1
00:00:28,027 --> 00:00:31,031
CAPTIONING MADE POSSIBLE BY WARNER BROS.

2
00:02:15,735 --> 00:02:18,838
[CAR HORNS HONK]

3
00:02:21,774 --> 00:02:24,276
MR. BURNS, ANY COMMENT ABOUT YOUR POSSIBLE INDICTMENT?

4
00:02:24,276 --> 00:02:26,979
LOOK, I HAVE TO GET TO THE HOSPITAL.

5
00:02:26,979 --> 00:02:28,013
MY WIFE'S VERY ILL.

6
00:02:28,013 --> 00:02:29,282
OH, I'M VERY SORRY TO HEAR THAT.

7
00:02:29,282 --> 00:02:31,450
PERHAPS YOU CAN EMPATHIZE WITH THE NUMBER OF PEOPLE

8
00:02:31,450 --> 00:02:34,520
WHO HAVE BEEN WIPED OUT OF THEIR ENTIRE LIFE SAVINGS.

9
00:02:34,520 --> 00:02:35,521
WHAT ABOUT THEM--

10
00:02:35,521 --> 00:02:36,655
NO COMMENT.

11
00:02:36,655 --> 00:02:38,324
MR. BURNS, YOU KNOW HOW MANY PEOPLE YOU'VE HURT?

12
00:02:38,324 --> 00:02:40,126
NO COMMENT.

13
00:02:40,126 --> 00:02:42,629
YOU KNOW HOW MANY SENIOR CITIZENS OVER THE AGE OF 65?

14
00:02:45,097 --> 00:02:48,467
MR. BURNS MAY HAVE HAD NO COMMENT FOR KXBD,

15
00:02:48,467 --> 00:02:51,036
BUT HE MAY BE COMPELLED TO FIND HIS VOICE

16
00:02:51,036 --> 00:02:53,272
FOR THE DISTRICT ATTORNEY.

17
00:02:53,272 --> 00:02:54,407
INQUIRIES MADE BY THIS REPORTER

18
00:02:54,407 --> 00:02:56,009
HAVE PROMPTED AN INVESTIGATION

19
00:02:56,009 --> 00:02:57,210
INTO RALPH BURNS

20
00:02:57,210 --> 00:03:00,345
AND HIS ROLE IN THE FOOTHILL FEDERAL BANK SCANDAL.

21
00:03:00,345 --> 00:03:02,481
WE'RE NOT GONNA USE THAT.

22
00:03:02,481 --> 00:03:04,517
IT'S AN EXCLUSIVE. WE CAN BREAK IT WIDE OPEN.

23
00:03:04,517 --> 00:03:05,585
NO, IT'S CONJECTURE. IT'S CIRCUMSTANTIAL.

24
00:03:05,585 --> 00:03:06,586
IT IS NOT.

25
00:03:06,586 --> 00:03:07,654
IT IS, TOO.

26
00:03:07,654 --> 00:03:08,754
OH, PLEASE LET ME HAVE ANOTHER CRACK AT HIM.

27
00:03:08,754 --> 00:03:09,922
AT LEAST TELL THE MAN TO ANSWER MY QUESTIONS.

28
00:03:09,922 --> 00:03:10,923
NO. WHY?

29
00:03:10,923 --> 00:03:12,492
BECAUSE YOU'RE NOT A JUDGE,

30
00:03:12,492 --> 00:03:13,826
AND WE'RE NOT A JURY.

31
00:03:13,826 --> 00:03:14,827
YOU KNOW HIM, RIGHT?

32
00:03:14,827 --> 00:03:15,828
YES, I KNOW HIM.

33
00:03:15,828 --> 00:03:16,895
YOU PLAY GOLF WITH HIM.

34
00:03:16,895 --> 00:03:17,930
OCCASIONALLY.

35
00:03:17,930 --> 00:03:19,265
HIS WIFE HAS CANCER.

36
00:03:19,265 --> 00:03:20,400
THE MAN'S UNDER A LOT OF PRESSURE.

37
00:03:20,400 --> 00:03:21,400
LEAVE HIM ALONE.

38
00:03:21,400 --> 00:03:22,935
WAIT, 3 QUESTIONS.

39
00:03:22,935 --> 00:03:24,804
NO, NO, AND NO.

40
00:03:24,804 --> 00:03:26,139
HE'S A SLEAZE. HE STOLE MONEY.

41
00:03:26,139 --> 00:03:28,207
HE TOOK THE LIFE SAVINGS OF SENIOR CITIZENS--

42
00:03:28,207 --> 00:03:29,642
WE SAY THAT THE MAN HAS NO COMMENT

43
00:03:29,642 --> 00:03:30,809
AND WE FINISH THE PIECE.

44
00:03:30,809 --> 00:03:32,011
WE DON'T AMBUSH HIM

45
00:03:32,011 --> 00:03:33,146
IN FRONT OF HIS PLACE OF WORK.

46
00:03:33,146 --> 00:03:34,213
I DON'T WANT TO AMBUSH HIM.

47
00:03:34,213 --> 00:03:35,547
I JUST WANT TO ASK HIM ONE QUESTION.

48
00:03:35,547 --> 00:03:36,549
NO!

49
00:03:36,549 --> 00:03:38,718
YOU ARE RELENTLESS, YOU KNOW THAT?

50
00:03:38,718 --> 00:03:42,955
YOU SEEM TO FORGET THAT WE COVER THE NEWS OF THIS AREA

51
00:03:42,955 --> 00:03:44,890
FOR THE PEOPLE OF THIS AREA,

52
00:03:44,890 --> 00:03:46,692
AND WE ARE NOT GOING ANYPLACE.

53
00:03:46,692 --> 00:03:48,660
WELL, ARE WE GOING ANYPLACE, MAX?

54
00:03:48,660 --> 00:03:49,695
HUH?

55
00:03:49,695 --> 00:03:51,631
WELL, IF THEY WANTED ME BACK IN NEW YORK.

56
00:03:51,631 --> 00:03:52,631
THEY DON'T.

57
00:03:52,631 --> 00:03:55,167
AND YOU BETTER COME TO TERMS WITH THAT.

58
00:03:55,167 --> 00:03:56,168
I DID.

59
00:03:56,168 --> 00:03:57,203
ON THE OTHER HAND,

60
00:03:57,203 --> 00:03:58,604
IN THE 11 MONTHS THAT I'VE BEEN HERE, LOU,

61
00:03:58,604 --> 00:04:01,574
YOU HAVE GONE FROM A 3 SHARE TO A 9 SHARE.

62
00:04:01,574 --> 00:04:02,842
EXCUSE ME.

63
00:04:02,842 --> 00:04:04,978
EXCUSE ME. EXCUSE ME, PEOPLE.

64
00:04:04,978 --> 00:04:07,346
WHOSE WEEK WAS IT TO KISS MAX BRACKETT'S ASS

65
00:04:07,346 --> 00:04:08,647
FOR SAVING THIS STATION?

66
00:04:08,647 --> 00:04:11,383
THE BANK STORY JUST MIGHT MAKE YOU LOOK LIKE A NETWORK.

67
00:04:11,383 --> 00:04:12,418
NO, NOT HERE.

68
00:04:12,418 --> 00:04:13,853
THERE'S A LINE I WILL NOT CROSS.

69
00:04:13,853 --> 00:04:15,454
LOU, I'M NOT ASKING YOU TO CROSS A LINE.

70
00:04:15,454 --> 00:04:16,456
YES, YOU ARE.

71
00:04:16,456 --> 00:04:17,623
I AM NOT.

72
00:04:17,623 --> 00:04:19,391
I'M SAYING YOU MOVE THE LINE. YOU GET THE STORY.

73
00:04:19,391 --> 00:04:21,394
BOB, ARE YOU GOING OUT TO THE MUSEUM?

74
00:04:21,394 --> 00:04:22,762
YEAH. TRYING TO GET IT ON THE NOON HOUR.

75
00:04:22,762 --> 00:04:25,131
MR. BRACKETT'S GOING TO BE TAKING THAT ASSIGNMENT.

76
00:04:25,131 --> 00:04:28,901
UH, THE STATE HAS LET OFF SOME PEOPLE DOWN THERE.

77
00:04:28,901 --> 00:04:30,169
IT'S A GREAT STORY.

78
00:04:30,169 --> 00:04:31,337
I'M SURE YOU'LL RELATE TO IT.

79
00:04:31,337 --> 00:04:32,572
I HAVE TO FINISH MY EDIT.

80
00:04:32,572 --> 00:04:34,240
I'LL DO IT. I MEAN, WHAT ARE FRIENDS FOR?

81
00:04:34,240 --> 00:04:36,142
YOU KNOW, YOU REALLY ARE AN ASSHOLE.

82
00:04:36,142 --> 00:04:37,143
WHAT AM I?

83
00:04:37,143 --> 00:04:38,411
A WONDERFUL HUMAN BEING.

84
00:04:38,411 --> 00:04:40,179
MMM. LAURIE.

85
00:04:40,179 --> 00:04:43,516
LAURIE, WHY DON'T YOU GO DOWN TO THE MUSEUM WITH MR. BRACKETT.

86
00:04:43,516 --> 00:04:44,950
YOU CAN RUN SOME TAPE WHILE YOU'RE OUT THERE.

87
00:04:44,950 --> 00:04:46,385
MAYBE WE'LL USE IT TONIGHT.

88
00:04:46,385 --> 00:04:47,854
YOU CAN'T SEND ME WITH HER. SHE'S AN INTERN.

89
00:04:47,854 --> 00:04:50,122
WELL, THEN YOU CAN BE HER MENTOR.

90
00:04:50,122 --> 00:04:52,859
TEACH HER HOW TO MOVE THE LINE.

91
00:04:54,660 --> 00:04:55,794
HI.

92
00:04:55,794 --> 00:04:57,730
I'M GAY.

93
00:05:19,284 --> 00:05:20,485
MR. BRACKETT.

94
00:05:20,485 --> 00:05:21,554
MAX.

95
00:05:21,554 --> 00:05:23,455
MAX. CAN I PUT A MICROPHONE ON YOU?

96
00:05:23,455 --> 00:05:24,456
YES.

97
00:05:24,456 --> 00:05:26,826
WE'LL GET THE CURATOR TO TELL US

98
00:05:26,826 --> 00:05:29,861
HOW AND WHY THE MUSEUM WAS FACING DRASTIC BUDGET CUTS. YES?

99
00:05:29,861 --> 00:05:30,829
YES.

100
00:05:30,829 --> 00:05:32,431
AND THEN WE'LL FIND A COUPLE OF LOCALS

101
00:05:32,431 --> 00:05:35,134
TO TELL US THAT WITHOUT A MUSEUM

102
00:05:35,134 --> 00:05:36,769
THIS CITY'S A DOG KENNEL.

103
00:05:36,769 --> 00:05:38,871
AND THEN, AS A BRILLIANT CAREER MOVE,

104
00:05:38,871 --> 00:05:40,273
YOU'RE TAKING ME TO LUNCH.

105
00:05:40,273 --> 00:05:42,408
[GIGGLES]

106
00:05:42,408 --> 00:05:44,410
WELL, YOU HAVE TO ANSWER.

107
00:05:44,410 --> 00:05:45,577
YOU'RE DONE.

108
00:05:45,577 --> 00:05:47,046
YOU HAVE TO ANSWER.

109
00:05:47,046 --> 00:05:48,180
WELL, YOU DID IT WRONG.

110
00:05:48,180 --> 00:05:49,181
WHAT?

111
00:05:49,181 --> 00:05:51,650
IT'S MUCH BETTER ON THE LAPEL.

112
00:05:51,650 --> 00:05:53,119
THINK YOU CAN HELP ME?

113
00:05:53,119 --> 00:05:54,187
WE'RE LOOKING FOR THE CURATOR.

114
00:05:54,187 --> 00:05:55,888
HEY, I KNOW YOU.

115
00:05:55,888 --> 00:05:57,189
TV, RIGHT?

116
00:05:57,189 --> 00:05:58,190
RIGHT.

117
00:05:58,190 --> 00:05:59,191
YOU'RE THE TV GUY.

118
00:05:59,191 --> 00:06:00,993
YOU'RE THE MUSEUM GUY.

119
00:06:00,993 --> 00:06:03,095
NO, I'M THE GUARD.

120
00:06:03,095 --> 00:06:05,064
RUMOR HAS IT THE MUSEUM IS HAVING FINANCIAL PROBLEMS.

121
00:06:05,064 --> 00:06:06,599
TELL ME ABOUT IT.

122
00:06:06,599 --> 00:06:07,600
THERE USED TO BE 2 OF US.

123
00:06:07,600 --> 00:06:09,034
THE OTHER GUY GOT LAID OFF.

124
00:06:09,034 --> 00:06:10,036
IS THAT RIGHT?

125
00:06:10,036 --> 00:06:11,971
YEAH, YOU NEVER KNOW WHO'S GONNA BE NEXT.

126
00:06:11,971 --> 00:06:13,272
LISTEN, YOU WANT TO STICK AROUND?

127
00:06:13,272 --> 00:06:14,974
MAYBE WE'LL GET YOU TO SAY THAT ON CAMERA.

128
00:06:14,974 --> 00:06:15,975
YEAH. REALLY?

129
00:06:15,975 --> 00:06:17,076
ALL RIGHT.

130
00:06:17,076 --> 00:06:18,610
YOU'LL FIND MRS. BANKS RIGHT THROUGH THAT DOOR.

131
00:06:18,610 --> 00:06:20,680
RIGHT. WE DON'T PAY MUCH.

132
00:06:20,680 --> 00:06:22,248
MORE THAN I MAKE HERE.

133
00:06:24,783 --> 00:06:26,118
NOT THE MOHAWKS, MR. BRACKETT.

134
00:06:26,118 --> 00:06:27,319
THE MIWOKS.

135
00:06:27,319 --> 00:06:28,320
AH.

136
00:06:28,320 --> 00:06:29,454
FROM NORTHERN CALIFORNIA.

137
00:06:29,454 --> 00:06:30,456
YES.

138
00:06:30,456 --> 00:06:31,657
A VERY RICH PAST.

139
00:06:31,657 --> 00:06:33,325
WE CURRENTLY HAVE ON EXHIBITION

140
00:06:33,325 --> 00:06:36,129
THE LARGEST DISPLAY OF INDIAN BASKETS

141
00:06:36,129 --> 00:06:38,297
EVER ASSEMBLED BY A MUSEUM OF THIS SIZE.

142
00:06:38,297 --> 00:06:39,899
YES. MRS. BANKS, THERE ARE THOSE THAT WOULD SAY

143
00:06:39,899 --> 00:06:42,834
THAT IT'S NOT FINANCIALLY RESPONSIBLE TO POUR MONEY

144
00:06:42,834 --> 00:06:44,336
INTO A DYING INSTITUTION.

145
00:06:44,336 --> 00:06:46,104
WELL, THEN LET'S CLOSE DOWN THE LIBRARIES AND THE MUSEUMS

146
00:06:46,104 --> 00:06:47,539
AND THE SYMPHONIES.

147
00:06:47,539 --> 00:06:50,175
LOOK, IF WE DO NOT LEARN FROM OUR PAST,

148
00:06:50,175 --> 00:06:52,678
WE WILL BE DOOMED TO REPEAT IT.

149
00:06:52,678 --> 00:06:53,679
MAX.

150
00:06:53,679 --> 00:06:54,747
YES, MORT.

151
00:06:54,747 --> 00:06:57,083
I SEE DINOSAURS THERE. I GUESS THE FEAR TODAY

152
00:06:57,083 --> 00:07:00,018
IS THAT THE MUSEUM MIGHT SHARE THE SAME FATE AS THOSE MIGHTY BEASTS.

153
00:07:00,018 --> 00:07:02,421
THAT'S RIGHT, MORT.

154
00:07:02,421 --> 00:07:04,056
THAT IS EXACTLY THE FEAR.

155
00:07:04,056 --> 00:07:05,658
VERY GOOD, MAX. THANKS.

156
00:07:05,658 --> 00:07:07,059
OK, MORT.

157
00:07:07,059 --> 00:07:08,360
OK.

158
00:07:08,360 --> 00:07:09,795
WE'RE CLEAR.

159
00:07:09,795 --> 00:07:11,797
WELL, THAT'S VERY GOOD.

160
00:07:11,797 --> 00:07:12,865
YOU MUST'VE DONE THIS BEFORE.

161
00:07:12,865 --> 00:07:14,967
GOOD HEAVENS, NO, I HAVEN'T.

162
00:07:14,967 --> 00:07:17,436
IT'S JUST THAT I FEEL VERY STRONGLY ABOUT THIS MUSEUM.

163
00:07:17,436 --> 00:07:19,071
MY GREAT-GRANDFATHER FOUNDED IT.

164
00:07:19,071 --> 00:07:21,206
RIGHT. WELL, LISTEN, I WANT TO THANK YOU FOR YOUR TIME.

165
00:07:21,206 --> 00:07:22,775
Boy: IS THIS AN ALLOSAURUS?

166
00:07:22,775 --> 00:07:24,510
THAT'S A TASMOSAURUS.

167
00:07:24,510 --> 00:07:26,212
HEY, YOU, COME ON DOWN FROM THERE.

168
00:07:26,212 --> 00:07:29,015
IN THE NEXT ROOM THERE IS A STUFFED DODO.

169
00:07:29,015 --> 00:07:30,183
COME AND TAKE A LOOK.

170
00:07:30,183 --> 00:07:31,183
Boy: WHY ARE THEY TOGETHER?

171
00:07:31,183 --> 00:07:32,585
GIVE ME THE MIC. GET SOME OF THIS.

172
00:07:32,585 --> 00:07:35,321
ONE'S CRETACEOUS, THE OTHER'S JURASSIC.

173
00:07:35,321 --> 00:07:37,623
YES, I KNOW. COME ON, LET'S GO.

174
00:07:37,623 --> 00:07:39,692
Boy: WHY ARE THEY TOGETHER?

175
00:07:39,692 --> 00:07:44,029
[CHILDREN ALL TALKING AT ONCE]

176
00:07:44,029 --> 00:07:45,964
WANT TO GO OUTSIDE AND GET SOME B-ROLL?

177
00:07:45,964 --> 00:07:46,966
OK.

178
00:07:46,966 --> 00:07:47,967
WHERE'S THE BATHROOM?

179
00:07:47,967 --> 00:07:48,968
IT'S RIGHT THERE.

180
00:07:48,968 --> 00:07:50,469
LAURIE, GET YOUR CAMERA READY.

181
00:07:50,469 --> 00:07:52,572
I'LL DO A STANDUP FOR TONIGHT'S NEWS.

182
00:07:57,676 --> 00:07:59,578
SORRY.

183
00:07:59,578 --> 00:08:00,646
SORRY.

184
00:08:15,327 --> 00:08:17,596
I'M STANDING IN FRONT OF MADELINE'S MUSEUM OF NATURAL HISTORY

185
00:08:17,596 --> 00:08:18,864
WHERE A CELEBRATION OF THE PAST

186
00:08:18,864 --> 00:08:20,533
IS COLLIDING WITH THE HARSHNESS OF THE PRESENT.

187
00:08:20,533 --> 00:08:23,335
NO. ACTUALLY, I'M STANDING AT THE URINAL

188
00:08:23,335 --> 00:08:24,803
OF MADELINE'S MUSEUM OF NATURAL HISTORY.

189
00:08:24,803 --> 00:08:27,540
AND LOOK WHO'S HERE. MY FRIEND DICK,

190
00:08:27,540 --> 00:08:30,209
A FINE, UPSTANDING YOUNG MAN.

191
00:08:30,209 --> 00:08:33,278
NO. NO LONGER YOUNG, NO LONGER UPSTANDING.

192
00:08:33,278 --> 00:08:34,780
[OVER MICROPHONE] TELL ME, DICK,

193
00:08:34,780 --> 00:08:36,348
WHAT'S YOUR COMMENT ON MY SITUATION?

194
00:08:36,348 --> 00:08:40,152
WELL, MAX, I THINK YOU SHOULD GET BACK TO NEW YORK.

195
00:08:40,152 --> 00:08:41,887
I CAN'T. I GOT SCREWED THERE.

196
00:08:41,887 --> 00:08:44,156
YES. BUT THAT'S MORE THAN YOU'RE GETTING HERE.

197
00:08:44,156 --> 00:08:45,424
AND AS LONG AS WE'RE ON THE SUBJECT,

198
00:08:45,424 --> 00:08:49,194
I GOTTA TELL YOU, I KIND OF HAVE A LITTLE TICKLE

199
00:08:49,194 --> 00:08:51,763
FOR THAT YOUNG CAMERA GIRL YOU GOT WORKING FOR YOU.

200
00:08:51,763 --> 00:08:53,665
REALLY?

201
00:08:53,665 --> 00:08:55,401
SHE'S YOUNG ENOUGH TO BE MY DAUGHTER.

202
00:08:55,401 --> 00:08:56,535
I KNOW IT.

203
00:08:56,535 --> 00:08:58,237
SHE'S JUST RIGHT FOR ME.

204
00:08:59,672 --> 00:09:01,807
SAM...

205
00:09:01,807 --> 00:09:04,944
YOU SHOULDN'T BE HERE.

206
00:09:04,944 --> 00:09:08,013
MRS. BANKS, YOU--YOU GOTTA LISTEN TO ME, OK?

207
00:09:08,013 --> 00:09:09,448
I DON'T HAVE TO DO ANY SUCH THING.

208
00:09:09,448 --> 00:09:10,583
J-JUST ONE MINUTE, ALL RIGHT?

209
00:09:10,583 --> 00:09:11,784
SAM, I TOLD YOU,

210
00:09:11,784 --> 00:09:13,419
THERE'S NOTHING MORE I CAN DO.

211
00:09:13,419 --> 00:09:16,121
I KNOW, BUT I-I'LL TAKE A REDUCTION, OK?

212
00:09:16,121 --> 00:09:17,122
DO YOU HAVE A HEARING PROBLEM?

213
00:09:17,122 --> 00:09:18,824
NO. NO HEARING PROBLEM.

214
00:09:18,824 --> 00:09:20,425
THIS IS COMPLETELY OUT OF MY HANDS.

215
00:09:20,425 --> 00:09:21,460
I KNOW, BUT I JUST--

216
00:09:21,460 --> 00:09:23,762
YOU'RE WASTING BOTH OF OUR TIMES.

217
00:09:23,762 --> 00:09:25,664
YOU MUST LEAVE NOW. NOW--

218
00:09:25,664 --> 00:09:27,066
[MRS. BANKS GASPS]

219
00:09:28,166 --> 00:09:29,335
YOU GET OUT OF HERE.

220
00:09:31,170 --> 00:09:32,572
RIGHT NOW.

221
00:09:46,151 --> 00:09:49,188
ALL RIGHT, NOW--NOW WILL YOU LISTEN?

222
00:09:49,188 --> 00:09:50,623
WILL YOU LISTEN NOW?

223
00:09:50,623 --> 00:09:53,092
ARE YOU--ARE YOU GONNA LISTEN TO ME NOW?

224
00:09:53,092 --> 00:09:55,660
YOU'VE GOT TO BE KIDDING.

225
00:09:55,660 --> 00:09:57,395
NO, I-I'M NOT.

226
00:09:57,395 --> 00:09:58,931
[CHILDREN SHOUTING]

227
00:10:02,334 --> 00:10:05,871
WHOA, HOLD UP, HOLD UP, HOLD UP.

228
00:10:05,871 --> 00:10:08,240
NOW JUST STAY THERE, OK?

229
00:10:08,240 --> 00:10:12,011
HUSH UP, AND DON'T BE SCARED OF THE GUN.

230
00:10:12,011 --> 00:10:14,613
I GOT TO TALK TO HER.

231
00:10:14,613 --> 00:10:16,916
NOW, I NEED 5 MINUTES WITH YOU,

232
00:10:16,916 --> 00:10:18,117
THAT'S ALL, OK?

233
00:10:18,117 --> 00:10:19,885
I SINCERELY HOPE YOU'RE NOT POINTING THAT AT ME.

234
00:10:19,885 --> 00:10:21,520
THIS--BE--BE QUIET.

235
00:10:21,520 --> 00:10:23,955
IS THIS SOME KIND OF A JOKE?

236
00:10:23,955 --> 00:10:28,260
BECAUSE IT WON'T BE SO FUNNY WHEN THE POLICE ARRIVE.

237
00:10:28,260 --> 00:10:29,261
SHUT UP!

238
00:10:29,261 --> 00:10:32,064
GIVE ME THE KEYS.

239
00:10:32,064 --> 00:10:35,501
COME ON, GIVE ME THE KEYS.

240
00:10:37,069 --> 00:10:38,270
Damn.

241
00:10:41,340 --> 00:10:42,874
COME OVER HERE.

242
00:10:42,874 --> 00:10:44,610
QUIETLY.

243
00:10:44,610 --> 00:10:45,677
[WHISPERING] Laurie.

244
00:10:45,677 --> 00:10:46,779
Laurie.

245
00:10:49,214 --> 00:10:50,215
Laurie.

246
00:10:50,215 --> 00:10:51,951
Boy: NOW WE GET TO SEE SOME SHOOTING.

247
00:10:51,951 --> 00:10:52,952
YEAH.

248
00:10:52,952 --> 00:10:54,553
Mrs. Banks: SHH.

249
00:10:54,553 --> 00:10:56,222
[AUTOMATIC DOOR LOCK ACTIVATES]

250
00:11:02,861 --> 00:11:04,330
[TELEPHONE RINGS]

251
00:11:06,432 --> 00:11:08,100
[RING]

252
00:11:09,134 --> 00:11:11,003
VAN 2, THIS IS LAURIE.

253
00:11:11,003 --> 00:11:14,506
Operator: WILL YOU ACCEPT A COLLECT CALL FROM MAX BRACKETT?

254
00:11:14,506 --> 00:11:16,308
UM...OK.

255
00:11:16,308 --> 00:11:18,344
MR. BRACKETT-- I MEAN, MAX?

256
00:11:18,344 --> 00:11:19,711
[WHISPERING] Laurie, listen to me.

257
00:11:19,711 --> 00:11:20,812
There's a man with a gun in here.

258
00:11:20,812 --> 00:11:22,814
WHERE ARE YOU?

259
00:11:22,814 --> 00:11:23,882
I'm in the museum.

260
00:11:23,882 --> 00:11:26,218
OK, I'M GONNA CALL THE POLICE.

261
00:11:26,218 --> 00:11:29,021
No! You call Lou first. We have to go live again.

262
00:11:29,021 --> 00:11:30,455
The police will come when it's their turn.

263
00:11:30,455 --> 00:11:32,290
BUT--BUT I THINK I SHOULD--

264
00:11:32,290 --> 00:11:34,093
OH.

265
00:11:35,394 --> 00:11:36,595
[SLAM]

266
00:11:36,595 --> 00:11:38,430
We have some real news going on here.

267
00:11:38,430 --> 00:11:40,265
Laurie, don't blow this.

268
00:11:40,265 --> 00:11:42,735
OK, I'LL CALL LOU.

269
00:11:42,735 --> 00:11:45,537
LOU, LINE 3. IT'S LAURIE. IT'S URGENT.

270
00:11:45,537 --> 00:11:47,205
YEAH.

271
00:11:47,205 --> 00:11:48,274
LAURIE.

272
00:11:51,076 --> 00:11:52,578
IT'S BRACKETT AGAIN.

273
00:11:52,578 --> 00:11:53,646
MAX, WHAT DO YOU GOT?

274
00:11:53,646 --> 00:11:55,014
A GUNMAN.

275
00:11:55,014 --> 00:11:57,716
HE'S GOT A RIFLE AND A CANVAS BAG.

276
00:11:57,716 --> 00:11:59,217
I'M GUESSING MORE FIREPOWER.

277
00:11:59,217 --> 00:12:02,921
HE'S HOLDING 2 ADULTS AND SOME KIDS.

278
00:12:02,921 --> 00:12:06,058
LAURIE. LAURIE, HOW SOON BEFORE YOU CAN POWER BACK UP?

279
00:12:06,058 --> 00:12:07,560
2 MINUTES.

280
00:12:07,560 --> 00:12:08,627
THAT'S TOO LONG.

281
00:12:08,627 --> 00:12:11,430
TELL DOHLEN TO GET READY TO GO LIVE WITH MAX.

282
00:12:11,430 --> 00:12:13,766
HE'S GOT A HOSTAGE SITUATION AT THE MUSEUM.

283
00:12:13,766 --> 00:12:16,134
MAX, MORT'S GONNA THROW IT TO YOU.

284
00:12:16,134 --> 00:12:17,436
NOW, LISTEN TO ME.

285
00:12:17,436 --> 00:12:19,371
THERE ARE KIDS INVOLVED HERE.

286
00:12:19,371 --> 00:12:21,240
WE DON'T WANT ANY GRANDSTANDING.

287
00:12:21,240 --> 00:12:22,341
DON'T WORRY, LOU.

288
00:12:22,341 --> 00:12:23,742
WE GOT SOME GOOD STUFF GOING HERE.

289
00:12:23,742 --> 00:12:24,977
HERE, KEEP THE LINE OPEN.

290
00:12:26,178 --> 00:12:28,046
OK, WE'RE LIVE.

291
00:12:28,046 --> 00:12:30,048
WE NOW GO TO MAX BRACKETT,

292
00:12:30,048 --> 00:12:33,085
WHO IS INSIDE THE MUSEUM OF NATURAL HISTORY

293
00:12:33,085 --> 00:12:34,286
WITH A HOSTAGE SITUATION.

294
00:12:34,286 --> 00:12:35,721
MAX, CAN YOU HEAR ME?

295
00:12:35,721 --> 00:12:38,290
YES, I CAN, MORT. I'M INSIDE THE MEN'S ROOM

296
00:12:38,290 --> 00:12:39,725
NO MORE THAN 50 FEET--

297
00:12:39,725 --> 00:12:41,727
MOBILIZE EVERY CAMERA AND AUDIO CREW YOU CAN GET.

298
00:12:41,727 --> 00:12:43,328
TELL THEM TO GET READY TO GO OVER TO THE MUSEUM.

299
00:12:43,328 --> 00:12:44,462
Max: MOST OF THEM ARE CHILDREN.

300
00:12:44,462 --> 00:12:46,932
MAX, DO YOU HAVE ANY IDEA WHAT HIS MOTIVES ARE?

301
00:12:46,932 --> 00:12:48,733
I DON'T, BUT I CAN TELL YOU THAT THE GUNMAN SEEMED--

302
00:12:48,733 --> 00:12:49,734
[WINDOW THUDS]

303
00:12:49,734 --> 00:12:50,736
VERY AGITATED.

304
00:12:53,338 --> 00:12:54,673
MAX, DO YOU HAVE ANY MEANS OF ESCAPE?

305
00:12:57,309 --> 00:12:59,278
MAX, CAN YOU HEAR ME?

306
00:12:59,278 --> 00:13:00,745
Mrs. Banks: SAM, PLEASE THINK ABOUT WHAT YOU'RE DOING.

307
00:13:00,745 --> 00:13:01,747
SHH.

308
00:13:01,747 --> 00:13:02,747
THERE ARE CHILDREN HERE.

309
00:13:02,747 --> 00:13:03,748
SHH!

310
00:13:03,748 --> 00:13:04,749
DOES JEN KNOW YOU'RE HERE?

311
00:13:04,749 --> 00:13:06,017
SHH!

312
00:13:06,017 --> 00:13:07,553
MAX, CAN YOU--

313
00:13:12,257 --> 00:13:14,460
[WHISPERING] Mort, I don't know how much longer I can--

314
00:13:14,460 --> 00:13:15,761
SAM, I WANT YOU TO BE CALM.

315
00:13:15,761 --> 00:13:17,029
NO, YOU BE CALM!

316
00:13:17,029 --> 00:13:18,364
'CAUSE I GOT THINGS TO TELL YOU, OK?

317
00:13:18,364 --> 00:13:19,764
I GOT 2 THINGS I WANT TO TELL YOU.

318
00:13:19,764 --> 00:13:21,767
I'LL LISTEN TO YOU AS LONG AS YOU'RE HOLDING THAT STUPID GUN.

319
00:13:21,767 --> 00:13:22,768
MRS. BANKS!

320
00:13:22,768 --> 00:13:24,169
NOW, WHY SHOULD I?

321
00:13:24,169 --> 00:13:25,571
THIS ABSURD. THIS IS UTTERLY RIDICULOUS.

322
00:13:25,571 --> 00:13:27,506
MRS. BANKS!

323
00:13:27,506 --> 00:13:28,874
GET THAT STUPID THING AWAY FROM ME!

324
00:13:28,874 --> 00:13:30,475
[GUNSHOT]

325
00:13:30,475 --> 00:13:31,544
[CHILDREN SCREAMING AND WHIMPERING]

326
00:13:34,813 --> 00:13:37,616
OH! OHH!

327
00:13:37,616 --> 00:13:40,386
OH, GOD!

328
00:13:40,386 --> 00:13:42,988
OH! CLIFF!

329
00:13:42,988 --> 00:13:44,089
CLIFF!

330
00:13:48,127 --> 00:13:49,761
Max: THAT WAS A SHOT, MORT, RIGHT?

331
00:13:49,761 --> 00:13:50,863
CUT THE FEED NOW.

332
00:13:50,863 --> 00:13:53,098
MAX, SOMEONE WAS HIT IN FRONT OF THE MUSEUM.

333
00:13:53,098 --> 00:13:54,132
I DIDN'T GET A GOOD LOOK AT HIM

334
00:13:54,132 --> 00:13:55,334
BEFORE WE PULLED THE PLUG.

335
00:13:55,334 --> 00:13:57,268
WHAT ASSHOLE PULLED THE PLUG?

336
00:13:57,268 --> 00:13:58,804
WE'RE STILL LIVE ON THE AIR, MAX.

337
00:13:58,804 --> 00:14:00,538
I-I SHOT...

338
00:14:00,538 --> 00:14:01,640
I...

339
00:14:05,143 --> 00:14:06,445
YOU DID IT.

340
00:14:06,445 --> 00:14:07,846
YOU DID IT.

341
00:14:07,846 --> 00:14:09,181
YOU DID IT.

342
00:14:14,152 --> 00:14:15,254
HE'S OK.

343
00:14:15,254 --> 00:14:18,090
HE'S OK.

344
00:14:18,090 --> 00:14:19,191
HE COULD BE DYING.

345
00:14:19,191 --> 00:14:21,159
YOU WANT HIM TO DO THAT ON CAMERA?

346
00:14:21,159 --> 00:14:23,194
LOU, THEY DIDN'T PULL THE PLUG

347
00:14:23,194 --> 00:14:24,930
WHEN THE CHALLENGER BLEW UP,

348
00:14:24,930 --> 00:14:25,998
AND THEY KEPT PLAYING IT OVER AND OVER AND OVER.

349
00:14:25,998 --> 00:14:28,166
OUR VIEWERS DON'T NEED TO SEE THE BLOOD.

350
00:14:28,166 --> 00:14:29,801
WE'RE TELLING THEM WHAT'S HAPPENING.

351
00:14:29,801 --> 00:14:32,204
MORT IS TELLING THEM WHAT'S HAPPENING.

352
00:14:32,204 --> 00:14:33,438
Max: YOU'RE GIVING THEM RADIO.

353
00:14:33,438 --> 00:14:35,507
WE'VE GOT LIVE PICTURES, AND YOU'RE GIVING THEM RADIO.

354
00:14:35,507 --> 00:14:36,508
HE'S RIGHT.

355
00:14:36,508 --> 00:14:38,510
LOU, THIS IS THE STORY OF YOUR CAREER.

356
00:14:38,510 --> 00:14:41,146
IN 24 HOURS, THIS TURNS INTO A GANGBANG.

357
00:14:41,146 --> 00:14:43,315
THERE'S A THOUSAND PEOPLE WITH CAMERAS HERE.

358
00:14:43,315 --> 00:14:45,417
IF WE DON'T RECORD IT, EVERYBODY ELSE WILL.

359
00:14:45,417 --> 00:14:47,018
LOU, PLEASE DON'T BLOW THIS.

360
00:14:47,018 --> 00:14:48,153
GO.

361
00:14:48,153 --> 00:14:49,287
YEAH!

362
00:14:49,287 --> 00:14:51,356
AND NOW WE HAVE RE-ESTABLISHED

363
00:14:51,356 --> 00:14:53,058
OUR LIVE HOOKUP TO THE MUSEUM.

364
00:14:53,058 --> 00:14:55,326
MAX BRACKETT, ARE YOU THERE?

365
00:14:55,326 --> 00:14:57,396
YES, MORT, I AM, UH, STILL HERE.

366
00:15:14,546 --> 00:15:16,315
Mort: I'M SORRY, MAX, THE CAMERA'S NOT RESPONDING.

367
00:15:17,883 --> 00:15:20,452
WAIT A MINUTE. I SEE A FIGURE

368
00:15:20,452 --> 00:15:23,555
APPROACHING THE WOUNDED MAN.

369
00:15:23,555 --> 00:15:24,856
I CAN'T MAKE HIM OUT.

370
00:15:24,856 --> 00:15:25,991
WE'RE...

