLY, BOYS ♪ 107 00:05:36,936 --> 00:05:37,937 ♪♪ WHAT ELSE? ♪♪ 108 00:05:37,937 --> 00:05:40,440 ♪♪ THE PIPER PAYS HIM ♪♪ 109 00:05:40,440 --> 00:05:42,942 ♪♪ YESSSSSSSSIR ♪♪ 110 00:05:42,942 --> 00:05:44,944 ♪♪ YESSSSSSSSIR ♪♪ 111 00:05:44,944 --> 00:05:48,448 BUT HE DOESN'T KNOW THE TERRITORY! 112 00:05:49,949 --> 00:05:51,451 RIVER CITY! 113 00:05:51,451 --> 00:05:53,953 STATION STOP RIVER CITY! 114 00:05:53,953 --> 00:05:57,457 JUST CROSSED THE STATE LINE INTO IOWA. 115 00:05:57,457 --> 00:05:59,759 POPULATION RIVER CITY, 2,212. 116 00:05:59,759 --> 00:06:02,261 CIGARETTES ILLEGAL IN THIS STATE. 117 00:06:02,261 --> 00:06:03,763 ALL ABOARD! 118 00:06:03,763 --> 00:06:05,765 IF YOU'RE ALL THROUGH, 119 00:06:05,765 --> 00:06:08,768 I'LL TELL YOU ABOUT HAROLD HILL. 120 00:06:08,768 --> 00:06:10,770 SAY, YOU KNOW HILL? 121 00:06:10,770 --> 00:06:12,271 I NEVER SAW HIM IN MY LIFE, 122 00:06:12,271 --> 00:06:14,774 BUT I'VE JUST BEEN RUN OUT OF TOWN BECAUSE OF HILL. 123 00:06:14,774 --> 00:06:16,776 HE'S GIVEN EVERY ONE OF US A BLACK EYE. 124 00:06:16,776 --> 00:06:20,279 YOU GO INTO TOWN TO CALL ON THE TRADE, 125 00:06:20,279 --> 00:06:23,282 AND THEY'RE WAITING FOR YOU WITH TAR AND FEATHERS 126 00:06:23,282 --> 00:06:26,285 TO RIDE YOU OUT THE CITY LIMITS ON A RAIL. 127 00:06:26,285 --> 00:06:28,788 HOW DO YOU ACCOUNT FOR A THING LIKE THAT? 128 00:06:28,788 --> 00:06:32,792 THIS HILL GOES AROUND SELLING BAND INSTRUMENTS 129 00:06:32,792 --> 00:06:34,794 AND UNIFORMS AND INSTRUCTION BOOKS 130 00:06:34,794 --> 00:06:37,296 BY GUARANTEEING TO TEACH THE KIDS TO PLAY. 131 00:06:37,296 --> 00:06:38,798 STANDS TO REASON. 132 00:06:38,798 --> 00:06:41,300 ORGANIZES THEM KIDS INTO A BAND 133 00:06:41,300 --> 00:06:42,802 WITH HIMSELF AS THE LEADER. 134 00:06:42,802 --> 00:06:43,803 WHAT'S WRONG WITH THAT? 135 00:06:43,803 --> 00:06:47,306 HE DON'T KNOW ONE NOTE FROM ANOTHER! 136 00:06:47,306 --> 00:06:50,309 HE DON'T KNOW A BASS DRUM 137 00:06:50,309 --> 00:06:52,311 FROM A PIPE ORGAN! 138 00:06:52,311 --> 00:06:55,815 HE'S A BARE-FACED, DOUBLE-SHUFFLE, 139 00:06:55,815 --> 00:06:57,316 TWO-BIT THIMBLERIGGER, 140 00:06:57,316 --> 00:06:59,819 AND I'LL CATCH UP WITH HIM ONE OF THESE DAYS. 141 00:06:59,819 --> 00:07:02,822 I'LL HAVE THE LAW ON HIM SO QUICK! 142 00:07:02,822 --> 00:07:05,324 TERRITORY'S TOUGH ENOUGH WITHOUT HIM FOULING UP THE NEST. 143 00:07:05,324 --> 00:07:08,327 I'D LIKE TO BE AROUND WHEN YOU CATCH UP WITH HIM. 144 00:07:08,327 --> 00:07:12,331 I WON'T CATCH UP WITH HIM IN IOWA. 145 00:07:12,331 --> 00:07:15,835 HE'S TOO SMART TO PULL THAT FLIMFLAM OUT HERE. 146 00:07:15,835 --> 00:07:18,337 NOT ON THESE NECK-BOWED HAWKEYES. 147 00:07:18,838 --> 00:07:20,339 GENTLEMEN, YOU INTRIGUE ME. 148 00:07:20,339 --> 00:07:23,843 I'LL HAVE TO GIVE IOWA A TRY. 149 00:07:23,843 --> 00:07:26,846 DON'T BELIEVE I CAUGHT YOUR NAME. 150 00:07:26,846 --> 00:07:28,848 DON'T BELIEVE I DROPPED IT. 151 00:07:47,200 --> 00:07:48,701 UH, SIR... 152 00:08:00,213 --> 00:08:02,715 THAT'S A FINE-LOOKING ANIMAL. 153 00:08:02,715 --> 00:08:04,717 FOR A HORSE, YEAH. 154 00:08:13,226 --> 00:08:14,727 GOOD MORNING, NEIGHBOR. 155 00:08:14,727 --> 00:08:16,729 COULD YOU KINDLY DIRECT ME 156 00:08:16,729 --> 00:08:20,233 WHICH WAY IS THE CENTER OF TOWN? 157 00:08:20,233 --> 00:08:24,237 RUNS RIGHT DOWN THE MIDDLE OF THE STREET. 158 00:08:45,258 --> 00:08:46,759 EXCUSE ME, FRIEND, 159 00:08:46,759 --> 00:08:50,263 WHERE WOULD I FIND A GOOD HOTEL? 160 00:08:50,263 --> 00:08:53,266 TRY THE PALMER HOUSE IN CHICAGO. 161 00:09:02,775 --> 00:09:04,777 I'M A STRANGER IN YOUR TOWN. 162 00:09:04,777 --> 00:09:08,281 WHAT DO YOU FOLKS DO AROUND HERE 163 00:09:08,281 --> 00:09:09,782 FOR EXCITEMENT? 164 00:09:09,782 --> 00:09:11,284 MIND OUR BUSINESS. 165 00:09:11,784 --> 00:09:13,786 ♪♪ ♪♪ YOU ARE IN IOWAY 166 00:09:13,786 --> 00:09:15,288 IOWAY? 167 00:09:15,288 --> 00:09:18,791 I ALWAYS THOUGHT YOU FOLKS PREFERRED IOWUH. 168 00:09:18,791 --> 00:09:20,293 WE DO. 169 00:09:20,293 --> 00:09:21,794 HE JUST SAID IOWAY. 170 00:09:21,794 --> 00:09:23,296 WESAY IT NOW AND THEN, 171 00:09:23,296 --> 00:09:26,299 BUT WE DON'T LIKE ANYBODY ELSE TO. 172 00:09:26,299 --> 00:09:27,800 ♪♪ WE ARE FROM IOWAY ♪♪ 173 00:09:27,800 --> 00:09:29,802 YOU FOLKS CERTAINLY DO KNOW HOW 174 00:09:29,802 --> 00:09:33,306 TO MAKE A BODY FEEL AT HOME. 175 00:09:33,306 --> 00:09:35,808 ♪♪ OH, THERE'S NOTHING HALFWAY ♪♪ 176 00:09:35,808 --> 00:09:37,310 ♪♪ ABOUT THE IOWA WAY TO TREAT YOU ♪♪ 177 00:09:37,810 --> 00:09:38,811 ♪♪ WHEN WE GREET YOU ♪♪ 178 00:09:38,811 --> 00:09:41,314 ♪♪ WHICH WE MAY NOT DO AT ALL ♪♪ 179 00:09:41,314 --> 00:09:42,815 ♪♪ THERE'S AN IOWA KIND ♪♪ 180 00:09:43,316 --> 00:09:45,318 ♪♪ A SPECIAL CHIP-ON-THE - SHOULDER ATTITUDE ♪♪ 181 00:09:45,318 --> 00:09:46,819 ♪♪ WE'VE NEVER BEEN WITHOUT ♪♪ 182 00:09:46,819 --> 00:09:48,821 ♪♪ THAT WE RECALL ♪♪ 183 00:09:49,322 --> 00:09:52,825 ♪♪ WE CAN BE COLD AS A FALLING THERMOMETER IN DECEMBER ♪♪ 184 00:09:53,326 --> 00:09:55,828 ♪♪ IF YOU ASK ABOUT OUR WEATHER IN JULY ♪♪ 185 00:09:55,828 --> 00:09:58,831 ♪♪ AND WE'RE SO BY-GOD STUBBORN ♪♪ 186 00:09:58,831 --> 00:10:00,333 ♪♪ WE CAN STAND TOUCHING NOSES ♪♪ 187 00:10:00,833 --> 00:10:01,834 ♪♪ FOR A WEEK AT A TIME ♪♪ 188 00:10:01,834 --> 00:10:03,836 ♪♪ AND NEVER SEE EYE-TO-EYE ♪♪ 189 00:10:04,337 --> 00:10:05,338 ♪♪ BUT WHAT THE HECK? ♪♪ 190 00:10:05,338 --> 00:10:06,839 ♪♪ YOU'RE WELCOME ♪♪ 191 00:10:06,839 --> 00:10:08,341 ♪♪ JOIN US AT THE PICNIC ♪♪ 192 00:10:08,841 --> 00:10:09,842 ♪♪ YOU CAN EAT YOUR FILL ♪♪ 193 00:10:10,343 --> 00:10:11,844 ♪ ♪♪ OF ALL THE FOOD YOU BRING YOURSELF ♪ 194 00:10:12,345 --> 00:10:14,847 ♪♪ YOU REALLY OUGHT TO GIVE IOWA A TRY ♪♪ 195 00:10:14,847 --> 00:10:17,850 ♪♪ PROVIDED YOU ARE CONTRARY ♪♪ 196 00:10:17,850 --> 00:10:19,852 GOOD MORNING, MAYOR SHINN! 197 00:10:19,852 --> 00:10:22,355 IT IS IF YOU WANT TO 198 00:10:22,355 --> 00:10:25,358 GO AROUND IN YOUR DRAWERS ALL DAY. 199 00:10:27,360 --> 00:10:31,364 ♪♪ WE CAN BE COLD AS A FALLING THERMOMETER IN DECEMBER ♪♪ 200 00:10:31,364 --> 00:10:34,367 ♪♪ IF YOU ASK ABOUT OUR WEATHER IN JULY ♪♪ 201 00:10:34,867 --> 00:10:37,370 ♪♪ ♪♪ AND WE'RE SO BY-GOD STUBBORN 202 00:10:37,370 --> 00:10:38,871 ♪ ♪♪ WE CAN STAND TOUCHING NOSES ♪ 203 00:10:38,871 --> 00:10:45,378 ♪♪ FOR A WEEK AT A TIME AND NEVER SEE EYE-TO-EYE ♪♪ 204 00:10:45,378 --> 00:10:50,383 ♪♪ BUT WE'LL GIVE YOU OUR SHIRT ♪♪ 205 00:10:50,383 --> 00:10:55,888 ♪♪ AND THE BACK TO GO WITH IT ♪♪ 206 00:10:55,888 --> 00:11:03,396 ♪♪ IF YOUR CROP SHOULD HAPPEN TO DIE ♪♪ 207 00:11:03,396 --> 00:11:04,397 ♪♪ SO WHAT THE HECK? ♪♪ 208 00:11:04,897 --> 00:11:05,898 ♪♪ YOU'RE WELCOME ♪♪ 209 00:11:05,898 --> 00:11:07,900 ♪♪ GLAD TO HAVE YOU WITH US ♪♪ 210 00:11:07,900 --> 00:11:10,903 ♪♪ EVEN THOUGH WE MAY NOT EVER MENTION IT AGAIN ♪♪ 211 00:11:11,404 --> 00:11:13,406 ♪♪ YOU REALLY OUGHT TO GIVE IOWA ♪♪ 212 00:11:13,406 --> 00:11:15,408 ♪♪ HAWKEYE, IOWA ♪♪ 213 00:11:15,408 --> 00:11:17,910 ♪♪ DUBUQUE, DES MOINES, DAVENPORT ♪♪ 214 00:11:17,910 --> 00:11:18,911 ♪♪ ♪♪ MARSHALLTOWN, MASON CITY 215 00:11:18,911 --> 00:11:21,414 ♪♪ ♪♪ KEOKUK, AMES, CLEAR LAKE 216 00:11:21,414 --> 00:11:29,922 ♪♪ OUGHT TO GIVE IOWA A TRY ♪♪ 217 00:11:47,440 --> 00:11:48,941 MR., UH, SQUIRES. 218 00:11:48,941 --> 00:11:50,943 I'M INTERESTED IN A RIG FOR SUNDAY 219 00:11:50,943 --> 00:11:52,445 IF YOU CAN ACCOMMODATE ME. 220 00:11:52,445 --> 00:11:53,946 THEN YOU OUGHT TO SEE THE MAN 221 00:11:53,946 --> 00:11:55,948 IN CHARGE OF HIRING RIGS. 222 00:12:05,958 --> 00:12:07,460 RIGS? 223 00:12:07,460 --> 00:12:08,961 RIGGS? 224 00:12:08,961 --> 00:12:11,964 AIN'T NOBODY HERE BY THAT NAME. 225 00:12:11,964 --> 00:12:12,965 MARCELLUS! 226 00:12:12,965 --> 00:12:15,468 MARCELLUS WASHBURN! 227 00:12:18,971 --> 00:12:19,972 GREGORY! 228 00:12:20,473 --> 00:12:22,975 OF ALL THE PEOPLE TO RUN INTO IN IOWA! 229 00:12:23,476 --> 00:12:24,477 GREGORY! 230 00:12:24,977 --> 00:12:28,481 SHH! PROFESSOR HAROLD HILL'S THE NAME THIS TRIP. 231 00:12:28,981 --> 00:12:31,484 WHY DIDN'T YOU TELL ME YOU WERE COMING? 232 00:12:31,484 --> 00:12:32,985 I DIDN'T KNOW I WAS, MYSELF. 233 00:12:32,985 --> 00:12:35,488 I NEVER THOUGHT I'D FIND A SLICKER LIKE YOU 234 00:12:35,488 --> 00:12:37,990 OUT HERE IN THE HAILSTONE AND SARSAPARILLA BELT. 235 00:12:37,990 --> 00:12:39,492 THIS IS WHERE I WORK. 236 00:12:39,992 --> 00:12:41,494 YOU MEAN YOU LIVE IN THIS TOWN? 237 00:12:41,994 --> 00:12:44,997 YEAH! I LIKE IT, TOO. 238 00:12:45,498 --> 00:12:47,500 IT'S NOT BROOKLYN, NEW YORK, BUT... 239 00:12:47,500 --> 00:12:50,002 BROOKLYN? THIS ISN'T EVEN DUBUQUE. 240 00:12:50,503 --> 00:12:53,005 HEY, ARE YOU HIDING OUT OR WHAT? 241 00:12:53,005 --> 00:12:55,007 NO. JUST NOT AS LIGHT ON MY FEET 242 00:12:55,508 --> 00:12:58,010 AS I WAS WHEN I WAS SHILLING FOR YOU. 243 00:12:58,010 --> 00:13:01,514 YOU'RE IN A BUSINESS, GOT A LOT OF CLOSE SHAVES. 244 00:13:01,514 --> 00:13:04,517 I GOT A NICE JOB NOW AND A NICE GIRL, 245 00:13:05,017 --> 00:13:07,019 ETHEL TOFFELMIER, THE BOSS' NIECE. 246 00:13:07,520 --> 00:13:09,021 SO YOU'VE GONE LEGITIMATE, HUH? 247 00:13:09,522 --> 00:13:12,024 I KNEW YOU'D COME TO NO GOOD. 248 00:13:12,024 --> 00:13:14,026 WHAT ARE YOU SELLING? LAST I HEARD, 249 00:13:14,026 --> 00:13:16,028 YOU WERE SELLING STEAM AUTOMOBILES. 250 00:13:16,028 --> 00:13:17,530 I WAS. 251 00:13:17,530 --> 00:13:19,031 WHAT HAPPENED? 252 00:13:19,031 --> 00:13:21,033 SOMEBODY ACTUALLY INVENTED ONE. NO. 253 00:13:21,534 --> 00:13:23,536 SO NOW I'M BACK AT THE OLD STAND. 254 00:13:24,036 --> 00:13:25,037 NOT BOYS' BANDS. 255 00:13:25,037 --> 00:13:28,040 THEY GOT NO CALL FOR BOYS' BANDS HERE. 256 00:13:28,541 --> 00:13:29,041 ANYTHING THEY DON'T ALREADY HAVE, 257 00:13:29,542 --> 00:13:30,543 THEY DO WITHOUT. 258 00:13:30,543 --> 00:13:32,044 THEY GOT MUSIC? 259 00:13:32,044 --> 00:13:34,046 THEY GOT A GRAMOPHONE DOWN TO THE BARBERSHOP. 260 00:13:34,547 --> 00:13:37,049 A STUCK-UP LIBRARIAN GIVES PIANO. 261 00:13:37,049 --> 00:13:38,551 MAIDEN LADY. 262 00:13:39,051 --> 00:13:40,052 SHE'LL EXPOSE YOU 263 00:13:40,553 --> 00:13:42,054 BEFORE YOU GET THIS BAG UNPACKED. 264 00:13:42,054 --> 00:13:44,557 YOU KNOW MAIDEN LADY LIBRARIANS WHO GIVE PIANO 265 00:13:44,557 --> 00:13:46,058 ARE A SPECIALTY OF MINE. 266 00:13:46,058 --> 00:13:49,061 YOU JUST POINT HER OUT TO ME THE MINUTE YOU SEE HER. 267 00:13:49,562 --> 00:13:51,564 I'LL BACK HER INTO A CORNER 268 00:13:52,064 --> 00:13:54,066 AND BREATHE ON HER GLASSES. 269 00:13:54,066 --> 00:13:56,068 THAR SHE BLOWS. 270 00:14:01,073 --> 00:14:04,577 I'LL DO IT, BUT I WON'T LIKE IT. 271 00:14:04,577 --> 00:14:06,579 THAT'S NOT THE LIBRARIAN. 272 00:14:06,579 --> 00:14:10,082 THAT'S MRS. SHINN, THE MAYOR'S WIFE. 273 00:14:20,092 --> 00:14:22,094 GOOD AFTERNOON, MRS. SHINN. 274 00:14:22,094 --> 00:14:24,096 DON'T CHANGE THE SUBJECT. 275 00:14:24,096 --> 00:14:26,599 IS SOMETHING THE MATTER? 276 00:14:26,599 --> 00:14:31,103 THE SAME THING THAT'S ALWAYS THE MATTER HERE. 277 00:14:31,103 --> 00:14:33,606 LOOK. IS THIS THE SORT OF BOOK 278 00:14:33,606 --> 00:14:36,108 YOU GIVE MY DAUGHTER TO READ, 279 00:14:36,108 --> 00:14:39,111 THISRUBY HAT OF OMAR KAYAYAY? 280 00:14:39,612 --> 00:14:40,613 I AM APPALLED! 281 00:14:41,113 --> 00:14:43,115 I DID RECOMMEND IT. 282 00:14:43,115 --> 00:14:45,117 IT'S BEAUTIFUL PERSIAN POETRY. 283 00:14:45,117 --> 00:14:47,119 IT'SDIRTY PERSIAN POETRY. 284 00:14:47,119 --> 00:14:50,623 PEOPLE LYING OUT IN THE WOODS 285 00:14:50,623 --> 00:14:52,124 EATING SANDWICHES, GETTING DRUNK 286 00:14:52,124 --> 00:14:54,126 WITH PITFALL AND WITH GIN. 287 00:14:54,126 --> 00:14:55,628 DRINKING DIRECTLY OUT OF JUGS 288 00:14:55,628 --> 00:14:57,129 WITH INNOCENT YOUNG GIRLS. 289 00:14:57,129 --> 00:14:58,130 NO DAUGHTER OF MINE EVER-- 290 00:14:58,130 --> 00:14:59,632 MRS. SHINN! 291 00:14:59,632 --> 00:15:03,636 THE RUBAIYAT OF OMAR KHAYYAMIS A CLASSIC. 292 00:15:03,636 --> 00:15:05,638 IT'S A SMUTTY BOOK, 293 00:15:05,638 --> 00:15:10,142 LIKE MOST OF THE OTHERS YOU KEEP HERE. 294 00:15:10,142 --> 00:15:13,145 WOULDN'T YOU RATHER YOUR DAUGHTER READ A CLASSIC 295 00:15:13,145 --> 00:15:14,647 THAN ELINOR GLYN? 296 00:15:14,647 --> 00:15:18,651 WHAT ELINOR GLYN READS ISHERMOTHER'S PROBLEM. 297 00:15:19,151 --> 00:15:23,656 JUST KEEP YOUR DIRTY BOOKS AWAY FROMMYDAUGHTER. 298 00:15:42,174 --> 00:15:45,678 MARCE, YOU SURE PICKED YOURSELF A TOWN. 299 00:15:45,678 --> 00:15:49,181 LET ME TAKE YOU TO THE HOTEL. 300 00:15:49,181 --> 00:15:51,183 I'M NOT SURE I'M STAYING YET. 301 00:15:51,684 --> 00:15:53,686 FIRST I'VE GOT TO FIND A WAY 302 00:15:53,686 --> 00:15:56,188 TO GET INTO SOME OF THESE IOWA BOODLEBAGS. 303 00:15:56,188 --> 00:15:58,190 GREG, IT AIN'T EASY. 304 00:15:58,190 --> 00:16:00,693 I NEED AN OPENING. YOU REMEMBER THE PITCH. 305 00:16:00,693 --> 00:16:02,695 WHAT CAN I USE? WHAT'S NEW AROUND HERE? 306 00:16:02,695 --> 00:16:07,199 A FARMER BROUGHT IN AN EGG HAD THREE YOLKS. 307 00:16:07,199 --> 00:16:09,702 IT WAS IN THE PAPER. 308 00:16:09,702 --> 00:16:12,204 OH, THAT'S EXCITING, ALL RIGHT. 309 00:16:12,204 --> 00:16:14,707 WHAT DO YOU TALK ABOUT? 310 00:16:14,707 --> 00:16:17,209 THERE'S THE WEATHER, WHEN IT'S IN SEASON. 311 00:16:17,209 --> 00:16:18,711 I NEED SOME IDEAS. 312 00:16:18,711 --> 00:16:20,713 I'M GOING TO GET YOUR TOWN 313 00:16:20,713 --> 00:16:23,215 OUT OF THE SERIOUS TROUBLE IT'S IN. 314 00:16:23,215 --> 00:16:26,218 RIVER CITY AIN'T IN ANY TROUBLE. 315 00:16:26,218 --> 00:16:27,720 THEN I'LL HAVE TO CREATE SOME. 316 00:16:27,720 --> 00:16:28,721 MUST CREATE A DESPERATE NEED 317 00:16:28,721 --> 00:16:31,724 IN YOUR TOWN FOR A BOYS' BAND. 318 00:16:32,224 --> 00:16:33,726 WHY DOES EVERYBODY KEEP RUBBERING 319 00:16:34,226 --> 00:16:35,227 INTO THE BILLIARD PARLOR? 320 00:16:35,227 --> 00:16:39,231 THEY JUST GOT IN A NEW POOL TABLE. 321 00:16:39,231 --> 00:16:42,735 SURELY THEY'VE SEEN A POOL TABLE BEFORE. 322 00:16:42,735 --> 00:16:44,236 NO, JUST BILLIARDS. 323 00:16:47,239 --> 00:16:51,243 THAT'LL DO IT. JUST SIT WHERE YOU ARE. 324 00:16:51,243 --> 00:16:54,246 REMEMBER, IF YOU SEE THAT MUSIC TEACHER... 325 00:16:59,084 --> 00:17:00,586 ARE YOU MR. DUNLOP? 326 00:17:00,586 --> 00:17:01,587 YEAH. 327 00:17:01,587 --> 00:17:03,088 WELL, EITHER YOU'RE CLOSING YOUR EYES 328 00:17:03,589 --> 00:17:05,090 TO A SITUATION YOU DO NOT WISH TO ACKNOWLEDGE, 329 00:17:05,591 --> 00:17:06,592 OR YOU ARE NOT AWARE 330 00:17:06,592 --> 00:17:08,093 OF THE CALIBER OF DISASTER 331 00:17:08,093 --> 00:17:09,595 INDICATED BY THE PRESENCE 332 00:17:09,595 --> 00:17:12,097 OF A POOL TABLE IN YOUR COMMUNITY. 333 00:17:12,097 --> 00:17:14,600 ♪♪ WELL, YOU GOT TROUBLE, MY FRIEND ♪♪ 334 00:17:14,600 --> 00:17:16,602 ♪♪ RIGHT HERE, I SAY, TROUBL E RIGHT HERE IN RIVER CITY ♪♪ 335 00:17:16,602 --> 00:17:18,103 ♪♪ WHY, SURE, I'M A BILLIARD PLAYER ♪♪ 336 00:17:18,103 --> 00:17:20,105 ♪ ♪♪ MIGHTY PROUD TO SAY I'M MIGHTY PROUD TO SAY IT ♪ 337 00:17:20,606 --> 00:17:22,107 ♪♪ I CONSIDER THAT THE HOURS I SPEND ♪♪ 338 00:17:22,107 --> 00:17:24,610 ♪♪ WITH A CUE IN MY HAND ARE GOLDEN ♪♪ 339 00:17:24,610 --> 00:17:25,611 ♪♪ HELP YOU CULTIVATE HORSE SENSE ♪♪ 340 00:17:26,111 --> 00:17:28,614 ♪♪ AND A COOL HEAD AND A KEEN EYE ♪♪ 341 00:17:28,614 --> 00:17:30,616 ♪ ♪♪ EVER TAKE AND TRY TO GIVE AN IRON-CLAD LEAVE TO YOURSELF ♪ 342 00:17:30,616 --> 00:17:32,618 ♪♪ FROM A THREE-RAIL BILLIARD SHOT? ♪♪ 343 00:17:32,618 --> 00:17:35,120 ♪ ♪♪ BUT JUST AS I SAY IT TAKES JUDGMENT, BRAINS, AND MATURITY ♪ 344 00:17:35,120 --> 00:17:36,622 ♪♪ TO SCORE IN A BALKLINE GAME ♪♪ 345 00:17:37,122 --> 00:17:40,125 ♪♪ I SAY THAT ANY BOOB CAN TAKE AND SHOVE A BALL IN A POCKET ♪♪ 346 00:17:40,125 --> 00:17:41,627 ♪♪ AND I CALL THAT SLOTH ♪♪ 347 00:17:41,627 --> 00:17:44,630 ♪♪ THE FIRST BIG STEP ON THE ROA TO THE DEPTHS OF DEGRADA-- ♪♪ 348 00:17:44,630 --> 00:17:47,633 ♪♪ I SAY, FIRST MEDICINAL WINE FROM A TEASPOON ♪♪ 349 00:17:47,633 --> 00:17:48,634 ♪ ♪♪ THEN BEER FROM A BOTTLE ♪ 350 00:17:48,634 --> 00:17:49,635 ♪ ♪♪ AND THE NEXT THING YOU KNOW ♪ 351 00:17:50,135 --> 00:17:51,136 ♪♪ YOUR SON IS PLAYIN' ♪♪ 352 00:17:51,136 --> 00:17:53,138 ♪♪ FOR MONEY IN A PINCH-BACK SUIT ♪♪ 353 00:17:53,138 --> 00:17:54,640 ♪♪ AND LISTENIN' TO SOME BIG OUT-OF-TOWN JASPER ♪♪ 354 00:17:54,640 --> 00:17:57,643 ♪♪ TELL HIM ABOUT HORSERACE GAMBLIN' ♪♪ 355 00:17:57,643 --> 00:17:58,644 ♪♪ NOT A WHOLESOME TROTTIN' RACE, NO! ♪♪ 356 00:17:59,144 --> 00:18:00,646 ♪♪ BUT A RACE WHERE THEY SET DOWN ♪♪ 357 00:18:00,646 --> 00:18:01,647 ♪♪ RIGHT ON THE HORSE! ♪♪ 358 00:18:01,647 --> 00:18:03,148 ♪♪ LIKE TO SEE SOME STUCK-UP JOCKEY BOY ♪♪ 359 00:18:03,148 --> 00:18:04,149 ♪♪ SETTIN' ON DAN PATCH? ♪♪ 360 00:18:04,650 --> 00:18:05,651 ♪♪ MAKE YOUR BLOOD BOIL? ♪♪ 361 00:18:05,651 --> 00:18:07,653 ♪♪ WELL, I SHOULD SAY! ♪♪ 362 00:18:07,653 --> 00:18:08,654 ♪♪ LET ME TELL YOU WHAT I MEAN ♪♪ 363 00:18:09,154 --> 00:18:10,656 ♪♪ YOU GOT 1, 2, 3, 4 ♪♪ 364 00:18:10,656 --> 00:18:13,158 ♪ ♪♪ 5, 6 POCKETS IN A TABLE ♪ 365 00:18:13,158 --> 00:18:14,660 ♪♪ POCKETS THAT MARK THE DIFFERENCE BETWEEN ♪♪ 366 00:18:15,160 --> 00:18:16,662 ♪♪ A GENTLEMAN AND A BUM ♪♪ 367 00:18:16,662 --> 00:18:18,163 ♪♪ WITH A CAPITAL "B" AND THAT RHYMES WITH "P" ♪♪ 368 00:18:18,664 --> 00:18:20,165 ♪♪ ♪♪ AND THAT STANDS FOR POOL 369 00:18:20,165 --> 00:18:21,166 ♪♪ AND ALL WEEK LONG YOUR RIVER CITY YOUTH ♪♪ 370 00:18:21,166 --> 00:18:22,167 ♪ ♪♪ WILL BE FRITTERIN' AWAY ♪ 371 00:18:22,668 --> 00:18:24,670 ♪♪ I SAY, YOUR YOUNG MEN WILL BE FRITTERIN' ♪♪ 372 00:18:24,670 --> 00:18:26,171 ♪♪ FRITTERIN' AWAY THEIR NOONTIME ♪♪ 373 00:18:26,672 --> 00:18:28,173 ♪♪ SUPPERTIME, CHORETIME, TOO ♪♪ 374 00:18:28,173 --> 00:18:29,174 ♪♪ GET THE BALL IN THE POCKET! ♪♪ 375 00:18:29,174 --> 00:18:30,676 ♪♪ NEVER MIND GETTIN' DANDELIONS PULLED ♪♪ 376 00:18:30,676 --> 00:18:33,178 ♪♪ OR THE SCREEN DOOR PATCHE D OR THE BEEFSTEAK POUNDED ♪♪ 377 00:18:33,679 --> 00:18:35,180 ♪♪ NEVER MIND PUMPIN' ANY WATER TILL YOUR PARENTS ARE CAUGHT ♪♪ 378 00:18:35,180 --> 00:18:37,182 ♪♪ WITH A CISTERN EMPTY ON A SATURDAY NIGHT ♪♪ 379 00:18:37,182 --> 00:18:38,183 ♪♪ AND THAT'S TROUBLE ♪♪ 380 00:18:38,183 --> 00:18:40,185 ♪♪ YES, YOU GOT LOTS AND LOTS OF TROUBLE ♪♪ 381 00:18:40,185 --> 00:18:41,186 ♪♪ I'M THINKIN' OF THE KIDS IN THE KNICKERBOCKERS ♪♪ 382 00:18:41,186 --> 00:18:42,688 ♪ ♪♪ SHIRT-TAILED YOUNG ONES ♪ 383 00:18:42,688 --> 00:18:44,189 ♪♪ PEEKIN' IN THE POOL HALL WINDOW AFTER SCHOOL ♪♪ 384 00:18:44,189 --> 00:18:45,691 ♪♪ YOU GOT TROUBLE, FOLKS ♪♪ 385 00:18:45,691 --> 00:18:47,192 ♪♪ ♪♪ RIGHT HERE IN RIVER CITY 386 00:18:47,192 --> 00:18:49,194 ♪♪ TROUBLE WITH A CAPITAL "T " AND THAT RHYMES WITH "P" ♪♪ 387 00:18:49,695 --> 00:18:50,696 ♪♪ ♪♪ AND THAT STANDS FOR POOL 388 00:18:51,196 --> 00:18:53,699 ♪♪ NOW, I KNOW ALL YOU FOLKS ARE THE RIGHT KIND OF PARENTS ♪♪ 389 00:18:53,699 --> 00:18:55,200 ♪♪ I'M GONNA BE PERFECTLY FRANK ♪♪ 390 00:18:55,200 --> 00:18:56,201 ♪♪ WOULD YOU LIKE TO KNOW ♪♪ 391 00:18:56,702 --> 00:18:57,703 ♪♪ WHAT KIND OF CONVERSATION GOES ON ♪♪ 392 00:18:57,703 --> 00:18:59,204 ♪♪ WHILE THEY'RE LOAFIN' AROUND THAT HALL? ♪♪ 393 00:18:59,204 --> 00:19:01,707 ♪♪ THEY'RE TRYIN' OUT BEVO, TRYIN' OUT CUBEBS ♪♪ 394 00:19:01,707 --> 00:19:03,709 ♪♪ TRYIN' OUT TAILOR-MADES LIKE CIGARETTE FIENDS ♪♪ 395 00:19:03,709 --> 00:19:05,210 ♪♪ AND BRAGGIN' ♪♪ 396 00:19:05,210 --> 00:19:06,712 ♪ ♪♪ ALL ABOUT HOW THEY'RE GONNA COVER UP ♪ 397 00:19:06,712 --> 00:19:07,713 ♪♪ A TELL-TALE BREATH WITH SEN-SEN ♪♪ 398 00:19:07,713 --> 00:19:09,214 ♪♪ ONE FINE NIGHT ♪♪ 399 00:19:09,214 --> 00:19:10,716 ♪♪ THEY LEAVE THE POOL HALL ♪♪ 400 00:19:10,716 --> 00:19:11,717 ♪♪ HEADIN' FOR THE DANCE AT THE ARMORY ♪♪ 401 00:19:11,717 --> 00:19:12,718 ♪♪ LIBERTINE MEN ♪♪ 402 00:19:12,718 --> 00:19:13,719 ♪♪ AND SCARLET WOMEN ♪♪ 403 00:19:14,219 --> 00:19:15,721 ♪♪ AND RAGTIME, SHAMELESS MUSIC ♪♪ 404 00:19:15,721 --> 00:19:17,723 ♪♪ THAT'LL GRAB YOUR SON, YOUR DAUGHTER ♪♪ 405 00:19:17,723 --> 00:19:19,725 ♪♪ IN THE ARMS OF A JUNGLE ANIMAL INSTINCT ♪♪ 406 00:19:19,725 --> 00:19:21,226 ♪♪ MASS-TERIA! ♪♪ 407 00:19:21,226 --> 00:19:23,729 ♪♪ FRIENDS, THE IDLE BRAIN IS THE DEVIL'S PLAYGROUND ♪♪ 408 00:19:23,729 --> 00:19:26,732 ♪♪ TROUBLE, RIGHT HERE IN RIVER CITY ♪♪ 409 00:19:26,732 --> 00:19:28,734 ♪♪ WITH A CAPITAL "T" AND THAT RHYMES WITH "P" ♪♪ 410 00:19:28,734 --> 00:19:30,736 ♪♪ ♪♪ AND THAT STANDS FOR POOL 411 00:19:30,736 --> 00:19:32,738 ♪♪ WE SURELY GOT TROUBLE ♪♪ 412 00:19:32,738 --> 00:19:34,239 ♪♪ ♪♪ RIGHT HERE IN RIVER CITY 413 00:19:34,239 --> 00:19:35,240 ♪♪ GOTTA FIGURE OUT A WAY ♪♪ 414 00:19:35,741 --> 00:19:37,242 ♪♪ TO KEEP THE YOUNG ONES MORAL AFTER SCHOOL ♪♪ 415 00:19:37,743 --> 00:19:40,746 ♪♪ OUR CHILDREN'S CHILDREN GONNA HAVE TROUBLE ♪♪ 416 00:19:40,746 --> 00:19:42,748 MOTHERS OF RIVER CITY! 417 00:19:42,748 --> 00:19:44,750 HEED THAT WARNING BEFORE IT'S TOO LATE. 418 00:19:44,750 --> 00:19:47,252 WATCH FOR THE TELLTALE SIGNS OF CORRUPTION. 419 00:19:47,252 --> 00:19:49,254 THE MINUTE YOUR SON LEAVES THE HOUSE, 420 00:19:49,254 --> 00:19:52,257 DOES HE REBUCKLE HIS KNICKERBOCKERS 421 00:19:52,257 --> 00:19:53,759 BELOW THE KNEE? 422 00:19:53,759 --> 00:19:55,761 IS THERE A NICOTINE STAIN 423 00:19:55,761 --> 00:19:56,762 ON HIS INDEX FINGER? 424 00:19:56,762 --> 00:19:59,765 A DIME NOVEL HIDDEN IN THE CORN CRIB? 425 00:19:59,765 --> 00:20:01,767 IS HE STARTING TO MEMORIZE JOKES 426 00:20:01,767 --> 00:20:03,769 FROMCAPTAIN BILLY'S WHIZ BANG? 427 00:20:03,769 --> 00:20:05,771 ARE CERTAIN WORDS 428 00:20:05,771 --> 00:20:09,274 CREEPING INTO HIS CONVERSATION? 429 00:20:09,274 --> 00:20:10,776 WORDS LIKE, 430 00:20:10,776 --> 00:20:13,779 LIKE "SWELL" 431 00:20:13,779 --> 00:20:16,782 AND "SO'S YOUR OLD MAN"? 