1 00:00:13,208 --> 00:00:17,500 Three different negatives were created for the film Der letzte Mann. 2 00:00:17,625 --> 00:00:20,792 One of them was for Germany, one for general export, 3 00:00:20,917 --> 00:00:22,750 and the third for the USA. 4 00:00:22,875 --> 00:00:26,958 The surviving German negative was preserved only incompletely, 5 00:00:27,083 --> 00:00:31,833 and was reconstructed in 2001/2002 with the aid of the following materials: 6 00:00:31,958 --> 00:00:36,000 an original negative from the Bundesarchiv-Filmarchiv Berlin; 7 00:00:36,125 --> 00:00:39,042 a print from the Museum of Modern Art, New York, 8 00:00:39,167 --> 00:00:42,542 produced in Germany in 1936; fragments of a duplicate 9 00:00:42,667 --> 00:00:46,083 possessed by the Friedrich-Wilhelm-Murnau-Stiftung 10 00:00:46,208 --> 00:00:49,667 of a missing German print; as well as fragments of a print 11 00:00:49,792 --> 00:00:52,750 kept by the Cinématheque Suisse in Lausanne. 12 00:00:53,417 --> 00:00:56,417 The reconstruction was carried out in 2001/2002 13 00:00:56,542 --> 00:00:59,500 by Luciano Berriatua and Camille Blot-Wellens 14 00:00:59,625 --> 00:01:03,083 on behalf of the Friedrich-Wilhelm- Murnau-Stiftung. 15 00:01:03,208 --> 00:01:06,333 Laboratory work: L'Immagine Ritrovata, Bologna 16 00:01:06,458 --> 00:01:10,667 The master negative of this edit was used for the 2K digital version. 17 00:01:10,792 --> 00:01:15,792 Major damages to the original film material have been removed for the HD version. 18 00:01:17,625 --> 00:01:21,250 THE LAST MAN 19 00:01:21,375 --> 00:01:24,750 In the Lead-Role: EMIL JANNINGS 20 00:01:24,875 --> 00:01:27,875 Direction: F. W. MURNAU 21 00:01:28,333 --> 00:01:34,417 Today, you are the first, respected by everyone, a minister, 22 00:01:34,542 --> 00:01:38,708 a general, maybe even a prince — 23 00:01:38,833 --> 00:01:43,750 Do you know what you'll be tomorrow?! 24 00:13:05,250 --> 00:13:08,958 For the Wedding Guests 25 00:20:05,542 --> 00:20:11,292 however, due to your period of service of many years' standing, 26 00:20:11,417 --> 00:20:16,417 we've created an open position for you 27 00:20:16,542 --> 00:20:21,375 by sending the oldest employee of our firm to a shelter, 28 00:20:21,500 --> 00:20:25,125 effective today. 29 00:21:11,792 --> 00:21:21,958 The reason for this measure 30 00:21:24,208 --> 00:21:34,833 is your old-age. 31 01:14:28,042 --> 01:14:32,875 Here, at the place of his humiliation, 32 01:14:33,000 --> 01:14:39,250 the old man would waste away miserably for the rest of his life 33 01:14:39,375 --> 01:14:45,542 and here the story would, strictly speaking, be over. 34 01:14:45,667 --> 01:14:51,917 But the author is looking out for him who has been abandoned by everyone, 35 01:14:52,042 --> 01:14:58,375 and so he bestows upon him an epilogue, 36 01:14:58,500 --> 01:15:04,667 telling a story that — unfortunately — 37 01:15:04,792 --> 01:15:10,292 usually doesn't occur in real life. 38 01:15:33,167 --> 01:15:34,583 A SENSATIONAL INHERITANCE As reported a short time ago, 39 01:15:34,708 --> 01:15:36,542 the celebrated Mexican multimillionaire Mr. A. G. Monen died 40 01:15:36,667 --> 01:15:38,375 whilst washing his hands in the lavatory of the Atlantic-Hotel. 41 01:15:38,500 --> 01:15:40,458 Upon going through his papers, a sensational will for this eccentric man 42 01:15:40,583 --> 01:15:42,375 was found to the effect that the person in whose arms he would happen to die 43 01:15:42,500 --> 01:15:43,917 was to become the sole heir to his enormous fortune. 44 01:15:47,583 --> 01:15:51,583 Hence, the biblical promise, that the last shall be the first, 45 01:15:51,708 --> 01:15:55,500 seems already to have been fulfilled on earth, 46 01:15:55,625 --> 01:15:58,042 for the lucky one is —