371
00:15:25,991 --> 00:15:27,459
WE'RE ON TV.

372
00:15:28,460 --> 00:15:30,728
OH, MY GOD.

373
00:15:30,728 --> 00:15:33,131
YOU-YOU'RE BLEEDING.

374
00:15:33,131 --> 00:15:34,299
CAN YOU WALK?

375
00:15:34,299 --> 00:15:36,068
NO.

376
00:15:37,403 --> 00:15:38,837
I JUST...

377
00:15:38,837 --> 00:15:40,272
I JUST CALLED THE AMBULANCE.

378
00:15:42,341 --> 00:15:44,309
Mort: IT'S LAURIE CALLAHAN.

379
00:15:44,309 --> 00:15:46,511
MAX, HOW ARE THE CHILDREN?

380
00:15:46,511 --> 00:15:48,046
THESE KIDS ARE VERY FRIGHTENED.

381
00:15:48,046 --> 00:15:50,015
THEY'RE TERRIFIED.

382
00:15:50,015 --> 00:15:52,784
THEY'RE ALL TOGETHER IN ONE CORNER OF THE MUSEUM LOBBY

383
00:15:52,784 --> 00:15:55,387
WITH THE CURATOR SEATED ON THE FLOOR NEXT TO THE CHILDREN,

384
00:15:55,387 --> 00:15:57,355
AND THE TEACHER IS TENDING TO THEM

385
00:15:57,355 --> 00:15:59,157
AND TRYING TO KEEP THEM CALM.

386
00:15:59,157 --> 00:16:01,694
MORT, THIS SITUATION HAS SHIFTED DRAMATICALLY.

387
00:16:01,694 --> 00:16:04,529
A MAN HAS BEEN SHOT, A LINE HAS BEEN CROSSED.

388
00:16:04,529 --> 00:16:07,766
I THINK WE HAVE A VERY, VERY DANGEROUS SITUATION HERE.

389
00:16:07,766 --> 00:16:11,036
IT REMINDS ME OF THE SITUATION 2 YEARS AGO--

390
00:16:11,036 --> 00:16:12,037
OH, GOD.

391
00:16:16,508 --> 00:16:18,343
ALL RIGHT, WE'RE LIVE ON THE AIR NOW.

392
00:16:18,343 --> 00:16:20,045
MAX BRACKETT, KXBD NEWS.

393
00:16:20,045 --> 00:16:22,447
YOU WANT TO TELL US WHY--WHY YOU'RE HERE?

394
00:16:22,447 --> 00:16:23,916
YOU DON'T. OK.

395
00:16:27,452 --> 00:16:29,053
Man: WE LOST HIM.

396
00:16:29,053 --> 00:16:31,089
WHAT HAPPENED?

397
00:16:31,089 --> 00:16:33,325
MAX.

398
00:16:33,325 --> 00:16:34,526
CAN YOU HEAR ME?

399
00:16:36,228 --> 00:16:38,129
MAX BRACKETT, ARE YOU THERE?

400
00:16:38,129 --> 00:16:39,330
MAX, ARE YOU THERE, MAX?

401
00:16:39,330 --> 00:16:41,133
MAX.

402
00:16:41,133 --> 00:16:43,368
WE'VE LOST CONTACT MOMENTARILY

403
00:16:43,368 --> 00:16:44,937
WITH MAX BRACKETT.

404
00:16:44,937 --> 00:16:48,106
THIS IS NOT NEWS, BROTHERS AND SISTERS.

405
00:16:48,106 --> 00:16:50,742
THIS IS JUST...

406
00:16:50,742 --> 00:16:52,978
STORIES LIKE THIS HAPPEN EVERY DAY.

407
00:16:52,978 --> 00:16:54,713
THERE WILL BE A DIFFERENT ONE TOMORROW.

408
00:16:54,713 --> 00:16:57,582
WHAT WE HAVE HERE IS NEWS FOR ALL TIME.

409
00:16:57,582 --> 00:16:58,884
WE HAVE THE WORD OF GOD.

410
00:16:58,884 --> 00:17:01,286
GOD...

411
00:17:13,565 --> 00:17:15,333
Police officer: GET OUT OF THERE!

412
00:17:15,333 --> 00:17:18,236
THERE'S AN ARMED MAN INSIDE.

413
00:17:18,236 --> 00:17:19,271
THIS IS A DANGEROUS SITUATION.

414
00:17:19,271 --> 00:17:22,607
I WANT THOSE PEOPLE OFF THE STEPS--

415
00:17:22,607 --> 00:17:23,609
WHAT HAPPENED?

416
00:17:23,609 --> 00:17:26,178
SIR, CAN YOU TELL ME WHO SHOT YOU?

417
00:17:26,178 --> 00:17:27,378
HOW DO YOU FEEL?

418
00:17:27,378 --> 00:17:29,481
HOW DO YOU FEEL? SIR, SIR?

419
00:17:29,481 --> 00:17:31,116
CAN YOU TELL US WHO SHOT YOU?

420
00:17:31,116 --> 00:17:32,851
ARE YOU ALL RIGHT?

421
00:17:34,519 --> 00:17:37,288
SIR, CAN YOU TELL US WHO SHOT YOU--

422
00:17:37,288 --> 00:17:38,957
ONE MAN, 2 MEN, WHAT?

423
00:17:38,957 --> 00:17:40,892
Male reporter: THERE'S THE CHIEF. IT'S THE CHIEF.

424
00:17:40,892 --> 00:17:43,996
CHIEF LEMKE, DO YOU HAVE ANY PLANS YET?

425
00:17:43,996 --> 00:17:45,163
ANY STATEMENTS?

426
00:17:45,163 --> 00:17:46,164
CHIEF, CHIEF--

427
00:17:46,164 --> 00:17:48,567
[ALL ASKING QUESTIONS AT ONCE]

428
00:17:48,567 --> 00:17:50,702
OUR CAMERA PERSON HAS INFORMED US

429
00:17:50,702 --> 00:17:52,770
THAT THE VICTIM'S NAME IS CLIFFORD WILLIAMS...

430
00:17:52,770 --> 00:17:53,771
DAD?

431
00:17:53,771 --> 00:17:55,640
WHO IS A SECURITY GUARD AT THE MUSEUM.

432
00:17:55,640 --> 00:17:57,408
MR. WILLIAMS WAS SHOT...

433
00:17:57,408 --> 00:17:59,244
MOM, IT'S DAD.

434
00:17:59,244 --> 00:18:01,413
...IN FRONT OF THE MUSEUM OF NATURAL HISTORY.

435
00:18:01,413 --> 00:18:03,248
THE FLOODING SO FAR HAS CLAIMED 4 LIVES.

436
00:18:03,248 --> 00:18:04,950
COMING UP ON OUR BROADCAST,

437
00:18:04,950 --> 00:18:08,153
AN UNEXPECTED ROLE FOR PIGEONS HERE IN NEW YORK

438
00:18:08,153 --> 00:18:09,855
TODAY AT THE UNITED NATIONS.

439
00:18:09,855 --> 00:18:13,591
WE'LL HAVE THAT STORY AND MORE WHEN WE RETURN.

440
00:18:13,591 --> 00:18:15,593
AND WE'RE BACK IN 2.

441
00:18:15,593 --> 00:18:18,096
I HEARD YOU TALKING DURING THE BROADCAST.

442
00:18:18,096 --> 00:18:19,097
WHAT IS IT? WHAT'S UP?

443
00:18:19,097 --> 00:18:21,233
IT'S A HOSTAGE SITUATION.

444
00:18:21,233 --> 00:18:23,068
WHO'S FEEDING US THIS?

445
00:18:23,068 --> 00:18:25,570
IT'S OUR AFFILIATE IN MADELINE, CALIFORNIA.

446
00:18:25,570 --> 00:18:27,472
GUESS WHO THE REPORTER IN THE MUSEUM IS.

447
00:18:27,472 --> 00:18:28,473
WHO?

448
00:18:28,473 --> 00:18:30,575
MAX BRACKETT.

449
00:18:30,575 --> 00:18:32,410
MAYBE THAT BASTARD WILL POP UP AGAIN

450
00:18:32,410 --> 00:18:33,879
WITH SOMETHING SPECTACULAR.

451
00:18:33,879 --> 00:18:34,912
ABSOLUTELY.

452
00:18:34,912 --> 00:18:36,881
LOOK, HERE'S THE TEASE YOU'RE GONNA USE

453
00:18:36,881 --> 00:18:38,550
AT THE TOP OF THE HOUR.

454
00:18:38,550 --> 00:18:40,151
I'M NOT SHARING A BROADCAST WITH BRACKETT.

455
00:18:40,151 --> 00:18:41,386
HE'S A LOOSE CANNON.

456
00:18:41,386 --> 00:18:42,887
YOU'LL SAY THE SITUATION'S STILL UNFOLDING.

457
00:18:42,887 --> 00:18:45,590
TUNE IN THIS EVENING FOR A FULL UPDATE.

458
00:18:45,590 --> 00:18:46,591
THAT'S A GOOD TEASE.

459
00:18:46,591 --> 00:18:48,193
NO, I'M NOT SAYING THAT.

460
00:18:48,193 --> 00:18:50,094
I'M NOT TEASING A STORY I KNOW NOTHING ABOUT.

461
00:18:50,094 --> 00:18:51,196
Stage manager: CAMERAS.

462
00:18:51,196 --> 00:18:52,864
I GO ON THE AIR AND I PROMISE THEM A STORY,

463
00:18:52,864 --> 00:18:55,033
AND IT EVAPORATES. HOW DOES THAT MAKE ME LOOK?

464
00:18:55,033 --> 00:18:56,467
HOW DOES IT MAKE THE NETWORK LOOK?

465
00:18:56,467 --> 00:18:57,536
IT COMES FROM ABOVE.

466
00:18:57,536 --> 00:18:59,738
YOU'RE BACK IN 30.

467
00:19:01,907 --> 00:19:04,943
...GODDAMN FOOLISH JUST BECAUSE SOMEBODY THINKS

468
00:19:04,943 --> 00:19:06,244
THIS IS A GOOD LEAD-IN.

469
00:19:06,244 --> 00:19:07,245
BACK IN 20.

470
00:19:07,245 --> 00:19:09,481
WITH BRACKETT, IT WON'T EVAPORATE.

471
00:19:11,383 --> 00:19:14,886
KEVIN, IT'S A GUY GETTING SHOT

472
00:19:14,886 --> 00:19:17,055
AND A BUNCH OF KIDS TAKEN HOSTAGE.

473
00:19:17,055 --> 00:19:18,389
IT'S GOOD TELEVISION.

474
00:19:18,389 --> 00:19:20,525
AND NO OTHER NET HAS IT.

475
00:19:20,525 --> 00:19:22,494
LOOK, THE MAN CAN'T BE TRUSTED.

476
00:19:22,494 --> 00:19:23,995
I'M NOT GOING BACK ON THE AIR AGAIN

477
00:19:23,995 --> 00:19:25,630
WITH THAT CRAZY SON OF A BITCH.

478
00:19:25,630 --> 00:19:26,832
DON'T YOU REMEMBER WHAT HE DID?

479
00:19:26,832 --> 00:19:29,100
IT'S KIND OF BEFORE THE BEGINNING OF TIME, KEVIN.

480
00:19:29,100 --> 00:19:31,336
5 AND...

481
00:19:34,839 --> 00:19:35,874
CALL MADELINE.

482
00:19:35,874 --> 00:19:37,976
I WANT TO FIND OUT HOW BRACKETT GOT THERE.

483
00:19:37,976 --> 00:19:39,444
I WANT TO KNOW WHAT THE HELL HE'S DOING THERE.

484
00:19:39,444 --> 00:19:42,113
THE MUSEUM TURNED OUT TO BE SOMETHING QUITE DIFFERENT.

485
00:19:42,113 --> 00:19:44,916
NOW THAT THE GUNMAN HAS SHOWN A WILLINGNESS TO USE FIREPOWER...

486
00:19:44,916 --> 00:19:47,586
IT WAS AN ACCIDENT, MORON.

487
00:19:49,754 --> 00:19:51,256
Boy: IT'S BROKEN.

488
00:19:51,256 --> 00:19:53,392
I JUST WANT MY JOB BACK.

489
00:19:54,692 --> 00:19:56,261
LOOK, LOOK AT THIS.

490
00:19:56,261 --> 00:19:58,296
LOOK AT THIS!

491
00:19:58,296 --> 00:19:59,364
EVERYBODY...

492
00:19:59,364 --> 00:20:00,865
[PEOPLE SHOUTING OUTSIDE]

493
00:20:00,865 --> 00:20:02,200
[SIRENS]

494
00:20:02,200 --> 00:20:05,336
LOOK AT THIS. I'LL NEVER GET MY JOB BACK NOW.

495
00:20:05,336 --> 00:20:08,173
[SIRENS]

496
00:20:08,173 --> 00:20:10,842
EVERYBODY KNOWS WHO I AM, WHERE I--

497
00:20:14,279 --> 00:20:15,447
YOUR FAULT.

498
00:20:15,447 --> 00:20:16,548
WHAT?

499
00:20:16,548 --> 00:20:17,782
EVERYBODY KNOWS WHERE I AM BECAUSE OF YOU.

500
00:20:17,782 --> 00:20:19,150
NO. EVERYONE KNOWS YOU'RE HERE

501
00:20:19,150 --> 00:20:20,518
BECAUSE YOU SHOT SOMEONE.

502
00:20:20,518 --> 00:20:22,154
SHUT UP, YOU!

503
00:20:23,455 --> 00:20:25,957
DID YOU REALLY DO THIS TO GET YOUR JOB BACK?

504
00:20:25,957 --> 00:20:28,293
WHAT DO YOU THINK?

505
00:20:28,293 --> 00:20:30,595
[TELEPHONE RINGS]

506
00:20:30,595 --> 00:20:31,730
THAT'S FOR YOU.

507
00:20:33,031 --> 00:20:35,900
[RING]

508
00:20:35,900 --> 00:20:38,036
IF YOU MAKE CONTACT...

509
00:20:38,036 --> 00:20:39,170
[RING]

510
00:20:39,170 --> 00:20:41,540
TELL THEM THAT EVERYONE IS OK IN HERE,

511
00:20:41,540 --> 00:20:43,241
AND YOU'LL BUY YOURSELF SOME TIME.

512
00:20:43,241 --> 00:20:44,509
I'LL TELL THEM THAT--

513
00:20:44,509 --> 00:20:46,310
I'LL TELL THEM THAT THEY BETTER BACK OFF

514
00:20:46,310 --> 00:20:48,513
BECAUSE I--I WILL SHOOT SOMEONE,

515
00:20:48,513 --> 00:20:50,248
AND THEN THE FIRST ONE'S GONNA BE YOU.

516
00:20:50,248 --> 00:20:52,049
I MIGHT THROW YOUR BODY JUST OUT THE FRONT DOOR.

517
00:20:52,049 --> 00:20:53,084
I WOULDN'T DO THAT.

518
00:20:53,084 --> 00:20:54,085
[RING]

519
00:20:54,085 --> 00:20:55,153
WHY NOT?

520
00:20:55,153 --> 00:20:57,289
THAT'LL JUST MAKE EVERYBODY JUMPY OUT THERE.

521
00:20:57,289 --> 00:21:00,091
THEY MIGHT DO SOMETHING THAT WE'LL ALL REGRET.

522
00:21:00,091 --> 00:21:02,360
YEAH.

523
00:21:02,360 --> 00:21:05,797
DO YOU REMEMBER THAT HOSTAGE SITUATION IN TORRANCE ABOUT--

524
00:21:05,797 --> 00:21:06,898
I THINK 2 YEARS AGO?

525
00:21:06,898 --> 00:21:08,266
YEAH. CAR DEALERSHIP.

526
00:21:08,266 --> 00:21:09,267
RIGHT.

527
00:21:09,267 --> 00:21:10,268
4 PEOPLE DIED.

528
00:21:10,268 --> 00:21:11,302
ONE OF THEM WAS THE GUNMAN.

529
00:21:11,302 --> 00:21:12,370
SHUT UP.

530
00:21:12,370 --> 00:21:14,739
I WAS THERE. I COVERED THAT STORY.

531
00:21:14,739 --> 00:21:15,741
[RING]

532
00:21:18,143 --> 00:21:19,878
[RING]

533
00:21:19,878 --> 00:21:20,878
HELLO.

534
00:21:20,878 --> 00:21:22,780
THIS IS CHIEF ALVIN LEMKE.

535
00:21:22,780 --> 00:21:26,451
AM I SPEAKING TO THE MAN RESPONSIBLE FOR THIS SITUATION?

536
00:21:26,451 --> 00:21:28,887
YEAH, YOU ARE.

537
00:21:28,887 --> 00:21:30,922
CAN I HAVE YOUR NAME, PLEASE?

538
00:21:30,922 --> 00:21:32,557
NO.

539
00:21:33,825 --> 00:21:34,993
HEY, UH...

540
00:21:34,993 --> 00:21:37,095
HOW'S THAT-- HOW'S THAT GUY CLIFF?

541
00:21:37,095 --> 00:21:38,096
IS HE ALL RIGHT?

542
00:21:38,096 --> 00:21:39,764
NO, HE'S NOT ALL RIGHT.

543
00:21:39,764 --> 00:21:41,633
HE'S IN THE HOSPITAL.

544
00:21:41,633 --> 00:21:42,834
MAY I HAVE YOUR NAME, PLEASE?

545
00:21:42,834 --> 00:21:44,135
WELL, LISTEN, UM...

546
00:21:44,135 --> 00:21:46,337
YOU GOTTA KNOW THAT I-- I DIDN'T MEAN TO SHOOT HIM.

547
00:21:46,337 --> 00:21:47,338
IT WAS AN ACCIDENT.

548
00:21:47,338 --> 00:21:48,506
WELL, THAT'S GOOD.

549
00:21:48,506 --> 00:21:49,507
THAT'S A GOOD THING.

550
00:21:49,507 --> 00:21:50,909
WE WILL TAKE THAT INTO ACCOUNT

551
00:21:50,909 --> 00:21:52,677
IF YOU WERE TO GIVE YOURSELF UP RIGHT NOW.

552
00:21:52,677 --> 00:21:53,979
NO.

553
00:21:53,979 --> 00:21:55,380
YEAH.

554
00:21:55,380 --> 00:21:56,448
WELL...

555
00:21:56,448 --> 00:21:57,749
Boy: I DON'T THINK SO.

556
00:21:57,749 --> 00:21:59,017
Girl: WELL, HE'S A KILLER.

557
00:21:59,017 --> 00:22:00,718
I DON'T THINK I CAN DO THAT.

558
00:22:00,718 --> 00:22:02,921
Lemke: I SEE. WHAT DO YOU WANT?

559
00:22:02,921 --> 00:22:04,923
WHAT ARE YOUR DEMANDS?

560
00:22:04,923 --> 00:22:05,924
WHAT ARE MY WHAT?

561
00:22:05,924 --> 00:22:07,926
WHAT ARE YOUR DEMANDS? WHAT DO YOU WANT?

562
00:22:07,926 --> 00:22:09,861
OH...

563
00:22:09,861 --> 00:22:11,396
HOLD ON.

564
00:22:12,897 --> 00:22:16,234
HE SAID WHAT ARE-- WHAT ARE MY DEMANDS?

565
00:22:16,234 --> 00:22:17,569
TELL HIM.

566
00:22:17,569 --> 00:22:18,736
I DON'T HAVE ANY DEMANDS.

567
00:22:18,736 --> 00:22:20,138
I DIDN'T PLAN ON THIS TO HAPPEN.

568
00:22:20,138 --> 00:22:23,475
EXCUSE ME, MISS. I DON'T WISH TO APPEAR HOSTILE,

569
00:22:23,475 --> 00:22:25,677
BUT YOU'RE MAKING MY JOB VERY DIFFICULT.

570
00:22:25,677 --> 00:22:28,880
OK, TELL HIM THAT YOU'LL TALK WHEN YOU'RE GOOD AND READY...

571
00:22:28,880 --> 00:22:31,550
AND NO BODIES OUT THE FRONT DOOR.

572
00:22:31,550 --> 00:22:32,551
ALL RIGHT.

573
00:22:34,419 --> 00:22:36,654
ALL RIGHT, I WANT EVERYBODY TO BACK OFF,

574
00:22:36,654 --> 00:22:39,124
AND I'LL TALK WHEN I'M GOOD AND READY.

575
00:22:40,525 --> 00:22:41,559
HELLO.

576
00:22:41,559 --> 00:22:43,294
HE HUNG UP.

577
00:22:43,294 --> 00:22:44,629
HOW WAS THAT?

578
00:22:44,629 --> 00:22:46,297
SOUNDED GOOD TO ME.

579
00:22:46,297 --> 00:22:47,298
YEAH, THAT WAS GOOD.

580
00:22:47,298 --> 00:22:48,967
THAT WAS GOOD. ALL RIGHT.

581
00:22:51,302 --> 00:22:53,805
OK, OK, OK.

582
00:22:55,540 --> 00:22:57,509
OK, I WANT YOU KIDS TO SIT DOWN NOW, OK?

583
00:22:57,509 --> 00:22:58,744
J-JUST SIT DOWN.

584
00:23:02,080 --> 00:23:05,217
ALL RIGHT, WH-WH-WHAT'S NEXT?

585
00:23:05,217 --> 00:23:08,553
YOU GIVE UP OR YOU GET YOURSELF SOME DEMANDS.

586
00:23:08,553 --> 00:23:09,721
LIKE WHAT?

587
00:23:09,721 --> 00:23:11,022
MONEY.

588
00:23:11,022 --> 00:23:12,023
RANSOM.

589
00:23:12,023 --> 00:23:13,024
NO, NO, I CAN'T.

590
00:23:13,024 --> 00:23:14,092
I CAN'T TAKE MONEY FROM HER.

591
00:23:14,092 --> 00:23:15,960
I JUST WANTED MY JOB BACK.

592
00:23:15,960 --> 00:23:17,095
THAT'S NOT A DEMAND.

593
00:23:17,095 --> 00:23:18,396
YOU GOT TO ASK FOR A FAST CAR,

594
00:23:18,396 --> 00:23:20,932
A LEAR JET, OR A GREYHOUND BUS.

595
00:23:20,932 --> 00:23:22,868
YOU HAVE TO HAVE A REALISTIC, VALID DEMAND,

596
00:23:22,868 --> 00:23:24,870
OR YOU'RE GONNA MAKE THEM VERY NERVOUS OUT THERE.

597
00:23:24,870 --> 00:23:27,372
I JUST--I CAME HERE TO GET MY JOB BACK, OK?

598
00:23:27,372 --> 00:23:28,373
WHY DID YOU BRING A GUN?

599
00:23:28,373 --> 00:23:29,774
BECAUSE I WANTED HER TO LISTEN.

600
00:23:29,774 --> 00:23:31,376
WHO?

601
00:23:31,376 --> 00:23:32,977
MRS. BANKS.

602
00:23:32,977 --> 00:23:34,479
LOOK...

603
00:23:34,479 --> 00:23:35,880
I CAN'T--I CAN'T GO OUT THERE.

604
00:23:35,880 --> 00:23:38,483
IF I GO OUT THERE, I'LL BE PUT IN PRISON.

605
00:23:38,483 --> 00:23:40,985
I CAN'T--I CAN'T TAKE CARE OF MY FAMILY IN PRISON.

606
00:23:40,985 --> 00:23:43,922
THERE'S DIFFERENT WAYS OF GIVING UP.

607
00:23:43,922 --> 00:23:44,922
WHAT?

608
00:23:44,922 --> 00:23:46,558
WH-WHICH WAY?

609
00:23:46,558 --> 00:23:47,559
CAN I SHOW YOU SOMETHING?

610
00:23:47,559 --> 00:23:48,660
YEAH.

611
00:23:48,660 --> 00:23:50,962
NO, THAT'S DANGEROUS. YOU GOT ANOTHER WINDOW?

612
00:23:50,962 --> 00:23:52,196
YEAH. OVER HERE.

613
00:23:52,196 --> 00:23:53,398
NOW, LISTEN...

614
00:23:53,398 --> 00:23:56,534
Mrs. Banks: SLOWLY, SLOWLY.

615
00:23:56,534 --> 00:23:57,601
YOU BEEN ARRESTED BEFORE?

616
00:23:57,601 --> 00:23:58,603
NO.

617
00:23:58,603 --> 00:23:59,637
THAT'S VERY GOOD.

618
00:23:59,637 --> 00:24:01,973
IN BACK OF THE BALD EAGLE.

619
00:24:03,007 --> 00:24:04,008
UH...

620
00:24:04,008 --> 00:24:06,010
I WANT YOU TO LOOK AT THIS.

621
00:24:06,010 --> 00:24:08,513
SEE THOSE PEOPLE?

622
00:24:11,216 --> 00:24:13,852
NOT THE COPS, NOT THE NEWS MEDIA.

623
00:24:13,852 --> 00:24:14,852
MAN...

624
00:24:14,852 --> 00:24:16,254
I WANT YOU TO LOOK.

625
00:24:16,254 --> 00:24:18,290
SEE? THE PEOPLE.

626
00:24:19,824 --> 00:24:21,459
THAT'S PUBLIC OPINION.

627
00:24:21,459 --> 00:24:23,295
THAT'S A POWERFUL FORCE.

628
00:24:23,295 --> 00:24:25,130
YOU GOT A PROBLEM RIGHT NOW.

629
00:24:25,130 --> 00:24:28,400
THOSE PEOPLE HATE YOUR GUTS.

630
00:24:30,601 --> 00:24:32,570
BECAUSE YOU'RE HOLDING KIDS HOSTAGE,

631
00:24:32,570 --> 00:24:33,604
AND THAT'S A NO-NO.

632
00:24:33,604 --> 00:24:34,839
AT BEST, THEY THINK YOU'RE NUTS.

633
00:24:34,839 --> 00:24:36,708
BUT I'M NOT.

634
00:24:36,708 --> 00:24:38,476
I MEAN, I'M NOT USUALLY.

635
00:24:38,476 --> 00:24:39,611
IT'S JUST THAT...

636
00:24:39,611 --> 00:24:40,845
I MEAN, JENNY TELLS ME I DON'T THINK.

637
00:24:40,845 --> 00:24:42,880
WHO'S JENNY?

638
00:24:42,880 --> 00:24:43,881
MY WIFE.

639
00:24:43,881 --> 00:24:44,983
AND YOU'RE...

640
00:24:46,551 --> 00:24:47,819
"SAM."

641
00:24:49,087 --> 00:24:50,755
LOOK, I DON'T THINK YOU'RE CRAZY.

642
00:24:50,755 --> 00:24:52,089
I KNOW YOU'RE NOT A TERRORIST.

643
00:24:52,089 --> 00:24:54,692
I KNOW YOU'RE JUST AN ORDINARY GUY WHO'S POPPED HIS TOP.

644
00:24:54,692 --> 00:24:57,162
BUT YOU MUST CONNECT WITH THOSE PEOPLE OUT THERE.

645
00:24:57,162 --> 00:25:00,165
YOU DON'T THINK THEY KNOW WHAT IT'S LIKE TO LOSE THEIR JOB?

646
00:25:00,165 --> 00:25:02,333
OR THEY DON'T KNOW SOMEBODY WHO'S LOST THEIR JOB?

647
00:25:02,333 --> 00:25:05,002
THEY'LL UNDERSTAND IF YOU GIVE THEM THE CHANCE.

648
00:25:05,002 --> 00:25:07,172
[SIRENS]

649
00:25:07,172 --> 00:25:09,273
SEE, THE ONE THING THAT YOU MIGHT WANT TO DO

650
00:25:09,273 --> 00:25:10,975
BEFORE YOU GIVE YOURSELF UP

651
00:25:10,975 --> 00:25:14,678
IS LET THOSE PEOPLE KNOW WHAT YOU'RE ABOUT.

652
00:25:14,678 --> 00:25:15,780
HOW?

653
00:25:15,780 --> 00:25:18,315
IF I PUT A CAMERA ON YOU RIGHT NOW

654
00:25:18,315 --> 00:25:19,584
AND I INTERVIEW YOU

655
00:25:19,584 --> 00:25:21,353
AND YOU TELL THOSE PEOPLE WHAT'S GOING ON IN YOUR HEAD,

656
00:25:21,353 --> 00:25:23,522
I THINK THAT THEY'LL WANT TO KNOW.

657
00:25:24,589 --> 00:25:26,323
DON'T YOU?

658
00:25:26,323 --> 00:25:27,358
NO.

659
00:25:27,358 --> 00:25:28,659
NO.

660
00:25:28,659 --> 00:25:30,595
THAT'S YOUR JURY POOL OUT THERE.

661
00:25:32,764 --> 00:25:33,765
ALL RIGHT.

662
00:25:33,765 --> 00:25:35,199
ALL RIGHT.

663
00:25:35,199 --> 00:25:36,701
YOU WANT TO GIVE THEM THE KIDS

664
00:25:36,701 --> 00:25:38,169
IN EXCHANGE FOR THE INTERVIEW?

665
00:25:38,169 --> 00:25:39,170
NO.

666
00:25:40,271 --> 00:25:41,806
NO.

667
00:25:41,806 --> 00:25:43,775
YOU DO SOMETHING FOR THEM, THEY DO SOMETHING FOR YOU.

668
00:25:45,109 --> 00:25:46,310
ONE.

669
00:25:46,310 --> 00:25:47,345
ONE.

670
00:25:47,345 --> 00:25:48,346
THAT'S IT.

671
00:25:48,346 --> 00:25:49,548
ONE'S GOOD.

672
00:25:52,850 --> 00:25:55,086
NO. NO, I CAN'T DO THAT.

673
00:25:55,086 --> 00:25:57,354
I CAN'T PUT A HOSTAGE TAKER ON TELEVISION.

674
00:25:57,354 --> 00:25:58,523
I UNDERSTAND, CHIEF.

675
00:25:58,523 --> 00:26:01,560
BUT HE'S INSISTING THAT I PUT HIM ON RIGHT NOW.

676
00:26:02,760 --> 00:26:03,895
OK.

677
00:26:03,895 --> 00:26:05,063
ALL RIGHT.

678
00:26:05,063 --> 00:26:07,498
"AS A GOOD FAITH GESTURE, I WILL LET ONE CHILD GO.

679
00:26:07,498 --> 00:26:10,001
"ONCE MR. BRACKETT HAS PUT ME ON TV,

680
00:26:10,001 --> 00:26:13,537
I WILL, UH, I WILL CONSIDER RELEASING THE OTHERS."

681
00:26:13,537 --> 00:26:16,040
NO. YOU LET EVERYBODY GO FIRST.

682
00:26:16,040 --> 00:26:17,141
HOLD ON.

683
00:26:17,141 --> 00:26:18,710
HE SAID LET EVERYBODY GO FIRST.

684
00:26:18,710 --> 00:26:21,279
YOU CAN'T NEGOTIATE WITH YOUR EMOTIONS.

685
00:26:22,513 --> 00:26:23,781
UNACCEPTABLE.

686
00:26:23,781 --> 00:26:27,952
UH, DON'T--DON'T NEGOTIATE MY EMOTIONS!

687
00:26:27,952 --> 00:26:31,155
HELLO, UH, SHERIFF LEMKE, MAX BRACKETT.

688
00:26:31,155 --> 00:26:32,523
LOOK, I KNOW THE RULES ABOUT THESE THINGS.

689
00:26:32,523 --> 00:26:34,459
MR. BRACKETT, IS HE LISTENING TO US?

690
00:26:34,459 --> 00:26:35,793
NO, SIR, HE'S NOT.

691
00:26:35,793 --> 00:26:37,695
IS HE POINTING HIS WEAPON AT YOU?

692
00:26:37,695 --> 00:26:38,696
NO, SIR. LISTEN, I THINK I CAN GUARANTEE

693
00:26:38,696 --> 00:26:40,131
THAT MR. BAILEY IS SINCERE IN HIS OFFER.

694
00:26:40,131 --> 00:26:42,166
I ALSO THINK THAT THINGS ARE GONNA BECOME

695
00:26:42,166 --> 00:26:43,268
INCREASINGLY UNSTABLE IN HERE

696
00:26:43,268 --> 00:26:45,203
IF YOU DON'T GRANT HIM THIS.

697
00:26:45,203 --> 00:26:47,105
JESUS.

698
00:26:47,105 --> 00:26:48,239
I DON'T LIKE TO DO THIS.

699
00:26:48,239 --> 00:26:49,274
I KNOW YOU DON'T.

700
00:26:49,274 --> 00:26:50,441
TELL HIM I'M VERY UPSET.

701
00:26:50,441 --> 00:26:52,643
BUT THIS MAN IS VERY UPSET, SIR.

702
00:26:52,643 --> 00:26:56,314
THINGS ARE...VERY UNPREDICTABLE HERE.

703
00:26:57,849 --> 00:26:59,317
ALL RIGHT, LOOK...

704
00:27:00,952 --> 00:27:04,122
OK, BUT I WANT THIS OVER QUICKLY, DO YOU UNDERSTAND?

705
00:27:06,224 --> 00:27:07,425
ALL RIGHT.

706
00:27:07,425 --> 00:27:09,494
ONLY ONE.

707
00:27:09,494 --> 00:27:10,761
THAT'S ALL YOU'RE GONNA GET.

708
00:27:10,761 --> 00:27:11,763
[DOOR LOCK RELEASES]

709
00:27:14,432 --> 00:27:15,667
SAM, THEY'RE GONNA WANT TO KNOW

710
00:27:15,667 --> 00:27:17,401
EXACTLY WHAT THEY'RE DEALING WITH.

711
00:27:17,401 --> 00:27:18,903
WHAT'S IN THE BAG?

712
00:27:18,903 --> 00:27:19,904
NOTHING.

713
00:27:19,904 --> 00:27:22,073
CAN I LOOK?

714
00:27:25,376 --> 00:27:26,411
OH, MAN.

715
00:27:28,346 --> 00:27:31,683
MY BROTHER-IN-LAW USES IT TO CLEAR STUMPS AWAY

716
00:27:31,683 --> 00:27:33,117
ON HIS FARM, THAT'S ALL.

717
00:27:33,117 --> 00:27:34,586
WHY'D YOU BRING IT HERE?

718
00:27:34,586 --> 00:27:37,222
BECAUSE I WANTED MRS. BANKS TO BELIEVE I WAS SERIOUS.

719
00:27:37,222 --> 00:27:39,957
THE GUN'S NOT ENOUGH?

720
00:27:39,957 --> 00:27:41,860
I WANTED TO IMPRESS HER.

721
00:27:43,827 --> 00:27:46,164
SO WHAT ARE YOU GONNA DO WITH IT NOW?

722
00:27:46,164 --> 00:27:48,132
I JUST WANT TO GO HOME, ALL RIGHT?

723
00:27:48,132 --> 00:27:49,400
SO YOU DON'T NEED IT ANYMORE. I'LL TAKE IT WITH ME.

724
00:27:49,400 --> 00:27:50,401
NO!

725
00:27:50,401 --> 00:27:51,402
NO.

726
00:27:51,402 --> 00:27:52,703
NOW, GO.

727
00:27:52,703 --> 00:27:54,205
NOW, JUST GO.

728
00:27:56,841 --> 00:27:58,509
HOW DO I KNOW YOU'RE COMING BACK?

729
00:27:58,509 --> 00:28:01,612
'CAUSE YOU'RE THE BEST SHOW IN TOWN, SAM.

730
00:28:01,612 --> 00:28:03,148
WAIT A MINUTE. WAIT.

731
00:28:03,148 --> 00:28:04,482
COME HERE.

732
00:28:04,482 --> 00:28:07,252
I--I--I NEED TO-- TO ASK YOU SOMETHING.

733
00:28:08,486 --> 00:28:10,488
NO, I NEED YOU TO TALK TO MY WIFE.

734
00:28:10,488 --> 00:28:12,222
SURE.

735
00:28:12,222 --> 00:28:14,125
BECAUSE WHEN SHE FINDS OUT ABOUT THIS,

736
00:28:14,125 --> 00:28:15,326
SHE'S...

737
00:28:15,326 --> 00:28:17,562
SHE'S GONNA BE UPSET BIG-TIME.

738
00:28:17,562 --> 00:28:19,997
OK. YOU KNOW, THE PRESS ARE GONNA BE ALL OVER HER.

739
00:28:19,997 --> 00:28:21,231
OH, MAN.

740
00:28:21,231 --> 00:28:22,567
MAN!

741
00:28:22,567 --> 00:28:23,667
THAT'S OK. DO YOU WANT ME TO FIX IT

742
00:28:23,667 --> 00:28:24,869
SO I'M THE ONLY ONE THAT TALKS TO HER?

743
00:28:24,869 --> 00:28:25,870
YEAH.

744
00:28:25,870 --> 00:28:26,871
ONLY ME.

745
00:28:26,871 --> 00:28:27,872
JUST YOU.

746
00:28:27,872 --> 00:28:28,907
YOU GOT IT.

747
00:28:28,907 --> 00:28:30,608
WATCH YOURSELF.

748
00:28:33,544 --> 00:28:35,179
CHIEF.