432 00:20:16,782 --> 00:20:18,283 IF SO, MY FRIENDS... 433 00:20:18,283 --> 00:20:19,785 ♪♪ YOU GOT TROUBLE ♪♪ 434 00:20:19,785 --> 00:20:21,787 ♪♪ ♪♪ RIGHT HERE IN RIVER CITY 435 00:20:21,787 --> 00:20:23,789 ♪♪ WITH A CAPITAL "T" AND THAT RHYMES WITH "P" ♪♪ 436 00:20:23,789 --> 00:20:25,290 ♪♪ ♪♪ AND THAT STANDS FOR POOL 437 00:20:25,290 --> 00:20:27,793 ♪♪ WE SURELY GOT TROUBLE ♪♪ 438 00:20:27,793 --> 00:20:29,294 ♪♪ ♪♪ RIGHT HERE IN RIVER CITY 439 00:20:29,294 --> 00:20:31,296 ♪♪ REMEMBER THEMAINE, PLYMOUTH ROCK ♪♪ 440 00:20:31,296 --> 00:20:32,798 ♪♪ AND THE GOLDEN RULE ♪♪ 441 00:20:32,798 --> 00:20:34,299 ♪♪ OUR CHILDREN'S CHILDREN GONNA HAVE TROUBLE ♪♪ 442 00:20:34,299 --> 00:20:35,801 ♪♪ OH HO, WE GOT TROUBLE ♪♪ 443 00:20:35,801 --> 00:20:37,302 ♪♪ WE'RE IN TERRIBLE, TERRIBLE TROUBLE ♪♪ 444 00:20:37,302 --> 00:20:38,804 ♪ ♪♪ THAT GAME WITH THE 15 NUMBERED BALLS ♪ 445 00:20:38,804 --> 00:20:41,306 ♪♪ IS THE DEVIL'S TOOL ♪♪ 446 00:20:41,306 --> 00:20:43,308 ♪♪ OH, YES, WE'VE GOT TROUBL E TROUBLE TROUBLE ♪♪ 447 00:20:43,308 --> 00:20:45,811 ♪♪ WE'VE GOT BIG, BIG TROUBLE ♪♪ 448 00:20:45,811 --> 00:20:46,812 ♪♪ WITH A CAPITAL "T" ♪♪ 449 00:20:46,812 --> 00:20:48,814 ♪♪ ♪♪ AND THAT RHYMES WITH "P" 450 00:20:49,314 --> 00:20:50,315 ♪♪ AND THAT STANDS FOR POOL ♪♪ 451 00:20:50,315 --> 00:20:51,817 ♪♪ THAT STANDS FOR POOL ♪♪ 452 00:20:51,817 --> 00:20:53,318 ♪♪ REMEMBER, MY FRIENDS, LISTEN TO ME ♪♪ 453 00:20:53,318 --> 00:20:55,821 ♪♪ BECAUSE I PASS THIS WAY BUT ONCE ♪♪ 454 00:20:55,821 --> 00:20:59,324 ♪♪ TROUBLE, TROUBLE, TROUBLE, TROUBLE... ♪♪ 455 00:20:59,324 --> 00:21:00,826 ♪♪ OH, WE GOT TROUBL E TROUBLE, TROUBLE ♪♪ 456 00:21:00,826 --> 00:21:02,327 ♪♪ RIGHT HERE IN RIVER CITY ♪♪ 457 00:21:02,327 --> 00:21:04,329 ♪♪ WITH A CAPITAL "T" AN D THAT RHYMES WITH "P" ♪♪ 458 00:21:04,329 --> 00:21:05,330 ♪♪ AND THAT STANDS FOR POOL ♪♪ 459 00:21:05,330 --> 00:21:06,331 ♪ ♪♪ STANDS FOR POOL ♪ 460 00:21:06,331 --> 00:21:08,333 ♪♪ SAY WE GOT TROUBLE, TROUBLE ♪♪ 461 00:21:08,333 --> 00:21:09,334 ♪♪ RIGHT HERE IN RIVER CITY ♪♪ 462 00:21:09,334 --> 00:21:10,836 ♪♪ GOTTA FIGURE OUT A WAY ♪♪ 463 00:21:10,836 --> 00:21:13,338 ♪♪ TO KEEP THE YOUNG ONE S MORAL AFTER SCHOOL ♪♪ 464 00:21:39,865 --> 00:21:41,867 DID YOU DROP YOUR-- 465 00:21:41,867 --> 00:21:42,868 NO. 466 00:21:45,370 --> 00:21:47,873 DIDN'T I MEET YOU IN-- 467 00:21:47,873 --> 00:21:49,374 NO. 468 00:21:49,374 --> 00:21:53,378 I'LL ONLY BE IN TOWN A SHORT WHILE. 469 00:21:54,379 --> 00:21:55,380 GOOD! 470 00:22:00,385 --> 00:22:02,387 [PIANO PLAYING] 471 00:22:11,897 --> 00:22:13,398 ♪♪# 472 00:22:13,398 --> 00:22:14,399 ♪♪ 473 00:22:14,399 --> 00:22:16,401 HELLO, MAMA. 474 00:22:16,401 --> 00:22:18,403 KEEP ON, AMARYLLIS. 475 00:22:18,403 --> 00:22:21,406 I'LL BE THERE IN A MINUTE. 476 00:22:27,412 --> 00:22:28,914 ♪♪# 477 00:22:28,914 --> 00:22:30,415 ♪♪ 478 00:22:37,422 --> 00:22:38,924 ♪♪# 479 00:22:38,924 --> 00:22:39,925 ♪♪ 480 00:22:39,925 --> 00:22:42,928 THAT'S FINE. NOW DO YOUR EXERCISES. 481 00:22:42,928 --> 00:22:45,430 LIBRARY OPEN LATER THAN USUAL 482 00:22:45,430 --> 00:22:46,431 TONIGHT, DEAR? 483 00:22:46,431 --> 00:22:48,433 IT ALWAYS IS, MAMA. 484 00:22:48,433 --> 00:22:52,437 A MAN WITH A SUITCASE FOLLOWED ME HOME. 485 00:22:52,437 --> 00:22:53,939 OH? WHO? 486 00:22:53,939 --> 00:22:56,441 I NEVER SAW HIM BEFORE. 487 00:22:56,441 --> 00:22:58,443 DID HE SAY ANYTHING? 488 00:22:58,443 --> 00:22:59,945 HE TRIED. 489 00:22:59,945 --> 00:23:01,947 DID YOU SAY ANYTHING? 490 00:23:01,947 --> 00:23:03,949 OF COURSE NOT, MAMA. 491 00:23:05,150 --> 00:23:08,153 NOW, DON'T DAWDLE, AMARYLLIS. 492 00:23:08,153 --> 00:23:12,157 ♪♪ SOL, DO, LA, RE, TI, MI ♪♪ 493 00:23:12,157 --> 00:23:13,158 ♪ ♪♪ A LITTLE SLOWER ♪ 494 00:23:13,158 --> 00:23:15,160 ♪ ♪♪ AND PLEASE KEEP THE FINGERS CURVED ♪ 495 00:23:15,160 --> 00:23:18,663 ♪♪ AS NICE AND HIGH AS YOU POSSIBLY CAN ♪♪ 496 00:23:18,663 --> 00:23:20,665 DON'T GET FASTER, DEAR. 497 00:23:20,665 --> 00:23:23,668 IF YOU DON'T MIND MY SAYING SO, IT WOULDN'T HAVE HURT YOU 498 00:23:23,668 --> 00:23:26,171 TO HAVE FOUND OUT WHAT THE GENTLEMAN WANTED. 499 00:23:26,171 --> 00:23:29,174 I KNOW WHAT THE GENTLEMAN WANTED. 500 00:23:29,174 --> 00:23:30,675 WHAT, DEAR? 501 00:23:30,675 --> 00:23:33,678 YOU'LL FIND IT IN BALZAC. 502 00:23:33,678 --> 00:23:36,681 EXCUSE ME FOR LIVING, BUT I NEVER READ IT. 503 00:23:36,681 --> 00:23:39,184 ♪♪ NEITHER HAS ANYONE ELSE IN THIS TOWN ♪♪ 504 00:23:39,184 --> 00:23:42,187 ♪♪ THERE YOU GO AGAIN WITH THE SAME OLD COMMENT ♪♪ 505 00:23:42,687 --> 00:23:45,190 ♪♪ ABOUT THE LOW MENTALITY OF RIVER CITY PEOPLE ♪♪ 506 00:23:45,190 --> 00:23:47,692 ♪♪ AND TAKIN' IT ALL TOO MUCH TO HEART ♪♪ 507 00:23:47,692 --> 00:23:48,693 NOW, MAMA, 508 00:23:49,194 --> 00:23:50,195 ♪♪ AS LONG AS THE MADISO N PUBLIC LIBRARY ♪♪ 509 00:23:50,695 --> 00:23:51,696 ♪♪ WAS ENTRUSTED TO ME ♪♪ 510 00:23:51,696 --> 00:23:52,697 ♪♪ FOR THE PURPOSE OF IMPROVING ♪♪ 511 00:23:53,198 --> 00:23:54,199 ♪♪ RIVER CITY'S CULTURAL LEVEL ♪♪ 512 00:23:54,199 --> 00:23:55,700 ♪♪ I CAN'T HELP MY CONCERN ♪♪ 513 00:23:55,700 --> 00:23:56,701 ♪♪ THAT THE LADIES OF RIVER CITY ♪♪ 514 00:23:57,202 --> 00:23:59,204 ♪♪ KEEP IGNORING ALL MY COUNSEL AND ADVICE ♪♪ 515 00:23:59,204 --> 00:24:00,205 BUT DARLING, 516 00:24:00,205 --> 00:24:02,207 ♪♪ WHEN A WOMAN HAS A HUSBAND ♪♪ 517 00:24:02,207 --> 00:24:03,708 ♪♪ AND YOU'VE GOT NONE ♪♪ 518 00:24:03,708 --> 00:24:06,711 ♪♪ WHY SHOULD SHE TAKE ADVICE FROM YOU ♪♪ 519 00:24:06,711 --> 00:24:09,714 ♪♪ EVEN IF YOU CAN QUOTE BALZAC AND SHAKESPEARE ♪♪ 520 00:24:09,714 --> 00:24:11,216 ♪♪ AND ALL THEM OTHER HIGHFALUTIN' GREEKS? ♪♪ 521 00:24:11,216 --> 00:24:13,218 ♪♪ IF YOU DON'T MIND MY SAYIN' SO ♪♪ 522 00:24:13,218 --> 00:24:14,219 ♪♪ YOU HAVE A BAD HABIT ♪♪ 523 00:24:14,719 --> 00:24:15,720 ♪♪ OF CHANGIN' EVERY SUBJECT ♪♪ 524 00:24:15,720 --> 00:24:16,721 ♪♪ NO, I HAVEN'T CHANGED THE SUBJECT ♪♪ 525 00:24:17,222 --> 00:24:19,724 ♪♪ I WAS TALKIN' ABOUT THAT STRANGER ♪♪ 526 00:24:19,724 --> 00:24:20,725 ♪♪ WHAT STRANGER? ♪♪ 527 00:24:20,725 --> 00:24:21,726 ♪♪ WITH THE SUITCASE ♪♪ 528 00:24:21,726 --> 00:24:24,729 ♪♪ WHO MAY BE YOUR VERY LAST CHANCE ♪♪ 529 00:24:24,729 --> 00:24:26,231 ♪♪ DO YOU THINK THAT I'D ALLOW ♪♪ 530 00:24:26,231 --> 00:24:27,232 ♪♪ ♪♪ A COMMON MASHER? 531 00:24:27,232 --> 00:24:28,233 ♪♪ ♪♪ NOW REALLY, MAMA 532 00:24:28,233 --> 00:24:29,234 ♪♪ I HAVE MY STANDARDS ♪♪ 533 00:24:29,234 --> 00:24:30,735 ♪♪ WHERE MEN ARE CONCERNED ♪♪ 534 00:24:31,236 --> 00:24:32,237 ♪♪ AND I HAVE NO INTENTION-- ♪♪ 535 00:24:32,737 --> 00:24:34,239 ♪♪ I KNOW ALL ABOUT YOUR STANDARDS ♪♪ 536 00:24:34,239 --> 00:24:35,740 ♪♪ AND IF YOU DON'T MIND MY SAYIN' SO ♪♪ 537 00:24:35,740 --> 00:24:37,242 ♪♪ THERE'S NOT A MAN ALIVE ♪♪ 538 00:24:37,242 --> 00:24:39,244 ♪♪ WHO COULD HOPE TO MEASURE UP TO THAT BLEND ♪♪ 539 00:24:39,244 --> 00:24:41,746 ♪♪ OF PAUL BUNYAN, ST. PAT, AND NOAH WEBSTER ♪♪ 540 00:24:41,746 --> 00:24:43,248 ♪♪ YOU'VE CONCOCTED FOR YOURSELF ♪♪ 541 00:24:43,248 --> 00:24:44,749 ♪♪ OUT OF YOUR IRISH IMAGINATION ♪♪ 542 00:24:44,749 --> 00:24:45,750 ♪♪ YOUR IOWA STUBBORNNESS ♪♪ 543 00:24:45,750 --> 00:24:47,752 ♪♪ AND YOUR LIBRARY FULL OF BOOKS ♪♪ 544 00:24:47,752 --> 00:24:50,755 IF THAT ISN'T THE BEST I'VE HEARD! 545 00:24:50,755 --> 00:24:53,758 THANK YOU. CAN I HAVE A DRINK? 546 00:24:53,758 --> 00:24:55,260 MAYI-- 547 00:24:55,260 --> 00:24:57,762 MAY I HAVE A DRINK? 548 00:24:57,762 --> 00:24:59,264 YES, YOU MAY. 549 00:25:14,779 --> 00:25:16,781 [DOOR CREAKS] 550 00:25:20,785 --> 00:25:22,287 HELLO, WINTHROP. 551 00:25:22,287 --> 00:25:24,289 WINTHROP, IT'S AFTER DARK. 552 00:25:24,289 --> 00:25:27,292 I'M HAVING A PARTY ON SATURDAY. 553 00:25:27,292 --> 00:25:29,294 WILL YOU PLEASE COME? 554 00:25:29,294 --> 00:25:31,296 IT'S GOING TO BE A VERY NICE PARTY. 555 00:25:31,296 --> 00:25:32,797 I'D ESPECIALLY LIKE IT 556 00:25:32,797 --> 00:25:33,798 IF YOU'D COME. 557 00:25:33,798 --> 00:25:34,799 WELL, WINTHROP, 558 00:25:34,799 --> 00:25:37,802 ARE YOU GOING OR AREN'T YOU? 559 00:25:37,802 --> 00:25:39,304 NO. 560 00:25:39,304 --> 00:25:40,805 NO, WHAT? 561 00:25:40,805 --> 00:25:42,807 NO, THANK YOU. 562 00:25:42,807 --> 00:25:44,809 YOU KNOW THE LITTLE GIRL'S NAME. 563 00:25:44,809 --> 00:25:47,812 I'LL BET HE WON'T SAY IT. 564 00:25:47,812 --> 00:25:50,315 NO, THANK YOU,WHO? 565 00:25:50,315 --> 00:25:52,317 NO, THANK YOU, AMARYLLITH. 566 00:25:52,317 --> 00:25:53,818 AMARYLLITH! 567 00:25:53,818 --> 00:25:56,821 HA HA HA! HA HA HA! 568 00:25:56,821 --> 00:25:58,823 HE'S CRYING! 569 00:26:01,826 --> 00:26:03,328 HELLO, WINTHROP. 570 00:26:03,328 --> 00:26:06,831 YOU DIDN'T SAY HELLO TO YOUR SISTER. 571 00:26:06,831 --> 00:26:08,833 HE HATES TO SAY AMARYLLIS 572 00:26:08,833 --> 00:26:10,335 BECAUSE OF THE LISP. 573 00:26:10,335 --> 00:26:11,836 HE'S ASHAMED. 574 00:26:11,836 --> 00:26:14,339 WE KNOW ALL ABOUT HIS LISP. 575 00:26:14,339 --> 00:26:16,841 WHY SHOULD HE GET SO MAD AT PEOPLE 576 00:26:16,841 --> 00:26:18,343 JUST BECAUSE HE LISPS? 577 00:26:18,343 --> 00:26:20,345 THAT'S PART OF IT. 578 00:26:20,345 --> 00:26:22,847 WHAT'S THE REST OF IT? 579 00:26:22,847 --> 00:26:26,351 NEVER MIND. IT'S JUST THAT HE NEVER TALKS VERY MUCH. 580 00:26:26,351 --> 00:26:29,854 NOT EVEN TO YOU AND YOUR MOTHER? 581 00:26:29,854 --> 00:26:32,857 NO. WE HAVE TO BE VERY PATIENT. 582 00:26:32,857 --> 00:26:34,359 I'M PATIENT. 583 00:26:34,359 --> 00:26:37,362 I EVEN SAY GOOD NIGHT TO HIM 584 00:26:37,362 --> 00:26:40,365 ON THE EVENING STAR EVERY NIGHT. 585 00:26:42,367 --> 00:26:44,869 GOOD NIGHT, MY WINTHROP. 586 00:26:44,869 --> 00:26:46,871 GOOD NIGHT. 587 00:26:47,372 --> 00:26:48,873 SLEEP TIGHT. 588 00:26:48,873 --> 00:26:50,875 AND HE NEVER 589 00:26:50,875 --> 00:26:52,877 SAYS ANYTHING TO ME. 590 00:26:53,345 --> 00:26:56,348 OH, DARLING, DON'T CRY. 591 00:26:57,849 --> 00:26:59,851 YOU'LL HAVE LOTS OF TIME FOR SWEETHEARTS. 592 00:27:00,352 --> 00:27:02,854 IF NOT WINTHROP, THEN SOMEONE ELSE. 593 00:27:03,355 --> 00:27:06,858 NEVER. I'LL END UP AN OLD MAID LIKE YOU. 594 00:27:07,359 --> 00:27:08,860 I'M SORRY, MISS MARIAN. 595 00:27:09,361 --> 00:27:12,364 CAN I PLAY MY CROSS-HAND PIECE? 596 00:27:12,364 --> 00:27:13,365 MAYI-- 597 00:27:13,865 --> 00:27:15,867 MAY I PLAY MY CROSS-HAND PIECE? 598 00:27:16,368 --> 00:27:17,369 YES, YOU MAY. 599 00:27:17,369 --> 00:27:19,371 IF A GIRL DOESN'T HAVE A SWEETHEART, 600 00:27:19,371 --> 00:27:21,373 WHO IS SHE GOING TO SAY GOOD NIGHT TO 601 00:27:21,873 --> 00:27:22,874 ON THE EVENING STAR? 602 00:27:23,375 --> 00:27:26,378 FOR THE TIME BEING, YOU CAN JUST SAY, 603 00:27:26,878 --> 00:27:28,380 "GOOD NIGHT, MY SOMEONE." 604 00:27:28,880 --> 00:27:31,383 THEN YOU CAN PUT THE NAME IN 605 00:27:31,883 --> 00:27:34,386 WHEN THE RIGHT SOMEONE COMES ALONG. 606 00:27:34,886 --> 00:27:36,388 ALL RIGHT. IT'S BETTER THAN NOTHING. 607 00:27:36,888 --> 00:27:37,889 YES, IT IS. 608 00:27:37,889 --> 00:27:39,391 NOW YOU CAN PLAY YOUR CROSS-HAND PIECE. 609 00:28:05,417 --> 00:28:10,422 ♪♪ GOOD NIGHT, MY SOMEONE ♪♪ 610 00:28:10,922 --> 00:28:14,426 ♪♪ GOOD NIGHT, MY LOVE ♪♪ 611 00:28:14,426 --> 00:28:18,430 ♪♪ SLEEP TIGHT, MY SOMEONE ♪♪ 612 00:28:18,930 --> 00:28:22,934 ♪♪ SLEEP TIGHT, MY LOVE ♪♪ 613 00:28:22,934 --> 00:28:27,439 ♪ ♪♪ OUR STAR IS SHINING ♪ 614 00:28:27,439 --> 00:28:31,443 ♪ ♪♪ ITS BRIGHTEST LIGHT ♪ 615 00:28:31,443 --> 00:28:35,947 ♪♪ FOR GOOD NIGHT, MY LOVE ♪♪ 616 00:28:35,947 --> 00:28:40,452 ♪♪ FOR GOOD NIGHT ♪♪ 617 00:28:40,452 --> 00:28:44,456 ♪♪ SWEET DREAMS BE YOURS, DEAR ♪♪ 618 00:28:44,456 --> 00:28:47,959 ♪♪ IF DREAMS THERE BE ♪♪ 619 00:28:48,460 --> 00:28:51,963 ♪♪ SWEET DREAMS TO CARRY YOU ♪♪ 620 00:28:51,963 --> 00:28:55,467 ♪♪ CLOSE TO ME ♪♪ 621 00:28:55,967 --> 00:28:59,971 ♪♪ I WISH THEY MAY ♪♪ 622 00:29:00,472 --> 00:29:04,976 ♪♪ AND I WISH THEY MIGHT ♪♪ 623 00:29:04,976 --> 00:29:09,981 ♪♪ NOW GOOD NIGHT, MY SOMEONE ♪♪ 624 00:29:10,482 --> 00:29:12,984 ♪♪ GOOD NIGHT ♪♪ 625 00:29:12,984 --> 00:29:15,987 ♪♪ TRUE LOVE CAN BE WHISPERED ♪♪ 626 00:29:15,987 --> 00:29:18,490 ♪♪ FROM HEART TO HEART ♪♪ 627 00:29:18,490 --> 00:29:23,995 ♪♪ WHEN LOVERS ARE PARTED, THEY SAY ♪♪ 628 00:29:23,995 --> 00:29:26,998 ♪♪ BUT I MUST DEPEND ON ♪♪ 629 00:29:26,998 --> 00:29:31,002 ♪♪ A WISH AND A STAR ♪♪ 630 00:29:31,002 --> 00:29:35,006 ♪♪ AS LONG AS MY HEART ♪♪ 631 00:29:35,006 --> 00:29:40,011 ♪♪ DOESN'T KNOW WHO YOU ARE ♪♪ 632 00:29:40,011 --> 00:29:45,016 ♪♪ SWEET DREAMS BE YOURS, DEAR ♪♪ 633 00:29:45,016 --> 00:29:48,520 ♪♪ IF DREAMS THERE BE ♪♪ 634 00:29:48,520 --> 00:29:52,524 ♪♪ SWEET DREAMS TO CARRY YOU ♪♪ 635 00:29:52,524 --> 00:29:56,528 ♪♪ CLOSE TO ME ♪♪ 636 00:29:56,528 --> 00:30:01,533 ♪♪ I WISH THEY MAY ♪♪ 637 00:30:01,533 --> 00:30:08,540 ♪♪ AND I WISH THEY MIGHT ♪♪ 638 00:30:08,540 --> 00:30:13,044 ♪♪ NOW GOOD NIGHT, MY SOMEONE ♪♪ 639 00:30:13,044 --> 00:30:17,048 ♪♪ GOOD NIGHT ♪♪ 640 00:30:17,549 --> 00:30:24,556 ♪♪ GOOD NIGHT ♪♪ 641 00:30:24,556 --> 00:30:32,564 ♪♪ GOOD NIGHT ♪♪ 642 00:30:38,770 --> 00:30:43,274 ♪♪ OH, COLUMBIA, THE GEM OF THE OCEAN ♪♪ 643 00:30:43,274 --> 00:30:47,779 ♪♪ THE HOME OF THE BRAVE AND THE FREE ♪♪ 644 00:30:47,779 --> 00:30:51,783 ♪ ♪♪ THE SHRINE OF EACH PATRIOT'S DEVOTION ♪ 645 00:30:51,783 --> 00:30:56,287 ♪♪ A WORLD OFFERS HOMAGE TO THEE ♪♪ 646 00:30:56,287 --> 00:31:01,292 ♪♪ THY MANDATES MAKE HEROES ASSEMBLE ♪♪ 647 00:31:01,292 --> 00:31:05,296 ♪♪ WHEN LIBERTY'S FORM STANDS IN VIEW ♪♪ 648 00:31:05,296 --> 00:31:10,301 ♪♪ THY BANNERS MAKE TYRANNY TREMBLE ♪♪ 649 00:31:10,301 --> 00:31:11,302 ♪♪ WHEN BORNE ♪♪ 650 00:31:11,302 --> 00:31:14,305 ♪ ♪♪ BY THE RED, WHITE, AND BLUE ♪ 651 00:31:14,305 --> 00:31:19,310 ♪♪ WHEN BORNE BY THE RED, WHITE, AND BLUE ♪♪ 652 00:31:19,310 --> 00:31:23,314 ♪♪ WHEN BORNE BY THE RED, WHITE, AND BLUE ♪♪ 653 00:31:23,815 --> 00:31:27,819 ♪♪ THY BANNERS MAKE TYRANNY TREMBLE ♪♪ 654 00:31:27,819 --> 00:31:34,826 ♪♪ WHEN BORNE BY THE RED, WHITE, AND BLUE ♪♪ 655 00:31:44,836 --> 00:31:48,840 I'M SURE WE'RE ALL GRATEFUL TO MY WIFE, 656 00:31:49,340 --> 00:31:50,842 EULALIE MACKECKNIE SHINN, 657 00:31:51,342 --> 00:31:52,844 FOR LEADING THE SINGING. 658 00:31:53,344 --> 00:31:54,846 [APPLAUSE] 659 00:31:55,847 --> 00:31:58,349 AND TO ETHEL TOFFELMIER, 660 00:31:58,349 --> 00:32:00,351 OUR FINE PLAYER-PIANO PLAYER... 661 00:32:00,852 --> 00:32:01,853 PIANO. 662 00:32:01,853 --> 00:32:02,854 [APPLAUSE] 663 00:32:06,357 --> 00:32:08,860 AS MAYOR OF RIVER CITY, 664 00:32:08,860 --> 00:32:11,863 I WELCOME YOU RIVER CITY-ZEANS 665 00:32:11,863 --> 00:32:14,365 TO THE 4th OF JULY EXERCISES 666 00:32:14,365 --> 00:32:17,368 SET UP FOR THE INDOORS HERE IN MADISON GYMNASIUM 667 00:32:17,368 --> 00:32:20,371 ON ACCOUNT OF THE WEATHER BEING SO CHANCY. 668 00:32:20,371 --> 00:32:21,873 [MURMURING] 669 00:32:21,873 --> 00:32:23,374 "FOURSCORE--" 670 00:32:23,374 --> 00:32:25,376 [CLACK CLACK CLACK] 671 00:32:25,877 --> 00:32:27,378 [CLACK CLACK CLACK] 672 00:32:27,879 --> 00:32:29,380 [CLACK CLACK CLACK] 673 00:32:29,380 --> 00:32:30,882 [CLACK CLACK CLACK] 674 00:32:34,385 --> 00:32:36,888 "FOURSCORE--" 675 00:32:38,890 --> 00:32:41,893 THE MEMBERS OF THE SCHOOL BOARD 676 00:32:41,893 --> 00:32:44,896 WILL NOW PRESENT A PATRIOTIC TABLEAU. 677 00:32:44,896 --> 00:32:46,397 OH. OH. 678 00:32:46,397 --> 00:32:49,400 THE MEMBERS OF THE SCHOOL BOARD 679 00:32:49,400 --> 00:32:52,403 WILLNOTPRESENT A PATRIOTIC TABLEAU. 680 00:32:52,403 --> 00:32:54,906 SOME DISAGREEMENT ABOUT COSTUMES, I SUPPOSE. 681 00:32:54,906 --> 00:32:57,909 INSTEAD, THE WA TAN YE GIRLS 682 00:32:57,909 --> 00:33:00,912 OF THE LOCAL WIGWAM OF HIAWATHA 683 00:33:00,912 --> 00:33:02,914 WILL PRESENT A SPECTACLE, 684 00:33:02,914 --> 00:33:04,415 MY WIFE. 685 00:33:04,916 --> 00:33:06,417 HA HA HA! 686 00:33:06,417 --> 00:33:10,421 IN WHICH MY WIFE, EULALIE MACKECKNIE SHINN, 687 00:33:10,421 --> 00:33:12,924 WILL TAKE A LEADING PART. 688 00:33:12,924 --> 00:33:16,928 [APPLAUSE] 689 00:33:40,451 --> 00:33:42,954 I WILL COUNT TO 2O 690 00:33:42,954 --> 00:33:44,956 IN THE INDIAN TONGUE. 691 00:33:44,956 --> 00:33:47,458 EEN, TEEN, TEATHER FEATHER, FIP. 692 00:33:47,458 --> 00:33:49,460 SAINTY, LAITY, CORIA PREDIP. 693 00:33:49,460 --> 00:33:50,461 EENDIK, TEENDIK, 694 00:33:50,461 --> 00:33:51,963 TEATHERDIK, FEATHERDIK-- 695 00:33:51,963 --> 00:33:53,464 [BOOM] 696 00:33:53,464 --> 00:33:55,466 AAH! I'M SHOT! 697 00:33:55,466 --> 00:33:57,468 THEY'VE SHOT ME! 698 00:33:57,468 --> 00:33:58,970 THEY'VE SHOT ME! 699 00:34:02,974 --> 00:34:04,976 WHO SET OFF THAT FIRECRACKER? 700 00:34:04,976 --> 00:34:06,978 TOMMY DJILAS DID IT! 701 00:34:06,978 --> 00:34:08,980 YES, TOMMY DJILAS. 702 00:34:08,980 --> 00:34:12,483 I WOULDN'T LEAVE IF I WERE YOU. 703 00:34:15,486 --> 00:34:16,988 MRS. SHINN... 704 00:34:18,990 --> 00:34:21,492 WILL RECOVER. 705 00:34:23,995 --> 00:34:27,498 NO THANKS TO A CERTAIN YOUNG RUFFIAN 706 00:34:27,498 --> 00:34:31,002 WHO IS A DISGRACE TO OUR CITY! 707 00:34:32,503 --> 00:34:34,505 "FOURSCORE... 708 00:34:34,505 --> 00:34:37,008 AND SEVEN YEARS AGO, OUR--" 709 00:34:39,010 --> 00:34:41,012 THE PAINE'S FIREWORKS SPECTACLE, 710 00:34:41,012 --> 00:34:43,514 "THE LAST DAYS OF POMP-EE-II," 711 00:34:43,514 --> 00:34:46,017 WILL TAKE PLACE AT 9:3O, 712 00:34:46,017 --> 00:34:48,019 PROVIDING IT ISN'T RAINING. 713 00:34:48,019 --> 00:34:51,022 IT WILL BE OVER AT THE MADISON PICNIC PARK 714 00:34:51,022 --> 00:34:54,025 ACROSS THE CRICK FROM THE PEST HOUSE. 715 00:34:54,025 --> 00:34:56,027 WHAT'S THIS TALK ABOUT RAIN? 716 00:34:56,027 --> 00:34:58,029 DIDN'TTHE GAZETTE PREDICT FAIR? 717 00:34:58,029 --> 00:35:01,532 IT DID. THAT'S WHY WE ALL PREPARED FOR A STORM. 718 00:35:01,532 --> 00:35:03,534 MY PAPER'S ACCURATE MOST OF THE TIME. 719 00:35:03,534 --> 00:35:05,036 I WOULDN'T LAST IN BANKING 720 00:35:05,036 --> 00:35:08,039 BEING MOSTLY ACCURATE! 721 00:35:08,039 --> 00:35:11,542 WILL YOU MEMBERS OF THE SCHOOL BOARD 722 00:35:11,542 --> 00:35:13,544 STOP BICKERING IN PUBLIC? 723 00:35:13,544 --> 00:35:15,346 NEVER MIND! 724 00:35:15,346 --> 00:35:17,348 "FOURSCORE--" 725 00:35:17,348 --> 00:35:19,851 WE HEARD THERE'S A POOL TABLE IN TOWN. 726 00:35:20,351 --> 00:35:21,352 I HEARD THAT! 727 00:35:21,853 --> 00:35:22,854 JUST A MINUTE! 728 00:35:22,854 --> 00:35:24,856 IS IT A POOL TABLE OR ISN'T IT? 729 00:35:24,856 --> 00:35:26,858 WILL YOU ALLOW ME TO GET ON WITH THE EXERCISES? 730 00:35:27,358 --> 00:35:29,360 NOT UNTIL WE SETTLE 731 00:35:29,360 --> 00:35:31,362 THIS POOL TABLE MATTER! 732 00:35:31,362 --> 00:35:32,864 YEAH! YEAH! 733 00:35:37,368 --> 00:35:39,871 LET'S PROTECT OUR CHILDREN! 734 00:35:39,871 --> 00:35:42,874 WE'VE GOTTA PROTECT OUR CHILDREN! 735 00:35:45,376 --> 00:35:47,879 RESIST SIN AND CORRUPTION! 736 00:35:47,879 --> 00:35:50,381 RESIST SIN AND CORRUPTION! 737 00:35:56,888 --> 00:35:58,389 LET'S SMITE THAT DEVIL 738 00:35:58,389 --> 00:36:00,391 AND KEEP OUR YOUNG BOYS PURE! 739 00:36:00,391 --> 00:36:01,893 PURE BOYS! 740 00:36:09,400 --> 00:36:10,902 FOLKS, LISTEN. 741 00:36:10,902 --> 00:36:13,404 ♪♪ MAY I HAVE YOUR ATTENTION, PLEASE? ♪♪ 742 00:36:13,404 --> 00:36:14,906 ♪♪ ATTENTION, PLEASE ♪♪ 743 00:36:14,906 --> 00:36:16,407 ♪♪ I CAN DEAL WITH THE TROUBLE, FRIENDS ♪♪ 744 00:36:16,407 --> 00:36:17,408 ♪♪ WITH A WAVE OF MY HAND ♪♪ 745 00:36:17,909 --> 00:36:18,910 ♪♪ THIS VERY HAND ♪♪ 746 00:36:18,910 --> 00:36:20,912 ♪♪ PLEASE OBSERVE ME, IF YOU WILL ♪♪ 747 00:36:20,912 --> 00:36:22,914 ♪♪ I'M PROFESSOR HAROLD HILL ♪♪ 748 00:36:22,914 --> 00:36:25,917 ♪♪ AND I'M HERE TO ORGANIZE A RIVER CITY BOYS' BAND ♪♪ 749 00:36:25,917 --> 00:36:26,918 ♪♪ BRR-RR-RMP! ♪♪ 750 00:36:26,918 --> 00:36:28,419 ♪♪ OH, THINK, MY FRIENDS ♪♪ 751 00:36:28,419 --> 00:36:29,921 ♪♪ HOW CAN ANY POOL TABLE EVER HOPE TO COMPETE ♪♪ 752 00:36:29,921 --> 00:36:31,422 ♪♪ WITH A GOLD TROMBONE? ♪♪ 753 00:36:31,422 --> 00:36:33,925 ♪♪ BRRAA DA RA DA DA DAT DA RA RA ♪♪ 754 00:36:33,925 --> 00:36:34,926 ♪♪ REMEMBER, MY FRIENDS ♪♪ 755 00:36:34,926 --> 00:36:36,427 ♪♪ WHAT A HANDFUL OF TRUMPET PLAYERS DID ♪♪ 756 00:36:36,427 --> 00:36:38,429 ♪♪ TO THE FAMOUS, FABLED WALLS OF JERICHO ♪♪ 757 00:36:38,930 --> 00:36:41,432 ♪♪ OH, BILLIARD PARLOR WALLS COME A-TUMBLIN' DOWN ♪♪ 758 00:36:42,433 --> 00:36:43,935 ♪♪ WELL, A BAND WILL DO IT, MY FRIENDS ♪♪ 759 00:36:43,935 --> 00:36:45,436 ♪♪ OH, YES, I SAID A BOYS' BAND ♪♪ 760 00:36:45,436 --> 00:36:46,437 ♪♪ DO YOU HEAR ME? ♪♪ 761 00:36:46,938 --> 00:36:48,439 ♪♪ I SAID RIVER CITY GOTTA HAVE A BOYS' BAND ♪♪ 762 00:36:48,439 --> 00:36:50,441 ♪♪ AND I MEAN SHE NEEDS IT TODAY ♪♪ 763 00:36:50,441 --> 00:36:52,443 ♪♪ WELL, PROFESSOR HAROLD HILL'S ON HAND ♪♪ 764 00:36:52,443 --> 00:36:54,445 ♪♪ RIVER CITY'S GONNA HAVE HER BOYS' BAND ♪♪ 765 00:36:54,445 --> 00:36:56,447 ♪♪ AS SURE AS THE LORD MADE LITTLE GREEN APPLES ♪♪ 766 00:36:56,447 --> 00:36:57,949 ♪♪ AND THAT BAND'S GONNA BE IN UNIFORM ♪♪ 767 00:36:57,949 --> 00:37:00,451 ♪♪ JOHNNY, WILLY, TEDDY, FRED ♪♪ 768 00:37:00,451 --> 00:37:02,453 ♪♪ AND YOU SEE THE GLITTER OF CRASHING CYMBALS ♪♪ 769 00:37:02,954 --> 00:37:04,455 ♪♪ YOU HEAR THE THUNDER OF ROLLING DRUMS ♪♪ 770 00:37:04,455 --> 00:37:05,456 ♪♪ AND THE SHIMMER OF TRUMPETS ♪♪ 771 00:37:05,456 --> 00:37:06,958 ♪♪ TUM TA DA! ♪♪ 772 00:37:06,958 --> 00:37:09,460 ♪♪ AND YOU'LL FEEL SOMETHING AKIN TO THE ELECTRIC THRILL ♪♪ 773 00:37:09,460 --> 00:37:10,962 ♪♪ I ONCE ENJOYED ♪♪ 774 00:37:10,962 --> 00:37:12,964 ♪♪ WHEN GILMORE, PAT CONWAY ♪♪ 775 00:37:12,964 --> 00:37:16,968 ♪♪ THE GREAT CREATOR W.C. HANDY ♪♪ 776 00:37:16,968 --> 00:37:19,470 ♪♪ AND JOHN PHILIP SOUSA ♪♪ 777 00:37:19,470 --> 00:37:22,974 ♪♪ ALL CAME TO TOWN ON THE VERY SAME HISTORIC DAY ♪♪ 778 00:37:25,977 --> 00:37:28,479 ♪♪ 76 TROMBONES LED THE BIG PARADE ♪♪ 779 00:37:28,479 --> 00:37:33,484 ♪♪ WITH 11O CORNETS CLOSE AT HAND ♪♪ 780 00:37:33,484 --> 00:37:35,486 ♪♪ THEY WERE FOLLOWED BY ROWS AND ROWS ♪♪ 781 00:37:35,486 --> 00:37:37,488 ♪ ♪♪ OF THE FINEST VIRTUOSOS ♪ 782 00:37:37,488 --> 00:37:40,992 ♪♪ THE CREAM OF EVERY FAMOUS BAND ♪♪ 783 00:37:40,992 --> 00:37:44,495 ♪♪ 76 TROMBONES CAUGHT THE MORNING SUN ♪♪ 784 00:37:44,495 --> 00:37:47,999 ♪♪ WITH 11O CORNETS RIGHT BEHIND ♪♪ 785 00:37:47,999 --> 00:37:50,001 ♪♪ THERE WERE MORE THAN A THOUSAND REEDS ♪♪ 786 00:37:50,001 --> 00:37:52,003 ♪ ♪♪ SPRINGING UP LIKE WEEDS ♪ 787 00:37:52,003 --> 00:37:55,006 ♪♪ THERE WERE HORNS OF EVERY SHAPE AND KIND ♪♪ 788 00:37:55,506 --> 00:37:57,508 ♪♪ THERE WERE COPPER-BOTTOM TIMPANI ♪♪ 789 00:37:57,508 --> 00:37:59,510 ♪♪ IN HORSE PLATOONS ♪♪ 790 00:37:59,510 --> 00:38:03,014 ♪♪ THUNDERING, THUNDERING ALL ALONG THE WAY ♪♪ 791 00:38:03,514 --> 00:38:06,517 ♪♪ DOUBLE-BELL EUPHONIUMS AND BIG BASSOONS ♪♪ 792 00:38:07,018 --> 00:38:10,021 ♪♪ EACH BASSOON HAVING HIS BIG FAT SAY ♪♪ 793 00:38:10,021 --> 00:38:14,025 ♪♪ THERE WERE 5O MOUNTED CANNON IN THE BATTERY ♪♪ 794 00:38:14,025 --> 00:38:17,528 ♪♪ THUNDERING, THUNDERING LOUDER THAN BEFORE ♪♪ 795 00:38:17,528 --> 00:38:19,030 ♪ ♪♪ CLARINETS OF EVERY SIZE ♪ 796 00:38:19,530 --> 00:38:21,032 ♪♪ AND TRUMPETERS WHO'D IMPROVISE ♪♪ 797 00:38:21,032 --> 00:38:24,035 ♪♪ A FULL OCTAVE HIGHER THAN THE SCORE ♪♪ 798 00:38:24,035 --> 00:38:25,536 OH! OH! 799 00:38:39,050 --> 00:38:42,553 ♪♪ 76 TROMBONES HIT THE COUNTERPOINT ♪♪ 800 00:38:42,553 --> 00:38:46,057 ♪♪ WHILE 11O CORNETS BLAZED AWAY ♪♪ 801 00:38:46,057 --> 00:38:48,059 ♪♪ TO THE RHYTHM OF HARCH! HARCH! HARCH! ♪♪ 802 00:38:48,059 --> 00:38:49,560 ♪♪ ALL THE KIDS BEGAN TO MARCH ♪♪ 803 00:38:50,061 --> 00:38:53,064 ♪♪ AND THEY'RE MARCHING STILL RIGHT TODAY ♪♪ 804 00:42:57,474 --> 00:42:58,976 AIN'T NOTHIN' LIKE A BRASS BAND 805 00:42:59,476 --> 00:43:00,978 TO STIR A FELLOW UP. 806 00:43:01,478 --> 00:43:03,480 WHEN I HEAR THEM TROMBONES... 