749
00:28:35,179 --> 00:28:36,915
[POLICE RADIO INAUDIBLE]

750
00:28:39,851 --> 00:28:41,419
STAY HERE.

751
00:28:51,495 --> 00:28:52,963
Reporter: MR. BRACKETT, MR. BRACKETT,

752
00:28:52,963 --> 00:28:54,231
ARE THE CHILDREN ALL RIGHT?

753
00:28:54,231 --> 00:28:55,266
GO GET YOUR CAMERA.

754
00:28:55,266 --> 00:28:56,934
Man: CHIEF. CHIEF LEMKE.

755
00:28:56,934 --> 00:28:57,935
HOW ARE THE KIDS?

756
00:28:57,935 --> 00:28:59,470
THE KIDS ARE FINE.

757
00:28:59,470 --> 00:29:00,938
WHAT'S THE STORY?

758
00:29:00,938 --> 00:29:03,975
THE STORY IS HE HAS ENOUGH DYNAMITE IN THERE TO LEVEL THE PLACE,

759
00:29:03,975 --> 00:29:05,676
SO DON'T PISS HIM OFF.

760
00:29:05,676 --> 00:29:06,711
JESUS!

761
00:29:06,711 --> 00:29:07,745
EXCUSE ME. LAURIE.

762
00:29:07,745 --> 00:29:09,514
I'M MR. BRACKETT'S ASSISTANT.

763
00:29:09,514 --> 00:29:10,581
LET HER THROUGH.

764
00:29:10,581 --> 00:29:13,417
COME HERE. COME HERE. DON'T GET COCKY.

765
00:29:13,417 --> 00:29:14,819
YOU WANT TO GO IN THERE AND MAKE YOUR LITTLE TV SHOW?

766
00:29:14,819 --> 00:29:15,820
MM-HMM.

767
00:29:15,820 --> 00:29:16,887
THEN YOU COOPERATE WITH ME.

768
00:29:16,887 --> 00:29:18,389
YOU SCRATCH MY BACK. DO YOU UNDERSTAND?

769
00:29:18,389 --> 00:29:20,558
NOTICE THAT THE CAMERAS ARE ON MY BACK NOW

770
00:29:20,558 --> 00:29:22,359
AND THAT YOUR FACE IS ON ALL THE CHANNELS.

771
00:29:22,359 --> 00:29:23,360
AND?

772
00:29:23,360 --> 00:29:24,829
WHEN I GO IN FRONT OF THE CAMERA,

773
00:29:24,829 --> 00:29:26,430
I'LL SAY THAT YOU'RE IN CHARGE. GOOD.

774
00:29:26,430 --> 00:29:27,832
MAY I GO NOW?

775
00:29:27,832 --> 00:29:28,833
WHAT'S HIS NAME?

776
00:29:28,833 --> 00:29:31,636
SAM BAILY. PLEASE?

777
00:29:31,636 --> 00:29:32,737
YOU MAY GO.

778
00:29:32,737 --> 00:29:34,004
OK. YOU'RE HITTING A PRESSURE POINT NOW.

779
00:29:34,004 --> 00:29:35,473
I KNOW. THE PARENTS ARE HERE FOR YOU.

780
00:29:35,473 --> 00:29:37,175
Reporter: OVER HERE, MAX. COME ON, MAX,

781
00:29:37,175 --> 00:29:38,243
GIVE US SOMETHING.

782
00:29:38,243 --> 00:29:40,177
COME ON, COME ON, OVER HERE.

783
00:29:40,177 --> 00:29:41,746
MR. BRACKETT, CAN YOU TELL US WHAT'S GOING ON IN THERE?

784
00:29:41,746 --> 00:29:42,880
HAS HE HURT ANY OF THE KIDS?

785
00:29:42,880 --> 00:29:45,282
I JUST WANT TO SAY THAT YOUR CHILDREN ARE FINE

786
00:29:45,282 --> 00:29:47,518
AND THAT WE'RE DOING EVERYTHING WE CAN

787
00:29:47,518 --> 00:29:49,687
TO RESOLVE THE SITUATION AS SOON AS POSSIBLE.

788
00:29:49,687 --> 00:29:50,688
HOW DO WE KNOW THAT'S TRUE? ARE YOU SURE?

789
00:29:50,688 --> 00:29:51,756
WHAT DO YOU MEAN FINE?

790
00:29:51,756 --> 00:29:52,824
UH, WELL, YOU WON'T BELIEVE THIS,

791
00:29:52,824 --> 00:29:54,692
BUT RIGHT NOW YOUR KIDS ARE PLAYING INSIDE.

792
00:29:54,692 --> 00:29:56,594
MR. BRACKETT, WHEN'S IT GOING TO END?

793
00:29:56,594 --> 00:29:57,695
THIS MAKES A LOT OF SENSE.

794
00:29:57,695 --> 00:29:59,096
THE POLICE DON'T HAVE ANY CONTROL,

795
00:29:59,096 --> 00:30:00,297
SO NOW SOME NEWS GUY IS RUNNING THINGS?

796
00:30:00,297 --> 00:30:01,466
I'M NOT RUNNING ANYTHING.

797
00:30:01,466 --> 00:30:02,800
Woman: WELL, WHAT ARE WE GOING TO DO ABOUT IT?

798
00:30:02,800 --> 00:30:04,368
WHAT WOULD HAPPEN IF I DECIDED TO WALK OVER TO THAT DOOR

799
00:30:04,368 --> 00:30:05,369
AND GET MY KID? YEAH?

800
00:30:05,369 --> 00:30:06,904
WELL, THAT WOULDN'T BE A VERY GOOD IDEA.

801
00:30:06,904 --> 00:30:08,706
THAT'S RIGHT.

802
00:30:08,706 --> 00:30:11,909
'CAUSE YOU'D BE PUTTING EVERYBODY'S KID IN DANGER.

803
00:30:11,909 --> 00:30:14,946
MAYOR COCHRAN AND I ARE DOING EVERYTHING WE CAN TO MAKE SURE

804
00:30:14,946 --> 00:30:16,714
THAT YOUR KIDS ARE HOME FOR DINNER TONIGHT.

805
00:30:16,714 --> 00:30:18,616
DON'T TALK TO THE PRESS. NET RECORDERS.

806
00:30:18,616 --> 00:30:19,884
WE'RE GOING NATIONAL FROM NOW ON.

807
00:30:19,884 --> 00:30:21,018
Woman: DO YOU KNOW HIS NAME?

808
00:30:21,018 --> 00:30:22,152
WHAT'S GOING ON IN THERE?

809
00:30:22,152 --> 00:30:23,655
SORRY, GUYS, WE'VE BEEN PROMOTED.

810
00:30:23,655 --> 00:30:25,356
HAS BAILY MADE ANY DEMANDS AT ALL?

811
00:30:25,356 --> 00:30:28,325
UH, I'M SORRY. YOU'LL HAVE TO TURN ON YOUR NEWS WHEN I REPORT IT.

812
00:30:28,325 --> 00:30:29,927
WE GO NOW TO MAX BRACKETT

813
00:30:29,927 --> 00:30:33,998
FOR AN EXCLUSIVE REPORT ON THE SITUATION INSIDE THE MUSEUM.

814
00:30:33,998 --> 00:30:36,967
MAX, IT'S GOOD TO SEE YOU SAFE.

815
00:30:36,967 --> 00:30:39,270
THIS IS A REMARKABLE JOB YOU'RE DOING.

816
00:30:39,270 --> 00:30:42,039
THANK YOU, MORT. I'M JUST, UH,

817
00:30:42,039 --> 00:30:45,576
YOU KNOW, I'M JUST HAPPY THAT I WAS IN A POSITION TO, UH, HELP THE CHILDREN.

818
00:30:45,576 --> 00:30:47,611
UH, AND I'M OPTIMISTIC...

819
00:30:47,611 --> 00:30:49,980
SHOULD WE BRING BROYLES DOWN FROM SAN FRANCISCO

820
00:30:49,980 --> 00:30:51,749
IF THIS THING TAKES HOLD?

821
00:30:51,749 --> 00:30:55,052
WELL, YOU CAN ASK, BUT WHAT FOR?

822
00:30:55,052 --> 00:30:56,887
BRACKETT WAS BORN FOR THIS JOB.

823
00:30:56,887 --> 00:30:58,689
LOOK AT HIM.

824
00:30:58,689 --> 00:31:00,191
HE'S A PIG IN SHIT.

825
00:31:00,191 --> 00:31:03,494
HEY, KEVIN, ANYONE EVER FEEL HIM OUT FOR ANCHOR WORK?

826
00:31:03,494 --> 00:31:05,596
THAT'S AN ANCHOR?

827
00:31:05,596 --> 00:31:07,832
LOOK AT HIM.

828
00:31:07,832 --> 00:31:09,833
I WOULDN'T EVEN BUY A NEW CAR FROM THAT GUY.

829
00:31:09,833 --> 00:31:11,903
HE NEVER SAT BEHIND A DESK.

830
00:31:11,903 --> 00:31:14,372
HE ALWAYS WANTED TO BE WHERE THE BULLETS WERE FLYING.

831
00:31:14,372 --> 00:31:16,073
THEN AGAIN, HE GOT TOO HOT TO KEEP AROUND

832
00:31:16,073 --> 00:31:18,142
AFTER YOUR LITTLE INCIDENT.

833
00:31:18,142 --> 00:31:20,043
LITTLE INCIDENT?

834
00:31:20,043 --> 00:31:22,446
WE ALL SUFFERING FROM MEMORY LOSS HERE?

835
00:31:22,446 --> 00:31:24,549
OH, COME ON. HE DID HIS 2 YEARS IN THE STICKS.

836
00:31:24,549 --> 00:31:27,018
HE LEARNED HIS LESSON. HE CHILLED.

837
00:31:27,018 --> 00:31:28,786
Brackett: WE'RE IN A STATE OF FLUX.

838
00:31:28,786 --> 00:31:30,221
OH, CHRIST.

839
00:31:30,221 --> 00:31:32,256
...YOU ARE GOING BACK INSIDE THE MUSEUM.

840
00:31:32,256 --> 00:31:35,459
YES, MORT. MR. BAILY HAS AGREED TO RELEASE ONE CHILD.

841
00:31:35,459 --> 00:31:38,963
WHAT ABOUT THAT GIRL IN THE GLASSES? RIGHT THERE.

842
00:31:38,963 --> 00:31:40,131
YOU'RE ASKING ME?

843
00:31:40,131 --> 00:31:42,400
WELL, I GOTTA CHOOSE SOMEBODY.

844
00:31:43,467 --> 00:31:44,568
DO YOU HAVE ANY CHILDREN?

845
00:31:44,568 --> 00:31:45,636
YEAH, I GOT 2.

846
00:31:45,636 --> 00:31:47,538
COULD YOU BEAR SAVING JUST ONE?

847
00:31:47,538 --> 00:31:50,241
QUIET!

848
00:31:50,241 --> 00:31:51,708
WHY DON'T YOU LET ALL OF THEM GO?

849
00:31:51,708 --> 00:31:53,110
THAT IS HOW YOU WILL GET PEOPLE TO SYMPATHIZE WITH YOU.

850
00:31:53,110 --> 00:31:54,112
SHH!

851
00:31:56,780 --> 00:31:58,482
NOW, LOOK. EVERYBODY'S GONNA GET TO GO HOME.

852
00:31:58,482 --> 00:32:00,384
YOU JUST GOTTA TAKE TURNS, OK?

853
00:32:00,384 --> 00:32:03,821
AND I WOULD LIKE TO SAY THAT I STAND BY TO OFFER WHATEVER HELP I CAN GIVE.

854
00:32:03,821 --> 00:32:06,657
AND I CONTINUE TO HOPE THAT THERE WILL BE A PEACEFUL RESOLUTION

855
00:32:06,657 --> 00:32:09,060
WITHOUT ANY FURTHER VIOLENCE.

856
00:32:09,060 --> 00:32:12,830
Mort: BE CAREFUL, MAX. AND GODSPEED.

857
00:32:12,830 --> 00:32:15,032
Brackett: THANK YOU, MORT. GODSPEED.

858
00:32:15,032 --> 00:32:16,100
Man: WE'RE CLEAR.

859
00:32:16,100 --> 00:32:18,101
NOW MORT HAS SHAKESPEARE WRITING FOR HIM.

860
00:32:18,101 --> 00:32:19,537
WE WERE NUMBER ONE.

861
00:32:19,537 --> 00:32:20,738
WHAT HAPPENED WITH THAT GUARD?

862
00:32:20,738 --> 00:32:22,873
WHAT? WHAT DO YOU MEAN?

863
00:32:22,873 --> 00:32:26,343
YOU LEFT THE CAMERA, AND YOU WENT TO HELP HIM.

864
00:32:26,343 --> 00:32:27,411
WELL, HE WAS HURT.

865
00:32:27,411 --> 00:32:28,812
YES, SO WHY DIDN'T YOU TAKE THE CAMERA

866
00:32:28,812 --> 00:32:30,281
IF YOU'RE GOING TO BE SO HUMANE?

867
00:32:31,782 --> 00:32:33,250
BECAUSE I CAN'T... WHAT?

868
00:32:33,250 --> 00:32:36,253
BECAUSE I CAN'T HOLD A CAMERA AND HELP SOMEBODY AT THE SAME TIME.

869
00:32:36,253 --> 00:32:38,255
YES, AND BY NOT HAVING YOUR CAMERA,

870
00:32:38,255 --> 00:32:40,958
WE LOST FOOTAGE THAT NOBODY ELSE WOULD HAVE HAD.

871
00:32:40,958 --> 00:32:43,193
YOU SEE, YOU HAVE TO MAKE A DECISION

872
00:32:43,193 --> 00:32:45,362
WHETHER YOU ARE GOING TO BE PART OF THE STORY

873
00:32:45,362 --> 00:32:47,464
OR WHETHER YOU'RE GOING TO BE THERE TO RECORD THE STORY.

874
00:32:47,464 --> 00:32:49,100
Man: MAX, IT'S LOU.

875
00:32:49,100 --> 00:32:52,003
I WANT YOU WITH ME FROM THE BEGINNING OF THE STORY

876
00:32:52,003 --> 00:32:53,237
TO THE END OF THE STORY.

877
00:32:55,539 --> 00:32:57,341
HI, LOU. YOU HAVING FUN?

878
00:32:57,341 --> 00:32:59,509
OH, JESUS, MAX, I SEND YOU OUT FOR A PIECE OF FLUFF,

879
00:32:59,509 --> 00:33:01,245
YOU COME BACK WITH A HOSTAGE SITUATION.

880
00:33:01,245 --> 00:33:04,849
WELL, I GUESS I'M JUST NOT ONE OF YOUR FLUFFY KIND OF REPORTERS.

881
00:33:04,849 --> 00:33:05,916
Lou: WHAT'S IT ABOUT?

882
00:33:05,916 --> 00:33:07,185
YOU KNOW, HE'S AN AVERAGE GUY,

883
00:33:07,185 --> 00:33:08,852
HE'S MARRIED, HE'S GOT KIDS, HE FLIPPED,

884
00:33:08,852 --> 00:33:10,854
AND, UH, NOW HE'S THE TERMINATOR.

885
00:33:10,854 --> 00:33:12,223
Lou: WHAT DOES HE WANT?

886
00:33:12,223 --> 00:33:15,092
HE WANTS HIS JOB BACK. WANTS TO BE HEARD. A LITTLE DIGNITY.

887
00:33:15,092 --> 00:33:17,261
AND WE'RE STUCK IN THE MIDDLE.

888
00:33:17,261 --> 00:33:18,295
IT'S A GOOD PLACE TO BE.

889
00:33:18,295 --> 00:33:19,863
BUT IF YOU'RE UNCOMFORTABLE WITH IT,

890
00:33:19,863 --> 00:33:22,399
WE DON'T HAVE A CONTRACT.

891
00:33:22,399 --> 00:33:23,901
I CAN ALWAYS GO TO ANOTHER CHANNEL.

892
00:33:23,901 --> 00:33:25,169
THE NETWORK CALLED.

893
00:33:25,169 --> 00:33:27,972
LOOKS LIKE YOU'RE BACK IN THE BIG SADDLE AGAIN, COWBOY.

894
00:33:27,972 --> 00:33:30,241
THERE'S NOTHING LIKE OLD FRIENDS.

895
00:33:55,066 --> 00:33:57,901
LOOK AT THIS JERK. WHAT A SHOWBOAT.

896
00:33:57,901 --> 00:33:59,470
ZOOM IN.

897
00:34:03,207 --> 00:34:05,276
[KIDS YELLING]

898
00:34:17,722 --> 00:34:19,857
WHICH ONE GETS TO LEAVE, SAM?

899
00:34:20,925 --> 00:34:22,860
I WAS THINKING THAT GIRL IN THE GLASSES.

900
00:34:22,860 --> 00:34:24,728
WHICH ONE?

901
00:34:24,728 --> 00:34:26,464
Sam: THAT ONE.

902
00:34:26,464 --> 00:34:28,065
GOOD. NOW LET'S GIVE THEM 2.

903
00:34:28,065 --> 00:34:29,100
NO, I SAID ONE.

904
00:34:29,100 --> 00:34:30,734
YOU SHOT A BLACK MAN.

905
00:34:30,734 --> 00:34:33,170
SOME PEOPLE ARE GOING TO MAKE AN ISSUE OF THAT.

906
00:34:33,170 --> 00:34:34,572
SHOW KINDNESS TO A LITTLE BLACK KID.

907
00:34:34,572 --> 00:34:36,440
IT'S HARDER TO PLAY THE RACE CARD AGAINST YOU.

908
00:34:36,440 --> 00:34:38,709
RIGHT? YOU UNDERSTAND?

909
00:34:38,709 --> 00:34:39,743
SHUSH.

910
00:34:39,743 --> 00:34:42,212
Man: HEY, LOOK, 2 KIDS ARE BEING RELEASED.

911
00:34:42,212 --> 00:34:45,616
Woman: HURRY UP! HURRY UP, CHRIS, ROLL!

912
00:34:49,420 --> 00:34:51,088
Man: ALL RIGHT, WHAT HAPPENED?

913
00:34:51,088 --> 00:34:52,423
TELL US WHAT HAPPENED INSIDE.

914
00:34:52,423 --> 00:34:54,092
Woman: ARE YOU ALL RIGHT?

915
00:34:55,092 --> 00:34:57,061
Man: COME ON, LET THEM SAY SOMETHING.

916
00:34:57,061 --> 00:34:59,563
Boy: RIGHT NEXT TO THE MAN. THERE SHE IS.

917
00:34:59,563 --> 00:35:01,765
Girl: OH, LOOK! Boy: MAYBE I'LL SEE MY MOM.

918
00:35:01,765 --> 00:35:03,301
I HOPE I SEE MY MOM.

919
00:35:03,301 --> 00:35:05,436
I MISS HER SO MUCH. HEY, LOOK, A BIGGER ONE!

920
00:35:05,436 --> 00:35:07,405
OH, BOY!

921
00:35:07,405 --> 00:35:11,608
Sam: I CAME IN AND I WAS, LIKE, I DON'T KNOW, 20 MINUTES LATE AND...

922
00:35:11,608 --> 00:35:13,677
YOU SEE, THE NIGHT BEFORE,

923
00:35:13,677 --> 00:35:16,180
WE HAD, LIKE, THIS SOFTBALL GAME, WE WON.

924
00:35:16,180 --> 00:35:18,782
I HAD, LIKE, A DOUBLE AND A TRIPLE.

925
00:35:18,782 --> 00:35:19,783
MMM.

926
00:35:19,783 --> 00:35:21,318
YEAH. SO WE HAD--

927
00:35:21,318 --> 00:35:22,620
WE WERE HAPPY. WE HAD A PARTY.

928
00:35:22,620 --> 00:35:23,821
AND I HAD, I DON'T KNOW,

929
00:35:23,821 --> 00:35:26,090
3 BEERS OR SOMETHING LIKE THAT.

930
00:35:26,090 --> 00:35:29,093
SO THE NEXT DAY, I CAME INTO WORK AND, UM,

931
00:35:29,093 --> 00:35:30,261
THEN MRS. BANKS TOLD ME TO COME IN--

932
00:35:30,261 --> 00:35:33,097
OK, SAM, LEAVE OUT THE PART ABOUT THE BALL GAME

933
00:35:33,097 --> 00:35:34,231
AND THE PARTY AND THE DRINKS. OK?

934
00:35:34,231 --> 00:35:36,933
YEAH, BUT WE DRANK. I MEAN, I DRANK.

935
00:35:36,933 --> 00:35:38,068
SURE, BUT THAT'S NOT WHY YOU GOT FIRED.

936
00:35:38,068 --> 00:35:39,203
NO.

937
00:35:39,203 --> 00:35:41,439
OK, THEN LET'S NOT GIVE THEM THAT IMPRESSION.

938
00:35:41,439 --> 00:35:43,974
JUST START FROM MRS. BANKS ASKED ME TO...

939
00:35:43,974 --> 00:35:45,176
MRS. BANKS-- WELL, YOU SEE,

940
00:35:45,176 --> 00:35:48,378
SHE DIDN'T ASK YOU, SHE TELLS YOU WHAT TO DO, OK?

941
00:35:48,378 --> 00:35:49,913
I MEAN, IT'S JUST LIKE THOSE DINOSAURS.

942
00:35:49,913 --> 00:35:51,415
I MEAN, HER GREAT-GRANDDADDY MADE THEM.

943
00:35:51,415 --> 00:35:54,084
I MEAN, HE DIDN'T MAKE THEM, BUT HE, LIKE, HE JUST PUT THEM THERE

944
00:35:54,084 --> 00:35:55,586
AND THAT'S ENOUGH FOR HER.

945
00:35:55,586 --> 00:35:58,356
SAM, I DON'T HAVE A CLUE AS TO WHAT YOU'RE TALKING ABOUT.

946
00:35:58,356 --> 00:35:59,456
WELL, SHE DOES.

947
00:35:59,456 --> 00:36:02,259
I KNOW, BUT WE CAN LEAVE OUT THE DINOSAURS.

948
00:36:02,259 --> 00:36:03,694
SO MRS. BANKS TOLD ME...

949
00:36:03,694 --> 00:36:06,864
I HAVE, YOU KNOW, WE HAD 2 SECURITY GUARDS, WE DON'T NEED THEM

950
00:36:06,864 --> 00:36:08,732
'CAUSE WE GOT TO CUT BACK ON MONEY.

951
00:36:08,732 --> 00:36:09,733
MM-HMM.

952
00:36:09,733 --> 00:36:10,834
OK, SO WE ONLY NEED ONE.

953
00:36:10,834 --> 00:36:12,904
SO, CLIFF, WHO'S BEEN AROUND HERE LONGER,

954
00:36:12,904 --> 00:36:15,572
AND, YOU KNOW, SO I SAID, "ALL RIGHT, FINE.

955
00:36:15,572 --> 00:36:17,274
"I'LL TAKE-- I'LL TAKE LESS MONEY

956
00:36:17,274 --> 00:36:19,009
OR I'LL TAKE, YOU KNOW, LESS HOURS."

957
00:36:19,009 --> 00:36:20,044
MM-HMM.

958
00:36:20,044 --> 00:36:21,279
BUT SHE DIDN'T LISTEN.

959
00:36:21,279 --> 00:36:23,413
SAM, DID IT EVER OCCUR TO YOU

960
00:36:23,413 --> 00:36:25,115
THAT I MIGHT BE HERE TO DEAL WITH PROBLEMS

961
00:36:25,115 --> 00:36:27,451
A BIT BIGGER THAN YOUR PERSONAL ECONOMICS?

962
00:36:27,451 --> 00:36:29,553
THAT MY JOB IS RUNNING A MUSEUM,

963
00:36:29,553 --> 00:36:31,522
NOT MY EMPLOYEES' CAREERS.

964
00:36:31,522 --> 00:36:34,024
BUT I CAME TO YOU TWICE AND YOU--

965
00:36:34,024 --> 00:36:36,460
I COULDN'T AT THAT PARTICULAR MOMENT.

966
00:36:36,460 --> 00:36:38,729
DON'T TURN IT AROUND.

967
00:36:38,729 --> 00:36:40,130
YOU ONLY WANT THINGS YOUR WAY.

968
00:36:40,130 --> 00:36:41,899
NO! NO!

969
00:36:41,899 --> 00:36:43,401
MRS. BANKS, WHY DON'T YOU WALK OVER THERE

970
00:36:43,401 --> 00:36:45,769
AND MAKE SURE THAT THE BUFFALO ARE GRAZING PROPERLY?

971
00:36:45,769 --> 00:36:47,004
BISON.

972
00:36:47,004 --> 00:36:48,272
I STAND CORRECTED.

973
00:36:48,272 --> 00:36:50,007
SAM, I WANT TO ASK YOU SOMETHING.

974
00:36:50,007 --> 00:36:52,076
IS THIS THE FIRST TIME YOU CAME TO SEE HER?

975
00:36:52,076 --> 00:36:54,411
TODAY? MRS. BANKS?

976
00:36:54,411 --> 00:36:56,180
NO, SECOND.

977
00:36:56,180 --> 00:36:57,981
OK, SECOND TIME.

978
00:36:57,981 --> 00:36:59,950
ALL RIGHT, I WANT YOU TO TELL ME WHAT YOU WERE FEELING

979
00:36:59,950 --> 00:37:02,019
WHEN SHE FIRED YOU.

980
00:37:02,019 --> 00:37:05,790
UH, THIS IS GOING TO SOUND STUPID, BUT--

981
00:37:05,790 --> 00:37:07,291
GO AHEAD.

982
00:37:07,291 --> 00:37:09,693
WELL, YOU KNOW THAT THING IN THE CAR THAT MEASURES THE MILES

983
00:37:09,693 --> 00:37:11,361
AND YOU PUSH A BUTTON AND IT GOES BACK?

984
00:37:11,361 --> 00:37:12,829
REALLY?

985
00:37:12,829 --> 00:37:14,698
WELL, IT GOES BACK TO ZERO.

986
00:37:14,698 --> 00:37:16,667
THAT'S WHAT WAS GOING ON IN MY MIND.

987
00:37:18,269 --> 00:37:19,670
I COULDN'T TELL MY WIFE.

988
00:37:19,670 --> 00:37:22,073
YOU COULDN'T-- YOU COULDN'T TELL HER YOU WERE FIRED.

989
00:37:22,073 --> 00:37:25,576
NO. AND THEN I GET DRESSED FOR WORK EVERY DAY.

990
00:37:25,576 --> 00:37:27,678
LIKE A FOOL.

991
00:37:27,678 --> 00:37:29,113
AND I JUST GO TO SOME MOVIE THEATER

992
00:37:29,113 --> 00:37:31,249
AND JUST SPEND THE WHOLE DAY...

993
00:37:31,249 --> 00:37:33,550
SITTIN' THERE, EATIN' POPCORN, THINKIN'.

994
00:37:33,550 --> 00:37:36,620
AND TODAY, WHEN YOU CAME HERE, WHAT DID YOU WANT?

995
00:37:36,620 --> 00:37:39,056
I JUST WANTED HER TO LISTEN.

996
00:37:39,056 --> 00:37:40,691
DID YOU WANT TO HURT MRS. BANKS?

997
00:37:42,059 --> 00:37:44,427
NOT REALLY. NO.

998
00:37:44,427 --> 00:37:45,229
SAM.

999
00:37:45,229 --> 00:37:47,365
NO! SAM.

1000
00:37:47,365 --> 00:37:49,533
YOU GRAB A GUN AND A BAG FULL OF EXPLOSIVES.

1001
00:37:49,533 --> 00:37:51,469
WHY WOULD YOU DO THAT IF YOU DIDN'T WANT TO HURT HER?

1002
00:37:53,003 --> 00:37:54,070
I DON'T KNOW.

1003
00:37:54,070 --> 00:37:56,240
OH, NO, YOU HAVE TO.

1004
00:37:56,240 --> 00:37:58,341
SAM, THIS IS CRITICAL.

1005
00:37:58,341 --> 00:38:00,510
WHEN YOU GRABBED THAT GUN,

1006
00:38:00,510 --> 00:38:02,146
WHAT WAS GOING ON IN YOUR HEAD?

1007
00:38:04,849 --> 00:38:06,016
I WAS THINKING OF MY BABIES.

1008
00:38:06,016 --> 00:38:09,019
WELL, THAT'S A GOOD POINT. WHAT ABOUT THEM?

1009
00:38:09,019 --> 00:38:10,421
WELL, YOU SEE, IF I LOSE MY JOB,

1010
00:38:10,421 --> 00:38:12,890
I LOSE MY HOUSE, AND I LOSE MY BENEFITS,

1011
00:38:12,890 --> 00:38:17,795
AND I CAN'T TAKE CARE OF THEM IF I LOSE MY BENEFITS.

1012
00:38:17,795 --> 00:38:20,430
I'M STANDING IN FRONT OF SAM BAILY'S HOUSE,

1013
00:38:20,430 --> 00:38:23,867
AND I'M JOINED BY HIS BEST FRIEND TRAVIS BARTHOLOMEW.

1014
00:38:23,867 --> 00:38:27,170
THAT'S RIGHT. I KNOW SAM REAL WELL.

1015
00:38:27,170 --> 00:38:28,872
WE GO FISHIN'.

1016
00:38:28,872 --> 00:38:33,410
SO WHAT'S HE LIKE? IS HE WEIRD OR WHAT?

1017
00:38:33,410 --> 00:38:34,545
WHO IS THIS GUY?

1018
00:38:34,545 --> 00:38:36,547
WHO IS THIS GUY?

1019
00:38:36,547 --> 00:38:39,016
YOU CAN SAY THAT HE'S PRETTY WEIRD.

1020
00:38:39,016 --> 00:38:41,318
DOES HE HAVE A TEMPER?

1021
00:38:41,318 --> 00:38:42,519
TEMPER?

1022
00:38:42,519 --> 00:38:45,456
IF WE COULD TALK TO A FEW OF THEM...

1023
00:38:45,456 --> 00:38:48,191
NO. NO, NO. MR. BRACKETT SAID

1024
00:38:48,191 --> 00:38:50,961
THAT WE WERE ONLY TO TALK JUST TO HIM.

1025
00:38:50,961 --> 00:38:52,662
HE SAYS IT'S BETTER FOR SAM.

1026
00:38:52,662 --> 00:38:55,599
DANGEROUS. YEAH, DANGEROUS.

1027
00:38:55,599 --> 00:38:57,701
WHATEVER, YOU KNOW.

1028
00:38:57,701 --> 00:39:00,571
WELL, THERE YOU HEARD IT FROM THE BEST FRIEND OF SAM BAILY.

1029
00:39:00,571 --> 00:39:02,139
THANK YOU VERY MUCH. IT APPEARS...

1030
00:39:02,139 --> 00:39:04,775
[KNOCK ON DOOR] HOW COULD SAM DO THIS TO US?

1031
00:39:04,775 --> 00:39:05,976
HOW COULD HE--

1032
00:39:05,976 --> 00:39:07,711
THERE APPEARS TO BE SOME ACTIVITY IN THE HOUSE.

1033
00:39:07,711 --> 00:39:10,381
LET'S MOVE CLOSER TO SEE IF WE CAN GET A STATEMENT.

1034
00:39:10,381 --> 00:39:11,849
LOOK AT THAT. NOW THEY'RE STANDING

1035
00:39:11,849 --> 00:39:13,550
IN MY FLOWER GARDEN. THAT DOES IT!

1036
00:39:13,550 --> 00:39:14,819
THAT DOES IT!

1037
00:39:16,053 --> 00:39:17,721
GET OUT OF MY FLOWERS!

1038
00:39:17,721 --> 00:39:20,224
DO NOT STAND IN MY FLOWERS!

1039
00:39:20,224 --> 00:39:21,725
[REPORTERS YELLING QUESTIONS]

1040
00:39:21,725 --> 00:39:24,394
Woman: HAS YOUR HUSBAND BEEN IN CONTACT?

1041
00:39:24,394 --> 00:39:26,564
Woman: CAN WE GET A STATEMENT, MRS. BAILY?

1042
00:39:27,831 --> 00:39:29,566
AND HERE, JACKSON FROM CHICAGO,

1043
00:39:29,566 --> 00:39:30,767
HE'S BOOKED THE VICTIM'S WIFE.

1044
00:39:30,767 --> 00:39:32,937
I'M BEING COMPLETELY BLOCKED OUT.

1045
00:39:36,807 --> 00:39:38,308
Man: HOW MUCH LONGER?

1046
00:39:38,308 --> 00:39:40,477
Second Man: THEY'RE ALMOST IN POSITION.

1047
00:39:40,477 --> 00:39:41,478
Man: READY?

1048
00:39:41,478 --> 00:39:42,479
Second Man: ANYTIME.

1049
00:39:42,479 --> 00:39:43,480
ALL RIGHT, FOLKS, HOLD UP.

1050
00:39:43,480 --> 00:39:44,748
ROLL.

1051
00:39:44,748 --> 00:39:48,018
MRS. WILLIAMS, YOUR HUSBAND WAS KEPT ON AT THE MUSEUM.

1052
00:39:48,018 --> 00:39:51,155
THE MAN WHO WAS LET GO, A WHITE MAN, CAME BACK AND SHOT HIM.

1053
00:39:51,155 --> 00:39:54,391
DO YOU FEEL RACE HAD ANYTHING TO DO WITH THAT?

1054
00:39:54,391 --> 00:39:56,527
CLIFF AND SAM WERE FRIENDS.

1055
00:39:56,527 --> 00:39:59,663
SAM DIDN'T BLAME CLIFF FOR WHAT HAPPENED.

1056
00:39:59,663 --> 00:40:02,867
AT LEAST I DON'T THINK HE DID.

1057
00:40:02,867 --> 00:40:04,568
SPOT'S RUNNING.

1058
00:40:05,736 --> 00:40:08,672
OH, CHRIST, I'M GOING TO HATE THIS.

1059
00:40:10,874 --> 00:40:12,543
HEY, CHIEF, SHOWTIME.

1060
00:40:12,543 --> 00:40:14,044
HERE WE GO.

1061
00:40:17,514 --> 00:40:18,615
IT'S ABOUT TO START.

1062
00:40:18,615 --> 00:40:21,217
THIS IS A KXBD NEWS SPECIAL REPORT.

1063
00:40:21,217 --> 00:40:25,122
WE TAKE YOU NOW LIVE INSIDE THE MUSEUM OF NATURAL HISTORY

1064
00:40:25,122 --> 00:40:28,125
TO MEET THE HOSTAGE TAKER.

1065
00:40:29,426 --> 00:40:31,728
WE NOW BRING YOU AN EXCLUSIVE REPORT.

1066
00:40:31,728 --> 00:40:34,731
MAX BRACKETT IS INSIDE THE SIEGE.

1067
00:40:34,731 --> 00:40:35,900
Man: KEY IN THE GRAPHIC.

1068
00:40:35,900 --> 00:40:38,701
YOUR NAME IS SAM BAILY AND YOU'RE A LOVING HUSBAND

1069
00:40:38,701 --> 00:40:41,304
AND A DEVOTED FATHER OF 2.

1070
00:40:41,304 --> 00:40:44,875
YOU GOT A MORTGAGE, CAR PAYMENTS, MEDICAL BILLS,

1071
00:40:44,875 --> 00:40:49,079
FOOD BILLS, ELECTRICITY BILLS, GAS BILLS, CLOTHING BILLS.

1072
00:40:49,079 --> 00:40:54,218
OH, AND BY THE WAY, YOU'RE FIRED.

1073
00:40:54,218 --> 00:40:55,385
WHAT DO YOU SAY?

1074
00:40:55,385 --> 00:40:57,822
UH, THIS-- I WANT TO SAY--

1075
00:41:01,625 --> 00:41:04,728
I JUST--I JUST WANT TO SAY THAT, UM,

1076
00:41:04,728 --> 00:41:06,863
THAT I DIDN'T MEAN TO SHOOT THAT GUY CLIFF.

1077
00:41:06,863 --> 00:41:09,233
THAT--THAT WAS AN ACCIDENT.

1078
00:41:09,233 --> 00:41:12,403
AND, UM, UH,

1079
00:41:13,970 --> 00:41:17,607
I USED TO COMPLAIN ABOUT MY PAYCHECK.

1080
00:41:17,607 --> 00:41:21,979
AND THEN WHEN, UM, I DIDN'T GET IT NO MORE,

1081
00:41:21,979 --> 00:41:24,581
I REALIZED THAT WAS THE LAST, UM,

1082
00:41:24,581 --> 00:41:26,517
WITHOUT THAT LITTLE PIECE OF PAPER

1083
00:41:26,517 --> 00:41:30,220
WAS THE ONLY THING HOLDING MY LIFE TOGETHER.

1084
00:41:30,220 --> 00:41:33,924
AND, UH, YOU KNOW, AND I SEEN, UM,

1085
00:41:33,924 --> 00:41:37,494
I SEEN PEOPLE OUT ON THE STREET LIVIN'.

1086
00:41:37,494 --> 00:41:42,533
AND, UM, YOU KNOW, I ALWAYS THOUGHT THEY WAS MAYBE LIKE BUMS

1087
00:41:42,533 --> 00:41:44,768
OR, LIKE, UH, JUNKIES.