807 00:43:03,480 --> 00:43:06,984 IT'S THEM PECK HORNS THAT REALLY DOES IT. 808 00:43:06,984 --> 00:43:09,987 BET YOU ESTHERVILLE AIN'T GOT ANYTHING LIKE IT. 809 00:43:09,987 --> 00:43:11,989 OR EVEN DES MOINES. 810 00:43:11,989 --> 00:43:13,991 I'LL STAKE MY RIVER CITY BAND 811 00:43:13,991 --> 00:43:17,995 AGAINST ANY TOWN WEST OF CHICAGO. 812 00:43:18,495 --> 00:43:19,496 WHAT BAND? 813 00:43:21,498 --> 00:43:25,002 HONESTLY, A BUNCH OF GROWN MEN! 814 00:43:27,004 --> 00:43:30,507 ALONG COMES THIS FLY-BY-NIGHT SALESMAN, 815 00:43:30,507 --> 00:43:32,509 AND YOU'RE ALL TAKEN IN. 816 00:43:35,512 --> 00:43:39,016 SHE'S RIGHT! THE MAN'S A SPELLBINDER! 817 00:43:39,016 --> 00:43:41,518 I HAVEN'T SEEN IOWA PEOPLE GET SO EXCITED 818 00:43:41,518 --> 00:43:43,520 SINCE FRANK GOTCH AND STRANGLER LEWIS 819 00:43:43,520 --> 00:43:47,524 LAY ON THE MAT FOR 3 1/2 HOURS WITHOUT MOVING. 820 00:43:47,524 --> 00:43:51,028 THAT WAS EXCITING. NEVER MIND! 821 00:43:51,028 --> 00:43:53,530 MEN, THIS CALLS FOR EMERGENCY ACTION. 822 00:43:53,530 --> 00:43:55,532 I WANT THAT MAN'S CREDENTIALS. 823 00:43:59,036 --> 00:44:02,039 GRAB THAT HOODLUM! HE ALMOST BLEW UP MRS. SHINN. 824 00:44:02,039 --> 00:44:03,540 GREAT HONK! LET ME GO! 825 00:44:04,041 --> 00:44:06,043 HAVE TO MAKE AN EXAMPLE OF THIS ONE. 826 00:44:06,543 --> 00:44:07,544 RINGLEADER, YOU KNOW. 827 00:44:07,544 --> 00:44:10,547 EVERYTHING HE DOES, THE GANG DOES. 828 00:44:10,547 --> 00:44:12,549 YOU WILD KID. HANGING AROUND MY OLDEST GIRL! 829 00:44:12,549 --> 00:44:14,551 HIS FATHER'S ONE OF THEM LITHUANIANS SOUTH OF TOWN. 830 00:44:14,551 --> 00:44:16,553 WHAT DID I DO? 831 00:44:16,553 --> 00:44:19,056 TAGGING DOWN MAIN STREET AFTER MY OLDEST GIRL. 832 00:44:19,056 --> 00:44:21,058 I WASN'T EITHER TAGGING. 833 00:44:21,058 --> 00:44:23,060 DON'T YOU COUNTERDICT ME. 834 00:44:23,060 --> 00:44:25,562 WE'S JUST WALKING! GREAT HONK! 835 00:44:25,562 --> 00:44:26,563 YOU WATCH YOUR PHRASEOLOGY! 836 00:44:27,064 --> 00:44:29,066 I KNOW WHAT YOU WAS DOING. MY LITTLE GRACIE SEEN YOU. 837 00:44:29,066 --> 00:44:30,567 STAY AWAY FROM MY OLDEST GIRL 838 00:44:30,567 --> 00:44:32,069 OR YOU'LL HEAR FROM ME. 839 00:44:32,069 --> 00:44:35,072 HILL, I'LL TALK TO YOU MONDAY MORNING 840 00:44:35,072 --> 00:44:38,075 ABOUT THIS BAND THING RIGHT HERE IN CITY HALL. 10:00 SHARP. 841 00:44:41,078 --> 00:44:43,080 CONSTABLE, I'LL BE RESPONSIBLE 842 00:44:43,580 --> 00:44:45,082 FOR THE BOY. 843 00:44:45,082 --> 00:44:47,584 YOU DON'T KNOW THIS KID. HE'S TOUGH. 844 00:44:47,584 --> 00:44:50,087 PROBABLY GOT HIS GANG WAITING AROUND THE CORNER. 845 00:44:50,087 --> 00:44:52,089 OH, I'LL BE CAREFUL. 846 00:44:52,089 --> 00:44:53,590 TOMMY, LET'S TALK ABOUT THE BAND. 847 00:44:54,091 --> 00:44:57,594 GEE, THAT'S FOR THE LITTLE KIDS. 848 00:44:57,594 --> 00:44:59,096 YOU WON'T PLAY IN THE BAND. 849 00:44:59,096 --> 00:45:01,598 LOOK, YOU'RE MECHANICALLY MINDED. 850 00:45:01,598 --> 00:45:05,102 HAVE YOU DONE ANYTHING WITH PERPETUAL MOTION? 851 00:45:05,102 --> 00:45:08,105 YEAH, I NEARLY HAD IT A COUPLE TIMES. 852 00:45:08,105 --> 00:45:11,108 WELL, YOU'RE MY MAN. 853 00:45:11,108 --> 00:45:13,110 DO YOU REALIZE NOBODY HAS EVER INVENTED 854 00:45:13,110 --> 00:45:14,111 A MUSIC HOLDER 855 00:45:14,111 --> 00:45:17,114 FOR A MARCHING PICCOLO PLAYER. 856 00:45:17,114 --> 00:45:19,616 THERE'S NO PLACE TO HANG MUSIC. 857 00:45:20,117 --> 00:45:22,119 WHERE COULD I GET SOME WIRE? 858 00:45:22,119 --> 00:45:23,620 LOOK IN YOUR CELLAR. 859 00:45:23,620 --> 00:45:24,621 THAT'S WHERE PEOPLE KEEP WIRE. 860 00:45:24,621 --> 00:45:27,124 TOMMY! YES, SIR? 861 00:45:27,124 --> 00:45:31,628 CONSTABLE, HERE'S HOW TO BREAK UP A GANG. 862 00:45:31,628 --> 00:45:32,629 MISS, WHAT'S YOUR NAME? 863 00:45:32,629 --> 00:45:34,131 ZANEETA. 864 00:45:34,131 --> 00:45:35,632 I DIDN'T HAVE ANY IDEA 865 00:45:35,632 --> 00:45:37,634 YOU WAS BECKONING TO ME? 866 00:45:37,634 --> 00:45:39,136 YE GODS! 867 00:45:39,136 --> 00:45:41,138 DO YOU KNOW TOMMY DJILAS? 868 00:45:41,138 --> 00:45:42,639 TOMMY, THIS IS ZANEETA. 869 00:45:42,639 --> 00:45:45,642 ESCORT THE YOUNG LADY HOME. 870 00:45:45,642 --> 00:45:49,146 I HAVE TO GO TO THE LIBRARY. 871 00:45:49,146 --> 00:45:50,647 YE GODS! 872 00:45:50,647 --> 00:45:55,652 ESCORT THE YOUNG LADY HOME BY WAY OF THE LIBRARY-- 873 00:45:55,652 --> 00:45:58,155 BY WAY OF THE CANDY KITCHEN. 874 00:45:58,155 --> 00:45:59,156 YES, SIR! DO I HAFTA? 875 00:45:59,156 --> 00:46:02,159 OH, YOU HAFTA. 876 00:46:02,159 --> 00:46:03,160 YES, SIR! 877 00:46:03,160 --> 00:46:05,162 YE GODS! 878 00:46:05,162 --> 00:46:07,164 PROFESSOR, YOU'RE PRETTY BRIGHT, 879 00:46:07,164 --> 00:46:09,166 ONLY YOU MADE TWO MISTAKES. 880 00:46:09,166 --> 00:46:10,667 OH? 881 00:46:10,667 --> 00:46:12,669 THE MAYOR OWNS THAT BILLIARD PARLOR 882 00:46:12,669 --> 00:46:14,171 AND THAT NEW POOL TABLE. 883 00:46:14,171 --> 00:46:15,672 YOU DON'T SAY. 884 00:46:15,672 --> 00:46:17,674 WHAT WAS MY OTHER MISTAKE? 885 00:46:17,674 --> 00:46:18,675 THAT ZANEETA, 886 00:46:18,675 --> 00:46:22,679 SHE'S THE MAYOR'S OLDEST GIRL. 887 00:46:22,679 --> 00:46:26,183 [WHISTLES76 TROMBONES] 888 00:46:26,183 --> 00:46:28,685 [WHISTLE] 889 00:46:50,908 --> 00:46:52,910 GOOD EVENING, LADIES. 890 00:46:54,912 --> 00:46:56,914 HA HA HA! 891 00:46:56,914 --> 00:46:58,415 HA HA HA! 892 00:46:58,415 --> 00:47:00,417 JUST A MINUTE, PROFESSOR HILL. 893 00:47:00,918 --> 00:47:02,419 SORRY, PROFESSOR, BUT WE'RE THE SCHOOL BOARD. 894 00:47:02,419 --> 00:47:03,921 WE NEED YOUR CREDENTIALS. 895 00:47:03,921 --> 00:47:04,922 ACADEMIC CERTIFICATES. 896 00:47:05,422 --> 00:47:06,423 NOTHING OF THE KIND. 897 00:47:06,423 --> 00:47:08,926 WE NEED LETTERS AND PAPERS. 898 00:47:08,926 --> 00:47:11,428 MAKE HIM PUT UP A BOND. 899 00:47:11,428 --> 00:47:12,930 WHAT AM I HEARING? 900 00:47:12,930 --> 00:47:14,431 YOU, SIR. 901 00:47:14,431 --> 00:47:15,933 ♪♪ 902 00:47:15,933 --> 00:47:17,935 ♪♪ SAY "ICE CREAM" ♪♪ 903 00:47:17,935 --> 00:47:19,937 I DON'T SING. 904 00:47:19,937 --> 00:47:21,438 TALK, THEN. 905 00:47:21,939 --> 00:47:23,440 [DEEP VOICE] DOWN HERE. 906 00:47:23,440 --> 00:47:24,942 ♪♪ ICE CREAM ♪♪ 907 00:47:25,442 --> 00:47:26,944 ICE CREAM. 908 00:47:26,944 --> 00:47:30,447 ♪♪ TALK SLOW ♪♪ 909 00:47:30,447 --> 00:47:31,949 ♪♪ ICE CREAM ♪♪ 910 00:47:31,949 --> 00:47:34,952 SINGING IS JUST SUSTAINED TALKING. 911 00:47:34,952 --> 00:47:36,453 NOW YOU, SIR. 912 00:47:36,453 --> 00:47:37,955 ♪♪ ICE CREAM ♪♪ 913 00:47:37,955 --> 00:47:39,456 NOW YOU, SIR. 914 00:47:39,456 --> 00:47:40,457 ♪♪ ICE CREAM ♪♪ 915 00:47:40,457 --> 00:47:42,459 NOW YOU, SIR. 916 00:47:42,459 --> 00:47:47,464 ♪♪ IIICE CREEEAM ♪♪ 917 00:47:48,966 --> 00:47:49,967 LADIES, FROM NOW ON, 918 00:47:50,467 --> 00:47:51,969 YOU'LL NEVER SEE ONE OF THOSE MEN 919 00:47:52,469 --> 00:47:53,470 WITHOUT THE OTHER THREE. 920 00:47:53,971 --> 00:47:54,972 PROFESSOR, YOU'RE WRONG. 921 00:47:55,472 --> 00:47:57,975 THEY'VE HATED EACH OTHER FOR 15 YEARS. 922 00:47:58,475 --> 00:48:00,477 ♪♪ ICE CREAM ♪♪ 923 00:48:00,978 --> 00:48:03,480 ♪♪ ICE CREAM ♪♪ 924 00:48:03,480 --> 00:48:08,485 ♪♪ ICE CREAM ♪♪ 925 00:48:08,485 --> 00:48:09,987 WELL! 926 00:48:09,987 --> 00:48:11,989 YOU GO AHEAD, MOM. 927 00:48:11,989 --> 00:48:14,491 I'LL BE THERE IN A MINUTE. 928 00:48:14,491 --> 00:48:16,994 LET'S TRY IT AGAIN. 929 00:48:17,494 --> 00:48:21,999 ♪♪ HOW CAN THERE BE ♪♪ 930 00:48:22,499 --> 00:48:29,506 ♪♪ ANY SIN IN SINCERE? ♪♪ 931 00:48:29,506 --> 00:48:33,010 ♪♪ WHERE IS THE GOOD IN GOOD-BYE? ♪♪ 932 00:48:33,010 --> 00:48:44,021 ♪♪ IN GOOD-BYYYE ♪♪ 933 00:48:44,521 --> 00:48:46,023 ♪♪ YOUR APPREHENSIONS ♪♪ 934 00:48:46,523 --> 00:48:48,525 YOUR APPREHENSIONS CONFUSE ME, DEAR. 935 00:48:48,525 --> 00:48:51,028 ♪♪ CONFUSE ME, DEAR ♪♪ 936 00:48:51,028 --> 00:48:55,532 ♪♪ PUZZLE AND MYSTIFY ♪♪ 937 00:48:56,033 --> 00:48:57,534 ♪♪ MYSTIFY ♪♪ 938 00:48:57,534 --> 00:48:59,536 ♪♪ TELL ME ♪♪ 939 00:48:59,536 --> 00:49:04,041 ♪♪ WHAT CAN BE FAIR ♪♪ 940 00:49:04,041 --> 00:49:10,047 ♪♪ IN FAREWELL, DEAR ♪♪ 941 00:49:10,047 --> 00:49:12,549 ♪♪ WHILE ONE SINGLE STAR SHINES ♪♪ 942 00:49:13,050 --> 00:49:21,558 ♪♪ ABOOOoooOOOVE? ♪♪ 943 00:49:21,558 --> 00:49:24,061 ♪♪ HOW CAN THERE BE ANY SIN ♪♪ 944 00:49:24,061 --> 00:49:31,068 ♪♪ IN SINCERE? ♪♪ 945 00:49:32,569 --> 00:49:40,577 ♪♪ AREN'T WE SINCERELY ♪♪ 946 00:49:40,577 --> 00:49:44,081 ♪♪ IN LOVE? ♪♪ 947 00:49:44,081 --> 00:49:53,090 ♪♪ OH, WE'RE IN LOVE ♪♪ 948 00:50:08,071 --> 00:50:10,073 I DON'T SUPPOSE YOU LIVE ALONE OR ANYTHING. 949 00:50:10,073 --> 00:50:11,074 NO. 950 00:50:12,576 --> 00:50:16,580 I HAVE SOME WONDERFUL CARAMELS OVER THE HOTEL-- 951 00:50:16,580 --> 00:50:18,081 MR. HILL-- 952 00:50:18,081 --> 00:50:20,584 OH, PLEASE, PLEASE! PROFESSOR HILL! 953 00:50:20,584 --> 00:50:22,586 PROFESSOR? OF WHAT? 954 00:50:22,586 --> 00:50:25,088 AT WHAT COLLEGE DO THEY GIVE A DEGREE 955 00:50:25,088 --> 00:50:27,591 FOR ACCOSTING WOMEN LIKE A SATURDAY NIGHT 956 00:50:27,591 --> 00:50:29,092 ROWDY AT A PUBLIC DANCE HALL? 957 00:50:29,092 --> 00:50:32,095 I WOULDN'T KNOW ABOUT THAT. I'M A CONSERVATORY MAN. 958 00:50:32,095 --> 00:50:35,098 GARY, INDIANA. GOLD MEDAL CLASS OF 'O5. 959 00:50:35,098 --> 00:50:37,100 EVEN IF THAT'S TRUE, 960 00:50:37,100 --> 00:50:39,102 I'M NOT EASILY MESMERIZED. 961 00:50:39,102 --> 00:50:42,105 I AM NOT IMPRESSED BY YOUR CREDENTIALS, 962 00:50:42,606 --> 00:50:44,608 WHICH I HAVE NOT SEEN, 963 00:50:45,108 --> 00:50:48,111 NOR YOUR MANNERS, WHICH I HAVE! 964 00:50:51,615 --> 00:50:53,617 [WHISTLE] 965 00:50:56,620 --> 00:50:59,623 Hill: IT'S A GOLDEN KEY, AS IT WERE. 966 00:50:59,623 --> 00:51:02,125 YOUR KEY TO THE MAGIC WORLD OF MUSIC. 967 00:51:02,125 --> 00:51:04,127 NONE OF OUR FAMILY HAS EVER BEEN 968 00:51:04,127 --> 00:51:05,629 WHAT YOU'D CALL MUSICAL. 969 00:51:05,629 --> 00:51:08,131 OH, MADAM, THAT YOU DO NOT KNOW. 970 00:51:08,131 --> 00:51:13,136 THE MAIN THING IS IMAGINATION AND PROPER INSTRUCTION. AH. 971 00:51:14,137 --> 00:51:16,640 NOW YOU, YOUNG MAN, REPEAT AFTER ME. 972 00:51:16,640 --> 00:51:18,141 [WHISTLES] 973 00:51:18,141 --> 00:51:20,644 ♪ ♪♪ I LOVE MUSIC, MOMMY ♪ 974 00:51:20,644 --> 00:51:22,646 [OFF KEY] ♪♪ I LOVE MUSIC, MOMMY ♪♪ 975 00:51:22,646 --> 00:51:23,647 NOW YOU, YOUNG MAN. 976 00:51:23,647 --> 00:51:25,649 [WHISTLES] 977 00:51:25,649 --> 00:51:27,651 ♪♪ ME, TOO, MOMMY ♪♪ 978 00:51:27,651 --> 00:51:30,654 [OFF KEY] ♪♪ ME, TOO, MOMMY ♪♪ 979 00:51:30,654 --> 00:51:32,656 OH, MADAM, IT'S AMAZING. 980 00:51:32,656 --> 00:51:36,159 2 MEMBERS OF THE SAME FAMILY WITH ABSOLUTELY PERFECT PITCH. 981 00:51:39,162 --> 00:51:41,164 SIGN HERE, MADAM. 982 00:51:45,669 --> 00:51:47,671 YOU SURE CUT A SWATH 983 00:51:47,671 --> 00:51:49,172 DOWN AT THE HIGH SCHOOL YESTERDAY. 984 00:51:49,172 --> 00:51:50,173 YEAH. 985 00:51:50,674 --> 00:51:52,676 WHEN YOU WERE TALKING ABOUT ALL THEM TROMBONES, 986 00:51:52,676 --> 00:51:55,679 YOU LOOKED JUST LIKE YOU USED TO BACK IN JOPLIN. 987 00:51:55,679 --> 00:51:57,180 JOPLIN? 988 00:51:57,180 --> 00:51:58,682 YEAH. WHEN YOU USED TO IMITATE 989 00:51:58,682 --> 00:52:01,184 THAT ITALIAN BANDLEADER IN THE PARK. 990 00:52:01,184 --> 00:52:03,687 OH, YEAH. 991 00:52:03,687 --> 00:52:06,189 ♪♪ LA TA TA TA ♪♪ 992 00:52:06,189 --> 00:52:09,693 ♪♪ TA TA TUM TA DA TA DA ♪♪ 993 00:52:12,195 --> 00:52:14,197 OH, THAT'S KID STUFF. 994 00:52:14,197 --> 00:52:16,700 I'M IN RARE FORM THESE DAYS, SON. 995 00:52:16,700 --> 00:52:19,703 JUST YOU KEEP YOUR EYE ON ME FOR THE NEXT 4 WEEKS. 996 00:52:20,203 --> 00:52:21,204 4 WEEKS? 997 00:52:21,204 --> 00:52:23,206 YOU USED TO GET THE INSTRUMENTS IN 10 DAYS. 998 00:52:23,707 --> 00:52:27,210 OH, I STILL DO, BUT IT TAKES 4 WEEKS FOR THE UNIFORMS. 999 00:52:27,210 --> 00:52:28,712 UNIFORMS? 1000 00:52:28,712 --> 00:52:30,213 YOU'VE ADDED UNIFORMS? 1001 00:52:30,213 --> 00:52:32,716 UNIFORMS AND INSTRUCTION BOOKS. 1002 00:52:33,216 --> 00:52:34,718 I FIGURE WHAT'S THE USE OF WARMING UP 1003 00:52:34,718 --> 00:52:35,719 IF YOU'RE NOT GONNA PITCH? 1004 00:52:36,219 --> 00:52:37,220 YOU CAN'T PASS YOURSELF OFF 1005 00:52:37,721 --> 00:52:39,222 AS A MUSIC PROFESSOR FOR 4 WEEKS. 1006 00:52:39,222 --> 00:52:40,724 YOU CAN'T READ A NOTE OF MUSIC. 1007 00:52:40,724 --> 00:52:43,727 I NOW HAVE A REVOLUTIONARY NEW METHOD CALLED THE THINK SYSTEM, 1008 00:52:43,727 --> 00:52:45,228 WHERE YOU DON'T BOTHER WITH NOTES. 1009 00:52:45,729 --> 00:52:48,231 MY BOY, SOMEDAY READING MUSIC 1010 00:52:48,231 --> 00:52:50,734 IS GOING TO BE ABSOLUTELY OBSOLETE. 1011 00:52:50,734 --> 00:52:52,736 I HOPE IT'S SOON, 'CAUSE IN 4 WEEKS 1012 00:52:52,736 --> 00:52:54,738 THESE PEOPLE ARE GONNA WANNA HEAR SOME MUSIC. 1013 00:52:54,738 --> 00:52:56,740 YEAH, BUT WHEN THE UNIFORMS ARRIVE, 1014 00:52:56,740 --> 00:52:58,241 THEY FORGET EVERYTHING ELSE. 1015 00:52:58,241 --> 00:53:01,244 AT LEAST LONG ENOUGH FOR ME TO COLLECT AND LEAVE. 1016 00:53:01,244 --> 00:53:03,246 OH, THIS IS A REFINED OPERATION, SON, 1017 00:53:03,246 --> 00:53:04,748 AND I'VE GOT IT TIMED RIGHT DOWN 1018 00:53:05,248 --> 00:53:06,750 TO THE LAST WAVE OF THE BRAKEMAN'S HAND 1019 00:53:06,750 --> 00:53:09,252 ON THE LAST TRAIN OUT OF TOWN. 1020 00:53:19,963 --> 00:53:21,965 [ALL TALKING AT ONCE] 1021 00:53:21,965 --> 00:53:23,967 GOOD EVENING, LADIES. 1022 00:53:29,973 --> 00:53:31,474 GOOD EVENING, LADIES. 1023 00:53:31,474 --> 00:53:32,976 OHH. OHH. 1024 00:53:32,976 --> 00:53:34,978 PROFESSOR HILL, WE'RE ALL AGOG. 1025 00:53:34,978 --> 00:53:35,979 YES. 1026 00:53:35,979 --> 00:53:37,981 SIMPLY AGOG. 1027 00:53:37,981 --> 00:53:39,482 ON THEQUE VIVE. 1028 00:53:39,983 --> 00:53:40,984 EVERYBODY'S SO EXCITED ABOUT THE BAND. 1029 00:53:40,984 --> 00:53:43,987 I'M ETHEL TOFFELMIER, THE PIANOLA GIRL. 1030 00:53:44,487 --> 00:53:45,488 AND THIS IS AVIS GRUBB. 1031 00:53:45,488 --> 00:53:46,489 HOW DO YOU DO? 1032 00:53:46,489 --> 00:53:47,991 AND MRS. HICKS. HELLO. 1033 00:53:47,991 --> 00:53:49,993 AND MRS. SQUIRES. 1034 00:53:49,993 --> 00:53:53,496 AND OF COURSE, YOU'VE MET EULALIE MACKECKNIE SHINN, 1035 00:53:53,997 --> 00:53:54,998 OUR MAYOR'S WIFE. 1036 00:53:54,998 --> 00:53:56,499 YES, INDEED. 1037 00:53:56,499 --> 00:53:59,002 OH, YES. 1038 00:53:59,002 --> 00:54:02,005 ISN'T IT EXCITING, EULALIE? 1039 00:54:02,005 --> 00:54:04,007 I COULDN'T SAY. 1040 00:54:04,007 --> 00:54:06,509 OH, NO, I COULD NOT SAY. 1041 00:54:06,509 --> 00:54:09,012 I COULD NOT SAY AT THIS TIME. 1042 00:54:09,012 --> 00:54:12,015 MY HUSBAND WILL WISH TO INVESTIGATE, I'M SURE, 1043 00:54:12,015 --> 00:54:14,517 AND NATURALLY I'M RETICENT. 1044 00:54:14,517 --> 00:54:17,520 OH, YES, I'M RETICENT. 1045 00:54:17,520 --> 00:54:19,022 YES, OF COURSE. 1046 00:54:19,022 --> 00:54:20,523 I UNDERSTAND, MRS. SHINN. 1047 00:54:20,523 --> 00:54:22,025 BUT YOU SEE, PART OF MY MUSIC PLANS 1048 00:54:22,525 --> 00:54:24,027 INCLUDE A COMMITTEE ON THE DANCE, 1049 00:54:24,027 --> 00:54:25,528 AND I WAS THINKING-- 1050 00:54:28,531 --> 00:54:30,533 OH, DO THAT AGAIN, MRS. SHINN. 1051 00:54:30,533 --> 00:54:32,535 DO WHAT? WHAT DID I DO? 1052 00:54:32,535 --> 00:54:35,038 YOUR FOOT. THE WAY YOU RAISED IT JUST NOW. 1053 00:54:35,038 --> 00:54:38,541 OH, WELL, I HAVE A BUNION THERE THAT BOTHERS ME. 1054 00:54:39,042 --> 00:54:40,543 OH, WHAT GRACE. 1055 00:54:40,543 --> 00:54:43,546 OH, MR. HILL. 1056 00:54:43,546 --> 00:54:45,048 WHAT NATURAL FLOW OF RHYTHM. 1057 00:54:45,048 --> 00:54:47,050 OH, OH, MR. HILL. 1058 00:54:47,050 --> 00:54:50,053 WHAT EXPRESSION OF LINE AND MOVEMENT. 1059 00:54:50,053 --> 00:54:51,054 MOVEMENT. 1060 00:54:51,054 --> 00:54:53,056 OH, YOU MUST ACCEPT THE CHAIRMANSHIP 1061 00:54:53,056 --> 00:54:55,558 OF THE LADIES' AUXILIARY FOR THE CLASSIC DANCE. 1062 00:54:56,059 --> 00:54:57,060 MUSTN'T SHE, LADIES? 1063 00:54:57,060 --> 00:54:59,062 YES. YES. 1064 00:54:59,062 --> 00:55:03,566 MRS. SHINN, YOUR EVERY MOVE BESPEAKS DEL SARTRE. 1065 00:55:04,067 --> 00:55:05,568 WILL YOU? WILL YOU? 1066 00:55:05,568 --> 00:55:07,570 SAY YES, MRS. SHINN. 1067 00:55:07,570 --> 00:55:10,073 WELL, I--THAT IS-- 1068 00:55:10,073 --> 00:55:13,076 DANCING, WELL. 1069 00:55:13,076 --> 00:55:14,577 THEN YOU ACCEPT. 1070 00:55:14,577 --> 00:55:16,579 YES, INDEED, AND I WOULD LIKE TO SAY-- 1071 00:55:16,579 --> 00:55:18,081 OH, THANK YOU, MRS. SHINN. 1072 00:55:18,081 --> 00:55:20,583 OH, HO HO. 1073 00:55:20,583 --> 00:55:22,585 [ALL TALKING AT ONCE] 1074 00:55:22,919 --> 00:55:27,424 AND NOW THE YOUNG LADY WHO TEACHES THE PIANO. 1075 00:55:28,925 --> 00:55:30,927 MARIAN PAROO, I BELIEVE. 1076 00:55:30,927 --> 00:55:32,429 OHH! OHH! OHH! 1077 00:55:33,930 --> 00:55:35,932 WELL, AFTER ALL, SHE IS THE LIBRARIAN. 1078 00:55:36,433 --> 00:55:37,934 SHE MUST HAVE PICKED HIM OUT. 1079 00:55:37,934 --> 00:55:39,436 TALKING UP TO A MAN LIKE THAT. 1080 00:55:39,436 --> 00:55:40,437 HE WOULDN'T TALK UP ABOUT IT 1081 00:55:40,437 --> 00:55:42,439 IF SHE DIDN'T TRY TURKEY TALKING TO HIM. 1082 00:55:42,439 --> 00:55:44,941 DON'T YOU TAKE HER TICKET AND PUNCH IT FOR HER. 1083 00:55:44,941 --> 00:55:45,942 PICKED HER UP FIRST CRACK LIKE A CHEAP JACK. 1084 00:55:45,942 --> 00:55:46,943 NOT MUCH PICK TO HER IF YOU ASK ME. 1085 00:55:47,444 --> 00:55:47,944 PICK A LITTLE, TALK A LOT. 1086 00:55:48,445 --> 00:55:48,945 PICK A LITTLE, TALK A LITTLE. 1087 00:55:49,446 --> 00:55:50,447 CHEAP, CHEAP, CHEAP. 1088 00:55:50,447 --> 00:55:51,448 TALK A LOT, PICK A LITTLE. 1089 00:55:51,448 --> 00:55:52,449 PICK A LITTLE, TALK A LITTLE, 1090 00:55:52,449 --> 00:55:53,450 PICK A LITTLE, TALK A LITTLE, 1091 00:55:53,450 --> 00:55:54,451 CHEAP, CHEAP, CHEAP. 1092 00:55:54,951 --> 00:55:55,952 ♪♪ ♪♪ PICK A LITTLE, TALK A LITTLE 1093 00:55:55,952 --> 00:55:56,953 ♪♪ CHEAP, CHEAP, CHEAP ♪♪ 1094 00:55:56,953 --> 00:55:57,954 ♪♪ TALK A LOT, PICK A LITTLE MORE ♪♪ 1095 00:55:57,954 --> 00:55:59,456 ♪♪ ♪♪ PICK A LITTLE, TALK A LITTLE 1096 00:55:59,456 --> 00:56:00,457 ♪♪ PICK A LITTLE, TALK, CHEAP, CHEAP, CHEAP ♪♪ 1097 00:56:00,457 --> 00:56:01,458 ♪♪ TALK A LOT, PICK A LITTLE MORE ♪♪ 1098 00:56:01,458 --> 00:56:02,459 ♪♪ ♪♪ PICK A LITTLE, TALK A LITTLE 1099 00:56:02,959 --> 00:56:03,960 ♪♪ CHEAP, CHEAP, CHEAP ♪♪ 1100 00:56:03,960 --> 00:56:07,464 PROFESSOR, HER KIND OF WOMAN DOESN'T BELONG ON ANY COMMITTEE. 1101 00:56:07,464 --> 00:56:08,465 OF COURSE, I SHOULDN'T TELL YOU THIS, 1102 00:56:08,965 --> 00:56:10,967 BUT SHE ADVOCATES DIRTY BOOKS. 1103 00:56:10,967 --> 00:56:11,968 DIRTY BOOKS? 1104 00:56:11,968 --> 00:56:12,969 CHAUCER. 1105 00:56:13,470 --> 00:56:14,971 RABELAIS. 1106 00:56:14,971 --> 00:56:16,473 BALZAC. 1107 00:56:16,973 --> 00:56:18,475 ♪♪ CHEAP, CHEAP, CHEAP ♪♪ 1108 00:56:18,475 --> 00:56:19,476 AND THE WORST THING-- 1109 00:56:19,476 --> 00:56:20,977 OF COURSE, I SHOULDN'T TELL YOU THIS. 1110 00:56:20,977 --> 00:56:22,479 I'LL TELL. 1111 00:56:22,479 --> 00:56:24,481 THE MAN LIVED ON MY STREET. LET ME TELL. 1112 00:56:24,481 --> 00:56:25,482 NO. I'LL TELL. 1113 00:56:25,982 --> 00:56:27,984 SHE MADE BRAZEN OVERTURES TO A MAN 1114 00:56:27,984 --> 00:56:29,986 WHO NEVER HAD A FRIEND IN THIS TOWN 1115 00:56:29,986 --> 00:56:31,488 UNTIL SHE CAME HERE. 1116 00:56:31,488 --> 00:56:32,989 OLD MISER MADISON. 1117 00:56:32,989 --> 00:56:34,491 MISER MADISON? 1118 00:56:34,491 --> 00:56:35,992 MISER-- MADISON. 1119 00:56:35,992 --> 00:56:38,495 MADISON PICNIC PARK? MADISON GYMNASIUM? 1120 00:56:38,995 --> 00:56:40,497 MADISON HOSPITAL? THAT MISER MADISON? 1121 00:56:40,497 --> 00:56:41,498 EXACTLY. 1122 00:56:41,498 --> 00:56:42,999 WHO DID HE THINK HE WAS, ANYWAY? 1123 00:56:42,999 --> 00:56:45,502 I SHOULD SAY. THE SHOW-OFF. 1124 00:56:45,502 --> 00:56:47,504 HE GAVE THE TOWN THE LIBRARY, DIDN'T HE? 1125 00:56:47,504 --> 00:56:49,005 THAT'S JUST IT. WHEN HE DIED, 1126 00:56:49,005 --> 00:56:51,007 HE LEFT THE LIBRARY BUILDING TO THE CITY. 1127 00:56:51,007 --> 00:56:53,009 BUT HE LEFT ALL THE BOOKS TO HER. 1128 00:56:53,009 --> 00:56:54,511 SHE WAS SEEN GOING 1129 00:56:54,511 --> 00:56:56,513 AND COMING FROM HIS PLACE. 1130 00:56:56,513 --> 00:56:59,516 ♪♪ OH, YES, THAT WOMAN MADE BRAZEN OVERTURES ♪♪ 1131 00:57:00,016 --> 00:57:01,518 ♪♪ WITH A GUILT THAT'S GUARANTEED ♪♪ 1132 00:57:01,518 --> 00:57:03,019 ♪♪ SHE HAD A GOLDEN GLINT IN HER EYE ♪♪ 1133 00:57:03,019 --> 00:57:04,521 ♪♪ AND A SILVER VOICE WITH A COUNTERFEIT RING ♪♪ 1134 00:57:04,521 --> 00:57:06,022 ♪♪ JUST MELT HER DOWN ♪♪ 1135 00:57:06,523 --> 00:57:09,526 ♪♪ AND YOU'LL REVEAL A LUMP OF LEAD AS COLD AS STEEL HERE ♪♪ 1136 00:57:09,526 --> 00:57:11,528 ♪♪ WHERE A WOMAN'S HEART SHOULD BE ♪♪ 1137 00:57:11,528 --> 00:57:15,031 ♪♪ HE LEFT RIVER CITY THE LIBRARY BUILDING ♪♪ 1138 00:57:15,532 --> 00:57:18,535 ♪♪ BUT HE LEFT ALL THE BOOKS TO HER ♪♪ 1139 00:57:18,535 --> 00:57:20,537 ♪♪ CHAUCER ♪♪ 1140 00:57:20,537 --> 00:57:22,038 ♪♪ RABELAIS ♪♪ 1141 00:57:22,038 --> 00:57:24,040 ♪♪ BALZAC ♪♪ 1142 00:57:24,541 --> 00:57:25,542 ♪♪ CHEAP, CHEAP, CHEAP ♪♪ 1143 00:57:25,542 --> 00:57:27,544 ♪♪ ♪♪ PICK A LITTLE, TALK A LITTLE 1144 00:57:27,544 --> 00:57:29,546 JUST A MINUTE HERE, PROFESSOR. 1145 00:57:29,546 --> 00:57:32,048 SORRY. WE NEED YOUR CREDENTIALS. 1146 00:57:32,048 --> 00:57:34,050 WHY, CERTAINLY, GENTLEMEN. 1147 00:57:34,050 --> 00:57:36,553 I HAVE JUST WHAT YOU WANT OVER AT MY HOTEL. 1148 00:57:36,553 --> 00:57:38,054 PLEASE COME WITH ME. 1149 00:57:38,054 --> 00:57:40,056 GOOD NIGHT, LADIES. 1150 00:57:40,056 --> 00:57:42,058 ♪♪ GOOD NIGHT, LADIES ♪♪ 1151 00:57:42,058 --> 00:57:46,062 ♪♪ GOOD NIGHT, LADIES ♪♪ 1152 00:57:46,062 --> 00:57:49,065 ♪♪ GOOD NIGHT, LADIES ♪♪ 1153 00:57:49,065 --> 00:57:53,069 ♪♪ WE'RE GOING TO LEAVE YOU NOW ♪♪ 1154 00:57:53,069 --> 00:57:55,572 ♪♪ FAREWELL, LADIES ♪♪ 1155 00:57:55,572 --> 00:57:57,073 ♪♪ PICK A LITTLE, TALK A LITTLE ♪♪ 1156 00:57:57,073 --> 00:57:59,576 ♪♪ FAREWELL, LADIES ♪♪ 1157 00:58:00,076 --> 00:58:01,578 ♪♪ PICK A LITTLE, TALK A LITTLE ♪♪ 1158 00:58:01,578 --> 00:58:02,579 ♪♪ CHEAP, CHEAP, CHEAP ♪♪ 1159 00:58:02,579 --> 00:58:09,586 ♪♪ WE'RE GOING TO LEAVE YOU NOW ♪♪ 1160 00:58:10,086 --> 00:58:11,588 ♪♪ CHEAP, CHEAP, CHEAP ♪♪ 1161 00:58:11,588 --> 00:58:14,757 ♪♪ PICK A LITTLE, TALK A LITTLE, CHEAP ♪♪ 1162 00:58:27,270 --> 00:58:29,272 [HORSE WHINNIES] 1163 00:58:30,773 --> 00:58:31,774 [WHISTLING] 1164 00:58:32,775 --> 00:58:34,777 [HORSE WHINNIES] 1165 00:58:40,783 --> 00:58:42,785 CAN I VISIT THE HORSES? 1166 00:58:42,785 --> 00:58:43,786 MAY I? 1167 00:58:43,786 --> 00:58:45,288 MAY I VISIT THE HORSES? 1168 00:58:45,288 --> 00:58:48,791 WELL, IT'S NOT VISITING HOURS, BUT ALL RIGHT. 1169 00:58:51,794 --> 00:58:53,296 [WHISTLES] 1170 00:58:53,796 --> 00:58:54,797 WHAT A BEAUTIFUL EVENING. 1171 00:58:54,797 --> 00:58:56,799 YEAH, NOT BAD. NOT BAD AT ALL 1172 00:58:56,799 --> 00:58:59,802 FOR A LITTLE PLACE LIKE RIVER CITY, IOWA. 1173 00:58:59,802 --> 00:59:03,806 SAY, WHY DON'T YOU COME OVER TO THE BOARDING HOUSE? 1174 00:59:03,806 --> 00:59:05,308 WE GOT CHICKEN CROQUETS TONIGHT 1175 00:59:05,308 --> 00:59:07,810 NO, I'M NOT THINKING ABOUT FOOD. 1176 00:59:07,810 --> 00:59:10,813 GONNA LINE YOURSELF UP A LITTLE KNOODLING, HUH? 1177 00:59:10,813 --> 00:59:13,816 NO. I GOT SOMETHING TO LOOK UP OVER AT THE LIBRARY. 1178 00:59:13,816 --> 00:59:15,318 FROM WHAT I'VE HEARD-- 1179 00:59:15,318 --> 00:59:16,819 [WHISTLES] 1180 00:59:16,819 --> 00:59:18,821 SAY, WHY DON'T YOU LET ME FIX YOU UP 1181 00:59:18,821 --> 00:59:20,323 WITH MYRTLE TOFFELMIER, ETHEL'S SISTER? 1182 00:59:20,823 --> 00:59:23,326 REAL NICE GIRL. TEACHES SUNDAY SCHOOL. 1183 00:59:23,326 --> 00:59:26,329 NO WIDE-EYED, EAGER, INNOCENT SUNDAY SCHOOL TEACHER FOR ME. 1184 00:59:26,329 --> 00:59:28,331 THAT KIND OF GAL SPINS WEBS-- 1185 00:59:28,331 --> 00:59:29,832 NOW, LISTEN, BOY. 1186 00:59:29,832 --> 00:59:32,335 ♪♪ A GAL WHO TRADES ON ALL THAT PURITY ♪♪ 1187 00:59:32,335 --> 00:59:34,837 ♪♪ MERELY WANTS TO TRADE MY INDEPENDENCE ♪♪ 1188 00:59:35,338 --> 00:59:36,339 ♪♪ FOR HER SECURITY ♪♪ 1189 00:59:36,339 --> 00:59:38,341 ♪♪ THE ONLY AFFIRMATIVE SHE WILL FILE ♪♪ 1190 00:59:38,341 --> 00:59:40,343 ♪♪ REFERS TO MARCHING DOWN THE AISLE ♪♪ 1191 00:59:40,343 --> 00:59:43,846 ♪ ♪♪ NO GOLDEN, GLORIOUS, GLEAMING, PRISTINE GODDESS ♪ 1192 00:59:43,846 --> 00:59:44,847 ♪♪ NO, SIR ♪♪ 1193 00:59:44,847 --> 00:59:47,350 ♪♪ FOR NO DIANA DO I PLAY FAWN ♪♪ 1194 00:59:47,350 --> 00:59:49,352 ♪♪ I CAN TELL YOU THAT RIGHT NOW ♪♪ 1195 00:59:49,352 --> 00:59:51,854 ♪♪ I SNARL, I HISS ♪♪ 1196 00:59:51,854 --> 00:59:53,856 ♪♪ HOW CAN IGNORANCE BE COMPARED TO BLISS? ♪♪ 1197 00:59:53,856 --> 00:59:56,359 ♪♪ I SPARK, I FIZZ ♪♪ 1198 00:59:56,359 --> 00:59:58,361 ♪♪ FOR THE LADY WHO KNOWS WHAT TIME IT IS ♪♪ 1199 00:59:58,361 --> 01:00:00,863 ♪♪ I CHEER, AND I RAVE ♪♪ 1200 01:00:00,863 --> 01:00:03,366 ♪♪ FOR THE VIRTUE I'M TOO LATE TO SAVE ♪♪ 1201 01:00:03,366 --> 01:00:07,370 ♪♪ THE SADDER BUT WISER GIRL FOR ME ♪♪ 1202 01:00:14,877 --> 01:00:17,880 ♪♪ NO BRIGHT-EYED, BLUSHING, BREATHLESS, BABY-DOLL BABY ♪♪ 1203 01:00:17,880 --> 01:00:20,883 ♪♪ NO, SIR, THAT KIND OF CHILD TIES KNOTS ♪♪ 1204 01:00:20,883 --> 01:00:23,386 ♪♪ NO SAILOR EVER KNEW ♪♪ 1205 01:00:23,386 --> 01:00:25,388 ♪♪ I PREFER TO TAKE A CHANCE ♪♪ 1206 01:00:25,888 --> 01:00:27,890 ♪♪ ON A MORE ADULT ROMANCE ♪♪ 1207 01:00:27,890 --> 01:00:30,393 ♪♪ NO DEWY YOUNG MISS WHO KEEPS RESISTING ♪♪ 1208 01:00:30,393 --> 01:00:32,395 ♪♪ ALL THE TIME SHE KEEPS INSISTING ♪♪ 1209 01:00:32,895 --> 01:00:35,398 ♪♪ NO WIDE-EYED, WHOLESOME, INNOCENT FEMALE ♪♪ 1210 01:00:35,398 --> 01:00:36,899 ♪♪ NO, SIR ♪♪ 1211 01:00:36,899 --> 01:00:39,902 ♪♪ WHY, SHE'S THE FISHERMAN, I'M THE FISH, YOU SEE ♪♪ 1212 01:00:40,403 --> 01:00:41,404 PLOP! 1213 01:00:41,404 --> 01:00:43,406 ♪♪ I FLINCH, I SHY ♪♪ 1214 01:00:43,406 --> 01:00:45,408 ♪♪ WHEN THE LASS WITH THE DELICATE AIR GOES BY ♪♪ 1215 01:00:45,908 --> 01:00:47,910 ♪♪ I SMILE, I GRIN ♪♪ 1216 01:00:47,910 --> 01:00:50,413 ♪♪ WHEN THE GAL WITH A TOUCH OF SIN WALKS IN ♪♪ 1217 01:00:50,413 --> 01:00:52,415 ♪♪ I HOPE, AND I PRAY ♪♪ 1218 01:00:52,915 --> 01:00:55,418 ♪♪ FOR HESTER TO WIN JUST ONE MORE "A" ♪♪ 1219 01:00:55,418 --> 01:00:59,422 ♪♪ THE SADDER BUT WISER GIRL'S THE GIRL FOR ME ♪♪ 1220 01:00:59,422 --> 01:01:03,426 ♪♪ THE SADDER BUT WISER GIRL FOR ME ♪♪ 1221 01:01:07,430 --> 01:01:09,432 HA HA HA HA! 1222 01:01:09,432 --> 01:01:11,434 [NEIGH!] 1223 01:01:40,963 --> 01:01:42,965 NO, IT'S ALL RIGHT. 1224 01:01:42,965 --> 01:01:44,467 I KNOW EVERYTHING, 1225 01:01:44,467 --> 01:01:46,469 AND IT DOESN'T MAKE ANY DIFFERENCE. 1226 01:01:46,469 --> 01:01:47,970 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1227 01:01:48,471 --> 01:01:50,473 MR. MADISON. 1228 01:01:50,473 --> 01:01:52,475 YOU WERE PROBABLY VERY YOUNG. 1229 01:01:52,475 --> 01:01:53,976 ANYONE CAN MAKE A MISTAKE. 1230 01:01:53,976 --> 01:01:55,478 WHAT? 1231 01:01:57,480 --> 01:01:59,482 NO APOLOGIES, NO EXPLANATIONS. 1232 01:01:59,482 --> 01:02:03,486 I'LL ONLY BE IN TOWN A SHORT WHILE, 1233 01:02:03,486 --> 01:02:07,490 AND THE SADDER BUT WISER GIRL FOR ME. 1234 01:02:07,490 --> 01:02:09,992 WOULD YOU MAKE YOUR SELECTION AND LEAVE? 1235 01:02:09,992 --> 01:02:11,494 I HAVE. 1236 01:02:11,494 --> 01:02:13,496 WHAT DO YOU WANT TO TAKE OUT? 1237 01:02:13,496 --> 01:02:14,997 THE LIBRARIAN. 1238 01:02:15,498 --> 01:02:16,999 QUIET, PLEASE. 1239 01:02:18,501 --> 01:02:20,002 THE LIBRARIAN. 1240 01:02:22,004 --> 01:02:24,507 YOU'RE NOT LISTENING, MARIAN. 1241 01:02:26,008 --> 01:02:27,510 LOOK. 1242 01:02:29,512 --> 01:02:34,016 ♪♪ MAR... ♪♪ 1243 01:02:34,016 --> 01:02:35,518 ♪ ♪♪ ...RIAN ♪ 1244 01:02:35,518 --> 01:02:36,519 MARBLES-- 1245 01:02:36,519 --> 01:02:38,521 SIX STEELIES, EIGHT AGGIES, 1246 01:02:38,521 --> 01:02:40,022 A DOZEN PEEWEES, 1247 01:02:40,022 --> 01:02:41,524 AND ONE GREAT BIG GLASSIE 1248 01:02:41,524 --> 01:02:43,025 WITH AN AMERICAN FLAG IN THE MIDDLE. 1249 01:02:43,526 --> 01:02:44,527 I THINK I'LL DROP THEM. 1250 01:02:44,527 --> 01:02:46,529 NO! 1251 01:02:46,529 --> 01:02:47,530 SHHH! 1252 01:02:47,530 --> 01:02:52,535 ♪♪ MADAM LIBRAR...♪♪ 1253 01:02:52,535 --> 01:02:53,536 ♪♪ ...RIAN ♪♪ 1254 01:02:56,539 --> 01:02:59,041 ♪♪ OH, WHAT CAN I DO , MY DEAR ♪♪ 1255 01:02:59,041 --> 01:03:01,544 ♪♪ TO CATCH YOUR EAR? ♪♪ 1256 01:03:01,544 --> 01:03:03,045 ♪♪ I LOVE YOU MADLY, MADLY ♪♪ 1257 01:03:03,045 --> 01:03:05,548 ♪♪ MADAM LIBRARIAN, MARIAN ♪♪ 1258 01:03:05,548 --> 01:03:06,549 ♪♪ HEAVEN HELP US ♪♪ 1259 01:03:06,549 --> 01:03:09,051 ♪♪ IF THE LIBRARY CAUGHT ON FIRE ♪♪ 1260 01:03:09,051 --> 01:03:11,053 ♪♪ AND THE VOLUNTEER HOSE BRIGADE-MEN ♪♪ 1261 01:03:11,053 --> 01:03:16,559 ♪♪ HAD TO WHISPER THE NEWS TO MAR... ♪♪ 1262 01:03:16,559 --> 01:03:17,560 ♪♪ ...RIAN ♪♪ 1263 01:03:19,562 --> 01:03:21,564 ♪ ♪♪ MADAM LIBRAR... ♪ 1264 01:03:21,564 --> 01:03:24,066 SHHH! 1265 01:03:25,067 --> 01:03:26,068 ♪ ♪♪ ...RIAN ♪ 1266 01:03:29,071 --> 01:03:31,574 ♪♪ OH, WHAT CAN I SAY, MY DEAR ♪♪ 1267 01:03:31,574 --> 01:03:34,076 ♪♪ TO MAKE IT CLEAR? ♪♪ 1268 01:03:34,076 --> 01:03:35,578 ♪ ♪♪ I NEED YOU BADLY, BADLY ♪ 1269 01:03:35,578 --> 01:03:38,080 ♪ ♪♪ MADAM LIBRARIAN, MARIAN ♪ 1270 01:03:38,080 --> 01:03:39,582 ♪♪ IF I STUMBLED AND I BUSTED ♪♪ 1271 01:03:40,082 --> 01:03:41,083 ♪♪ MY WHATCHAMACALLIT ♪♪ 1272 01:03:41,584 --> 01:03:43,085 ♪♪ I COULD LIE ON YOUR FLOOR UNNOTICED ♪♪ 1273 01:03:43,085 --> 01:03:49,091 ♪♪ TILL MY BODY HAD TURNED TO CAR... ♪♪ 1274 01:03:49,091 --> 01:03:50,092 ♪♪ ...RION ♪♪ 1275 01:03:53,095 --> 01:03:57,600 ♪♪ MADAM LIBRAR... ♪♪ 1276 01:03:57,600 --> 01:03:58,601 ♪♪ ...RIAN ♪♪ 1277 01:04:01,604 --> 01:04:04,607 ♪♪ NOW, IN THE MOONLIGHT ♪♪ 1278 01:04:06,108 --> 01:04:08,110 ♪♪ A MAN COULD SING IT ♪♪ 1279 01:04:10,112 --> 01:04:14,116 ♪♪ IN THE MOONLIGHT ♪♪ 1280 01:04:18,621 --> 01:04:20,122 ♪♪ AND A FELLOW WOULD KNOW ♪♪ 1281 01:04:20,623 --> 01:04:21,624 ♪♪ THAT HIS DARLING ♪♪ 1282 01:04:21,624 --> 01:04:23,626 ♪♪ HAD HEARD EVERY WORD OF HIS SONG ♪♪ 1283 01:04:23,626 --> 01:04:25,628 ♪♪ WITH THE MOONLIGHT ♪♪ 1284 01:04:27,630 --> 01:04:30,633 ♪♪ HELPING ALONG ♪♪ 1285 01:04:31,634 --> 01:04:34,637 ♪♪ BUT WHEN I TRY IN HERE ♪♪ 1286 01:04:34,637 --> 01:04:36,639 ♪♪ TO TELL YOU, DEAR ♪♪ 1287 01:04:36,639 --> 01:04:38,641 ♪♪ I LOVE YOU MADLY, MADLY ♪♪ 1288 01:04:38,641 --> 01:04:41,143 ♪♪ MADAM LIBRARIAN, MARIAN ♪♪ 1289 01:04:41,143 --> 01:04:43,145 ♪♪ IT'S A LONG-LOST CAUSE ♪♪ 1290 01:04:43,145 --> 01:04:44,647 ♪♪ I CAN NEVER WIN ♪♪ 1291 01:04:44,647 --> 01:04:47,149 ♪♪ FOR THE CIVILIZED WORLD ACCEPTS ♪♪ 1292 01:04:47,149 --> 01:04:49,151 ♪♪ AS UNFORGIVABLE SIN ♪♪ 1293 01:04:49,151 --> 01:04:53,656 ♪♪ ANY TALKING OUT LOUD WITH ANY LIBRARIAN ♪♪ 1294 01:04:53,656 --> 01:04:57,159 ♪♪ SUCH AS MAR... ♪♪ 1295 01:04:58,661 --> 01:04:59,662 ♪♪ ...RIAN ♪♪ 1296 01:05:02,665 --> 01:05:04,166 ♪♪ MADAM LIBRAR... ♪♪ 1297 01:05:04,166 --> 01:05:05,668 [COUGH COUGH] 1298 01:05:07,169 --> 01:05:08,671 ♪♪ ...RIAN ♪♪ 1299 01:06:29,251 --> 01:06:30,753 SHHH! 1300 01:06:35,758 --> 01:06:37,259 AAH! HA HA! 1301 01:06:43,265 --> 01:06:45,267 TOMMY! 1302 01:07:42,324 --> 01:07:44,326 [TAPPITY-TAPPITY-TAP] 1303 01:07:44,326 --> 01:07:45,828 SHHH! 1304 01:08:12,354 --> 01:08:14,356 ♪♪ BUT WHEN I TR Y IN HERE ♪♪ 1305 01:08:14,857 --> 01:08:16,358 ♪♪ TO TELL YOU, DEAR ♪♪ 1306 01:08:16,859 --> 01:08:18,360 ♪♪ I LOVE YOU MADLY, MADLY ♪♪ 1307 01:08:18,360 --> 01:08:20,362 ♪♪ MADAM LIBRARIAN, MARIAN ♪♪ 1308 01:08:20,362 --> 01:08:21,864 ♪♪ IT'S A LONG-LOST CAUSE ♪♪ 1309 01:08:21,864 --> 01:08:22,865 ♪♪ I CAN NEVER WIN ♪♪ 1310 01:08:23,365 --> 01:08:25,868 ♪♪ FOR THE CIVILIZED WORLD ACCEPTS ♪♪ 1311 01:08:25,868 --> 01:08:26,869 ♪♪ AS UNFORGIVABLE SIN ♪♪ 1312 01:08:27,369 --> 01:08:31,874 ♪♪ ANY TALKING OUT LOUD WITH ANY LIBRARIAN ♪♪ 1313 01:08:31,874 --> 01:08:33,375 ♪♪ SUCH AS MAR... ♪♪ 1314 01:08:33,375 --> 01:08:36,378 LADIES DANCE COMMITTEE MEETS TUESDAY NIGHTS. 1315 01:08:36,378 --> 01:08:37,379 ♪♪ ...IAN ♪♪ 1316 01:08:37,379 --> 01:08:38,380 MARSHMALLOW? 1317 01:08:38,380 --> 01:08:39,882 [BANG] 1318 01:08:39,882 --> 01:08:41,884 ♪♪ MADAM LIBRAR... ♪♪ 1319 01:08:44,386 --> 01:08:45,387 ♪♪ ...RIAN ♪♪ 1320 01:08:57,558 --> 01:09:00,561 [WHISTLING76 TROMBONES] 1321 01:09:00,561 --> 01:09:02,062 HEY, PROFESSOR! 1322 01:09:02,062 --> 01:09:03,564 HELLO, TOMMY! 1323 01:09:03,564 --> 01:09:07,067 I THINK I'VE GOT IT. YEAH? MY MUSIC HOLDER 1324 01:09:07,067 --> 01:09:09,069 FOR A MARCHING PICCOLO PLAYER. 1325 01:09:09,069 --> 01:09:11,071 I STILL HAVE A COUPLE OF FLAWS. 1326 01:09:11,071 --> 01:09:13,073 EVEN EDISON DOESN'T ALWAYS GET IT RIGHT THE FIRST TIME. 1327 01:09:13,073 --> 01:09:14,575 WHAT'S YOUR DIFFICULTY? 1328 01:09:14,575 --> 01:09:16,577 WHEN YOU HOLD IT TIGHT ENOUGH 1329 01:09:16,577 --> 01:09:18,078 TO KEEP THE MUSIC STEADY, 1330 01:09:18,078 --> 01:09:20,080 YOU CUT OFF THE CIRCULATION, 1331 01:09:20,080 --> 01:09:22,583 AND YOU CAN'T WIGGLE YOUR FINGERS. 1332 01:09:22,583 --> 01:09:25,085 MEANWHILE, YOU COULD GO BLIND. 1333 01:09:25,085 --> 01:09:28,589 I'D SAY IT STILL NEEDS SOME WORK. 1334 01:09:28,589 --> 01:09:34,094 LIKE TO CHECK OUT A FEW PROSPECTS WITH ME? 1335 01:09:34,094 --> 01:09:36,096 YOU MEAN YOU'RE GOING IN THERE? 1336 01:09:36,096 --> 01:09:38,098 I DON'T SEE ANY QUARANTINE SIGN. 1337 01:09:38,098 --> 01:09:39,600 GEE, I GOTTA HAND IT TO YOU, PROFESSOR. 1338 01:09:39,600 --> 01:09:41,101 SEE YOU LATER... 1339 01:09:41,101 --> 01:09:42,603 I HOPE. 1340 01:09:48,108 --> 01:09:50,110 [RING] 1341 01:09:50,110 --> 01:09:52,112 JUST A MINUTE HERE. 1342 01:09:52,112 --> 01:09:55,115 ARE YOU SOLICITING? 1343 01:09:55,616 --> 01:09:57,117 YOU HAVEN'T GOT A LICENSE. 1344 01:09:57,117 --> 01:09:58,619 WHY, NO, MR. MAYOR. 1345 01:09:59,119 --> 01:10:00,621 MR. MAYOR, I COLLECT DOORBELLS, 1346 01:10:00,621 --> 01:10:02,122 AND THIS PARTICULAR SPECIMEN 1347 01:10:02,122 --> 01:10:03,123 HAS AN UNUSUAL TONE QUALITY-- 1348 01:10:03,123 --> 01:10:06,126 FLATTERY WILL NOT AVAIL YOU. 1349 01:10:06,126 --> 01:10:07,628 SOLICITING IS STATUTORY IN THIS COUNTY-- 1350 01:10:07,628 --> 01:10:09,630 MALFEASANCE WITHOUT A PERMIT. 1351 01:10:09,630 --> 01:10:10,631 WHY HAVEN'T YOU BEEN OVER TO CITY HALL 1352 01:10:10,631 --> 01:10:12,132 WITH YOUR REFERENCES? 1353 01:10:12,132 --> 01:10:13,133 I MUST HAVE JUST MISSED YOU. 1354 01:10:13,133 --> 01:10:14,635 NONE OF YOUR ALIBIS! 1355 01:10:14,635 --> 01:10:17,137 MR. MAYOR! YOUR HAND. 1356 01:10:17,137 --> 01:10:18,138 ISN'T THAT AMAZING? 1357 01:10:18,138 --> 01:10:19,139 WHAT? WHAT? 1358 01:10:19,139 --> 01:10:21,642 THAT SPREAD OF THE LITTLE FINGER-- 1359 01:10:21,642 --> 01:10:22,643 IT'S HEREDITARY. 1360 01:10:22,643 --> 01:10:24,144 IT IS? WHAT DOES THAT MEAN? 1361 01:10:24,144 --> 01:10:26,647 WHY, IT MEANS THAT YOUR SON'S LITTLE FINGER 1362 01:10:26,647 --> 01:10:28,148 IS PERFECTLY SITUATED TO OPERATE 1363 01:10:28,148 --> 01:10:29,650 THE SPIT VALVE ON A B-FLAT FLUGELHORN. 1364 01:10:29,650 --> 01:10:31,151 IS THAT GOOD? 1365 01:10:31,652 --> 01:10:32,653 GOOD? 1366 01:10:32,653 --> 01:10:35,155 IT ALSO MEANS AMERICA HAS PRODUCED AN ARTIST 1367 01:10:35,155 --> 01:10:36,156 WHO CAN FLUGEL THEMINUTE WALTZ 1368 01:10:36,156 --> 01:10:37,157 IN 5O SECONDS. 1369 01:10:37,157 --> 01:10:38,659 HOW CAN I GET ONE OF THOSE HORNS? 1370 01:10:39,159 --> 01:10:40,160 SIGN HERE, MR. MAYOR. 1371 01:10:40,160 --> 01:10:41,662 YES, SIR. 1372 01:10:41,662 --> 01:10:43,163 FINE, FINE. 1373 01:10:43,163 --> 01:10:45,666 THAT WILL BE $17 IMPORT FEE. 1374 01:10:45,666 --> 01:10:47,668 JUST THINK, I COULD HAVE MISSED THIS WHOLE THING. 1375 01:10:48,168 --> 01:10:51,171 MY SON COULD HAVE... 1376 01:10:51,171 --> 01:10:53,674 I HAVEN'T GOT ANY SON! 1377 01:10:53,674 --> 01:10:55,676 OH, GEORGE. 1378 01:10:55,676 --> 01:10:58,178 I NEVER HAD A SON! 1379 01:10:58,178 --> 01:10:59,680 I NEVER SAID YOU DID. 1380 01:10:59,680 --> 01:11:00,681 WHAT DO YOU KNOW? 1381 01:11:00,681 --> 01:11:03,684 I'D CERTAINLY KNOW IF I GAVE YOU A SON. 1382 01:11:03,684 --> 01:11:04,685 I'M NOT TALKING TO YOU. 1383 01:11:04,685 --> 01:11:06,186 WELL, WHO ARE YOU TALKING TO? 1384 01:11:06,687 --> 01:11:07,688 HIM. WHO? 1385 01:11:09,690 --> 01:11:11,692 NEVER MIND. 1386 01:11:11,692 --> 01:11:15,696 ZANEETA, CALL DR. PYNE FOR YOUR FATHER. 1387 01:11:18,198 --> 01:11:22,703 AH, YES, MY DEAR MRS. PAROO, YOU MUST REALIZE 1388 01:11:22,703 --> 01:11:24,705 THAT ONLY 1 OUT OF EVERY 78 ADULTS 1389 01:11:24,705 --> 01:11:27,207 HAS A GANGLION THAT REACHES THE LIGATURE 1390 01:11:27,708 --> 01:11:28,208 CLEAR DOWN TO THE APEX. 1391 01:11:28,709 --> 01:11:30,711 THIS AUTOMATICALLY TURNS YOUR ENTIRE FACE 1392 01:11:30,711 --> 01:11:33,213 INTO AN AMAZING EMBOUCHURE. 1393 01:11:33,213 --> 01:11:35,716 I AIN'T NEVER HAD A SICK DAY IN ME LIFE, DOCTOR. 1394 01:11:36,216 --> 01:11:37,718 PROFESSOR. 1395 01:11:37,718 --> 01:11:41,221 PROFESSOR. WHAT SHALL I DO FOR IT? 1396 01:11:41,221 --> 01:11:43,223 NO, YOU DON'T UNDERSTAND. 1397 01:11:43,223 --> 01:11:44,224 I'M TRYING TO TELL YOU 1398 01:11:44,224 --> 01:11:46,226 THAT YOU HAVE ALL OF THE FACIAL CHARACTERISTICS 1399 01:11:46,226 --> 01:11:48,729 OF A CORNET VIRTUOSO. 1400 01:11:48,729 --> 01:11:51,231 IF YOUR BOY HAS THAT SAME FIRM CHIN, 1401 01:11:51,231 --> 01:11:53,233 THOSE SPLENDID CHEEK MUSCLES-- 1402 01:11:53,233 --> 01:11:55,235 OH, BY GEORGE... 1403 01:11:55,235 --> 01:11:57,738 NOT THAT HE COULD EVER REALLY BE GREAT, YOU UNDERSTAND. 1404 01:11:58,238 --> 01:12:00,240 OH, IS THAT SO? 1405 01:12:00,240 --> 01:12:02,242 AND IN THE NAME OF ST. BRIDGET, WHY NOT? 1406 01:12:02,242 --> 01:12:05,746 ALL OF THE REALLY GREAT CORNET PLAYERS WERE IRISH-- 1407 01:12:05,746 --> 01:12:08,248 O'CLARK, O'MENDEZ, O'KLEIN. 1408 01:12:08,248 --> 01:12:10,751 BUT, PROFESSOR, WEAREIRISH. 1409 01:12:10,751 --> 01:12:14,254 NO. NO, REALLY? WELL, THAT CLINCHES IT. 1410 01:12:14,254 --> 01:12:15,255 SIGN HERE, MADAM. 1411 01:12:15,756 --> 01:12:17,758 YOUR BOY WAS BORN TO PLAY THE CORNET. 1412 01:12:18,258 --> 01:12:19,760 OH, FINE, FINE. 1413 01:12:19,760 --> 01:12:22,262 THAT WILL BE $7.OO EARNEST MONEY. 1414 01:12:22,262 --> 01:12:24,264 NOTHING MORE DUE UNTIL THE FIRST INSTALLMENT, 1415 01:12:24,765 --> 01:12:26,266 PAYABLE AT THE OPENING OF BAND PRACTICE. 1416 01:12:26,266 --> 01:12:27,267 OH, THANK YOU. 1417 01:12:27,768 --> 01:12:28,769 AND OF COURSE, I'LL NEED YOUR BOY'S MEASUREMENTS 1418 01:12:28,769 --> 01:12:30,270 FOR HIS BAND UNIFORM. 1419 01:12:30,771 --> 01:12:32,272 HIS UNIFORM? 1420 01:12:32,272 --> 01:12:33,273 OH, YES. 1421 01:12:33,273 --> 01:12:34,775 WINTHROP! 1422 01:12:34,775 --> 01:12:36,777 WELL! HELLO THERE, SON. 1423 01:12:36,777 --> 01:12:38,278 WHY, CERTAINLY, HIS UNIFORM. 1424 01:12:38,278 --> 01:12:41,782 AND THERE WON'T BE A PENNY DUE UNTIL DELIVERY, 1425 01:12:41,782 --> 01:12:44,284 WHICH GIVES HIM 4 WEEKS 1426 01:12:44,284 --> 01:12:45,786 TO ENJOY, TO ANTICPATE, TO IMAGINE 1427 01:12:45,786 --> 01:12:47,788 AT NO COST WHATSOEVER. 1428 01:12:47,788 --> 01:12:49,790 NEVER ALLOW THE DEMANDS OF TOMORROW TO INTERFERE 1429 01:12:49,790 --> 01:12:52,793 WITH THE PLEASURES AND EXCITEMENTS OF TODAY. 1430 01:12:52,793 --> 01:12:55,295 WILL IT HAVE A...A... 1431 01:12:55,295 --> 01:12:56,296 A...? 1432 01:12:57,798 --> 01:12:59,299 A STRIPE! 1433 01:12:59,299 --> 01:13:01,301 WHY CERTAINLY, MY BOY! 1434 01:13:01,301 --> 01:13:03,303 A WIDE RED STRIPE DOWN EACH SIDE. 1435 01:13:03,303 --> 01:13:04,805 NOW, WHAT DO YOU THINK OF THAT? 1436 01:13:07,307 --> 01:13:09,810 [BARKS] 1437 01:13:09,810 --> 01:13:12,779 YOU'LL HAVE TO EXCUSE WINTHROP, PROFESSOR. 1438 01:13:12,779 --> 01:13:16,783 WE CAN'T GET HIM TO SAY 3 WORDS A DAY-- 1439 01:13:16,783 --> 01:13:17,784 NOT EVEN TO US. 1440 01:13:18,285 --> 01:13:21,288 AND IF YOU CAN GET HIM TO PLAY IN THAT BAND, 1441 01:13:21,288 --> 01:13:24,291 YOU'LL HAVE SAINT MICHAEL'S OWN WAY WITH YOU. 1442 01:13:24,291 --> 01:13:27,294 BUT IF ANYBODY CAN DO IT, I BET YOU CAN. 1443 01:13:27,294 --> 01:13:28,295 THANK YOU. 1444 01:13:28,295 --> 01:13:30,297 YOU'VE A GIFT OF THE BLARNEY ABOUT YOU 1445 01:13:30,297 --> 01:13:31,798 AND NO MISTAKING ABOUT THAT. 1446 01:13:32,299 --> 01:13:33,800 WHERE ARE YOU FROM, MY BOY? 1447 01:13:33,800 --> 01:13:34,801 GARY, INDIANA. 1448 01:13:34,801 --> 01:13:37,304 I KNEW IT! GAR-- WHAT'D YOU SAY? 1449 01:13:37,804 --> 01:13:38,305 GARY, INDIANA. 1450 01:13:38,805 --> 01:13:41,308 IN FACT, GARY CONSERVATORY WAS MY ALMA MATER. 1451 01:13:41,308 --> 01:13:42,309 WAS SHE? 1452 01:13:42,309 --> 01:13:46,313 OH, YES, INDEED. GOLD MEDAL CLASS OF 'O5. 