1088
00:41:44,768 --> 00:41:49,806
AND THEN ONE DAY, I, UM, I SEEN THIS FAMILY.

1089
00:41:49,806 --> 00:41:52,476
I SEEN THIS FAMILY LIVING IN A BOX AND I JUST--

1090
00:41:52,476 --> 00:41:55,879
I JUST IMAGINED MY BABIES LIVING IN THAT BOX,

1091
00:41:55,879 --> 00:41:58,582
AND I COULDN'T STAND IT. I WENT CRAZY.

1092
00:42:00,784 --> 00:42:03,954
AND, UM, ABOUT THE GUN, YOU KNOW,

1093
00:42:03,954 --> 00:42:05,722
IT'S JUST A REMINGTON GUN, YOU KNOW.

1094
00:42:05,722 --> 00:42:07,157
IT AIN'T NOTHING REALLY.

1095
00:42:07,157 --> 00:42:09,293
[BOWLING PINS FALL] YOU KNOW, IT'S JUST, UH,

1096
00:42:09,293 --> 00:42:10,928
YOU KNOW, I SEEN ON TV SHOWS

1097
00:42:10,928 --> 00:42:14,864
WHERE THEY FLASH A GUN AND GET SOME ATTENTION.

1098
00:42:14,864 --> 00:42:17,868
AND I JUST THOUGHT MAYBE IF I BROUGHT THE GUN IN

1099
00:42:17,868 --> 00:42:21,438
THAT--THAT MRS. BANKS, SHE'S MY BOSS,

1100
00:42:21,438 --> 00:42:23,907
YOU KNOW, SHE WOULD, UH, SHE WOULD,

1101
00:42:23,907 --> 00:42:25,608
SHE WOULD LISTEN, YOU KNOW, FOR A MINUTE.

1102
00:42:25,608 --> 00:42:27,811
EVEN LISTEN FOR 5 MINUTES.

1103
00:42:29,879 --> 00:42:32,348
YOU KNOW, BUT, UM, I DON'T KNOW.

1104
00:42:32,348 --> 00:42:34,384
I DON'T KNOW IF PEOPLE LISTEN TO GUYS LIKE ME, YOU KNOW.

1105
00:42:34,384 --> 00:42:36,954
I'M JUST LIKE THIS GUY THAT HAS A JOB, YOU KNOW,

1106
00:42:36,954 --> 00:42:40,324
GOES TO WORK EVERY DAY AND PEOPLE DON'T LISTEN.

1107
00:42:40,324 --> 00:42:43,059
AND, UH, YOU KNOW, WE WERE A GOOD FAMILY.

1108
00:42:43,059 --> 00:42:46,263
WE DON'T DO DRUGS OR CAUSE TROUBLE.

1109
00:42:46,263 --> 00:42:47,798
WE GO TO CHURCH.

1110
00:42:47,798 --> 00:42:50,233
I GO TO CHURCH, TOO. WITH MY FAMILY.

1111
00:42:50,233 --> 00:42:53,070
BUT I DON'T THINK SOMEBODY LISTENS TO SOMEBODY LIKE ME.

1112
00:42:53,070 --> 00:42:54,204
I DON'T KNOW IF ANYONE CARES.

1113
00:42:54,204 --> 00:42:57,307
AND IF SOMEONE CARES ABOUT SOMEONE LIKE US...

1114
00:42:57,307 --> 00:42:59,410
THIS GUY JUST SHOT A MAN IN COLD BLOOD

1115
00:42:59,410 --> 00:43:03,247
AND I FEEL LIKE I WANT TO BRING HIM HOME FOR CHRISTMAS DINNER.

1116
00:43:03,247 --> 00:43:04,581
LET'S RUN A NATIONWIDE POLL.

1117
00:43:04,581 --> 00:43:07,551
SEE HOW THIS GUY IS PLAYING.

1118
00:43:07,551 --> 00:43:09,019
Sam: BUT I DON'T KNOW.

1119
00:43:09,019 --> 00:43:12,756
I MEAN, I DON'T KNOW IF ANYBODY IS LISTENING.

1120
00:43:12,756 --> 00:43:13,824
ARE THEY?

1121
00:43:13,824 --> 00:43:15,225
YOUR NAME IS SAM BAILY.

1122
00:43:15,225 --> 00:43:17,394
AND THE FULL WEIGHT OF THE LAW IS PUSHING IN ON YOU.

1123
00:43:17,394 --> 00:43:19,663
AND BECAUSE OF ONE IMPULSIVE ACT,

1124
00:43:19,663 --> 00:43:22,198
YOU'RE TRAPPED INTO THE FIGHT OF YOUR LIFE.

1125
00:43:22,198 --> 00:43:23,801
YOUR SOLE DEMAND, SAM,

1126
00:43:23,801 --> 00:43:26,703
IS SIMPLE TO THE POINT OF ABSURDITY

1127
00:43:26,703 --> 00:43:29,606
AND YET DAUNTINGLY COMPLEX, ISN'T IT?

1128
00:43:29,606 --> 00:43:31,741
I JUST WANT THE POLICE TO--

1129
00:43:31,741 --> 00:43:36,046
I JUST WANT EVERYBODY TO FORGET ABOUT IT AND LET ME GO HOME.

1130
00:43:36,046 --> 00:43:37,381
[LAUGHING]

1131
00:43:37,381 --> 00:43:38,815
YEAH, RIGHT.

1132
00:43:38,815 --> 00:43:41,251
I FEEL SO BAD ABOUT WHAT I DID, CLIFF.

1133
00:43:41,251 --> 00:43:42,819
HE'S MY FRIEND.

1134
00:43:42,819 --> 00:43:46,256
YOU KNOW, AND I...

1135
00:43:46,256 --> 00:43:49,392
I'M PRAYING FOR HIM.

1136
00:43:49,392 --> 00:43:52,162
AND I KNOW WHEN HE FEELS BETTER, HE'LL FORGIVE ME.

1137
00:43:52,162 --> 00:43:54,698
I'M SORRY, CLIFF.

1138
00:43:54,698 --> 00:43:58,068
AND, UH, THE KIDS, YOU KNOW,

1139
00:43:58,068 --> 00:44:02,272
THEY'RE FINE. YOU KNOW, THEY'RE HAPPY. LOOK.

1140
00:44:02,272 --> 00:44:03,807
THEY'RE OK.

1141
00:44:05,642 --> 00:44:07,678
HEY, LOOK, WE'RE ON TV!

1142
00:44:10,280 --> 00:44:11,481
Mrs. Banks: KIDS, KIDS, PLEASE.

1143
00:44:11,481 --> 00:44:14,885
THE KIDS JUST SEEN THEMSELVES ON TV.

1144
00:44:14,885 --> 00:44:17,221
STAND UP. START OVER RIGHT NOW ABOUT THE KIDS.

1145
00:44:17,221 --> 00:44:18,254
Sam: WHAT?

1146
00:44:18,254 --> 00:44:19,589
START TALKING ABOUT THE KIDS. THAT'S GOOD.

1147
00:44:19,589 --> 00:44:21,825
BUT I NEVER HURT THEM.

1148
00:44:21,825 --> 00:44:23,793
I MEAN, I WOULD NEVER HURT THEM.

1149
00:44:23,793 --> 00:44:25,061
[KIDS CHATTERING]

1150
00:44:25,061 --> 00:44:28,265
I MEAN, I GOT KIDS OF MY OWN.

1151
00:44:28,265 --> 00:44:31,768
I JUST DON'T HAVE A JOB TO TAKE CARE OF THEM.

1152
00:44:31,768 --> 00:44:33,703
I DON'T KNOW HOW I'M GOING TO TAKE CARE OF THEM NOW,

1153
00:44:33,703 --> 00:44:38,008
BUT I JUST WANT TO SAY I'M SORRY. OK? I COULDN'T BE SORRIER.

1154
00:44:39,076 --> 00:44:40,176
THAT'S MY DADDY.

1155
00:44:40,176 --> 00:44:42,212
DOHLEN, COME BACK HERE.

1156
00:44:42,212 --> 00:44:43,346
COME HERE. COME HERE.

1157
00:44:43,346 --> 00:44:44,648
HOPE YOU UNDERSTAND THAT WITH THE PRESSURE

1158
00:44:44,648 --> 00:44:47,017
THAT I'VE BEEN UNDER, MOMMY WANTS TO WATCH DADDY.

1159
00:44:47,017 --> 00:44:50,754
AND I--I JUST WANT TO GO HOME, OK?

1160
00:44:50,754 --> 00:44:53,357
YOU KNOW, I JUST--I JUST--

1161
00:44:53,357 --> 00:44:55,826
I WANT--I WANT TO GO.

1162
00:44:55,826 --> 00:44:58,128
AND THAT'S MY DEMAND.

1163
00:44:58,128 --> 00:44:59,663
THAT'S IT RIGHT THERE.

1164
00:45:00,664 --> 00:45:02,266
GOOD.

1165
00:45:03,267 --> 00:45:04,968
WAIT, WAIT, WAIT, SAM. WAIT, WAIT.

1166
00:45:04,968 --> 00:45:06,102
OH, MAN.

1167
00:45:06,102 --> 00:45:07,737
I HOPE I DON'T HAVE TO GO THROUGH THAT AGAIN.

1168
00:45:07,737 --> 00:45:10,974
NO, SAM, WE'RE NOT FINISHED YET.

1169
00:45:10,974 --> 00:45:12,408
YOU KNOW WHY?

1170
00:45:12,408 --> 00:45:14,311
BECAUSE PEOPLE WATCHING THIS RIGHT NOW

1171
00:45:14,311 --> 00:45:20,116
ARE SAYING, "YEAH, RIGHT, THE GUY'S HOLDING A GUN ON A BUNCH OF HELPLESS KIDS."

1172
00:45:20,116 --> 00:45:22,119
I AIN'T HOLDING NO GUN ON NO HELPLESS KIDS.

1173
00:45:22,119 --> 00:45:24,087
I JUST SAID THAT THEY WERE OK. THEY WAS GOOD.

1174
00:45:24,087 --> 00:45:25,722
WELL, THEY THINK YOU ARE, SAM.

1175
00:45:25,722 --> 00:45:29,393
AND THEY THINK YOU SHOULD BE SHOT, EXECUTED, STRUNG UP.

1176
00:45:29,393 --> 00:45:30,694
WAIT A MINUTE. I JUST TOLD YOU. YOU SAID THAT--

1177
00:45:30,694 --> 00:45:31,929
WELL, NO, YOU WAIT A MINUTE.

1178
00:45:31,929 --> 00:45:33,763
FOR THE PEOPLE WHO ARE SAYING THIS,

1179
00:45:33,763 --> 00:45:35,232
WHAT DO YOU HAVE TO SAY TO THEM?

1180
00:45:35,232 --> 00:45:37,600
WELL, I HOPE YOU NEVER HAVE TO GO THROUGH WHAT I'M GOING THROUGH.

1181
00:45:37,600 --> 00:45:39,303
YOU SAY IT TO THEM.

1182
00:45:42,072 --> 00:45:44,273
WELL, I JUST HOPE THAT NOBODY, YOU KNOW, EVER HAS TO GO THROUGH

1183
00:45:44,273 --> 00:45:47,311
WHAT I'M GOING THROUGH NOW. THAT'S ALL.

1184
00:45:48,711 --> 00:45:49,713
MAN.

1185
00:45:49,713 --> 00:45:52,081
YOUR NAME IS SAM BAILY.

1186
00:45:52,081 --> 00:45:55,352
AND YOU'RE ASKING FOR THE MOST POIGNANT RANSOM OF ALL--

1187
00:45:55,352 --> 00:45:57,220
FORGIVENESS.

1188
00:45:57,220 --> 00:46:00,123
AND WHILE WE ALL HAVE IT IN OUR HEARTS TO GIVE,

1189
00:46:00,123 --> 00:46:01,324
WE'RE NOT THE LAW.

1190
00:46:01,324 --> 00:46:03,226
WHY'D YOU BRING UP THAT SHOTGUN STUFF?

1191
00:46:03,226 --> 00:46:05,629
REPORTING EXCLUSIVELY FOR KXBD NEWS,

1192
00:46:05,629 --> 00:46:07,263
I'M MAX BRACKETT.

1193
00:46:07,263 --> 00:46:10,834
WE'RE CLEAR. I THOUGHT IT WAS GREAT.

1194
00:46:10,834 --> 00:46:13,436
WHAT'D YOU BRING UP THE SHOTGUN FOR?

1195
00:46:13,436 --> 00:46:15,605
I HAD TO FOR YOUR OWN BENEFIT.

1196
00:46:15,605 --> 00:46:17,007
YEAH, WELL, IT DIDN'T SUIT MY BENEFIT.

1197
00:46:17,007 --> 00:46:18,408
BELIEVE ME, IT WAS IMPORTANT.

1198
00:46:18,408 --> 00:46:19,610
OH!

1199
00:46:20,977 --> 00:46:22,746
ALL RIGHT, NOW WHAT?

1200
00:46:22,746 --> 00:46:24,214
NOW WHAT?

1201
00:46:26,116 --> 00:46:27,484
NOW WE WAIT.

1202
00:46:40,898 --> 00:46:42,465
TAKE A LOOK RIGHT OUT THERE.

1203
00:46:42,465 --> 00:46:43,933
Man: IS ANYBODY LISTENING?

1204
00:46:43,933 --> 00:46:45,368
♪ IS THERE ANYBODY LISTENING? ♪

1205
00:46:45,368 --> 00:46:48,238
CAREFUL. IS ANYBODY OUT THERE?

1206
00:46:48,238 --> 00:46:50,273
SEE WHAT I MEAN? ♪ ANYBODY OUT THERE? ♪

1207
00:46:50,273 --> 00:46:51,875
HMM?

1208
00:46:51,875 --> 00:46:54,744
GOOD MORNING, KEVIN. SAM BAILY IS ALL OVER THE PLACE.

1209
00:46:54,744 --> 00:46:56,846
TELEVISION, RADIO, NEWSPAPERS.

1210
00:46:56,846 --> 00:46:59,483
TAKE A LOOK AT THE FRONT PAGE OF THE TIMES.

1211
00:47:01,885 --> 00:47:02,886
GOOD MORNING, SIR.

1212
00:47:02,886 --> 00:47:05,388
JAMIL, TURN THE RADIO UP, WILL YOU?

1213
00:47:05,388 --> 00:47:08,192
Woman on Radio: THIS GUY HAS NEVER BROKEN A LAW IN HIS LIFE.

1214
00:47:08,192 --> 00:47:10,560
HE IS UNDER PRESSURE. WE CAN ALL UNDERSTAND.

1215
00:47:10,560 --> 00:47:13,229
AND SO I THINK WE SHOULD LET HIM WALK.

1216
00:47:13,229 --> 00:47:16,032
THIS SITUATION'S A SHAME, ISN'T IT?

1217
00:47:16,032 --> 00:47:18,601
MAN TAKES CHILDREN HOSTAGE.

1218
00:47:18,601 --> 00:47:19,702
MR. HOLLANDER,

1219
00:47:19,702 --> 00:47:23,406
THIS IS AMERICA. IT CAN MAKE YOU CRAZY.

1220
00:47:23,406 --> 00:47:26,210
HOLLANDER ARRIVED THE NEXT MORNING.

1221
00:47:26,210 --> 00:47:30,414
YOU'RE GOING TO SEE WHY HOLLANDER STILL HATES BRACKETT'S GUTS.

1222
00:47:30,414 --> 00:47:31,814
THEY WERE LIVE.

1223
00:47:31,814 --> 00:47:33,750
WHAT'S IT LIKE OUT THERE? CAN YOU DESCRIBE IT FOR US?

1224
00:47:33,750 --> 00:47:35,886
YES, KEVIN, IT'S BASICALLY A MESS.

1225
00:47:35,886 --> 00:47:37,954
THERE'S, UH, KIND OF A--

1226
00:47:37,954 --> 00:47:41,058
THE, UH, WRECKAGE IS SPREAD KIND OF OVER A WIDE AREA.

1227
00:47:41,058 --> 00:47:42,325
I DON'T KNOW HOW MANY ACRES.

1228
00:47:42,325 --> 00:47:43,427
ANY BODIES?

1229
00:47:43,427 --> 00:47:44,828
YES, THERE ARE.

1230
00:47:44,828 --> 00:47:47,397
WHAT, UH, WHAT CONDITION ARE THEY IN?

1231
00:47:47,397 --> 00:47:49,833
CONDITION? CONDITION?

1232
00:47:49,833 --> 00:47:52,702
WERE THEY--WERE THEY-- WERE THEY MUTILATED?

1233
00:47:52,702 --> 00:47:54,237
SEE, WE'RE STILL LOOKING FOR SURVIVORS.

1234
00:47:54,237 --> 00:47:55,872
AND, UH, WE'RE HOPING.

1235
00:47:55,872 --> 00:47:57,540
YES, WERE THEY-- WERE THEY--

1236
00:47:57,540 --> 00:48:00,910
DID THEY SUFFER ANY TRAUMA? WERE THEY BROKEN UP IN ANY WAY?

1237
00:48:00,910 --> 00:48:02,746
THEY FELL OUT OF THE SKY.

1238
00:48:02,746 --> 00:48:05,248
WERE THERE ANY BODY PARTS THAT YOU--

1239
00:48:05,248 --> 00:48:08,885
YOU'RE ASKING ME IF I SAW ANY BODY PARTS? YOU WANT ME TO REPORT--

1240
00:48:08,885 --> 00:48:10,687
I DON'T--I DON'T MEAN TO BE GRIM.

1241
00:48:10,687 --> 00:48:13,690
BUT I UNDERSTAND THAT THERE WERE REPORTS OF SHARKS IN THE AREA.

1242
00:48:13,690 --> 00:48:15,258
WELL, I DIDN'T SEE ANY SHARKS.

1243
00:48:15,258 --> 00:48:16,492
BUT YOU KNOW, DON'T LET THE FACT

1244
00:48:16,492 --> 00:48:19,095
THAT THE FAMILIES OF THE VICTIMS

1245
00:48:19,095 --> 00:48:20,830
ARE PROBABLY WATCHING THIS SHOW.

1246
00:48:20,830 --> 00:48:22,065
I DON'T WANT THAT TO STOP YOU,

1247
00:48:22,065 --> 00:48:23,199
'CAUSE YOU'RE JUST DOING YOUR JOB.

1248
00:48:23,199 --> 00:48:24,601
I KNOW YOU'VE HAD A VERY TOUGH NIGHT.

1249
00:48:24,601 --> 00:48:27,237
NO, I FEEL GREAT. THIS IS THE BEST STORY OF THE YEAR FOR ME.

1250
00:48:27,237 --> 00:48:29,539
IT'S PROBABLY THE BEST STORY OF THE YEAR FOR YOU, YOU KNOW.

1251
00:48:29,539 --> 00:48:32,175
YOU CAN SEE ALL THE VULTURES OUT THERE.

1252
00:48:32,175 --> 00:48:34,211
THERE'S A FLOCK TO THE SEASHORE HERE

1253
00:48:34,211 --> 00:48:36,279
TO SEE THESE COLLECTIVE BODY PARTS. THANK YOU.

1254
00:48:36,279 --> 00:48:38,681
BUT IF YOU WANT A BODY PART, I'M GOING TO GET A GAFF.

1255
00:48:38,681 --> 00:48:40,684
OK. WHAT DO YOU WANT?

1256
00:48:40,684 --> 00:48:42,519
WE'RE REPORTING... DO YOU WANT AN ARM OR A LEG?

1257
00:48:42,519 --> 00:48:43,720
'CAUSE YOU CAN HAVE YOUR PICK.

1258
00:48:43,720 --> 00:48:45,621
THAT WENT OUT OVER THE AIR?

1259
00:48:45,621 --> 00:48:46,990
Kevin: WHY DON'T YOU JUST HAVE A SEAT?

1260
00:48:46,990 --> 00:48:49,059
ALL OF IT.

1261
00:48:50,326 --> 00:48:52,328
BE INTERESTING TO SEE THEM TOGETHER AGAIN.

1262
00:48:52,328 --> 00:48:54,264
THEY WON'T SWITCH TO ANOTHER CHANNEL.

1263
00:48:54,264 --> 00:48:55,498
I THOUGHT OF THAT.

1264
00:48:55,498 --> 00:48:58,168
ONE HERE, ONE THERE. IT'S BE GOOD FOR 2 OR 3 POINTS.

1265
00:48:58,168 --> 00:49:00,036
PHEW!

1266
00:49:00,036 --> 00:49:03,573
[ELEVATOR BELL DINGS]

1267
00:49:04,807 --> 00:49:06,576
I WANT TO SHOW YOU SOMETHING. COME ON INSIDE.

1268
00:49:06,576 --> 00:49:08,645
IT'S GOING TO BE A TOUGH SELL.

1269
00:49:08,645 --> 00:49:10,213
NOT FOR ME.

1270
00:49:10,213 --> 00:49:11,214
STEVEN, GOOD MORNING.

1271
00:49:11,214 --> 00:49:12,215
GOOD MORNING, KEVIN. HOW ARE YOU?

1272
00:49:12,215 --> 00:49:13,216
JUST GREAT.

1273
00:49:13,216 --> 00:49:14,284
GOOD.

1274
00:49:15,551 --> 00:49:17,654
59% OF THE AMERICAN PEOPLE

1275
00:49:17,654 --> 00:49:20,490
ARE SHOWING COMPASSION FOR AN ARMED FELON.

1276
00:49:20,490 --> 00:49:21,758
THE GUY'S ASKING FOR FORGIVENESS

1277
00:49:21,758 --> 00:49:23,226
AND EVERYBODY'S SAYING SURE, WHY NOT?

1278
00:49:23,226 --> 00:49:24,927
THIS IS A FASCINATING STORY.

1279
00:49:24,927 --> 00:49:26,296
WHAT DO WE DO?

1280
00:49:26,296 --> 00:49:27,864
WE'RE COVERING IT, KEVIN.

1281
00:49:27,864 --> 00:49:30,267
BRACKETT'S INTERVIEW WAS BRILLIANT.

1282
00:49:30,267 --> 00:49:32,735
YEAH, UNLESS, I MEAN, YOU WANT TO DOUBLE TEAM IT?

1283
00:49:32,735 --> 00:49:33,737
YOU HERE AND BRACKETT OUT THERE?

1284
00:49:33,737 --> 00:49:35,872
I'M NOT SHARING MY TIME WITH HIM.

1285
00:49:35,872 --> 00:49:37,007
I'M GETTING ON A PLANE,

1286
00:49:37,007 --> 00:49:39,309
AND I'M GOING TO COVER THE STORY FROM THERE.

1287
00:49:39,309 --> 00:49:42,412
KEVIN, THIS WHOLE THING COULD BE OVER BY TOMORROW.

1288
00:49:42,412 --> 00:49:44,781
NO, IT WON'T. BRACKETT WON'T LET IT BE OVER.

1289
00:49:44,781 --> 00:49:49,720
LOOK, THIS HAS THE POTENTIAL TO BE A HUGE STORY.

1290
00:49:49,720 --> 00:49:51,888
WE GOT TO JUMP ALL OVER THIS.

1291
00:49:51,888 --> 00:49:54,524
THIS GUY IS A POSTER CHILD FOR THE DISENFRANCHISED.

1292
00:49:54,524 --> 00:49:56,559
WHY? HOW IS THAT HAPPENING?

1293
00:49:56,559 --> 00:49:59,028
IT'S GOOD TELEVISION, AND NO OTHER NET HAS IT.

1294
00:49:59,028 --> 00:50:00,062
IT'S A GREAT STORY.

1295
00:50:00,062 --> 00:50:01,098
WHAT ABOUT BRACKETT?

1296
00:50:02,165 --> 00:50:03,633
I'LL TAKE CARE OF BRACKETT.

1297
00:50:26,156 --> 00:50:27,457
CHIEF LEMKE.

1298
00:50:27,457 --> 00:50:30,293
SPECIAL AGENT DOBBINS, FBI.

1299
00:50:30,293 --> 00:50:32,194
THE SITUATION IS STABLE, SIR.

1300
00:50:32,194 --> 00:50:35,766
WE HAVE TELEVISIONS IN WASHINGTON. WE KNOW THE SITUATION.

1301
00:50:35,766 --> 00:50:38,167
EVERY TIME I SCRATCH MY ASS, IT'S ON TV.

1302
00:50:38,167 --> 00:50:41,371
I'LL DRIVE. HAVE THE MILITIAS ARRIVED YET?

1303
00:50:43,240 --> 00:50:46,109
NO. UH, AT LEAST I DON'T THINK SO.

1304
00:51:19,008 --> 00:51:21,477
I WAS ACROSS THE STREET ALL NIGHT. HOW'D YOU GET IN HERE?

1305
00:51:21,477 --> 00:51:22,879
WE'RE VERY SNEAKY.

1306
00:51:22,879 --> 00:51:24,013
I GUESS.

1307
00:51:24,013 --> 00:51:25,348
THIS WAY, SIR.

1308
00:51:25,348 --> 00:51:26,650
HEY, UH, WHAT'S THE PLAN?

1309
00:51:26,650 --> 00:51:28,418
I'VE GOT A LOT OF PRESSURE OUT THERE TO DO SOMETHING.

1310
00:51:28,418 --> 00:51:32,288
WE DON'T MOVE UNTIL WE GET PUBLIC OPINION ON OUR SIDE.

1311
00:51:32,288 --> 00:51:34,057
I HEAR PEOPLE ARE BEGINNING TO LIKE HIM.

1312
00:51:34,057 --> 00:51:35,759
WIRE HIM, PLEASE.

1313
00:51:35,759 --> 00:51:37,227
THAT'LL CHANGE.

1314
00:51:39,128 --> 00:51:42,599
THEY'LL GET BORED OR HE'LL DO SOMETHING TO MAKE THEM TURN ON HIM.

1315
00:51:42,599 --> 00:51:45,368
BY THEN, WE'LL BE IN A POSITION TO TAKE HIM OUT.

1316
00:51:46,736 --> 00:51:48,371
IS THERE ANYTHING I SHOULD BE AFRAID OF SAYING?

1317
00:51:48,371 --> 00:51:50,473
JUST GET YOURSELF IN FRONT OF THE TV CAMERAS

1318
00:51:50,473 --> 00:51:53,743
AND KEEP SAYING THAT WE'RE WAITING AS LONG AS IT TAKES.

1319
00:51:53,743 --> 00:51:56,479
WE'RE NOT ABOUT TO PLAY GAMES WHEN KIDS ARE INVOLVED.

1320
00:51:56,479 --> 00:51:57,747
GOOD.

1321
00:51:57,747 --> 00:51:59,349
[ZIPPER ZIPS]

1322
00:52:05,955 --> 00:52:07,457
[SIGHS]

1323
00:52:17,900 --> 00:52:19,469
[TELEPHONE RINGS]

1324
00:52:19,469 --> 00:52:21,471
Kids: AAH!

1325
00:52:21,471 --> 00:52:23,606
WE GOT SHOTS. WE GOT SHOTS INSIDE.

1326
00:52:23,606 --> 00:52:24,908
MUST BE HIS SHOTGUN.

1327
00:52:28,578 --> 00:52:30,880
[TELEPHONE RINGS]

1328
00:52:30,880 --> 00:52:31,881
NOW CALM DOWN.

1329
00:52:31,881 --> 00:52:34,617
IT--THE PHONE RANG. AAH! [RING]

1330
00:52:34,617 --> 00:52:35,718
YEAH!

1331
00:52:35,718 --> 00:52:37,854
HEY, HEY, WHAT WAS THAT? WHAT'S THAT ABOUT?

1332
00:52:37,854 --> 00:52:39,121
JUST FORGET IT, ALL RIGHT?

1333
00:52:39,121 --> 00:52:40,824
LOOK, YOU KNOW, DON'T WORRY ABOUT IT.

1334
00:52:40,824 --> 00:52:42,658
DON'T WORRY ABOUT IT? WHAT, IS ANYBODY HURT?

1335
00:52:42,658 --> 00:52:44,394
NO, NOBODY'S BEEN HURT. THERE WAS AN ACC--

1336
00:52:44,394 --> 00:52:45,962
IT WAS JUST AN ACCIDENT, OK?

1337
00:52:45,962 --> 00:52:48,364
THE PHONE RANG, AND THE GUN WENT OFF, AND THAT WAS IT.

1338
00:52:48,364 --> 00:52:50,466
LOOK, SAM, YOU CAN'T GO SHOOTIN' OFF GUNS IN THERE

1339
00:52:50,466 --> 00:52:52,234
AND EXPECT ME NOT TO COME AND STORM THE PLACE, RIGHT?

1340
00:52:52,234 --> 00:52:53,669
I DON'T WANT THAT. YOU DON'T WANT THAT.

1341
00:52:53,669 --> 00:52:55,605
SAM, WE HAD A DEAL, RIGHT?

1342
00:52:55,605 --> 00:52:56,606
ARE YOU TAPING?

1343
00:52:56,606 --> 00:52:57,674
WE LET THE INTERVIEW RUN.

1344
00:52:57,674 --> 00:52:59,175
WE KEPT UP OUR END OF THE BARGAIN.

1345
00:52:59,175 --> 00:53:00,910
NOW IT'S TIME TO END THIS THING, RIGHT?

1346
00:53:00,910 --> 00:53:03,346
YEAH, BUT WHAT ABOUT-- WHAT ABOUT MY END OF THE BARGAIN?

1347
00:53:03,346 --> 00:53:05,114
YOU KNOW, THE DEMAND.

1348
00:53:05,114 --> 00:53:06,716
DO WE GET TO FORGET ABOUT ALL OF THIS?

1349
00:53:06,716 --> 00:53:09,853
UM, SAM, I CAN'T LET YOU GO.

1350
00:53:09,853 --> 00:53:12,255
YOU'RE NOT GOING TO BE ALLOWED TO WALK AWAY FROM HERE.

1351
00:53:12,255 --> 00:53:13,857
THE ONLY OPTION YOU HAVE IS TO GIVE UP.

1352
00:53:13,857 --> 00:53:16,326
ALL RIGHT. THE OPTIONS-- OK, I'M GONNA--

1353
00:53:16,326 --> 00:53:18,060
I'M GONNA MAKE THE OPTIONS NOW, OK.

1354
00:53:18,060 --> 00:53:19,896
YOU BETTER COME UP WITH SOMETHING ELSE.

1355
00:53:21,765 --> 00:53:23,166
WHY DON'T YOU TAKE THE SHELLS OUT OF THAT GUN?

1356
00:53:23,166 --> 00:53:24,801
PLAN DIDN'T WORK, NEWS BOY.

1357
00:53:24,801 --> 00:53:26,903
DID YOU HEAR ME?

1358
00:53:26,903 --> 00:53:27,937
WHAT ARE THOSE?

1359
00:53:27,937 --> 00:53:29,138
IN THE AIR FORCE, LET ME SEE THEM.

1360
00:53:29,138 --> 00:53:30,974
I DID NIGHT DUTY, AND I DIDN'T FALL ASLEEP ONCE.

1361
00:53:30,974 --> 00:53:31,974
CAN I SEE THEM?

1362
00:53:31,974 --> 00:53:33,776
I'M TAKIN' CAFFEINE.

1363
00:53:33,776 --> 00:53:34,811
I WANT YOU TO BE CAREFUL, SAM.

1364
00:53:34,811 --> 00:53:35,845
YOU DON'T WANT TO LOSE CONTROL.

1365
00:53:35,845 --> 00:53:38,147
SAM! LISTEN, I'M SORRY ABOUT THAT, OK?

1366
00:53:38,147 --> 00:53:40,317
I DIDN'T MEAN TO SCARE YOU KIDS, OK.

1367
00:53:41,750 --> 00:53:43,486
SO, DID YOU-- DID YOU GUYS SLEEP GOOD?

1368
00:53:43,486 --> 00:53:46,689
I GUESS. NO. YES. SORT OF.

1369
00:53:46,689 --> 00:53:47,990
AND WE'RE KIND OF HUNGRY.

1370
00:53:47,990 --> 00:53:49,025
YOU'RE HUNGRY?

1371
00:53:49,025 --> 00:53:50,293
Kids: ME, TOO.

1372
00:53:50,293 --> 00:53:53,163
OH, SAM, YOU GOT TO LET THEM GO NOW.

1373
00:53:53,163 --> 00:53:54,263
FOLLOW ME.

1374
00:53:54,263 --> 00:53:55,331
SAM, WHERE ARE YOU--

1375
00:53:55,331 --> 00:53:56,932
WHERE ARE YOU GOING?

1376
00:53:56,932 --> 00:53:58,434
SAM, WHERE ARE YOU GOING?

1377
00:53:58,434 --> 00:54:00,270
SAM!

1378
00:54:04,908 --> 00:54:05,909
Kids: OH!

1379
00:54:05,909 --> 00:54:08,378
LOOK AT ALL THE ANIMALS.

1380
00:54:08,378 --> 00:54:11,214
OK, NOW WHAT'S THE MAGIC WORD?

1381
00:54:11,214 --> 00:54:12,949
OPEN SESAME?

1382
00:54:12,949 --> 00:54:14,083
GOOD GUESS.

1383
00:54:14,083 --> 00:54:16,018
Boy: YEAH, MOVE IT.

1384
00:54:16,018 --> 00:54:19,355
[KIDS YELLING]

1385
00:54:19,355 --> 00:54:20,356
HOW ABOUT YOU? WHAT DO YOU WANT?

1386
00:54:20,356 --> 00:54:21,357
ALL RIGHT, SO?

1387
00:54:21,357 --> 00:54:22,958
WHOSE SIDE ARE YOU ON. MR. BRACKETT?

1388
00:54:22,958 --> 00:54:24,193
THE GOOD GUYS.

1389
00:54:24,193 --> 00:54:25,862
Sam: YOU WANT SOMETHING TO DRINK? YOU WANT A COKE?

1390
00:54:25,862 --> 00:54:27,330
DOESN'T LOOK THAT WAY TO ME.

1391
00:54:27,330 --> 00:54:28,798
WHY NOT? SAM NEEDS ALL THE HELP HE CAN GET.

1392
00:54:28,798 --> 00:54:31,167
OH, YOU'RE SO CONCERNED ABOUT SAM, AREN'T YOU?

1393
00:54:31,167 --> 00:54:32,334
YES. YOU'RE LOOKING AT THE DIFFERENCE

1394
00:54:32,334 --> 00:54:34,471
BETWEEN A YEAR AND 10 YEARS IN PRISON.

1395
00:54:34,471 --> 00:54:37,473
IS THAT BECAUSE THIS INSANITY BENEFITS YOUR CAREER?

1396
00:54:37,473 --> 00:54:38,574
I WOULD HOPE SO. MM-HMM.

1397
00:54:38,574 --> 00:54:39,909
IT BENEFITS YOURS AS WELL.

1398
00:54:39,909 --> 00:54:41,711
WHAT?

1399
00:54:41,711 --> 00:54:45,115
TOMORROW, YOU'RE RUNNING THE MOST FAMOUS LITTLE MUSEUM IN THE COUNTRY.

1400
00:54:45,115 --> 00:54:49,152
MRS. BANKS, YOU'LL HAVE DODOS AND DINOSAUR BONES UP THE WAZOO.

1401
00:54:51,120 --> 00:54:53,756
OK, YOU CAN HAVE A LOT. YOU CAN HAVE 2.

1402
00:54:53,756 --> 00:54:55,458
Man: T-SHIRTS RIGHT HERE.

1403
00:54:55,458 --> 00:54:56,526
Woman: SUPPORT THE CAUSE, COME ON!

1404
00:54:56,526 --> 00:54:57,927
ONE SIZE FITS ALL.

1405
00:54:57,927 --> 00:55:00,263
I GOT 'EM IN ALL COLORS RIGHT OVER HERE.

1406
00:55:00,263 --> 00:55:01,998
COME ON, LADIES AND GENTLEMEN.

1407
00:55:01,998 --> 00:55:05,267
WE ARE HERE TO PROVIDE THE AMERICAN PEOPLE WHAT THEY WERE DENIED

1408
00:55:05,267 --> 00:55:07,303
AT RUBY RIDGE AND AT WACO.

1409
00:55:07,303 --> 00:55:11,141
WITNESSES TO THE ACTIONS OF THE SO-CALLED LAW ENFORCEMENT ESTABLISHMENT.

1410
00:55:11,141 --> 00:55:13,075
BUT YOU ARE IN AGREEMENT WITH LAW ENFORCEMENT

1411
00:55:13,075 --> 00:55:15,277
IN CALLING FOR THE PEACEFUL SURRENDER OF SAM BAILY?

1412
00:55:15,277 --> 00:55:17,647
WHAT IS THAT, A TRICK QUESTION?

1413
00:55:17,647 --> 00:55:21,116
OF COURSE WE DON'T APPROVE OF HIS PUTTING LITTLE CHILDREN...

1414
00:55:21,116 --> 00:55:23,352
LEMKE, THEY'RE HERE.

1415
00:55:23,352 --> 00:55:24,386
Lemke: I KNOW THAT.

1416
00:55:24,386 --> 00:55:25,621
KEEP AN EYE ON THEM.