1453 01:13:47,814 --> 01:13:49,316 ♪♪ GARY, INDIANA ♪♪ 1454 01:13:49,316 --> 01:13:51,818 ♪♪ WHAT A WONDERFUL NAME ♪♪ 1455 01:13:51,818 --> 01:13:53,320 ♪♪ NAMED FOR ALBERT GARY ♪♪ 1456 01:13:53,320 --> 01:13:55,822 ♪♪ OF JUDICIARY FAME ♪♪ 1457 01:13:55,822 --> 01:13:57,824 ♪♪ GARY, INDIANA ♪♪ 1458 01:13:57,824 --> 01:14:00,327 ♪♪ AS A SHAKESPEARE WOULD SAY ♪♪ 1459 01:14:00,327 --> 01:14:04,831 ♪♪ TRIPS ALONG SOFTLY ON THE TONGUE THIS WAY ♪♪ 1460 01:14:04,831 --> 01:14:06,333 ♪♪ GARY, INDIANA ♪♪ 1461 01:14:06,333 --> 01:14:07,834 ♪♪ GARY, INDIANA ♪♪ 1462 01:14:07,834 --> 01:14:09,336 ♪♪ GARY, INDIANA ♪♪ 1463 01:14:09,336 --> 01:14:12,839 ♪♪ LET ME SAY IT ONCE AGAIN ♪♪ 1464 01:14:12,839 --> 01:14:14,341 ♪♪ GARY, INDIANA ♪♪ 1465 01:14:14,341 --> 01:14:15,842 ♪♪ GARY, INDIANA ♪♪ 1466 01:14:15,842 --> 01:14:17,844 ♪♪ GARY, INDIANA ♪♪ 1467 01:14:17,844 --> 01:14:20,847 ♪♪ THAT'S THE TOWN THAT KNEW ME WHEN ♪♪ 1468 01:14:20,847 --> 01:14:25,352 ♪♪ NOW, IF YOU'D LIKE TO HAVE A LOGICAL EXPLANATION ♪♪ 1469 01:14:25,352 --> 01:14:29,356 ♪♪ HOW I HAPPENED ON THIS ELEGANT SYNCOPATION ♪♪ 1470 01:14:29,356 --> 01:14:33,360 ♪♪ I WILL SAY WITHOUT A MOMENT OF HESITATION ♪♪ 1471 01:14:33,360 --> 01:14:35,862 ♪♪ THERE IS JUST ONE PLACE ♪♪ 1472 01:14:35,862 --> 01:14:37,864 ♪♪ THAT CAN LIGHT MY FACE ♪♪ 1473 01:14:37,864 --> 01:14:39,866 ♪♪ GARY, INDIANA ♪♪ 1474 01:14:39,866 --> 01:14:41,368 ♪♪ GARY, INDIANA ♪♪ 1475 01:14:41,368 --> 01:14:42,869 ♪♪ NOT LOUISIANA ♪♪ 1476 01:14:42,869 --> 01:14:46,373 ♪♪ PARIS, FRANCE NEW YORK, OR ROME ♪♪ 1477 01:14:46,373 --> 01:14:48,375 ♪♪ BUT GARY, INDIANA ♪♪ 1478 01:14:48,375 --> 01:14:49,376 ♪♪ GARY, INDIANA ♪♪ 1479 01:14:49,376 --> 01:14:51,378 ♪♪ GARY, INDIANA ♪♪ 1480 01:14:51,378 --> 01:14:54,381 ♪♪ MY HOME SWEET HOME ♪♪ 1481 01:15:24,911 --> 01:15:26,413 ♪♪ GARY, INDIANA ♪♪ 1482 01:15:26,413 --> 01:15:27,414 ♪♪ GARY, INDIANA ♪♪ 1483 01:15:27,414 --> 01:15:29,916 ♪♪ GARY, INDIANA ♪♪ 1484 01:15:29,916 --> 01:15:34,421 ♪♪ MY HOME SWEET HOME ♪♪ 1485 01:15:34,421 --> 01:15:35,922 AAH! 1486 01:15:37,424 --> 01:15:38,425 MAMA! 1487 01:15:38,425 --> 01:15:40,927 HOW DO YOU DO, MISS PAROO? 1488 01:15:41,428 --> 01:15:42,929 HOW DO YOU DO, MR. HILL? 1489 01:15:42,929 --> 01:15:44,931 OF COURSE--PAROO! 1490 01:15:45,432 --> 01:15:46,433 I THOUGHT THE NAME SOUNDED FAMILIAR. 1491 01:15:46,433 --> 01:15:49,436 I'VE BEEN TRYING TO SEE YOU SINCE THE OTHER NIGHT. 1492 01:15:49,436 --> 01:15:50,437 HE WANTS TO PUT WINTHROP IN THE BAND. 1493 01:15:50,437 --> 01:15:52,939 WE'RE NOT INTERESTED, MAMA. 1494 01:15:52,939 --> 01:15:56,443 BUT THE BOY MIGHT HAVE HIS FATHER'S MUSICAL GIFT. 1495 01:15:56,443 --> 01:15:58,445 HE DOES HAVE MY GANGLION, YOU KNOW. 1496 01:15:58,445 --> 01:16:00,447 YOUR HUSBAND IS MUSICAL? 1497 01:16:00,447 --> 01:16:01,948 WELL, I'D LIKE TO TALK TO HIM. 1498 01:16:01,948 --> 01:16:04,451 DO YOU ALWAYS BURST INTO PEOPLE'S HOMES, 1499 01:16:04,451 --> 01:16:05,952 PRYING INTO PERSONAL AFFAIRS? 1500 01:16:05,952 --> 01:16:07,454 WE'RE NOT INTERESTED. 1501 01:16:07,454 --> 01:16:08,455 MARIAN! 1502 01:16:08,955 --> 01:16:10,957 WELL, THERE'S ONE FOR AND ONE AGAINST. 1503 01:16:10,957 --> 01:16:13,960 WHY NOT LET THE BOY'S FATHER DECIDE? 1504 01:16:14,461 --> 01:16:16,463 THE BOY'S FATHER IS DEAD. 1505 01:16:16,463 --> 01:16:18,465 ANYTHING ELSE? 1506 01:16:18,965 --> 01:16:22,469 OH, I AM SORRY. 1507 01:16:22,469 --> 01:16:23,470 BUT THAT'S ALL THE MORE REASON 1508 01:16:23,470 --> 01:16:24,971 WHY YOUR BROTHER SHOULD HAVE SOMETHING LIKE THIS. 1509 01:16:24,971 --> 01:16:26,973 MY BROTHER IS AN UNHAPPY CHILD 1510 01:16:26,973 --> 01:16:27,974 WHO CAN'T UNDERSTAND 1511 01:16:27,974 --> 01:16:29,476 WHY HIS FATHER WAS TAKEN AWAY. 1512 01:16:29,976 --> 01:16:30,977 WOULD YOU CARE TO EXPLAIN IT TO HIM? 1513 01:16:31,478 --> 01:16:33,980 HE'S BEEN BROODING ABOUT IT FOR 2 YEARS. 1514 01:16:34,481 --> 01:16:35,482 AND AS FOR YOUR MUSICAL TRICKS, 1515 01:16:35,982 --> 01:16:36,983 WHY DON'T YOU GO INTO BUSINESS 1516 01:16:36,983 --> 01:16:37,984 WITH SOME NICE CARNIVAL MAN 1517 01:16:37,984 --> 01:16:39,486 WHO SELLS GOLD-PAINTED WATCHES 1518 01:16:39,986 --> 01:16:41,488 AND GLASS-DIAMOND RINGS? 1519 01:16:41,988 --> 01:16:44,491 MUSICAL TRICKS? NOW, MISS PAROO-- 1520 01:16:48,995 --> 01:16:50,497 YOU KNOW, I HAVE A FEELING SHE LIKES THE IDEA. 1521 01:16:50,997 --> 01:16:51,998 OH, A LITTLE CAUTIOUS, PERHAPS, 1522 01:16:51,998 --> 01:16:54,000 BUT I ADMIRE THAT IN A WOMAN. 1523 01:16:54,000 --> 01:16:55,001 YOU JUST KEEP ME ALIVE, 1524 01:16:55,001 --> 01:16:56,002 AND I'LL BE BACK LATER IN THE WEEK. 1525 01:16:56,002 --> 01:16:59,005 I DO HOPE YOU'LL EXCUSE MARIAN, PROFESSOR. 1526 01:16:59,005 --> 01:17:00,006 SHE'S NOT REALLY-- 1527 01:17:00,006 --> 01:17:03,009 OH, PLEASE. DON'T YOU WORRY ABOUT A THING. 1528 01:17:03,009 --> 01:17:05,512 I'M SURE THAT AT HEART 1529 01:17:05,512 --> 01:17:08,515 SHE'S AS LOVELY AS YOURSELF. 1530 01:17:09,015 --> 01:17:12,018 GOOD DAY TO YOU, WIDOW PAROO. 1531 01:17:18,525 --> 01:17:23,029 AHHHHH. 1532 01:17:34,207 --> 01:17:36,209 HAS HE GONE? 1533 01:17:36,209 --> 01:17:37,710 HE HAS, AND I HOPE NOT FOREVER. 1534 01:17:37,710 --> 01:17:41,214 DARLING, DON'T YOU EVER THINK OF YOUR FUTURE? 1535 01:17:41,214 --> 01:17:43,716 NOW, MAMA, A GIRL'S FUTURE DOESN'T DEPEND 1536 01:17:43,716 --> 01:17:47,220 ON ENCOURAGING EVERY FAST-TALKING, SELF-CENTERED, 1537 01:17:47,220 --> 01:17:49,222 WOMAN-CHASING TRAVELING MAN WHO COMES TO TOWN. 1538 01:17:49,722 --> 01:17:51,724 ALL RIGHT, DARLING, ALL RIGHT. 1539 01:17:51,724 --> 01:17:53,226 ONLY IT'S A WELL-KNOWN PRINCIPLE 1540 01:17:53,226 --> 01:17:54,727 THAT IF YOU KEEP THE FLINT IN ONE DRAWER 1541 01:17:54,727 --> 01:17:56,729 AND THE STEEL IN THE OTHER 1542 01:17:56,729 --> 01:17:57,730 YOU'LL NEVER STRIKE MUCH OF A FIRE. 1543 01:17:57,730 --> 01:17:59,232 MAMA! 1544 01:17:59,232 --> 01:18:02,235 A FINE-LOOKING MAN AND EDUCATED-- 1545 01:18:02,235 --> 01:18:03,236 GARY, INDIANA, 1546 01:18:03,236 --> 01:18:05,738 CONSERVATION CLASS OF 'O5. 1547 01:18:05,738 --> 01:18:07,740 THE FACT THAT HE CLAIMS HIS COMMODITY IS MUSIC 1548 01:18:07,740 --> 01:18:10,743 DOES NOT IN THIS PARTICULAR CASE IMPRESS ME, 1549 01:18:10,743 --> 01:18:12,745 NOR DOES ANYTHING ELSE ABOUT HIM. 1550 01:18:12,745 --> 01:18:14,247 WELL, I GIVE UP. 1551 01:18:14,247 --> 01:18:15,748 AT YOUR AGE--IF YOU DON'T MIND MY ASKING-- 1552 01:18:16,249 --> 01:18:18,251 WHAT ARE YOU WAITING FOR? 1553 01:18:18,251 --> 01:18:20,253 WELL, I'M NOT WAITING FOR ED GRINER, 1554 01:18:20,253 --> 01:18:21,754 WHO BACKS ME INTO THE ANCIENT HISTORY SHELF 1555 01:18:21,754 --> 01:18:23,256 EVERY TIME HE COMES INTO THE LIBRARY. 1556 01:18:23,756 --> 01:18:24,757 HE DOES? 1557 01:18:24,757 --> 01:18:26,259 OR ED GAMMAGE, 1558 01:18:26,259 --> 01:18:28,761 WHO HAS THE BUGGY WITH THE REMOVABLE BACK SEAT. 1559 01:18:29,262 --> 01:18:31,764 WELL, IF YOU'RE WAITING FOR A KNIGHT IN SHINING ARMOR 1560 01:18:31,764 --> 01:18:33,766 TO COME RIDING UP THE STREET... 1561 01:18:33,766 --> 01:18:36,269 WELL, I'M NOT WAITING FOR THAT, EITHER, MAMA. 1562 01:18:36,269 --> 01:18:39,272 WELL, WHAT ARE YOU WAITING FOR? 1563 01:18:39,272 --> 01:18:42,275 MARIAN PAROO, IF YOU DON'T MIND MY ASKING, 1564 01:18:42,275 --> 01:18:44,777 DON'T YOU EVER THINK ABOUT BEING IN LOVE? 1565 01:18:44,777 --> 01:18:46,779 BEING IN LOVE, MAMA? 1566 01:18:46,779 --> 01:18:50,783 ♪♪ BEING IN LOVE ♪♪ 1567 01:18:50,783 --> 01:18:53,786 ♪♪ USED TO BE MY FAVORITE DREAM ♪♪ 1568 01:18:54,287 --> 01:18:55,788 ♪♪ OH, YES ♪♪ 1569 01:18:57,290 --> 01:19:00,793 ♪♪ I'VE BEEN IN LOVE ♪♪ 1570 01:19:00,793 --> 01:19:04,297 ♪♪ MORE THAN ANYBODY ELSE HAS ♪♪ 1571 01:19:04,297 --> 01:19:06,299 ♪♪ I GUESS ♪♪ 1572 01:19:06,299 --> 01:19:08,301 ♪♪ MY FIRST LOVE ♪♪ 1573 01:19:08,301 --> 01:19:11,304 ♪♪ HEROICALLY RAN THE STREETCAR ♪♪ 1574 01:19:11,804 --> 01:19:16,309 ♪♪ I TINGLED AT EVERY CLANG CLANG ♪♪ 1575 01:19:16,309 --> 01:19:20,813 ♪♪ NEXT, I FELL FOR THE PRINCIPAL ♪♪ 1576 01:19:20,813 --> 01:19:24,317 ♪♪ BUT, OH, THAT TEACHER WHO SANG ♪♪ 1577 01:19:24,317 --> 01:19:27,820 ♪♪ IN THE GLOAMING ♪♪ 1578 01:19:27,820 --> 01:19:31,324 ♪♪ KNEE-DEEP IN LOVE ♪♪ 1579 01:19:31,324 --> 01:19:34,327 ♪♪ WHAT A LOVELY DREAM AND YET ♪♪ 1580 01:19:34,327 --> 01:19:36,329 ♪♪ SOMEHOW ♪♪ 1581 01:19:36,829 --> 01:19:39,832 ♪♪ KNEE-DEEP IN LOVE'S ♪♪ 1582 01:19:39,832 --> 01:19:43,336 ♪♪ ONLY HALF OF WHAT I'M LONGING FOR ♪♪ 1583 01:19:43,836 --> 01:19:45,338 ♪♪ NOW ♪♪ 1584 01:19:45,338 --> 01:19:46,839 ♪♪ I STILL LOVE ♪♪ 1585 01:19:46,839 --> 01:19:50,343 ♪♪ MY BEING IN LOVE WITH SOMEONE ♪♪ 1586 01:19:50,343 --> 01:19:55,348 ♪♪ BUT TELL ME, WHY COULDN'T THERE BE ♪♪ 1587 01:19:55,348 --> 01:19:59,852 ♪♪ SOMEBODY BEING IN LOVE ♪♪ 1588 01:19:59,852 --> 01:20:01,354 ♪♪ WITH ♪♪ 1589 01:20:01,354 --> 01:20:03,856 ♪♪ ME? ♪♪ 1590 01:20:03,856 --> 01:20:07,860 ♪♪ ALL I WANT IS A PLAIN MAN ♪♪ 1591 01:20:07,860 --> 01:20:10,363 ♪♪ ALL I WANT IS A MODEST MAN ♪♪ 1592 01:20:10,363 --> 01:20:12,365 ♪♪ A QUIET MAN ♪♪ 1593 01:20:12,365 --> 01:20:13,866 ♪♪ A GENTLE MAN ♪♪ 1594 01:20:14,367 --> 01:20:17,370 ♪♪ A STRAIGHTFORWARD AND HONEST MAN ♪♪ 1595 01:20:17,370 --> 01:20:20,373 ♪♪ TO SIT WITH ME ♪♪ 1596 01:20:20,373 --> 01:20:22,375 ♪♪ IN A COTTAGE ♪♪ 1597 01:20:22,375 --> 01:20:26,879 ♪♪ SOMEWHERE IN THE STATE OF IOWA ♪♪ 1598 01:20:26,879 --> 01:20:31,884 ♪♪ AND I WOULD LIKE HIM TO BE ♪♪ 1599 01:20:31,884 --> 01:20:37,890 ♪♪ MORE INTERESTED IN ME ♪♪ 1600 01:20:38,391 --> 01:20:42,395 ♪♪ THAN HE IS IN HIMSELF ♪♪ 1601 01:20:42,395 --> 01:20:47,400 ♪♪ AND MORE INTERESTED IN US ♪♪ 1602 01:20:48,401 --> 01:20:54,407 ♪♪ THAN IN ME ♪♪ 1603 01:20:55,408 --> 01:21:00,413 ♪♪ AND IF OCCASIONALLY HE'D PONDER ♪♪ 1604 01:21:00,913 --> 01:21:05,918 ♪♪ WHAT MAKES SHAKESPEARE AND BEETHOVEN GREAT ♪♪ 1605 01:21:05,918 --> 01:21:11,424 ♪♪ HIM I COULD LOVE TILL I DIE ♪♪ 1606 01:21:12,425 --> 01:21:14,427 ♪♪ HIM ♪♪ 1607 01:21:14,927 --> 01:21:17,930 ♪♪ I COULD LOVE ♪♪ 1608 01:21:18,431 --> 01:21:22,435 ♪♪ TILL I DIE ♪♪ 1609 01:21:22,435 --> 01:21:26,439 ♪♪ BEING IN LOVE ♪♪ 1610 01:21:26,439 --> 01:21:29,442 ♪♪ WHAT A LOVELY DREAM AND YET ♪♪ 1611 01:21:29,442 --> 01:21:31,944 ♪♪ SOMEHOW ♪♪ 1612 01:21:32,445 --> 01:21:35,448 ♪ ♪♪ BEING IN LOVE'S ♪ 1613 01:21:35,448 --> 01:21:39,452 ♪♪ ONLY HALF OF WHAT I'M LONGING FOR ♪♪ 1614 01:21:39,452 --> 01:21:41,454 ♪♪ NOW ♪♪ 1615 01:21:41,454 --> 01:21:42,955 ♪♪ AND SO THEN ♪♪ 1616 01:21:42,955 --> 01:21:46,459 ♪♪ TONIGHT I'LL BE IN THERE DREAMING ♪♪ 1617 01:21:46,459 --> 01:21:47,460 ♪♪ AND HOPING ♪♪ 1618 01:21:47,460 --> 01:21:49,962 ♪♪ THAT SOMEDAY THERE'LL BE ♪♪ 1619 01:21:49,962 --> 01:21:51,464 JUST ONCE! 1620 01:21:51,964 --> 01:21:59,472 ♪♪ SOMEBODY BEING IN LOVE ♪♪ 1621 01:22:00,473 --> 01:22:02,475 ♪♪ WITH ♪♪ 1622 01:22:02,975 --> 01:22:09,482 ♪♪ ME ♪♪ 1623 01:22:24,364 --> 01:22:25,865 PLEASE, ZANEETA. 1624 01:22:25,865 --> 01:22:26,866 TOMMY, I CAN'T. 1625 01:22:27,367 --> 01:22:28,868 I'M SUPPOSED TO BE DOING MY READING. 1626 01:22:28,868 --> 01:22:30,870 JUST TO THE CANDY KITCHEN. COME ON. 1627 01:22:30,870 --> 01:22:31,871 WITH MAMA AND PAPA 1628 01:22:31,871 --> 01:22:33,873 SHOPPING ALL UP AND DOWN CENTER STREET? 1629 01:22:33,873 --> 01:22:35,375 YE GODS! 1630 01:22:35,375 --> 01:22:36,376 ALL RIGHT, THEN MEET ME AFTER SUPPER. 1631 01:22:36,376 --> 01:22:37,377 I CAN'T. 1632 01:22:37,377 --> 01:22:38,878 IT'S EPWORTH LEAGUE TONIGHT. 1633 01:22:40,880 --> 01:22:42,882 MEET YOU WHERE? 1634 01:22:43,383 --> 01:22:44,884 THE FOOTBRIDGE. 1635 01:22:44,884 --> 01:22:47,387 YOU SEE? ISN'T THAT JUST WHAT I SAID? 1636 01:22:47,387 --> 01:22:49,389 LAST TIME THE LUMBERYARD AND NOW THE FOOTBRIDGE. 1637 01:22:49,389 --> 01:22:50,890 WHERE WILL YOU MEET ME AFTER THAT? 1638 01:22:50,890 --> 01:22:52,392 IN THE BLACK HOLE OF CALCUTTA? 1639 01:22:52,392 --> 01:22:53,893 YE GODS! 1640 01:22:53,893 --> 01:22:55,395 SHH! 1641 01:22:55,395 --> 01:22:57,897 IT'S INDECENT TO MEET BOYS 1642 01:22:57,897 --> 01:22:59,899 AT THE FOOTBRIDGE. 1643 01:23:01,901 --> 01:23:03,903 FIRST THING AFTER SUPPER? 1644 01:23:05,405 --> 01:23:06,906 ALL RIGHT. 1645 01:23:06,906 --> 01:23:08,408 YE GODS! 1646 01:23:08,408 --> 01:23:09,409 SHH! 1647 01:23:41,274 --> 01:23:43,776 THE WELLS FARGO WAGON! 1648 01:23:43,776 --> 01:23:46,279 THE WELLS FARGO WAGON? 1649 01:23:52,785 --> 01:23:54,787 ♪♪ OH HO, THE WELLS FARGO WAGON ♪♪ 1650 01:23:55,288 --> 01:23:57,290 ♪♪ IS A-COMIN' DOWN THE STREET ♪♪ 1651 01:23:57,290 --> 01:24:00,293 ♪♪ OH, PLEASE LET IT BE FOR ME ♪♪ 1652 01:24:00,293 --> 01:24:02,295 ♪♪ OH HO, THE WELLS FARGO WAGON ♪♪ 1653 01:24:02,295 --> 01:24:04,797 ♪♪ IS A-COMIN' DOWN THE STREET ♪♪ 1654 01:24:04,797 --> 01:24:07,800 ♪♪ I WISH, I WISH I KNEW WHAT IT COULD BE ♪♪ 1655 01:24:07,800 --> 01:24:09,802 ♪♪ I GOT A BOX OF MAPLE SUGAR ♪♪ 1656 01:24:09,802 --> 01:24:11,804 ♪♪ ON MY BIRTHDAY ♪♪ 1657 01:24:11,804 --> 01:24:15,308 ♪♪ IN MARCH, I GOT A GRAY MACKINAW ♪♪ 1658 01:24:15,808 --> 01:24:17,310 ♪♪ AND ONCE I GOT SOME GRAPEFRUIT ♪♪ 1659 01:24:17,310 --> 01:24:18,811 ♪♪ FROM TAMPA ♪♪ 1660 01:24:18,811 --> 01:24:20,813 ♪♪ MONTGOMERY WARD SENT ME A BATHTUB ♪♪ 1661 01:24:20,813 --> 01:24:22,815 ♪♪ AND A CROSSCUT SAW ♪♪ 1662 01:24:22,815 --> 01:24:24,317 IS THAT THE FIRST THING I SAID OR NOT? 1663 01:24:24,317 --> 01:24:25,818 YES, GEORGE. 1664 01:24:25,818 --> 01:24:27,320 YES. THE VERY FIRST THING I SAID, 1665 01:24:27,820 --> 01:24:30,323 OR I'LL EAT HAY WITH A HORSE-- 1666 01:24:30,323 --> 01:24:32,325 "GET THAT SPELLBINDER'S CREDENTIALS!" I SAID, 1667 01:24:32,325 --> 01:24:34,327 MORNING OF JULY 4, 1912. 1668 01:24:34,327 --> 01:24:38,331 NOW MY WIFE IS OFF DANCING 1669 01:24:38,831 --> 01:24:41,834 AT ANY AND ALL HOURS INSTEAD OF IN THE HOME, 1670 01:24:41,834 --> 01:24:45,338 THE SCHOOL BOARD IS SINGING UP STREET AND DOWN 1671 01:24:45,338 --> 01:24:46,839 INSTEAD OF TENDING TO CITY MATTERS, 1672 01:24:46,839 --> 01:24:48,341 MY OLDEST GIRL IS BOODLING AROUND 1673 01:24:48,341 --> 01:24:49,342 WITH SOME WILD KID, 1674 01:24:49,842 --> 01:24:51,344 AND MY BUSINESS HAS FELL OFF SO FAR 1675 01:24:51,344 --> 01:24:52,345 I CAN'T FIND THE BALANCE SHEET. 1676 01:24:52,345 --> 01:24:54,347 MAYOR SHINN, I FOUND SOMETHING 1677 01:24:54,347 --> 01:24:55,848 VERY INTERESTING IN THIS BOOK 1678 01:24:55,848 --> 01:24:57,350 ABOUT PROFESSOR HILL'S ALMA MATER. 1679 01:24:57,850 --> 01:24:58,851 I KNOW ALL ABOUT THAT. 1680 01:24:58,851 --> 01:25:00,353 IN FACT, THAT'S ALL I CAN EVER GET OUT OF HIM-- 1681 01:25:00,853 --> 01:25:03,356 GARY CONSERVATORY, CLASS OF 'O5. 1682 01:25:03,856 --> 01:25:04,857 BUT IF YOU'D JUST TAKE TIME TO READ 1683 01:25:04,857 --> 01:25:06,359 A LITTLE ABOUT THE CONSERVATORY, 1684 01:25:06,359 --> 01:25:07,860 YOU WOULDN'T HAVE TO LOOK ANY FURTHER. 1685 01:25:07,860 --> 01:25:09,362 IT'S ON PAGE-- 1686 01:25:09,362 --> 01:25:11,864 PAPA, THE WELLS FARGO WAGON IS COMING THIS WAY! 1687 01:25:12,365 --> 01:25:12,865 WELLS FARGO WAGON? 1688 01:25:13,366 --> 01:25:14,867 IT COULD BE THE BAND INSTRUMENTS! 1689 01:25:14,867 --> 01:25:16,869 THE BAND INSTRUMENTS? 1690 01:25:16,869 --> 01:25:18,371 BUT, MAYOR SHINN-- 1691 01:25:18,371 --> 01:25:19,872 LATER, LATER. 1692 01:25:21,374 --> 01:25:23,376 ♪♪ OH HO, THE WELLS FARGO WAGON ♪♪ 1693 01:25:23,376 --> 01:25:24,877 ♪♪ IS A-COMIN' NOW ♪♪ 1694 01:25:24,877 --> 01:25:28,381 ♪♪ IS IT A PREPAID SURPRISE OR C.O.D.? ♪♪ 1695 01:25:28,381 --> 01:25:29,382 ♪♪ IT COULD BE CURTAINS ♪♪ 1696 01:25:29,382 --> 01:25:30,383 ♪♪ OR DISHES ♪♪ 1697 01:25:30,383 --> 01:25:32,385 ♪♪ OR A DOUBLE BOILER ♪♪ 1698 01:25:32,385 --> 01:25:33,386 ♪♪ ♪♪ OR IT COULD BE-- 1699 01:25:33,386 --> 01:25:34,887 ♪♪ YES, IT COULD BE, YES, YOU'RE RIGHT ♪♪ 1700 01:25:34,887 --> 01:25:35,888 ♪♪ IT SURELY COULD BE ♪♪ 1701 01:25:35,888 --> 01:25:36,889 ♪♪ SOMETHIN' SPECIAL ♪♪ 1702 01:25:37,390 --> 01:25:39,392 ♪♪ SOMETHING VERY, VERY SPECIAL NOW ♪♪ 1703 01:25:39,392 --> 01:25:42,895 ♪♪ JUST FOR ME ♪♪ 1704 01:25:43,396 --> 01:25:44,897 ♪♪ OH HO, THE WELLS FARGO WAGON ♪♪ 1705 01:25:45,398 --> 01:25:46,899 ♪♪ IS A-COMIN' DOWN THE STREET ♪♪ 1706 01:25:47,400 --> 01:25:50,403 ♪♪ OH, DON'T LET HIM PASS MY DOOR ♪♪ 1707 01:25:50,403 --> 01:25:52,405 ♪♪ OH HO, THE WELLS FARGO WAGON ♪♪ 1708 01:25:52,405 --> 01:25:54,407 ♪♪ IS A-COMIN' DOWN THE STREET ♪♪ 1709 01:25:54,407 --> 01:25:57,910 ♪♪ I WISH I KNEW WHAT HE WAS COMIN' FOR ♪♪ 1710 01:25:57,910 --> 01:25:58,911 ♪♪ I GOT SOME SALMON ♪♪ 1711 01:25:58,911 --> 01:26:01,914 ♪♪ FROM SEATTLE LAST SEPTEMBER ♪♪ 1712 01:26:01,914 --> 01:26:05,418 ♪♪ AND I EXPECT A NEW ROCKIN' CHAIR ♪♪ 1713 01:26:05,918 --> 01:26:08,921 ♪♪ I HOPE I GET MY RAISINS FROM FRESNO ♪♪ 1714 01:26:08,921 --> 01:26:13,926 ♪♪ THE DAR HAVE SENT A CANNO N FOR THE COURTHOUSE SQUARE ♪♪ 1715 01:26:13,926 --> 01:26:16,429 ♪ ♪♪ OH HO, THE WELLTH FARGO WAGON ♪ 1716 01:26:16,429 --> 01:26:17,930 ♪♪ ♪♪ ITH A-COMIN' NOW 1717 01:26:18,431 --> 01:26:19,432 ♪♪ I DON'T KNOW ♪♪ 1718 01:26:19,432 --> 01:26:21,434 ♪♪ HOW I CAN EVER WAIT TO THEE ♪♪ 1719 01:26:21,934 --> 01:26:23,436 ♪♪ IT COULD BE THOMETHIN ' FOR THOMEONE ♪♪ 1720 01:26:23,936 --> 01:26:25,438 ♪♪ WHO ITH NO RELATION ♪♪ 1721 01:26:25,438 --> 01:26:27,940 ♪ ♪♪ BUT IT COULD BE ♪ 1722 01:26:29,442 --> 01:26:31,944 ♪♪ THOMETHIN' THPECIAL ♪♪ 1723 01:26:31,944 --> 01:26:36,449 ♪♪ JUTHT FOR ME ♪♪ 1724 01:26:36,449 --> 01:26:38,451 ♪♪ OH HO, THE WELLS FARGO WAGON ♪♪ 1725 01:26:38,451 --> 01:26:39,452 ♪♪ IS A-COMIN' ♪♪ 1726 01:26:39,452 --> 01:26:41,954 ♪♪ OH HO, THIS WELLS FARGO WAGON ♪♪ 1727 01:26:41,954 --> 01:26:43,456 ♪♪ IS A-COMIN' ♪♪ 1728 01:26:43,456 --> 01:26:45,458 ♪♪ OH HO, THIS WELLS FARGO WAGON ♪♪ 1729 01:26:45,458 --> 01:26:47,960 ♪♪ DON'T YOU DARE TO MAKE A STOP ♪♪ 1730 01:26:47,960 --> 01:26:50,463 ♪♪ UNTIL YOU STOP ♪♪ 1731 01:26:50,963 --> 01:26:53,966 FOR ME ♪♪ 1732 01:26:58,471 --> 01:27:00,473 HERE YOU ARE, WINTHROP. 1733 01:27:00,973 --> 01:27:02,475 MY CORNET. 1734 01:27:02,475 --> 01:27:04,477 GEE THANKTH, PROFETHOR. 1735 01:27:05,978 --> 01:27:07,480 THITHTER, ITHN'T THITH 1736 01:27:07,480 --> 01:27:09,482 THE MOTHT THCRUMPTHIOUTH THOLID-GOLD THING 1737 01:27:09,482 --> 01:27:10,483 YOU EVER THAW? 1738 01:27:10,483 --> 01:27:11,984 I NEVER THOUGHT I'D EVER THEE 1739 01:27:11,984 --> 01:27:14,487 ANYTHING THO THCRUMPTHIOUTH AS A THOLID-GOLD THING! 1740 01:27:14,487 --> 01:27:15,988 OH, THISTER! 1741 01:27:17,490 --> 01:27:19,492 NOW, REMEMBER, MEN, STAY OFF THE STREETS, 1742 01:27:19,492 --> 01:27:21,994 PAY ATTENTION TO YOUR INSTRUMENTS, 1743 01:27:21,994 --> 01:27:24,497 AND THINK ABOUT THEMINUET IN G. 1744 01:27:24,497 --> 01:27:28,501 ♪♪ LA DEE DA DEE DA DEE DA DEE DA ♪♪ 1745 01:27:28,501 --> 01:27:30,503 ♪♪ LA DEE DA ♪♪ 1746 01:27:30,503 --> 01:27:31,504 ♪♪ LA DEE DA ♪♪ 1747 01:27:31,504 --> 01:27:32,505 THAT'S IT. 1748 01:27:32,505 --> 01:27:35,007 ♪♪ LA DEE DA DEE DA DEE DA ♪♪ 1749 01:27:35,007 --> 01:27:38,010 ROUND ONE FOR YOU, MR. HILL, 1750 01:27:38,010 --> 01:27:40,012 BUT I'D BETTER HEAR SOME BY GOD TOOTIN' 1751 01:27:40,012 --> 01:27:42,014 OUT OF THEM HORNS IN PRETTY SHORT ORDER, 1752 01:27:42,014 --> 01:27:43,516 OR I'LL SEE YOU IN FRONT OF THE GRAND JURY 1753 01:27:43,516 --> 01:27:46,018 OVER AT THE COUNTY THEAT! 1754 01:27:47,520 --> 01:27:49,021 YES. 1755 01:27:49,021 --> 01:27:51,524 NOW, MISS MARIAN, ABOUT THAT BOOK-- 1756 01:27:51,524 --> 01:27:53,526 GEORGE, COME ALONG. 1757 01:27:53,526 --> 01:27:55,528 TEMPUS FUGIT. 1758 01:27:55,528 --> 01:27:57,530 YOU WATCH YOUR PHRASEOLOGY! 1759 01:27:57,530 --> 01:28:00,533 GO ALONG IF YOU WANT TO. 1760 01:28:00,533 --> 01:28:03,536 I'VE GOT TO GET SOMETHING FROM THE LIBRARIAN. 1761 01:28:03,536 --> 01:28:06,539 ABOUT THAT BOOK, UH... 1762 01:28:09,041 --> 01:28:12,044 LADIES DANCE COMMITTEE MEETS TUESDAY NIGHTS 1763 01:28:12,044 --> 01:28:13,546 AT THE HIGH SCHOOL. 1764 01:28:14,046 --> 01:28:16,549 THEY'LL BE COUNTING ON YOU. 1765 01:28:28,394 --> 01:28:30,896 ♪♪ LA DEE DA DEE DA DEE DA ♪♪ 1766 01:28:30,896 --> 01:28:32,398 ♪♪ LA DEE DA ♪♪ 1767 01:28:32,398 --> 01:28:33,899 ♪♪ LA DEE DA ♪♪ 1768 01:28:33,899 --> 01:28:36,402 ♪♪ LA DA DA DA DA DA DA DA DUM ♪♪ 1769 01:28:36,402 --> 01:28:39,405 ♪♪ LA DEE DA DEE DA DEE DA DEE DUM ♪♪ 1770 01:28:39,405 --> 01:28:41,907 ♪♪ BUMM DEE DUM DEE DUM DEE DUM DEE DUM ♪♪ 1771 01:28:41,907 --> 01:28:43,409 ♪♪ BA DA DA ♪♪ 1772 01:28:43,409 --> 01:28:44,910 ♪♪ BA DA DA ♪♪ 1773 01:28:44,910 --> 01:28:46,412 ♪♪ BA DEE DA ♪♪ 1774 01:28:46,412 --> 01:28:48,914 ♪♪ BA DEE DA DEE DA DEE DA DEE DUM ♪♪ 1775 01:28:48,914 --> 01:28:50,916 ♪♪ BA DEE DA ♪♪ 1776 01:28:50,916 --> 01:28:51,917 ♪♪ DA DEE DUM ♪♪ 1777 01:28:51,917 --> 01:28:54,420 REALLY, GIRLS! 1778 01:29:05,431 --> 01:29:08,434 HURRY ALONG, LADIES. 1779 01:29:09,435 --> 01:29:11,937 HURRY ALONG! 1780 01:29:11,937 --> 01:29:13,939 TEMPUS FUGIT! 1781 01:29:13,939 --> 01:29:20,946 LET'S START WITH OUR POSTURE EXERCISES. 1782 01:29:23,949 --> 01:29:26,952 ♪♪ ♪♪ ♪♪ 1783 01:29:31,457 --> 01:29:33,459 LOVELY, LADIES, LOVELY. 1784 01:29:33,459 --> 01:29:34,960 NOW TURN. 1785 01:29:34,960 --> 01:29:37,463 TAKE THE BODY WITH YOU. 1786 01:29:37,463 --> 01:29:40,466 LOVELY. LOVELY, LADIES. 1787 01:29:43,969 --> 01:29:47,473 NOW FOR OUR GRECIAN URNS. 1788 01:29:49,475 --> 01:29:51,477 ONE GRECIAN URN. 1789 01:29:53,979 --> 01:29:58,984 2 GRECIAN URNS. 1790 01:29:58,984 --> 01:30:01,487 OH, THAT'S JUST AMAZING. 1791 01:30:01,487 --> 01:30:04,990 AND A FOUNTAIN. 1792 01:30:04,990 --> 01:30:07,493 TRICKLE, TRICKLE, TRICKLE, TRICKLE... 1793 01:30:07,493 --> 01:30:09,495 OH, SPLENDID, LADIES! 1794 01:30:09,495 --> 01:30:10,996 SPLENDID! 1795 01:30:10,996 --> 01:30:14,500 OUR DELSARTE DISPLAY WILL BE THE HIGHLIGHT 1796 01:30:14,500 --> 01:30:17,002 OF THE ICE CREAM SOCIABLE. 1797 01:30:17,002 --> 01:30:18,504 GIRLS! 1798 01:30:18,504 --> 01:30:20,506 NOW ONCE AGAIN. 1799 01:30:20,506 --> 01:30:22,508 PRACTICE MAKES PERFECTION, 1800 01:30:22,508 --> 01:30:25,511 WHICH IS WHAT WE WANT. 1801 01:30:30,516 --> 01:30:32,017 REMEMBER, MEN. 1802 01:30:32,017 --> 01:30:34,019 IF YOU WANT TO PLAY THEMINUET IN G, 1803 01:30:34,019 --> 01:30:36,522 THINKTHEMINUET IN G. 1804 01:30:36,522 --> 01:30:39,024 IT'S A SIMPLE MEETING OF 2 MINDS-- 1805 01:30:39,024 --> 01:30:40,025 YOURS AND BEETHOVEN'S. 1806 01:30:40,025 --> 01:30:41,026 ALL TOGETHER NOW. 1807 01:30:41,026 --> 01:30:43,529 PROFESSOR, I CAN'T EVEN THINK 1808 01:30:43,529 --> 01:30:46,532 HOW TO HOLD THE HORN RIGHT. 1809 01:30:46,532 --> 01:30:49,034 THERE'S THESE LITTLE SPIGOTS ON THE SIDE, 1810 01:30:49,034 --> 01:30:50,536 BUT WHICH ONE'S WHICH? 1811 01:30:50,536 --> 01:30:52,037 AH HA HA! 1812 01:30:52,037 --> 01:30:53,539 EXPERIMENTATION. 1813 01:30:53,539 --> 01:30:55,541 TRIAL AND ERROR. 1814 01:30:55,541 --> 01:31:00,045 COULD YOU SHOW ME, PROFESSOR? 1815 01:31:00,546 --> 01:31:01,547 SON, I'M GOING TO TELL YOU SOMETHING 1816 01:31:01,547 --> 01:31:04,550 THE GREAT GIUSEPPE CREATORE SAID TO ME ONCE 1817 01:31:04,550 --> 01:31:06,051 UNDER LIKE CIRCUMSTANCES. 1818 01:31:06,051 --> 01:31:09,054 "PROFESSOR HILL," HE SAID, "THAT IS YOUR INSTRUMENT. 1819 01:31:09,054 --> 01:31:11,557 "HOLD ONTO IT. CHERISH IT. 1820 01:31:11,557 --> 01:31:15,561 "DON'T LET ANYBODY ELSE PLAY AROUND WITH IT, 1821 01:31:15,561 --> 01:31:17,563 "NOT EVEN ME, NOT EVEN YOU, 1822 01:31:18,063 --> 01:31:20,065 UNTIL YOU FEEL YOU'RE READY." 1823 01:31:20,566 --> 01:31:21,567 BUT-- 1824 01:31:21,567 --> 01:31:23,068 AH AH AH. 1825 01:31:23,068 --> 01:31:25,070 YES, SIR. 1826 01:31:25,070 --> 01:31:26,572 ALL TOGETHER, NOW. 1827 01:31:27,072 --> 01:31:29,074 OVER AND OVER. 1828 01:31:29,074 --> 01:31:34,580 ♪♪ LA DEE DA DEE DA DEE DA DEE DA ♪♪ 1829 01:31:34,580 --> 01:31:36,582 ♪♪ LA DEE DA ♪♪ 1830 01:31:36,582 --> 01:31:38,083 ♪♪ LA DEE DA ♪♪ 1831 01:31:38,083 --> 01:31:39,585 TOMMY? 1832 01:31:39,585 --> 01:31:41,587 ♪♪ LA DEE DA DEE DA DEE... ♪♪ 1833 01:31:41,587 --> 01:31:44,089 TAKE CHARGE OF THE GROUP. 1834 01:31:44,089 --> 01:31:45,090 ANOTHER HALF HOUR AT LEAST 1835 01:31:45,090 --> 01:31:47,593 ON THEMINUET. 1836 01:31:47,593 --> 01:31:52,097 ♪♪ LA DEE DA DEE DA DEE DA DEE DA ♪♪ 1837 01:31:52,097 --> 01:31:54,099 ♪♪ LA DEE DA ♪♪ 1838 01:31:54,600 --> 01:31:56,602 ♪♪ LA DEE DA ♪♪ 1839 01:31:56,602 --> 01:32:00,105 ♪♪ LA DEE DA DEE DA DEE DA... ♪♪ 1840 01:32:11,116 --> 01:32:13,118 STRAWBERRY PHOSPHATE, PLEASE. 1841 01:32:13,118 --> 01:32:15,120 BE RIGHT WITH YOU. 1842 01:32:23,128 --> 01:32:25,631 YE GODS! 1843 01:32:26,632 --> 01:32:28,133 GREAT HONK! 1844 01:32:28,133 --> 01:32:31,637 IF THERE'S ANYTHING YOU DON'T SEE THERE, 1845 01:32:31,637 --> 01:32:34,139 YOU BE SURE AND ASK FOR IT. 1846 01:32:40,145 --> 01:32:41,647 AHEM. 1847 01:32:41,647 --> 01:32:44,650 OH, PROFESSOR HILL, I DIDN'T SEE YOU. 1848 01:32:44,650 --> 01:32:46,652 MAY I JOIN YOU? 1849 01:32:46,652 --> 01:32:48,153 WELL, REALLY, I-- 1850 01:32:48,153 --> 01:32:50,656 WHERE? THEY WERE SEEN! 1851 01:32:50,656 --> 01:32:52,157 RED-HANDED! CAUGHT IN THE ACT! 1852 01:32:52,157 --> 01:32:53,659 TAKE YOUR HANDS OFF MY DAUGHTER! 1853 01:32:53,659 --> 01:32:55,160 PAPA! 1854 01:32:55,160 --> 01:32:57,162 MR. SHINN, YOUR HONOR, YOUR DAUGHTER AND I 1855 01:32:57,162 --> 01:32:59,164 ARE GOING STEADY BEHIND YOUR BACK. 1856 01:32:59,164 --> 01:33:00,165 WHY, YOU-- 1857 01:33:00,165 --> 01:33:02,668 WE'D RATHER BE DOING IT IN FRONT OF YOUR BACK. 1858 01:33:02,668 --> 01:33:05,170 DO WHAT? NEVER MIND! 1859 01:33:05,170 --> 01:33:06,171 ZANEETA'S SCARED OF YOU, 1860 01:33:06,171 --> 01:33:07,673 BUT I'M NOT! 1861 01:33:07,673 --> 01:33:09,174 I SHOULD THINK YOU'D HATE TO HAVE YOUR OWN DAUGHTER 1862 01:33:09,174 --> 01:33:11,176 SCARED OF YOU. GREAT HONK. 1863 01:33:11,176 --> 01:33:13,178 I'M GOING TO WARN YOU ONCE MORE. 1864 01:33:13,178 --> 01:33:15,180 IF I EVER CATCH YOU TOUCHING MY DAUGHTER, 1865 01:33:15,180 --> 01:33:16,682 I'LL HORSEWHIP YOU. 1866 01:33:17,182 --> 01:33:17,683 NOW, GEORGE! 1867 01:33:18,183 --> 01:33:20,686 NOT ONE POOP OUT OF YOU, MADAM. 1868 01:33:21,186 --> 01:33:24,690 I THINK HE MEANS PEEP. 1869 01:33:24,690 --> 01:33:25,691 YEAH. 1870 01:33:28,193 --> 01:33:31,196 NOW GET OUT OF THIS PUBLIC EMPORIUM! 1871 01:33:31,196 --> 01:33:33,699 I GOT AS MUCH RIGHT IN A PUBLIC EMPORIUM 1872 01:33:33,699 --> 01:33:34,700 AS ANYBODY! 1873 01:33:34,700 --> 01:33:37,202 RIGHT? HOW DO YOU GET ANY RIGHT AROUND HERE, 1874 01:33:37,202 --> 01:33:38,203 AIDING AND ABETTING THE SWINDLING ACTIVITIES 1875 01:33:38,203 --> 01:33:40,706 OF THIS SPELLBINDING CYMBAL SALESMAN? 1876 01:33:40,706 --> 01:33:42,207 DO YOU KNOW WHAT I SEE WRITTEN ALL OVER YOU? 1877 01:33:42,708 --> 01:33:43,709 REFORM SCHOOL. 1878 01:33:43,709 --> 01:33:45,210 NOW GET OUT! 1879 01:33:45,210 --> 01:33:47,212 GET OUT, YOU WILD KID, YOU! 1880 01:33:47,212 --> 01:33:48,213 PAPA, PLEASE! 1881 01:33:48,213 --> 01:33:50,716 IT'S CAPULETS LIKE YOU 1882 01:33:50,716 --> 01:33:52,217 MAKE BLOOD IN THE MARKETPLACE! 1883 01:33:52,217 --> 01:33:54,219 YE GODS! 1884 01:33:54,219 --> 01:33:55,220 YOU WATCH YOUR PHRASEOLOGY, 1885 01:33:55,220 --> 01:33:56,722 YOUNG WOMAN! 1886 01:33:56,722 --> 01:33:57,723 GO HOME. 1887 01:33:59,725 --> 01:34:02,227 TAKING UP WITH WILD KIDS 1888 01:34:02,728 --> 01:34:03,729 FROM THE WRONG SIDE OF TOWN... 1889 01:34:03,729 --> 01:34:06,732 MAYOR SHINN, IF I COULD JUST MAKE YOU UNDERSTAND. 1890 01:34:06,732 --> 01:34:08,233 WELL, YOU CAN'T! 1891 01:34:08,734 --> 01:34:10,736 AND, BY THE WAY, THANKS FOR THE BUGGY RIDE. 1892 01:34:11,236 --> 01:34:12,237 I READ THAT BOOK YOU GAVE ME 1893 01:34:12,237 --> 01:34:14,239 FROM COVER TO COVER FOR A WHOLE WEEK NOW 1894 01:34:14,239 --> 01:34:15,741 AND DIDN'T FIND A THING. 1895 01:34:15,741 --> 01:34:17,242 MR. MAYOR, IF YOU PLEASE-- 1896 01:34:17,242 --> 01:34:18,243 I'LL SETTLE YOUR HASH 1897 01:34:18,243 --> 01:34:19,244 AS SOON AS I GET THESE PREMISES 1898 01:34:19,244 --> 01:34:20,746 OFF MY OLDEST GIRL. 1899 01:34:22,748 --> 01:34:23,749 YES? 1900 01:34:23,749 --> 01:34:24,750 ALL RIGHT, BUT IN THE MEANTIME, 1901 01:34:24,750 --> 01:34:27,252 I'D LIKE YOU TO KNOW I'M VOUCHING FOR TOMMY DJILAS. 1902 01:34:27,252 --> 01:34:29,755 THAT BOY HAS THE CONFIDENCE OF EVERY KID IN THIS TOWN. 1903 01:34:29,755 --> 01:34:31,256 YOU'LL BE STANDING IN LINE WAITING TO SHAKE HIS HAND 1904 01:34:31,256 --> 01:34:34,259 BY THE TIME OUR BAND PLAYS ITS FIRST CONCERT. 1905 01:34:34,259 --> 01:34:36,261 BY THAT TIME, MY FINE YOUNG FEATHERED-- 1906 01:34:36,762 --> 01:34:39,264 MY FEATHERED YOUNG-- MY FEATHERED FINE-- 1907 01:34:39,765 --> 01:34:41,266 NEVER MIND! 1908 01:34:42,768 --> 01:34:44,770 HA HA HA HA! 1909 01:34:44,770 --> 01:34:46,772 OLIVER, JACEY, EWART, OLIN! 1910 01:34:46,772 --> 01:34:49,274 I WANT THAT MAN'S REFERENCES, 1911 01:34:49,274 --> 01:34:51,777 AND I WANT THEM TONIGHT! 1912 01:34:51,777 --> 01:34:53,779 HE'S SLIPPERIER THAN A MISSISSIPPI... 1913 01:34:53,779 --> 01:34:54,780 STURGEON. 1914 01:34:54,780 --> 01:34:57,282 I THINK MAYOR SHINN BEHAVED ABOMINABLY, 1915 01:34:57,282 --> 01:34:59,284 AND I THINK IT WAS WONDERFUL OF YOU 1916 01:34:59,284 --> 01:35:01,787 STICKING UP FOR TOMMY DJILAS THE WAY YOU DID. 1917 01:35:01,787 --> 01:35:02,788 OH, THAT WAS NOTHING. 1918 01:35:02,788 --> 01:35:04,790 OH, YES, IT WAS. 1919 01:35:04,790 --> 01:35:06,291 WELL, A MAN CAN'T GO BACK ON HIS PRINCIPLES 1920 01:35:06,291 --> 01:35:09,294 MERELY BECAUSE A LITTLE PERSONAL RISK IS INVOLVED. 1921 01:35:09,795 --> 01:35:11,296 WHAT DOES THE POET SAY? 1922 01:35:11,797 --> 01:35:13,799 "A COWARD DIES A THOUSAND DEATHS, 1923 01:35:13,799 --> 01:35:17,803 A BRAVE MAN... ONLY 500." 1924 01:35:17,803 --> 01:35:19,304 SOMETHING LIKE THAT. 1925 01:35:19,304 --> 01:35:21,807 GET HIS PAPERS OR GET HIM IN JAIL! 1926 01:35:21,807 --> 01:35:23,308 I COULDN'T MAKE MYSELF ANY CLEARER 1927 01:35:23,308 --> 01:35:27,813 IF I WAS A BUTTONHOOK IN THE WELL WATER! 1928 01:35:29,815 --> 01:35:31,817 I'VE BEEN WANTING TO TALK TO YOU 1929 01:35:32,317 --> 01:35:33,318 ABOUT WINTHROP'S CORNET. 1930 01:35:33,819 --> 01:35:34,820 OH, YES. A BEAUTIFUL INSTRUMENT-- 1931 01:35:34,820 --> 01:35:36,321 HAND-HAMMERED BRASS, 1932 01:35:36,321 --> 01:35:37,823 MOTHER-OF-PEARL KEYS. 1933 01:35:37,823 --> 01:35:39,324 BUT HE NEVER TOUCHES THE CORNET. 1934 01:35:39,825 --> 01:35:41,326 HE SAID YOU TOLD HIM IT WASN'T NECESSARY. 1935 01:35:41,326 --> 01:35:43,328 YOU MUST UNDERSTAND, MISS MARIAN-- 1936 01:35:43,829 --> 01:35:45,831 SOMETHING ABOUT A THINK SYSTEM. 1937 01:35:46,331 --> 01:35:48,333 HE SAYS IF HETHINKS THEMINUET IN G, 1938 01:35:48,333 --> 01:35:49,835 HE CAN PLAY IT. 1939 01:35:50,335 --> 01:35:52,337 I ADMIT IT'S STILL IN THE EXPERIMENTAL STAGES, 1940 01:35:52,337 --> 01:35:55,841 AND I SUPPOSE TO A SEASONED PROFESSIONAL 1941 01:35:55,841 --> 01:35:56,842 IT MAY SEEM LUDICROUS. 1942 01:35:57,342 --> 01:35:59,344 OH, YOU MUSTN'T SAY THAT. 1943 01:35:59,845 --> 01:36:00,846 I MUSTN'T? 1944 01:36:00,846 --> 01:36:02,848 NO. WHY, THROUGHOUT HISTORY, 1945 01:36:03,348 --> 01:36:05,851 THE TRUE ORIGINATOR IS ALWAYS LAUGHED AT. 1946 01:36:05,851 --> 01:36:07,352 I HOPE YOU DON'T CLASS ME 1947 01:36:07,352 --> 01:36:10,355 WITH THOSE SMALL MINDS WHO RIDICULED-- 1948 01:36:10,355 --> 01:36:11,857 GALILEO. 1949 01:36:11,857 --> 01:36:13,859 YES. AND HIS CONCEPTION OF THE HEAVENS. 1950 01:36:13,859 --> 01:36:15,360 OR FULTON. 1951 01:36:15,360 --> 01:36:16,862 YES. OR COLUMBUS. 1952 01:36:16,862 --> 01:36:21,366 AND HIS CONCEPTION OF THE EGG. UH, GLOBE. 1953 01:36:21,366 --> 01:36:23,368 THE ONE THING ONE MUST REMEMBER, 1954 01:36:23,368 --> 01:36:26,371 NO MATTER WHO ONE IS OR WHAT ONE IS WORKING FOR, 1955 01:36:26,371 --> 01:36:29,374 ONE CAN DO ANYTHING IF ONE PUTS ONE'S MIND TO IT. 1956 01:36:29,374 --> 01:36:32,377 MISS MARIAN, IF ONE COULD ONLY TELL YOU 1957 01:36:32,377 --> 01:36:36,381 HOW MUCH YOU'VE DONE FOR ONE. 1958 01:36:36,381 --> 01:36:39,384 I WOULD DEEM IT A GREAT PRIVILEGE 1959 01:36:39,384 --> 01:36:41,887 TO TALK WITH YOU AGAIN. 1960 01:36:41,887 --> 01:36:43,889 WELL, ALL I SAID-- 1961 01:36:43,889 --> 01:36:46,892 MAY ONE CALL UPON YOU SOME EVENING? 1962 01:36:48,894 --> 01:36:51,396 ANY NIGHT THIS WEEK. 1963 01:37:11,250 --> 01:37:15,254 [WHISTLINGGARY, INDIANA] 1964 01:37:15,254 --> 01:37:18,257 GOOD EVENING, GENTLEMEN. 1965 01:37:18,257 --> 01:37:21,260 SORRY, PROFESSOR, BUT WE GOT OUR ORDERS. 1966 01:37:21,260 --> 01:37:23,762 WE ALL BEEN DEPUTIZED. 1967 01:37:23,762 --> 01:37:26,265 YES, YES, YES, YES. WELL, CONGRATULATIONS. 1968 01:37:26,265 --> 01:37:28,267 NOW, LET ME SEE. EVERY TIME I TRY 1969 01:37:28,267 --> 01:37:29,768 TO GIVE YOU FELLOWS THOSE CREDENTIALS, 1970 01:37:30,269 --> 01:37:32,771 YOU ALWAYS TRY TO CHANGE THE SUBJECT SOMEHOW. 1971 01:37:32,771 --> 01:37:34,273 IT'S ALMOST LIKE A CONSPIRACY. 1972 01:37:34,273 --> 01:37:35,774 I'LL JUST GO TO MY ROOM AND GET THEM RIGHT NOW. 1973 01:37:36,275 --> 01:37:38,277 SORRY. AFRAID I'LL HAVE TO GO WITH YOU. 1974 01:37:38,777 --> 01:37:40,779 OH, YES. 1975 01:37:40,779 --> 01:37:43,282 WELL, LET'S SEE IF I HAVE MY KEY. 1976 01:37:43,282 --> 01:37:44,783 WHAT'S THIS? 1977 01:37:47,786 --> 01:37:49,288 WELL, WHAT DO YOU KNOW? 1978 01:37:50,789 --> 01:37:53,292 A TESTIMONIAL FROM THE ONLY FEMALE BASSOON PLAYER 1979 01:37:53,292 --> 01:37:54,793 EVER TO APPEAR ON THE REDPATH CIRCUIT-- 1980 01:37:55,294 --> 01:37:55,794 MADAME REENYHOOK. 1981 01:37:56,295 --> 01:37:57,296 OH, THAT'S HER STAGE NAME, OF COURSE. 1982 01:37:57,296 --> 01:38:00,299 ACTUALLY, SHE'S FROM MOLINE. LIDA ROSE QUACKENBUSH. 1983 01:38:00,299 --> 01:38:02,301 COULDN'T I JUST SEE THAT? 1984 01:38:02,301 --> 01:38:03,302 YOU NEVER FORGET THE NAME LIDA ROSE. 1985 01:38:03,802 --> 01:38:04,803 JUST LIKE IN THE OLD SONG. 1986 01:38:04,803 --> 01:38:07,306 NONE OF THAT, NOW. 1987 01:38:07,806 --> 01:38:08,807 ♪♪ LIDA ROSE ♪♪ 1988 01:38:08,807 --> 01:38:11,810 ♪♪ I'M HOME AGAIN, ROSE ♪♪ 1989 01:38:11,810 --> 01:38:13,812 ♪♪ TO GET THE ♪♪ 1990 01:38:13,812 --> 01:38:15,314 ♪♪ SUN ♪♪ 1991 01:38:15,314 --> 01:38:18,317 ♪♪ BACK IN THE ♪♪ 1992 01:38:18,317 --> 01:38:21,320 ♪♪ SKY ♪♪ 1993 01:38:21,320 --> 01:38:23,822 ♪♪ LIDA ROSE ♪♪ 1994 01:38:23,822 --> 01:38:28,327 ♪♪ I'M HOME AGAIN, ROSE ♪♪ 1995 01:38:28,327 --> 01:38:34,833 ♪ ♪♪ ABOUT A THOUSAND KISSES SHY ♪ 1996 01:38:34,833 --> 01:38:36,335 ♪♪ DING ♪♪ 1997 01:38:36,335 --> 01:38:37,836 ♪♪ DONG ♪♪ 1998 01:38:37,836 --> 01:38:39,838 ♪♪ DING ♪♪ 1999 01:38:39,838 --> 01:38:41,840 ♪♪ I CAN HEAR ♪♪ 2000 01:38:41,840 --> 01:38:45,844 ♪♪ THE CHAPEL BELL CHIME ♪♪ 2001 01:38:45,844 --> 01:38:46,845 ♪♪ DING ♪♪ 2002 01:38:47,346 --> 01:38:48,347 ♪♪ DONG ♪♪ 2003 01:38:48,847 --> 01:38:50,849 ♪♪ DING ♪♪ 2004 01:38:50,849 --> 01:38:55,854 ♪ ♪♪ AT THE LEAST SUGGESTION ♪ 2005 01:38:56,355 --> 01:39:00,859 ♪♪ I'LL POP THE QUESTION ♪♪ 2006 01:39:00,859 --> 01:39:03,862 ♪♪ LIDA ROSE ♪♪ 2007 01:39:03,862 --> 01:39:07,866 ♪♪ I'M HOME AGAIN, ROSE ♪♪ 2008 01:39:07,866 --> 01:39:12,871 ♪♪ WITHOUT A SWEETHEART TO MY NAME ♪♪ 2009 01:39:12,871 --> 01:39:15,374 ♪♪ LIDA ROSE ♪♪ 2010 01:39:15,874 --> 01:39:19,878 ♪♪ HOW EVERYONE KNOWS ♪♪ 2011 01:39:20,379 --> 01:39:26,885 ♪♪ THAT I AM HOPING YOU'RE THE SAME ♪♪ 2012 01:39:26,885 --> 01:39:33,892 ♪ ♪♪ SO HERE IS MY LOVE SONG ♪ 2013 01:39:33,892 --> 01:39:39,398 ♪♪ NOT FANCY OR FINE ♪♪ 2014 01:39:39,398 --> 01:39:41,400 ♪♪ LIDA ROSE ♪♪ 2015 01:39:41,400 --> 01:39:45,904 ♪♪ OH, WON'T YOU BE ♪♪ 2016 01:39:45,904 --> 01:39:47,906 ♪♪ MINE? LIDA ROSE ♪♪ 2017 01:39:47,906 --> 01:39:48,907 ♪♪ LIDA ROSE OH, LIDA ROSE ♪♪ 2018 01:39:49,408 --> 01:39:57,416 ♪♪ OH, LIDA ROSE ♪♪ 2019 01:39:57,416 --> 01:40:01,420 ♪♪ ♪♪ DREAM OF NOW 2020 01:40:01,420 --> 01:40:04,423 ♪♪ DREAM OF THEN ♪♪ 2021 01:40:04,423 --> 01:40:08,927 ♪♪ DREAM OF A LOVE SONG ♪♪ 2022 01:40:08,927 --> 01:40:11,930 ♪♪ THAT MIGHT HAVE BEEN ♪♪ 2023 01:40:11,930 --> 01:40:15,434 ♪♪ DO I LOVE YOU? ♪♪ 2024 01:40:15,434 --> 01:40:19,438 ♪♪ OH, YES, I LOVE YOU ♪♪ 2025 01:40:19,438 --> 01:40:23,442 ♪♪ AND I'LL BRAVELY TELL YOU ♪♪ 2026 01:40:23,442 --> 01:40:29,448 ♪♪ BUT ONLY WHEN WE DREAM AGAIN ♪♪ 2027 01:40:29,448 --> 01:40:30,949 ♪♪ SWEET ♪♪ 2028 01:40:30,949 --> 01:40:33,452 ♪♪ AND LOW ♪♪ 2029 01:40:33,452 --> 01:40:34,953 ♪♪ SWEET ♪♪ 2030 01:40:34,953 --> 01:40:37,456 ♪♪ AND LOW ♪♪ 2031 01:40:37,956 --> 01:40:42,461 ♪♪ HOW SWEET THAT MEMORY ♪♪ 2032 01:40:42,461 --> 01:40:45,964 ♪♪ HOW LONG AGO? ♪♪ 2033 01:40:45,964 --> 01:40:48,967 ♪♪ FOREVER? ♪♪ 2034 01:40:48,967 --> 01:40:52,971 ♪♪ OH, YES, FOREVER ♪♪ 2035 01:40:52,971 --> 01:40:56,475 ♪♪ WILL I EVER TELL? ♪♪ 2036 01:40:58,977 --> 01:41:00,479 ♪♪ LIDA ROSE ♪♪ 2037 01:41:00,479 --> 01:41:02,981 ♪♪ OH, LIDA ROSE, OH ♪♪ 2038 01:41:02,981 --> 01:41:06,985 ♪ ♪♪ DREAM OF NOW... ♪ 2039 01:41:06,985 --> 01:41:10,989 ♪♪ TO GET THE SUN BACK IN THE SKY... ♪♪ 2040 01:41:10,989 --> 01:41:15,494 ♪♪ ♪♪ DREAM OF A LOVE SONG 2041 01:41:15,994 --> 01:41:18,497 ♪♪ ABOUT A THOUSAND KISSES SHY ♪♪ 2042 01:41:18,497 --> 01:41:22,000 ♪♪ DO I LOVE YOU? ♪♪ 2043 01:41:22,000 --> 01:41:26,004 ♪♪ I CAN HEAR THE CHAPEL BELL CHIME ♪♪ 2044 01:41:26,505 --> 01:41:30,008 ♪♪ AND I'LL BRAVELY TELL YOU ♪♪ 2045 01:41:30,509 --> 01:41:36,014 ♪♪ AT THE LEAST SUGGESTION I'LL POP THE QUESTION ♪♪ 2046 01:41:36,515 --> 01:41:40,018 ♪♪ SWEET AND LOW ♪♪ 2047 01:41:40,018 --> 01:41:44,022 ♪♪ WITHOUT A SWEETHEART TO MY NAME ♪♪ 2048 01:41:44,523 --> 01:41:49,027 ♪♪ ♪♪ HOW SWEET THE MEMORY 2049 01:41:49,027 --> 01:41:52,531 ♪♪ THAT I AM HOPING YOU'RE THE SAME ♪♪ 2050 01:41:52,531 --> 01:41:55,534 ♪♪ FOREVER? ♪♪ 2051 01:41:55,534 --> 01:42:00,038 ♪♪ NOT FANCY OR FINE ♪♪ 2052 01:42:00,038 --> 01:42:05,544 ♪ ♪♪ WILL I EVER TELL YOU? ♪ 2053 01:42:05,544 --> 01:42:18,557 OH, LIDA ROSE ♪♪ ♪♪ OH, NO ♪♪ 2054 01:42:26,565 --> 01:42:27,566 [SIGHS] 2055 01:42:28,066 --> 01:42:30,068 WILL YOU EVER STOP ARGUING WITH YOURSELF? 2056 01:42:30,068 --> 01:42:32,070 WILL YOU EVER TELL HIM? WON'T YOU EVER TELL HIM? 2057 01:42:32,070 --> 01:42:34,072 AH, YES, AH, NO. 2058 01:42:34,072 --> 01:42:35,073 AW, FIDDLESTICKS. 2059 01:42:35,073 --> 01:42:36,575 JUST OPEN YOUR MOUTH AND LET IT COME OUT. 2060 01:42:37,075 --> 01:42:37,576 NOW, MAMA... 2061 01:42:38,076 --> 01:42:39,077 NOW, NOTHING. 2062 01:42:39,077 --> 01:42:41,079 AND IF HE EVER CALLS AGAIN, YOU SEE HIM ALONE. 2063 01:42:41,546 --> 01:42:42,547 AND IF YOU HAVEN'T GOT THE GUMPTION 2064 01:42:42,547 --> 01:42:44,049 TO TELL HIM HOW YOU FEEL-- 2065 01:42:44,049 --> 01:42:45,050 TELL HIM? 2066 01:42:45,550 --> 01:42:48,553 THERE'S NOTHING WRONG WITH A LADYLIKE HINT. 2067 01:42:48,553 --> 01:42:51,056 WHAT'S THAT THING YOU GOT? 2068 01:42:51,056 --> 01:42:52,557 IT'TH A GENUINE HERCULETH 2069 01:42:52,557 --> 01:42:54,559 COMBINATHION POCKETKNIFE AND TOOL KIT 2070 01:42:55,060 --> 01:42:58,563 WITH THICK, THTURDY THTEEL BLADES. 2071 01:42:58,563 --> 01:43:00,065 BLESSED MARTIN OF TOURS! 2072 01:43:00,065 --> 01:43:04,069 ONE THPEAR BLADE, ONE THMALL PEN BLADE, 2073 01:43:04,069 --> 01:43:08,573 A FILE, AND A COMBINATHION TACK PULLER AND THCREWDRIVER. 2074 01:43:08,573 --> 01:43:11,076 WHERE'D YOU PICK UP THAT HORRIBLE WEAPON? 2075 01:43:11,076 --> 01:43:14,079 IT WAS A PRESENT FROM HAROLD. 2076 01:43:14,079 --> 01:43:15,080 PROFESSOR HILL? 2077 01:43:15,080 --> 01:43:16,581 UH-HUH. 2078 01:43:16,581 --> 01:43:19,084 HE THAYTH IF I'M GOING TO THTICK AROUND RIVER THITY, 2079 01:43:19,084 --> 01:43:20,585 I BETTER LEARN TO WHITTLE AND THPIT. 2080 01:43:20,585 --> 01:43:23,088 I GOT THE THPITTING DOWN PRETTY GOOD. 2081 01:43:23,088 --> 01:43:26,591 WINTHROP, WHAT DO YOU AND HAROLD 2082 01:43:26,591 --> 01:43:27,592 FIND TO TALK ABOUT? 2083 01:43:27,592 --> 01:43:29,594 THOMETIMETH WE TALK BUTHINETH 2084 01:43:29,594 --> 01:43:32,097 AND THOMETIMETH JUTHT PLAIN TALK. 2085 01:43:32,097 --> 01:43:34,599 HE TALKS ABOUT HIS HOMETOWN, GARY, INDIANA, 2086 01:43:35,100 --> 01:43:36,601 AND HE THAID MAYBE HE'LL TAKE ME THERE THOMEDAY. 2087 01:43:37,102 --> 01:43:38,603 WELL, ISN'T THAT NICE? 2088 01:43:39,104 --> 01:43:41,106 HE TAUGHT ME A THONG ABOUT IT 2089 01:43:41,106 --> 01:43:42,607 WITH HARDLY ANY ETHETH IN IT. 2090 01:43:43,108 --> 01:43:45,110 ♪♪ GARY, INDIANA ♪♪ 2091 01:43:45,110 --> 01:43:47,112 ♪♪ GARY, INDIANA ♪♪ 2092 01:43:47,112 --> 01:43:48,613 ♪♪ GARY, INDIANA ♪♪ 2093 01:43:48,613 --> 01:43:52,117 ♪♪ LET ME THAY IT ONTHE AGAIN ♪♪ 2094 01:43:52,117 --> 01:43:53,618 ♪♪ GARY, INDIANA ♪♪ 2095 01:43:54,119 --> 01:43:55,620 ♪♪ GARY, INDIANA ♪♪ 2096 01:43:55,620 --> 01:43:57,122 ♪♪ GARY, INDIANA ♪♪ 2097 01:43:57,122 --> 01:44:00,125 ♪♪ THAT'TH THE TOWN THAT KNEW ME WHEN ♪♪ 2098 01:44:00,125 --> 01:44:04,129 ♪♪ IF YOU'D LIKE TO HAVE A LOGICAL EXPLANATHION ♪♪ 2099 01:44:04,129 --> 01:44:08,133 ♪♪ HOW I HAPPENED ON THITH ELEGANT THINCOPATHION ♪♪ 2100 01:44:08,133 --> 01:44:12,637 ♪♪ I WILL THAY WITHOUT A MOMENT OF HETHITATHION ♪♪ 2101 01:44:12,637 --> 01:44:14,639 ♪♪ THERE ITH JUTHT ONE PLATHE ♪♪ 2102 01:44:14,639 --> 01:44:17,142 ♪ ♪♪ THAT CAN LIGHT MY FATHE ♪ 2103 01:44:17,142 --> 01:44:19,644 ♪♪ GARY, INDIANA ♪♪ 2104 01:44:19,644 --> 01:44:21,146 ♪♪ GARY, INDIANA ♪♪ 2105 01:44:21,146 --> 01:44:22,647 ♪♪ AND NOT LOUITHIANA ♪♪ 2106 01:44:22,647 --> 01:44:25,150 ♪♪ PARITH, FRANTH NEW YORK, OR ROME ♪♪ 2107 01:44:25,150 --> 01:44:26,651 ♪♪ BUT ♪♪ 2108 01:44:26,651 --> 01:44:28,153 ♪♪ GARY, INDIANA ♪♪ 2109 01:44:28,153 --> 01:44:29,654 ♪♪ GARY, INDIANA ♪♪ 2110 01:44:29,654 --> 01:44:31,656 ♪♪ GARY, INDIANA ♪♪ 2111 01:44:31,656 --> 01:44:34,159 ♪♪ MY HOME, SWEET HOME ♪♪ 2112 01:44:34,659 --> 01:44:38,163 [TAPPITY-TAPPITY-TAP] 2113 01:44:38,163 --> 01:44:39,664 HA HA HA HA! 2114 01:44:39,664 --> 01:44:41,166 HA HA HA HA! 2115 01:44:41,666 --> 01:44:43,668 ALL RIGHT, ENOUGH OF THAT. 2116 01:44:44,169 --> 01:44:45,170 COME ALONG, NOW. 2117 01:44:45,670 --> 01:44:49,674 YOU STILL HAVE TO CHANGE FOR THE SOCIABLE. 2118 01:44:59,184 --> 01:45:02,687 HEY, DO THE SHINNS LIVE AROUND HERE SOMEWHERE? 2119 01:45:03,188 --> 01:45:06,191 THE SHINN HOME IS ON EAST ELM. 2120 01:45:06,691 --> 01:45:08,193 THIS IS WEST ELM. 2121 01:45:08,693 --> 01:45:09,694 OH, CRIMINY! 2122 01:45:10,195 --> 01:45:12,697 OH, I SEE YOU'RE THE PIANO TEACHER 2123 01:45:12,697 --> 01:45:14,199 HERE IN TOWN. 2124 01:45:14,199 --> 01:45:15,700 YOU MUST KNOW ABOUT THIS FELLOW HILL 2125 01:45:16,201 --> 01:45:17,202 FORMING A BOYS' BAND HERE. 2126 01:45:17,202 --> 01:45:18,203 YES! 2127 01:45:18,203 --> 01:45:20,705 WELL, DON'T LET THAT WORRY YOU NO MORE. 2128 01:45:20,705 --> 01:45:22,207 I GOT THE GOODS ON HIM IN SPADES, 2129 01:45:22,707 --> 01:45:25,210 THAT SWINDLING 2-BIT THIMBLERIGGER! 2130 01:45:25,210 --> 01:45:26,211 THAT'S WHY I GOT TO SEE SHINN. 2131 01:45:26,211 --> 01:45:27,212 I'M JUST PASSING THROUGH, 2132 01:45:27,212 --> 01:45:29,214 AND NUMBER 8 ONLY MAKES 2133 01:45:29,214 --> 01:45:30,715 A 15-MINUTE WATER STOP, AND-- 2134 01:45:31,216 --> 01:45:32,717 [TRAIN WHISTLE BLOWS] 2135 01:45:33,218 --> 01:45:34,219 OOH! 2136 01:45:34,719 --> 01:45:36,721 I WISH IT WAS 2O. 2137 01:45:37,222 --> 01:45:39,224 SURE COULD CONCENTRATE 2138 01:45:39,224 --> 01:45:41,726 5 MINUTES ON YOU, GIRLIE-GIRL. 2139 01:45:42,227 --> 01:45:43,728 WHO ARE YOU? 2140 01:45:43,728 --> 01:45:45,230 THE NAME'S CHARLIE COWELL. 2141 01:45:45,730 --> 01:45:46,731 ANVIL SALESMAN. 2142 01:45:47,232 --> 01:45:48,233 [BANG] 2143 01:45:48,733 --> 01:45:52,237 BUT I'VE GOT HEAVIER THINGS ON MY MIND. 2144 01:45:52,237 --> 01:45:53,238 I'VE GOT TO PROTECT 2145 01:45:53,738 --> 01:45:55,240 THE GOOD NAME OF THE TRAVELING FRATERNITY 2146 01:45:55,240 --> 01:45:57,242 FROM THAT SWINDLER HILL. 2147 01:45:57,242 --> 01:46:00,745 MR. COWELL, YOU'RE MAKING A BIG MISTAKE. 2148 01:46:00,745 --> 01:46:04,249 MISTAKE, MY OLD LADY'S CORSET COVER. 2149 01:46:04,249 --> 01:46:06,251 THAT FELLOW'S BEEN THE RASPBERRY SEED 2150 01:46:06,251 --> 01:46:09,754 IN MY WISDOM TOOTH JUST LONG ENOUGH. 2151 01:46:09,754 --> 01:46:10,755 HE SPOILED ILLINOIS FOR ME, 2152 01:46:10,755 --> 01:46:12,257 BUT HE'S NOT GOING TO SPOIL IOWA. 2153 01:46:12,257 --> 01:46:15,260 WHAT KIND OF MUSIC TEACHER ARE YOU, ANYWAY? 2154 01:46:15,260 --> 01:46:16,261 HE'S NO MORE PROFESSOR-- 2155 01:46:16,261 --> 01:46:18,263 I KNOW ALL ABOUT THAT. 2156 01:46:18,763 --> 01:46:21,266 BAND LEADERS ARE ALWAYS CALLED PROFESSOR. 2157 01:46:21,266 --> 01:46:22,767 IT'S AN ACADEMIC COURTESY. 