1417
00:55:25,621 --> 00:55:26,823
...THE STORY OF A WORKING MAN.

1418
00:55:26,823 --> 00:55:30,126
A FAMILY MAN, PUT OUT OF WORK BY RACIAL QUOTAS.

1419
00:55:30,126 --> 00:55:32,228
Reporter: SO WHAT DO YOU PLAN ON DOING?

1420
00:55:32,228 --> 00:55:33,563
WHAT'S HE TRYING TO SAY?

1421
00:55:33,563 --> 00:55:36,099
THEY FIRED YOU, SAM. THEY KEPT CLIFF.

1422
00:55:36,099 --> 00:55:37,667
YOU SHOT CLIFF. HE'S BLACK.

1423
00:55:37,667 --> 00:55:39,803
SOME PEOPLE MIGHT THINK YOU'RE PREJUDICED.

1424
00:55:41,136 --> 00:55:43,639
WHY, I GOTTA GET BACK ON TV AND SAY I AIN'T PREJUDICED.

1425
00:55:43,639 --> 00:55:45,542
THERE'S NO WAY THEY'RE GOING TO LET YOU DO ANOTHER INTERVIEW.

1426
00:55:45,542 --> 00:55:47,477
WELL, I'LL GIVE THEM ONE KID.

1427
00:55:47,477 --> 00:55:48,478
WRONG.

1428
00:55:48,478 --> 00:55:49,679
I'LL GIVE THEM 5 KIDS.

1429
00:55:49,679 --> 00:55:50,913
THAT'S SUCH A BAD IDEA, SAM.

1430
00:55:50,913 --> 00:55:52,014
YOU JUST DID AN INTERVIEW.

1431
00:55:52,014 --> 00:55:53,950
WE BUILT WHAT IS PROBABLY GOING TO BE

1432
00:55:53,950 --> 00:55:55,885
A VERY POSITIVE IMAGE OF YOU.

1433
00:55:55,885 --> 00:55:57,653
YOU DON'T UNDERSTAND THE PUBLIC'S FICKLE.

1434
00:55:57,653 --> 00:55:59,789
BUT THEY'RE ON A VERY SHORT LEASH OF SYMPATHY,

1435
00:55:59,789 --> 00:56:02,425
AND WE HAVE A VERY NARROW WINDOW OF OPPORTUNITY HERE.

1436
00:56:02,425 --> 00:56:03,826
WHAT YOU SHOULD BE THINKING OF

1437
00:56:03,826 --> 00:56:05,094
IS WHEN YOU'RE GOING TO GIVE UP,

1438
00:56:05,094 --> 00:56:06,762
WHEN YOU'RE GOING TO LET THOSE CHILDREN GO.

1439
00:56:06,762 --> 00:56:09,599
I CAN'T HAVE PEOPLE SAYING BAD THINGS ABOUT ME ON TV.

1440
00:56:09,599 --> 00:56:12,368
WHAT DO YOU WANT TO DO? YOU WANT TO GO OUT AND DEBATE NEO-NAZIS?

1441
00:56:12,368 --> 00:56:14,203
TELEVISION LOVES FRINGE GROUPS. YOU WANT TO GO WITH...

1442
00:56:14,203 --> 00:56:15,771
YOU KNOW WHAT? PEOPLE GOT TO GET ON THERE

1443
00:56:15,771 --> 00:56:17,106
AND START SAYING GOOD THINGS ABOUT ME.

1444
00:56:17,106 --> 00:56:18,241
MY FRIENDS, MY WIFE.

1445
00:56:18,241 --> 00:56:19,842
OK, LET'S-- LET'S CALL HER.

1446
00:56:19,842 --> 00:56:21,410
IT'S A GOOD IDEA. COME ON.

1447
00:56:21,410 --> 00:56:23,613
NO, I CAN'T. I CAN'T TALK TO MY WIFE.

1448
00:56:23,613 --> 00:56:25,648
WHY NOT? SHE'S PROBABLY WORRIED ABOUT YOU.

1449
00:56:25,648 --> 00:56:27,950
MAN, SHE JUST-- SHE JUST YELLS.

1450
00:56:27,950 --> 00:56:29,619
I THINK YOU SHOULD TALK TO HER.

1451
00:56:29,619 --> 00:56:31,320
NO, I THINK YOU SHOULD TALK TO HER,

1452
00:56:31,320 --> 00:56:32,455
'CAUSE YOU SAID YOU WERE GOING TO DO IT BEFORE.

1453
00:56:32,455 --> 00:56:33,456
I DID.

1454
00:56:33,456 --> 00:56:34,590
AND YOU GO GET HER AND YOU TELL HER

1455
00:56:34,590 --> 00:56:36,259
TO START SAYING GOOD THINGS ABOUT ME ON TV.

1456
00:56:36,259 --> 00:56:38,428
WHEN? AND MY FRIENDS, TOO. NOW!

1457
00:56:41,064 --> 00:56:43,366
Woman: SOMEONE'S COMING OUT!

1458
00:56:43,366 --> 00:56:44,366
[MURMURING]

1459
00:56:44,366 --> 00:56:47,704
CHIEF, BRACKETT'S OUT.

1460
00:56:47,704 --> 00:56:50,473
Woman: HEY MAX, HOW ARE THE KIDS?

1461
00:56:50,473 --> 00:56:52,374
Man: MAX, WHAT'S THE BUSINESS WITH THE KIDS?

1462
00:56:52,374 --> 00:56:55,111
Woman: BRACKETT, ARE ANY MORE CHILDREN GOING TO BE RELEASED?

1463
00:56:55,111 --> 00:56:56,478
ANYBODY INJURED?

1464
00:56:56,478 --> 00:56:57,479
BRACKETT, OVER HERE.

1465
00:56:57,479 --> 00:56:59,315
WHOSE SIDE ARE YOU ON, BRACKETT?

1466
00:57:00,883 --> 00:57:01,951
YOU'D BETTER TELL ME THAT HE'S COMING OUT.

1467
00:57:01,951 --> 00:57:03,886
LOOK, HE WANTS ANOTHER STORY.

1468
00:57:03,886 --> 00:57:05,488
WHAT? NO. NO. ABSOLUTELY NOT.

1469
00:57:05,488 --> 00:57:06,589
HE'LL GIVE YOU 5 MORE KIDS.

1470
00:57:06,589 --> 00:57:07,757
NO! WAIT A SECOND.

1471
00:57:07,757 --> 00:57:09,191
HE JUST WANTS ME TO TALK TO HIS WIFE,

1472
00:57:09,191 --> 00:57:10,727
INTERVIEW HER AND A FEW OTHER PEOPLE.

1473
00:57:10,727 --> 00:57:12,561
NO. YOU'RE SAYING NO TO RELEASING 5 KIDS.

1474
00:57:12,561 --> 00:57:14,998
NO, I WANT ALL THE KIDS OUT HERE AND I WANT HIM DISARMED.

1475
00:57:14,998 --> 00:57:16,432
HOW ABOUT 5 KIDS AND A TEDDY BEAR?

1476
00:57:16,432 --> 00:57:17,433
HE JUST WANTS TO BE UNDERSTOOD.

1477
00:57:17,433 --> 00:57:18,434
DON'T GET CUTE WITH ME, BRACKETT.

1478
00:57:18,434 --> 00:57:19,435
I DON'T WANT HIM UNDERSTOOD.

1479
00:57:19,435 --> 00:57:20,970
I WANT HIM OUT HERE AND ARRESTED.

1480
00:57:20,970 --> 00:57:22,772
ALVIN, HE'S NOT READY TO GIVE UP.

1481
00:57:22,772 --> 00:57:25,741
PRISON TERRIFIES HIM. AT LEAST TELEVISION KEEPS HIM CALM.

1482
00:57:25,741 --> 00:57:27,543
I'LL INTERVIEW HIS WIFE WITH YOU STANDING THERE.

1483
00:57:27,543 --> 00:57:28,778
YOU CAN PULL THE PLUG ANY TIME YOU WANT.

1484
00:57:28,778 --> 00:57:29,912
NO. NO?

1485
00:57:29,912 --> 00:57:31,414
WHAT ARE YOU DOING, WALKING IN AND OUT OF HERE?

1486
00:57:31,414 --> 00:57:33,616
YOU'RE SUPPOSED TO BE A HOSTAGE. WHAT--

1487
00:57:33,616 --> 00:57:35,418
LEMKE, LET HIM DO IT.

1488
00:57:35,418 --> 00:57:39,088
OK, YOU CAN DO IT, BUT YOU AND BAILY

1489
00:57:39,088 --> 00:57:40,824
BETTER NOT BE PLAYING GAMES WITH ME.

1490
00:57:40,824 --> 00:57:41,924
[FEEDBACK]

1491
00:57:41,924 --> 00:57:43,259
SON OF A GUN.

1492
00:57:43,259 --> 00:57:45,494
WHO'S THE FBI GUY?

1493
00:57:45,494 --> 00:57:47,063
MAYBE I KNOW HIM.

1494
00:57:48,197 --> 00:57:50,833
ALVIN, DO YOU KNOW THAT SAM BAILY IS MAKING YOU

1495
00:57:50,833 --> 00:57:54,604
THE MOST FAMOUS COP IN THE UNITED STATES OF AMERICA?

1496
00:57:57,206 --> 00:58:00,944
I SEE YOU ON TELEVISION IN THOSE SUNGLASSES, YOU ARE SO SEXY.

1497
00:58:03,079 --> 00:58:05,114
[MONITOR BEEPING PERIODICALLY]

1498
00:58:07,549 --> 00:58:11,954
MR. WILLIAMS IS STILL UNCONSCIOUS HERE IN ROOM 404.

1499
00:58:11,954 --> 00:58:14,957
DOCTORS ARE CAUTIOUS ABOUT THE POSSIBILITY OF INFECTION

1500
00:58:14,957 --> 00:58:18,627
CAUSED BY THE BULLET STILL LODGED IN HIS ABDOMEN.

1501
00:58:18,627 --> 00:58:20,129
WHAT ABOUT CLIFF WILLIAMS?

1502
00:58:20,129 --> 00:58:22,665
HE CANNOT KNOW THAT HIS ATTACKER SAMUEL BAILY

1503
00:58:22,665 --> 00:58:25,167
HAS BECOME SOMETHING OF A FOLK HERO,

1504
00:58:25,167 --> 00:58:27,670
HIS WORDS TAPPING INTO A NATIONWIDE MOOD OF DISCONTENT

1505
00:58:27,670 --> 00:58:29,639
AMONG THE PUBLIC.

1506
00:58:29,639 --> 00:58:31,574
"WHAT ABOUT CLIFF WILLIAMS?" THE PEOPLE ARE ASKING.

1507
00:58:31,574 --> 00:58:32,975
[RAPPING] ♪ WHAT ABOUT CLIFF, WHAT ABOUT CLIFF? ♪

1508
00:58:32,975 --> 00:58:34,177
♪ IT'S A COLD, COLD WORLD ♪

1509
00:58:34,177 --> 00:58:36,478
♪ WHAT ABOUT CLIFF, WHAT ABOUT CLIFF? ♪

1510
00:58:36,478 --> 00:58:39,382
♪ CLIFF WAS THE BOY WITH THE SHATTERED DREAMS ♪

1511
00:58:39,382 --> 00:58:41,483
♪ SAM GOT CAUGHT, NOW HE'S ALL... ♪

1512
00:58:41,483 --> 00:58:43,486
SAM TRIES REAL HARD,

1513
00:58:43,486 --> 00:58:46,789
AND, UM, SOMETIMES HE SCREWS THINGS UP BECAUSE HE'S...

1514
00:58:48,324 --> 00:58:49,492
IT'S OK.

1515
00:58:49,492 --> 00:58:52,328
TELL ME, WHAT KIND OF A HUSBAND IS--IS SAM?

1516
00:58:52,328 --> 00:58:53,695
OH, HE'S A GOOD HUSBAND.

1517
00:58:53,695 --> 00:58:55,697
HE'S--HE'S A GOOD HUSBAND.

1518
00:58:55,697 --> 00:58:57,700
UM, AS LONG AS YOU--

1519
00:58:57,700 --> 00:59:00,202
WELL, YOU HAVE TO HELP TO KEEP HIM...

1520
00:59:00,202 --> 00:59:02,070
POINTED IN THE RIGHT DIRECTION.

1521
00:59:02,070 --> 00:59:03,072
YES.

1522
00:59:03,072 --> 00:59:05,074
BUT I DON'T UNDERSTAND THAT.

1523
00:59:05,074 --> 00:59:06,576
THAT'S NOT LIKE HIM.

1524
00:59:06,576 --> 00:59:08,077
TELL ME, JENNY,

1525
00:59:08,077 --> 00:59:11,080
UH, DID YOU MAKE HIM LUNCHES THE LAST FEW DAYS?

1526
00:59:11,080 --> 00:59:12,581
HE MAKES HIS OWN LUNCH.

1527
00:59:12,581 --> 00:59:14,584
AH. SO HE'D ALREADY BEEN FIRED,

1528
00:59:14,584 --> 00:59:16,586
AND YET HE KEPT MAKING HIMSELF LUNCHES,

1529
00:59:16,586 --> 00:59:18,755
KEPT PUTTING ON HIS UNIFORM,

1530
00:59:18,755 --> 00:59:21,257
AND KEPT PRETENDING TO GO TO WORK.

1531
00:59:21,257 --> 00:59:23,525
HOW DO YOU FEEL ABOUT THAT?

1532
00:59:23,525 --> 00:59:25,461
HOW DO I FEEL ABOUT WHAT?

1533
00:59:25,461 --> 00:59:28,431
THAT HE WAS AFRAID TO TELL YOU THAT HE WAS FIRED.

1534
00:59:28,431 --> 00:59:31,433
DO YOU SCARE HIM?

1535
00:59:31,433 --> 00:59:34,937
I THINK THAT HE DIDN'T WANT TO WORRY ME.

1536
00:59:34,937 --> 00:59:36,439
BECAUSE HE WAS SCARED?

1537
00:59:36,439 --> 00:59:40,442
DO YOU THINK THAT'S A SIGN OF A GOOD MARRIAGE?

1538
00:59:40,442 --> 00:59:42,445
WE HAD A GOOD MARRIAGE.

1539
00:59:42,445 --> 00:59:44,447
WE HAVE A GOOD MARRIAGE.

1540
00:59:44,447 --> 00:59:47,382
WHAT, DID--DID HE TELL YOU THAT WE DIDN'T HAVE A GOOD MARRIAGE?

1541
00:59:47,382 --> 00:59:49,384
NO, I'M SURE YOU HAVE A GOOD MARRIAGE.

1542
00:59:49,384 --> 00:59:51,387
IT'S JUST THAT-- IT SEEMS THAT AT TIMES

1543
00:59:51,387 --> 00:59:53,288
YOU TREAT HIM LIKE A...CHILD.

1544
00:59:53,288 --> 00:59:56,559
WELL, HE--HE IS LIKE A CHILD SOMETIMES,

1545
00:59:56,559 --> 00:59:59,561
AND HE LIKES CALLING HIMSELF MY THIRD CHILD.

1546
00:59:59,561 --> 01:00:00,629
MM-HMM.

1547
01:00:00,629 --> 01:00:02,131
IT'S A BAD QUESTION.

1548
01:00:02,131 --> 01:00:04,133
I'M SORRY. I DIDN'T MEAN TO--

1549
01:00:04,133 --> 01:00:07,136
UH...DO YOU STILL LOVE HIM?

1550
01:00:07,136 --> 01:00:09,372
YES, I LOVE MY HUSBAND.

1551
01:00:09,372 --> 01:00:11,874
I LOVE MY HUSBAND VERY MUCH!

1552
01:00:11,874 --> 01:00:13,375
HE'S THE MOST GENTLE--

1553
01:00:13,375 --> 01:00:15,378
HE'S THE KINDEST MAN I'VE EVER KNOWN.

1554
01:00:15,378 --> 01:00:18,414
I THINK THE PARENTS OF THE CHILDREN INSIDE THERE OUGHT TO KNOW THAT.

1555
01:00:18,414 --> 01:00:20,049
GRAB HER. WE'LL PUT HER ON THE LINE WITH SAM.

1556
01:00:20,049 --> 01:00:21,517
HE WOULD NEVER HURT A CHILD.

1557
01:00:21,517 --> 01:00:23,519
JENNY, WE WANT YOU TO TALK TO HIM. WE'RE GONNA HANDLE THIS.

1558
01:00:23,519 --> 01:00:25,020
NO, NO, YOU HAVE TO BE VERY CAREFUL ABOUT THAT.

1559
01:00:25,020 --> 01:00:26,021
ALL RIGHT, BACK OFF.

1560
01:00:26,021 --> 01:00:27,423
JENNY, HE'S REALLY STRESSED OUT.

1561
01:00:27,423 --> 01:00:28,924
THERE'S NO TELLING HOW HE'LL REACT.

1562
01:00:28,924 --> 01:00:30,359
MAX, THIS DOESN'T CONCERN YOU.

1563
01:00:30,359 --> 01:00:31,861
HE'S VERY SENSITIVE ABOUT HIS WIFE.

1564
01:00:31,861 --> 01:00:33,596
OH, REALLY? GOOD. COME WITH US NOW.

1565
01:00:33,596 --> 01:00:35,131
PLEASE DON'T DO THIS.

1566
01:00:35,131 --> 01:00:36,131
Reporter: JENNY!

1567
01:00:36,131 --> 01:00:38,734
[REPORTERS ALL SHOUTING AT ONCE]

1568
01:00:38,734 --> 01:00:40,002
DON'T PUSH!

1569
01:00:40,002 --> 01:00:42,104
[CHILDREN LAUGHING]

1570
01:00:42,104 --> 01:00:43,939
I GOT THIS NASTY TASTE IN MY MOUTH.

1571
01:00:43,939 --> 01:00:44,940
THAT'S DISGUSTING.

1572
01:00:44,940 --> 01:00:46,309
SO MUCH FOR BUBBLE GUM.

1573
01:00:48,244 --> 01:00:50,212
[LAUGHING]

1574
01:00:50,212 --> 01:00:53,950
[TELEPHONE RINGS]

1575
01:00:56,352 --> 01:00:57,620
[RING]

1576
01:00:57,620 --> 01:00:59,054
YEAH?

1577
01:00:59,054 --> 01:01:01,123
SAM?

1578
01:01:01,123 --> 01:01:02,425
SAM.

1579
01:01:04,026 --> 01:01:05,261
HI, JEN.

1580
01:01:05,261 --> 01:01:08,330
WHAT ARE YOU DOING, SAM?

1581
01:01:08,330 --> 01:01:09,832
I DON'T KNOW.

1582
01:01:09,832 --> 01:01:12,200
I GUESS I GOT MYSELF IN A JAM, HUH?

1583
01:01:12,200 --> 01:01:15,437
YOU'VE GOT TO COME OUT RIGHT NOW, SAM.

1584
01:01:15,437 --> 01:01:16,939
HOW ARE THE SPROUTS?

1585
01:01:16,939 --> 01:01:19,441
THEY'RE WONDERING WHERE THERE FATHER IS.

1586
01:01:19,441 --> 01:01:20,943
THAT'S HOW THEY ARE.

1587
01:01:20,943 --> 01:01:24,113
JEN, THEY WANT TO PUT ME IN PRISON.

1588
01:01:26,148 --> 01:01:28,150
SAM, I--

1589
01:01:28,150 --> 01:01:29,886
I DON'T WANT ANY MORE ARGUMENT.

1590
01:01:29,886 --> 01:01:32,488
I WANT YOU TO COME OUT NOW.

1591
01:01:34,156 --> 01:01:36,826
HEY--IS THAT YOU ON TV?

1592
01:01:36,826 --> 01:01:38,160
Jenny: WHAT?

1593
01:01:38,160 --> 01:01:40,162
YOU PUT AWAY THE GUN, SAM, AND COME OUT.

1594
01:01:40,162 --> 01:01:41,497
GET AWAY FROM HER!

1595
01:01:41,497 --> 01:01:42,998
COME OUT NOW.

1596
01:01:42,998 --> 01:01:44,232
PUT BRACKETT ON THE PHONE!

1597
01:01:44,232 --> 01:01:46,169
NO. FORGET ABOUT BRACKETT.

1598
01:01:46,169 --> 01:01:47,670
PUT THOSE GUNS--

1599
01:01:47,670 --> 01:01:49,004
PUT THE GUN DOWN AND COME OUT.

1600
01:01:49,004 --> 01:01:51,307
JEN, YOU TELL THEM RIGHT NOW THAT I AIN'T GOING TO PRISON.

1601
01:01:51,307 --> 01:01:52,808
YOU JUST TELL THEM THAT!

1602
01:01:52,808 --> 01:01:54,310
PLEASE, PUT THE GUN DOWN.

1603
01:01:54,310 --> 01:01:56,545
GO HOME, JEN-- GO HOME, JEN!

1604
01:01:56,545 --> 01:01:57,814
NO! SAM!

1605
01:01:57,814 --> 01:01:59,315
SAM. SAM--

1606
01:01:59,315 --> 01:02:00,315
JEEZ!

1607
01:02:00,315 --> 01:02:01,817
I'M GOING TO GET HIM OUT MYSELF.

1608
01:02:01,817 --> 01:02:04,086
I'M GOING TO GET HIM OUT MYSELF.

1609
01:02:04,086 --> 01:02:05,821
GIVE ME THE MIKE. GIVE ME THE MIKE.

1610
01:02:05,821 --> 01:02:07,089
WHAT?

1611
01:02:07,089 --> 01:02:09,558
SPEAK INTO HERE. HOLD THE BUTTON DOWN. TALK IN THERE.

1612
01:02:09,558 --> 01:02:10,893
WHAT? TALK IN HERE...

1613
01:02:10,893 --> 01:02:12,327
I'D THINK TWICE ABOUT THIS.

1614
01:02:12,327 --> 01:02:13,329
[VOICE AMPLIFIED] UH--OH!

1615
01:02:13,329 --> 01:02:14,329
PLEASE DON'T DO THIS.

1616
01:02:14,329 --> 01:02:16,565
UH, SAM.

1617
01:02:16,565 --> 01:02:18,066
[VOICE AMPLIFIED] SAM?

1618
01:02:18,066 --> 01:02:19,568
LISTEN TO ME.

1619
01:02:19,568 --> 01:02:22,070
YOU'VE GOT TO STOP THIS NONSENSE.

1620
01:02:22,070 --> 01:02:23,572
THINK ABOUT OUR CHILDREN.

1621
01:02:23,572 --> 01:02:24,573
SHUT UP!

1622
01:02:24,573 --> 01:02:27,143
THEY'RE WAITING FOR YOU.

1623
01:02:27,143 --> 01:02:28,644
PLEASE COME OUT.

1624
01:02:28,644 --> 01:02:30,145
PLEASE LISTEN TO ME.

1625
01:02:30,145 --> 01:02:32,114
PLEASE LISTEN TO ME.

1626
01:02:32,114 --> 01:02:35,117
PLEASE. SAM, WILL YOU COME OUT?

1627
01:02:35,117 --> 01:02:36,618
SHUT UP!

1628
01:02:36,618 --> 01:02:39,121
DO YOU HEAR ME, SAM?

1629
01:02:39,121 --> 01:02:40,123
PLEASE!

1630
01:02:40,123 --> 01:02:41,890
COME OUT!

1631
01:02:41,890 --> 01:02:42,892
NOW!

1632
01:02:42,892 --> 01:02:44,893
[GUNSHOT]

1633
01:02:44,893 --> 01:02:45,894
[SAM SHOUTING]

1634
01:02:45,894 --> 01:02:47,729
THAT'S ENOUGH!

1635
01:02:47,729 --> 01:02:48,997
NO!

1636
01:02:48,997 --> 01:02:50,499
[SCREAMING AND SHOUTING]

1637
01:02:50,499 --> 01:02:52,801
HOLD YOUR FIRE!

1638
01:02:52,801 --> 01:02:53,802
HEY!

1639
01:02:53,802 --> 01:02:54,803
SAM!

1640
01:02:54,803 --> 01:02:56,638
THAT'S ENOUGH! STOP! STOP!

1641
01:02:56,638 --> 01:02:57,640
NO!

1642
01:02:57,640 --> 01:02:59,041
[GUNSHOT]

1643
01:02:59,041 --> 01:03:01,243
STOP IT NOW, SAM!

1644
01:03:01,243 --> 01:03:02,945
Jenny: SAM! SAM!

1645
01:03:05,247 --> 01:03:06,716
NO! NO!

1646
01:03:06,716 --> 01:03:08,750
GET AWAY!

1647
01:03:08,750 --> 01:03:10,252
GET AWAY! GET AWAY!

1648
01:03:10,252 --> 01:03:14,223
SAM! GET AWAY FROM THE WINDOW. THEY'RE GOING TO KILL YOU.

1649
01:03:16,291 --> 01:03:19,962
[SPEAKING IN AN UNDERTONE]

1650
01:03:22,097 --> 01:03:23,099
COME ON.

1651
01:03:23,099 --> 01:03:24,600
IT'S OPEN!

1652
01:03:24,600 --> 01:03:27,636
WHY DID YOU LET HER SAY THOSE THINGS ON TV FOR, HUH?

1653
01:03:27,636 --> 01:03:29,472
STAND AT THE DOOR, THEY WILL KILL YOU.

1654
01:03:29,472 --> 01:03:30,472
COME HERE.

1655
01:03:30,472 --> 01:03:31,974
NOW YOU TELL ME WHAT THE PROBLEM IS.

1656
01:03:31,974 --> 01:03:33,642
WHY DID YOU LET HER SAY THOSE THINGS ON TV?

1657
01:03:33,642 --> 01:03:35,644
I DIDN'T. AND THAT'S NOT A GOOD REASON

1658
01:03:35,644 --> 01:03:37,145
TO START SHOOTING OVER PEOPLE'S HEADS.

1659
01:03:37,145 --> 01:03:39,281
YOU SAID YOU WERE GOING TO TALK TO HER ALONE FIRST.

1660
01:03:39,281 --> 01:03:41,483
SAM, IT WAS THE POLICE CHIEF'S IDEA.

1661
01:03:41,483 --> 01:03:43,119
OK?

1662
01:03:43,119 --> 01:03:45,788
PEOPLE WERE BEGINNING TO LIKE YOU,

1663
01:03:45,788 --> 01:03:48,290
AND THEN YOU START SHOOTING OUT THE WINDOWS,

1664
01:03:48,290 --> 01:03:49,791
AND WE'RE BACK TO SQUARE ONE,

1665
01:03:49,791 --> 01:03:53,195
AND YOUR IMAGE IS RIGHT DOWN THE DRAIN.

1666
01:03:53,195 --> 01:03:56,198
GEE, I GOT CRAZY WHEN I SEEN HER ON TV, OK?

1667
01:03:56,198 --> 01:03:58,701
ALL THE PEOPLE AROUND HER, AND SHE--

1668
01:03:58,701 --> 01:04:01,270
WHAT HAVE I DONE? WHAT HAVE I DONE?

1669
01:04:03,172 --> 01:04:06,942
TELL ME YOU'RE NOT GONNA START THROWING DYNAMITE OUT THE WINDOW.

1670
01:04:06,942 --> 01:04:09,779
YOU KNOW I'M NOT GONNA DO THAT.

1671
01:04:12,180 --> 01:04:14,416
I SCREWED UP.

1672
01:04:14,416 --> 01:04:15,918
I SCREWED UP.

1673
01:04:15,918 --> 01:04:17,920
I'LL TELL YOU WHAT I'M GOING TO DO.

1674
01:04:17,920 --> 01:04:20,922
I'M GOING TO GO OUTSIDE, I'M GOING TO DO SOME DAMAGE CONTROL,

1675
01:04:20,922 --> 01:04:22,425
AND YOU'RE GOING TO BE OK, AREN'T YOU?

1676
01:04:25,027 --> 01:04:27,195
I'M GOING TO SENT YOU OUT TO DO SOME INTERVIEWS.

1677
01:04:27,195 --> 01:04:29,464
I'LL GIVE YOU THE NAMES OF THE PEOPLE TO TALK TO

1678
01:04:29,464 --> 01:04:30,966
AND THE QUESTIONS TO ASK.

1679
01:04:30,966 --> 01:04:32,635
WHY CAN'T YOU DO IT?

1680
01:04:32,635 --> 01:04:34,637
BECAUSE I NEED TO BE NEAR SAM.

1681
01:04:34,637 --> 01:04:36,638
HE'S GETTING A LITTLE EDGY. OK?

1682
01:04:36,638 --> 01:04:37,773
OK.

1683
01:04:37,773 --> 01:04:40,409
OH. AND TELL LOU TO SEND OVER THE EDITING BAY.

1684
01:04:40,409 --> 01:04:41,910
OH. I COMPLETELY FORGOT.

1685
01:04:41,910 --> 01:04:43,045
WHAT'S THAT?

1686
01:04:43,045 --> 01:04:45,047
THE EDITING BAY IS HERE.

1687
01:04:45,047 --> 01:04:46,415
WHAT?

1688
01:04:46,415 --> 01:04:48,717
KEVIN HOLLANDER IS COMING HERE.

1689
01:04:48,717 --> 01:04:50,252
WHAT DO YOU MEAN?

1690
01:04:50,252 --> 01:04:53,789
I THINK THE EDITING BAY IS HERE FOR HIM.

1691
01:04:57,660 --> 01:05:00,629
YOU KNOW HE'S GOING TO TRY TO FREEZE US OUT.

1692
01:05:00,629 --> 01:05:01,730
WHY?

1693
01:05:01,730 --> 01:05:05,167
BECAUSE HE'D LOVE TO STEAL THE STORY FROM US.

1694
01:05:05,167 --> 01:05:06,168
KEVIN HOLLANDER?

1695
01:05:06,168 --> 01:05:07,669
YOU LIKE HIM.

1696
01:05:07,669 --> 01:05:09,171
OH--I DON'T--

1697
01:05:09,171 --> 01:05:11,707
IT'S OUR STORY. HE WOULDN'T DO THAT.

1698
01:05:11,707 --> 01:05:14,043
ALL RIGHT, REPORTER, GO TO WORK.

1699
01:05:14,043 --> 01:05:15,043
THANK YOU.

1700
01:05:15,043 --> 01:05:15,811
NOW, LISTEN, LAURIE,

1701
01:05:15,811 --> 01:05:17,012
THIS IS OUR STORY,

1702
01:05:17,012 --> 01:05:18,346
AND IT'S NOBODY ELSE'S.

1703
01:05:18,346 --> 01:05:19,682
AND I'M DEPENDING ON YOU.

1704
01:05:19,682 --> 01:05:22,517
NO, IT'S TOO EARLY TO CELEBRATE. GO ON. GO ON. GO ON.

1705
01:05:22,517 --> 01:05:23,519
OK.

1706
01:05:23,519 --> 01:05:25,087
DON'T TOUCH ME. I'LL GET ARRESTED.

1707
01:05:29,691 --> 01:05:33,195
WOULD YOU SAY THAT SAM BAILY IS A RELIGIOUS MAN?

1708
01:05:33,195 --> 01:05:34,696
YES, SAM IS RELIGIOUS,

1709
01:05:34,696 --> 01:05:37,199
BUT WHEN I SAY THAT, YOU SHOULD UNDERSTAND

1710
01:05:37,199 --> 01:05:38,701
I MEAN PROUD,

1711
01:05:38,701 --> 01:05:40,436
AND HE'S KIND--

1712
01:05:40,436 --> 01:05:43,705
UM, DO YOU GUYS THINK THAT SAM IS A FUN GUY?

1713
01:05:43,705 --> 01:05:44,707
FUN? UH--YEAH.

1714
01:05:44,707 --> 01:05:45,707
SURE.

1715
01:05:45,707 --> 01:05:46,875
REAL FUN GUY.

1716
01:05:46,875 --> 01:05:48,277
IN WHAT WAY?

1717
01:05:48,277 --> 01:05:49,278
UH...

1718
01:05:49,278 --> 01:05:50,278
GULLIBLE.

1719
01:05:50,278 --> 01:05:51,547
GULLIBLE. SURE.

1720
01:05:51,547 --> 01:05:53,549
YOU COULD ALWAYS PLAY JOKES ON HIM, YOU KNOW? WHOOSH!

1721
01:05:58,387 --> 01:06:00,890
Laurie: IS SAM BAILY A VIOLENT MAN?

1722
01:06:00,890 --> 01:06:03,058
NO. NO. VIOLENCE-- LOOK--LOOK AROUND YOU.

1723
01:06:03,058 --> 01:06:05,060
DO YOU SEE ANY FISHERMEN THROWING FITS AT YOU?

1724
01:06:05,060 --> 01:06:07,496
NO. NO. HE'S NOT A VIOLENT MAN.

1725
01:06:08,497 --> 01:06:10,566
HE WAS NOT A REMARKABLE STUDENT.

1726
01:06:10,566 --> 01:06:13,902
I'M SURE YOU'LL FIND SOME PEOPLE WHO WILL SAY

1727
01:06:13,902 --> 01:06:15,370
THAT WE FAILED SAM BAILY,

1728
01:06:15,370 --> 01:06:17,472
THAT SOMEHOW THE SYSTEM ISN'T SET UP

1729
01:06:17,472 --> 01:06:19,474
TO PROVIDE A SAFETY NET FOR MEN LIKE HIM.

1730
01:06:19,474 --> 01:06:22,477
BUT I FEEL THE ONLY PERSON ACCOUNTABLE FOR THIS SITUATION

1731
01:06:22,477 --> 01:06:23,979
IS SAM BAILY.

1732
01:06:23,979 --> 01:06:25,647
A COMPASSIONATE BASTARD.

1733
01:06:25,647 --> 01:06:28,149
[REWIND FEEDBACK]

1734
01:06:28,149 --> 01:06:30,786
WE FAILED SAM BAILY.

1735
01:06:30,786 --> 01:06:33,288
[VOICE ON SLOW SPEED]

1736
01:06:33,288 --> 01:06:37,125
THE SYSTEM ISN'T SET UP TO PROVIDE A SAFETY NET FOR MEN LIKE HIM.

1737
01:06:37,125 --> 01:06:38,794
THAT'S WHAT I THOUGHT YOU SAID.

1738
01:06:41,964 --> 01:06:44,300
[TELEPHONE RINGS]

1739
01:06:44,300 --> 01:06:45,300
YEAH.

1740
01:06:45,300 --> 01:06:46,302
MAX?

1741
01:06:46,302 --> 01:06:47,302
YEAH.

1742
01:06:47,302 --> 01:06:48,804
THE PARENTS WON'T SPEAK TO ME.

1743
01:06:48,804 --> 01:06:50,605
I'M KEEPING A HOLE OPEN FOR THIS.

1744
01:06:50,605 --> 01:06:53,108
THEY HAVE TO SPEAK TO YOU.

1745
01:06:53,108 --> 01:06:55,310
THE MOTHER'S CRYING, AND THE FATHER HAS A STUTTER.

1746
01:06:55,310 --> 01:06:57,112
THEY'RE NOT GOING TO SPEAK ON CAMERA.

1747
01:06:57,112 --> 01:06:58,814
LOOK, YOU DON'T GET THIS, DON'T COME BACK.

1748
01:06:58,814 --> 01:07:00,315
IS THAT CLEAR?

1749
01:07:00,315 --> 01:07:01,717
YES.

1750
01:07:01,717 --> 01:07:02,952
GOOD.

1751
01:07:04,019 --> 01:07:05,020
MRS. BAILY.

1752
01:07:05,020 --> 01:07:07,122
I'M REALLY SORRY TO BOTHER YOU,

1753
01:07:07,122 --> 01:07:10,659
BUT I REALLY AM TRYING TO HELP YOUR SON.

1754
01:07:10,659 --> 01:07:13,229
I WAS WONDERING IF HE HAS, LIKE, A HORSE

1755
01:07:13,229 --> 01:07:15,631
OR A DOG?

1756
01:07:15,631 --> 01:07:18,333
I WANT TO USE IT IN THE STORY,

1757
01:07:18,333 --> 01:07:21,336
AND I WANT TO SHOW THE PEOPLE THAT SAM CAN'T BE ALL THAT BAD

1758
01:07:21,336 --> 01:07:22,938
IF HE HAS A DOG HE LOVES.

1759
01:07:24,939 --> 01:07:26,776
[WHISPERING] Go follow.

1760
01:07:29,611 --> 01:07:31,613
WE'VE--WE'VE HAD HIM

1761
01:07:31,613 --> 01:07:35,150
SINCE SAM GOT BACK FROM THE AIR FORCE.

1762
01:07:35,150 --> 01:07:36,652
OLD REX.

1763
01:07:36,652 --> 01:07:38,653
HE'S ALMOST 15 YEARS OLD NOW.

1764
01:07:38,653 --> 01:07:39,789
OH, WOW.

1765
01:07:39,789 --> 01:07:42,625
WE NEARLY LOST HIM LAST YEAR.

1766
01:07:43,893 --> 01:07:45,393
SAM WAS A WRECK.

1767
01:07:45,393 --> 01:07:47,429
HE STAYED UP WITH HIM ALL NIGHT

1768
01:07:47,429 --> 01:07:49,665
TO BE SURE HE KEPT WARM.