2158 01:46:22,767 --> 01:46:24,269 HE'S A FINE DIRECTOR-- 2159 01:46:24,269 --> 01:46:27,772 NOW WAIT A MINUTE! 2160 01:46:27,772 --> 01:46:29,274 FINE DIRECTOR? 2161 01:46:29,774 --> 01:46:32,277 YOU HEARD ONE NOTE OF MUSIC FROM ANY BAND? 2162 01:46:32,277 --> 01:46:35,280 WELL...NO, BUT-- 2163 01:46:35,280 --> 01:46:37,282 BUT NOTHING, GIRLIE-GIRL. 2164 01:46:37,282 --> 01:46:39,784 HE NEVER FORMED A BAND IN HIS LIFE, 2165 01:46:39,784 --> 01:46:41,286 AND YOU THINK HE EVER WILL? 2166 01:46:41,286 --> 01:46:43,788 NOT ON YOUR PREVIOUS EXISTENCE. 2167 01:46:43,788 --> 01:46:46,291 IF YOU'LL JUST LISTEN TO ME FOR A MINUTE... 2168 01:46:46,291 --> 01:46:49,794 I'D LIKE TO... DO MORE THAN THAT 2169 01:46:49,794 --> 01:46:51,796 IF I HAD THE TIME. 2170 01:46:51,796 --> 01:46:56,801 SURE GOT THE INCLINATION. 2171 01:46:56,801 --> 01:46:57,802 BUT I'VE GOT TO GET BACK ON THAT TRAIN, 2172 01:46:58,303 --> 01:46:59,304 AND I'VE GOT TO LEAVE THIS DYNAMITE 2173 01:46:59,304 --> 01:47:00,805 WITH SOMEBODY ON THE WAY TO THE DEPOT. 2174 01:47:00,805 --> 01:47:02,807 BYE, GIRLIE-GIRL. 2175 01:47:02,807 --> 01:47:05,310 I'LL SEE YOU NEXT TIME. 2176 01:47:06,811 --> 01:47:09,314 YOU'LL NEVER MAKE THAT TRAIN AT THE DEPOT. 2177 01:47:09,314 --> 01:47:10,815 YOU'LL HAVE TO CATCH IT AT THE CROSSING. 2178 01:47:10,815 --> 01:47:13,318 NO, SIR. GOT TO LEAVE WORD, 2179 01:47:13,318 --> 01:47:15,820 AND I CAN SEE YOU AIN'T THE ONE TO LEAVE IT WITH. 2180 01:47:15,820 --> 01:47:18,823 WAIT A MINUTE... MR. COWELL. 2181 01:47:18,823 --> 01:47:22,827 ♪♪ ♪♪♪♪♪♪ 2182 01:47:22,827 --> 01:47:26,831 YOU DON'T KNOW ME VERY WELL YET. 2183 01:47:28,333 --> 01:47:33,338 IS THAT AN INVITATION, GIRLIE-GIRL? 2184 01:47:33,338 --> 01:47:34,339 NO! 2185 01:47:34,339 --> 01:47:36,341 I MEAN, UH, I DON'T KNOW YOU. 2186 01:47:36,341 --> 01:47:39,344 YEAH, I'D NEED MORE TIME ANYWAY. 2187 01:47:39,344 --> 01:47:41,346 WHAT I MEAN IS, UH, 2188 01:47:41,346 --> 01:47:44,849 AS WELL AS I'D LIKE TO. 2189 01:47:44,849 --> 01:47:46,851 ♪♪ ♪♪ ♪♪ ♪♪ 2190 01:47:46,851 --> 01:47:51,356 OH, THERE'S NO TROUBLE THERE, GIRLIE-GIRL. 2191 01:47:51,356 --> 01:47:52,857 ♪♪ ♪♪ ♪♪ ♪♪ 2192 01:47:52,857 --> 01:47:55,860 I'VE, UH, NEVER MET A MAN 2193 01:47:55,860 --> 01:47:57,862 WHO SELLS ANVILS BEFORE. 2194 01:47:57,862 --> 01:48:00,365 IT'S REALLY QUITE... 2195 01:48:00,365 --> 01:48:02,367 DIFFERENT. 2196 01:48:02,367 --> 01:48:04,869 ♪♪ ♪♪ ♪♪ ♪♪ 2197 01:48:04,869 --> 01:48:09,374 IT TAKES A REAL SALESMAN TO TELL YOU THAT. 2198 01:48:09,374 --> 01:48:11,876 ANVILS HAVE A LIMITED APPEAL, YOU KNOW. 2199 01:48:11,876 --> 01:48:18,383 ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ 2200 01:48:18,383 --> 01:48:19,884 WHAT AM I DOING? 2201 01:48:20,385 --> 01:48:21,386 IF I MISS THAT TRAIN, I'LL LOSE MY JOB. 2202 01:48:21,386 --> 01:48:24,889 I'VE GOT TO LEAVE WORD ABOUT THAT FELLOW HILL. 2203 01:48:24,889 --> 01:48:26,891 LEAVE WORD WITH ME. 2204 01:48:26,891 --> 01:48:31,396 NOT ON YOUR TINTYPE, GIRLIE-GIRL. 2205 01:48:31,396 --> 01:48:32,897 HOW DO I KNOW YOU'D DELIVER THESE LETTERS? 2206 01:48:32,897 --> 01:48:34,899 TRY ME. 2207 01:48:34,899 --> 01:48:36,401 ♪♪ ♪♪ ♪♪ ♪♪ 2208 01:48:36,401 --> 01:48:39,404 [TRAIN WHISTLE BLOWS] 2209 01:48:39,404 --> 01:48:43,408 ♪♪ ♪♪ ♪♪ ♪♪ 2210 01:48:43,408 --> 01:48:46,911 [TRAIN RUMBLES] 2211 01:48:46,911 --> 01:48:48,913 THERE'S YOUR TRAIN. NOW RUN FOR IT! 2212 01:48:48,913 --> 01:48:50,915 WHY, YOU DOUBLE-DEALING-- 2213 01:48:50,915 --> 01:48:53,418 WHO DO YOU THINK YOU'RE PROTECTING? 2214 01:48:53,418 --> 01:48:55,920 THAT GUY HAS A GAL 2215 01:48:55,920 --> 01:48:58,423 IN EVERY COUNTY IN ILLINOIS, 2216 01:48:58,423 --> 01:49:00,925 AND THAT'S 1O2 COUNTIES! 2217 01:49:00,925 --> 01:49:01,926 NOT COUNTING 2218 01:49:01,926 --> 01:49:03,928 THE PIANO TEACHERS LIKE YOU 2219 01:49:03,928 --> 01:49:05,930 HE COZIES UP TO 2220 01:49:05,930 --> 01:49:09,434 JUST TO KEEP YOUR MOUTHS SHUT. 2221 01:49:09,934 --> 01:49:10,935 NEITHER ONE OF YOU HAVE HEARD 2222 01:49:11,436 --> 01:49:12,937 THE LAST OF ME, GIRLIE-GIRL! 2223 01:49:13,471 --> 01:49:14,973 ♪♪ ...SUGGESTION ♪♪ 2224 01:49:14,973 --> 01:49:16,975 ♪♪ I'LL POP THE QUESTION ♪♪ 2225 01:49:16,975 --> 01:49:18,476 ♪♪ LIDA ROSE ♪♪ 2226 01:49:18,476 --> 01:49:19,978 ♪♪ I'M HOME AGAIN, ROSE ♪♪ 2227 01:49:19,978 --> 01:49:25,483 ♪♪ WITHOUT A SWEETHEART TO MY NAME ♪♪ 2228 01:49:25,483 --> 01:49:35,994 ♪♪ GOOD EVENING, MISS MARIANNNN ♪♪ 2229 01:49:35,994 --> 01:49:38,997 ♪♪ LIDA ROSE, HOW EVERYONE KNOWS ♪♪ 2230 01:49:38,997 --> 01:49:42,000 ♪♪ THAT I AM HOPING YOU'RE THE SAME ♪♪ 2231 01:49:42,000 --> 01:49:44,002 MARIAN! 2232 01:49:44,002 --> 01:49:46,504 ♪♪ SO HERE IS MY LOVE... ♪♪ 2233 01:49:46,504 --> 01:49:50,008 MARIAN, DEAR, WHO WAS YOU TALKING-- 2234 01:49:50,508 --> 01:49:51,509 WHY, PROFESSOR HILL! 2235 01:49:52,010 --> 01:49:53,511 MRS. PAROO, THE TOP OF THE EVENING. 2236 01:49:53,511 --> 01:49:54,512 MISS MARIAN. 2237 01:49:54,512 --> 01:49:56,514 YOU AND MARIAN COME UP AND SET. 2238 01:49:57,015 --> 01:49:59,517 I'VE GOT SOME JELLY ON THE STOVE. 2239 01:49:59,517 --> 01:50:01,519 THERE'S NO JELLY ON THE STOVE, MAMA. 2240 01:50:01,519 --> 01:50:05,023 WELL, I'LL PUT SOME ON. 2241 01:50:07,025 --> 01:50:10,028 SHALL WE SET, AS YOUR MOTHER SAID? 2242 01:50:10,528 --> 01:50:11,529 REALLY, I DON'T-- 2243 01:50:12,030 --> 01:50:15,166 YOU DID ASK ME TO CALL, REMEMBER? 2244 01:50:15,166 --> 01:50:18,169 DID I? I DIDN'T MEAN ANYTHING. 2245 01:50:18,169 --> 01:50:19,670 OH, NOW, MISS MARIAN, I'M NOT SUGGESTING 2246 01:50:19,670 --> 01:50:21,172 THAT YOUR INVITATION INFERRED ANYTHING 2247 01:50:21,172 --> 01:50:25,176 BUT ACADEMIC ENLIGHTENMENT, 2248 01:50:25,176 --> 01:50:27,178 THE THINK SYSTEM. 2249 01:50:27,178 --> 01:50:28,679 I'VE BEEN BY YOUR HOUSE A TIME OR TWO 2250 01:50:29,180 --> 01:50:30,181 TO TRY TO EXPLAIN IT TO YOU, 2251 01:50:30,181 --> 01:50:33,184 BUT THERE ALWAYS SEEM TO BE PEOPLE AROUND-- 2252 01:50:33,184 --> 01:50:35,186 LADIES, MOSTLY, I THOUGHT. 2253 01:50:35,186 --> 01:50:38,189 YES. MRS. SQUIRES AND SEVERAL OF THE OTHER LADIES. 2254 01:50:38,189 --> 01:50:39,690 I'M GLAD. 2255 01:50:39,690 --> 01:50:43,694 I WOULDN'T WANT ANYONE BEATING MY TIME. 2256 01:50:45,696 --> 01:50:48,199 YOU WOULDN'T? 2257 01:50:48,199 --> 01:50:50,201 NO, MA'AM. 2258 01:50:50,201 --> 01:50:51,702 WELL, IT'S EVIDENTLY 2259 01:50:51,702 --> 01:50:54,205 NOT THE CONVENIENT EVENING. 2260 01:50:54,205 --> 01:50:57,708 I'LL SEE YOU LATER AT THE SOCIABLE. 2261 01:50:57,708 --> 01:50:59,210 PROFESSOR HILL, 2262 01:50:59,210 --> 01:51:02,713 IS IT TRUE THAT YOU'VE HAD A HUNDRED... 2263 01:51:02,713 --> 01:51:03,714 WHAT I'M TRYING TO SAY IS... 2264 01:51:03,714 --> 01:51:04,715 YES? 2265 01:51:04,715 --> 01:51:06,717 I WAS WONDERING... 2266 01:51:08,219 --> 01:51:11,722 HOW YOU DEVELOPED THE THINK SYSTEM. 2267 01:51:11,722 --> 01:51:13,724 THE THINK SYSTEM? 2268 01:51:13,724 --> 01:51:15,226 OH! THE THINK SYSTEM! 2269 01:51:15,226 --> 01:51:17,728 WELL, IT'S QUITE SIMPLE, REALLY. 2270 01:51:17,728 --> 01:51:20,231 IT'S AS SIMPLE AS WHISTLING. 2271 01:51:20,231 --> 01:51:21,732 NO ONE HAD TO DEVELOP 2272 01:51:21,732 --> 01:51:23,734 ANY ELABORATE TECHNIQUE FOR WHISTLING. 2273 01:51:23,734 --> 01:51:26,237 YOU SIMPLY THINK THE TUNE UP HERE, 2274 01:51:26,237 --> 01:51:29,240 AND IT COMES OUT CLEARLY HERE. 2275 01:51:29,240 --> 01:51:31,242 [WHISTLING] 2276 01:51:32,243 --> 01:51:35,746 JUST YOU SUPPOSE YOU TRY THIS YOURSELF. 2277 01:51:35,746 --> 01:51:38,749 I'LL TAKE YOUR WORD FOR IT. 2278 01:51:38,749 --> 01:51:41,752 WHY DON'T WE ALL SIT DOWN? 2279 01:51:41,752 --> 01:51:46,257 ARE ALL MUSIC TEACHERS AS DENSE AS I AM? 2280 01:51:46,257 --> 01:51:47,758 ALLMUSIC TEACHERS? 2281 01:51:47,758 --> 01:51:49,760 DARESAY YOU'VE MET DOZENS, 2282 01:51:49,760 --> 01:51:51,762 MAYBE EVEN A HUNDRED. 2283 01:51:51,762 --> 01:51:53,264 WELL... 2284 01:51:53,264 --> 01:51:56,767 ARE THEY ALL AS FASCINATED AS I WITH... 2285 01:51:58,269 --> 01:52:00,271 THE THINK SYSTEM? 2286 01:52:00,271 --> 01:52:02,773 SOME MORE AND SOME LESS. 2287 01:52:02,773 --> 01:52:04,775 ONE YOUNG LADY HAD THOUGHT UP THE SAME SYSTEM 2288 01:52:05,276 --> 01:52:06,277 BEFORE I GOT TO HER TOWN. 2289 01:52:06,777 --> 01:52:09,780 SHE SHOWED ME A FEW REFINEMENTS. 2290 01:52:09,780 --> 01:52:11,282 I SEE. 2291 01:52:11,282 --> 01:52:13,784 HAVE I SAID SOMETHING WRONG? 2292 01:52:13,784 --> 01:52:16,787 PLEASE DON'T LET ME KEEP YOU, PROFESSOR HILL. 2293 01:52:16,787 --> 01:52:18,789 YOU MUST HAVE MANY MORE IMPORTANT THINGS TO DO 2294 01:52:18,789 --> 01:52:20,791 THAN EXPLAIN THE THINK SYSTEM TO ME. 2295 01:52:20,791 --> 01:52:23,794 NOPE. I CAN'T THINK OF A ONE. LET'S SIT DOWN. 2296 01:52:23,794 --> 01:52:26,297 I MUST BE VERY DULL COMPANY 2297 01:52:26,297 --> 01:52:28,299 FOR A MAN OF YOUR EXPERIENCE. 2298 01:52:28,799 --> 01:52:30,301 WHERE DID YOU EVER GET AN IDEA LIKE THAT? 2299 01:52:30,801 --> 01:52:33,804 ONE HEARS RUMORS ABOUT TRAVELING SALESMEN. 2300 01:52:33,804 --> 01:52:36,807 YOU MUSTN'T BELIEVE EVERYTHING YOU HEAR. 2301 01:52:36,807 --> 01:52:37,808 AFTER ALL, 2302 01:52:37,808 --> 01:52:40,811 ONE EVEN HEARS RUMORS ABOUT LIBRARIANS. 2303 01:52:40,811 --> 01:52:41,812 I PRESUME 2304 01:52:41,812 --> 01:52:44,815 YOU'RE REFERRING TO UNCLE MADDY? 2305 01:52:44,815 --> 01:52:46,317 UNCLEMADDY? 2306 01:52:46,817 --> 01:52:49,320 MR. MADISON, MY FATHER'S BEST FRIEND. 2307 01:52:49,320 --> 01:52:51,322 NO MATTER WHAT THEY SAY, 2308 01:52:51,822 --> 01:52:52,823 HE LEFT ME THAT LIBRARY JOB TO ME 2309 01:52:53,324 --> 01:52:55,326 SO MOTHER, WINTHROP, AND I COULD HAVE SOME SECURITY. 2310 01:52:55,326 --> 01:52:57,328 SURELY YOUDON'T BELIEVE-- 2311 01:52:57,328 --> 01:52:59,830 NO, NO, NO, BUT THAT'S JUST WHAT I'M SAYING. 2312 01:53:00,331 --> 01:53:02,833 WHY DO YOU SUPPOSE PEOPLE START THOSE RUMORS? 2313 01:53:02,833 --> 01:53:04,835 NARROW-MINDEDNESS, JEALOUSY. 2314 01:53:04,835 --> 01:53:06,837 JEALOUSY, MOSTLY, I GUESS. 2315 01:53:06,837 --> 01:53:07,838 EXACTLY! 2316 01:53:07,838 --> 01:53:11,342 JEALOUSY MOSTLY STARTS RUMORS ABOUT TRAVELING SALESMEN. 2317 01:53:24,855 --> 01:53:26,857 WHAT HAVE YOU HEARD? 2318 01:53:26,857 --> 01:53:30,361 OH, NOTHING ABOUT YOU PERSONALLY. 2319 01:53:30,361 --> 01:53:33,364 IT'S JUST, YOU KNOW, GENERALLY. 2320 01:53:35,866 --> 01:53:38,869 WELL, WHAT HAVE YOU HEARD GENERALLY? 2321 01:53:39,370 --> 01:53:40,871 JUST THAT... 2322 01:53:42,373 --> 01:53:44,375 BUT, OF COURSE! 2323 01:53:44,375 --> 01:53:46,377 IT STANDS TO REASON 2324 01:53:46,377 --> 01:53:48,379 THAT DISAPPOINTMENT AND JEALOUSY 2325 01:53:48,379 --> 01:53:49,880 CAN LEAD TO-- 2326 01:53:49,880 --> 01:53:51,882 TAKE YOU, FOR INSTANCE. 2327 01:53:51,882 --> 01:53:54,885 YOUR ATTENTIONS TO CUSTOMERS AND TEACHERS 2328 01:53:54,885 --> 01:53:56,387 MIGHT EASILY BE MISCONSTRUED, 2329 01:53:56,387 --> 01:53:57,888 MIGHTN'T THEY? 2330 01:53:57,888 --> 01:54:00,891 I MEAN, NOW, HONESTLY, MIGHTN'T THEY? 2331 01:54:01,392 --> 01:54:04,395 AND AS YOU SAY, IF A SALESMAN OR SOMEBODY WERE JEALOUS, 2332 01:54:04,895 --> 01:54:07,898 THEY COULD BE DOWNRIGHT LIES, NOW, COULDN'T THEY? 2333 01:54:08,399 --> 01:54:09,400 WHAT COULD? 2334 01:54:09,900 --> 01:54:10,901 RUMORS AND THINGS. 2335 01:54:11,402 --> 01:54:12,403 WHY, OF COURSE! 2336 01:54:12,903 --> 01:54:13,904 IT JUST GOES TO SHOW YOU 2337 01:54:13,904 --> 01:54:15,906 YOU SHOULD NEVER BELIEVE EVERYTHING YOU HEAR. 2338 01:54:16,407 --> 01:54:19,410 I MEAN, IF YOU'D JUST DISCUSS THINGS! 2339 01:54:19,910 --> 01:54:21,912 I WOULD BE DELIGHTED TO DISCUSS 2340 01:54:21,912 --> 01:54:25,416 ANYTHING IN THE WORLD WITH YOU, 2341 01:54:25,416 --> 01:54:28,919 BUT COULDN'T WE DO IT SITTING DOWN? 2342 01:54:28,919 --> 01:54:30,421 YOU DO SIT? 2343 01:54:30,621 --> 01:54:31,622 YOUR KNEES BEND? 2344 01:54:32,123 --> 01:54:35,126 WE COULD SIT ON THE STEPS. 2345 01:54:35,126 --> 01:54:38,129 WE COULD ALSO SIT ON A LOG 2346 01:54:38,129 --> 01:54:40,631 AT THE FOOTBRIDGE. 2347 01:54:40,631 --> 01:54:44,635 NO. I COULDN'T DO THAT. 2348 01:54:44,635 --> 01:54:46,137 I'VE NEVER BEEN TO THE FOOTBRIDGE WITH A MAN 2349 01:54:46,137 --> 01:54:47,138 IN MY LIFE. 2350 01:54:47,138 --> 01:54:49,140 JUST TO TALK. 2351 01:54:49,140 --> 01:54:52,143 I HAVE TO DRESS FOR THE SOCIABLE. 2352 01:54:56,147 --> 01:54:59,150 THEN MEET ME THERE IN 15 MINUTES. 2353 01:54:59,150 --> 01:55:01,652 OH, NO, I--I CAN'T. 2354 01:55:01,652 --> 01:55:03,154 PLEASE. 2355 01:55:03,154 --> 01:55:05,156 SOME OTHER TIME. 2356 01:55:05,156 --> 01:55:07,158 MAYBE TOMORROW. 2357 01:55:07,658 --> 01:55:10,661 PLEASE. 2358 01:55:10,661 --> 01:55:13,164 OH, MY DEAR LITTLE LIBRARIAN, 2359 01:55:13,164 --> 01:55:15,666 YOU PILE UP ENOUGH TOMORROWS, 2360 01:55:15,666 --> 01:55:18,669 AND YOU'LL FIND YOU'VE COLLECTED NOTHING 2361 01:55:18,669 --> 01:55:21,172 BUT A LOT OF EMPTY YESTERDAYS. 2362 01:55:21,672 --> 01:55:25,176 I DON'T KNOW ABOUT YOU, 2363 01:55:25,176 --> 01:55:28,679 BUT I'D LIKE TO MAKE TODAY WORTH REMEMBERING. 2364 01:55:29,180 --> 01:55:33,184 OHH. 2365 01:55:33,184 --> 01:55:35,686 SO WOULD I. 2366 01:55:39,190 --> 01:55:41,192 THE FOOTBRIDGE. 2367 01:55:41,192 --> 01:55:43,194 15 MINUTES. 2368 01:55:52,703 --> 01:55:55,206 15 MINUTES. 2369 01:56:12,223 --> 01:56:13,224 MAMA! 2370 01:56:13,724 --> 01:56:14,725 WHAT? 2371 01:56:14,725 --> 01:56:17,228 I JUST TOLD THE PROFESSOR 2372 01:56:17,228 --> 01:56:19,230 I'D MEET HIM AT THE FOOTBRIDGE. 2373 01:56:19,230 --> 01:56:20,731 GLORY BE AND THE SAINTS BE PRAISED. 2374 01:56:20,731 --> 01:56:22,233 IT WORKS! 2375 01:56:22,233 --> 01:56:23,734 WHAT WORKS? 2376 01:56:23,734 --> 01:56:27,738 I'VE BEEN USING THE THINK SYSTEM ON YOU 2377 01:56:27,738 --> 01:56:29,240 FROM THE PARLOR. 2378 01:56:48,726 --> 01:56:52,229 HEY, ANY OF YOU PEOPLE MAYOR SHINN? 2379 01:57:11,248 --> 01:57:12,750 HEY! 2380 01:57:12,750 --> 01:57:14,251 HEY! 2381 01:57:14,251 --> 01:57:15,252 HEY! 2382 01:57:15,252 --> 01:57:16,253 HEY! 2383 01:57:16,253 --> 01:57:17,254 HEY! PLEASE! 2384 01:57:17,755 --> 01:57:18,756 YOU'VE GOT TO CLEAR THIS AREA. 2385 01:57:18,756 --> 01:57:21,759 MRS. SHINN WANTS TO START THE ENTERTAINMENT. 2386 01:57:21,759 --> 01:57:22,760 OH! OH! 2387 01:57:23,260 --> 01:57:25,763 WE WANT TO DANCE. 2388 01:57:25,763 --> 01:57:27,264 WAIT UNTIL YOU SEE SOME OF THE NEW STEPS 2389 01:57:27,264 --> 01:57:28,265 PROFESSOR HILL TAUGHT US. 2390 01:57:28,766 --> 01:57:32,770 MR. WASHBURN, MY GROUP IS READY TO PERFORM! 2391 01:57:32,770 --> 01:57:35,272 START HER OUT, MR. WASHBURN. 2392 01:57:35,773 --> 01:57:36,774 OK. WHAT WILL IT BE? 2393 01:57:37,274 --> 01:57:38,275 THE SHIPOOPI! 2394 01:57:38,776 --> 01:57:40,778 YAY! YAY! 2395 01:57:42,780 --> 01:57:44,782 ♪♪ NOW, A WOMAN WHO'LL KISS ON THE VERY FIRST DATE ♪♪ 2396 01:57:44,782 --> 01:57:46,283 ♪♪ IS USUALLY A HUSSY ♪♪ 2397 01:57:46,784 --> 01:57:48,285 ♪♪ AND A WOMAN WHO'LL KISS ON THE SECOND TIME OUT ♪♪ 2398 01:57:48,285 --> 01:57:49,787 ♪♪ IS ANYTHING BUT FUSSY ♪♪ 2399 01:57:49,787 --> 01:57:52,289 ♪ ♪♪ BUT A WOMAN WHO'LL WAIT TILL THE THIRD TIME AROUND ♪ 2400 01:57:52,289 --> 01:57:53,791 ♪♪ HEAD IN THE CLOUDS, FEET ON THE GROUND ♪♪ 2401 01:57:53,791 --> 01:57:55,793 ♪♪ SHE'S THE GIRL HE'S GLAD HE'S FOUND ♪♪ 2402 01:57:55,793 --> 01:57:56,794 ♪♪ SHE'S HIS SHIPOOPI ♪♪ 2403 01:57:56,794 --> 01:57:57,795 ♪♪ SHIPOOPI ♪♪ 2404 01:57:57,795 --> 01:57:58,796 ♪♪ SHIPOOPI ♪♪ 2405 01:57:58,796 --> 01:57:59,797 ♪♪ SHIPOOPI ♪♪ 2406 01:57:59,797 --> 01:58:00,798 ♪♪ THE GIRL WHO'S HARD TO GET ♪♪ 2407 01:58:01,298 --> 01:58:01,799 ♪♪ SHIPOOPI ♪♪ 2408 01:58:02,299 --> 01:58:02,800 ♪♪ SHIPOOPI ♪♪ 2409 01:58:03,300 --> 01:58:03,801 ♪♪ SHIPOOPI ♪♪ 2410 01:58:04,301 --> 01:58:06,303 ♪♪ BUT YOU CAN WIN HER YET ♪♪ 2411 01:58:06,303 --> 01:58:07,805 ♪♪ WALK HER ONCE JUST TO RAISE THE CURTAIN ♪♪ 2412 01:58:07,805 --> 01:58:09,807 ♪♪ WALK AROUND TWICE, AND YOU MAKE FOR CERTAIN ♪♪ 2413 01:58:09,807 --> 01:58:11,308 ♪♪ ONCE MORE IN THE FLOWER GARDEN ♪♪ 2414 01:58:11,308 --> 01:58:13,310 ♪♪ SHE WILL NEVER GET SORE IF YOU BEG HER PARDON ♪♪ 2415 01:58:14,812 --> 01:58:16,814 ♪♪ ♪♪ DO RE MI FA SOL LA SI DO 2416 01:58:16,814 --> 01:58:18,315 ♪♪ SI LA SOL FA MI RE DO ♪♪ 2417 01:58:18,315 --> 01:58:19,817 ♪♪ SQUEEZE HER ONCE WHEN SHE ISN'T LOOKING ♪♪ 2418 01:58:19,817 --> 01:58:21,819 ♪♪ IF YOU GET A SQUEEZE BACK , THAT'S FANCY COOKIN' ♪♪ 2419 01:58:21,819 --> 01:58:23,320 ♪♪ ♪♪ ONCE MORE FOR A PEPPER-UPPER 2420 01:58:23,320 --> 01:58:25,322 ♪♪ SHE WILL NEVER GET SORE ON HER WAY TO SUPPER ♪♪ 2421 01:58:27,324 --> 01:58:28,826 ♪♪ ♪♪ DO RE MI FA SOL LA SI DO 2422 01:58:29,326 --> 01:58:30,327 ♪♪ SI DO ♪♪ 2423 01:58:30,327 --> 01:58:32,329 ♪♪ NOW, LITTLE OL' SAL WAS A NO-GAL ♪♪ 2424 01:58:32,329 --> 01:58:33,831 ♪♪ AS ANYONE COULD SEE ♪♪ 2425 01:58:33,831 --> 01:58:35,332 ♪♪ LOOK AT HER NOW, SHE'S A GO-GAL ♪♪ 2426 01:58:35,332 --> 01:58:36,834 ♪♪ WHO ONLY GOES FOR ME ♪♪ 2427 01:58:36,834 --> 01:58:39,336 ♪♪ SQUEEZE HER ONCE WHEN SHE ISN'T LOOKING ♪♪ 2428 01:58:39,336 --> 01:58:40,838 ♪♪ IF YOU GET A SQUEEZE BACK , THAT'S FANCY COOKIN' ♪♪ 2429 01:58:40,838 --> 01:58:42,339 ♪♪ ♪♪ ONCE MORE FOR A PEPPER-UPPER 2430 01:58:42,339 --> 01:58:44,341 ♪♪ SHE WILL NEVER GET SORE ON HER WAY TO SUPPER ♪♪ 2431 01:58:44,341 --> 01:58:46,343 ♪♪ ♪♪ DO RE MI FA SOL LA SI DO 2432 01:58:46,844 --> 01:58:47,344 ♪♪ SI DO ♪♪ 2433 01:58:47,845 --> 01:58:48,345 ♪♪ SHIPOOPI ♪♪ 2434 01:58:48,846 --> 01:58:49,346 ♪♪ SHIPOOPI ♪♪ 2435 01:58:49,847 --> 01:58:50,848 ♪♪ SHIPOOPI ♪♪ 2436 01:58:50,848 --> 01:58:51,849 ♪♪ THE GIRL WHO'S HARD TO GET ♪♪ 2437 01:58:51,849 --> 01:58:52,850 ♪♪ SHIPOOPI ♪♪ 2438 01:58:52,850 --> 01:58:53,851 ♪♪ SHIPOOPI ♪♪ 2439 01:58:53,851 --> 01:58:55,352 ♪♪ SHIPOOPI ♪♪ 2440 01:58:55,352 --> 01:58:56,854 ♪♪ BUT YOU CAN WIN HER YET ♪♪ 2441 01:58:58,856 --> 01:59:00,357 WHOA! 2442 02:00:56,974 --> 02:00:57,975 ♪♪ SHIPOOPI ♪♪ 2443 02:00:58,475 --> 02:00:59,476 ♪♪ SHIPOOPI ♪♪ 2444 02:00:59,476 --> 02:01:00,477 ♪♪ SHIPOOPI ♪♪ 2445 02:01:00,477 --> 02:01:01,979 ♪♪ THE GIRL WHO'S HARD TO GET ♪♪ 2446 02:01:02,479 --> 02:01:02,980 ♪♪ ♪♪ SHIPOOPI 2447 02:01:03,480 --> 02:01:03,981 ♪♪ SHIPOOPI ♪♪ 2448 02:01:04,481 --> 02:01:04,982 ♪ ♪♪ SHIPOOPI... ♪ 2449 02:01:05,482 --> 02:01:07,985 HEY, PROFESSOR, SHOW US SOME NEW STEPS! 2450 02:02:03,540 --> 02:02:04,541 WHOA! 2451 02:02:05,042 --> 02:02:06,043 WHOA! 2452 02:02:06,043 --> 02:02:07,044 WHOA! 2453 02:02:20,557 --> 02:02:21,558 ♪♪ SHIPOOPI ♪♪ 2454 02:02:21,558 --> 02:02:22,559 ♪♪ SHIPOOPI ♪♪ 2455 02:02:22,559 --> 02:02:23,560 ♪♪ SHIPOOPI ♪♪ 2456 02:02:23,560 --> 02:02:24,561 ♪♪ THE GIRL WHO'S HARD TO GET ♪♪ 2457 02:02:24,561 --> 02:02:25,562 ♪♪ SHIPOOPI ♪♪ 2458 02:02:25,562 --> 02:02:26,563 ♪♪ SHIPOOPI ♪♪ 2459 02:02:26,563 --> 02:02:27,564 ♪♪ SHIPOOPI ♪♪ 2460 02:02:27,564 --> 02:02:29,066 ♪ ♪♪ BUT YOU CAN WIN HER YET ♪ 2461 02:02:29,066 --> 02:02:36,073 ♪♪ YOU CAN WIN HER YET ♪♪ 2462 02:02:36,073 --> 02:02:37,574 ♪♪ SHIPOOPI! ♪♪ 2463 02:02:37,574 --> 02:02:40,077 YAY! YAY! 2464 02:02:40,077 --> 02:02:42,579 WHOO! YAY! 2465 02:02:42,579 --> 02:02:44,081 WHOO! HOO! 2466 02:02:44,081 --> 02:02:45,582 YAY! 2467 02:02:47,084 --> 02:02:48,585 PROFESSOR HILL, I-- 2468 02:02:48,585 --> 02:02:52,089 THIS IS NO PLACE TO TALK. 2469 02:02:52,089 --> 02:02:53,090 YOU'RE NOT GOING TO BACK DOWN? 2470 02:02:53,090 --> 02:02:56,093 NO. I'LL COME, BUT I PROMISED MOTHER AND WINTHROP 2471 02:02:56,093 --> 02:02:57,094 TO HAVE A PLATE OF CREAM WITH THEM. 2472 02:02:57,594 --> 02:02:59,596 YOU GO ALONG. I'LL MEET YOU THERE. 2473 02:02:59,596 --> 02:03:01,598 15 MINUTES. 2474 02:03:04,101 --> 02:03:05,602 15 MINUTES. 2475 02:03:15,779 --> 02:03:17,281 HA HA HA HA! 2476 02:03:17,781 --> 02:03:21,285 AND NOW WE ARRIVE AT THE HIGH-WATER MARK 2477 02:03:21,285 --> 02:03:23,287 OF THE EVENING'S FESTIVITIES. 2478 02:03:23,287 --> 02:03:26,790 THE RIVER CITY LADIES' EURYTHMIC DANCE GROUP, 2479 02:03:26,790 --> 02:03:29,793 UNDER THE LEADERSHIP OF MY WIFE, 2480 02:03:29,793 --> 02:03:33,297 WILL GIVE THEIR INTERPRETATION OF, UH, OF... 2481 02:03:33,297 --> 02:03:34,298 PSSST! 2482 02:03:34,298 --> 02:03:35,299 PSSST! 2483 02:03:35,299 --> 02:03:38,302 GRECIAN URNS. 2484 02:03:38,302 --> 02:03:39,803 YES. 2485 02:03:39,803 --> 02:03:41,805 GRECIAN URNS. 2486 02:03:43,807 --> 02:03:45,309 PSST! PSST! 2487 02:04:08,332 --> 02:04:11,835 ONE GRECIAN URN. 2488 02:04:14,338 --> 02:04:16,340 [APPLAUSE] 2489 02:04:19,877 --> 02:04:21,879 HA HA HA! 2490 02:05:00,918 --> 02:05:03,420 [PLAYING GOOD NIGHT, MY SOMEONE] 2491 02:05:23,941 --> 02:05:25,442 MISS MARIAN, YOU'RE LATE. 2492 02:05:25,943 --> 02:05:27,444 YOU SAID 15 MINUTES. 2493 02:05:27,444 --> 02:05:29,947 I DON'T MEAN THAT KIND OF LATE. 2494 02:05:29,947 --> 02:05:32,950 I MEANT...I'D SAY ABOUT 26 YEARS LATE. 2495 02:05:32,950 --> 02:05:35,953 IT TOOK YOU ALL THIS TIME 2496 02:05:35,953 --> 02:05:38,956 TO GET TO THE FOOTBRIDGE WITH A FELLOW. 2497 02:05:38,956 --> 02:05:39,957 IF YOU WANT TO KNOW THE TRUTH, 2498 02:05:39,957 --> 02:05:41,959 IT WAS ALMOST LONGER. 2499 02:05:41,959 --> 02:05:43,460 HALFWAY HERE, 2500 02:05:43,460 --> 02:05:45,462 I NEARLY TURNED BACK. 2501 02:05:45,462 --> 02:05:49,967 I SUPPOSE I'M NOT THE FIRST PERSON TO DISCOVER 2502 02:05:49,967 --> 02:05:50,968 A GIRL DOESN'T THINK TOO CLEARLY 2503 02:05:50,968 --> 02:05:52,970 WHEN UNDER THE SPELL OF YOUR SALESMANSHIP. 2504 02:05:52,970 --> 02:05:56,940 OH, NOW, MISS MARIAN, YOU SURELY DON'T THINK 2505 02:05:56,940 --> 02:05:58,442 I'VE BEEN TRYING TO SELLYOUANYTHING? 2506 02:05:58,942 --> 02:06:00,444 NO. YOU'VE GIVEN ME SOMETHING. 2507 02:06:00,444 --> 02:06:03,447 THAT'S WHY I HAD TO COME. 2508 02:06:03,947 --> 02:06:06,950 I DON'T RECALL GIVING YOU-- 2509 02:06:06,950 --> 02:06:08,952 OH, YES, SOMETHING BEAUTIFUL. 