1769
01:07:49,665 --> 01:07:52,201
HE'S REALLY A SWEET BOY.

1770
01:07:52,201 --> 01:07:55,170
HE'S CONFUSED, BUT...

1771
01:07:55,170 --> 01:07:58,574
ALL HE'S TRYING TO DO IS GET BY.

1772
01:07:58,574 --> 01:08:00,575
[RECORDING] SAM WAS A WRECK.

1773
01:08:00,575 --> 01:08:03,078
THAT'S THE MOST IMPORTANT INTERVIEW OF THE WHOLE CASE.

1774
01:08:03,078 --> 01:08:05,080
SEE THAT? THAT'S ON THE MONEY.

1775
01:08:05,080 --> 01:08:07,082
YOU KNOW WHAT YOU DID?

1776
01:08:07,082 --> 01:08:09,685
YOU GOT THAT SWEET OLD WOMAN SAYING

1777
01:08:09,685 --> 01:08:11,687
HOW SAM LOVES THAT PATHETIC, MANGY,

1778
01:08:11,687 --> 01:08:13,022
TICK-RIDDEN DOG.

1779
01:08:17,860 --> 01:08:18,860
WHO'S HERE?

1780
01:08:18,860 --> 01:08:20,195
WHO'S COMING?

1781
01:08:20,195 --> 01:08:22,297
I HAVE NO IDEA. COME ON.

1782
01:08:22,297 --> 01:08:25,133
[REPORTERS ALL TALKING AT ONCE]

1783
01:08:25,133 --> 01:08:26,134
MR. HOLLANDER!

1784
01:08:26,134 --> 01:08:27,303
MR. HOLLANDER!

1785
01:08:27,303 --> 01:08:31,373
MR. HOLLANDER, DO YOU HAVE ANY INSIDE INFORMATION?

1786
01:08:31,373 --> 01:08:32,874
MAX IS IN THERE.

1787
01:08:32,874 --> 01:08:34,577
MAX! HI.

1788
01:08:35,811 --> 01:08:38,713
JASON, SEE IF YOU CAN GET THEM SOMETHING TO DRINK.

1789
01:08:38,713 --> 01:08:40,215
LOOK IN THE REFRIGERATOR OR SOMETHING.

1790
01:08:40,215 --> 01:08:42,217
THAT'S ALL RIGHT, KEVIN. I'LL GET IT.

1791
01:08:42,217 --> 01:08:44,720
I SEE A GREAT UNDERLYING THEME HERE.

1792
01:08:44,720 --> 01:08:46,722
SAM BAILY IS TAPPING INTO SOMETHING

1793
01:08:46,722 --> 01:08:48,890
THE WORKING CLASS CAN REALLY RELATE TO.

1794
01:08:48,890 --> 01:08:51,727
WHAT'S THE MATTER, KEVIN, YOUR NUMBERS TAKING A DIP?

1795
01:08:55,163 --> 01:08:56,665
HAVE A SEAT, MAX.

1796
01:08:56,665 --> 01:08:58,634
LOU--LOU, SIT.

1797
01:08:59,835 --> 01:09:02,471
Kevin: NOW, LET'S CUT THE CRAP.

1798
01:09:02,471 --> 01:09:05,473
YOU AND I HAVE HAD OUR PROBLEMS IN THE PAST. I UNDERSTAND THAT.

1799
01:09:05,473 --> 01:09:07,609
BUT YOU WANT TO GET BACK ON THE NETWORK NOW. AM I RIGHT?

1800
01:09:07,609 --> 01:09:08,610
HMM?

1801
01:09:08,610 --> 01:09:09,778
YES, KEVIN.

1802
01:09:09,778 --> 01:09:11,079
WELL, YOU'RE TALKING TO IT.

1803
01:09:11,079 --> 01:09:13,448
IF YOU CAN BE A TEAM PLAYER NOW,

1804
01:09:13,448 --> 01:09:15,951
THIS IS YOUR TICKET BACK IN.

1805
01:09:15,951 --> 01:09:18,254
WHEN CAN I MEET WITH BAILY?

1806
01:09:18,254 --> 01:09:21,257
THE NETWORK WANTS HIM TO DO A ONE-ON-ONE WITH ME.

1807
01:09:21,257 --> 01:09:23,926
HE CAN'T DO A ONE-ON-ONE WITH YOU, KEVIN.

1808
01:09:23,926 --> 01:09:26,328
HE'S IN THE MIDDLE OF COMMITTING A CRIME.

1809
01:09:26,328 --> 01:09:27,830
YOU'VE DONE ALL RIGHT.

1810
01:09:27,830 --> 01:09:31,433
WELL, YOU SEE, I SPENT A DAY AND A NIGHT WITH HIM.

1811
01:09:31,433 --> 01:09:33,268
WELL, I THINK HE'LL TALK TO ME.

1812
01:09:33,268 --> 01:09:35,003
I'M THE MAN AMERICA TRUSTS FOR NEWS.

1813
01:09:35,003 --> 01:09:37,438
YOU REALLY SHOULDN'T LET A MARKETING SLOGAN GO TO YOUR HEAD.

1814
01:09:37,438 --> 01:09:38,940
CAN I GET A CUP OF COFFEE?

1815
01:09:38,940 --> 01:09:40,442
YEAH. IT'LL BE READY IN 5.

1816
01:09:40,442 --> 01:09:41,543
IN FACT--

1817
01:09:41,543 --> 01:09:43,045
MAYBE YOU COULD BOTH SPEAK TO HIM ON THE AIR

1818
01:09:43,045 --> 01:09:44,680
AND MAKE IT MORE COMFORTABLE FOR HIM.

1819
01:09:45,848 --> 01:09:48,049
YOU'RE THE ONE WHO SAVED THE GUARD, AREN'T YOU?

1820
01:09:48,049 --> 01:09:49,451
NO.

1821
01:09:49,451 --> 01:09:50,952
YES--I MEAN, I--I HELPED HIM--

1822
01:09:50,952 --> 01:09:53,956
I UNDERSTAND YOU'RE DOING A NEW PIECE ON BAILY.

1823
01:09:53,956 --> 01:09:56,458
YES, BUT IT'S ACTUAL-- IT'S MAX'S STORY.

1824
01:09:56,458 --> 01:09:57,459
THANKS.

1825
01:09:57,459 --> 01:09:59,528
I WANT TO SEE IT.

1826
01:09:59,528 --> 01:10:01,497
I MEAN I WANT TO SEE IT NOW.

1827
01:10:01,497 --> 01:10:04,499
SAM BAILY STANDS FIRM TO HIS APPEAL FOR CLEMENCY,

1828
01:10:04,499 --> 01:10:08,003
BUT THE LAW SAYS NO, SO THE WAITING CONTINUES.

1829
01:10:08,003 --> 01:10:09,505
THIS IS MAX BRACKETT REPORTING.

1830
01:10:09,505 --> 01:10:11,006
[TURNS OFF TAPE]

1831
01:10:11,006 --> 01:10:13,008
THAT'S A TESTIMONIAL TO THE MAN.

1832
01:10:13,008 --> 01:10:15,977
I THOUGHT WE DON'T JUDGE PEOPLE BEFORE THEY GO TO TRIAL, LOU.

1833
01:10:15,977 --> 01:10:17,479
WE DON'T MAKE THEM CELEBRITIES, EITHER.

1834
01:10:17,479 --> 01:10:19,414
THE MAN'S COMMITTING A FELONY.

1835
01:10:19,414 --> 01:10:22,417
NO. JUST PACKAGING WHAT PEOPLE WHO KNEW BAILY

1836
01:10:22,417 --> 01:10:23,919
HAVE TO SAY ABOUT IT.

1837
01:10:23,919 --> 01:10:25,987
I'LL TAKE CARE OF THE FELONIES IN THE LEAD-IN.

1838
01:10:25,987 --> 01:10:27,589
YOUR LEAD-IN? WAIT.

1839
01:10:27,589 --> 01:10:29,090
I OWN THIS STORY.

1840
01:10:29,090 --> 01:10:32,193
MR. BRACKETT, THE STORY'S THE PROPERTY OF KXBD.

1841
01:10:32,193 --> 01:10:33,696
IT'S THE NETWORK'S.

1842
01:10:33,696 --> 01:10:35,831
[THUNDER]

1843
01:10:35,831 --> 01:10:38,333
LAURIE, I NEED TO MAKE SOME CHANGES IN THIS.

1844
01:10:38,333 --> 01:10:41,102
I WANT TO SEE ALL THE MATERIAL YOU SHOT, OK?

1845
01:10:41,102 --> 01:10:42,938
OK.

1846
01:10:42,938 --> 01:10:45,340
MAX, WHEN AM I GOING TO HAVE MY, UH,

1847
01:10:45,340 --> 01:10:46,841
MY MEETING WITH BAILY?

1848
01:10:46,841 --> 01:10:48,443
I HAVE TO PREPARE MY ONE-ON-ONE WITH HIM.

1849
01:10:48,443 --> 01:10:49,445
WHAT?

1850
01:10:49,445 --> 01:10:50,512
YEAH, YEAH, I KNOW. I KNOW.

1851
01:10:50,512 --> 01:10:51,680
MAX?

1852
01:10:51,680 --> 01:10:53,882
LOOK, I CAN'T EVEN GUARANTEE HE'LL DO IT, KEVIN.

1853
01:10:53,882 --> 01:10:55,384
HE'LL JUMP AT IT.

1854
01:10:55,384 --> 01:10:57,085
THEY ALL DO.

1855
01:10:57,085 --> 01:10:58,520
FINE.

1856
01:10:58,520 --> 01:11:00,488
MAX.

1857
01:11:00,488 --> 01:11:01,490
EXCUSE ME A MINUTE--

1858
01:11:01,490 --> 01:11:02,491
YEAH. ONE SECOND.

1859
01:11:02,491 --> 01:11:03,492
WHY--

1860
01:11:03,492 --> 01:11:04,993
WHY DON'T YOU PLAY NICE?

1861
01:11:04,993 --> 01:11:06,694
THIS COULD BE VERY GOOD FOR YOU.

1862
01:11:06,694 --> 01:11:08,564
EXCUSE, ME MAX. WHAT?

1863
01:11:08,564 --> 01:11:09,564
COACH BOB HAS ARRIVED.

1864
01:11:09,564 --> 01:11:10,565
Max: WHAT'S THAT?

1865
01:11:10,565 --> 01:11:12,467
COACH BOB WITH THE FOOD FOR THE KIDS.

1866
01:11:12,467 --> 01:11:13,468
OH.

1867
01:11:13,468 --> 01:11:16,772
I'LL KEEP YOU IN MIND, KEVIN.

1868
01:11:16,772 --> 01:11:18,741
[THUNDER]

1869
01:11:23,378 --> 01:11:24,379
MAX.

1870
01:11:24,379 --> 01:11:25,380
WHAT?

1871
01:11:25,380 --> 01:11:26,381
WHAT ABOUT THE KIDS?

1872
01:11:26,381 --> 01:11:27,549
KIDS ARE OK.

1873
01:11:27,549 --> 01:11:29,551
THEY'RE HAVING A GREAT STORY FOR SHOW-AND-TELL.

1874
01:11:29,551 --> 01:11:31,553
I'M WORRIED ABOUT HOLLANDER. WHY DON'T YOU GET HIM OFF MY BACK?

1875
01:11:31,553 --> 01:11:33,055
I CAN'T. WHY NOT?

1876
01:11:33,055 --> 01:11:35,623
I CAN'T WRESTLE 300-POUND GORILLAS.

1877
01:11:35,623 --> 01:11:37,625
GOT THE PIZZA?

1878
01:11:37,625 --> 01:11:39,128
TAKE THE SHOES, TOO.

1879
01:11:39,128 --> 01:11:40,562
THAT'S IT?

1880
01:11:40,562 --> 01:11:42,063
HOW YOU GUYS DOING?

1881
01:11:42,063 --> 01:11:43,565
WE'RE DYING HERE!

1882
01:11:43,565 --> 01:11:45,867
COME ON, PAL, TOSS US A BONE!

1883
01:11:45,867 --> 01:11:50,071
YEAH! YOU CAN'T KEEP THIS ALL TO YOURSELF. COME ON, YOU JERK!

1884
01:11:50,071 --> 01:11:51,573
Reporter: GO TO HELL!

1885
01:11:51,573 --> 01:11:52,774
YOU'RE AN ASSHOLE, MAX!

1886
01:11:52,774 --> 01:11:53,776
WHAT IS GOING ON?

1887
01:12:00,883 --> 01:12:02,584
[CHILDREN TALKING EXCITEDLY]

1888
01:12:09,891 --> 01:12:13,128
OK, PLEASE, I WANT YOU TO TAKE THAT OFF.

1889
01:12:13,128 --> 01:12:16,097
TONYA. TONYA, GET THEM TO TAKE THOSE SKINS OFF, PLEASE.

1890
01:12:16,097 --> 01:12:18,599
OK, BOYS, I NEED YOU TO COME BACK DOWN HERE

1891
01:12:18,599 --> 01:12:20,101
AND TAKE THOSE SKINS OFF--

1892
01:12:20,101 --> 01:12:21,637
MILTON, PUT THAT BOX DOWN.

1893
01:12:21,637 --> 01:12:24,139
THESE KIDS GET BORED JUST VISITING A MUSEUM.

1894
01:12:24,139 --> 01:12:26,842
IMAGINE BEING TRAPPED IN ONE.

1895
01:12:26,842 --> 01:12:28,343
STUFF IT UP THERE.

1896
01:12:28,343 --> 01:12:29,344
YEAH!

1897
01:12:29,344 --> 01:12:30,612
HERE'S A HAMBURGER!

1898
01:12:30,612 --> 01:12:32,614
HEY, YOU GUYS, KNOCK IT OFF!

1899
01:12:32,614 --> 01:12:34,115
GET DOWN HERE. I GOTTA TALK TO YOU.

1900
01:12:34,115 --> 01:12:36,151
OUT OF THE BEAR'S MOUTH, BOBBY.

1901
01:12:36,151 --> 01:12:38,119
[SHOUTING]

1902
01:12:38,119 --> 01:12:39,755
IT'S AWESOME!

1903
01:12:39,755 --> 01:12:41,890
EVERYBODY, COME HERE!

1904
01:12:41,890 --> 01:12:42,891
COME HERE.

1905
01:12:42,891 --> 01:12:44,760
EVERYBODY, COME HERE.

1906
01:12:47,295 --> 01:12:50,131
Officer, over radio: I CAN'T SEE VERY WELL. THE RAIN'S PRETTY HEAVY.

1907
01:12:50,131 --> 01:12:51,633
WE'RE APPROACHING THEM.

1908
01:12:51,633 --> 01:12:54,068
Boy: WHERE ARE WE GOING?

1909
01:12:54,068 --> 01:12:55,971
HEY, MR. INDIAN MAN.

1910
01:12:57,405 --> 01:12:58,906
WHAT'S THAT?

1911
01:12:58,906 --> 01:13:00,909
YOU WANT ME TO TELL THEM?

1912
01:13:00,909 --> 01:13:02,911
ALL RIGHT, I'LL TELL THEM THE STORY.

1913
01:13:02,911 --> 01:13:06,081
OK, GET OVER THERE. HE WANTS ME TO TELL YOU THE STORY.

1914
01:13:06,081 --> 01:13:08,583
GO AHEAD. GO AHEAD. SIT DOWN OVER THERE.

1915
01:13:08,583 --> 01:13:09,584
NO, THAT'S WHERE--

1916
01:13:09,584 --> 01:13:10,585
I'M SITTING THERE.

1917
01:13:10,585 --> 01:13:12,087
OK, I'LL SIT OVER THERE.

1918
01:13:12,087 --> 01:13:14,990
OK, NOW, DO YOU KIDS-- DO YOU KNOW THE NAME OF THIS INDIAN?

1919
01:13:14,990 --> 01:13:17,993
THIS GUY'S NAME IS BIG JOHN, AND, UH...

1920
01:13:17,993 --> 01:13:19,961
HE'S A FRIEND OF MINE.

1921
01:13:19,961 --> 01:13:20,962
[CHILDREN LAUGHING]

1922
01:13:20,962 --> 01:13:21,963
OK?

1923
01:13:21,963 --> 01:13:22,997
YEAH, RIGHT.

1924
01:13:22,997 --> 01:13:25,333
NOW, DO YOU KNOW WHAT KIND OF INDIAN HE IS?

1925
01:13:25,333 --> 01:13:26,335
NO. NO. NO.

1926
01:13:26,335 --> 01:13:27,602
A MIWOK INDIAN.

1927
01:13:27,602 --> 01:13:29,004
OOH.

1928
01:13:31,539 --> 01:13:33,007
OOH! OOH! OOH!

1929
01:13:33,007 --> 01:13:34,009
OOH.

1930
01:13:34,009 --> 01:13:36,478
DO YOU KNOW HOW TO SAY MIWOK?

1931
01:13:36,478 --> 01:13:37,479
All: MIWOK.

1932
01:13:37,479 --> 01:13:38,813
THAT'S GOOD.

1933
01:13:38,813 --> 01:13:41,316
NOW, THE INDIANS USED TO OWN THIS COUNTRY.

1934
01:13:41,316 --> 01:13:43,318
DID YOU KNOW THAT? THEY OWNED IT, LIKE--

1935
01:13:43,318 --> 01:13:44,820
THIS WAS THEIR HOME.

1936
01:13:44,820 --> 01:13:45,821
YEAH?

1937
01:13:45,821 --> 01:13:47,923
I THINK I FOUND ONE OF THEIR ARROWHEL--

1938
01:13:47,923 --> 01:13:48,923
ARROWHEADS ONCE.

1939
01:13:48,923 --> 01:13:50,325
YOU DID?

1940
01:13:50,325 --> 01:13:51,827
WELL, YOU BETTER HOLD ON TO IT,

1941
01:13:51,827 --> 01:13:54,529
BECAUSE IF BIG JOHN FINDS OUT, HE'S GOING TO COME AND GET IT.

1942
01:13:54,529 --> 01:13:55,530
YEAH. YEAH.

1943
01:13:55,530 --> 01:13:57,532
SO, THE MIWOK INDIANS, THEY--THEY--

1944
01:13:57,532 --> 01:13:59,133
THEY LIVED OFF THE LAND.

1945
01:13:59,133 --> 01:14:00,635
THEY HAD, LIKE, YOU KNOW,

1946
01:14:00,635 --> 01:14:02,637
THEY HAD THEIR OWN, UH, CROPS,

1947
01:14:02,637 --> 01:14:04,139
THEY--THEY HUNTED,

1948
01:14:04,139 --> 01:14:06,641
AND THEY BUILT TEEPEES OUT OF WOOD LIKE THIS,

1949
01:14:06,641 --> 01:14:09,645
AND THEIR KIDS-- YOU KNOW, THEY HAD KIDS JUST LIKE YOU.

1950
01:14:09,645 --> 01:14:11,813
AND BIG JOHN WAS THE CHIEF OF THEM.

1951
01:14:11,813 --> 01:14:14,316
DO YOU KNOW WHAT A CHIEF IS?

1952
01:14:14,316 --> 01:14:15,817
THE CHIEF IS THE BOSS.

1953
01:14:15,817 --> 01:14:17,819
THAT'S RIGHT. THE CHIEF IS THE BOSS.

1954
01:14:17,819 --> 01:14:19,821
THE CHIEF IS A GOOD BOSS.

1955
01:14:19,821 --> 01:14:23,826
AND A GOOD BOSS KNOWS HOW TO TAKE CARE OF HIS PEOPLE!

1956
01:14:34,702 --> 01:14:36,671
HE'S TOO CLOSE TO THE KIDS.

1957
01:14:36,671 --> 01:14:39,174
NOW THE WHITE MAN CAME ALONG.

1958
01:14:39,174 --> 01:14:42,677
HE WANTED TO TAKE THE LAND AWAY FROM THE INDIANS, OK?

1959
01:14:42,677 --> 01:14:45,547
AND SO HE KILLED ALL OF BIG JOHN'S PEOPLE.

1960
01:14:45,547 --> 01:14:47,549
HE KILLED HIS FRIENDS.

1961
01:14:47,549 --> 01:14:49,284
KABOOM! KABOOM!

1962
01:14:49,284 --> 01:14:50,786
HE KILLED HIS FAMILY.

1963
01:14:50,786 --> 01:14:52,020
KABOOM! KABOOM!

1964
01:14:54,189 --> 01:14:56,891
HE'S GOT HIS RIFLE DRAWN ON THE KIDS.

1965
01:14:56,891 --> 01:14:58,893
AND THAT MADE BIG JOHN SO SAD,

1966
01:14:58,893 --> 01:15:01,295
HE JUST STOOD AT THE TOP OF THE VALLEY LIKE THIS,

1967
01:15:01,295 --> 01:15:03,965
AND HE LOOKED DOWN THERE, AND HE SAW EVERYONE HE KNEW,

1968
01:15:03,965 --> 01:15:05,467
EVERY ONE HE LOVED WAS KILLED,

1969
01:15:05,467 --> 01:15:08,971
AND HE JUST STARTED TO DO AN INDIAN DANCE.

1970
01:15:08,971 --> 01:15:10,572
[CHANTING]

1971
01:15:10,572 --> 01:15:12,541
TO BRING THEM BACK TO LIFE.

1972
01:15:12,541 --> 01:15:14,543
[CHANTING]

1973
01:15:16,077 --> 01:15:18,714
BUT IT DIDN'T WORK.

1974
01:15:18,714 --> 01:15:23,385
AND--AND HE WAS SO SAD THAT HIS HEART FROZE.

1975
01:15:23,385 --> 01:15:24,886
IS HE STILL ALIVE?

1976
01:15:24,886 --> 01:15:26,388
YOU BET HE IS.

1977
01:15:26,388 --> 01:15:27,389
WHOA! WHOA?

1978
01:15:27,389 --> 01:15:29,090
THE MUSEUM FOUND HIM.

1979
01:15:29,090 --> 01:15:31,727
HE--HE--HE WAS LIKE THIS.

1980
01:15:35,697 --> 01:15:38,199
THEN WHEN I STARTED TO WORK HERE,

1981
01:15:38,199 --> 01:15:39,734
HIS HAND WAS UP HERE LIKE THIS.

1982
01:15:39,734 --> 01:15:42,570
THEN EVERY DAY I NOTICED IT WENT LIKE THIS

1983
01:15:42,570 --> 01:15:43,906
AND CAME DOWN LIKE THIS...

1984
01:15:45,407 --> 01:15:46,908
THEN I REALIZED

1985
01:15:46,908 --> 01:15:48,843
HE--HE WAS JUST WAVING GOOD-BYE.

1986
01:15:48,843 --> 01:15:51,513
[SCREAMING]

1987
01:15:53,749 --> 01:15:54,749
LET'S GO!

1988
01:15:54,749 --> 01:15:55,751
COME ON!

1989
01:15:55,751 --> 01:15:56,751
LET'S GO!

1990
01:15:56,751 --> 01:15:57,752
[SCREAMING]

1991
01:15:57,752 --> 01:15:59,253
PICK HIM UP.

1992
01:15:59,253 --> 01:16:00,588
LET'S GO! RUN!

1993
01:16:00,588 --> 01:16:02,991
OVER THERE!

1994
01:16:02,991 --> 01:16:04,259
UP WHERE THE BISON ARE!

1995
01:16:04,259 --> 01:16:05,259
AWESOME!

1996
01:16:05,259 --> 01:16:07,261
I HOPE WE GET TO SEE SOME MORE!

1997
01:16:07,261 --> 01:16:08,763
THAT WAS COOL, MAN!

1998
01:16:08,763 --> 01:16:09,730
YEAH! COOL!

1999
01:16:09,730 --> 01:16:12,234
CHIEF, IT'S FOR YOU.

2000
01:16:12,234 --> 01:16:13,702
YEAH.

2001
01:16:13,702 --> 01:16:15,703
WHAT THE HECK ARE YOU DOING?

2002
01:16:15,703 --> 01:16:17,105
WE GOT KIDS IN HERE!

2003
01:16:17,105 --> 01:16:18,606
SAM, IT WASN'T US.

2004
01:16:18,606 --> 01:16:20,108
NO, IT WASN'T US.

2005
01:16:20,108 --> 01:16:21,976
UH--S-SOME--UH--UH-- NUT CASE

2006
01:16:21,976 --> 01:16:23,478
MADE IT THROUGH THE PERIMETER.

2007
01:16:23,478 --> 01:16:25,746
SAYS IT WASN'T HIM.

2008
01:16:25,746 --> 01:16:27,248
LISTEN TO ME, CHIEF LEMKE.

2009
01:16:27,248 --> 01:16:28,750
IF ANYTHING LIKE THIS HAPPENS AGAIN,

2010
01:16:28,750 --> 01:16:30,251
I'M CALLING A PARENTS CONFERENCE

2011
01:16:30,251 --> 01:16:31,753
AND I'M GOING TO TELL THEM

2012
01:16:31,753 --> 01:16:33,488
THAT YOU'RE TAKING POTSHOTS AT THEIR KIDS' HEADS.

2013
01:16:33,488 --> 01:16:35,990
THEN I SUGGEST THAT YOU TELL THE FBI AGENT

2014
01:16:35,990 --> 01:16:39,494
THAT YOU'RE STANDING CHEEK-TO-CHEEK WITH THAT I SAID SO. OK?

2015
01:16:39,494 --> 01:16:40,995
ONE MOMENT, PLEASE.

2016
01:16:40,995 --> 01:16:42,998
ANYTHING ELSE, SAM?

2017
01:16:42,998 --> 01:16:44,800
THANK YOU.

2018
01:16:46,635 --> 01:16:47,769
SHIT!

2019
01:16:49,037 --> 01:16:51,940
DOBBINS, YOU'RE IN TROUBLE.

2020
01:16:51,940 --> 01:16:53,942
[TV PLAYING]

2021
01:16:55,176 --> 01:16:59,181
THE JOKES JUST GET FUNNIER AND FUNNIER, DON'T THEY?

2022
01:16:59,181 --> 01:17:02,517
OH, THEN UP THERE IN MADELINE, CALIFORNIA, WE GOT THIS GUY SAM BAILY

2023
01:17:02,517 --> 01:17:04,519
USING SOMETHING CALLED THE STEVE MARTIN DEFENSE...

2024
01:17:04,519 --> 01:17:06,688
JAY LENO JUST SAID MY NAME.

2025
01:17:06,688 --> 01:17:08,690
IT HASN'T BEEN USED IN A FEW YEARS.

2026
01:17:08,690 --> 01:17:11,225
[IMITATING STEVE MARTIN] WELL, EXCUSE ME!

2027
01:17:11,225 --> 01:17:13,227
[TV AUDIENCE CHEERING AND APPLAUDING]

2028
01:17:13,227 --> 01:17:14,729
HUH! JAY--JAY LENO--

2029
01:17:14,729 --> 01:17:17,231
JAY LENO KNOWS-- KNOW WHO'S I AM.

2030
01:17:17,231 --> 01:17:18,232
[LAUGHS]

2031
01:17:18,232 --> 01:17:19,601
OH, MAN.

2032
01:17:20,635 --> 01:17:23,038
HE'S A NICE MAN.

2033
01:17:23,038 --> 01:17:24,539
YOU MET HIM?

2034
01:17:24,539 --> 01:17:27,242
I DID A STORY ON ANTIQUE CARS. HE COLLECTS THEM.

2035
01:17:27,242 --> 01:17:30,245
WHO--WHO ELSE YOU MET?

2036
01:17:30,245 --> 01:17:33,748
EVERYONE FROM THE POPE TO MEL GIBSON.

2037
01:17:33,748 --> 01:17:34,749
MEL GIBSON?

2038
01:17:34,749 --> 01:17:36,250
WHAT'S HE LIKE?

2039
01:17:36,250 --> 01:17:38,252
I THREW HIM SOFTBALL QUESTIONS,

2040
01:17:38,252 --> 01:17:40,055
HE THREW ME SOFTBALL ANSWERS.

2041
01:17:40,055 --> 01:17:42,590
YOU NEVER REALLY GET TO KNOW THESE PEOPLE.

2042
01:17:42,590 --> 01:17:44,393
BUT--BUT HE PLAYS SOFTBALL?

2043
01:17:44,393 --> 01:17:48,462
I PLAY SOFTBALL. I'D GET ALONG GOOD WITH HIM.

2044
01:17:48,462 --> 01:17:50,765
HUH?

2045
01:17:50,765 --> 01:17:53,268
I'LL BET YOUR WIFE DIDN'T KNOW

2046
01:17:53,268 --> 01:17:55,269
SHE WAS GETTING A CELEBRITY

2047
01:17:55,269 --> 01:17:56,771
WHEN SHE, UH,

2048
01:17:56,771 --> 01:17:58,773
WHEN SHE SAID YES, DID SHE?

2049
01:17:58,773 --> 01:18:02,276
I THINK SHE KNEW EXACTLY WHAT SHE WAS GETTING.

2050
01:18:02,276 --> 01:18:03,778
35 YEARS OLD, AND...

2051
01:18:03,778 --> 01:18:05,780
THE ONLY JOB I COULD GET

2052
01:18:05,780 --> 01:18:07,282
IS GUARD IN A MUSEUM

2053
01:18:07,282 --> 01:18:08,783
AT $8.00 AN HOUR.

2054
01:18:08,783 --> 01:18:10,785
HOW LONG YOU BEEN DOING IT?

2055
01:18:10,785 --> 01:18:13,287
AND I CAN'T EVEN KEEP THAT.

2056
01:18:13,287 --> 01:18:15,089
5 YEARS.

2057
01:18:15,089 --> 01:18:18,092
I--I WAS IN THE AIR FORCE, YOU KNOW, BUT...

2058
01:18:18,092 --> 01:18:21,195
I DIDN'T STAY IN BECAUSE THEY WOULDN'T LET ME FLY.

2059
01:18:21,195 --> 01:18:22,197
WHY NOT?

2060
01:18:22,197 --> 01:18:24,099
NO COLLEGE.

2061
01:18:24,099 --> 01:18:26,468
WHY DIDN'T YOU GO TO COLLEGE?

2062
01:18:26,468 --> 01:18:27,669
NO MONEY.

2063
01:18:29,037 --> 01:18:30,538
BUT...

2064
01:18:30,538 --> 01:18:32,540
THE RESULTS AIN'T IN YET,

2065
01:18:32,540 --> 01:18:35,510
BUT IT APPEARS THAT I AIN'T TOO BRIGHT.

2066
01:18:35,510 --> 01:18:38,112
GUESS WHAT. I DIDN'T GO, EITHER.

2067
01:18:38,112 --> 01:18:40,115
GET OUT.

2068
01:18:40,115 --> 01:18:41,616
I COULDN'T AFFORD IT.

2069
01:18:41,616 --> 01:18:42,617
NUH-UH.

2070
01:18:42,617 --> 01:18:44,119
YEAH.

2071
01:18:44,119 --> 01:18:47,622
WELL, THEN HOW'D YOU GET TO BE SO SMART?

2072
01:18:47,622 --> 01:18:49,424
WELL, THE RESULTS AREN'T IN YET,

2073
01:18:49,424 --> 01:18:52,927
BUT RUMOR HAS IT I GOT BY ON MY CHARM.

2074
01:18:52,927 --> 01:18:54,128
HUH.

2075
01:18:54,128 --> 01:18:56,698
YOU KNOW, THAT'S SOMETHING YOU GOT A LOT OF.

2076
01:18:56,698 --> 01:18:58,133
CHARM.

2077
01:18:58,133 --> 01:18:59,501
CHARM.

2078
01:18:59,501 --> 01:19:00,502
CHARM.

2079
01:19:00,502 --> 01:19:01,636
PERSONALITY.

2080
01:19:01,636 --> 01:19:03,638
NO, I AIN'T GOT NO PERSONALITY.

2081
01:19:03,638 --> 01:19:05,140
SURE YOU DO.

2082
01:19:05,140 --> 01:19:08,143
OTHERWISE PEOPLE WOULDN'T BE RESPONDING TO YOU.

2083
01:19:08,143 --> 01:19:11,145
I COULD DO ONE OF THESE TV SHOWS.

2084
01:19:11,145 --> 01:19:12,147
WHY NOT?

2085
01:19:12,147 --> 01:19:14,149
YOU'RE ALREADY FAMOUS.

2086
01:19:14,149 --> 01:19:15,650
YEAH, BUT...

2087
01:19:15,650 --> 01:19:17,151
I'M FAMOUS IN A BAD WAY.

2088
01:19:17,151 --> 01:19:20,155
IT DOESN'T MAKE ANY DIFFERENCE ON TELEVISION.

2089
01:19:20,155 --> 01:19:21,656
PEOPLE KNOW WHO YOU ARE.

2090
01:19:21,656 --> 01:19:23,658
YEAH. I LIKE THEM FISHING SHOWS.

2091
01:19:23,658 --> 01:19:26,160
YEAH, I HEARD THAT YOU WERE A GREAT FISHERMAN.

2092
01:19:26,160 --> 01:19:29,164
I'D LIKE TO DO A FISHING SHOW.

2093
01:19:29,164 --> 01:19:31,666
I'D FISH ALL DAY ON TV

2094
01:19:31,666 --> 01:19:35,170
AND THEN GET TO GO TO SEE THE BEST SPOTS,

2095
01:19:35,170 --> 01:19:36,671
ALL THE NEW EQUIPMENT.

2096
01:19:36,671 --> 01:19:38,205
I LIKE THAT.

2097
01:19:38,205 --> 01:19:39,707
WELL, I'LL TELL YOU WHAT.

2098
01:19:39,707 --> 01:19:41,208
WHEN THIS IS OVER,

2099
01:19:41,208 --> 01:19:43,844
I'LL--I'LL RECOMMEND YOU TO MY STATION.

2100
01:19:43,844 --> 01:19:44,846
NAH.

2101
01:19:44,846 --> 01:19:46,180
IT'S OVER FOR ME.

2102
01:19:46,180 --> 01:19:47,682
COME ON. THINGS ARE BAD,

2103
01:19:47,682 --> 01:19:50,284
BUT AT LEAST PEOPLE ARE SYMPATHIZING WITH YOU NOW.

2104
01:19:50,284 --> 01:19:52,286
AM I GOING TO JAIL?

2105
01:19:52,286 --> 01:19:53,955
BEST-CASE SCENARIO:

2106
01:19:53,955 --> 01:19:56,458
YOU'LL DO A LITTLE TIME,

2107
01:19:56,458 --> 01:19:58,726
YOU'LL GET SOME PROBATION, THEN...

2108
01:19:58,726 --> 01:20:01,029
SAM BAILY'S CATFISH CORNER.

2109
01:20:01,029 --> 01:20:02,898
YEAH, RIGHT.

2110
01:20:04,199 --> 01:20:06,201
SAM. STRANGER THINGS HAVE HAPPENED.

2111
01:20:06,201 --> 01:20:07,368
LOOK AT ME.

2112
01:20:07,368 --> 01:20:10,037
I WAS UP, THEN I WAS DOWN.

2113
01:20:10,037 --> 01:20:12,541
NOW I'M UP AGAIN, THANKS TO YOU.

2114
01:20:12,541 --> 01:20:14,042
WHO KNOWS?

2115
01:20:14,042 --> 01:20:16,044
YOU MIGHT BE BACK IN YOUR LOVIN' WIFE'S ARMS

2116
01:20:16,044 --> 01:20:17,545
SOONER THAN YOU THINK.

2117
01:20:17,545 --> 01:20:20,215
THEY GOT TOO MUCH LIGHT, THEM KIDS.

2118
01:20:21,549 --> 01:20:25,720
BACK IN MY LOVIN' WOMAN'S ARMS AGAIN.

2119
01:20:27,388 --> 01:20:30,058
YEAH, I LOVE HER.

2120
01:20:30,058 --> 01:20:31,059
YEAH.

2121
01:20:31,059 --> 01:20:32,560
YOU MARRIED?

2122
01:20:32,560 --> 01:20:34,161
BEEN THERE.

2123
01:20:34,161 --> 01:20:35,664
YEAH? YOU GOT KIDS?

2124
01:20:35,664 --> 01:20:37,164
ONE AND 3.

2125
01:20:37,164 --> 01:20:38,532
WHAT DOES THAT MEAN?

2126
01:20:38,532 --> 01:20:40,034
WELL, ONE KID, 3 WIVES.

2127
01:20:40,034 --> 01:20:42,537
MY LAST WIFE DIDN'T EVEN WAIT FOR ME TO LEAVE.

2128
01:20:42,537 --> 01:20:45,006
SHE TOOK OFF WITH THE KID.

2129
01:20:45,006 --> 01:20:47,708
OH, I COULDN'T LEAVE MY FAMILY.

2130
01:20:47,708 --> 01:20:49,710
OH, YOU'D BE SURPRISED WHAT YOU CAN...

2131
01:20:49,710 --> 01:20:51,279
LEARN TO LIVE WITH.

2132
01:20:51,279 --> 01:20:53,781
YOU DON'T WANT TO TAKE THOSE...SAM.

2133
01:20:53,781 --> 01:20:56,083
WHY DON'T YOU GET YOURSELF SOME SLEEP?

2134
01:20:56,083 --> 01:20:57,284
NO.

2135
01:20:57,284 --> 01:20:58,353
NO?

2136
01:20:58,353 --> 01:21:01,523
NOTHING'S GOING TO HAPPEN. I PROMISE.

2137
01:21:14,135 --> 01:21:15,636
THIS ISN'T GONNA WORK.

2138
01:21:15,636 --> 01:21:17,505
YES...I'M GOING TO GO AND GET SOME SNICKERS.

2139
01:21:17,505 --> 01:21:18,740
[TV COMMERCIAL] ♪ HOT DOGS ♪

2140
01:21:18,740 --> 01:21:20,107
♪ ARMOUR HOT DOGS... ♪

2141
01:21:20,107 --> 01:21:21,609
CAN I GO TO THE CANDY ROOM?

2142
01:21:21,609 --> 01:21:22,610
WHAT?

2143
01:21:22,610 --> 01:21:23,611
YEAH. WE'RE REALLY HUNGRY.

2144
01:21:23,611 --> 01:21:25,412
YEAH, GO. GO, GO.

2145
01:21:25,412 --> 01:21:27,849
♪ FAT KIDS, SKINNY KIDS, KIDS WHO CLIMB ON ROCKS... ♪

2146
01:21:27,849 --> 01:21:29,984
WELL, MAX, THEY ARE SUGGESTING THAT IF--

2147
01:21:29,984 --> 01:21:31,186
WHAT?

2148
01:21:31,186 --> 01:21:33,621
YOU HAVE ANY CONTROL OVER THE SITUATION--

2149
01:21:33,621 --> 01:21:35,056
AND I INSISTED THAT YOU DON'T--

2150
01:21:35,056 --> 01:21:36,557
IF WOULDN'T BE A BAD IDEA

2151
01:21:36,557 --> 01:21:39,394
IF BAILY WERE TO SURRENDER IN THE EVENING.

2152
01:21:39,394 --> 01:21:40,896
PRIME TIME?

2153
01:21:40,896 --> 01:21:43,898
WELL, THEIR THURSDAYS ARE PARTICULARLY WEAK.

2154
01:21:43,898 --> 01:21:45,900
OH, JESUS, BARNEY.

2155
01:21:45,900 --> 01:21:47,969
I KNOW, MAX. I KNOW.

2156
01:21:47,969 --> 01:21:50,972
SO, UH-- SO LET'S FORGET ABOUT THIS.

2157
01:21:50,972 --> 01:21:52,473
NOW, THEY'RE ASKING YOU--

2158
01:21:52,473 --> 01:21:54,142
YOU TELL THEM THAT THIS IS MY STORY

2159
01:21:54,142 --> 01:21:56,076
AND THAT HOLLANDER IS TRYING TO STEAL IT.

2160
01:21:56,076 --> 01:21:58,012
THEY KNOW THAT, MAX.

2161
01:21:58,012 --> 01:22:01,015
THEY'RE ASKING YOU TO LET HIM HAVE BAILY.

2162
01:22:01,015 --> 01:22:02,150
IN EXCHANGE,

2163
01:22:02,150 --> 01:22:04,652
THEY'RE OFFERING YOU YOUR OWN SHOW.

2164
01:22:04,652 --> 01:22:06,187
MAGAZINE, 60 MINUTES FORMAT,

2165
01:22:06,187 --> 01:22:08,156
INVESTIGATIVE, IN-YOUR-FACE.

2166
01:22:08,156 --> 01:22:10,658
THEY SAY-- AND IT REMAINS TO BE SEEN--

2167
01:22:10,658 --> 01:22:12,660
YOU WILL HAVE EDITORIAL FREEDOM,

2168
01:22:12,660 --> 01:22:14,161
WHATEVER THAT MEANS,

2169
01:22:14,161 --> 01:22:15,663
BUT IT WILL BE NATIONAL,

2170
01:22:15,663 --> 01:22:18,066
AND THEY ARE TALKING ABOUT REAL MONEY, MAX.

2171
01:22:18,066 --> 01:22:21,135
SO DO I LOCK THE DEAL DOWN? WHAT DO YOU SAY?

2172
01:22:21,135 --> 01:22:22,637
[TV] I DON'T UNDERSTAND EXACTLY WHAT HE'S DOING,

2173
01:22:22,637 --> 01:22:24,605
BUT I SURE AS HELL UNDERSTAND WHAT IT'S LIKE TO BE ANGRY,

2174
01:22:24,605 --> 01:22:26,640
AND I SURE AS HELL UNDERSTAND WHAT IT'S LIKE NOT TO HAVE A FUTURE.

2175
01:22:26,640 --> 01:22:28,143
T-SHIRTS RIGHT HERE!

2176
01:22:28,143 --> 01:22:29,978
[VENDORS HAWKING MERCHANDISE]

2177
01:22:34,349 --> 01:22:36,551
[SEVERAL KINDS OF MUSIC PLAY SIMULTANEOUSLY]

2178
01:22:42,056 --> 01:22:43,692
LAURIE?

2179
01:22:44,692 --> 01:22:46,594
LAURIE.

2180
01:22:46,594 --> 01:22:48,095
HI.

2181
01:22:48,095 --> 01:22:49,597
WHAT A CIRCUS.

2182
01:22:49,597 --> 01:22:50,698
[RAP SONG PLAYS]

2183
01:22:50,698 --> 01:22:52,700
YOU KNOW, THEY TRIED TO CUT A DEAL

2184
01:22:52,700 --> 01:22:55,203
IN THE FOOTHILL FEDERAL BANK FRAUD LAST NIGHT.

2185
01:22:55,203 --> 01:22:58,372
WITH THIS NONSENSE GOING ON, THEY DIDN'T THINK ANYBODY WOULD NOTICE.

2186
01:22:58,372 --> 01:22:59,874
BRACKETT WAS RIGHT.

2187
01:22:59,874 --> 01:23:01,375
BANKER'S A CROOK.

2188
01:23:01,375 --> 01:23:03,878
LAURIE, UH, I'D LIKE TO ASSIGN YOU--

2189
01:23:03,878 --> 01:23:06,380
LAURIE, THERE'S SOMETHING YOU COULD HELP ME WITH.

2190
01:23:06,380 --> 01:23:08,383
IF BAILY DOESN'T TALK TONIGHT,

2191
01:23:08,383 --> 01:23:10,384
I'M GONNA NEED A SIDEBAR.

2192
01:23:10,384 --> 01:23:11,586
OK.

2193
01:23:11,586 --> 01:23:13,721
YOU THINK YOU COULD PLUG ME IN OUT IN THE FIELD,

2194
01:23:13,721 --> 01:23:15,590
BE MY EYES AND MY EARS?

2195
01:23:15,590 --> 01:23:18,226
LAURIE, I WAS PLANNING TO FREE YOU UP TO WORK ON THE BANK FRAUD.

2196
01:23:18,226 --> 01:23:20,562
HUNDREDS OF PEOPLE HAVE LOST THEIR LIFE SAVINGS.

2197
01:23:20,562 --> 01:23:22,230
NOBODY'S COVERING THE STORY.

2198
01:23:22,230 --> 01:23:24,632
[RAP SONG PLAYS]

2199
01:23:24,632 --> 01:23:27,134
[SOFTLY] MY NAME IS CLIFF WILLIAMS.

2200
01:23:27,134 --> 01:23:30,137
IT'S NOT THE MICROPHONE. YOU'RE REALLY GOING TO HAVE TO TALK LOUDER.

2201
01:23:30,137 --> 01:23:31,639
MRS. WILLIAMS, COULD YOU PLEASE--

2202
01:23:31,639 --> 01:23:33,408
COULD YOU PLEASE COME WITH ME?

2203
01:23:35,509 --> 01:23:37,011
DON'T TOUCH ME. EXCUSE ME.

2204
01:23:37,011 --> 01:23:38,513
NO ONE'S ALLOWED IN THERE.

2205
01:23:38,513 --> 01:23:41,015
MRS. WILLIAMS, I REALLY MUST ADVISE AGAINST THIS.

2206
01:23:41,015 --> 01:23:43,517
YOUR HUSBAND IS JUST NOT STRONG ENOUGH.

2207
01:23:43,517 --> 01:23:45,019
MRS. WILLIAMS,

2208
01:23:45,019 --> 01:23:46,720
I SAVED YOUR HUSBAND'S LIFE.

2209
01:23:46,720 --> 01:23:50,525
HIS FIRST INTERVIEW SHOULD BE WITH KEVIN HOLLANDER.

2210
01:23:50,525 --> 01:23:53,595
WE REALLY NEED THE MONEY.

2211
01:23:56,030 --> 01:23:57,865
3, 2...

2212
01:23:57,865 --> 01:23:59,033
CLIFF,

2213
01:23:59,033 --> 01:24:01,869
SAM BAILY, THE MAN WHO SHOT YOU,

2214
01:24:01,869 --> 01:24:03,538
IS PLEADING FOR FORGIVENESS.

2215
01:24:03,538 --> 01:24:05,439
HOW DO YOU FEEL ABOUT THAT?

2216
01:24:05,439 --> 01:24:07,442
WELL, I'VE KNOWN SAM FOR A LONG TIME.

2217
01:24:07,442 --> 01:24:09,344
I REALLY DON'T THINK HE MEANT TO HURT ME.

2218
01:24:09,344 --> 01:24:10,845
THEY'RE SHOWING CLIFF.

2219
01:24:10,845 --> 01:24:13,314
DOCTOR SAID IT LOOKS LIKE I'M GONNA BE OK.

2220
01:24:13,314 --> 01:24:15,316
I MEAN, I GOT NO PROBLEM WITH SAM.

2221
01:24:15,316 --> 01:24:17,318
SEE? YOU'RE A VERY LUCKY MAN.

2222
01:24:17,318 --> 01:24:18,319
HOW'S THAT?

2223
01:24:18,319 --> 01:24:20,255
HE JUST GAVE YOU HIS BLESSING.

2224
01:24:20,255 --> 01:24:21,455
HEY, DID--

2225
01:24:21,455 --> 01:24:24,959
HEY, DID CLIFF-- CLIFF GET MONEY TO DO THAT SHOW?

2226
01:24:24,959 --> 01:24:26,461
SURE. IT'S A TABLOID.

2227
01:24:26,461 --> 01:24:27,461
BIG BUCKS.

2228
01:24:27,461 --> 01:24:29,063
SHOW BUSINESS.

2229
01:24:29,063 --> 01:24:30,064
HOW MUCH?

2230
01:24:30,064 --> 01:24:31,566
10 GRAND.

2231
01:24:31,566 --> 01:24:33,067
10 GRAND?

2232
01:24:33,067 --> 01:24:36,070
IF HE CAN GET 10 GRAND, I'D GET, LIKE, 50 GRAND.

2233
01:24:36,070 --> 01:24:38,573
I MEAN, I'M THE WHOLE DEAL.

2234
01:24:38,573 --> 01:24:40,574
I THOUGHT THIS WASN'T ABOUT RANSOM.

2235
01:24:40,574 --> 01:24:42,576
NO, IT AIN'T ABOUT RANSOM.

2236
01:24:42,576 --> 01:24:43,577
NO?

2237
01:24:43,577 --> 01:24:45,079
IT'S ABOUT SHOW BUSINESS.

2238
01:24:45,079 --> 01:24:46,881
SAM.

2239
01:24:46,881 --> 01:24:49,183
LEFT, LEFT, LEFT, RIGHT, LEFT...

2240
01:24:49,183 --> 01:24:51,686
YOU SHOOT A GUY AND YOU TAKE A BUNCH OF KIDS HOSTAGE

2241
01:24:51,686 --> 01:24:53,688
AND NOW YOU WANT MONEY FOR IT?

2242
01:24:53,688 --> 01:24:56,090
HOW DO YOU THINK THAT'S GOING TO LOOK TO THOSE PEOPLE OUT THERE?

2243
01:24:56,090 --> 01:24:58,592
I DON'T CARE. I GOT TO MAKE MONEY FOR MY FAMILY.

2244
01:24:58,592 --> 01:25:02,096
OH. MAYBE LATER ON YOU'LL WRITE A BOOK, WE'LL MAKE A TV MOVIE.

2245
01:25:02,096 --> 01:25:05,099
I KNOW PEOPLE WHO MIGHT HELP YOU WITH THAT, BUT NOT LIKE THIS.

2246
01:25:05,099 --> 01:25:08,102
I NEED TO CHECK OUT THEM SHOWS TO SEE HOW MUCH THEY PAY.

2247
01:25:08,102 --> 01:25:09,603
[TELEPHONE RINGS] YOU GO DO THAT.

2248
01:25:09,603 --> 01:25:11,271
NO. NO.

2249
01:25:11,271 --> 01:25:13,608
Boy: LEFT, RIGHT, LEFT...

2250
01:25:13,608 --> 01:25:15,109
YEAH.

2251
01:25:15,109 --> 01:25:16,443
WHAT?

2252
01:25:16,443 --> 01:25:18,946
NO, IT'S JUST THE KIDS PLAYING AROUND.

2253
01:25:18,946 --> 01:25:20,215
WHAT IS IT?

2254
01:25:20,215 --> 01:25:22,884
UH, HOLLANDER WANTS TO SEE YOU OUT HERE RIGHT AWAY.

2255
01:25:22,884 --> 01:25:24,385
THAT'S IT? FINE.

2256
01:25:24,385 --> 01:25:25,652
WHAT'S UP?

2257
01:25:25,652 --> 01:25:26,654
OK.

2258
01:25:26,654 --> 01:25:29,090
YOU WANT TO MAKE MONEY ON THIS?

2259
01:25:29,090 --> 01:25:31,125
WHY DON'T YOU CALL THE TABLOIDS YOURSELF?

2260
01:25:31,125 --> 01:25:33,127
YOU DON'T NEED ME FOR THIS.

2261
01:25:33,127 --> 01:25:35,596
YOU SEE, I GOT KEVIN HOLLANDER OUT THERE.

2262
01:25:35,596 --> 01:25:38,599
WE WERE PLANNING TO DO AN IMPORTANT SHOW ON YOU.

2263
01:25:38,599 --> 01:25:40,601
BUT YOU DO WHAT YOU WANT.

2264
01:25:40,601 --> 01:25:42,136
MM-HMM. KEVIN HOLLANDER.

2265
01:25:42,136 --> 01:25:43,805
HE'S HERE? MM-MMM.

2266
01:25:58,252 --> 01:26:01,655
LISTEN, LARRY KING WANTS TO MAKE YOU AN OFFER--

2267
01:26:01,655 --> 01:26:03,658
A FULL HOUR TONIGHT, JUST YOU AND YOUR BOY.

2268
01:26:03,658 --> 01:26:04,825
TALK TO MY AGENT.

2269
01:26:04,825 --> 01:26:06,160
SERIOUSLY. THIS IS GLOBAL.

2270
01:26:06,160 --> 01:26:07,495
THE NETWORKS CAN'T COMPETE.

2271
01:26:07,495 --> 01:26:09,329
BILL, I HAVE SOMETHING ELSE GOING FOR ME.

2272
01:26:09,329 --> 01:26:10,365
MAX!

2273
01:26:10,365 --> 01:26:11,366
COME HERE.

2274
01:26:11,366 --> 01:26:12,366
HEY, MAX!

2275
01:26:12,366 --> 01:26:13,668
Bill: YOU KNOW WHERE TO REACH ME.

2276
01:26:13,668 --> 01:26:16,103
YEAH.

2277
01:26:16,103 --> 01:26:17,672
WHAT DID GOTTSEGEN WANT?

2278
01:26:17,672 --> 01:26:20,174
I'LL GIVE YOU 3 GUESSES, KEVIN.

2279
01:26:20,174 --> 01:26:23,177
THE NETWORK WANT YOU TO TURN BAILY OVER TO ME NOW.

2280
01:26:23,177 --> 01:26:25,546
WE'RE GOING TO DO A SPECIAL ON HIM IN PRIME TIME.

2281
01:26:25,546 --> 01:26:28,650
WELL, YOU'RE VERY CREATIVE. MAYBE YOU CAN GET HIM HIS OWN VARIETY SHOW.

2282
01:26:28,650 --> 01:26:30,685
[CHUCKLES]

2283
01:26:32,186 --> 01:26:33,688
LISTEN, YOU LITTLE FUCK,

2284
01:26:33,688 --> 01:26:35,189
IF YOU WANT TO GET BACK ON THE NETWORK,

2285
01:26:35,189 --> 01:26:38,693
TURN BAILY OVER TO ME NOW.

2286
01:26:38,693 --> 01:26:41,395
DON'T SCREW THIS UP FOR YOURSELF, ALL RIGHT?

2287
01:26:41,395 --> 01:26:42,396
MAX...

2288
01:26:42,396 --> 01:26:43,397
YES?

2289
01:26:43,397 --> 01:26:45,967
SAM BELONGS TO THE NETWORK, OK?

2290
01:26:47,701 --> 01:26:49,904
YOU HIRED HER.

2291
01:26:49,904 --> 01:26:51,306
YOU TAUGHT HER.

2292
01:26:53,040 --> 01:26:54,642
OH, COME ON, MAX.

2293
01:26:59,714 --> 01:27:01,249
SAM...

2294
01:27:03,718 --> 01:27:06,554
HOW IS THIS GOING TO END, SAM?

2295
01:27:09,723 --> 01:27:12,226
I'M GETTIN' OUT OF HERE.

2296
01:27:12,226 --> 01:27:14,729
OR WHAT?

2297
01:27:14,729 --> 01:27:17,231
BECAUSE THEY'RE NOT GOING TO LET YOU GO.

2298
01:27:17,231 --> 01:27:19,233
WELL, MAX BRACKETT SAID--

2299
01:27:19,233 --> 01:27:22,003
MAX BRACKETT IS NOT YOUR FRIEND, SAM.

2300
01:27:24,739 --> 01:27:26,574
WELL, IF YOU HAD LISTENED TO ME FOR 5 MINUTES--

2301
01:27:26,574 --> 01:27:27,742
OH...

2302
01:27:27,742 --> 01:27:29,076
THAT'S ALL I WANTED WAS 5 MINUTES FROM YOU.

2303
01:27:29,076 --> 01:27:30,979
I WISH I HAD LISTENED TO YOU...

2304
01:27:30,979 --> 01:27:34,249
BUT THIS IS MUCH BIGGER THAN YOU AND ME NOW.

2305
01:27:34,249 --> 01:27:38,252
THEY'RE FORCING YOU TO DO SOMETHING DRASTIC.

2306
01:27:38,252 --> 01:27:42,256
I DON'T WANT TO SCARE YOU, BUT THEY'RE...

2307
01:27:42,256 --> 01:27:44,358
THEY'RE READY TO KILL YOU, SAM.

2308
01:27:44,358 --> 01:27:48,630
AND MAX BRACKETT IS NOT GOING TO STOP THEM.

2309
01:27:51,165 --> 01:27:52,166
[BUZZES, SWITCHES OFF]

2310
01:27:52,166 --> 01:27:53,901
YOU KNOW WHAT, KEVIN?

2311
01:27:53,901 --> 01:27:56,070
YOU'VE BEEN SO SWEET TO ME, HOW CAN I SAY NO?

2312
01:27:56,070 --> 01:27:58,506
YOU'VE GOT YOUR SHOW.

2313
01:27:58,506 --> 01:28:00,642
ALL RIGHT. THAT'S SMART.

2314
01:28:02,009 --> 01:28:03,010
WHAT?

2315
01:28:03,010 --> 01:28:04,011
CONGRATULATIONS.

2316
01:28:04,011 --> 01:28:06,513
OK, JUST A SECOND. KEVIN...

2317
01:28:06,513 --> 01:28:09,350
YOU WERE RIGHT. THE POLLS HAVE TURNED AGAINST HIM.

2318
01:28:09,350 --> 01:28:10,351
HERE.

2319
01:28:10,351 --> 01:28:11,351
YEAH?

2320
01:28:11,351 --> 01:28:12,620
YEAH, IT'S FLIPPED.

2321
01:28:12,620 --> 01:28:16,223
YEAH. 59% POSITIVE DOWN TO 32% AND SLIDING.

2322
01:28:16,223 --> 01:28:17,859
IT'S THE KID'S PARENTS. THEY'RE, UH,

2323
01:28:17,859 --> 01:28:21,495
THEY'RE ALL OVER TELEVISION, AND THEY'RE JUST--THEY'RE KILLING HIM. HA HA.

2324
01:28:21,495 --> 01:28:22,996
I'LL CALL YOU BACK--

2325
01:28:22,996 --> 01:28:25,433
BAILY'S POLLS.

2326
01:28:25,433 --> 01:28:27,034
LOOK, I WANT TO MAKE THIS

2327
01:28:27,034 --> 01:28:29,336
AS OBJECTIVE A BATTLE LIST AS WE CAN.

2328
01:28:29,336 --> 01:28:32,373
I WANT TO SEE MORE STUFF ON THE GUY IN THE HOSPITAL--

2329
01:28:32,373 --> 01:28:33,541
HIS FAMILY, HIS FEELING.

2330
01:28:33,541 --> 01:28:36,043
SOMEWHERE IN HERE THERE'S A PIECE

2331
01:28:36,043 --> 01:28:38,546
WHERE SOMEBODY SAYS HE'S DANGEROUS. I WANT TO SEE THAT.

2332
01:28:38,546 --> 01:28:42,549
I WANT TO SEE-- I WANT TO SEE PIECES ON THE RACISTS OUT THERE.

2333
01:28:42,549 --> 01:28:44,051
WHY ARE THEY ALL PILING ON THIS BANDWAGON?

2334
01:28:44,051 --> 01:28:46,054
WHY ARE THEY ALL CHEERING HIM ON LIKE THAT?

2335
01:28:46,054 --> 01:28:47,555
START POOLING THAT MATERIAL.

2336
01:28:47,555 --> 01:28:49,223
OK. MAX...

2337
01:28:49,223 --> 01:28:52,559
IT'S GOING TO BE GREAT WORKING IN NEW YORK TOGETHER.

2338
01:28:52,559 --> 01:28:56,030
KEVIN, YOU'RE NOT BEING OBJECTIVE. YOU WANT TO SINK HIM.

2339
01:28:56,030 --> 01:28:57,531
WE HAVE A DEAL.

2340
01:28:57,531 --> 01:28:59,066
HE'S SUNK. IT'S OVER.

2341
01:28:59,066 --> 01:29:00,468
IT'S ANOTHER KIND OF STORY NOW.

2342
01:29:00,468 --> 01:29:03,070
HE'S THE SAME PERSON. YOU CAN'T DO THIS.

2343
01:29:03,070 --> 01:29:04,571
HE'S JUST AN INNOCENT.

2344
01:29:04,571 --> 01:29:06,440
OK. ALL RIGHT.

2345
01:29:06,440 --> 01:29:08,075
I'LL WORK THAT INTO THE STORY. IT'S A GOOD ANGLE.

2346
01:29:08,075 --> 01:29:09,110
IT'S NOT AN ANGLE.

2347
01:29:09,110 --> 01:29:11,412
IT'S NOT AN ANGLE. IT'S THE TRUTH.

2348
01:29:11,412 --> 01:29:12,580
HE SHOT A GUARD.

2349
01:29:12,580 --> 01:29:14,582
IT WAS AN ACCIDENT. I SAW IT.

2350
01:29:14,582 --> 01:29:16,083
HE DIDN'T EVEN KNOW THE GUARD WAS THERE.

2351
01:29:16,083 --> 01:29:18,285
HE DIDN'T EVEN KNOW THE CHILDREN WERE GOING TO BE THERE.

2352
01:29:18,285 --> 01:29:19,420
HE'S AN OUT-OF-WORK HUSBAND--

2353
01:29:19,420 --> 01:29:20,420
OK. OK.

2354
01:29:20,420 --> 01:29:21,622
HE'S JUST A FATHER--

2355
01:29:21,622 --> 01:29:24,324
WE'RE ALL IMPRESSED WITH YOUR HUMANITY. REALLY.

2356
01:29:24,324 --> 01:29:26,093
WHERE'S YOURS?

2357
01:29:26,093 --> 01:29:27,228
YOU'RE GOING TO KILL HIM.

2358
01:29:27,228 --> 01:29:29,096
CUT THIS STUFF OUT. GET OUT OF HERE.

2359
01:29:29,096 --> 01:29:31,099
LET'S GET BACK TO BUSINESS, WILL YOU? PLEASE.

2360
01:29:31,099 --> 01:29:32,099
BUSINESS?

2361
01:29:32,099 --> 01:29:33,101
YEAH.

2362
01:29:34,602 --> 01:29:36,604
BUSINESS.

2363
01:29:36,604 --> 01:29:38,105
MAX, COME HERE.

2364
01:29:38,105 --> 01:29:40,074
LET ME GIVE YOU A LITTLE ADVICE.

2365
01:29:40,074 --> 01:29:41,776
DON'T SCREW THIS UP AGAIN.

2366
01:29:41,776 --> 01:29:44,278
YOU GOT A NETWORK DEAL HERE.

2367
01:29:44,278 --> 01:29:46,847
DON'T BLOW IT FOR SOME HICK WITH A GUN.

2368
01:29:46,847 --> 01:29:48,115
YOU KNOW WHAT, KEVIN?

2369
01:29:48,115 --> 01:29:50,818
I'M NOT GOING TO LET YOU DESTROY HIM.

2370
01:29:50,818 --> 01:29:55,623
PAL, IF YOU DON'T DELIVER BAILY TO ME...

2371
01:29:55,623 --> 01:29:57,625
YOU'RE GOING TO BE LUCKY TO GET A GIG

2372
01:29:57,625 --> 01:30:00,161
GIVING THE SURFING REPORT IN KANSAS.

2373
01:30:00,161 --> 01:30:04,966
KANSAS IS STARTING TO SOUND PRETTY GOOD TO ME, KEVIN.

2374
01:30:10,004 --> 01:30:13,474
GETTING HARDER TO MOVE THE LINE, HUH, MAX?

2375
01:30:13,474 --> 01:30:15,142
IT DOESN'T MOVE. YOU CROSS IT OR YOU DON'T.

2376
01:30:15,142 --> 01:30:17,144
THAT'S NOT WHAT YOU SAID BEFORE.

2377
01:30:17,144 --> 01:30:18,745
I KNOW IT NOW, LOU.

2378
01:30:18,745 --> 01:30:19,881
AHA.

2379
01:30:25,152 --> 01:30:27,488
OK...

2380
01:30:27,488 --> 01:30:29,457
IT'S TIME, SAM.

2381
01:30:31,158 --> 01:30:32,159
TIME?

2382
01:30:32,159 --> 01:30:33,561
WHAT DO YOU MEAN IT'S TIME?

2383
01:30:33,561 --> 01:30:36,163
IT'S TIME. GIVE UP.

2384
01:30:36,163 --> 01:30:38,165
WHAT ARE YOU TALKING ABOUT?

2385
01:30:38,165 --> 01:30:40,501
YOU SAID YOU WERE GOING TO SET UP AN INTERVIEW WITH THAT GUY.

2386
01:30:40,501 --> 01:30:42,502
KEVIN HOLLANDER'S GETTING READY TO HURT YOU.

2387
01:30:42,502 --> 01:30:43,671
HE'S GOING TO MAKE YOU LOOK BAD.

2388
01:30:43,671 --> 01:30:45,173
WELL, I AIN'T AFRAID OF HIM.

2389
01:30:45,173 --> 01:30:47,341
BE AFRAID. BE...VERY AFRAID.

2390
01:30:47,341 --> 01:30:51,178
I AIN'T AFRAID OF ANYBODY RIGHT NOW.

2391
01:30:51,178 --> 01:30:52,679
I CAN TAKE CARE OF MYSELF.

2392
01:30:52,679 --> 01:30:55,182
NO, YOU CAN'T.

2393
01:30:55,182 --> 01:31:00,187
NOW, YOU TOLD ME THAT THE PEOPLE LIKE ME.

2394
01:31:00,187 --> 01:31:01,322
RIGHT?

2395
01:31:01,322 --> 01:31:03,223
YES. I ALSO SAID THE PUBLIC'S VERY FICKLE.

2396
01:31:03,223 --> 01:31:04,525
WELL, THEN, SET--

2397
01:31:04,525 --> 01:31:06,694
LOOK, IF YOU DON'T SET IT UP WITH HOLLANDER,

2398
01:31:06,694 --> 01:31:08,195
I'M GONNA SET IT UP WITH HOLLANDER.

2399
01:31:08,195 --> 01:31:09,396
FINE.

2400
01:31:09,396 --> 01:31:11,198
LET'S GET SOMEONE ELSE.

2401
01:31:11,198 --> 01:31:13,267
IS THERE BIG AS HIM?

2402
01:31:13,267 --> 01:31:14,535
BIGGER.

2403
01:31:14,535 --> 01:31:16,337
AND NICER.

2404
01:31:18,005 --> 01:31:19,407
ALL RIGHT.

2405
01:31:23,510 --> 01:31:25,012
SET IT UP, NEWSBOY.

2406
01:31:25,012 --> 01:31:26,781
SAM, I'M ON YOUR SIDE, BUT LISTEN,

2407
01:31:26,781 --> 01:31:29,016
AFTER THE INTERVIEW...

2408
01:31:29,016 --> 01:31:31,118
YOU AND I WILL END IT.

2409
01:31:33,087 --> 01:31:34,521
Jeremy: YOU GET OUT THERE AND LOSE THE EXCLUSIVE.

2410
01:31:34,521 --> 01:31:36,089
NO, I DIDN'T. I DID NOT LOSE IT.

2411
01:31:36,089 --> 01:31:37,091
YOU MADE THE NETWORK LOOK PREPOSTEROUS

2412
01:31:37,091 --> 01:31:39,526
AFTER ANNOUNCING ALL DAY LONG

2413
01:31:39,526 --> 01:31:41,361
YOUR EXCLUSIVE ONE-ON-ONE WITH BAILY.

2414
01:31:41,361 --> 01:31:43,029
AND NOW YOU WANT TO WHAT?

2415
01:31:43,029 --> 01:31:44,698
NO, I KNOW. WAIT JUST A SECOND, JEREMY.

2416
01:31:44,698 --> 01:31:46,366
AND YOU WANT THE NETWORK TO LOOK WITLESS?

2417
01:31:46,366 --> 01:31:47,535
JEREMY, LISTEN TO ME--

2418
01:31:47,535 --> 01:31:48,736
NO, YOU LISTEN TO ME. YOU LISTEN TO ME.

2419
01:31:48,736 --> 01:31:50,704
YOU'RE DONE, OK? YOU'RE COMING HOME.

2420
01:31:50,704 --> 01:31:52,539
NO, I'M NOT. I AM NOT COMING BACK THERE.

2421
01:31:52,539 --> 01:31:53,640
NO, LISTEN-- I'M STAYING HERE.

2422
01:31:53,640 --> 01:31:54,808
IT'S ALL BRACKETT'S NOW.

2423
01:31:54,808 --> 01:31:56,210
I'LL TAKE CARE OF BRACKETT.

2424
01:31:56,210 --> 01:31:59,046
I'M NOT GOING TO LET ANYBODY SAY THAT I LET THIS NETWORK DOWN.

2425
01:31:59,046 --> 01:32:00,381
NOBODY'S GOING TO SAY THAT.

2426
01:32:00,381 --> 01:32:01,449
[HANGS UP]

2427
01:32:03,551 --> 01:32:04,718
YOU GOT EVERYTHING YOU NEED?

2428
01:32:04,718 --> 01:32:05,853
EVERYTHING IS HERE.

2429
01:32:05,853 --> 01:32:07,721
HOW ARE THE KIDS, SAM?

2430
01:32:07,721 --> 01:32:09,090
HEY, LARRY! HI, LARRY!

2431
01:32:09,090 --> 01:32:10,825
[CHILDREN CALLING OUT]

2432
01:32:13,060 --> 01:32:16,063
YOU'VE GOT A COUPLE OF YOUR OWN, DON'T YOU?

2433
01:32:16,063 --> 01:32:17,331
YEAH, I GOT 2.

2434
01:32:17,331 --> 01:32:20,067
ARE THEY FRIENDS, BY THE WAY, WITH ANY OF THESE KIDS?

2435
01:32:20,067 --> 01:32:21,568
UH, NAH-UH.

2436
01:32:21,568 --> 01:32:23,070
THEY'RE, LIKE, DIFFERENT AGES.

2437
01:32:23,070 --> 01:32:25,573
OK, LET'S GO TO CALLS. VAN NUYS, CALIFORNIA,

2438
01:32:25,573 --> 01:32:28,008
YOU HAVE A QUESTION FOR SAM BAILY?

2439
01:32:28,008 --> 01:32:29,376
Woman caller: YES. MR. BAILY,

2440
01:32:29,376 --> 01:32:31,579
WHAT WOULD YOU SAY TO THE PEOPLE OF THE FORMER SOVIET UNION

2441
01:32:31,579 --> 01:32:33,447
WHO ARE SUFFERING UNDER HARDSHIPS

2442
01:32:33,447 --> 01:32:36,083
EVEN GREATER THAN YOUR OWN HERE IN THE UNITED STATES?

2443
01:32:36,083 --> 01:32:38,418
UH, I DON'T--I DON'T SPEAK RUSSIAN.

2444
01:32:38,418 --> 01:32:40,888
I THINK SAM HAS A NORMAL COMPLEMENT OF COMPASSION.

2445
01:32:40,888 --> 01:32:43,591
UH, MAX BRACKETT, VETERAN NEWSMAN.

2446
01:32:43,591 --> 01:32:46,126
BY THE WAY, WHY ARE YOU HERE, MAX?

2447
01:32:46,126 --> 01:32:49,429
I'M JUST HERE TO HELP, LARRY. SAM WANTS ME HERE, SO I'M HERE.

2448
01:32:49,429 --> 01:32:52,600
UH, WICHITA, KANSAS, YOU'RE ON THE AIR WITH SAM BAILY.

2449
01:32:52,600 --> 01:32:55,602
Man: SAM, WE GOT LIBERALS SAYING HOW GUYS LIKE YOU

2450
01:32:55,602 --> 01:32:57,605
SHOW WHY WE NEED MORE GUN CONTROL LAWS.

2451
01:32:57,605 --> 01:32:59,607
HEY, WHY DON'T YOU TELL THEM TO SHUT UP?

2452
01:32:59,607 --> 01:33:01,609
Child: I CAN'T BELIEVE THEY MADE US WATCH THIS.

2453
01:33:01,609 --> 01:33:02,943
WELL, YOU KNOW,

2454
01:33:02,943 --> 01:33:04,645
EVERYBODY'S GOT THEIR OWN OPINION ON THAT KIND OF THING.

2455
01:33:04,645 --> 01:33:06,279
THIS ISN'T ABOUT GUN CONTROL.

2456
01:33:06,279 --> 01:33:08,782
TO POLITICIZE THIS TRAGEDY IS TO GO THE WRONG WAY.

2457
01:33:08,782 --> 01:33:12,486
UH, MAX, THIS IS MY SHOW, PLEASE.

2458
01:33:12,486 --> 01:33:14,988
SAM'S DOING WELL. YOU DON'T HAVE TO ANSWER.

2459
01:33:14,988 --> 01:33:16,290
I KNOW THIS IS YOUR SHOW, LARRY,

2460
01:33:16,290 --> 01:33:18,458
BUT AS I SAID BEFORE, I'M HERE TO HELP.

2461
01:33:18,458 --> 01:33:20,927
I HOPE YOUR SHOW HELPS THIS DIFFICULT SITUATION.

2462
01:33:20,927 --> 01:33:22,996
Larry: LUBBOCK, TEXAS, GO AHEAD.

2463
01:33:22,996 --> 01:33:25,632
Man: HEY, HOW LONG YOU GONNA HOLD OUT, SAM?

2464
01:33:25,632 --> 01:33:27,968
WELL, YOU KNOW, I'M JUST--

2465
01:33:27,968 --> 01:33:29,636
I THINK SAM JUST NEEDS A LITTLE SPACE--

2466
01:33:29,636 --> 01:33:31,638
THE MAN WAS TALKING TO ME.

2467
01:33:31,638 --> 01:33:35,142
STRESSFUL... FOR HIM.

2468
01:33:35,142 --> 01:33:38,145
NOW, LOOK, I DON'T THINK YOU GUYS

2469
01:33:38,145 --> 01:33:41,648
KNOW THE SERIOUSNESS OF THIS, OK?

2470
01:33:41,648 --> 01:33:43,484
SOMETHING'S GOT TO HAPPEN HERE.

2471
01:33:43,484 --> 01:33:45,519
YOU WANT TO, UH, ELABORATE ON THAT, SAM?

2472
01:33:45,519 --> 01:33:47,655
NO, THAT'S ALL.

2473
01:33:47,655 --> 01:33:48,655
THAT'S IT.

2474
01:33:48,655 --> 01:33:51,158
OK, FROM RIGHT THERE IN MADELINE,

2475
01:33:51,158 --> 01:33:54,562
I UNDERSTAND WE HAVE THE MOTHER OF ONE OF THE CHILDREN BEING HELD.