2510 02:06:08,952 --> 02:06:10,954 THAT'S WHY I CAME. 2511 02:06:10,954 --> 02:06:12,956 AND I'M SO GLAD. 2512 02:06:12,956 --> 02:06:16,960 PLEASE DON'T BE AFRAID THAT I EXPECT TOO MUCH MORE. 2513 02:06:16,960 --> 02:06:19,463 ONE CAN'T EXPECT A TRAVELING SALESMAN 2514 02:06:19,463 --> 02:06:20,964 TO STAY PUT. 2515 02:06:20,964 --> 02:06:22,466 I KNOW THERE HAVE BEEN MANY PORTS OF CALL, 2516 02:06:22,466 --> 02:06:24,468 AND THERE'LL BE MANY MORE. 2517 02:06:24,468 --> 02:06:26,970 STILL, I CAN BE GRATEFUL 2518 02:06:26,970 --> 02:06:29,473 FOR WHAT YOU'VE LEFT BEHIND--FOR ME. 2519 02:06:29,973 --> 02:06:31,975 WELL, MARIAN-- 2520 02:06:33,477 --> 02:06:38,482 ♪♪ THERE WERE BELLS ON THE HILL ♪♪ 2521 02:06:38,482 --> 02:06:44,488 ♪ ♪♪ BUT I NEVER HEARD THEM RINGING ♪ 2522 02:06:44,488 --> 02:06:49,493 ♪♪ NO, I NEVER HEARD THEM AT ALL ♪♪ 2523 02:06:49,493 --> 02:06:53,997 ♪♪ TILL THERE WAS YOU ♪♪ 2524 02:06:55,499 --> 02:07:00,504 ♪♪ THERE WERE BIRDS IN THE SKY ♪♪ 2525 02:07:00,504 --> 02:07:06,009 ♪♪ BUT I NEVER SAW THEM WINGING ♪♪ 2526 02:07:06,009 --> 02:07:10,514 ♪♪ NO, I NEVER SAW THEM AT ALL ♪♪ 2527 02:07:10,514 --> 02:07:15,519 ♪♪ TILL THERE WAS YOU ♪♪ 2528 02:07:16,019 --> 02:07:19,022 ♪♪ AND THERE WAS MUSIC ♪♪ 2529 02:07:19,022 --> 02:07:26,029 ♪♪ AND THERE WERE WONDERFUL ROSES ♪♪ 2530 02:07:26,029 --> 02:07:28,532 ♪♪ THEY TELL ME ♪♪ 2531 02:07:28,532 --> 02:07:32,536 ♪♪ IN SWEET, FRAGRANT MEADOWS ♪♪ 2532 02:07:32,536 --> 02:07:39,543 ♪ ♪♪ OF DAWN AND DEW ♪ 2533 02:07:39,543 --> 02:07:44,548 ♪♪ THERE WAS LOVE ALL AROUND ♪♪ 2534 02:07:45,048 --> 02:07:50,554 ♪♪ BUT I NEVER HEARD IT SINGING ♪♪ 2535 02:07:50,554 --> 02:07:55,559 ♪♪ NO, I NEVER HEARD IT AT ALL ♪♪ 2536 02:07:55,559 --> 02:08:00,564 ♪♪ TILL THERE WAS YOU ♪♪ 2537 02:08:20,083 --> 02:08:25,589 ♪♪ THERE WAS LOVE ALL AROUND ♪♪ 2538 02:08:25,589 --> 02:08:33,096 ♪♪ BUT I NEVER HEARD IT SINGING ♪♪ 2539 02:08:33,096 --> 02:08:39,603 ♪♪ NO, I NEVER HEARD IT AT ALL ♪♪ 2540 02:08:39,603 --> 02:08:52,115 ♪♪ TILL THERE WAS YOU ♪♪ 2541 02:09:11,635 --> 02:09:15,138 MARIAN, THERE ARE A LOT OF THINGS 2542 02:09:15,138 --> 02:09:18,642 THAT YOU DON'T KNOW ABOUT ME. 2543 02:09:20,143 --> 02:09:22,646 I'M NOT ASKING. 2544 02:09:24,147 --> 02:09:25,148 EXCUSE ME. 2545 02:09:25,649 --> 02:09:28,652 I'M EXPECTING A TELEGRAM FROM RUDI FRIML. 2546 02:09:29,152 --> 02:09:31,154 THIS COULD BE IT. 2547 02:09:36,159 --> 02:09:37,994 SAY, WHO'S THE SALESMAN AROUND HERE? 2548 02:09:37,994 --> 02:09:39,996 LOOKS LIKE SHE'S SELLING, AND YOU'RE BUYING. 2549 02:09:39,996 --> 02:09:42,499 I TOLD YOU I HAD TO KEEP HER OFF BALANCE. 2550 02:09:42,499 --> 02:09:44,000 YEAH. SHE'S SO OFF BALANCE NOW 2551 02:09:44,000 --> 02:09:46,002 YOU CAN'T TELL HER FROM A CATBOAT IN A HURRICANE. 2552 02:09:46,002 --> 02:09:47,003 I GOT TO KEEP HER THAT WAY 2553 02:09:47,504 --> 02:09:48,505 UNTIL THOSE UNIFORMS ARRIVE. 2554 02:09:48,505 --> 02:09:50,507 THEY'RE HERE, AND THE KIDS ARE IN THEM. 2555 02:09:50,507 --> 02:09:53,510 TOMMY PASSED OUT UNIFORMS AND COLLECTED MOST OF THE MONEY. 2556 02:09:53,510 --> 02:09:56,012 NOW HE'S TRYING TO KEEP THE KIDS TOGETHER, 2557 02:09:56,012 --> 02:09:58,014 PRETENDING THERE'S A BAND PRACTICE 2558 02:09:58,014 --> 02:09:59,015 DOWN AT THE LUMBER YARD. 2559 02:09:59,015 --> 02:10:00,517 WHAT TIME DOES THE FREIGHT TRAIN GO? 2560 02:10:01,017 --> 02:10:02,018 9:4O. 2561 02:10:02,519 --> 02:10:04,521 IT ISN'T EVEN 8:3O YET. 2562 02:10:04,521 --> 02:10:07,023 LISTEN, YOU BETTER CHEESE IT NOW WHILE YOU CAN. 2563 02:10:07,023 --> 02:10:09,025 LISTEN, I CAME UP THROUGH THE RANKS 2564 02:10:09,526 --> 02:10:10,527 ON THIS SKIRMISH, 2565 02:10:10,527 --> 02:10:12,028 AND I'M NOT RESIGNING WITHOUT MY COMMISSION. 2566 02:10:12,028 --> 02:10:14,531 NOW GO ON. BEAT IT. 2567 02:10:17,033 --> 02:10:21,538 NEVER A PEACEFUL MOMENT IN THE MUSIC BUSINESS. 2568 02:10:23,039 --> 02:10:25,041 NOW, WHERE WERE WE? 2569 02:10:25,041 --> 02:10:27,544 YOU WERE GOING TO TELL ME 2570 02:10:28,044 --> 02:10:30,046 WHAT I DON'T KNOW ABOUT YOU. 2571 02:10:30,547 --> 02:10:33,550 YEAH. WE DON'T HAVE TO GO INTO THAT RIGHT NOW, 2572 02:10:34,050 --> 02:10:35,552 DO WE? 2573 02:10:36,052 --> 02:10:38,555 OF COURSE NOT. 2574 02:10:39,055 --> 02:10:41,558 WE NEVER HAVE TO GO INTO THAT, HAROLD. 2575 02:10:42,058 --> 02:10:43,059 MADAM LIBRARIAN, 2576 02:10:43,059 --> 02:10:46,062 YOU ARE A LADY FROM THE GROUND UP. 2577 02:10:46,062 --> 02:10:48,064 THE LIBRARIAN HASN'T FELT MUCH 2578 02:10:48,064 --> 02:10:50,567 LIKE DOING RESEARCH LATELY. 2579 02:10:50,567 --> 02:10:54,070 BUT SHE DID PLENTY OF IT WHEN YOU FIRST CAME HERE. 2580 02:10:54,070 --> 02:10:55,572 OH? 2581 02:10:55,572 --> 02:10:57,073 ABOUT WHAT? 2582 02:10:57,574 --> 02:10:59,576 OH, ABOUT PROFESSOR HAROLD HILL, 2583 02:10:59,576 --> 02:11:02,078 GARY CONSERVATORY OF MUSIC, 2584 02:11:02,078 --> 02:11:06,082 GOLD MEDAL CLASS OF 'O5. 2585 02:11:06,082 --> 02:11:09,085 HAROLD, THERE WASN'T ANY 2586 02:11:09,085 --> 02:11:11,588 GARY CONSERVATORY IN 'O5. 2587 02:11:12,088 --> 02:11:13,089 WELL, THERE MOST-- 2588 02:11:13,089 --> 02:11:17,093 BECAUSE THE TOWN WASN'T BUILT UNTIL 'O6. 2589 02:11:19,095 --> 02:11:21,097 COME ON, WALK ME HOME. 2590 02:11:21,097 --> 02:11:24,100 I HAVE TO GET SOMETHING TO DRAW AROUND MY SHOULDERS. 2591 02:11:24,100 --> 02:11:27,103 YOU KNEW ALL THE TIME. 2592 02:11:27,103 --> 02:11:31,107 I'VE KNOWN SINCE 3 DAYS AFTER YOU CAME HERE. 2593 02:11:31,107 --> 02:11:34,611 I TORE THIS OUT OF THE INDIANA JOURNAL. 2594 02:11:34,611 --> 02:11:40,116 I MEANT TO USE IT AGAINST YOU. 2595 02:11:40,116 --> 02:11:42,118 NOW I GIVE IT TO YOU WITH ALL MY HEART. 2596 02:11:43,119 --> 02:11:46,122 BUT IF YOU KNEW-- 2597 02:12:01,137 --> 02:12:04,841 ♪♪ IT'S YOUR SWEET "HELLO, DEAR" ♪♪ 2598 02:12:05,342 --> 02:12:08,845 ♪♪ THAT SETS ME UP ♪♪ 2599 02:12:08,845 --> 02:12:13,850 ♪♪ AND IT'S YOUR "GOT TO GO, DEAR" ♪♪ 2600 02:12:13,850 --> 02:12:21,358 ♪♪ THAT GETS ME DOWN ♪♪ 2601 02:12:21,858 --> 02:12:25,362 ♪♪ IT'S YOU ON MY PILLOW ♪♪ 2602 02:12:25,862 --> 02:12:29,366 ♪♪ IN ALL OF MY DREAMS ♪♪ 2603 02:12:29,366 --> 02:12:32,369 ♪♪ TILL ONCE MORE THE MORNING... ♪♪ 2604 02:12:32,869 --> 02:12:34,371 STOP! STOP! 2605 02:12:34,371 --> 02:12:36,373 STOP, I TELL YOU! 2606 02:12:36,373 --> 02:12:38,375 LISTEN TO THIS MAN. 2607 02:12:38,375 --> 02:12:40,877 WHY, YOU BONE-HEADED, 2608 02:12:40,877 --> 02:12:43,880 SQUARE-TOED, TANK-TOWN BOOBS! 2609 02:12:43,880 --> 02:12:45,882 I'VE BEEN TRYING TO TELL YOU! 2610 02:12:45,882 --> 02:12:47,384 CAN'T YOU GET IT THROUGH YOUR HEADS 2611 02:12:47,384 --> 02:12:48,385 THAT THIS MUSIC FELLOW'S 2612 02:12:48,385 --> 02:12:49,386 GIVING YOU THE DOUBLE SHUFFLE? 2613 02:12:49,386 --> 02:12:51,888 HE'S PUTTING THE SHAKE ON YOU! 2614 02:12:51,888 --> 02:12:52,889 HE'S TAKING OUT YOUR EYE TEETH 2615 02:12:52,889 --> 02:12:55,392 WHILE YOU'RE LOOKING THE OTHER WAY! 2616 02:12:55,392 --> 02:12:56,893 WHAT ARE YOU TRYING TO SAY, MISTER? 2617 02:12:56,893 --> 02:12:59,396 I'LL TELL YOU WHAT I'M SAYING! 2618 02:12:59,396 --> 02:13:00,897 THERE'S BURGLARS IN THE BEDROOM 2619 02:13:00,897 --> 02:13:03,900 WHILE YOU'RE FIDDLING IN THE PARLOR! 2620 02:13:03,900 --> 02:13:06,903 WHO'S BEDROOM ARE THE BURGLARS FIDDLING IN? 2621 02:13:06,903 --> 02:13:07,904 QUIET. 2622 02:13:07,904 --> 02:13:09,906 I'M TALKING ABOUT HAROLD HILL-- 2623 02:13:10,407 --> 02:13:11,408 A SHELL WORKER, 2624 02:13:11,408 --> 02:13:14,911 A FLIMFLAMMER, AN 18-KARAT THIEF! 2625 02:13:15,412 --> 02:13:16,913 YOU MEAN THE MUSIC PROFESSOR? 2626 02:13:16,913 --> 02:13:18,415 MUSIC PROFESSOR? 2627 02:13:18,415 --> 02:13:21,918 NOT ON YOUR FIRELESS COOKER, MISTER! 2628 02:13:21,918 --> 02:13:23,420 FELLOW THAT ORGANIZED THE BAND? 2629 02:13:23,420 --> 02:13:24,921 THERE AIN'T ANY BAND. 2630 02:13:24,921 --> 02:13:25,922 THERE AIN'T NEVER BEEN A BAND! 2631 02:13:26,423 --> 02:13:28,425 THERE AIN'T NEVER GONNA BE A BAND! 2632 02:13:28,925 --> 02:13:30,927 AND UNLESS YOU HUNT THIS MAN DOWN RIGHT NOW 2633 02:13:30,927 --> 02:13:32,429 LIKE A MAD DOG, 2634 02:13:32,429 --> 02:13:33,930 THERE AIN'T GONNA BE A HAROLD HILL, EITHER! 2635 02:13:33,930 --> 02:13:36,433 HE'LL BE ON HIS WAY TO THE STATE LINE! 2636 02:13:36,433 --> 02:13:39,936 I SAID ALL ALONG, GET HIS CREDENTIALS! 2637 02:13:39,936 --> 02:13:42,439 I GOT HIS CREDENTIALS RIGHT HERE! 2638 02:13:42,939 --> 02:13:44,441 WELL, WHAT ARE WE WAITING FOR? 2639 02:13:44,441 --> 02:13:45,942 I WANT MY MONEY BACK! 2640 02:13:46,443 --> 02:13:47,444 I WANT HIS HIDE! 2641 02:13:47,444 --> 02:13:49,946 FIND HIM AND BRING HIM OVER TO THE HIGH SCHOOL 2642 02:13:49,946 --> 02:13:51,948 ROPED AND HOG-TIED IF YOU HAVE TO 2643 02:13:52,449 --> 02:13:53,950 AND DON'T LET HIM GIVE YOU THE SLIP! 2644 02:13:53,950 --> 02:13:56,453 ALL RIGHT, AFTER HIM! 2645 02:14:46,503 --> 02:14:49,005 HAVE YOU SEEN PROFESSOR HILL? 2646 02:14:49,005 --> 02:14:51,007 HAVEN'T BEEN LOOKING FOR HIM. 2647 02:14:54,811 --> 02:14:56,813 I'LL ONLY BE A MINUTE. 2648 02:15:03,319 --> 02:15:06,823 [WHISTLING76 TROMBONES] 2649 02:15:06,823 --> 02:15:10,326 ♪♪ WHILE 11O CORNETS PLAYED THE AIR ♪♪ 2650 02:15:10,326 --> 02:15:12,829 ♪♪ THEN I MODESTLY TOOK MY PLACE ♪♪ 2651 02:15:12,829 --> 02:15:14,831 ♪♪ AS THE ONE AND ONLY BASS ♪♪ 2652 02:15:14,831 --> 02:15:18,835 ♪ ♪♪ AND I OOMPAHED UP AND DOWN THE SQUARE ♪ 2653 02:15:18,835 --> 02:15:22,338 ♪♪ GOOD NIGHT, MY SOMEONE ♪♪ 2654 02:15:22,839 --> 02:15:26,342 ♪♪ GOOD NIGHT, MY LOVE ♪♪ 2655 02:15:26,342 --> 02:15:29,846 ♪♪ WITH 11O CORNETS RIGHT BEHIND ♪♪ 2656 02:15:29,846 --> 02:15:34,350 ♪♪ OUR STAR IS SHINING ♪♪ 2657 02:15:34,350 --> 02:15:39,856 ♪♪ ITS BRIGHTEST LIGHT ♪♪ 2658 02:15:39,856 --> 02:15:42,859 ♪♪ THERE WERE HORNS OF EVERY SHAPE AND... ♪♪ 2659 02:15:51,367 --> 02:15:57,874 ♪♪ SWEET DREAMS BE YOURS, DEAR ♪♪ 2660 02:15:58,374 --> 02:16:01,878 ♪♪ IF DREAMS THERE BE ♪♪ 2661 02:16:01,878 --> 02:16:06,382 ♪♪ WHILE 11O CORNETS PLAYED THE AIR ♪♪ 2662 02:16:06,883 --> 02:16:11,387 ♪♪ I WISH I MAY ♪♪ 2663 02:16:11,387 --> 02:16:16,392 ♪♪ AND I WISH I MIGHT ♪♪ 2664 02:16:18,394 --> 02:16:23,399 ♪♪ NOW GOOD NIGHT, MY SOMEONE... ♪♪ 2665 02:16:28,905 --> 02:16:30,406 GOOD NIGHT. 2666 02:16:45,922 --> 02:16:47,924 HE'S NOT IN THERE. 2667 02:16:47,924 --> 02:16:50,426 TRY THE LIVERY STABLE! 2668 02:16:50,426 --> 02:16:52,929 TRY THE FREIGHT DEPOT! 2669 02:17:39,976 --> 02:17:41,477 LET'S GO, GREG. 2670 02:17:41,477 --> 02:17:43,479 I GOT THE FLIVVER ALL CRANKED UP. 2671 02:17:43,479 --> 02:17:45,982 THEY'RE ON TO YOU ALREADY. 2672 02:17:45,982 --> 02:17:46,983 THERE'S A CRAZY ANVIL SALESMAN 2673 02:17:47,483 --> 02:17:49,485 RUNNING ALL OVER TOWN SPILLING EVERYTHING. 2674 02:17:50,486 --> 02:17:51,988 COME ON! 2675 02:17:53,990 --> 02:17:55,491 YOU BETTER RUN, PROFESSOR. 2676 02:17:55,491 --> 02:17:58,494 THEY'RE TALKING ABOUT TAR AND FEATHERS. 2677 02:17:58,494 --> 02:18:00,496 I'VE BEEN LOOKING ALL OVER FOR WINTHROP. 2678 02:18:00,496 --> 02:18:01,497 HE'S RUN AWAY. 2679 02:18:01,497 --> 02:18:03,499 MAYBE HE'S IN HIS ROOM. 2680 02:18:08,004 --> 02:18:11,007 IT'S NOT OFTEN I FIND MYSELF 2681 02:18:11,507 --> 02:18:12,508 AT A LOSS FOR WORDS, BUT-- 2682 02:18:12,508 --> 02:18:14,510 IT'S ALL RIGHT. DON'T YOU KNOW THAT? 2683 02:18:14,510 --> 02:18:17,513 YOU DON'T OWE ME A WORD--NOT A WORD. 2684 02:18:17,513 --> 02:18:19,015 HURRY, PLEASE. 2685 02:18:20,516 --> 02:18:22,518 GREG! 2686 02:18:24,520 --> 02:18:26,522 HARRY'S NOT AROUND HERE, FOLKS! 2687 02:18:27,023 --> 02:18:29,025 LET'S TRY DOWN BY THE CREAMERY! 2688 02:18:34,030 --> 02:18:36,032 HOLD ON A MINUTE, SON. 2689 02:18:36,032 --> 02:18:37,533 I'M NOT YOUR SON. LEAVE ME GO! 2690 02:18:37,533 --> 02:18:39,535 NO. NOT UNTIL I TALK TO YOU A MINUTE. 2691 02:18:39,535 --> 02:18:41,037 I WON'T LISTEN. 2692 02:18:41,037 --> 02:18:42,538 YOU WOULDN'T TELL THE TRUTH, ANYWAY. 2693 02:18:42,538 --> 02:18:43,539 I WOULD, TOO. 2694 02:18:43,539 --> 02:18:45,041 WOULD NOT. WOULD, TOO. 2695 02:18:45,041 --> 02:18:46,042 I'LL TELL YOU ANYTHING YOU WANT TO KNOW. 2696 02:18:46,542 --> 02:18:49,045 CAN YOU LEAD A BAND? 2697 02:18:51,047 --> 02:18:52,548 NO. 2698 02:18:52,548 --> 02:18:55,051 ARE YOU A BIG LIAR? 2699 02:18:55,551 --> 02:18:56,052 YES. 2700 02:18:56,552 --> 02:18:58,554 ARE YOU A DIRTY, ROTTEN CROOK? 2701 02:18:58,554 --> 02:18:59,555 YES. 2702 02:18:59,555 --> 02:19:01,057 LEAVE ME GO, YOU BIG LIAR. 2703 02:19:01,057 --> 02:19:03,059 YOU WANTED THE TRUTH, DIDN'T YOU? 2704 02:19:03,059 --> 02:19:05,061 LOOK, I'M BIGGER THAN YOU ARE, 2705 02:19:05,061 --> 02:19:06,062 AND YOU'RE GOING TO STAND THERE AND GET IT ALL, 2706 02:19:06,062 --> 02:19:08,064 SO JUST STOP WIGGLING. 2707 02:19:08,064 --> 02:19:10,066 NOW, THERE ARE 2 THINGS 2708 02:19:10,566 --> 02:19:12,568 YOU'RE ENTITLED TO KNOW. 2709 02:19:13,069 --> 02:19:15,571 ONE, YOU'RE A WONDERFUL KID. 2710 02:19:15,571 --> 02:19:17,073 I THOUGHT SO FROM THE FIRST. 2711 02:19:17,073 --> 02:19:18,074 THAT'S WHY I WANTED YOU IN THE BAND, 2712 02:19:18,574 --> 02:19:19,575 SO YOU'D STOP 2713 02:19:19,575 --> 02:19:22,078 MOPING AROUND AND FEELING SORRY FOR YOURSELF. 2714 02:19:22,078 --> 02:19:24,080 WHAT BAND? 2715 02:19:26,582 --> 02:19:30,086 I ALWAYS THINK THERE'S A BAND, KID. 2716 02:19:30,086 --> 02:19:32,588 WHAT'S THE OTHER THING I'M ENTITLED TO KNOW? 2717 02:19:35,591 --> 02:19:37,093 THE OTHER THING'S NONE OF YOUR BUSINESS, 2718 02:19:37,093 --> 02:19:38,094 COME TO THINK OF IT. 2719 02:19:38,594 --> 02:19:42,098 I WITH YOU'D NEVER COME TO RIVER THITY. 2720 02:19:42,598 --> 02:19:45,101 NO, YOU DON'T, WINTHROP. 2721 02:19:47,103 --> 02:19:49,605 THITHTER, YOU BELIEVE HIM? 2722 02:19:51,607 --> 02:19:54,610 I BELIEVE EVERYTHING HE EVER SAID. 2723 02:19:56,112 --> 02:19:58,614 BUT HE PROMITHED UTH. 2724 02:19:58,614 --> 02:20:01,117 I KNOW WHAT HE PROMISED US, 2725 02:20:01,117 --> 02:20:02,118 AND IT ALL HAPPENED JUST LIKE HE SAID-- 2726 02:20:02,118 --> 02:20:04,120 THE LIGHTS, THE COLORS, 2727 02:20:04,120 --> 02:20:06,622 THE CYMBALS, AND THE FLAGS. 2728 02:20:06,622 --> 02:20:08,624 WHERE WATH ALL THAT? 2729 02:20:08,624 --> 02:20:12,128 IN THE WAY EVERY KID IN THIS TOWN WALKED AROUND 2730 02:20:12,128 --> 02:20:14,130 AND LOOKED AND ACTED-- 2731 02:20:14,130 --> 02:20:15,631 ESPECIALLY YOU. 2732 02:20:15,631 --> 02:20:17,633 AND THE PARENTS, TOO. 2733 02:20:17,633 --> 02:20:21,637 DOES MAMA WISH HE'D NEVER COME TO RIVER CITY? 2734 02:20:21,637 --> 02:20:24,640 WELL, YOU DO, DON'T YOU? 2735 02:20:26,142 --> 02:20:27,643 NO, WINTHROP. 2736 02:20:31,147 --> 02:20:33,649 YOU BETTER GO, HAROLD, PLEASE. 2737 02:20:34,650 --> 02:20:36,652 GO ON, PROFETHOR. 2738 02:20:37,153 --> 02:20:38,654 HURRY UP. 2739 02:20:39,155 --> 02:20:41,157 I CAN'T GO, WINTHROP. 2740 02:20:41,657 --> 02:20:43,659 WHY NOT? 2741 02:20:43,659 --> 02:20:47,163 FOR THE FIRST TIME IN MY LIFE, 2742 02:20:47,663 --> 02:20:51,667 I GOT MY FOOT CAUGHT IN THE DOOR. 2743 02:20:58,674 --> 02:21:01,177 ♪♪ THERE WAS LOVE ♪♪ 2744 02:21:01,677 --> 02:21:04,180 ♪♪ ALL AROUND ♪♪ 2745 02:21:04,180 --> 02:21:08,184 ♪♪ BUT I NEVER HEARD IT SINGING ♪♪ 2746 02:21:10,186 --> 02:21:15,691 ♪♪ NO, I NEVER HEARD IT AT ALL ♪♪ 2747 02:21:19,695 --> 02:21:22,198 TILL THERE WAS YOU. 2748 02:21:28,704 --> 02:21:30,206 GREG! 2749 02:21:31,207 --> 02:21:33,209 GREG, THEY'RE HERE! 2750 02:21:33,209 --> 02:21:35,211 RUN THIS WAY! 2751 02:21:35,211 --> 02:21:37,713 GO, PROFETHOR, THAT WAY! 2752 02:22:05,908 --> 02:22:08,411 REMEMBER, FELLOW RIVER CITY-ZEANS, 2753 02:22:08,411 --> 02:22:10,913 I DID EVERYTHING IN MY POWER 2754 02:22:10,913 --> 02:22:13,916 TO PREVENT THIS DIRE HAPPENING FROM... 2755 02:22:13,916 --> 02:22:15,418 HAPPENING. 2756 02:22:15,418 --> 02:22:17,420 "FOURSCORE--" 2757 02:22:17,920 --> 02:22:19,922 HOW DO YOU PROPOSE TO GET OUR MONEY BACK? 2758 02:22:19,922 --> 02:22:23,426 HE COLLECTED ALMOST $3OO ON UNIFORMS. 2759 02:22:23,926 --> 02:22:25,928 I HAVEN'T SEEN A UNIFORM 2760 02:22:26,429 --> 02:22:27,930 OR MY BOY, EITHER. 2761 02:22:28,431 --> 02:22:29,932 HE'S A KIDNAPER. 2762 02:22:29,932 --> 02:22:33,936 A FINE SITUATION WE HAVE HERE, ISN'T IT? 2763 02:22:33,936 --> 02:22:36,939 "FOURSCORE--" 2764 02:22:41,944 --> 02:22:44,947 JUST A MINUTE! 2765 02:22:44,947 --> 02:22:47,450 VIRTUE HAS TRIUMPHED! 2766 02:22:47,950 --> 02:22:50,453 THE SWORD OF RESTIBUTION 2767 02:22:50,453 --> 02:22:53,956 HAS CUT DOWN PROFESSOR HAROLD HILL! 2768 02:22:55,958 --> 02:22:57,960 OH! OH! 2769 02:23:00,963 --> 02:23:04,967 AND IF THERE ARE THOSE, AS I'VE HEARD, 2770 02:23:04,967 --> 02:23:08,471 WHO ARE MELTING TAR AND PLUCKING FEATHERS, 2771 02:23:08,471 --> 02:23:11,474 I WILL NOT SAY THEM NAY. 2772 02:23:11,474 --> 02:23:13,476 I SHOULD THINK SOME OF YOU 2773 02:23:13,476 --> 02:23:14,477 COULD FORGET YOUR IOWA STUBBORNNESS 2774 02:23:14,477 --> 02:23:17,980 LONG ENOUGH TO REMEMBER WHAT THIS TOWN WAS LIKE 2775 02:23:17,980 --> 02:23:19,982 BEFORE HAROLD HILL CAME. 2776 02:23:19,982 --> 02:23:21,984 WELL, DO YOU? 2777 02:23:21,984 --> 02:23:23,986 NOW, HOLD UP THERE-- 2778 02:23:23,986 --> 02:23:25,988 AND AFTER HE CAME-- 2779 02:23:25,988 --> 02:23:28,491 SUDDENLY, THERE WERE THINGS TO DO, 2780 02:23:28,491 --> 02:23:30,993 THINGS TO BE PROUD OF, 2781 02:23:30,993 --> 02:23:34,997 AND PEOPLE TO GO OUT OF YOUR WAY FOR. 2782 02:23:34,997 --> 02:23:37,500 SURELY, SOME OF YOU CAN BE GRATEFUL 2783 02:23:37,500 --> 02:23:40,002 FOR WHAT THIS MAN HAS BROUGHT TO US. 2784 02:23:40,002 --> 02:23:42,505 AND I SHOULD THINK YOU'D WANT TO ADMIT IT! 2785 02:23:42,505 --> 02:23:45,007 YOU'RE WASTING A GREAT DEAL OF TIME HERE! 2786 02:23:45,007 --> 02:23:47,009 IF THERE'S A PERSON IN THIS HALL 2787 02:23:47,009 --> 02:23:50,012 WHO DOESN'T WANT THIS MAN HILL TARRED AND FEATHERED, 2788 02:23:50,012 --> 02:23:53,516 LET HIM, BY GOD, STAND UP! 2789 02:24:30,553 --> 02:24:32,555 EULALIE, SIT DOWN! 2790 02:24:32,555 --> 02:24:34,056 [WHOMP] 2791 02:24:36,559 --> 02:24:37,560 [STAMPS FOOT] 2792 02:24:37,927 --> 02:24:41,430 THE REST OF YOU WHO ARE STANDING THERE 2793 02:24:41,430 --> 02:24:43,432 LIKE A COTE OF SHROPSHIRE SHEEP-- 2794 02:24:43,432 --> 02:24:45,935 MAYBE YOU CAN REMEMBER SOME OTHER THINGS, 2795 02:24:45,935 --> 02:24:48,437 LIKE WHAT YOU PAID FOR ALL THOSE UNIFORMS, 2796 02:24:48,437 --> 02:24:50,439 TECHNICAL INSTRUCTION BOOKS, 2797 02:24:50,439 --> 02:24:51,941 AND BAND INSTRUMENTS 2798 02:24:52,441 --> 02:24:53,943 WITH THE CLEAR UNDERSTANDING AND WARRANTY 2799 02:24:54,443 --> 02:24:56,445 YOUR CHILDREN WOULD BE TAUGHT TO PLAY IN A BAND! 2800 02:24:56,445 --> 02:24:59,949 WELL, WHERE'S THE BAND? 2801 02:24:59,949 --> 02:25:01,450 WHERE'S THE BAND? 2802 02:25:01,951 --> 02:25:03,452 [WHISTLE BLOWS] 2803 02:25:03,452 --> 02:25:05,955 OH! OH! 2804 02:25:12,461 --> 02:25:14,463 AWW! AWW! 2805 02:26:06,515 --> 02:26:08,517 NO, I COULDN'T. 2806 02:26:25,034 --> 02:26:28,037 NOW, THINK, MEN. 2807 02:26:29,038 --> 02:26:30,539 THINK! 2808 02:26:33,042 --> 02:26:39,548 ♪♪# ♪♪#! 2809 02:26:39,548 --> 02:26:43,052 ♪♪#! ♪♪%$ 2810 02:26:43,052 --> 02:26:46,055 ♪♪#! ♪♪%$ 2811 02:26:46,055 --> 02:26:47,556 ♪♪#! ♪♪%$ 2812 02:26:47,556 --> 02:26:49,558 THAT'S MY BARNEY! 2813 02:26:49,558 --> 02:26:51,560 THAT TUBA'S MYBARNEY! 2814 02:26:51,560 --> 02:26:53,562 WONDERFUL, BARNEY. 2815 02:26:53,562 --> 02:26:55,064 THAT'S EDDIE! 2816 02:26:55,064 --> 02:26:57,566 THAT'S EDDIE'S CLARINET! 2817 02:26:57,566 --> 02:26:58,567 ♪♪#! ♪♪%$ 2818 02:26:58,567 --> 02:27:02,071 LINUS, PLAY TO ME, SON. 2819 02:27:02,571 --> 02:27:04,073 PLAY TO ME! 2820 02:27:04,073 --> 02:27:06,075 ♪♪#! ♪♪%$ 2821 02:27:06,075 --> 02:27:07,576 DAVEY! 2822 02:27:08,077 --> 02:27:10,079 THAT'S MY DAVEY! 2823 02:27:10,079 --> 02:27:13,916 ♪♪#! ♪♪%$ 2824 02:27:56,458 --> 02:27:57,960 [WHISTLE BLOWS] 2825 02:27:58,460 --> 02:27:59,962 [TWEET] 2826 02:28:04,466 --> 02:28:08,470 [PLAYING76 TROMBONES] 2827 02:29:39,695 --> 02:29:40,696 [BANG] 2828 02:29:40,696 --> 02:29:42,197 OH! 2829 02:29:44,199 --> 02:29:47,202 CAPTIONING MADE POSSIBLE BY WARNER BROS. 2830 02:29:47,202 --> 02:29:50,706 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 2831 02:30:00,215 --> 02:30:04,219 ♪♪ 76 TROMBONES LED THE BIG PARADE ♪♪ 2832 02:30:04,219 --> 02:30:08,223 ♪♪ WITH 11O CORNETS CLOSE AT HAND ♪♪ 2833 02:30:08,223 --> 02:30:10,225 ♪♪ THEY WERE FOLLOWED BY ROWS AND ROWS ♪♪ 2834 02:30:10,726 --> 02:30:12,728 ♪♪ OF THE FINEST VIRTUOSOS ♪ ♪ 2835 02:30:12,728 --> 02:30:16,231 ♪♪ THE CREAM OF EVERY FAMOUS BAND ♪♪ 2836 02:30:16,231 --> 02:30:20,235 ♪♪ 76 TROMBONES CAUGHT THE MORNING SUN ♪♪ 2837 02:30:20,235 --> 02:30:24,239 ♪♪ WITH 11O CORNETS RIGHT BEHIND ♪♪ 2838 02:30:24,239 --> 02:30:26,742 ♪♪ THERE WERE MORE THAN A THOUSAND REEDS ♪♪ 2839 02:30:26,742 --> 02:30:28,243 ♪♪ SPRINGING UP LIKE WEEDS ♪ ♪ 2840 02:30:28,243 --> 02:30:32,247 ♪♪ THERE WERE HORNS OF EVERY SHAPE AND KIND ♪♪ 2841 02:30:32,247 --> 02:30:34,750 ♪♪ THERE WERE COPPER-BOTTOM TIMPANI ♪♪ 2842 02:30:34,750 --> 02:30:36,752 ♪♪ IN HORSE PLATOONS ♪♪ 2843 02:30:36,752 --> 02:30:40,756 ♪♪ THUNDERING, THUNDERING ALL ALONG THE WAY ♪♪ 2844 02:30:41,256 --> 02:30:44,760 ♪♪ DOUBLE-BELL EUPHONIUMS AND BIG BASSOONS ♪♪ 2845 02:30:45,260 --> 02:30:48,263 ♪♪ EACH BASSOON HAVING HIS BIG FAT SAY ♪♪ 2846 02:30:48,764 --> 02:30:52,768 ♪♪ THERE WERE 5O MOUNTED CANNON IN THE BATTERY ♪♪ 2847 02:30:52,768 --> 02:30:56,772 ♪♪ THUNDERING, THUNDERING LOUDER THAN BEFORE ♪♪ 2848 02:30:56,772 --> 02:30:58,774 ♪♪ CLARINETS OF EVERY SIZE ♪ ♪ 2849 02:30:58,774 --> 02:31:00,776 ♪♪ AND TRUMPETERS WHO'D IMPROVISE ♪♪ 2850 02:31:00,776 --> 02:31:03,779 ♪♪ A FULL OCTAVE HIGHER ♪♪ 2851 02:31:03,779 --> 02:31:11,787 ♪♪ THAN THE SCORE ♪♪