2476
01:33:54,562 --> 01:33:56,063
ARE YOU THERE, MA'AM?

2477
01:33:56,063 --> 01:33:57,664
YES, I AM. THANK YOU, LARRY.

2478
01:33:57,664 --> 01:34:01,835
UM, AND THANK YOU FOR GIVING ME A WORLDWIDE AUDIENCE TO TALK TO...

2479
01:34:01,835 --> 01:34:02,836
HEY, IT'S MY MOM.

2480
01:34:02,836 --> 01:34:04,839
IS IT REALLY?

2481
01:34:04,839 --> 01:34:09,176
Mother: THIS MAN HAS BEEN POINTING A GUN AT MY CHILD FOR 3 DAYS NOW.

2482
01:34:09,176 --> 01:34:10,677
Larry: WHAT ABOUT THEM, SAM?

2483
01:34:10,677 --> 01:34:13,180
WHY DO YOU DESERVE OUR SYMPATHY

2484
01:34:13,180 --> 01:34:16,517
AFTER WHAT YOU'VE DONE TO THOSE HOSTAGES?

2485
01:34:16,517 --> 01:34:17,851
NO, I DON'T--LOOK,

2486
01:34:17,851 --> 01:34:19,619
I DON'T WANT NO SYMPATHY, ALL RIGHT,

2487
01:34:19,619 --> 01:34:22,189
BUT I DIDN'T MEAN FOR THIS TO HAPPEN.

2488
01:34:22,189 --> 01:34:24,191
I WASN'T TRYING FOR THIS TO HAPPEN.

2489
01:34:24,191 --> 01:34:26,360
WHAT ARE YOU TRYING TO DO?

2490
01:34:26,360 --> 01:34:27,694
WELL--

2491
01:34:27,694 --> 01:34:29,196
I THINK--I THINK--

2492
01:34:29,196 --> 01:34:31,632
I THINK I KNOW WHAT I WANT TO SAY.

2493
01:34:31,632 --> 01:34:33,033
GO AHEAD.

2494
01:34:33,033 --> 01:34:37,705
NOW...LOOK, I WAS JUST TAKING CARE OF MY OWN, OK?

2495
01:34:37,705 --> 01:34:40,708
I MEAN, YOU KNOW, EVERY--A MAN IN MY SITUATION

2496
01:34:40,708 --> 01:34:41,908
WOULD TAKE CARE OF HIS OWN.

2497
01:34:41,908 --> 01:34:43,644
OK? THAT'S ALL I WAS DOING.

2498
01:34:43,644 --> 01:34:46,580
YOU DO NOT FEEL ANY GUILT FOR WHAT'S GONE DOWN?

2499
01:34:46,580 --> 01:34:50,985
I FEEL BAD, YOU KNOW, I FEEL BAD...

2500
01:34:50,985 --> 01:34:53,019
BUT I MEAN, YOU KNOW, I DIDN'T MEAN TO HURT ANYBODY.

2501
01:34:53,019 --> 01:34:55,523
YOU KNOW, I...

2502
01:34:55,523 --> 01:34:59,292
QUIT. YOU KNOW, IT AIN'T MY FAULT.

2503
01:34:59,292 --> 01:35:02,396
WELL, THEN, WHOSE FAULT IS IT? WHO ARE YOU MAD AT?

2504
01:35:02,396 --> 01:35:04,030
I AIN'T MAD AT ANYBODY.

2505
01:35:04,030 --> 01:35:07,367
I JUST--I MEAN MAYBE, YOU KNOW, MRS. BANKS...

2506
01:35:07,367 --> 01:35:09,036
A LITTLE BIT, BUT THAT'S ALL.

2507
01:35:09,036 --> 01:35:11,038
Mother of hostage: WE DON'T CARE ABOUT HIS EXCUSES,

2508
01:35:11,038 --> 01:35:14,041
BUT PEOPLE LIKE MAX BRACKETT AND--AND THE MEDIA

2509
01:35:14,041 --> 01:35:16,276
ARE TURNING HIM INTO SOME KIND OF A HERO.

2510
01:35:16,276 --> 01:35:18,545
MA'AM, WE HAVE FOUND THIS TO BE A PRETTY GOOD OPPORTUNITY

2511
01:35:18,545 --> 01:35:21,048
TO PRESENT ALL PERSPECTIVES OF THE--

2512
01:35:21,048 --> 01:35:24,718
SINCE WHEN DO WE NEED ALL PERSPECTIVES OF A CRIME?

2513
01:35:24,718 --> 01:35:28,055
PLEASE, JUST LET MY CHILD GO.

2514
01:35:28,055 --> 01:35:29,957
LET THEM ALL GO.

2515
01:35:29,957 --> 01:35:32,726
SAM...RESPONSE?

2516
01:35:32,726 --> 01:35:37,030
YEAH, JUST TELL THE LADY I'M SORRY, OK.

2517
01:35:37,030 --> 01:35:39,166
WE'LL BE RIGHT BACK.

2518
01:35:39,166 --> 01:35:41,035
[MUSIC PLAYS]

2519
01:35:41,035 --> 01:35:42,536
UH, WE'RE CLEAR.

2520
01:35:42,536 --> 01:35:43,571
MAX...

2521
01:35:43,571 --> 01:35:45,939
WE'LL BE BACK IN 2 MINUTES.

2522
01:35:45,939 --> 01:35:48,074
BUT IF YOU'RE NOT COMFORTABLE WITH THE QUESTION--

2523
01:35:48,074 --> 01:35:49,242
DON'T TELL ME WHAT TO DO.

2524
01:35:49,242 --> 01:35:50,410
DON'T ANSWER IT, SAM.

2525
01:35:50,410 --> 01:35:51,579
AND DON'T BE ANSWERING MY QUESTIONS--

2526
01:35:51,579 --> 01:35:52,679
YOU'RE UNDER NO OBLIGATION--

2527
01:35:52,679 --> 01:35:54,581
THE PEOPLE WANT TO KNOW WHAT'S ON MY MIND.

2528
01:35:54,581 --> 01:35:55,683
YOU'RE GONNA NEED HELP SOMETIMES.

2529
01:35:55,683 --> 01:35:57,484
YOU DON'T EVEN NEED TO BE SITTING HERE.

2530
01:35:57,484 --> 01:35:58,585
[TV COMMERCIAL PLAYS]

2531
01:35:58,585 --> 01:35:59,586
FINE. I'M OUTSIDE.

2532
01:35:59,586 --> 01:36:01,588
I'LL TAKE CARE OF THIS ON MY OWN.

2533
01:36:01,588 --> 01:36:02,590
YEAH, IN THE SHITHOUSE.

2534
01:36:02,590 --> 01:36:03,690
AND DON'T BE LEAVING THE BUILDING.

2535
01:36:03,690 --> 01:36:05,025
WHAT?

2536
01:36:05,025 --> 01:36:08,495
EVERYBODY KNOWS ABOUT IT IF I GET MAD, OK? NOW, SIT DOWN!

2537
01:36:08,495 --> 01:36:09,930
YOU'RE ERASING EVERYTHING WE'VE BUILT.

2538
01:36:09,930 --> 01:36:11,899
YOU'VE BURIED YOURSELF.

2539
01:36:17,604 --> 01:36:19,106
LARRY?

2540
01:36:19,106 --> 01:36:21,642
CAN I TALK TO THAT GUY FROM TEXAS?

2541
01:36:21,642 --> 01:36:22,776
YOU ALL SET?

2542
01:36:22,776 --> 01:36:24,111
YES, IT'S ALL SET.

2543
01:36:24,111 --> 01:36:25,613
I'VE GOT TO TALK TO YOU--

2544
01:36:25,613 --> 01:36:28,115
WAIT A SECOND. SHE REALLY OUGHT TO HAVE SOMETHING MORE UPSCALE.

2545
01:36:28,115 --> 01:36:29,583
YOU NEED TO HAVE MORE COLOR.

2546
01:36:29,583 --> 01:36:31,084
KEVIN, FOR GOD'S SAKE,

2547
01:36:31,084 --> 01:36:33,620
NEW YORK IS NOT HAPPY THAT YOU'RE GOING ON THE AIR TONIGHT--

2548
01:36:33,620 --> 01:36:35,121
BRACKETT IS A FREELANCER.

2549
01:36:35,121 --> 01:36:37,123
HE'S NOT WITH THE NETWORK.

2550
01:36:37,123 --> 01:36:39,392
I'M WORRIED, BECAUSE THEY NEED TO KNOW

2551
01:36:39,392 --> 01:36:41,128
WHAT YOU'RE PLANNING ON DOING TONIGHT.

2552
01:36:41,128 --> 01:36:44,131
ALL THE OTHER NETWORKS ARE LEADING WITH THE LARRY KING STUFF.

2553
01:36:44,131 --> 01:36:47,468
YEAH, WELL, TOMORROW THEY'RE GOING TO BE LEADING WITH MY STUFF.

2554
01:36:59,646 --> 01:37:02,783
GOOD EVENING FROM MADELINE, CALIFORNIA,

2555
01:37:02,783 --> 01:37:04,985
WHERE THE EYES OF THE NATION REMAIN FIXED

2556
01:37:04,985 --> 01:37:08,822
ON THE EVENTS TAKING PLACE INSIDE THIS MUSEUM BEHIND ME.

2557
01:37:08,822 --> 01:37:10,056
[CHILDREN MAKING NOISE]

2558
01:37:10,056 --> 01:37:12,659
BUT THE REAL STORY I'VE UNCOVERED SINCE I ARRIVED HERE

2559
01:37:12,659 --> 01:37:13,660
IS EVEN MORE TROUBLING.

2560
01:37:13,660 --> 01:37:14,661
QUIET.

2561
01:37:14,661 --> 01:37:15,762
QUI--QUIET!

2562
01:37:15,762 --> 01:37:17,898
...UNDERSTAND THE UNCONVENTIONAL RELATIONSHIP

2563
01:37:17,898 --> 01:37:19,833
BETWEEN A REPORTER AND HIS SUBJECT,

2564
01:37:19,833 --> 01:37:21,335
I BEGAN TO WORRY.

2565
01:37:21,335 --> 01:37:24,671
AND AS I LEARNED MORE ABOUT SAM BAILY'S PERSONALITY,

2566
01:37:24,671 --> 01:37:26,673
I BEGAN TO WORRY EVEN MORE.

2567
01:37:26,673 --> 01:37:30,177
THE TESTIMONIES ON MR. BAILY WERE NOT REASSURING.

2568
01:37:30,177 --> 01:37:32,379
HE'S REALLY A SWEET BOY.

2569
01:37:32,379 --> 01:37:33,379
HE'S CONFUSED,

2570
01:37:33,379 --> 01:37:36,817
BUT ALL HE'S TRYING TO DO IS GET BY.

2571
01:37:36,817 --> 01:37:40,821
SOMETIMES HE SCREWS THINGS UP BECAUSE HE'S...

2572
01:37:40,821 --> 01:37:43,190
YOU COULD SAY THAT HE'S PRETTY WEIRD.

2573
01:37:43,190 --> 01:37:44,591
DOES HE HAVE A TEMPER?

2574
01:37:44,591 --> 01:37:45,925
I DON'T EVEN KNOW THAT GUY.

2575
01:37:45,925 --> 01:37:48,194
Man on TV: YEAH, I'VE SEEN HIM HAVE A REAL TEMPER.

2576
01:37:48,194 --> 01:37:50,397
Reporter: SO YOU'D CALL HIM DANGEROUS?

2577
01:37:50,397 --> 01:37:51,398
DANGEROUS, YEAH.

2578
01:37:51,398 --> 01:37:52,799
DANGEROUS.

2579
01:37:52,799 --> 01:37:55,469
THIS CONFUSED AND DANGEROUS MAN,

2580
01:37:55,469 --> 01:37:58,338
A MAN WHO "SOMETIMES SCREWS THINGS UP--"

2581
01:37:58,338 --> 01:37:59,706
THINGS ARE BREAKING DOWN.

2582
01:37:59,706 --> 01:38:01,708
Hollander: IS APPARENTLY BEING ADVISED AND COUNSELED...

2583
01:38:01,708 --> 01:38:03,210
LET'S GET READY TO MOVE.

2584
01:38:03,210 --> 01:38:04,645
Hollander: BY THE REPORTER COVERING HIS STORY.

2585
01:38:04,645 --> 01:38:07,214
IN HIS EFFORT TO TELL A MORE COMPELLING STORY,

2586
01:38:07,214 --> 01:38:10,717
THE REPORTER, MAX BRACKETT, MAY HAVE INCREASED THE DANGER

2587
01:38:10,717 --> 01:38:13,219
IN AN ALREADY CRITICAL SITUATION.

2588
01:38:13,219 --> 01:38:16,122
I HAD HOPED MY SUSPICIONS WERE WRONG.

2589
01:38:16,122 --> 01:38:17,757
SADLY, THEY WERE RIGHT.

2590
01:38:17,757 --> 01:38:20,627
Brackett: I THINK I CAN GUARANTEE THAT MR. BAILY'S SINCERE IN HIS OFFER.

2591
01:38:20,627 --> 01:38:23,230
I ALSO THINK THAT THINGS ARE GONNA BECOME INCREASINGLY UNSTABLE IN HERE

2592
01:38:23,230 --> 01:38:24,731
IF YOU DON'T GRANT HIM THIS.

2593
01:38:24,731 --> 01:38:27,233
Hollander: 2 LITTLE GIRLS WERE SET FREE,

2594
01:38:27,233 --> 01:38:30,170
SUPPOSEDLY AT THE BEHEST OF SAM BAILY,

2595
01:38:30,170 --> 01:38:33,240
BUT TAPES OF CONVERSATIONS TELL A FAR DIFFERENT STORY.

2596
01:38:33,240 --> 01:38:34,507
Brackett: LET'S GIVE HIM 2.

2597
01:38:34,507 --> 01:38:35,642
Baily: NO, I SAID ONE.

2598
01:38:35,642 --> 01:38:36,744
YOU SHOT A BLACK MAN.

2599
01:38:36,744 --> 01:38:38,679
SOME PEOPLE ARE GONNA MAKE AN ISSUE OF THAT.

2600
01:38:38,679 --> 01:38:40,480
YOU SHOW KINDNESS TO A BLACK KID,

2601
01:38:40,480 --> 01:38:42,316
IT'S HARDER TO PLAY THE RACE CARD AGAINST HIM.

2602
01:38:42,316 --> 01:38:45,552
Hollander: A STORY THAT PLACES A COLLEAGUE IN AN UNFAVORABLE LIGHT...

2603
01:38:45,552 --> 01:38:46,553
Jeremy: YES, SIR.

2604
01:38:46,553 --> 01:38:48,655
YEAH, KEVIN'S THE BEST.

2605
01:38:48,655 --> 01:38:51,491
UH, WELL, WE HAD TO IMPROVISE ALL THIS

2606
01:38:51,491 --> 01:38:52,993
AFTER BRACKETT SOLD US OUT.

2607
01:38:52,993 --> 01:38:54,827
HERE HE IS.

2608
01:38:54,827 --> 01:38:56,029
SIR,

2609
01:38:56,029 --> 01:38:58,565
FIRST INDICATIONS ARE THAT THE NUMBERS ARE HIGH.

2610
01:38:58,565 --> 01:39:01,067
THERE ARE CHILDREN INSIDE THAT BUILDING,

2611
01:39:01,067 --> 01:39:02,569
HELD HOSTAGE AT GUNPOINT.

2612
01:39:02,569 --> 01:39:06,506
AND INSIDE THAT BUILDING THERE IS ALSO THE TRUTH.

2613
01:39:06,506 --> 01:39:11,011
THE FACTS OF THIS STORY ARE ALSO HELD HOSTAGE, UNFORTUNATELY,

2614
01:39:11,011 --> 01:39:12,512
BY MAX BRACKETT.

2615
01:39:12,512 --> 01:39:15,949
AND I'M SORRY TO SAY THEY ARE ALL AT GREAT RISK.

2616
01:39:15,949 --> 01:39:19,920
I'LL BE BACK WITH MORE OF OUR SPECIAL REPORT AFTER THIS.

2617
01:39:19,920 --> 01:39:21,121
[CHILDREN SINGING]

2618
01:39:21,121 --> 01:39:24,991
Man on TV: BY NATURE, DOLPHINS KNOW HOW TO HAVE FUN.

2619
01:39:24,991 --> 01:39:27,160
WHAT DID YOU DO TO ME, NEWSBOY?

2620
01:39:27,160 --> 01:39:29,863
OH, PLEASE. I TOOK A BAD STORY AND MADE IT GOOD TELEVISION.

2621
01:39:29,863 --> 01:39:31,699
YOU THREW IT AWAY, AND YOU'RE STILL IN BETTER SHAPE.

2622
01:39:31,699 --> 01:39:33,233
I'M THE ONE WHO WAS SCREWED.

2623
01:39:33,233 --> 01:39:37,170
WHAT YOU WANT TO DO NOW IS GIVE UP AND LET THOSE KIDS GO, ALL RIGHT?

2624
01:39:37,170 --> 01:39:38,271
[GRUNTS]

2625
01:39:38,271 --> 01:39:41,875
THERE'S STILL PEOPLE OUT THERE ON MY SIDE.

2626
01:39:41,875 --> 01:39:43,276
NO, NO, NO, NO.

2627
01:39:43,276 --> 01:39:45,545
SAM, YOU SAID YOU'D SEEN THESE THINGS ON TELEVISION BEFORE.

2628
01:39:45,545 --> 01:39:47,047
DO YOU REMEMBER HOW THEY END?

2629
01:39:47,047 --> 01:39:51,551
THE GUY DIES OR HE WINDS UP IN JAIL.

2630
01:39:51,551 --> 01:39:53,954
YOU AIN'T MY FRIEND.

2631
01:39:58,391 --> 01:39:59,393
[SIGHS]

2632
01:39:59,393 --> 01:40:00,728
SHOOT.

2633
01:40:02,362 --> 01:40:03,864
YOU KILL SOMEBODY,

2634
01:40:03,864 --> 01:40:06,066
YOU'LL SPEND THE REST OF YOUR LIFE IN JAIL OR THEY'LL FRY YOU.

2635
01:40:06,066 --> 01:40:07,801
Child: PLEASE DON'T SHOOT HIM, SAM.

2636
01:40:07,801 --> 01:40:09,336
PLEASE.

2637
01:40:10,570 --> 01:40:13,673
IT'S NOT OVER FOR YOU, SAM.

2638
01:40:13,673 --> 01:40:15,408
WILL YOU GET YOUR ACT TOGETHER?

2639
01:40:15,408 --> 01:40:17,611
YOU WANT TO GO HOME AND BE A DADDY.

2640
01:40:29,756 --> 01:40:31,091
HEY, KIDS...

2641
01:40:31,091 --> 01:40:32,091
GUESS WHAT?

2642
01:40:32,091 --> 01:40:34,094
I GOT SOME GOOD NEWS FOR YOU.

2643
01:40:34,094 --> 01:40:35,595
Man on loudspeaker: SAMUEL BAILY...

2644
01:40:35,595 --> 01:40:39,599
THIS IS LAURENCE DOBBINS WITH THE FBI.

2645
01:40:39,599 --> 01:40:41,601
WE'RE GONNA FREE YOUR HOSTAGES.

2646
01:40:41,601 --> 01:40:46,105
LAY DOWN YOUR WEAPONS AND SURRENDER.

2647
01:40:46,105 --> 01:40:47,107
NOW!

2648
01:40:47,107 --> 01:40:49,943
DAMN. I WANTED IT TO BE MY IDEA.

2649
01:40:49,943 --> 01:40:51,611
SAM, COME HERE.

2650
01:40:51,611 --> 01:40:55,114
Dobbins: SAMUEL BAILY, YOU HAVE 5 MINUTES

2651
01:40:55,114 --> 01:40:59,118
TO LAY DOWN YOUR WEAPONS AND SURRENDER.

2652
01:40:59,118 --> 01:41:01,121
Anchorwoman: WHAT EXACTLY IS GOING ON?

2653
01:41:01,121 --> 01:41:03,123
I JUST LEARNED CLIFF WILLIAMS

2654
01:41:03,123 --> 01:41:05,592
IS EXPERIENCING SEVERE CARDIAC PROBLEMS.

2655
01:41:05,592 --> 01:41:08,294
DOCTORS ARE WORKING FEVERISHLY TO REVIVE HIM.

2656
01:41:08,294 --> 01:41:09,596
Woman Reporter: HERE THEY COME.

2657
01:41:09,596 --> 01:41:12,131
WAIT. I SEE MRS. WILLIAMS COMING OUT NOW.

2658
01:41:12,131 --> 01:41:14,634
[EVERYONE TALKING AT ONCE]

2659
01:41:14,634 --> 01:41:16,636
MRS. WILLIAMS, WOULD YOU LIKE TO MAKE A STATEMENT

2660
01:41:16,636 --> 01:41:17,938
ABOUT YOUR HUSBAND'S CONDITION?

2661
01:41:17,938 --> 01:41:20,140
Woman: HOW'S YOUR HUSBAND DOING, MA'AM?

2662
01:41:20,140 --> 01:41:22,142
Man: MRS. WILLIAMS, WHAT HAPPENED?

2663
01:41:22,142 --> 01:41:23,210
PLEASE!

2664
01:41:23,210 --> 01:41:25,645
I WANT PEOPLE TO SEE WHAT THIS IS ALL ABOUT.

2665
01:41:25,645 --> 01:41:28,148
[CAMERAS CLICKING]

2666
01:41:28,148 --> 01:41:30,150
I WANT ALL THE PEOPLE WHO'VE BEEN WORRYING

2667
01:41:30,150 --> 01:41:32,652
ABOUT SAM BAILY'S SIDE IN ALL THIS

2668
01:41:32,652 --> 01:41:35,288
TO START THINKING ABOUT MY CHILDREN.

2669
01:41:35,288 --> 01:41:38,658
THEIR FATHER IS DEAD.

2670
01:41:38,658 --> 01:41:41,728
MY HUSBAND IS DEAD.

2671
01:41:44,164 --> 01:41:45,665
Anchorwoman: MOUNT TRINITY HOSPITAL

2672
01:41:45,665 --> 01:41:49,002
HAS JUST ANNOUNCED THE DEATH OF CLIFF WILLIAMS.

2673
01:41:49,002 --> 01:41:52,039
THE TRAGEDY OF THIS SIMPLE MAN STARTED

2674
01:41:52,039 --> 01:41:55,175
WHEN BAILY SHOT HIM BECAUSE HE WAS TRYING TO HELP THE SCHOOLCHILDREN

2675
01:41:55,175 --> 01:41:56,677
TAKEN HOSTAGE BY BAILY.

2676
01:41:56,677 --> 01:42:01,181
AND AFTER ALMOST 3 DAYS OF THE MOST UNUSUAL HOSTAGE SITUATION,

2677
01:42:01,181 --> 01:42:02,682
IT NOW APPEARS...

2678
01:42:02,682 --> 01:42:05,685
THIS IS LAURENCE DOBBINS OF THE FBI AGAIN!

2679
01:42:05,685 --> 01:42:10,023
YOU MUST FREE THOSE HOSTAGES.

2680
01:42:10,023 --> 01:42:14,193
LAY DOWN YOUR WEAPONS AND SURRENDER.

2681
01:42:14,193 --> 01:42:15,195
NOW!

2682
01:42:15,195 --> 01:42:16,196
[HELICOPTER WHIRRING]

2683
01:42:16,196 --> 01:42:18,532
HEY, KIDS, WALK.

2684
01:42:27,707 --> 01:42:29,710
COME ON NOW. COME ON.

2685
01:42:31,878 --> 01:42:33,280
Brackett: COME ON.

2686
01:42:34,714 --> 01:42:35,716
ALL RIGHT, GO.

2687
01:42:35,716 --> 01:42:37,217
SEE YOU, SAM. SEE YOU, SAM.

2688
01:42:37,217 --> 01:42:38,218
GO. GO.

2689
01:42:38,218 --> 01:42:39,719
GOOD NIGHT, SAM. SEE YOU, SAM.

2690
01:42:39,719 --> 01:42:41,722
I'LL PRAY FOR YOU, SAM.

2691
01:42:41,722 --> 01:42:43,123
GOOD LUCK, SAM.

2692
01:42:45,726 --> 01:42:47,227
THANK YOU, SAM.

2693
01:42:49,629 --> 01:42:50,630
OH!

2694
01:42:50,630 --> 01:42:52,232
LOOK AT ALL THOSE LIGHTS.

2695
01:42:54,434 --> 01:42:56,770
[SHOUTING]

2696
01:43:11,918 --> 01:43:14,254
YOU WERE GREAT WITH THE KIDS, SAM, YOU KNOW?

2697
01:43:14,254 --> 01:43:17,257
THE COURT WILL REMEMBER THAT.

2698
01:43:17,257 --> 01:43:19,760
[GRUNTS]

2699
01:43:19,760 --> 01:43:22,261
BUT I KILLED A MAN.

2700
01:43:22,261 --> 01:43:23,429
IT WAS AN ACCIDENT.

2701
01:43:23,429 --> 01:43:25,765
I'LL TESTIFY TO IT.

2702
01:43:25,765 --> 01:43:28,835
NOBODY WILL BELIEVE YOU ANYMORE.

2703
01:43:28,835 --> 01:43:32,272
THAT'S A GOOD POINT.

2704
01:43:32,272 --> 01:43:33,673
WOULD YOU LIKE TO TALK TO YOUR WIFE?

2705
01:43:33,673 --> 01:43:36,843
YES? I'LL GET HER ON THE PHONE.

2706
01:43:36,843 --> 01:43:37,844
[SHOUTING]

2707
01:43:37,844 --> 01:43:38,845
SAM...

2708
01:43:38,845 --> 01:43:42,215
I HEARD ABOUT CLIFF.

2709
01:43:42,215 --> 01:43:44,217
YEAH, I KILLED HIM.

2710
01:43:44,217 --> 01:43:46,720
I DIDN'T MEAN TO KILL HIM.

2711
01:43:46,720 --> 01:43:48,021
[SOBBING]

2712
01:43:48,021 --> 01:43:49,522
YOU STILL HAVE OUR...

2713
01:43:49,522 --> 01:43:51,324
OUR KIDS TO THINK ABOUT.

2714
01:43:51,324 --> 01:43:52,792
HOW ARE THEY DOING?

2715
01:43:52,792 --> 01:43:54,294
THEY MISS YOU.

2716
01:43:54,294 --> 01:43:57,396
OH, I MISS YOU SO MUCH.

2717
01:43:57,396 --> 01:43:59,533
THEY WANT YOU HOME.

2718
01:44:01,534 --> 01:44:04,537
YEAH, I CAN'T COME HOME.

2719
01:44:04,537 --> 01:44:06,539
I AIN'T NO GOOD ANYMORE.

2720
01:44:06,539 --> 01:44:09,542
HONEY...

2721
01:44:09,542 --> 01:44:13,646
IT'S TIME THAT WE GET THIS OVER WITH.

2722
01:44:13,646 --> 01:44:15,548
I KNOW.

2723
01:44:15,548 --> 01:44:17,750
YOU MAD AT ME?

2724
01:44:17,750 --> 01:44:19,552
NO, NO.

2725
01:44:19,552 --> 01:44:22,555
[CRYING] NO, I'M NOT.

2726
01:44:22,555 --> 01:44:24,324
I--I LOVE YOU.

2727
01:44:24,324 --> 01:44:25,825
I LOVE YOU, TOO.

2728
01:44:25,825 --> 01:44:27,427
Via loudspeaker: SAMUEL BAILY,

2729
01:44:27,427 --> 01:44:28,928
THIS IS CHIEF REDFIELD.

2730
01:44:28,928 --> 01:44:33,066
I'M ASKING YOU TO COME OUT NOW.

2731
01:44:33,066 --> 01:44:35,835
OH, GOD.

2732
01:44:35,835 --> 01:44:37,570
SAMUEL BAILY--

2733
01:44:37,570 --> 01:44:39,072
Brackett: COME ON, SAM...

2734
01:44:39,072 --> 01:44:40,974
LET'S GET OUT OF HERE.

2735
01:44:40,974 --> 01:44:42,074
Y-YOU GO FIRST.

2736
01:44:42,074 --> 01:44:43,076
HUH?

2737
01:44:43,076 --> 01:44:44,077
YOU GO FIRST.

2738
01:44:44,077 --> 01:44:45,111
OK. SURE.

2739
01:44:45,111 --> 01:44:47,080
I'LL GET THEM TO, UH, PUT THEIR GUNS AWAY,

2740
01:44:47,080 --> 01:44:50,182
AND THEN I'LL COME BACK AND GET YOU, ALL RIGHT?

2741
01:44:50,182 --> 01:44:56,590
OH...WHAT ACTOR DO YOU WANT TO PLAY YOU IN THE TV MOVIE?

2742
01:44:56,590 --> 01:44:57,590
[HELICOPTER WHIRRING]

2743
01:44:57,590 --> 01:44:59,091
HOW ABOUT, UH,

2744
01:44:59,091 --> 01:45:01,094
THAT GUY MEL GIBSON?

2745
01:45:01,094 --> 01:45:03,096
MEL GIBSON DOESN'T DO TELEVISION.

2746
01:45:03,096 --> 01:45:04,096
WHY NOT?

2747
01:45:04,096 --> 01:45:05,598
YOU'RE RIGHT. WHY NOT?

2748
01:45:05,598 --> 01:45:09,603
OK. BAD JOKE. I'LL EXPLAIN IT TO YOU LATER.

2749
01:45:09,603 --> 01:45:10,603
WHAT?

2750
01:45:10,603 --> 01:45:12,105
TELEVISION'S GOOD.

2751
01:45:14,107 --> 01:45:16,476
[SIRENS]

2752
01:45:35,629 --> 01:45:37,630
REDFIELD!

2753
01:45:37,630 --> 01:45:39,799
HE'S COMING OUT NOW!

2754
01:45:39,799 --> 01:45:40,967
UNARMED!

2755
01:45:47,473 --> 01:45:48,474
[SIGHS]

2756
01:45:48,474 --> 01:45:50,143
[SHOES SQUEAK]

2757
01:45:58,651 --> 01:45:59,653
[CLICK]

2758
01:46:10,163 --> 01:46:11,365
[CLICK]

2759
01:46:22,675 --> 01:46:24,911
[GUN CLATTERS TO FLOOR]

2760
01:46:27,146 --> 01:46:29,149
COME AWAY FROM THE BUILDING, MAX!

2761
01:46:29,149 --> 01:46:31,184
NO! I AM NOT GOING TO SEND HIM OUT

2762
01:46:31,184 --> 01:46:34,688
TILL I SEE YOU TELL THEM TO PUT THEIR GUNS AWAY!

2763
01:46:34,688 --> 01:46:36,689
BRACKETT, STEP AWAY FROM THE DOOR!

2764
01:46:36,689 --> 01:46:40,092
HE'S COMING OUT-- [BUZZ]

2765
01:46:40,092 --> 01:46:41,094
SAM!

2766
01:46:41,094 --> 01:46:42,695
SAM, WHAT ARE YOU DOING?

2767
01:46:42,695 --> 01:46:44,197
SAM, OPEN UP!

2768
01:46:44,197 --> 01:46:47,167
THEY'RE GONNA LET YOU COME OUT!

2769
01:46:47,167 --> 01:46:48,200
BRACKETT!

2770
01:46:48,200 --> 01:46:49,703
WE HAD A DEAL! COME ON!

2771
01:46:49,703 --> 01:46:53,206
[SHOUTING]

2772
01:46:53,206 --> 01:46:54,507
HE IS COMING OUT!

2773
01:46:54,507 --> 01:46:56,843
HE'S JUST A LITTLE NERVOUS, BUT HE'S COMING OUT!

2774
01:46:56,843 --> 01:46:58,845
[EXPLOSION]

2775
01:47:16,229 --> 01:47:18,264
Cameraman: WE'RE STILL ROLLING!

2776
01:47:18,264 --> 01:47:21,934
LADIES AND GENTLEMEN, WE'RE BACK LIVE ON THE SCENE IN FRONT OF THE MUSEUM.

2777
01:47:21,934 --> 01:47:25,071
THERE HAS BEEN A TERRIFIC EXPLOSION, LADIES AND GENTLEMEN...

2778
01:47:27,974 --> 01:47:30,243
Woman, traumatized: DEBRIS IS EVERYWHERE.

2779
01:47:30,243 --> 01:47:31,244
PEOPLE ARE...

2780
01:47:31,244 --> 01:47:32,245
UM, PEOPLE ARE...

2781
01:47:36,015 --> 01:47:38,984
Woman: WE DON'T KNOW IF HE'S ALL RIGHT. HE'S NOT--HE'S NOT MOVING.

2782
01:47:38,984 --> 01:47:41,688
UH, EVERYONE'S RUNNING...

2783
01:47:41,688 --> 01:47:44,090
[ALL TALKING AT ONCE]

2784
01:47:46,259 --> 01:47:47,927
Woman: LOOKS LIKE MAX BRACKETT IS ALIVE.

2785
01:47:47,927 --> 01:47:50,464
Man: JUST EXPLODED AND...

2786
01:47:55,268 --> 01:47:56,269
WHAT?

2787
01:47:56,269 --> 01:47:57,437
WHAT?

2788
01:48:13,319 --> 01:48:15,788
Man: HE'S GETTING UP. HE SEEMS TO BE OK.

2789
01:48:15,788 --> 01:48:17,858
Hollander: LAURIE, STAY WITH ME.

2790
01:48:19,192 --> 01:48:20,527
I'M OK.

2791
01:48:24,297 --> 01:48:26,032
Reporter: WAS THERE ANYTHING IN HIS MOOD

2792
01:48:26,032 --> 01:48:27,634
THAT INDICATED HE MIGHT DO THIS?

2793
01:48:31,671 --> 01:48:33,639
GET IN THERE. GET AS CLOSE TO HIM AS YOU CAN.

2794
01:48:33,639 --> 01:48:34,774
FIND OUT WHAT HE KNOWS.

2795
01:48:34,774 --> 01:48:35,808
GO. GO.

2796
01:48:35,808 --> 01:48:37,310
DID YOU KNOW HE'D BEEN CONSIDERING SUICIDE?

2797
01:48:37,310 --> 01:48:39,312
Man: WHAT WERE HIS LAST WORDS?

2798
01:48:39,312 --> 01:48:43,817
I'M BRACKETT'S ASSISTANT. I'M MAX BRACKETT'S ASSISTANT.

2799
01:48:45,151 --> 01:48:48,655
MAX, YOU'RE GONNA GO EXCLUSIVE ON THIS FOR ME, WON'T YOU?

2800
01:48:48,655 --> 01:48:49,856
SURE. WHERE'S SAM?

2801
01:48:49,856 --> 01:48:51,991
SAM. SAM IS CONFETTI.

2802
01:48:51,991 --> 01:48:53,527
NO, DON'T--DON'T WIPE THAT.

2803
01:48:54,994 --> 01:48:56,863
HE--HOW DOES THAT MAKE YOU FEEL?

2804
01:48:56,863 --> 01:48:58,098
WHERE IS HE?

2805
01:49:01,801 --> 01:49:03,403
WHAT DID YOU SAY?

2806
01:49:03,403 --> 01:49:06,072
SAM'S DEAD. IT'S A BIGGER STORY NOW.

2807
01:49:08,007 --> 01:49:09,175
NO, NO, NO.

2808
01:49:10,376 --> 01:49:11,677
DON'T WIPE IT.

2809
01:49:11,677 --> 01:49:13,212
IT LOOKS GOOD.

2810
01:49:13,212 --> 01:49:14,747
ZOOM IN.

2811
01:49:14,747 --> 01:49:16,249
WE KILLED HIM.

2812
01:49:16,249 --> 01:49:18,518
Man: IS THERE ANYONE WHO COULD HAVE HELPED HIM?

2813
01:49:18,518 --> 01:49:20,020
MR. BRACKETT-- MR. BRACKETT--

2814
01:49:20,020 --> 01:49:21,187
DID HE SAY ANYTHING TO YOU?

2815
01:49:21,187 --> 01:49:22,522
DID HE GIVE YOU A MESSAGE FOR HIS WIFE?

2816
01:49:22,522 --> 01:49:23,522
WHAT ARE YOU FEELING NOW?

2817
01:49:23,522 --> 01:49:26,026
[REPORTERS SHOUTING QUESTIONS]

2818
01:49:26,026 --> 01:49:28,027
Brackett: YOU DON'T UNDERSTAND. WE KILLED HIM.

2819
01:49:28,027 --> 01:49:29,028
WE KILLED--

2820
01:49:29,028 --> 01:49:31,030
[REPORTERS CONTINUE SHOUTING QUESTIONS]

2821
01:49:31,030 --> 01:49:32,365
WE KILLED HIM.

2822
01:49:33,866 --> 01:49:36,035
Brackett: YOU DON'T UNDERSTAND!

2823
01:49:36,035 --> 01:49:38,238
WE KILLED HIM!

2824
01:50:04,564 --> 01:50:07,567
CAPTIONING MADE POSSIBLE BY WARNER BROS.

2825
01:50:07,567 --> 01:50:10,570
CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC.