1
00:01:49,593 --> 00:01:52,027
AND NOW MY MIND IS MADE UP.

2
00:01:52,095 --> 00:01:53,028
OH, LUCY.

3
00:01:53,096 --> 00:01:55,046
I NEVER HEARD OF SUCH A THING.

4
00:01:55,115 --> 00:01:56,548
OH, LUCY, LUCY.

5
00:01:56,617 --> 00:01:58,595
PLEASE DON'T MAKE
IT MORE DIFFICULT.

6
00:01:58,619 --> 00:02:00,597
I KNOW YOU'VE TRIED TO
BE GENEROUS AND KIND,

7
00:02:00,621 --> 00:02:03,032
BUT IT SIMPLY WON'T
WORK, MY LIVING HERE.

8
00:02:03,056 --> 00:02:04,489
EVA, SPEAK TO HER.

9
00:02:04,558 --> 00:02:06,625
ARE YOU SERIOUS, LUCY?

10
00:02:06,693 --> 00:02:07,976
YES, EVA, I AM.

11
00:02:08,045 --> 00:02:09,978
AND POOR EDWIN
BARELY COLD IN HIS GRAVE.

12
00:02:10,047 --> 00:02:12,025
HE'S BEEN DEAD
ALMOST A YEAR NOW.

13
00:02:12,049 --> 00:02:13,926
STILL YOU MIGHT HAVE SOME
CONSIDERATION FOR YOUR HUSBAND'S MEMORY.

14
00:02:13,950 --> 00:02:17,001
I DON'T SEE WHAT EDWIN'S
GOT TO DO WITH THIS.

15
00:02:17,070 --> 00:02:20,138
I'M NOT LEAVING
HIM, I'M LEAVING YOU.

16
00:02:20,206 --> 00:02:24,092
AFTER ALL WE'VE
TRIED TO DO FOR HER.

17
00:02:24,161 --> 00:02:26,512
YOU MUSTN'T THINK
I'M NOT GRATEFUL.

18
00:02:26,580 --> 00:02:28,558
YOU'VE BOTH BEEN
SO VERY KIND TO ME,

19
00:02:28,582 --> 00:02:32,017
BUT I'M NOT REALLY A
MEMBER OF THE FAMILY,

20
00:02:32,085 --> 00:02:34,564
EXCEPT FOR MARRYING YOUR
SON, AND NOW HE'S GONE.

21
00:02:34,588 --> 00:02:36,566
I HAVE MY OWN LIFE TO LIVE,

22
00:02:36,590 --> 00:02:38,524
AND YOU HAVE YOURS,

23
00:02:38,592 --> 00:02:40,592
AND THEY SIMPLY WON'T MIX.

24
00:02:40,661 --> 00:02:43,528
I'VE NEVER HAD A LIFE OF MY OWN.

25
00:02:43,597 --> 00:02:48,033
IT'S BEEN EDWIN'S LIFE
AND YOURS AND EVA'S,

26
00:02:48,102 --> 00:02:50,786
NEVER MY OWN.

27
00:02:50,854 --> 00:02:52,204
STOP SNIVELING, MOTHER.

28
00:02:52,272 --> 00:02:54,072
IF SHE'S DETERMINED TO
MAKE A FOOL OF HERSELF,

29
00:02:54,107 --> 00:02:56,041
THERE'S NOTHING
WE CAN DO ABOUT IT.

30
00:02:56,109 --> 00:03:00,045
BUT WHAT WILL I HAVE TO
REMIND ME OF POOR EDWIN?

31
00:03:00,113 --> 00:03:02,931
LUCY, HAVE YOU CONSIDERED ANNA?

32
00:03:03,000 --> 00:03:04,966
YES, EVA, I HAVE.

33
00:03:05,035 --> 00:03:08,303
YOU'RE WILLING TO TAKE RESPONSIBILITY
FOR WHAT MIGHT BECOME OF HER?

34
00:03:08,372 --> 00:03:10,288
SHE'S MY DAUGHTER, EVA.

35
00:03:10,357 --> 00:03:12,490
AND WHAT DO YOU MEAN BY THAT?

36
00:03:12,559 --> 00:03:13,991
ONLY WHAT I SAID.

37
00:03:14,060 --> 00:03:16,662
YOU'RE INSINUATING THAT
I INTERFERE WITH ANNA.

38
00:03:16,730 --> 00:03:19,130
DON'T DENY IT, LUCY.

39
00:03:20,550 --> 00:03:22,467
DON'T DENY IT, I SAY!

40
00:03:22,535 --> 00:03:24,903
I'M NOT DENYING IT, EVA.

41
00:03:27,090 --> 00:03:30,525
PLEASE, CAN'T WE DISCUSS
THIS WITHOUT QUARRELING?

42
00:03:30,593 --> 00:03:33,028
I'M SURE I DON'T KNOW
HOW YOU'LL MANAGE, LUCY.

43
00:03:33,096 --> 00:03:35,030
YOU HAVEN'T ANY MONEY.

44
00:03:35,098 --> 00:03:37,076
I HAVE THE INCOME FROM
EDWIN'S GOLD SHARES.

45
00:03:37,100 --> 00:03:40,535
ANNA AND I CAN LIVE QUITE
CHEAPLY WITH MARTHA.

46
00:03:40,603 --> 00:03:42,870
DO YOU MEAN YOU'RE
TAKING MARTHA HUGGINS?

47
00:03:42,939 --> 00:03:46,541
AND WHY NOT? SHE WAS WITH ME
BEFORE I CAME TO LIVE WITH YOU.

48
00:03:46,610 --> 00:03:48,009
OF ALL THE UNGRATEFUL...

49
00:03:48,078 --> 00:03:52,013
PLEASE, EVA. I'M SORRY,
BUT I'VE MADE UP MY MIND.

50
00:03:52,082 --> 00:03:55,517
BUT WHERE, LUCY,
WHERE CAN YOU GO?

51
00:03:55,586 --> 00:03:58,219
THE SEASIDE, I THINK.

52
00:03:58,288 --> 00:04:01,122
I'VE ALWAYS WANTED
TO LIVE BY THE SEA.

53
00:04:01,191 --> 00:04:02,273
OH, GOODY.

54
00:04:02,342 --> 00:04:05,026
WELL, THAT'S ALL I HAVE TO SAY.

55
00:04:05,094 --> 00:04:07,529
I SHOULD THINK
IT'S QUITE ENOUGH.

56
00:04:07,597 --> 00:04:10,075
APPARENTLY THERE'S
NOTHING WE CAN DO ABOUT IT,

57
00:04:10,099 --> 00:04:12,077
BUT WHEN YOU
REALIZE YOUR MISTAKE

58
00:04:12,101 --> 00:04:14,079
AND TRY TO COME
CRAWLING BACK TO US,

59
00:04:14,103 --> 00:04:16,081
DON'T EXPECT ANY
ENCOURAGEMENT FROM ME.

60
00:04:16,105 --> 00:04:17,872
I WON'T, EVA.

61
00:04:27,617 --> 00:04:30,551
WELL, IT'S DONE.

62
00:04:30,620 --> 00:04:33,888
OH, IT'S A BLOOMING
REVOLUTION, THAT'S WHAT.

63
00:04:46,636 --> 00:04:49,737
ISN'T WHITECLIFF
BEAUTIFUL, MARTHA?

64
00:05:08,592 --> 00:05:12,027
OH, I AM SORRY.

65
00:05:12,095 --> 00:05:13,578
IT'S QUITE ALL RIGHT.

66
00:05:13,647 --> 00:05:15,614
ARE YOU MR. ITCHEN?

67
00:05:15,682 --> 00:05:17,616
MR. ITCHEN PASSED
ON 30 YEARS AGO.

68
00:05:17,684 --> 00:05:19,618
MAY HE REST IN PEACE.

69
00:05:19,686 --> 00:05:21,119
MR. BOLES?

70
00:05:21,187 --> 00:05:22,120
LIKEWISE.

71
00:05:22,188 --> 00:05:23,622
THEN YOU'RE MR. COOMBE.

72
00:05:23,690 --> 00:05:24,823
JUNIOR.

73
00:05:24,891 --> 00:05:26,669
OF COURSE. YOU ANSWERED
MY LETTER. PLEASE EAT.

74
00:05:26,693 --> 00:05:28,126
THANK YOU.

75
00:05:28,194 --> 00:05:29,628
I'M MRS. MUIR.

76
00:05:29,696 --> 00:05:32,130
MRS. MUIR, OF COURSE. YOU WERE
DESIROUS OF RENTING A HOUSE.

77
00:05:32,198 --> 00:05:33,131
YES.

78
00:05:33,199 --> 00:05:35,133
WELL, I'VE SELECTED
SEVERAL PROSPECTS

79
00:05:35,201 --> 00:05:39,137
SUITABLE TO A YOUNG LADY
IN BEREAVED CIRCUMSTANCES.

80
00:05:40,707 --> 00:05:44,142
BOWLES YARD. SEASIDE VILLA.
THREE BEDS, TWO RECEPT,

81
00:05:44,210 --> 00:05:46,144
COMPLETE OFFICES,
COMPANY'S GAS AND WATER,

82
00:05:46,212 --> 00:05:49,147
IDEALLY SITS NEAR BUS STOPS,
MODERN DRAINS, PRIVATE GARDEN,

83
00:05:49,215 --> 00:05:51,650
£120. £10 DEPOSIT.

84
00:05:51,718 --> 00:05:53,863
I'M AFRAID THAT'S A
LITTLE TOO EXPENSIVE.

85
00:05:53,887 --> 00:05:54,887
RIGHT.

86
00:05:58,708 --> 00:06:02,077
LABERNUM MOUNT.
FIRST-CLASS RESIDENTIAL STREET,

87
00:06:02,145 --> 00:06:04,579
FOUR BED, ONE RECEPT,
SUN PARLOR, OFFICES,

88
00:06:04,647 --> 00:06:07,582
COMPANY'S GAS AND WATER,
BEAUTIFULLY PLANTED, SHORT WALK...

89
00:06:07,650 --> 00:06:09,628
THIS ONE. UH, GULL COTTAGE.

90
00:06:09,652 --> 00:06:11,586
WHAT WAS THAT, MADAM?

91
00:06:11,654 --> 00:06:13,132
THIS HOUSE. GULL COTTAGE.

92
00:06:13,156 --> 00:06:15,134
IT'S EXACTLY THE SORT
OF PLACE I'M LOOKING FOR.

93
00:06:15,158 --> 00:06:17,508
GULL COTTAGE. OH, NO, NO.
THAT WOULDN'T SUIT YOU AT ALL.

94
00:06:17,577 --> 00:06:20,595
LABERNUM MOUNT.
FIRST-CLASS RESIDENTIAL STREET,

95
00:06:20,664 --> 00:06:22,597
FOUR BED, ONE RECEPT,
SUN PARLOR, OFFICES,

96
00:06:22,666 --> 00:06:24,099
COMPANY'S GAS AND WATER...

97
00:06:24,167 --> 00:06:27,146
AND ONLY £52. THAT'S VERY
LITTLE FOR A FURNISHED HOUSE.

98
00:06:27,170 --> 00:06:29,104
IT'S A RIDICULOUS PRICE.

99
00:06:29,172 --> 00:06:31,606
I SUPPOSE THERE'S
SOMETHING WRONG.

100
00:06:31,675 --> 00:06:33,742
IS IT THE DRAINS?

101
00:06:33,811 --> 00:06:37,179
WHEN ITCHEN, BOLES, & COOMBE
PUT UP A HOUSE FOR RENT,

102
00:06:37,247 --> 00:06:40,182
YOU MAY BE SURE THERE IS
NOTHING WRONG WITH THE DRAINS.

103
00:06:40,250 --> 00:06:42,228
THEN WHY SHOULDN'T IT SUIT ME?

104
00:06:42,252 --> 00:06:45,420
MY DEAR YOUNG LADY, YOU MUST
ALLOW ME TO BE THE JUDGE OF THAT.

105
00:06:45,489 --> 00:06:47,689
NOW WHERE WERE WE?
OH, YES. LABERNUM MOUNT.

106
00:06:47,757 --> 00:06:49,691
BEAUTIFULLY PLANTED,
SHORT WALK FROM...

107
00:06:49,759 --> 00:06:51,737
BUT IF I'M GOING TO
LIVE IN THE HOUSE,

108
00:06:51,761 --> 00:06:53,194
I SHOULD BE THE JUDGE.

109
00:06:53,262 --> 00:06:55,196
YOU'LL ONLY WASTE YOUR TIME.

110
00:06:55,264 --> 00:06:56,698
BUT IT'S MY TIME.

111
00:06:56,766 --> 00:06:59,244
I BELIEVE THERE'S ANOTHER
HOUSE AGENCY IN WHITECLIFF.

112
00:06:59,268 --> 00:07:02,520
PERHAPS THEY HAVE
GULL COTTAGE LISTED, TOO.

113
00:07:02,589 --> 00:07:05,456
VERY WELL, MADAM, IF YOU INSIST.

114
00:07:07,527 --> 00:07:09,961
[BLOWS OUT CANDLE]

115
00:07:10,030 --> 00:07:12,508
I SHALL DRIVE YOU TO GULL
COTTAGE IN MY MOTORCAR.

116
00:07:12,532 --> 00:07:15,132
THAT'S VERY GOOD
OF YOU, MR. COOMBE.

117
00:07:53,557 --> 00:07:55,990
UH, MRS. MUIR.

118
00:07:56,059 --> 00:07:59,994
IT'S ONLY A SHORT DRIVE
TO LABERNUM MOUNT.

119
00:08:00,063 --> 00:08:02,931
BUT I WANT TO SEE THE INSIDE.

120
00:08:02,999 --> 00:08:04,432
THE INSIDE?

121
00:08:04,500 --> 00:08:07,936
OF COURSE. WHAT ON
EARTH'S THE MATTER?

122
00:08:08,004 --> 00:08:10,244
VERY WELL. IF YOU INSIST.

123
00:08:30,026 --> 00:08:31,459
TERRIBLY DUSTY.

124
00:08:31,528 --> 00:08:33,961
THE HOUSE HAS BEEN EMPTY
FOR NEARLY FOUR YEARS.

125
00:08:34,030 --> 00:08:35,463
OH.

126
00:08:35,532 --> 00:08:37,492
OFFICE IS BACK THERE.
LIVING ON THE RIGHT.

127
00:08:37,534 --> 00:08:39,467
DINING OFF THE LIVING.

128
00:08:48,995 --> 00:08:50,628
OH.

129
00:08:50,697 --> 00:08:53,831
OF COURSE. IT'S A PAINTING.

130
00:08:55,568 --> 00:08:57,501
I THOUGHT FOR A MOMENT...

131
00:08:59,072 --> 00:09:00,504
WHO IS IT?

132
00:09:00,573 --> 00:09:04,441
THE, UH, FORMER
OWNER, A CAPTAIN GREGG.

133
00:09:04,510 --> 00:09:05,943
A SEA CAPTAIN.

134
00:09:06,012 --> 00:09:09,947
THAT EXPLAINS THE SCHEME
OF DECORATION, DOESN'T IT?

135
00:09:10,016 --> 00:09:11,994
WHICH IS IN FRIGHTFUL TASTE.

136
00:09:12,018 --> 00:09:14,451
OH, I DON'T AGREE WITH YOU.

137
00:09:14,520 --> 00:09:16,453
IT'S REALLY A LOVELY ROOM,

138
00:09:16,522 --> 00:09:18,500
AND MOST OF THE
FURNITURE WILL DO AS IT IS.

139
00:09:18,524 --> 00:09:20,958
MRS. MUIR, I MUST BEG OF
YOU NOT TO BE SO PRECIPITOUS.

140
00:09:21,027 --> 00:09:23,460
I ASSURE YOU THIS HOUSE
WILL NOT SUIT YOU AT ALL.

141
00:09:23,529 --> 00:09:27,464
OH, BUT IT DOES. IT
SUITS ME PERFECTLY.

142
00:09:27,533 --> 00:09:29,466
WHAT A HIDEOUS TREE.

143
00:09:29,535 --> 00:09:31,969
WHAT KIND OF A TREE IS IT?

144
00:09:32,038 --> 00:09:34,471
I BELIEVE IT IS CALLED
A MONKEY PUZZLE TREE.

145
00:09:34,540 --> 00:09:35,973
WHY?

146
00:09:36,042 --> 00:09:38,520
BECAUSE IT DEFIES THE EFFORTS OF
MONKEYS TO CLIMB IT, PRESUMABLY.

147
00:09:38,544 --> 00:09:42,146
WHY, IT RUINS THE VIEW.
I'LL HAVE IT CHOPPED DOWN.

148
00:09:46,552 --> 00:09:49,486
DID YOU SAY
SOMETHING, MR. COOMBE?

149
00:09:49,555 --> 00:09:50,988
NO, I DID NOT.

150
00:09:54,060 --> 00:09:56,994
WELL, I THINK I'D BETTER
SEE THE REST OF IT.

151
00:09:57,063 --> 00:09:58,996
AS YOU WISH, MRS. MUIR.

152
00:10:27,811 --> 00:10:29,244
WHAT ON EARTH?

153
00:10:29,313 --> 00:10:30,695
WHAT, MRS. MUIR?

154
00:10:30,764 --> 00:10:34,198
THAT TABLE. I THOUGHT YOU
SAID NO ONE HAD BEEN HERE.

155
00:10:34,267 --> 00:10:36,245
I SAID NOTHING OF THE SORT.

156
00:10:36,269 --> 00:10:38,247
I SAID THE HOUSE HAD
BEEN EMPTY. IT HAS.

157
00:10:38,271 --> 00:10:40,249
A CHARWOMAN WAS HERE LAST WEEK.

158
00:10:40,273 --> 00:10:42,206
WELL, SHE MUST HAVE
LEFT IN A FRIGHTFUL HURRY.

159
00:10:42,275 --> 00:10:43,708
THAT SHE DID.

160
00:10:43,777 --> 00:10:45,710
DID SHE TELL YOU WHY?

161
00:10:45,779 --> 00:10:47,712
SHE TOLD ME NOTHING.

162
00:10:47,781 --> 00:10:49,759
SHE RETURNED THE KEY TO
THE OFFICE WHILST I WAS OUT.

163
00:10:49,783 --> 00:10:50,715
OH.

164
00:10:50,784 --> 00:10:52,216
MRS. MUIR, I...

165
00:10:52,285 --> 00:10:54,719
I KNOW, IT WON'T
SUIT ME. BUT IT DOES.

166
00:10:57,290 --> 00:11:00,725
I'D LIKE TO SEE THE UPSTAIRS.

167
00:11:00,794 --> 00:11:02,861
THE UPSTAIRS.

168
00:11:23,233 --> 00:11:26,334
THE, UH, MAIN BEDROOM.

169
00:11:40,934 --> 00:11:42,701
OF COURSE.

170
00:11:42,770 --> 00:11:45,704
HE LIKED TO WATCH THE SHIPS.

171
00:11:45,773 --> 00:11:47,205
HMM.

172
00:11:47,274 --> 00:11:49,207
BUT WHAT...

173
00:11:49,276 --> 00:11:53,211
THAT'S WHAT IT IS. YOU'RE CLEAN.

174
00:11:53,280 --> 00:11:56,214
I BEG YOUR PARDON, MRS. MUIR.

175
00:11:56,283 --> 00:11:58,717
OH, NOT YOU, MR. COOMBE,
THE TELESCOPE.

176
00:11:58,786 --> 00:12:01,219
[GHOSTLY LAUGHTER]

177
00:12:01,288 --> 00:12:04,038
DID YOU LAUGH, MR. COOMBE?

178
00:12:04,107 --> 00:12:06,825
[GHOSTLY LAUGHTER]

179
00:12:06,893 --> 00:12:08,326
MR. COOMBE?

180
00:12:25,912 --> 00:12:27,812
YOU WOULD COME. I DIDN'T
WANT TO SHOW IT TO YOU,

181
00:12:27,881 --> 00:12:29,997
BUT, OH, NO, NO,
YOU HAD TO SEE IT.

182
00:12:30,066 --> 00:12:34,068
HAUNTED. HOW
PERFECTLY FASCINATING.

183
00:12:34,137 --> 00:12:35,604
FASCINATING?

184
00:12:35,672 --> 00:12:39,841
I SUPPOSE IT'S FASCINATING THAT
THIS HOUSE IS DRIVING ME TO DRINK.

185
00:12:39,909 --> 00:12:42,844
TO DRINK! FOUR
TIMES I'VE RENTED IT

186
00:12:42,912 --> 00:12:45,847
AND FOUR TIMES THE TENANTS HAVE
LEFT AFTER THE VERY FIRST NIGHT.

187
00:12:45,915 --> 00:12:48,350
THE OWNER'S IN AUSTRALIA,
CAPTAIN GREGG'S COUSIN.

188
00:12:48,418 --> 00:12:50,896
I'VE WRITTEN TO HIM, CABLED
HIM BEGGING HIM TO RELEASE ME,

189
00:12:50,920 --> 00:12:52,898
BUT HE ONLY REPLIES,
"RELY ON YOU."

190
00:12:52,922 --> 00:12:55,357
WELL, I DON'T WANT
TO BE RELIED ON.

191
00:12:55,425 --> 00:12:57,403
I NEVER WANT TO
SEE THIS HOUSE AGAIN.

192
00:12:57,427 --> 00:12:59,905
I WISH CAPTAIN GREGG
HAD LIVED TO BE 100.

193
00:12:59,929 --> 00:13:01,907
I WISH HE'D NEVER BEEN BORN.

194
00:13:01,931 --> 00:13:03,798
I'M TERRIBLY SORRY, MR. COOMBE.

195
00:13:03,867 --> 00:13:06,846
WELL, AT LEAST YOU KNOW
NOW WHY IT WON'T SUIT YOU.

196
00:13:06,870 --> 00:13:10,305
YES, I... I SUPPOSE SO.

197
00:13:10,374 --> 00:13:13,808
WHY DOES HE HAUNT?
WAS HE MURDERED?

198
00:13:13,877 --> 00:13:15,810
NO, HE COMMITTED SUICIDE.

199
00:13:15,879 --> 00:13:18,313
UHH! I WONDER WHY.

200
00:13:18,382 --> 00:13:21,316
TO SAVE SOMEONE THE TROUBLE
OF ASSASSINATING HIM, NO DOUBT.

201
00:13:21,385 --> 00:13:23,485
COME. WE'LL GO TO
LABERNUM MOUNT.

202
00:13:27,741 --> 00:13:30,392
MRS. MUIR.

203
00:13:30,460 --> 00:13:32,700
MRS. MUIR, IF YOU PLEASE.

204
00:13:32,746 --> 00:13:36,848
YOU'LL PROBABLY THINK IT
VERY SILLY OF ME, MR. COOMBE,

205
00:13:36,917 --> 00:13:40,351
BUT I'VE DECIDED TO TAKE
GULL COTTAGE AFTER ALL.

206
00:13:40,420 --> 00:13:43,855
I MEAN, IF EVERYONE RUSHES
OFF AT THE SLIGHTEST SOUND,

207
00:13:43,924 --> 00:13:45,857
OF COURSE THE HOUSE
GETS A BAD NAME.

208
00:13:45,926 --> 00:13:47,904
BUT IT'S TOO RIDICULOUS, REALLY,

209
00:13:47,928 --> 00:13:49,906
IN THE 20th CENTURY, TO
BELIEVE IN APPARITIONS

210
00:13:49,930 --> 00:13:51,908
AND ALL THAT MEDIEVAL NONSENSE.

211
00:13:51,932 --> 00:13:53,865
BUT YOU HEARD HIM LAUGH.

212
00:13:53,934 --> 00:13:55,912
I HEARD WHAT MIGHT
HAVE BEEN A LAUGH.

213
00:13:55,936 --> 00:13:58,414
IT MIGHT HAVE BEEN THE WIND
ROARING DOWN THE CHIMNEY.

214
00:13:58,438 --> 00:14:00,872
IF I MAY SO SAY, MRS.
MUIR, FIDDLESTICKS.

215
00:14:00,941 --> 00:14:02,807
I WANT GULL COTTAGE.

216
00:14:02,876 --> 00:14:06,811
IN MY OPINION, YOU ARE THE MOST
OBSTINATE YOUNG WOMAN I HAVE EVER MET.

217
00:14:06,880 --> 00:14:08,312
THANK YOU, MR. COOMBE.

218
00:14:08,381 --> 00:14:11,649
I'VE ALWAYS WANTED TO
BE CONSIDERED OBSTINATE.

219
00:14:11,718 --> 00:14:14,318
VERY WELL, MRS. MUIR,

220
00:14:14,387 --> 00:14:17,822
ON THE UNDERSTANDING THAT
I DISCLAIM ALL RESPONSIBILITY

221
00:14:17,891 --> 00:14:19,824
OF WHAT MAY HAPPEN,

222
00:14:19,893 --> 00:14:21,826
YOU SHALL HAVE GULL COTTAGE.

223
00:14:32,389 --> 00:14:34,822
DON'T YOU DARE COME IN.

224
00:14:37,894 --> 00:14:41,329
BRINGING YOUR MUDDY FEET
THROUGH MY NICE CLEAN KITCHEN.

225
00:14:41,398 --> 00:14:42,830
LANDLUBBER.

226
00:14:42,899 --> 00:14:44,832
UH, THERE.

227
00:14:44,901 --> 00:14:48,336
NOTHING LIKE SOAP AND WATER
TO MAKE EVERYTHING SHIPSHAPE

228
00:14:48,405 --> 00:14:49,837
IN BRISTOL FASHION.

229
00:14:49,906 --> 00:14:51,339
YES.

230
00:14:51,408 --> 00:14:53,341
WHAT DID YOU SAY, MARTHA?

231
00:14:53,410 --> 00:14:55,343
WHY, I SAID...

232
00:14:55,412 --> 00:14:57,345
WHAT DID I SAY?

233
00:14:57,414 --> 00:14:59,392
SHIPSHAPE IN BRISTOL FASHION.

234
00:14:59,416 --> 00:15:01,894
I'VE NEVER HEARD YOU USE
THAT EXPRESSION BEFORE.

235
00:15:01,918 --> 00:15:05,119
HUH. MUST HAVE BEEN THE SEA AIR.

236
00:15:06,356 --> 00:15:07,788
COME ALONG, MRS. MUIR.

237
00:15:07,857 --> 00:15:09,835
I'LL HAVE THAT
IRON, IF YOU PLEASE.

238
00:15:09,859 --> 00:15:11,792
BUT I'VE NEARLY FINISHED.

239
00:15:11,861 --> 00:15:13,839
YOU'VE DONE ENOUGH
HARD WORK FOR TODAY.

240
00:15:13,863 --> 00:15:15,796
BESIDES, YOU KNOW,
YOU'RE SUPPOSED NOT TO BE...

241
00:15:15,865 --> 00:15:17,843
IF YOU'RE GOING TO START
TELLING ME I'M NOT STRONG,

242
00:15:17,867 --> 00:15:20,346
I'LL PACK YOU OFF BACK TO
LONDON ON THE FIRST TRAIN.

243
00:15:20,370 --> 00:15:23,304
DEAR OLD LONDON, HOW I MISS IT.

244
00:15:23,373 --> 00:15:25,306
NOW COME ALONG,
UPSTAIRS TO YOUR ROOM

245
00:15:25,375 --> 00:15:27,808
AND A BIT OF
SHUT-EYE BEFORE TEA.

246
00:15:29,513 --> 00:15:31,312
I FEEL SO USELESS.

247
00:15:31,381 --> 00:15:34,315
HERE I AM NEARLY
HALFWAY THROUGH LIFE,

248
00:15:34,384 --> 00:15:36,317
AND WHAT HAVE I DONE?

249
00:15:36,386 --> 00:15:38,319
I KNOW WHAT I DONE, ALL RIGHT.

250
00:15:38,388 --> 00:15:40,822
COOKED ENOUGH STEAKS
TO CHOKE AN HIPPOPOTAMUS

251
00:15:40,891 --> 00:15:45,326
AND KEPT THE NAME OF HUGGINS
AS FAIR AS THE DAY I FOUND IT.

252
00:15:45,395 --> 00:15:47,328
YOU'VE LED A VERY
USEFUL LIFE, MARTHA.

253
00:15:47,397 --> 00:15:49,330
I HAVE NOTHING TO
SHOW FOR ALL MY YEARS.

254
00:15:49,399 --> 00:15:51,332
I SUPPOSE YOU CALL
MISS ANNA NOTHING.

255
00:15:51,401 --> 00:15:54,836
OH, HEAVENS. I CAN'T
TAKE ANY CREDIT FOR HER.

256
00:15:54,905 --> 00:15:57,338
SHE JUST HAPPENED.

257
00:15:57,407 --> 00:15:58,740
YES.

258
00:15:58,808 --> 00:16:01,559
THAT'S WHAT MY OLD
MUM ALWAYS USED TO SAY.

259
00:16:01,628 --> 00:16:03,495
I WAS THE 11th.

260
00:16:07,050 --> 00:16:07,982
OH.

261
00:16:08,051 --> 00:16:09,467
HURT YOURSELF?

262
00:16:09,535 --> 00:16:11,296
HERE, LET'S HAVE A LOOK.

263
00:16:11,320 --> 00:16:13,254
OH, IT'S NOTHING, JUST A SCRAPE.

264
00:16:13,322 --> 00:16:16,257
BUT I AM TIRED. I THINK I
WILL TAKE A LITTLE REST.

265
00:16:17,827 --> 00:16:20,762
BEGGING YOUR
PARDON, YOUR HIGHNESS.

266
00:16:23,833 --> 00:16:25,266
THERE.

267
00:16:26,836 --> 00:16:29,771
THIS WILL KEEP
YOU NICE AND WARM.

268
00:16:31,841 --> 00:16:33,819
THANKS, MARTHA, YOU'RE AN ANGEL.

269
00:16:33,843 --> 00:16:37,278
HA! AIN'T NOTICED ANY
WINGS SPROUTIN' LATELY.

270
00:16:42,351 --> 00:16:45,119
I'LL CALL YOU IN
PLENTY OF TIME FOR TEA.

271
00:17:02,889 --> 00:17:05,757
[DING-DING DING-DING]

272
00:17:05,825 --> 00:17:08,092
[DING-DING DING-DING]

273
00:17:08,161 --> 00:17:10,928
[GROWLING]

274
00:17:39,525 --> 00:17:41,292
[DING-DING]

275
00:17:47,350 --> 00:17:49,283
[BANG]

276
00:17:54,524 --> 00:17:56,257
[BANG]

277
00:17:58,361 --> 00:17:59,793
[BANG]

278
00:18:31,594 --> 00:18:34,279
OH, IT'S YOU.

279
00:18:34,347 --> 00:18:37,799
I CREPT UP, NOT
WANTING TO WAKE YOU

280
00:18:37,867 --> 00:18:40,802
IN CASE YOU WAS STILL ASLEEP.

281
00:18:40,870 --> 00:18:42,303
TEA'S ALL READY.

282
00:18:42,372 --> 00:18:44,850
MISS ANNA WILL HAVE IT
ALL CLEARED OFF IN NO TIME

283
00:18:44,874 --> 00:18:46,808
IF YOU DON'T HURRY.

284
00:18:46,876 --> 00:18:49,855
I'VE GOT A NICE BIT OF
FRESH FISH FOR YOU, TOO.

285
00:18:49,879 --> 00:18:52,814
MARTHA, I HAD SUCH
A CURIOUS DREAM.

286
00:18:52,882 --> 00:18:56,317
DID I CLOSE THE WINDOW
BEFORE I WENT TO SLEEP?

287
00:18:56,386 --> 00:18:59,821
YOU DID, AND SCRAPED YOUR
FINGER. DON'T YOU REMEMBER?

288
00:18:59,889 --> 00:19:02,323
IT'S SHUT NOW, AIN'T IT?

289
00:19:02,392 --> 00:19:03,758
YES.

290
00:19:08,331 --> 00:19:09,764
IT'S SHUT NOW.

291
00:19:24,848 --> 00:19:26,614
SLEEP TIGHT.

292
00:19:26,683 --> 00:19:30,784
GOOD NIGHT, MUMMY. I LOVE
THE SEA, AND SO DOES RUMMY.

293
00:19:30,853 --> 00:19:32,286
AND SO DO I.

294
00:19:49,889 --> 00:19:52,368
I PUT HOT WATER BOTTLES
ON THE KITCHEN TABLE, MA'AM,

295
00:19:52,392 --> 00:19:54,325
AND THE KETTLE'S ON THE STOVE.

296
00:19:54,394 --> 00:19:55,826
OH, THANK YOU, MARTHA.

297
00:19:55,895 --> 00:19:57,373
GOOD NIGHT, MA'AM.

298
00:19:57,397 --> 00:19:58,829
GOOD NIGHT.

299
00:19:58,898 --> 00:20:00,831
SHOULD I LEAVE THIS ON, MA'AM?

300
00:20:00,900 --> 00:20:02,316
NO. THIS WILL DO NICELY.

301
00:21:09,619 --> 00:21:10,968
[THUNDER]

302
00:21:12,955 --> 00:21:16,056
[THUNDER]

303
00:21:38,164 --> 00:21:40,264
I KNOW YOU'RE HERE.

304
00:21:46,672 --> 00:21:49,773
I SAY, I KNOW YOU'RE HERE.

305
00:21:51,177 --> 00:21:56,113
WHAT'S WRONG? ARE
YOU AFRAID TO SPEAK UP?

306
00:21:56,182 --> 00:22:01,118
IS THAT ALL YOU'RE GOOD
FOR, TO FRIGHTEN WOMEN?

307
00:22:01,187 --> 00:22:05,055
WELL, I'M NOT AFRAID OF YOU.

308
00:22:05,124 --> 00:22:08,058
WHOEVER HEARD OF
A COWARDLY GHOST?

309
00:22:08,127 --> 00:22:09,559
[THUNDER]

310
00:22:09,628 --> 00:22:12,062
NOW IF THE
DEMONSTRATION IS OVER,

311
00:22:12,131 --> 00:22:15,110
I'LL THANK YOU NOT TO INTERFERE
WHILE I BOIL SOME WATER

312
00:22:15,134 --> 00:22:17,067
FOR MY HOT WATER BOTTLE.

313
00:22:17,136 --> 00:22:20,070
LIGHT THE CANDLE.

314
00:22:20,139 --> 00:22:23,073
GO AHEAD, LIGHT IT.

315
00:22:23,142 --> 00:22:27,577
HOW CAN I WHEN YOU KEEP
BLOWING OUT THE MATCH?

316
00:22:27,646 --> 00:22:30,247
LIGHT THE BLASTED CANDLE!

317
00:22:46,649 --> 00:22:48,482
WELL?

318
00:22:48,550 --> 00:22:53,603
YOU'LL... YOU'LL FORGIVE
ME IF I TAKE A MOMENT

319
00:22:53,672 --> 00:22:56,373
TO GET ACCUSTOMED TO YOU.

320
00:23:01,664 --> 00:23:03,631
YOU'RE CAPTAIN GREGG.

321
00:23:03,699 --> 00:23:05,649
AYE.

322
00:23:05,717 --> 00:23:09,119
I'M SORRY I CALLED YOU NAMES,

323
00:23:09,188 --> 00:23:11,121
COWARD AND SO FORTH.

324
00:23:11,190 --> 00:23:15,092
I DIDN'T REALLY BELIEVE IN
YOU, OR I WOULDN'T HAVE.

325
00:23:15,161 --> 00:23:18,045
IT MUST HAVE BEEN
EMBARRASSING TO YOU.

326
00:23:18,114 --> 00:23:19,513
WHY?

327
00:23:19,581 --> 00:23:23,633
WHY, I MEAN BECAUSE
OF THE WAY YOU DIED.

328
00:23:26,121 --> 00:23:28,722
THE WAY I DIED, MADAM?

329
00:23:28,791 --> 00:23:32,693
I MEAN BECAUSE YOU
COMMITTED SUICIDE.

330
00:23:32,761 --> 00:23:35,579
WHAT MADE YOU THINK
I COMMITTED SUICIDE?

331
00:23:35,648 --> 00:23:37,080
MR. COOMBE SAID...

332
00:23:37,149 --> 00:23:40,083
COOMBE'S A FOOL.
THEY'RE ALL FOOLS.

333
00:23:40,152 --> 00:23:43,587
I WENT TO SLEEP IN FRONT OF THAT
CONFOUNDED GAS HEATER IN MY BEDROOM,

334
00:23:43,656 --> 00:23:47,591
AND I MUST HAVE KICKED THE
GAS ON WITH MY FOOT IN MY SLEEP.

335
00:23:47,660 --> 00:23:50,760
IT WAS A STORMY NIGHT LIKE THIS

336
00:23:50,829 --> 00:23:53,597
WITH HALF A GALE BLOWING FROM THE
SOUTH-SOUTHWEST INTO MY WINDOWS,

337
00:23:53,665 --> 00:23:55,599
SO I SHUT THEM AS ANY
SENSIBLE MAN WOULD.

338
00:23:55,667 --> 00:23:56,883
WOULDN'T YOU?

339
00:23:56,952 --> 00:23:59,637
YES, I SUPPOSE SO.

340
00:23:59,705 --> 00:24:02,089
THEN THE CORONER'S
JURY BROUGHT IN A SUICIDE

341
00:24:02,158 --> 00:24:04,524
BECAUSE ME BLASTED
CHARWOMAN TESTIFIED

342
00:24:04,593 --> 00:24:06,526
I ALWAYS SLEPT WITH
ME WINDOWS OPEN.

343
00:24:06,595 --> 00:24:09,596
HOW THE DEVIL SHOULD
SHE KNOW HOW I SLEPT?

344
00:24:09,665 --> 00:24:11,464
OH, I'M SO GLAD.

345
00:24:11,533 --> 00:24:14,818
DO YOU HAVE A STRANGE
SENSE OF HUMOR, MADAM?

346
00:24:14,887 --> 00:24:18,505
I MEAN BECAUSE YOU
DIDN'T COMMIT SUICIDE,

347
00:24:18,574 --> 00:24:22,008
BUT IF YOU DIDN'T,
WHY DO YOU HAUNT?

348
00:24:22,077 --> 00:24:25,011
BECAUSE I HAVE
PLANS FOR ME HOUSE

349
00:24:25,080 --> 00:24:27,040
WHICH DON'T INCLUDE A PACK
OF STRANGERS BARGING IN

350
00:24:27,082 --> 00:24:29,015
AND MAKING THEMSELVES AT HOME.

351
00:24:29,084 --> 00:24:31,062
THEN YOU WERE TRYING
TO FRIGHTEN ME AWAY.

352
00:24:31,086 --> 00:24:34,521
YOU CALL THAT TRYING?
I'D BARELY STARTED.

353
00:24:34,590 --> 00:24:36,523
NO, THAT WAS ENOUGH
FOR ALL THE OTHERS.

354
00:24:36,592 --> 00:24:39,571
THEY DIDN'T WANT ANY
PART OF IT, LET ME TELL YOU.

355
00:24:39,595 --> 00:24:41,573
DIDN'T EVEN STOP
TO WEIGH ANCHOR.

356
00:24:41,597 --> 00:24:43,575
THEY JUST CUT THEIR
CABLES AND RAN.

357
00:24:43,599 --> 00:24:46,032
I THINK IT'S VERY MEAN OF
YOU FRIGHTENING PEOPLE,

358
00:24:46,101 --> 00:24:47,534
CHILDISH, TOO.

359
00:24:47,603 --> 00:24:49,581
IN YOUR CASE, I'M
PREPARED TO ADMIT

360
00:24:49,605 --> 00:24:52,539
I CHARTED THE
COURSE WITH REGRET.

361
00:24:52,608 --> 00:24:54,586
YOU'RE NOT A BAD-LOOKING
WOMAN, YOU KNOW,

362
00:24:54,610 --> 00:24:56,543
ESPECIALLY WHEN YOU'RE ASLEEP.

363
00:24:56,612 --> 00:25:00,046
SO YOU WERE IN MY
ROOM THIS AFTERNOON.

364
00:25:00,115 --> 00:25:01,581
MY ROOM, MADAM.

365
00:25:01,650 --> 00:25:05,485
I THOUGHT I'D DREAMED IT. DID YOU
OPEN THE WINDOW TO FRIGHTEN ME?

366
00:25:05,554 --> 00:25:08,032
I OPENED THE WINDOW BECAUSE
I DIDN'T WANT ANOTHER ACCIDENT

367
00:25:08,056 --> 00:25:10,157
WITH THE BLASTED GAS.

368
00:25:10,226 --> 00:25:12,058
WOMEN ARE SUCH FOOLS.

369
00:25:12,127 --> 00:25:16,529
YOU, OF ALL PEOPLE, SHOULD
NOT HAVE BROUGHT THAT UP.

370
00:25:16,598 --> 00:25:20,701
I WOULDN'T CALL THAT
REMARK IN THE BEST OF TASTE.

371
00:25:20,770 --> 00:25:23,637
WELL, I'M SURE IT
WAS VERY KIND OF YOU,

372
00:25:23,705 --> 00:25:27,141
BUT I AM QUITE CAPABLE
OF TAKING CARE OF MYSELF.

373
00:25:27,209 --> 00:25:29,643
NOW, IF YOU DON'T MIND.

374
00:25:29,711 --> 00:25:31,645
[THUNDER]

375
00:25:42,524 --> 00:25:44,608
WELL, WHAT'S THE MATTER NOW?

376
00:25:44,676 --> 00:25:46,654
I JUST WANTED TO SEE IF
YOU WERE REALLY THERE.

377
00:25:46,678 --> 00:25:48,612
OF COURSE I'M REALLY HERE,

378
00:25:48,680 --> 00:25:51,398
AND I'LL STILL BE HERE WHEN
YOU'VE PACKED UP AND GONE.

379
00:25:53,185 --> 00:25:55,118
BUT I'M NOT GOING.

380
00:25:55,187 --> 00:25:57,454
THE HOUSE SUITS ME PERFECTLY.

381
00:25:57,523 --> 00:25:59,989
MY DEAR WOMAN,
IT'S NOT YOUR HOUSE.

382
00:26:00,058 --> 00:26:01,769
IT IS AS LONG AS I PAY RENT.

383
00:26:01,793 --> 00:26:04,010
PAY RENT TO ME BLASTED COUSIN!

384
00:26:04,079 --> 00:26:05,362
HE'S THE LEGAL OWNER.

385
00:26:05,431 --> 00:26:07,447
LEGAL OWNER BE HANGED!

386
00:26:07,516 --> 00:26:08,949
IT'S MY HOUSE,

387
00:26:09,017 --> 00:26:11,451
AND I WANT IT TURNED INTO
A HOME FOR RETIRED SEAMEN.

388
00:26:11,520 --> 00:26:14,454
THEN YOU SHOULD HAVE
SAID SO IN YOUR WILL.

389
00:26:14,523 --> 00:26:16,389
I DIDN'T LEAVE A WILL.

390
00:26:16,458 --> 00:26:17,757
WHY NOT?

391
00:26:17,826 --> 00:26:20,460
I DIDN'T EXPECT TO KICK THE
BLASTED GAS ON WITH ME FOOT!

392
00:26:20,529 --> 00:26:23,508
I WON'T BE SHOUTED AT. EVERYONE
SHOUTS AT ME AND ORDERS ME ABOUT,

393
00:26:23,532 --> 00:26:25,465
AND I'M SICK OF IT, DO YOU HEAR?

394
00:26:25,534 --> 00:26:26,933
BLAST! BLAST! BLAST!

395
00:26:27,002 --> 00:26:28,167
TEMPER. HA HA!

396
00:26:28,236 --> 00:26:30,515
OR LAUGHED AT, EITHER. I
WON'T LEAVE THIS HOUSE.

397
00:26:30,539 --> 00:26:34,474
YOU CAN'T MAKE
ME LEAVE IT. I WON'T!

398
00:26:36,044 --> 00:26:38,478
HERE, BELAY THAT.

399
00:26:38,547 --> 00:26:40,814
STOP IT NOW, DO YOU HEAR ME?

400
00:26:40,883 --> 00:26:44,484
IF THERE'S ONE THING I CAN'T
STAND, IT'S A WOMAN CRYING.

401
00:26:44,553 --> 00:26:47,320
STOP IT! BLAST IT ALL, MADAM.

402
00:26:47,389 --> 00:26:50,991
I LOVE THIS HOUSE. I
THOUGHT I MUST STAY HERE

403
00:26:51,059 --> 00:26:53,009
THE MOMENT I SAW IT.

404
00:26:53,078 --> 00:26:54,511
I CAN'T EXPLAIN IT.

405
00:26:54,580 --> 00:26:57,058
IT WAS AS IF THE HOUSE
ITSELF WERE WELCOMING ME,

406
00:26:57,082 --> 00:27:01,017
ASKING ME TO RESCUE
IT FROM BEING SO EMPTY.

407
00:27:01,086 --> 00:27:04,020
YOU CAN'T UNDERSTAND
THAT, CAN YOU?

408
00:27:04,089 --> 00:27:06,957
I SUPPOSE YOU THINK
I'M JUST A SILLY WOMAN,

409
00:27:07,025 --> 00:27:09,960
BUT THAT'S THE WAY I FEEL.

410
00:27:10,028 --> 00:27:11,462
HMM.

411
00:27:11,530 --> 00:27:13,964
WELL, THERE MIGHT BE
SOME TRUTH IN IT AT THAT.

412
00:27:14,032 --> 00:27:16,967
I FELT THAT WAY
ABOUT A SHIP ONCE,

413
00:27:17,035 --> 00:27:18,469
MY FIRST COMMAND.

414
00:27:18,537 --> 00:27:20,971
FOUND HER RUSTING IN THE MERSEY,

415
00:27:21,039 --> 00:27:25,325
GEAR ALL FOUL
AND A PIGSTY BELOW.

416
00:27:26,979 --> 00:27:29,980
ALWAYS SWORE SHE SAILED
TWICE AS SWEETLY FOR ME

417
00:27:30,048 --> 00:27:31,982
AS SHE WOULD FOR
ANY OTHER MASTER

418
00:27:32,050 --> 00:27:33,984
OUT OF GRATITUDE.

419
00:27:34,052 --> 00:27:38,822
WELL, YOU LOVE THE HOUSE.
THAT COUNTS FOR YOU.

420
00:27:38,890 --> 00:27:41,085
AND YOU'VE GOT SPUNK. YOU
DIDN'T FRIGHTEN LIKE THE OTHERS.

421
00:27:41,109 --> 00:27:43,042
THAT COUNTS FOR YOU, TOO.

422
00:27:43,111 --> 00:27:45,612
YOU MAY STAY...

423
00:27:45,681 --> 00:27:47,063
ON TRIAL.

424
00:27:47,132 --> 00:27:48,565
OH, THANK YOU.

425
00:27:48,634 --> 00:27:50,567
KEEP YOUR DISTANCE, MADAM.

426
00:27:50,636 --> 00:27:52,735
I'M SORRY. YOU MADE ME SO HAPPY.

427
00:27:52,804 --> 00:27:54,616
NO INTENTION OF
MAKING YOU HAPPY.

428
00:27:54,640 --> 00:27:56,618
I MERELY WANT TO DO
WHAT'S BEST FOR THE HOUSE.

429
00:27:56,642 --> 00:27:59,943
THEN WE'RE AGREED, AND YOU'LL
GO RIGHT AWAY AND LEAVE US ALONE.

430
00:28:00,012 --> 00:28:04,547
I WILL NOT GO RIGHT
AWAY. WHY SHOULD I?

431
00:28:04,616 --> 00:28:07,550
BECAUSE OF ANNA, MY LITTLE GIRL.

432
00:28:07,619 --> 00:28:09,552
I DON'T WANT HER
FRIGHTENED INTO FITS.

433
00:28:09,621 --> 00:28:11,599
I NEVER FRIGHTEN
LITTLE GIRLS INTO FITS.

434
00:28:11,623 --> 00:28:14,557
THINK OF THE BAD LANGUAGE
SHE'D LEARN AND THE MORALS.

435
00:28:14,626 --> 00:28:17,560
CONFOUND IT, MADAM, MY
LANGUAGE IS MOST CONTROLLED,

436
00:28:17,629 --> 00:28:19,062
AND AS FOR ME MORALS,

437
00:28:19,131 --> 00:28:22,065
I LIVED A MAN'S LIFE, AND
I'M NOT ASHAMED OF IT.

438
00:28:22,134 --> 00:28:23,566
I CAN ASSURE YOU

439
00:28:23,635 --> 00:28:26,075
NO WOMAN'S EVER BEEN
THE WORSE FOR KNOWING ME,

440
00:28:26,138 --> 00:28:29,117
AND I'D LIKE TO KNOW HOW
MANY MEALY-MOUTHED BLUENOSES

441
00:28:29,141 --> 00:28:30,573
CAN SAY THE SAME.

442
00:28:30,642 --> 00:28:33,076
SHE'S MUCH TOO
YOUNG TO SEE GHOSTS.

443
00:28:33,145 --> 00:28:35,578
VERY WELL. I'LL MAKE
A BARGAIN WITH YOU.

444
00:28:35,647 --> 00:28:37,580
LEAVE ME BEDROOM AS IT IS,

445
00:28:37,649 --> 00:28:40,111
AND I'LL PROMISE NOT TO GO INTO
ANY OTHER ROOM IN THE HOUSE.

446
00:28:40,135 --> 00:28:42,113
AND YOUR BRAT NEED NEVER
KNOW ANYTHING ABOUT ME.

447
00:28:42,137 --> 00:28:44,471
BUT IF YOU KEEP THE BEST
BEDROOM, WHERE SHOULD I SLEEP?

448
00:28:44,540 --> 00:28:46,473
IN THE BEST BEDROOM.

449
00:28:47,543 --> 00:28:48,543
BUT...

450
00:28:48,577 --> 00:28:51,310
IN HEAVEN'S NAME,
MADAM, WHY NOT?

451
00:28:51,379 --> 00:28:53,980
WHY, BLESS MY
SOUL, I'M A SPIRIT.

452
00:28:54,049 --> 00:28:56,027
I HAVE NO BODY. I HAVEN'T
HAD ONE FOR FOUR YEARS,

453
00:28:56,051 --> 00:28:57,483
IS THAT CLEAR?

454
00:28:57,552 --> 00:28:59,485
BUT I CAN SEE YOU.

455
00:28:59,554 --> 00:29:01,532
ALL YOU SEE IS AN ILLUSION.

456
00:29:01,556 --> 00:29:03,534
IT'S LIKE A BLASTED
LANTERN SLIDE.

457
00:29:03,558 --> 00:29:05,424
WELL, IT'S NOT VERY CONVINCING,

458
00:29:05,493 --> 00:29:07,426
BUT I SUPPOSE IT'S ALL RIGHT.

459
00:29:07,495 --> 00:29:10,429
THEN IT'S SETTLED. I'M
PROBABLY MAKING A MISTAKE.

460
00:29:10,498 --> 00:29:13,432
I ALWAYS WAS A FOOL
FOR A HELPLESS WOMAN.

461
00:29:13,501 --> 00:29:14,934
I'M NOT HELPLESS.

462
00:29:15,003 --> 00:29:16,981
IF YOU'RE SO
CONFOUNDEDLY COMPETENT,

463
00:29:17,005 --> 00:29:18,983
YOU'LL NOTICE YOUR
KETTLE'S ABOUT TO BOIL OVER.

464
00:29:19,007 --> 00:29:20,723
OH, SO IT IS.

465
00:29:22,511 --> 00:29:24,794
OH, ONE THING MORE.

466
00:29:24,863 --> 00:29:27,058
I WANT ME PAINTING
HUNG IN THE BEDROOM,

467
00:29:27,082 --> 00:29:29,060
THE ONE THAT'S IN
THE LIVING ROOM.

468
00:29:29,084 --> 00:29:31,868
MUST I? IT'S A VERY
POOR PAINTING.

469
00:29:31,937 --> 00:29:34,782
IT'S MY PAINTING. I DIDN'T
INVITE YOUR CRITICISM.

470
00:29:34,806 --> 00:29:37,073
I MAKE THAT PART OF THE BARGAIN.

471
00:29:37,142 --> 00:29:40,843
I WANT YOU TO PUT IT THERE
NOW, TONIGHT. GOOD NIGHT.

472
00:29:40,912 --> 00:29:43,063
GOOD NIGHT.

473
00:29:43,131 --> 00:29:45,816
I MEAN, IT DOESN'T
DO YOU JUSTICE AND...

474
00:30:02,134 --> 00:30:05,569
YOU MIGHT AT LEAST HAVE
TURNED THE LIGHT BACK ON

475
00:30:05,638 --> 00:30:07,053
BEFORE YOU LEFT.

476
00:30:07,139 --> 00:30:08,571
[THUNDER]

477
00:30:48,180 --> 00:30:50,113
SUCH NONSENSE.

478
00:31:32,791 --> 00:31:35,692
[DING-DING DING-DING]

479
00:31:57,265 --> 00:32:00,200
<i>MY DEAR, NEVER
LET ANYONE TELL YOU</i>

480
00:32:00,268 --> 00:32:02,108
<i>TO BE ASHAMED OF YOUR FIGURE!</i>

481
00:32:04,172 --> 00:32:05,539
[THUNDER]

482
00:32:11,913 --> 00:32:14,848
THERE! THAT'S THE LAST OF THEM.

483
00:32:16,418 --> 00:32:18,452
NEVER HELD WITH MOURNING MESELF.

484
00:32:18,521 --> 00:32:21,121
I ALWAYS SAY LIFE'S
BLACK ENOUGH AS IT IS

485
00:32:21,189 --> 00:32:22,834
WITHOUT DRESSING IN IT, TOO.

486
00:32:22,858 --> 00:32:24,290
CHEER UP, MARTHA.

487
00:32:24,359 --> 00:32:25,792
LIFE ISN'T AS BAD AS THAT.

488
00:32:25,861 --> 00:32:27,293
WHO SAID IT WAS?

489
00:32:32,868 --> 00:32:34,100
GOOD AFTERNOON.

490
00:32:34,169 --> 00:32:36,753
WHAT HAVE YOU DONE WITH
ME MONKEY PUZZLE TREE?

491
00:32:36,822 --> 00:32:39,606
I EXPECT IT'S CHOPPED
FOR FIREWOOD BY NOW.

492
00:32:39,675 --> 00:32:41,107
HANG IT ALL, MADAM!

493
00:32:41,177 --> 00:32:43,610
I PLANTED THAT TREE
WITH ME OWN TWO HANDS.

494
00:32:43,679 --> 00:32:44,878
WHY?

495
00:32:44,946 --> 00:32:47,747
BECAUSE I WANTED A MONKEY
PUZZLE TREE IN ME GARDEN!

496
00:32:47,816 --> 00:32:49,249
THINK HOW MUCH PRETTIER

497
00:32:49,318 --> 00:32:50,828
A BED OF ROSES WILL LOOK THERE.

498
00:32:50,852 --> 00:32:52,319
I HATE ROSES!

499
00:32:52,387 --> 00:32:54,554
I HOPE THE WHOLE BLASTED BED

500
00:32:54,622 --> 00:32:55,822
DIES OF BLIGHT!

501
00:32:55,891 --> 00:32:58,870
I WISH YOU WOULDN'T
SWEAR. IT'S SO UGLY.

502
00:32:58,894 --> 00:33:00,493
IF YOU THINK THAT'S UGLY,

503
00:33:00,562 --> 00:33:03,330
IT'S A GOOD THING YOU
CAN'T READ ME THOUGHTS.

504
00:33:04,733 --> 00:33:07,934
YOU SEEM TO BE VERY
EARTHLY FOR A SPIRIT.

505
00:33:08,003 --> 00:33:09,480
AND YOU, MADAM, ARE ENOUGH

506
00:33:09,504 --> 00:33:11,316
TO MAKE A SAINT
TAKE TO BLASPHEMY!

507
00:33:11,340 --> 00:33:13,039
BLASTED WOMEN!

508
00:33:13,108 --> 00:33:14,607
ALWAYS MAKE TROUBLE

509
00:33:14,676 --> 00:33:15,987
WHEN YOU ALLOW ONE ABOARD.

510
00:33:16,011 --> 00:33:18,111
CAPTAIN GREGG, IF YOU
INSIST ON HAUNTING ME,

511
00:33:18,180 --> 00:33:19,824
YOU MIGHT AT LEAST BE
MORE AGREEABLE ABOUT IT.

512
00:33:19,848 --> 00:33:21,159
WHY SHOULD I BE AGREEABLE?

513
00:33:21,183 --> 00:33:22,782
WELL, AS LONG AS WE'RE LIVING...

514
00:33:22,851 --> 00:33:25,785
I MEAN, IF WE'RE TO BE
THROWN TOGETHER SO MUCH,

515
00:33:25,854 --> 00:33:28,588
LIFE'S TOO SHORT TO BE
FOREVER BARKING AT EACH OTHER.

516
00:33:28,656 --> 00:33:30,807
YOUR LIFE MAY BE SHORT, MADAM.

517
00:33:30,875 --> 00:33:33,476
I HAVE AN UNLIMITED
TIME AT MY DISPOSAL.

518
00:33:33,545 --> 00:33:35,478
THERE YOU GO ARGUING AGAIN.

519
00:33:35,547 --> 00:33:38,815
TRY TO SAY SOMETHING
PLEASANT FOR A CHANGE.

520
00:33:38,883 --> 00:33:40,016
HMM.

521
00:33:42,887 --> 00:33:46,489
AH, THAT'S A... THAT'S A
PRETTY RIG YOU HAVE ON.

522
00:33:46,558 --> 00:33:47,702
OH, THANK YOU, SIR.

523
00:33:47,726 --> 00:33:49,069
MUCH BETTER THAN
SMOTHERING YOURSELF

524
00:33:49,093 --> 00:33:50,694
IN ALL THAT UGLY BLACK CREPE.

525
00:33:50,762 --> 00:33:53,107
I HAPPEN TO HAVE BEEN WEARING
MOURNING FOR MY HUSBAND.

526
00:33:53,131 --> 00:33:54,331
WHOM YOU DIDN'T LOVE.

527
00:33:59,404 --> 00:34:01,338
HOW DARE YOU SAY THAT!

528
00:34:01,406 --> 00:34:03,885
BECAUSE IT'S TRUE. YOU
WERE FOND OF HIM PERHAPS,

529
00:34:03,909 --> 00:34:06,109
BUT YOU DIDN'T LOVE HIM.

530
00:34:06,178 --> 00:34:07,577
I SUPPOSE YOU'RE JEALOUS

531
00:34:07,645 --> 00:34:09,779
BECAUSE NO ONE PUT
ON MOURNING FOR YOU.

532
00:34:09,848 --> 00:34:12,048
THAT SHOWS HOW LITTLE
YOU KNOW ABOUT IT.

533
00:34:12,084 --> 00:34:15,285
SOME POOR, MISGUIDED
FEMALE NO DOUBT.

534
00:34:15,354 --> 00:34:18,788
THREE POOR, MISGUIDED
FEMALES TO BE EXACT.

535
00:34:18,857 --> 00:34:20,957
I SHOULD... I SHOULD THINK
YOU'D BE ASHAMED OF IT

536
00:34:21,026 --> 00:34:22,792
INSTEAD OF BOASTING ABOUT IT.

537
00:34:22,861 --> 00:34:24,727
WHY? THEY MISGUIDED THEMSELVES.

538
00:34:24,796 --> 00:34:26,341
I NEVER RAISED A
FINGER TO HELP THEM.

539
00:34:26,365 --> 00:34:28,631
THAT'S NOT WHAT I'VE
HEARD ABOUT SAILORS.

540
00:34:28,700 --> 00:34:30,300
SEAMEN, CONFOUND IT!

541
00:34:30,369 --> 00:34:32,952
SAILOR IS A LANDLUBBER'S WORD.

542
00:34:34,356 --> 00:34:36,156
WHY DID YOU MARRY HIM?

543
00:34:36,191 --> 00:34:37,290
EDWIN?

544
00:34:39,194 --> 00:34:40,960
I DON'T REALLY KNOW.

545
00:34:42,864 --> 00:34:44,297
HE WAS AN ARCHITECT.

546
00:34:44,366 --> 00:34:46,299
HE CAME DOWN TO PLAN AN ADDITION

547
00:34:46,368 --> 00:34:48,802
TO MY FATHER'S LIBRARY.

548
00:34:48,870 --> 00:34:51,304
I WAS ONLY 17.

549
00:34:51,373 --> 00:34:53,807
I REMEMBER I'D... I'D
JUST FINISHED A NOVEL

550
00:34:53,875 --> 00:34:56,142
IN WHICH THE HEROINE WAS
KISSED IN THE ROSE GARDEN

551
00:34:56,211 --> 00:34:58,645
AND LIVED HAPPILY EVER AFTER.

552
00:34:58,714 --> 00:35:01,314
SO WHEN EDWIN KISSED
ME IN THE ORCHARD...

553
00:35:01,383 --> 00:35:02,816
BUT IT WAS DIFFERENT

554
00:35:02,884 --> 00:35:04,984
AFTER YOU LEFT THE ORCHARD.

555
00:35:06,321 --> 00:35:08,299
HE DIDN'T BEAT YOU, DID HE?

556
00:35:08,323 --> 00:35:10,256
OH, NO!

557
00:35:10,325 --> 00:35:13,926
POOR EDWIN. HE
NEVER DID ANYTHING.

558
00:35:13,995 --> 00:35:17,263
I'M AFRAID HE WASN'T EVEN
A VERY GOOD ARCHITECT.

559
00:35:18,667 --> 00:35:21,601
HE COULDN'T HAVE
DESIGNED A HOUSE LIKE THIS.

560
00:35:21,670 --> 00:35:23,102
WHO DID?

561
00:35:23,171 --> 00:35:25,104
I DID.

562
00:35:26,675 --> 00:35:29,108
IT REMINDS ME OF SOMETHING...

563
00:35:29,177 --> 00:35:32,629
AN OLD SONG, OR... OR A POEM.

564
00:35:32,698 --> 00:35:34,676
"MAGIC CASEMENTS,
OPENING ON THE FOAM

565
00:35:34,700 --> 00:35:38,134
OF PERILOUS SEAS, IN
FAERY LANDS FORLORN."

566
00:35:38,203 --> 00:35:39,636
THAT'S KEATS, ISN'T IT?

567
00:35:39,705 --> 00:35:41,137
<i>THE NIGHTINGALE.</i>

568
00:35:41,206 --> 00:35:45,141
STRANGE TO FIND A SEA
CAPTAIN QUOTING KEATS.

569
00:35:45,210 --> 00:35:47,644
OH, LIFE'S SLOW AT SEA.

570
00:35:49,047 --> 00:35:50,525
PLENTY OF TIME FOR READING

571
00:35:50,549 --> 00:35:51,789
IN THE OFF WATCHES.

572
00:35:53,034 --> 00:35:55,134
HOW ROMANTIC.

573
00:35:55,204 --> 00:35:58,137
READING LYRIC POETRY
UP IN THE CROW'S-NEST

574
00:35:58,207 --> 00:36:00,640
WITH THE SHEETS
BELLYING IN THE WIND.

575
00:36:00,709 --> 00:36:02,687
SAILS, BLAST IT ALL, MADAM!

576
00:36:02,711 --> 00:36:05,144
A SHEET'S A LINE, A ROPE.

577
00:36:05,214 --> 00:36:07,247
ROPES CAN'T BELLY.

578
00:36:08,517 --> 00:36:11,084
I DON'T KNOW
ANYTHING ABOUT THE SEA

579
00:36:11,152 --> 00:36:12,897
EXCEPT THAT IT IS ROMANTIC.

580
00:36:12,921 --> 00:36:14,821
MMM. THAT'S WHAT
ALL LANDSMEN THINK.

581
00:36:14,889 --> 00:36:16,456
SEAMEN KNOW BETTER.

582
00:36:16,525 --> 00:36:18,135
THEN WHY DO THEY GO TO SEA?

583
00:36:18,159 --> 00:36:20,594
BECAUSE THEY HAVEN'T
THE SENSE TO STAY ASHORE.

584
00:36:20,662 --> 00:36:23,096
HEAVEN HELP THE ORDINARY SEAMAN.

585
00:36:23,164 --> 00:36:24,598
WERE YOU EVER ONE?

586
00:36:24,666 --> 00:36:27,267
FOR SEVERAL YEARS,
WHILE I LEARNT ME TRADE.

587
00:36:28,670 --> 00:36:30,315
IT'S HARD TO IMAGINE YOU

588
00:36:30,339 --> 00:36:32,439
BEING AN ORDINARY ANYTHING.

589
00:36:35,677 --> 00:36:37,611
[CARRIAGE APPROACHING]

590
00:36:42,117 --> 00:36:43,850
YOU GOT CALLERS.

591
00:36:46,688 --> 00:36:49,122
OH, DEAR! WHATEVER
CAN THEY WANT?

592
00:36:49,190 --> 00:36:50,123
WHO IS IT?

593
00:36:50,191 --> 00:36:52,459
MY BLASTED IN-LAWS!

594
00:36:55,697 --> 00:36:57,175
BUT SHE'S RESTING, MA'AM.

595
00:36:57,199 --> 00:36:58,965
THEN WE'LL GO UP.

596
00:36:59,033 --> 00:37:01,834
QUICK! HIDE OR... OR GO AWAY

597
00:37:01,903 --> 00:37:02,969
OR DECOMPOSE.

598
00:37:03,037 --> 00:37:04,637
DEMATERIALIZE, MADAM.

599
00:37:04,706 --> 00:37:06,016
WHATEVER IT IS, DO IT QUICKLY.

600
00:37:06,040 --> 00:37:08,741
NO FEAR. THEY CAN'T
SEE ME OR HEAR ME

601
00:37:08,810 --> 00:37:10,577
UNLESS I CHOOSE
THAT THEY SHOULD.

602
00:37:10,645 --> 00:37:12,790
OH, THEN PLEASE DON'T
CHOOSE. I'LL GET RID OF THEM.

603
00:37:12,814 --> 00:37:14,774
WHY DON'T YOU LET ME?
I'VE HAD PLENTY OF PRACTICE.

604
00:37:14,816 --> 00:37:17,216
SAY THE WORD, AND
I'LL KEELHAUL THEM.

605
00:37:17,285 --> 00:37:19,252
NO. YOU'RE NOT TO DO ANYTHING!

606
00:37:19,321 --> 00:37:20,754
WELL, LUCY.

607
00:37:20,822 --> 00:37:22,872
Talking to herself.

608
00:37:22,941 --> 00:37:25,742
OH, MY POOR LUCY.

609
00:37:27,012 --> 00:37:28,823
YOU LOOK SO PALE.

610
00:37:28,847 --> 00:37:30,280
WELL! WHAT AN UGLY ROOM!

611
00:37:30,348 --> 00:37:31,348
OH, IT ISN'T REALLY.

612
00:37:31,383 --> 00:37:32,827
WHATEVER DO YOU WANT
WITH THAT TELESCOPE?

613
00:37:32,851 --> 00:37:34,161
I... I LIKE TO LOOK
AT THE STARS.

614
00:37:34,185 --> 00:37:35,786
YOU NEVER LIKED TO
LOOK AT THE STARS

615
00:37:35,854 --> 00:37:36,887
WHEN YOU LIVED WITH US.

616
00:37:36,955 --> 00:37:38,855
SIT DOWN, MOTHER.

617
00:37:38,924 --> 00:37:41,824
AND WHAT A HIDEOUS PAINTING.

618
00:37:41,894 --> 00:37:43,654
ANYONE WITH A FACE
LIKE YOURS, MADAM,

619
00:37:43,695 --> 00:37:45,840
SHOULD STEER CLEAR OF
EXPRESSING SUCH OPINIONS.

620
00:37:45,864 --> 00:37:48,281
WHY ON EARTH DON'T
YOU TAKE IT DOWN?

621
00:37:48,350 --> 00:37:49,749
BECAUSE I LIKE IT, EVA.

622
00:37:49,818 --> 00:37:52,085
I'M... I'M VERY FOND
OF IT, REALLY I AM.

623
00:37:52,154 --> 00:37:54,787
HA HA HA! LIAR.

624
00:37:54,856 --> 00:37:57,123
OF COURSE. IF YOU
WANT A PORTRAIT

625
00:37:57,192 --> 00:37:59,303
OF A STRANGE MAN IN YOUR ROOM,

626
00:37:59,327 --> 00:38:00,838
WELL, THAT'S UP TO YOU.

627
00:38:00,862 --> 00:38:02,629
I'M SURE YOU DIDN'T COME HERE

628
00:38:02,697 --> 00:38:04,797
MERELY TO CRITICIZE
THE DECORATIONS.

629
00:38:04,866 --> 00:38:06,277
NO, WE DID NOT.

630
00:38:06,301 --> 00:38:08,869
OH, POOR LUCY, WE'VE
SUCH BAD NEWS FOR YOU.

631
00:38:08,937 --> 00:38:11,288
I SUPPOSE IT'S ALL FOR THE
BEST, EVERYTHING CONSIDERED.

632
00:38:11,356 --> 00:38:12,450
DON'T YOU, EVA?

633
00:38:12,474 --> 00:38:14,541
AND IN MY OPINION,
WE'RE JUST IN TIME.

634
00:38:14,609 --> 00:38:17,288
SO PERHAPS OUR BAD NEWS
IS GOOD NEWS AFTER ALL,

635
00:38:17,312 --> 00:38:19,808
AND NOW WE CAN ALL GO
HOME AND LIVE TOGETHER

636
00:38:19,832 --> 00:38:21,810
AND FORGET ALL THIS NONSENSE

637
00:38:21,834 --> 00:38:23,266
ABOUT LIVING ALONE.

638
00:38:23,335 --> 00:38:24,450
WHAT NEWS IS THIS?

639
00:38:24,519 --> 00:38:26,047
YOUR GOLD MINE, LUCY.

640
00:38:26,071 --> 00:38:27,297
IT'S PETERED OUT.

641
00:38:27,321 --> 00:38:28,816
THEY'VE STOPPED
PAYING DIVIDENDS.

642
00:38:28,840 --> 00:38:30,473
IT WAS IN<i> THE
TIMES</i> THIS MORNING.

643
00:38:32,177 --> 00:38:33,276
OH.

644
00:38:37,782 --> 00:38:39,115
OH.

645
00:38:39,184 --> 00:38:40,783
AVAST NOW.

646
00:38:40,852 --> 00:38:42,830
DON'T MAKE A SCENE IN
FRONT OF THESE SWABS.

647
00:38:42,854 --> 00:38:44,470
I DON'T INTEND TO MAKE A SCENE.

648
00:38:44,539 --> 00:38:47,807
OH. OH, OF COURSE YOU DON'T.

649
00:38:47,876 --> 00:38:51,310
YOU'RE MY BRAVE LITTLE
GIRL, THAT'S WHAT YOU ARE.

650
00:38:51,379 --> 00:38:54,113
OH, LUCY. MY LITTLE LUCY.

651
00:38:54,182 --> 00:38:55,448
PLEASE.

652
00:38:55,517 --> 00:38:57,161
MAKE HER STOP THAT
ETERNAL CATERWAULING

653
00:38:57,185 --> 00:38:58,195
OR I WILL TAKE A HAND!

654
00:38:58,219 --> 00:38:59,152
YOU KEEP OUT OF THIS!

655
00:38:59,220 --> 00:39:00,153
OH, LUCY!

656
00:39:00,221 --> 00:39:01,487
HA HA HA!

657
00:39:01,556 --> 00:39:03,006
OH, BLAST!

658
00:39:03,074 --> 00:39:05,074
OH! DID YOU HEAR HER, EVA?

659
00:39:05,143 --> 00:39:07,154
YES, I HEARD HER. STOP
SNIVELING, MOTHER.

660
00:39:07,178 --> 00:39:09,323
IF THAT'S WHAT YOU WANT,
WE WILL KEEP OUT OF IT.

661
00:39:09,347 --> 00:39:10,279
I DIDN'T MEAN YOU.

662
00:39:10,348 --> 00:39:11,826
THEN JUST WHOM DID YOU MEAN?

663
00:39:11,850 --> 00:39:13,783
WELL, I... I COULD
EXPLAIN, I SUPPOSE,

664
00:39:13,852 --> 00:39:15,785
BUT... BUT YOU
WOULDN'T BELIEVE ME.

665
00:39:15,854 --> 00:39:17,331
ALL I KNOW IS THAT YOU'RE ACTING

666
00:39:17,355 --> 00:39:18,833
IN A MOST PECULIAR FASHION.

667
00:39:18,857 --> 00:39:20,334
THE ONLY CHARITABLE EXPLANATION

668
00:39:20,358 --> 00:39:22,336
IS THAT THE SOLITUDE
HAS PREYED ON YOUR MIND.

669
00:39:22,360 --> 00:39:24,293
SHE THINKS YOU'VE GOT
BATS IN YOUR BELFRY.

670
00:39:24,362 --> 00:39:25,294
OH, PIPE DOWN!

671
00:39:25,363 --> 00:39:27,797
I MEAN, I WANT TO THINK.

672
00:39:27,866 --> 00:39:31,067
VERY WELL, I WILL PIPE
DOWN, AS YOU PUT IT,

673
00:39:31,136 --> 00:39:32,346
BUT IT SHOULD BE
PERFECTLY OBVIOUS

674
00:39:32,370 --> 00:39:33,681
THAT WITH YOUR INCOME GONE

675
00:39:33,705 --> 00:39:35,349
THERE'S ONLY ONE COURSE
FOR YOU TO FOLLOW,

676
00:39:35,373 --> 00:39:36,951
AND THAT IS TO COME
HOME NOW, WITH US.

677
00:39:36,975 --> 00:39:39,225
YOU MEAN GIVE UP THIS HOUSE?

678
00:39:39,294 --> 00:39:40,771
NATURALLY. IT WAS IDIOTIC

679
00:39:40,795 --> 00:39:42,273
TO TAKE IT IN THE FIRST PLACE,

680
00:39:42,297 --> 00:39:43,774
AND NOW THAT YOU'RE A PAUPER,

681
00:39:43,798 --> 00:39:45,758
HOW CAN YOU POSSIBLY STAY?

682
00:39:49,804 --> 00:39:51,737
DON'T DO IT, LUCY.

683
00:39:53,641 --> 00:39:55,691
DO YOU WANT ME TO STAY?

684
00:39:55,760 --> 00:39:56,804
YES.

685
00:39:56,828 --> 00:39:58,261
DO YOU REALLY MEAN IT?

686
00:39:58,330 --> 00:39:59,696
OF COURSE I MEAN IT.

687
00:39:59,764 --> 00:40:01,297
TELL THEM TO SHOVE OFF.

688
00:40:01,366 --> 00:40:03,633
WE'LL THINK OF SOMETHING.

689
00:40:05,370 --> 00:40:08,438
I'M SORRY. IT'S VERY KIND
OF YOU TO WANT ME BACK,

690
00:40:10,959 --> 00:40:14,126
SO, PLEASE BE GOOD
ENOUGH TO SHOVE OFF.

691
00:40:14,195 --> 00:40:17,580
VERY WELL. YOU'RE
OBVIOUSLY INSANE,

692
00:40:17,648 --> 00:40:20,194
AND I FOR ONE WANT
NOTHING MORE TO DO WITH YOU.

693
00:40:20,218 --> 00:40:21,317
COME, MOTHER.

694
00:40:29,828 --> 00:40:31,243
CAPTAIN GREGG...

695
00:40:31,312 --> 00:40:33,313
CAPTAIN GREGG, WHERE ARE YOU?

696
00:40:37,719 --> 00:40:39,519
DON'T FORGET YOUR PROMISE.

697
00:40:42,407 --> 00:40:43,840
IT'S TOO RIDICULOUS!

698
00:40:43,909 --> 00:40:46,342
I'M GOING TO GIVE
HER ONE MORE CHANCE.

699
00:40:47,913 --> 00:40:49,679
STOP PULLING ME, MOTHER.

700
00:40:49,748 --> 00:40:51,668
I'M NOT PULLING YOU, EVA.

701
00:40:53,251 --> 00:40:54,350
STOP IT, I SAY!

702
00:40:54,419 --> 00:40:56,379
I'M NOT TOUCHING YOU, EVA.

703
00:40:56,421 --> 00:40:57,353
OFF WE GO!

704
00:40:57,422 --> 00:40:59,689
LET ME GO! AAH!

705
00:40:59,758 --> 00:41:01,106
OH! OH!

706
00:41:01,175 --> 00:41:02,854
OH! OH!

707
00:41:02,878 --> 00:41:05,344
[ARF ARF ARF]

708
00:41:07,849 --> 00:41:10,283
[ARF ARF ARF ARF ARF]

709
00:41:20,645 --> 00:41:22,812
MUMMY'S COMING
ABOARD IN A MOTORCAR.

710
00:41:22,880 --> 00:41:25,465
MR. COOMBE IS INVITED FOR TEA.

711
00:41:27,218 --> 00:41:29,318
OH! I'M SO GLAD

712
00:41:29,387 --> 00:41:31,365
YOU FOUND THE HOUSE
SUITABLE AFTER ALL.

713
00:41:31,389 --> 00:41:33,868
I'M CONVINCED NOW THAT
WE WERE UNDULY CONCERNED

714
00:41:33,892 --> 00:41:36,325
ABOUT THE POSSIBILITY
OF A GHOST HAUNTING IT.

715
00:41:36,394 --> 00:41:38,372
AS YOU SAY, HOW
COULD SUCH THINGS EXIST

716
00:41:38,396 --> 00:41:40,329
IN THE 20th CENTURY?

717
00:41:40,398 --> 00:41:42,331
INDEED. HOW COULD THEY?

718
00:41:42,400 --> 00:41:43,544
STILL, YOU MUST ADMIT

719
00:41:43,568 --> 00:41:45,702
IT'S A VERY ISOLATED LOCATION,

720
00:41:45,771 --> 00:41:48,382
AND I'VE OFTEN THOUGHT
OF YOU OUT HERE ALONE

721
00:41:48,406 --> 00:41:51,841
WITHOUT THE PROTECTION
OF A MAN, THE RIGHT MAN,

722
00:41:51,910 --> 00:41:52,842
COULD OFFER YOU.

723
00:41:52,911 --> 00:41:54,560
[ENGINE STARTS]

724
00:42:29,714 --> 00:42:32,148
I ONLY HOPE WHEN I
REACH THE AFTERLIFE

725
00:42:32,216 --> 00:42:33,616
I HAVE A LITTLE MORE DIGNITY.

726
00:42:33,685 --> 00:42:34,685
DIGNITY?

727
00:42:34,753 --> 00:42:36,697
DO YOU CALL IT DIGNIFIED
TO THROW YOURSELF

728
00:42:36,721 --> 00:42:38,699
AT A HERRING-GUTTED
SWAB LIKE THAT?

729
00:42:38,723 --> 00:42:40,322
I ASKED MR. COOMBE HERE

730
00:42:40,391 --> 00:42:41,658
BECAUSE HE'S THE LOGICAL MAN

731
00:42:41,726 --> 00:42:44,160
TO HELP ME FIND
LODGERS FOR THE SUMMER.

732
00:42:44,228 --> 00:42:45,161
LODGERS?

733
00:42:45,229 --> 00:42:46,429
OH.

734
00:42:48,066 --> 00:42:49,666
HERE, WEIGH YOUR ANCHOR.

735
00:42:49,734 --> 00:42:51,167
FORGIVE ME, MY DEAR.

736
00:42:51,235 --> 00:42:52,713
I'VE BEEN SERIOUSLY MISLED.

737
00:42:52,737 --> 00:42:55,215
I THOUGHT YOU WANTED TO
SIGN HIM ON FOR A HUSBAND.

738
00:42:55,239 --> 00:42:57,656
MR. COOMBE? THAT WALRUS!

739
00:42:57,725 --> 00:43:00,704
IT'S MY EXPERIENCE THAT WOMEN
WILL DO ANYTHING FOR MONEY.

740
00:43:00,728 --> 00:43:03,329
NOW YOU AND YOUR
BLASTED EXPERIENCES

741
00:43:03,398 --> 00:43:04,663
HAVE RUINED EVERYTHING.

742
00:43:04,732 --> 00:43:06,165
NO. NO. NO. THERE'S
NO HARM DONE.

743
00:43:06,234 --> 00:43:08,601
I COULDN'T ALLOW YOU TO
TAKE IN LODGERS IN ANY CASE.

744
00:43:08,669 --> 00:43:10,603
THEY'RE WORSE THAN
PASSENGERS AT SEA.

745
00:43:10,671 --> 00:43:12,288
IT'S THEM OR STARVE.

746
00:43:12,357 --> 00:43:14,740
NOT AT ALL, MY DEAR.

747
00:43:14,809 --> 00:43:17,243
I'VE SOLVED ALL YOUR PROBLEMS.

748
00:43:17,312 --> 00:43:19,072
YOU'RE GOING TO WRITE A BOOK.

749
00:43:21,049 --> 00:43:22,982
A BOOK?

750
00:43:23,051 --> 00:43:26,018
BUT I COULDN'T.

751
00:43:26,087 --> 00:43:28,754
I FIND IT HARD ENOUGH
TO WRITE A POSTCARD.

752
00:43:28,823 --> 00:43:30,256
NO, BUT I CAN.

753
00:43:30,325 --> 00:43:32,758
I CAN WRITE A BOOK,

754
00:43:32,827 --> 00:43:34,805
AND YOU CAN PUT IT
DOWN ON PAPER FOR ME.

755
00:43:34,829 --> 00:43:36,262
WHAT WILL THE BOOK BE ABOUT?

756
00:43:36,331 --> 00:43:38,264
ME. THE STORY OF ME LIFE.

757
00:43:38,333 --> 00:43:41,601
AND WE'LL CALL
IT, UH, LET'S SEE.

758
00:43:41,670 --> 00:43:43,135
WE'LL CALL IT, UH...

759
00:43:43,204 --> 00:43:45,270
<i>BLOOD AND SWASH.</i>

760
00:43:46,725 --> 00:43:49,642
YES.<i> BLOOD AND
SWASH</i> BY CAPTAIN X.

761
00:43:49,711 --> 00:43:51,944
I DON'T THINK THAT'S
AT ALL A NICE TITLE.

762
00:43:52,013 --> 00:43:53,491
IT'S NOT MEANT TO BE.

763
00:43:53,515 --> 00:43:55,325
IT'S MEANT TO BE SENSATIONAL,

764
00:43:55,349 --> 00:43:56,493
LIKE THE SUBJECT.

765
00:43:56,517 --> 00:43:58,784
BUT IT TAKES MONTHS
TO WRITE A BOOK.

766
00:43:58,853 --> 00:44:01,037
WHAT ARE WE TO LIVE
ON IN THE MEANTIME?

767
00:44:01,106 --> 00:44:02,305
YOU HAVE JEWELRY?

768
00:44:02,373 --> 00:44:03,306
A LITTLE.

769
00:44:03,358 --> 00:44:04,290
PAWN IT.

770
00:44:04,359 --> 00:44:05,791
BUT I COULDN'T!

771
00:44:05,860 --> 00:44:08,206
BLAST YOUR EYES, MADAM.
WILL YOU UNDERSTAND?

772
00:44:08,230 --> 00:44:10,208
YOU'RE TRYING TO
CRAWL OFF A LEE SHORE.

773
00:44:10,232 --> 00:44:11,709
CAN'T AFFORD TO BE SQUEAMISH.

774
00:44:11,733 --> 00:44:13,666
I DO UNDERSTAND,
AND DON'T SWEAR AT ME.

775
00:44:13,735 --> 00:44:16,169
START WITH THAT UGLY BROACH.

776
00:44:16,238 --> 00:44:18,171
BUT EDWIN'S MOTHER
GAVE IT TO ME.

777
00:44:18,240 --> 00:44:19,717
ALL THE MORE REASON TO PAWN IT.

778
00:44:19,741 --> 00:44:21,219
YOU DON'T LIKE EDWIN'S MOTHER,

779
00:44:21,243 --> 00:44:24,476
AND YOU HATE HER BROACH. HMM.

780
00:44:24,545 --> 00:44:26,289
REALLY, CAPTAIN GREGG.
I'LL HAVE YOU KNOW

781
00:44:26,313 --> 00:44:28,025
I'M VERY FOND OF
MY MOTHER-IN-LAW.

782
00:44:28,049 --> 00:44:30,416
VERY WELL. IF YOU'RE
SO FOND OF HER,

783
00:44:30,484 --> 00:44:31,968
YOU CAN GO BACK
AND LIVE WITH HER.

784
00:44:40,861 --> 00:44:43,328
I THINK I CAN GET
ABOUT £10 FOR IT.

785
00:44:43,397 --> 00:44:46,766
I'M GLAD YOU'RE
GOING TO BE SENSIBLE,

786
00:44:46,834 --> 00:44:48,768
AND SINCE WE'RE TO
BE COLLABORATORS,

787
00:44:48,836 --> 00:44:50,803
YOU CAN CALL ME DANIEL.

788
00:44:50,872 --> 00:44:53,223
THAT'S VERY GOOD OF YOU.

789
00:44:53,291 --> 00:44:56,041
AND I SHALL CALL YOU LUCIA.

790
00:44:56,110 --> 00:44:58,260
MY NAME IS LUCY.

791
00:44:58,329 --> 00:45:00,796
IT DOESN'T DO YOU
JUSTICE, MY DEAR.

792
00:45:00,865 --> 00:45:03,282
WOMEN NAMED LUCY ARE
ALWAYS BEING IMPOSED UPON,

793
00:45:03,351 --> 00:45:06,785
BUT LUCIA, NOW THERE'S
A NAME FOR AN AMAZON,

794
00:45:06,854 --> 00:45:08,220
FOR A QUEEN.

795
00:45:08,289 --> 00:45:10,722
I DON'T FEEL MUCH LIKE A QUEEN.

796
00:45:10,791 --> 00:45:13,092
I FEEL FRIGHTENED AND CONFUSED

797
00:45:13,161 --> 00:45:15,727
AND WONDERING WHAT
THE FUTURE WILL BRING.

798
00:45:15,796 --> 00:45:17,229
DON'T YOU TRUST ME?

799
00:45:17,298 --> 00:45:20,232
OH, I DO, DANIEL, WHEN
I'M TALKING TO YOU.

800
00:45:20,301 --> 00:45:22,734
WHEN YOU'RE NOT HERE, I...

801
00:45:22,803 --> 00:45:25,571
WELL, IT'S ASKING A GREAT
DEAL TO EXPECT ANYONE

802
00:45:25,639 --> 00:45:28,740
TO TRUST HER
WHOLE FUTURE TO A...

803
00:45:28,809 --> 00:45:30,742
TO SOMEONE WHO ISN'T REAL.

804
00:45:30,811 --> 00:45:32,244
BUT I AM REAL.

805
00:45:32,313 --> 00:45:34,413
I'M HERE BECAUSE
YOU BELIEVE I'M HERE.

806
00:45:35,816 --> 00:45:38,250
AND KEEP ON BELIEVING,

807
00:45:38,319 --> 00:45:40,752
AND I'LL ALWAYS BE REAL TO YOU.

808
00:45:40,821 --> 00:45:42,754
YES, DANIEL.

809
00:45:47,628 --> 00:45:49,061
HA HA HA!

810
00:45:54,002 --> 00:45:56,085
HA HA HA!

811
00:46:14,606 --> 00:46:16,539
WELL, WHAT'S THE MATTER?

812
00:46:20,111 --> 00:46:21,544
YOU HAVEN'T FINISHED
THE SENTENCE.

813
00:46:21,613 --> 00:46:23,045
I KNOW. IT'S...

814
00:46:23,114 --> 00:46:25,548
IT'S... IT'S THAT WORD.

815
00:46:25,617 --> 00:46:27,595
I'VE NEVER WRITTEN SUCH A WORD.

816
00:46:27,619 --> 00:46:29,051
IT'S A PERFECTLY GOOD WORD.

817
00:46:29,120 --> 00:46:31,098
I THINK IT'S A HORRID WORD.

818
00:46:31,122 --> 00:46:33,055
IT MEANS WHAT IT
SAYS, DOESN'T IT?

819
00:46:33,124 --> 00:46:34,557
ALL TOO CLEARLY.

820
00:46:34,626 --> 00:46:36,058
WHAT WORD DO YOU USE

821
00:46:36,127 --> 00:46:37,567
IF YOU WANTED TO
CONVEY THAT MEANING?

822
00:46:37,629 --> 00:46:38,772
I DON'T USE ANY!

823
00:46:38,796 --> 00:46:40,229
WELL, HANG IT ALL, LUCIA.

824
00:46:40,298 --> 00:46:42,109
IF YOU'RE GOING TO BE PRUDISH,
WE'LL NEVER GET THE BOOK WRITTEN.

825
00:46:42,133 --> 00:46:44,533
NOW, PUT IT DOWN THE
WAY I GIVE IT TO YOU.

826
00:46:50,541 --> 00:46:52,558
GOOD.

827
00:46:52,627 --> 00:46:55,561
NOW, AT THIS POINT,
HAVING HAD A DRINK,

828
00:46:55,630 --> 00:46:58,063
I, UH, I WENT UPSTAIRS.

829
00:46:58,132 --> 00:46:59,398
WHY?

830
00:46:59,467 --> 00:47:00,566
WHY WHAT?

831
00:47:00,635 --> 00:47:02,613
WHY DID YOU GO UPSTAIRS?

832
00:47:02,637 --> 00:47:04,570
BECAUSE I SAW NO HARM IN IT.

833
00:47:04,639 --> 00:47:06,920
YOU MUST HAVE BEEN
VERY YOUNG AND FOOLISH.

834
00:47:06,974 --> 00:47:08,507
I WAS YOUNG, BUT I
WAS NEVER FOOLISH.

835
00:47:08,576 --> 00:47:10,309
INEXPERIENCED, PERHAPS,

836
00:47:10,378 --> 00:47:12,177
CURIOUS, AS YOUNG MEN ARE,

837
00:47:12,247 --> 00:47:14,012
EAGER FOR ADVENTURE.

838
00:47:14,081 --> 00:47:16,014
I MATURED EARLY.

839
00:47:16,083 --> 00:47:18,016
I WISH I'D KNOWN YOU THEN.

840
00:47:18,085 --> 00:47:19,518
HOW OLD WERE YOU, DANIEL?

841
00:47:19,587 --> 00:47:22,020
16. IT WAS ME FIRST VOYAGE.

842
00:47:22,089 --> 00:47:23,522
ONLY 16.

843
00:47:23,591 --> 00:47:26,024
I SUPPOSE YOU'D
RUN AWAY FROM HOME.

844
00:47:26,093 --> 00:47:28,026
YES. I WAS AN ORPHAN.

845
00:47:28,095 --> 00:47:31,029
BROUGHT UP BY A MAIDEN
AUNT IN A COUNTRY VILLAGE.

846
00:47:31,098 --> 00:47:33,031
NOW, LET'S GET ON WITH IT.

847
00:47:33,100 --> 00:47:34,533
WHERE WAS I?

848
00:47:34,602 --> 00:47:35,534
UPSTAIRS.

849
00:47:35,603 --> 00:47:37,035
AH, YES!

850
00:47:37,104 --> 00:47:40,839
THE CUSTOMS OF MARSEILLES
ARE DIFFERENT TO ANY...

851
00:47:40,908 --> 00:47:42,341
DIFFERENT FROM.

852
00:47:42,410 --> 00:47:44,760
TO OR FROM, WHO CARES?

853
00:47:44,829 --> 00:47:46,640
THIS ISN'T A BLASTED
LITERARY EPIC.

854
00:47:46,664 --> 00:47:49,075
IT'S THE UNVARNISHED
STORY OF A SEAMAN'S LIFE.

855
00:47:49,099 --> 00:47:51,484
IT CERTAINLY IS UNVARNISHED.

856
00:47:51,553 --> 00:47:53,769
WELL, SMEAR ON YOUR OWN VARNISH.

857
00:47:53,838 --> 00:47:55,316
CHANGE THE GRAMMAR
ALL YOU PLEASE,

858
00:47:55,340 --> 00:47:57,273
BUT LEAVE THE GUTS IN IT.

859
00:48:00,178 --> 00:48:01,777
I THINK IT WOULD BE NICE

860
00:48:01,845 --> 00:48:04,780
IF WE INCLUDED A CHAPTER
ABOUT YOUR EARLY LIFE,

861
00:48:04,848 --> 00:48:06,782
YOUR SCHOOL DAYS.

862
00:48:06,850 --> 00:48:07,716
I NEVER WENT TO SCHOOL.

863
00:48:07,785 --> 00:48:10,096
I WAS EDUCATED BY THE VICAR.

864
00:48:10,120 --> 00:48:12,721
POOR MAN. HE MUST
HAVE HAD A DREADFUL TIME.

865
00:48:12,790 --> 00:48:15,224
HE ENJOYED EVERY MINUTE OF IT,

866
00:48:15,293 --> 00:48:18,727
EXCEPT FOR THE TIME I
PUT A SNAKE IN THIS BED.

867
00:48:18,796 --> 00:48:21,230
YOU MUST HAVE BEEN
A HORRID LITTLE BOY.

868
00:48:21,299 --> 00:48:22,776
I SUPPOSE YOU WERE A
MODEL OF ALL THE VIRTUES

869
00:48:22,800 --> 00:48:24,066
WHEN YOU WERE 12.

870
00:48:24,134 --> 00:48:25,401
CERTAINLY I WAS.

871
00:48:25,469 --> 00:48:27,236
I WON A PRIZE FOR
DEPORTMENT AT SCHOOL.

872
00:48:27,305 --> 00:48:29,238
HMM. I CAN SEE YOU...

873
00:48:29,307 --> 00:48:31,285
FAT LITTLE GIRL IN HAIR RIBBONS.

874
00:48:31,309 --> 00:48:32,741
I WASN'T FAT. I WAS SKINNY.

875
00:48:32,810 --> 00:48:33,742
JUST AS BAD.

876
00:48:33,811 --> 00:48:35,244
AND I WORE MY HAIR IN BRAIDS.

877
00:48:35,313 --> 00:48:37,513
AND A THOUSAND FRECKLES.

878
00:48:38,316 --> 00:48:40,749
YOU, UH, YOU STILL
HAVE FRECKLES.

879
00:48:40,818 --> 00:48:42,735
ONLY SEVEN OF THEM,

880
00:48:42,803 --> 00:48:45,404
AND I'M TOLD THEY'RE
MOST BECOMING.

881
00:48:46,807 --> 00:48:49,242
THEY ARE AT THAT.

882
00:48:49,310 --> 00:48:52,245
[DING-DING DING-DING DING-DING]

883
00:48:52,313 --> 00:48:54,247
GOOD HEAVENS! 11:00.

884
00:48:54,315 --> 00:48:55,748
I...

885
00:48:55,816 --> 00:48:58,751
I HAD NO IDEA IT WAS SO LATE.

886
00:48:58,819 --> 00:49:01,754
YES. YOU HAD BETTER
BE GETTING SOME SLEEP.

887
00:49:01,822 --> 00:49:03,742
WE'LL PUT IN A FULL
DAY TOMORROW.

888
00:49:05,843 --> 00:49:08,543
DANIEL, WHAT DID YOUR AUNT DO

889
00:49:08,612 --> 00:49:10,212
WHEN YOU RAN AWAY TO SEA?

890
00:49:10,281 --> 00:49:11,759
OH, PROBABLY THANKED HEAVEN

891
00:49:11,783 --> 00:49:13,260
THERE WAS NO ONE AROUND

892
00:49:13,284 --> 00:49:14,762
TO FILL HER HOUSE
WITH MONGREL PUPPIES

893
00:49:14,786 --> 00:49:16,797
AND TRACK MUD ON HER CARPETS.

894
00:49:16,821 --> 00:49:18,637
DID SHE WRITE TO YOU?

895
00:49:18,706 --> 00:49:21,073
EVERY SUNDAY FOR SEVEN YEARS.

896
00:49:21,142 --> 00:49:24,076
I WAS AT SEA WHEN SHE DIED.

897
00:49:24,145 --> 00:49:26,305
IT WAS THE YEAR I
GOT ME MATE'S TICKET.

898
00:49:33,171 --> 00:49:35,505
WHAT ARE YOU
THINKING ABOUT, LUCIA?

899
00:49:35,573 --> 00:49:38,724
I'M THINKING HOW LONELY
SHE MUST HAVE FELT

900
00:49:38,793 --> 00:49:41,360
WITH HER CLEAN CARPETS.

901
00:50:21,135 --> 00:50:23,069
SEEN THAT COOMBE IN THE VILLAGE.

902
00:50:23,137 --> 00:50:24,736
HE GIVE ME THIS FOR YOU.

903
00:50:24,805 --> 00:50:26,238
OH, THANKS, MARTHA.

904
00:50:26,307 --> 00:50:28,585
IT'S ANOTHER DEMAND
FOR PAYMENT OF THE RENT.

905
00:50:28,609 --> 00:50:30,543
HE DID SAY SOMETHING
ABOUT SENDING THE BAILIFFS

906
00:50:30,611 --> 00:50:32,044
TO PUT US OUT.

907
00:50:32,113 --> 00:50:34,913
I'VE GOT A LITTLE
MONEY PUT BY, MA'AM.

908
00:50:34,982 --> 00:50:37,049
THERE AIN'T BEEN NOTHING
TO SPEND IT ON HERE.

909
00:50:37,118 --> 00:50:38,595
OH, THANK YOU, MARTHA,

910
00:50:38,619 --> 00:50:40,579
BUT I WOULDN'T
DREAM OF TAKING IT.

911
00:50:40,621 --> 00:50:42,555
WE'LL MANAGE SOMEHOW.

912
00:50:42,623 --> 00:50:44,056
YES, MA'AM.

913
00:50:51,332 --> 00:50:53,566
IT'S UNIMPORTANT.
DON'T WORRY ABOUT IT.

914
00:50:53,634 --> 00:50:55,112
WHAT IF HE SENDS THE BAILIFFS?

915
00:50:55,136 --> 00:50:56,569
I'LL HANDLE THEM.

916
00:50:56,637 --> 00:50:58,070
BAILIFFS ARE NOTHING

917
00:50:58,139 --> 00:51:00,005
BUT SEA LAWYERS COME ASHORE.

918
00:51:00,074 --> 00:51:02,007
I'M SO TIRED, DANIEL.

919
00:51:02,076 --> 00:51:05,010
I CAN'T SEE STRAIGHT
OR THINK STRAIGHT.

920
00:51:05,079 --> 00:51:06,512
AH, NOW THEN,

921
00:51:06,581 --> 00:51:09,031
THERE'S ONLY ONE
MORE CHAPTER TO DO.

922
00:51:09,099 --> 00:51:11,033
BETTER BE AT IT.

923
00:51:13,103 --> 00:51:14,269
LUCIA!

924
00:51:16,106 --> 00:51:18,040
I'M READY, DANIEL.

925
00:51:18,108 --> 00:51:19,542
GOOD, MY DEAR.

926
00:51:23,915 --> 00:51:25,047
TO ALL WHO FOLLOW

927
00:51:25,115 --> 00:51:28,050
THE HARD AND HONORABLE
PROFESSION OF THE SEA,

928
00:51:28,118 --> 00:51:31,053
TO THE AFTER-GUARD
AND FORECASTLE ALIKE,

929
00:51:31,121 --> 00:51:35,057
TO MASTERS, MATES,
AND ENGINEERS,

930
00:51:35,125 --> 00:51:38,060
TO ABLE-BODIED AND
ORDINARY SEAMEN,

931
00:51:38,128 --> 00:51:41,564
TO STOKERS,
APPRENTICES, SHIP'S BOYS,

932
00:51:41,632 --> 00:51:44,567
CARPENTERS, SAILMAKERS,
AND SEA COOKS...

933
00:51:45,970 --> 00:51:47,903
I DEDICATE THIS VOLUME.

934
00:51:49,473 --> 00:51:50,573
THE END.

935
00:51:50,641 --> 00:51:52,074
THE END.

936
00:51:52,142 --> 00:51:55,121
NOW, TOMORROW YOU'LL
TAKE IT TO THE PUBLISHERS.

937
00:51:55,145 --> 00:51:57,079
I HOPE THEY LIKE IT.

938
00:51:57,147 --> 00:51:58,914
THEY MUST LIKE IT.

939
00:51:58,983 --> 00:52:00,515
THEY WILL.

940
00:52:00,585 --> 00:52:02,517
IT'S STRANGE. I...

941
00:52:02,587 --> 00:52:05,520
I DIDN'T THINK SO AT FIRST.

942
00:52:05,590 --> 00:52:08,507
SOMEHOW... SOMEHOW
IT'S A VERY WISE BOOK.

943
00:52:08,575 --> 00:52:11,843
IT HAS ELEMENTS OF
WISDOM IN IT, MY DEAR.

944
00:52:11,912 --> 00:52:13,890
I DIDN'T LEAD A VERY
WISE LIFE MYSELF,

945
00:52:13,914 --> 00:52:15,592
BUT IT WAS... IT WAS A FULL ONE

946
00:52:15,616 --> 00:52:17,516
AND A GROWN-UP ONE.

947
00:52:19,420 --> 00:52:21,064
YOU COME OF AGE VERY QUICKLY

948
00:52:21,088 --> 00:52:23,255
THROUGH SHIPWRECK AND DISASTER.

949
00:52:24,275 --> 00:52:26,909
I NEVER UNDERSTOOD
THE SEA BEFORE,

950
00:52:26,977 --> 00:52:29,044
OR THE MEN WHO GO TO SEA.

951
00:52:30,614 --> 00:52:32,547
WHY DID YOU WRITE
THE BOOK, DANIEL?

952
00:52:32,616 --> 00:52:34,883
IT WASN'T MERELY TO
SAVE THE HOUSE FOR ME.

953
00:52:34,952 --> 00:52:36,051
PARTLY THAT.

954
00:52:36,120 --> 00:52:38,098
FOR YOU AND THE RETIRED SEAMEN

955
00:52:38,122 --> 00:52:40,555
YOU'LL LEAVE IT TO IN YOUR WILL,

956
00:52:40,624 --> 00:52:43,558
BUT MOSTLY TO HELP
PEOPLE UNDERSTAND,

957
00:52:43,627 --> 00:52:45,594
TO MAKE THEM UNDERSTAND.

958
00:52:45,663 --> 00:52:48,163
ALL THOSE COMFORTABLE SWABS

959
00:52:48,232 --> 00:52:50,666
WHO SIT AT HOME
IN THEIR BEAM-ENDS

960
00:52:50,735 --> 00:52:52,312
REVELING IN THE LUXURIES

961
00:52:52,336 --> 00:52:55,215
THAT SEAMEN RISK THEIR
LIVES TO BRING TO THEM,

962
00:52:55,239 --> 00:52:57,200
AND DESPISING THE POOR DEVILS

963
00:52:57,224 --> 00:53:00,153
IF THEY SO MUCH AS
TOUCH A DROP OF RUM, AND...

964
00:53:00,177 --> 00:53:01,655
AND EVEN SNEERING AT PEOPLE

965
00:53:01,679 --> 00:53:04,112
WHO TRY TO DO THEM SOME GOOD

966
00:53:04,181 --> 00:53:06,182
LIKE YOU AND ME.

967
00:53:11,071 --> 00:53:13,105
WELL, UH,

968
00:53:13,174 --> 00:53:15,607
TOMORROW, THE PUBLISHERS.

969
00:53:15,676 --> 00:53:18,110
TACKET AND SPROULE
IN GREAT SMITH STREET.

970
00:53:18,179 --> 00:53:20,112
NOW BE SURE YOU SEE SPROULE.

971
00:53:20,181 --> 00:53:22,448
HE OWNED A SMALL SAILING YACHT.

972
00:53:22,516 --> 00:53:24,661
HE CAME IN FOURTH IN
A CLUB REGATTA ONCE

973
00:53:24,685 --> 00:53:26,396
AND FANCIES HIMSELF
AS THE VERY DEVIL

974
00:53:26,420 --> 00:53:27,986
OF A SEAFARING MAN.

975
00:53:28,055 --> 00:53:29,288
HA HA HA!

976
00:53:29,356 --> 00:53:30,667
TO TELL YOU THE TRUTH,

977
00:53:30,691 --> 00:53:33,625
HE DOESN'T KNOW A
CROSSJACK FROM A SCUTTLEBUTT.

978
00:53:33,694 --> 00:53:35,127
YES, DANIEL.

979
00:53:48,375 --> 00:53:50,141
SHIP OUT THERE.

980
00:53:50,210 --> 00:53:52,188
TOO CLOSE, BY THE SOUND.

981
00:53:52,212 --> 00:53:54,479
IT'S THE LONELIEST SOUND,

982
00:53:54,548 --> 00:53:57,649
LIKE A CHILD LOST AND
CRYING IN THE DARK.

983
00:53:57,718 --> 00:53:59,751
MMM, HE'S LOST, ALL RIGHT,

984
00:53:59,820 --> 00:54:02,086
WITH A CAPTAIN
CURSING A BLUE STREAK

985
00:54:02,155 --> 00:54:03,633
AND WONDERING WHY
HE EVER WENT TO SEA

986
00:54:03,657 --> 00:54:05,468
INSTEAD OF OPENING
A GROCER'S SHOP

987
00:54:05,492 --> 00:54:07,258
LIKE A SENSIBLE MAN.

988
00:54:08,662 --> 00:54:11,430
FOG IN THE CHANNEL
IS TREACHEROUS.

989
00:54:11,498 --> 00:54:13,476
I'D RATHER FACE A NORTHEASTER.

990
00:54:13,500 --> 00:54:16,100
STILL, IT'S HONEST, THE SEA.

991
00:54:16,169 --> 00:54:19,103
IT MAKES YOU FACE THINGS
HONESTLY, DOESN'T IT?

992
00:54:20,507 --> 00:54:23,107
THERE'S SOMETHING ON YOUR MIND.

993
00:54:23,176 --> 00:54:24,176
YES.

994
00:54:25,679 --> 00:54:28,112
WHAT'S TO BECOME OF US, DANIEL?

995
00:54:28,181 --> 00:54:29,614
OF YOU AND ME?

996
00:54:29,683 --> 00:54:32,116
NOTHING CAN BECOME OF ME.

997
00:54:32,185 --> 00:54:34,163
EVERYTHING'S HAPPENED

998
00:54:34,187 --> 00:54:35,620
THAT CAN HAPPEN.

999
00:54:35,689 --> 00:54:37,622
BUT NOT TO ME.

1000
00:54:37,691 --> 00:54:40,142
WHEN WE WERE WRITING THE BOOK,

1001
00:54:40,210 --> 00:54:41,644
I WAS HAPPY.

1002
00:54:41,712 --> 00:54:43,646
WE WERE ACCOMPLISHING
SOMETHING TOGETHER.

1003
00:54:45,048 --> 00:54:47,149
NOW, WHEN I TRY TO
THINK ABOUT THE FUTURE,

1004
00:54:47,217 --> 00:54:51,153
IT'S... IT'S ALL DARK
AND CONFUSED,

1005
00:54:51,221 --> 00:54:54,657
LIKE... LIKE TRYING
TO SEE INTO THE FOG.

1006
00:54:56,727 --> 00:54:58,494
YOU'VE BEEN WORKING TOO HARD,

1007
00:54:58,562 --> 00:55:00,140
COOPED UP IN THE HOUSE TOO LONG.

1008
00:55:00,164 --> 00:55:01,642
YOU NEED A CHANGE OF SCENE.

1009
00:55:01,666 --> 00:55:03,098
BUT I LOVE IT HERE.

1010
00:55:03,167 --> 00:55:04,811
YOU SHOULD BE OUT
IN THE WORLD MORE,

1011
00:55:04,835 --> 00:55:06,268
MEETING PEOPLE.

1012
00:55:08,539 --> 00:55:09,938
SEEING MEN.

1013
00:55:10,007 --> 00:55:12,107
I HAVE NO DESIRE TO SEE MEN.

1014
00:55:12,176 --> 00:55:14,109
YOU SHOULD, LUCIA.

1015
00:55:14,178 --> 00:55:17,879
YOU'RE A CONFOUNDEDLY
ATTRACTIVE WOMAN,

1016
00:55:17,948 --> 00:55:20,115
OR HADN'T YOU NOTICED?

1017
00:55:20,184 --> 00:55:23,419
REALLY, MY DEAR, YOU
OWE IT TO YOURSELF.

1018
00:55:25,690 --> 00:55:27,122
YES, DANIEL.

1019
00:55:30,695 --> 00:55:31,794
GOOD NIGHT.

1020
00:55:31,862 --> 00:55:33,128
GOOD NIGHT.

1021
00:55:35,700 --> 00:55:37,299
MY DEAR.

1022
00:55:47,694 --> 00:55:50,495
[DING-DING DING-DING]

1023
00:55:50,564 --> 00:55:53,465
[DING-DING DING-DING]

1024
00:55:56,703 --> 00:55:59,905
OH, DANIEL, I'M AFRAID
WE'VE GOT OURSELVES

1025
00:55:59,974 --> 00:56:02,074
INTO AN AWFUL FIX.

1026
00:56:45,369 --> 00:56:47,635
I SHOULD LIKE TO SEE
MR. SPROULE, PLEASE.

1027
00:56:47,704 --> 00:56:49,416
I SEE YOU'RE BACK, MR. FAIRLEY.

1028
00:56:49,440 --> 00:56:50,372
OBVIOUSLY.

1029
00:56:50,441 --> 00:56:52,185
HAVE YOU DECIDED TO WAIT?

1030
00:56:52,209 --> 00:56:54,125
FOREVER IF I MUST.

1031
00:56:54,194 --> 00:56:56,978
I SHOULD LIKE TO SEE
MR. SPROULE, PLEASE.

1032
00:56:57,047 --> 00:56:59,192
CAN'T SEE MR. SPROULE
WITHOUT AN APPOINTMENT.

1033
00:56:59,216 --> 00:57:01,082
BUT I HAVE A MANUSCRIPT.

1034
00:57:01,151 --> 00:57:02,896
SO YOU HAVE A MANUSCRIPT.

1035
00:57:02,920 --> 00:57:04,119
MOST UNUSUAL.

1036
00:57:04,187 --> 00:57:06,627
NO MORE SO THAN YOUR
ADENOIDS AND YOUR BAD MANNERS.

1037
00:57:06,657 --> 00:57:08,891
NOW, TAKE THE LADY'S NAME.

1038
00:57:08,959 --> 00:57:10,136
LEAVE YOUR NAME.

1039
00:57:10,160 --> 00:57:11,593
MRS. EDWIN MUIR.

1040
00:57:11,662 --> 00:57:13,094
MRS...

1041
00:57:13,163 --> 00:57:16,732
MRS. EDWIN MUIR.

1042
00:57:16,801 --> 00:57:20,101
GULL COTTAGE,
WHITECLIFF-BY-THE-SEA.

1043
00:57:20,170 --> 00:57:23,104
CAN'T I HAVE JUST A FEW
MOMENTS WITH MR. SPROULE NOW?

1044
00:57:23,173 --> 00:57:25,106
I'VE COME ALL THE WAY
IN FROM WHITECLIFF.

1045
00:57:25,175 --> 00:57:26,442
[BELL RINGS]

1046
00:57:26,510 --> 00:57:27,790
ALL FOR NOW.

1047
00:57:39,690 --> 00:57:41,957
IS IT A COOKBOOK?

1048
00:57:42,025 --> 00:57:45,293
I HOPE NOT ANOTHER
LIFE OF BYRON.

1049
00:57:45,362 --> 00:57:47,362
OR IS IT A BOOK OF DREAMS?

1050
00:57:50,201 --> 00:57:51,633
YOU'RE TRYING TO GIVE ME A HINT.

1051
00:57:51,702 --> 00:57:53,117
HAS IT SOMETHING TO DO WITH ICE?

1052
00:57:57,040 --> 00:57:59,575
IS IT REALLY VERY IMPORTANT
FOR YOU TO SEE OLD SPROULE?

1053
00:57:59,643 --> 00:58:01,121
OH, YES, SO IMPORTANT.

1054
00:58:01,145 --> 00:58:02,578
THEN SEE HIM YOU SHALL,

1055
00:58:02,646 --> 00:58:05,647
AND IT IS YOUR GOOD FORTUNE
THAT I'M NOT ONLY IRRESPONSIBLE,

1056
00:58:05,716 --> 00:58:07,149
BUT ALSO UNREASONABLE.

1057
00:58:07,218 --> 00:58:08,361
I DON'T UNDERSTAND.

1058
00:58:08,385 --> 00:58:10,235
I HAD AN APPOINTMENT AT 11:00.

1059
00:58:10,303 --> 00:58:12,571
I ARRIVED AT 10:30
AND WOULDN'T WAIT.

1060
00:58:12,639 --> 00:58:15,574
I'M ONLY HERE NOW BECAUSE
I FOLLOWED YOU BACK.

1061
00:58:15,642 --> 00:58:17,376
SO YOU MAY HAVE MY APPOINTMENT,

1062
00:58:17,444 --> 00:58:19,210
FOR WHICH YOU ARE JUST IN TIME.

1063
00:58:19,279 --> 00:58:21,157
THAT'S VERY GOOD OF
YOU, BUT I'M AFRAID I CAN'T...

1064
00:58:21,181 --> 00:58:23,064
NOW, MY DEAR YOUNG WOMAN,

1065
00:58:23,133 --> 00:58:25,367
IF YOU WILL SET ASIDE YOUR
BOOK OF SOCIAL GRACES

1066
00:58:25,435 --> 00:58:27,169
FOR JUST LONG ENOUGH
TO SEIZE AN OPPORTUNITY

1067
00:58:27,237 --> 00:58:29,103
THAT YOU WANT VERY MUCH

1068
00:58:29,173 --> 00:58:32,758
BY MERELY INDULGING A SMALL
NATURAL SELFISH INSTINCT.

1069
00:58:32,826 --> 00:58:35,304
WITHOUT DOUBT, SIR, YOU ARE
THE MOST FORWARD GENTLEMAN

1070
00:58:35,328 --> 00:58:36,640
I HAVE EVER ENCOUNTERED.

1071
00:58:36,664 --> 00:58:38,096
WITHOUT DOUBT.

1072
00:58:38,165 --> 00:58:39,598
MR. FAIRLEY.

1073
00:58:39,667 --> 00:58:40,599
FORWARD.

1074
00:58:40,668 --> 00:58:42,145
OH, NO, NO. I COULDN'T.

1075
00:58:42,169 --> 00:58:43,101
IT'S QUITE ALL RIGHT.

1076
00:58:43,170 --> 00:58:44,410
OH, NO, REALLY.

1077
00:58:46,674 --> 00:58:48,206
HERE NOW...

1078
00:58:48,275 --> 00:58:51,209
SHE'S MAD ABOUT YOU.
COULDN'T YOU TELL?

1079
00:58:51,278 --> 00:58:52,872
COME IN, FAIRLEY. COME IN.

1080
00:58:52,896 --> 00:58:54,340
YOUR NEW BOOK IS TERRIBLE,

1081
00:58:54,364 --> 00:58:57,427
THE MOST AWFUL TRASH
I'VE HAD ON MY DESK SINCE...

1082
00:58:57,451 --> 00:58:58,983
WHO ARE YOU?

1083
00:58:59,052 --> 00:59:02,620
I... I'M... THAT IS...

1084
00:59:02,689 --> 00:59:03,789
WHO LET YOU IN?

1085
00:59:03,874 --> 00:59:06,524
WHY, THE GENTLEMAN
OUTSIDE SAID IT WAS ALL RIGHT.

1086
00:59:06,593 --> 00:59:08,526
OH, HE DID, DID HE?

1087
00:59:08,596 --> 00:59:10,106
WELL, IT ISN'T ALL RIGHT,

1088
00:59:10,130 --> 00:59:11,725
AND I'LL TROUBLE YOU
TAKE YOURSELF ELSEWHERE.

1089
00:59:11,749 --> 00:59:14,082
OH, PLEASE, MR. SPROULE.

1090
00:59:14,150 --> 00:59:16,851
I SIMPLY HAD TO
GET IN TO SEE YOU. I...

1091
00:59:16,920 --> 00:59:18,086
I HAVE A MANUSCRIPT.

1092
00:59:18,154 --> 00:59:19,938
OF COURSE YOU HAVE.

1093
00:59:20,007 --> 00:59:22,585
20 MILLION DISCONTENTED
FEMALES IN THE BRITISH ISLES

1094
00:59:22,609 --> 00:59:25,088
AND EVERY BLESSED ONE
OF THEM IS WRITING A NOVEL.

1095
00:59:25,112 --> 00:59:27,423
DON'T TELL ME
WHAT'S IN IT. I KNOW.

1096
00:59:27,447 --> 00:59:28,758
BLESS MY SOUL, MADAM,

1097
00:59:28,782 --> 00:59:30,093
I'VE GOT TO PUBLISH THIS BILGE

1098
00:59:30,117 --> 00:59:31,594
IN ORDER TO STAY IN BUSINESS,

1099
00:59:31,618 --> 00:59:33,096
BUT I DON'T HAVE TO READ IT.

1100
00:59:33,120 --> 00:59:34,552
NO, MADAM, I DO NOT.

1101
00:59:34,621 --> 00:59:36,099
AND NOW IF YOU'LL PARDON ME,

1102
00:59:36,123 --> 00:59:37,255
I'M BUSY.

1103
00:59:37,323 --> 00:59:39,658
<i>COME BACK HERE,
YOU BLASTED GRAMPUS!</i>

1104
00:59:45,315 --> 00:59:46,581
MADAM.

1105
00:59:46,650 --> 00:59:48,250
TSK, TSK, TSK.

1106
00:59:51,371 --> 00:59:54,239
OH, I'M TERRIBLY
SORRY, MR. SPROULE.

1107
00:59:54,308 --> 00:59:56,268
I DIDN'T MEAN TO SAY THAT,

1108
00:59:56,310 --> 00:59:58,288
BUT YOU'RE ALL
WRONG ABOUT THE BOOK.

1109
00:59:58,312 --> 01:00:00,290
IT ISN'T WHAT YOU THINK AT ALL.

1110
01:00:00,314 --> 01:00:02,247
IT'S... IT'S A BIOGRAPHY.

1111
01:00:02,316 --> 01:00:05,750
IT'S THE UNVARNISHED
RECORD OF A SAILOR'S LIFE.

1112
01:00:05,820 --> 01:00:07,752
A SAILOR'S LIFE, EH?

1113
01:00:10,324 --> 01:00:12,257
I ASK YOUR PARDON, MADAM,

1114
01:00:12,326 --> 01:00:14,304
BUT WHAT DO YOU
KNOW ABOUT SAILORS?

1115
01:00:14,328 --> 01:00:16,261
OH, A GREAT DEAL, BELIEVE ME.

1116
01:00:16,330 --> 01:00:17,762
MMM.

1117
01:00:17,832 --> 01:00:20,265
UNVARNISHED, YOU SAY?

1118
01:00:20,334 --> 01:00:22,312
WELL, PERHAPS I HAVE TIME

1119
01:00:22,336 --> 01:00:24,576
FOR A FEW PAGES, AT THAT.

1120
01:00:37,351 --> 01:00:38,783
WHAT'S YOUR NAME?

1121
01:00:38,853 --> 01:00:40,285
MRS. MUIR.

1122
01:00:40,354 --> 01:00:41,786
HMM.

1123
01:00:45,192 --> 01:00:47,292
HEH HEH HEH!

1124
01:00:52,716 --> 01:00:54,983
HO HO HO HO!

1125
01:00:55,051 --> 01:00:57,819
I HAVE BEEN WAITING
HERE FOR THREE HOURS.

1126
01:00:57,888 --> 01:00:59,755
I CONSIDER IT OUTRAGEOUS!

1127
01:01:11,902 --> 01:01:13,335
STILL IN THERE?

1128
01:01:13,404 --> 01:01:15,337
SENT LUNCHEON IN AT 2:00.

1129
01:01:15,406 --> 01:01:16,772
FOR TWO?

1130
01:01:26,349 --> 01:01:29,478
WELL! YOU'RE NOT GOING TO
PRETEND THAT YOU WROTE THIS.

1131
01:01:29,502 --> 01:01:31,303
NO.

1132
01:01:31,371 --> 01:01:33,255
NO. IT'S A MAN'S BOOK,

1133
01:01:33,324 --> 01:01:35,257
AND WHAT A MAN.

1134
01:01:35,326 --> 01:01:37,726
IS HE... IS HE YOUR
HUSBAND, MRS. MUIR?

1135
01:01:37,794 --> 01:01:41,246
OH, NO.

1136
01:01:41,315 --> 01:01:44,633
THIS CAPTAIN X, I'D LIKE
VERY MUCH TO MEET HIM.

1137
01:01:44,701 --> 01:01:47,302
OH, I'M AFRAID
THAT'S IMPOSSIBLE.

1138
01:01:47,371 --> 01:01:49,304
HE'S... HE'S AWAY.

1139
01:01:49,373 --> 01:01:51,351
ON A VOYAGE, OF COURSE.

1140
01:01:51,375 --> 01:01:53,074
YES. A VERY LONG VOYAGE.

1141
01:01:53,143 --> 01:01:56,294
BLESS MY SOUL, WHAT A YARN!

1142
01:01:56,363 --> 01:01:58,296
WHAT A LIFE!

1143
01:01:58,365 --> 01:02:00,232
I'LL TELL YOU A SECRET.

1144
01:02:00,300 --> 01:02:03,279
IF I HADN'T HAD A MOTHER
AND TWO SISTERS TO SUPPORT,

1145
01:02:03,303 --> 01:02:05,281
I'D HAVE GONE TO SEA MYSELF.

1146
01:02:05,305 --> 01:02:08,240
BLESS MY SOUL,
TO LIVE LIKE THAT!

1147
01:02:08,308 --> 01:02:10,742
INSTEAD OF SITTING
THERE TURNING OUT

1148
01:02:10,810 --> 01:02:13,245
INDIGESTIBLE READING
MATTER FOR A BILIOUS PUBLIC.

1149
01:02:13,313 --> 01:02:14,746
TSK TSK TSK!

1150
01:02:14,814 --> 01:02:17,249
OF COURSE WE'LL
PUBLISH IT, MRS. MUIR.

1151
01:02:17,317 --> 01:02:19,295
NOW, YOU'RE EMPOWERED BY
THE CAPTAIN TO ACT FOR HIM?

1152
01:02:19,319 --> 01:02:21,297
YES. HE'S GIVEN ME THE RIGHTS.

1153
01:02:21,321 --> 01:02:23,255
GOOD. WELL, MY DEAR,

1154
01:02:23,323 --> 01:02:25,757
YOU PRESENTED ME WITH
A MOST ENJOYABLE DAY.

1155
01:02:25,825 --> 01:02:28,260
BLESS MY SOUL, YES, REMARKABLE.

1156
01:02:28,328 --> 01:02:30,762
NOW, YOU JUST LEAVE
EVERYTHING TO ME

1157
01:02:30,830 --> 01:02:32,808
AND BE HAPPY THAT
YOU KNOW SUCH A MAN.

1158
01:02:32,832 --> 01:02:35,267
THERE AREN'T MANY
LIKE HIM THESE DAYS.

1159
01:02:35,335 --> 01:02:36,934
YOU APPRECIATE THAT?

1160
01:02:37,003 --> 01:02:39,771
YES, I THINK SO.

1161
01:02:39,839 --> 01:02:41,773
WELL, GOODBYE, MR. SPROULE.

1162
01:02:41,841 --> 01:02:43,319
GOODBYE, MRS. MUIR.

1163
01:02:43,343 --> 01:02:44,476
GOODBYE.

1164
01:02:50,684 --> 01:02:52,283
MR. FAIRLEY.

1165
01:02:52,352 --> 01:02:53,785
COMING.

1166
01:03:08,802 --> 01:03:10,735
IT'S EASY TO UNDERSTAND

1167
01:03:10,804 --> 01:03:12,782
WHY THE MOST BEAUTIFUL POEMS
ABOUT ENGLAND IN THE SPRING

1168
01:03:12,806 --> 01:03:14,784
WERE WRITTEN BY POETS
LIVING IN ITALY AT THE TIME.

1169
01:03:14,808 --> 01:03:16,241
HOW DO YOU DO?

1170
01:03:16,310 --> 01:03:18,288
I'M NOT A POET, BUT
I'VE GOT AN UMBRELLA,

1171
01:03:18,312 --> 01:03:20,245
AND YOUR HAT, IF I MAY SAY SO,

1172
01:03:20,314 --> 01:03:22,292
IS SINGULARLY INADEQUATE
UNDER THE CIRCUMSTANCES.

1173
01:03:22,316 --> 01:03:25,250
I DIDN'T BARGAIN FOR
THIS BLASTED RAIN.

1174
01:03:25,319 --> 01:03:27,252
THAT IS, I'M AFRAID
I SHALL BE LATE

1175
01:03:27,321 --> 01:03:29,754
AND MISS THE LAST
TRAIN FOR HOME.

1176
01:03:29,823 --> 01:03:33,258
I COULD CALL YOU A CAB...

1177
01:03:33,327 --> 01:03:35,260
IF YOU ASK NICELY.

1178
01:03:38,999 --> 01:03:40,282
OY! CAB!

1179
01:03:53,864 --> 01:03:54,796
WHERE TO?

1180
01:03:54,865 --> 01:03:56,298
VICTORIA.

1181
01:03:56,367 --> 01:04:00,047
VICTORIA. WHAT A
COINCIDENCE. VICTORIA, CABBY.

1182
01:04:02,555 --> 01:04:05,235
I KNOW YOU WON'T MIND SHARING
MY CAB WITH ME, WILL YOU?

1183
01:04:05,259 --> 01:04:06,858
NOT AT ALL.

1184
01:04:10,264 --> 01:04:12,697
THE WORD YOU'RE
LOOKING FOR IS "BRASS."

1185
01:04:12,766 --> 01:04:14,199
BRASS?

1186
01:04:14,268 --> 01:04:16,246
TO DESCRIBE MY BEHAVIOR AND ME.

1187
01:04:16,270 --> 01:04:18,248
YOU DON'T APPROVE
OF EITHER, DO YOU?

1188
01:04:18,272 --> 01:04:19,704
NOT VERY MUCH.

1189
01:04:19,773 --> 01:04:22,207
STILL, IN A WAY I SHOULD
BE GRATEFUL TO YOU.

1190
01:04:22,276 --> 01:04:23,975
OF COURSE... WHY?

1191
01:04:24,044 --> 01:04:27,345
BECAUSE MR. SPROULE HAS
AGREED TO PUBLISH MY BOOK.

1192
01:04:27,414 --> 01:04:29,214
SPLENDID. SO THE OLD BOY

1193
01:04:29,283 --> 01:04:32,262
HAS DEVELOPED A WEAKNESS
FOR FEMININE LITERATURE, HAS HE?

1194
01:04:32,286 --> 01:04:34,719
I CAN'T SAY THAT
IT'S ONE OF MINE.

1195
01:04:34,788 --> 01:04:37,739
THIS BOOK MIGHT SURPRISE YOU.

1196
01:04:37,808 --> 01:04:39,407
IT'S SURPRISING ENOUGH

1197
01:04:39,476 --> 01:04:41,788
TO FIND A LADY AUTHOR
INFINITELY MORE EXCITING

1198
01:04:41,812 --> 01:04:45,747
THAN HER HEROINE
COULD POSSIBLY BE.

1199
01:04:45,816 --> 01:04:48,249
DO YOU WRITE, MR., UH...

1200
01:04:48,318 --> 01:04:50,830
MY NAME IS MILES FAIRLEY.
YES, I WRITE A LITTLE.

1201
01:04:50,854 --> 01:04:52,237
CHILDREN'S BOOKS.

1202
01:04:52,305 --> 01:04:54,739
CHILDREN'S BOOKS? YOU?

1203
01:04:54,808 --> 01:04:56,741
I SHOULD LIKE TO SEE ONE.

1204
01:04:56,810 --> 01:04:58,743
I'M AFRAID YOU ALREADY HAVE.

1205
01:04:58,812 --> 01:05:02,680
I WRITE UNDER THE
NAME OF UNCLE NEDDY.

1206
01:05:02,749 --> 01:05:05,683
UNCLE NEDDY? <i>YOU'RE</i> UNCLE NEDDY?

1207
01:05:05,752 --> 01:05:07,685
RIDICULOUS, ISN'T IT?

1208
01:05:07,754 --> 01:05:10,688
THEN ALL OF YOUR CYNICISM
MUST BE NOTHING BUT A POSE.

1209
01:05:10,757 --> 01:05:13,691
YOU'RE ADORED BY HALF
THE CHILDREN IN THE WORLD.

1210
01:05:13,760 --> 01:05:15,526
UNCLE NEDDY IS A POSE.

1211
01:05:15,595 --> 01:05:17,528
DEEP IN MY INNERMOST HEART,

1212
01:05:17,597 --> 01:05:19,531
I LOATHE THE LITTLE MONSTERS.

1213
01:05:19,600 --> 01:05:22,717
MY LITTLE DAUGHTER
IS NOT A MONSTER,

1214
01:05:22,786 --> 01:05:24,719
AND SHE'LL BE VERY
EXCITED TO KNOW

1215
01:05:24,788 --> 01:05:27,705
I'VE BEEN TALKING TO
HER FAVORITE AUTHOR.

1216
01:05:27,774 --> 01:05:30,253
I SHALL MAKE AN EXCEPTION
OF YOUR DAUGHTER.

1217
01:05:30,277 --> 01:05:32,237
I'M LOOKING FORWARD
TO MEETING HER

1218
01:05:32,279 --> 01:05:34,212
AND YOUR HUSBAND, TOO.

1219
01:05:34,281 --> 01:05:36,214
MY HUSBAND IS DEAD.

1220
01:05:36,283 --> 01:05:38,216
OH.

1221
01:05:38,285 --> 01:05:39,484
OH?

1222
01:05:41,137 --> 01:05:44,238
OH, I DO WISH HE'D HURRY.

1223
01:05:44,307 --> 01:05:47,075
WELL, THERE'S NO RUSH NOW.

1224
01:05:47,143 --> 01:05:49,343
WE'LL GET THERE IN TIME.

1225
01:05:54,468 --> 01:05:56,067
HERE'S AN EMPTY ONE.

1226
01:05:59,306 --> 01:06:01,189
WELL, GOODBYE, MRS. MUIR.

1227
01:06:01,257 --> 01:06:02,735
GOODBYE, MR. FAIRLEY,

1228
01:06:02,759 --> 01:06:04,236
AND THANK YOU VERY MUCH.

1229
01:06:04,260 --> 01:06:06,194
NOT AT ALL. ARE YOU ALL RIGHT?

1230
01:06:06,262 --> 01:06:08,741
OH, YES, QUITE ALL
RIGHT. THANK YOU.

1231
01:06:08,765 --> 01:06:11,182
CHEERO!

1232
01:06:11,251 --> 01:06:12,683
[ENGINE CHUGGING]

1233
01:06:42,132 --> 01:06:43,759
[CAPTAIN GREGG] CHEERO.

1234
01:06:43,783 --> 01:06:46,717
OH. YOU'VE BEEN EAVESDROPPING.

1235
01:06:46,786 --> 01:06:48,719
FEMININE LITERATURE.

1236
01:06:48,788 --> 01:06:50,766
WHAT'S HE MEAN,
FEMININE LITERATURE?

1237
01:06:50,790 --> 01:06:52,723
HE HAD NO WAY OF
KNOWING IT'S YOUR BOOK.

1238
01:06:52,792 --> 01:06:54,225
BRASS, HE SAYS.

1239
01:06:54,294 --> 01:06:56,727
I'LL POLISH HIS BRASS FOR HIM.

1240
01:06:56,796 --> 01:06:58,774
AND THE WAY HE
WAS SMIRKING AT YOU,

1241
01:06:58,798 --> 01:07:00,709
LIKE A CAT AT A FISHMONGER'S.

1242
01:07:00,733 --> 01:07:03,167
YOU SHOULD HAVE
SLAPPED HIS FACE.

1243
01:07:03,236 --> 01:07:05,669
WHY? I FOUND HIM
RATHER CHARMING.

1244
01:07:05,738 --> 01:07:08,717
RATHER CHARMING. NOW
YOU'RE STARTING TO TALK LIKE HIM.

1245
01:07:08,741 --> 01:07:10,674
HOW IN BLAZES DO
YOU WANT ME TO TALK?

1246
01:07:10,743 --> 01:07:11,754
THAT'S BETTER.

1247
01:07:11,778 --> 01:07:13,677
I THINK YOU'RE BEING
EXTREMELY CHILDISH.

1248
01:07:13,746 --> 01:07:15,724
I'M ONLY TRYING TO PROTECT YOU

1249
01:07:15,748 --> 01:07:17,559
FROM YOUR OWN WORSE INSTINCTS.

1250
01:07:17,583 --> 01:07:19,350
I'LL MANAGE MY OWN
INSTINCTS, THANK YOU.

1251
01:07:19,419 --> 01:07:21,514
WHAT MADE YOU
LIE TO THE BLIGHTER?

1252
01:07:21,538 --> 01:07:22,871
I DIDN'T LIE TO HIM.

1253
01:07:22,939 --> 01:07:24,917
YOU DID. YOU TOLD HIM HE
WAS ANNA'S FAVORITE AUTHOR.

1254
01:07:24,941 --> 01:07:26,919
YOU KNOW PERFECTLY
WELL SHE HATES UNCLE NEDDY

1255
01:07:26,943 --> 01:07:29,705
AND READS NOTHING BUT <i>DEADEYE
DICK, THE ROVER OF THE SPANISH MAIN.</i>

1256
01:07:29,729 --> 01:07:31,696
WELL, I HAD TO SAY SOMETHING.

1257
01:07:31,765 --> 01:07:35,199
HMM. YOU SHOULD HAVE
PUSHED HIM OUT OF THE CAB.

1258
01:07:35,268 --> 01:07:37,869
IN ANOTHER MINUTE, I WOULD HAVE.

1259
01:07:37,938 --> 01:07:41,172
WHY, DANIEL, I BELIEVE
YOU'RE JEALOUS.

1260
01:07:41,241 --> 01:07:43,191
OF COURSE I'M NOT JEALOUS!

1261
01:07:43,260 --> 01:07:45,227
DO YOU TAKE ME FOR A
BLASTED SCHOOLBOY?

1262
01:07:45,279 --> 01:07:47,862
BESIDES, JEALOUSY IS
A DISEASE OF THE FLESH.

1263
01:07:47,931 --> 01:07:50,699
I'VE NEVER KNOWN YOU
TO BE SO DISAGREEABLE,

1264
01:07:50,767 --> 01:07:52,550
TODAY OF ALL DAYS.

1265
01:07:52,619 --> 01:07:54,535
WHAT'S SO WONDERFUL ABOUT TODAY?

1266
01:07:54,604 --> 01:07:56,037
THE BOOK, DANIEL.

1267
01:07:56,105 --> 01:07:57,916
MR. SPROULE LIKED THE BOOK.

1268
01:07:57,940 --> 01:08:00,124
OF COURSE HE LIKED IT.

1269
01:08:00,193 --> 01:08:02,677
AND NOW I CAN BUY THE HOUSE.

1270
01:08:02,746 --> 01:08:04,295
[WHISTLE BLOWS]

1271
01:08:06,250 --> 01:08:08,182
JUST AS WE PLANNED.

1272
01:08:08,252 --> 01:08:09,729
I'M NOT SURE I WANT YOU TO HAVE

1273
01:08:09,753 --> 01:08:11,380
THE BLASTED HOUSE AFTER ALL.

1274
01:08:11,404 --> 01:08:13,688
OH, DANIEL, PLEASE.

1275
01:08:13,757 --> 01:08:17,192
OH, I SUPPOSE BEING A
WOMAN, YOU CAN'T HELP IT.

1276
01:08:17,261 --> 01:08:18,693
CAN'T HELP WHAT?

1277
01:08:18,762 --> 01:08:20,740
MAKING A FOOL OF YOURSELF.

1278
01:08:20,764 --> 01:08:23,198
DANIEL, YOU STOP SULKING.

1279
01:08:23,267 --> 01:08:26,201
YOU YOURSELF SAID THAT
I SHOULD MIX WITH PEOPLE,

1280
01:08:26,270 --> 01:08:28,870
THAT I SHOULD SEE... MEN.

1281
01:08:28,939 --> 01:08:31,706
I SAID MEN, NOT
PERFUMED PARLOR SNAKES.

1282
01:08:31,775 --> 01:08:34,709
HE'S A MAN AND A VERY NICE ONE.

1283
01:08:34,778 --> 01:08:37,645
ANYWAY, I SHALL
NEVER SEE HIM AGAIN.

1284
01:08:37,714 --> 01:08:38,714
HMM.

1285
01:08:40,400 --> 01:08:43,245
CHEER OFF, YOU BLASTED
MUD TURTLE! THERE'S NO ROOM!

1286
01:08:43,269 --> 01:08:45,370
I BEG YOUR PARDON, MADAM.

1287
01:08:53,347 --> 01:08:56,397
HA HA HA HA! HA HA HA HA!

1288
01:08:56,466 --> 01:08:59,401
HA HA HA HA! HA HA HA HA!

1289
01:09:07,727 --> 01:09:09,326
[CHILDREN LAUGHING]

1290
01:09:12,064 --> 01:09:14,999
WILL MY NAME STAY THERE
FOREVER, MR. SCROGGINS?

1291
01:09:15,067 --> 01:09:17,027
MM-HMM. FOREVER AND A DAY,

1292
01:09:17,069 --> 01:09:19,047
AND I'VE CUT IT NICE AND DEEP

1293
01:09:19,071 --> 01:09:22,551
SO ALL THE SHIPS AT SEA
CAN SEE IT AS THEY SAIL ALONG.

1294
01:09:22,575 --> 01:09:25,009
MY GOODNESS!

1295
01:09:32,418 --> 01:09:33,651
MUMMY!

1296
01:09:36,039 --> 01:09:39,022
MUMMY, COME AND SEE WHAT
MR. SCROGGINS HAS DONE!

1297
01:09:39,091 --> 01:09:41,325
I'LL BE RIGHT OUT, DARLING!

1298
01:10:01,413 --> 01:10:03,558
MR. SCROGGINS SAYS
I'LL ALWAYS BE HERE,

1299
01:10:03,582 --> 01:10:05,560
AND ALL THE CAPTAINS
OF ALL THE SHIPS

1300
01:10:05,584 --> 01:10:07,852
WILL LOOK AT ME
THROUGH SPYGLASSES.

1301
01:10:07,920 --> 01:10:09,854
WHY, THAT'S VERY
THOUGHTFUL OF MR. SCROGGINS.

1302
01:10:09,922 --> 01:10:11,856
JUST THINK OF ALL THE
LOVELY SHIPWRECKS

1303
01:10:11,924 --> 01:10:13,690
WE'LL HAVE ON THIS BEACH.

1304
01:10:13,760 --> 01:10:15,904
NOW, IN THE MEANTIME, WHAT
DO YOU SAY TO GETTING DRESSED

1305
01:10:15,928 --> 01:10:17,862
AND PLOTTING OUR
COURSE FOR HOME?

1306
01:10:17,930 --> 01:10:19,864
OH, PLEASE, MUMMY!
MR. SCROGGINS AND I

1307
01:10:19,932 --> 01:10:21,910
HAVE GOT TO BUILD A
BREAKWATER AND A CANAL!

1308
01:10:21,934 --> 01:10:23,912
I'LL BE PLEASED TO
BRING HER HOME, MA'AM.

1309
01:10:23,936 --> 01:10:26,871
ALL RIGHT, SKIPPER, BUT
MIND YOU'RE NOT TOO LATE.

1310
01:11:10,266 --> 01:11:13,412
LIFE IS JUST ONE COINCIDENCE
AFTER ANOTHER, ISN'T IT?

1311
01:11:13,436 --> 01:11:15,414
THANK YOU FOR RETURNING
MY HANDKERCHIEF, MR. FAIRLEY.

1312
01:11:15,438 --> 01:11:17,416
I FEEL RATHER ASHAMED
ABOUT HAVING TAKEN IT.

1313
01:11:17,440 --> 01:11:18,372
YOU SHOULD BE.

1314
01:11:18,441 --> 01:11:19,919
ONLY AS A WRITER, OF COURSE.

1315
01:11:19,943 --> 01:11:21,486
IT WAS MUCH TOO
OBVIOUS A DEVICE.

1316
01:11:21,510 --> 01:11:22,860
AND IN QUESTIONABLE TASTE.

1317
01:11:22,928 --> 01:11:24,544
BUT VERY NECESSARY.

1318
01:11:24,613 --> 01:11:26,425
I WANTED TO HAVE
SOMETHING OF YOU

1319
01:11:26,449 --> 01:11:28,098
UNTIL I SAW YOU AGAIN.

1320
01:11:31,720 --> 01:11:34,037
YOU'RE QUITE
ACCOMPLISHED, AREN'T YOU?

1321
01:11:34,106 --> 01:11:35,917
I SHOULD THINK BEING UNCLE NEDDY

1322
01:11:35,941 --> 01:11:37,874
WOULD SATISFY ANYONE.

1323
01:11:37,943 --> 01:11:39,876
NO. I ALSO PAINT...

1324
01:11:39,945 --> 01:11:41,878
UNDER THE NAME OF RENOIR.

1325
01:11:41,947 --> 01:11:43,425
OH, YOU'RE SUCH A FOOL.

1326
01:11:43,449 --> 01:11:45,382
THAT'S THE NICEST THING
YOU'VE EVER SAID TO ME.

1327
01:11:45,451 --> 01:11:47,596
AND WHAT, IF ANYTHING,
DO YOU DO AS MILES FAIRLEY?

1328
01:11:47,620 --> 01:11:49,370
PLAY THE FOOL, GENERALLY.

1329
01:11:49,439 --> 01:11:51,372
SPECIFICALLY, I BEHAVE
QUITE IDIOTICALLY

1330
01:11:51,441 --> 01:11:53,874
TOWARDS A CERTAIN YOUNG
LADY THAT I FELL IN LOVE WITH

1331
01:11:53,943 --> 01:11:56,010
WHILE PASSING ON A STAIR.

1332
01:11:56,078 --> 01:11:57,695
MR. FAIRLEY, PLEASE.

1333
01:11:57,764 --> 01:11:59,663
I HAVE NO ILLUSIONS
ABOUT MY CONDUCT.

1334
01:11:59,732 --> 01:12:03,267
AM I BEING UNFORGIVABLY
OFFENSIVE, LUCY?

1335
01:12:03,336 --> 01:12:04,735
LUCY?

1336
01:12:04,804 --> 01:12:06,737
THAT'S YOUR NAME.

1337
01:12:06,806 --> 01:12:10,240
IT'S BEEN SO LONG SINCE
ANYONE CALLED ME THAT.

1338
01:12:10,309 --> 01:12:13,744
NO, YOU'VE DONE NOTHING
REALLY UNFORGIVABLE.

1339
01:12:13,813 --> 01:12:16,747
IT'S JUST THAT I'M NOT...

1340
01:12:16,816 --> 01:12:19,333
COME AND TAKE A
LOOK AT MY CANVAS.

1341
01:12:21,087 --> 01:12:23,320
WHY, IT'S ME.

1342
01:12:23,389 --> 01:12:25,822
YOU'VE BEEN PAINTING ME.

1343
01:12:25,891 --> 01:12:27,824
YOU'VE BEEN WATCHING ME BATHE.

1344
01:12:27,893 --> 01:12:30,327
BUT ALWAYS FROM A
RESPECTABLE DISTANCE.

1345
01:12:32,215 --> 01:12:35,049
NOT TOO BAD, IS IT?

1346
01:12:35,117 --> 01:12:39,336
I THINK IT'S VERY
FLATTERING, REALLY...

1347
01:12:39,405 --> 01:12:42,339
IT WILL NEED A THOUSAND RENOIRS.

1348
01:12:49,933 --> 01:12:51,853
THAT WAS
UNFORGIVABLE, WASN'T IT?

1349
01:12:53,636 --> 01:12:56,070
BUT I SHALL NOT GO
AWAY, EVEN IF YOU SEND ME,

1350
01:12:56,139 --> 01:12:59,873
AND I SHALL SEE YOU
AGAIN, EVEN IF YOU FORBID IT.

1351
01:12:59,942 --> 01:13:02,809
I'M SURE I HAVE NO CONTROL
OVER WHERE YOU GO OR...

1352
01:13:02,878 --> 01:13:05,312
OR WHAT YOU DO.

1353
01:13:05,381 --> 01:13:07,621
THEN YOU WON'T FORBID IT.

1354
01:13:31,974 --> 01:13:35,125
SO NOW YOU'VE BEEN KISSED
IN THE ORCHARD ALL OVER AGAIN.

1355
01:13:35,194 --> 01:13:36,688
YOU'VE BEEN SPYING ON ME.

1356
01:13:36,712 --> 01:13:38,846
I MERELY HAPPENED TO
BE CRUISING IN THE VICINITY.

1357
01:13:38,915 --> 01:13:40,125
I DON'T BELIEVE YOU.

1358
01:13:40,149 --> 01:13:41,515
WHY DID YOU LET HIM?

1359
01:13:41,583 --> 01:13:44,752
I... I DIDN'T. HE
TOOK ME UNAWARE.

1360
01:13:44,820 --> 01:13:48,339
HA HA HA! MY DEAR, SINCE
EVE PICKED THE APPLE,

1361
01:13:48,408 --> 01:13:51,342
NO WOMAN'S EVER BEEN
TAKEN ENTIRELY UNAWARES.

1362
01:13:51,411 --> 01:13:53,844
JUST WHAT DO YOU MEAN
TO INSINUATE BY THAT?

1363
01:13:53,913 --> 01:13:55,346
WHEN A WOMAN'S KISSED,

1364
01:13:55,415 --> 01:13:57,848
IT'S BECAUSE DEEP DOWN
SHE WANTS TO BE KISSED.

1365
01:13:57,917 --> 01:14:00,351
THAT IS NOTHING BUT
MASCULINE CONCEIT.

1366
01:14:00,420 --> 01:14:02,286
NEVERTHELESS, IT'S TRUE.

1367
01:14:02,355 --> 01:14:04,288
WELL, NOW WHAT HAPPENS?

1368
01:14:04,357 --> 01:14:06,290
HE'LL STAY, OR HE'LL GO AWAY.

1369
01:14:06,359 --> 01:14:08,793
IT DOESN'T MATTER TO
ME ONE WAY OR THE OTHER.

1370
01:14:08,861 --> 01:14:11,295
I THINK IT MATTERS TO YOU
MORE THAN YOU'LL ADMIT.

1371
01:14:11,364 --> 01:14:12,963
ISN'T THAT SO, LUCIA?

1372
01:14:13,032 --> 01:14:14,843
WHY BOTHER TO ASK ME, DANIEL?

1373
01:14:14,867 --> 01:14:17,846
YOU SEEM TO KNOW MY
MIND BETTER THAN I DO.

1374
01:14:17,870 --> 01:14:20,304
YOU DON'T LIKE HIM, DO YOU?

1375
01:14:20,373 --> 01:14:22,306
HE PUTS BRILLIANTINE
ON HIS HAIR.

1376
01:14:22,375 --> 01:14:23,808
MOST MEN DO.

1377
01:14:23,876 --> 01:14:26,310
AND HE USES PERFUME. BLASTED
NEAR DROVE ME OUT OF HIS ROOM.

1378
01:14:26,379 --> 01:14:28,357
YOU SHOULDN'T HAVE BEEN IN
HIS ROOM IN THE FIRST PLACE.

1379
01:14:28,381 --> 01:14:30,314
SO YOU CAN FIND AN
EXCUSE FOR EVERYTHING.

1380
01:14:30,383 --> 01:14:32,361
ONLY BECAUSE YOU'RE
ATTACKING HIM, DANIEL.

1381
01:14:32,385 --> 01:14:34,318
I KNOW. IT'S A NATURAL
HUMAN REACTION.

1382
01:14:34,387 --> 01:14:36,347
I WISH YOU WOULDN'T
BE SO SUPERIOR

1383
01:14:36,389 --> 01:14:38,823
JUST BECAUSE
YOU'RE... NOT ALIVE.

1384
01:14:38,891 --> 01:14:40,324
AND HE IS, VERY MUCH SO.

1385
01:14:40,393 --> 01:14:42,171
IT'S NO CRIME TO BE ALIVE.

1386
01:14:42,195 --> 01:14:45,329
NO, MY DEAR. SOMETIMES
IT'S A GREAT INCONVENIENCE.

1387
01:14:45,398 --> 01:14:47,164
THE LIVING CAN BE HURT.

1388
01:14:47,233 --> 01:14:49,378
I DON'T INTEND TO BE HURT.

1389
01:14:49,402 --> 01:14:52,219
NO CAPTAIN INTENDS TO PILE HIS
SHIP UP ON A REEF, BUT IT HAPPENS.

1390
01:14:52,288 --> 01:14:55,050
YOU YOURSELF SAID I SHOULD
GO ABOUT IN THE WORLD.

1391
01:14:55,074 --> 01:14:56,885
THAT MEANS TAKING RISKS.

1392
01:14:56,909 --> 01:14:58,842
I KNOW, MY DEAR.

1393
01:14:58,911 --> 01:15:01,779
REAL HAPPINESS IS
WORTH ALMOST ANY RISK,

1394
01:15:01,847 --> 01:15:03,614
BUT BE CAREFUL.

1395
01:15:03,682 --> 01:15:06,417
THERE MAY BE BREAKERS AHEAD.

1396
01:15:08,704 --> 01:15:10,220
I WILL, DANIEL.

1397
01:15:31,544 --> 01:15:32,784
[FOOTSTEPS]

1398
01:15:39,886 --> 01:15:41,318
HELLO, MARTHA.

1399
01:15:41,387 --> 01:15:42,319
HELLO.

1400
01:15:42,388 --> 01:15:43,821
LIKE MY PICTURE?

1401
01:15:43,890 --> 01:15:45,022
NO.

1402
01:15:45,090 --> 01:15:46,990
THAT'S HONEST, ANYWAY.

1403
01:15:47,059 --> 01:15:49,493
IT'S INDECENT,
THAT'S WHAT IT IS.

1404
01:15:49,562 --> 01:15:53,163
HIM PAINTING YOU IN YOUR
BATHING COSTUME LIKE YOU WAS A...

1405
01:15:53,232 --> 01:15:54,665
I DON'T KNOW WHAT.

1406
01:15:54,734 --> 01:15:57,713
OH, COME, MARTHA.
THIS IS THE 20th CENTURY.

1407
01:15:57,737 --> 01:16:01,439
WE MUST RID OURSELVES OF
THE OLD FETISHES AND TABOOS.

1408
01:16:01,507 --> 01:16:04,274
HUH! LEARNT A LOT OF
NEW WORDS, AIN'T YOU?

1409
01:16:04,343 --> 01:16:06,777
WE'RE NEVER TOO OLD TO LEARN.

1410
01:16:06,846 --> 01:16:09,279
NO. NOR TO MAKE FOOLS
OF OURSELVES EITHER.

1411
01:16:09,348 --> 01:16:10,781
"UNCLE NEDDY."

1412
01:16:10,850 --> 01:16:13,451
ALL RIGHT, MY
GIRL. LET'S HAVE IT.

1413
01:16:13,519 --> 01:16:16,787
WHAT'S HE UP TO?
WHAT'S HE WANT WITH YOU?

1414
01:16:16,856 --> 01:16:21,291
WELL, I RATHER THINK HE'S
GOING TO ASK ME TO MARRY HIM.

1415
01:16:21,360 --> 01:16:22,809
AND YOU'D BE WILLING TO.

1416
01:16:22,879 --> 01:16:24,811
I MIGHT. WHY SHOULDN'T I?

1417
01:16:24,881 --> 01:16:27,314
BECAUSE HE AIN'T GOOD
ENOUGH FOR YOU, THAT'S WHY NOT.

1418
01:16:27,383 --> 01:16:30,317
HE'S THE KIND OF MAN NO DECENT
WOMAN WOULD ASSOCIATE WITH.

1419
01:16:30,386 --> 01:16:32,364
MARTHA, WHAT RIGHT HAVE
YOU TO TALK LIKE THAT?

1420
01:16:32,388 --> 01:16:33,866
WELL, I GOT A RIGHT
TO ME OWN FEELINGS,

1421
01:16:33,890 --> 01:16:35,322
AND I GOT A FEELING ABOUT HIM.

1422
01:16:35,391 --> 01:16:36,823
HOW DARE YOU!

1423
01:16:36,893 --> 01:16:38,325
I'M SORRY.

1424
01:16:38,394 --> 01:16:42,829
IT'S JUST THAT I'VE BEEN SO
WORRIED ABOUT YOU LATELY.

1425
01:16:42,899 --> 01:16:46,333
NOW, MARTHA. THERE'S
NOTHING TO WORRY ABOUT.

1426
01:16:46,402 --> 01:16:49,003
I KNOW HE ISN'T PERFECT.

1427
01:16:49,071 --> 01:16:53,340
PERHAPS HE'S
CONCEITED AND ERRATIC,

1428
01:16:53,409 --> 01:16:55,342
EVEN CHILDISH,

1429
01:16:55,411 --> 01:16:57,211
BUT HE'S REAL.

1430
01:16:59,298 --> 01:17:00,680
REAL?

1431
01:17:00,749 --> 01:17:03,561
I THOUGHT I WAS
IMPERVIOUS TO EMOTION,

1432
01:17:03,585 --> 01:17:06,564
A RESPECTABLE WIDOW
WOMAN WITH A GROWING CHILD

1433
01:17:06,588 --> 01:17:09,022
AND A HIDE LIKE A RHINOCEROS,

1434
01:17:09,091 --> 01:17:10,690
BUT I'M NOT.

1435
01:17:10,760 --> 01:17:13,526
I NEED COMPANIONSHIP
AND LAUGHTER

1436
01:17:13,595 --> 01:17:16,696
AND ALL THE THINGS
A WOMAN NEEDS.

1437
01:17:18,267 --> 01:17:21,118
I SUPPOSE I NEED LOVE.

1438
01:17:22,271 --> 01:17:25,706
WELL, I HOPE HE
CAN GIVE IT TO YOU.

1439
01:17:25,775 --> 01:17:28,208
NOW, SUPPOSE YOU
GO ON DOWNSTAIRS

1440
01:17:28,277 --> 01:17:31,211
AND MAKE US BOTH A CUP OF TEA.

1441
01:17:32,448 --> 01:17:33,880
I'LL FINISH UP.

1442
01:17:33,949 --> 01:17:35,382
YES, MA'AM.

1443
01:17:54,469 --> 01:17:55,903
WELL, DANIEL...

1444
01:17:59,308 --> 01:18:01,792
HAVEN'T YOU ANYTHING TO SAY?

1445
01:18:12,905 --> 01:18:14,171
HAPPY?

1446
01:18:14,239 --> 01:18:17,174
OH, I'VE NEVER FELT
LIKE THIS BEFORE.

1447
01:18:17,242 --> 01:18:18,175
HOW?

1448
01:18:18,243 --> 01:18:19,677
I DON'T KNOW.

1449
01:18:19,745 --> 01:18:21,178
TELL ME.

1450
01:18:23,248 --> 01:18:27,184
LIKE... LIKE LOOKING
DOWN FROM HIGH UP,

1451
01:18:27,252 --> 01:18:29,687
ALL DIZZY AND UNSURE.

1452
01:18:29,755 --> 01:18:32,189
YOU WON'T FALL. I'LL HOLD YOU.

1453
01:18:32,257 --> 01:18:36,193
IT ISN'T RIGHT, IT CAN'T
BE, TO FEEL LIKE THIS,

1454
01:18:36,261 --> 01:18:38,195
LIKE... I DON'T KNOW.

1455
01:18:38,263 --> 01:18:40,864
IT<i> IS</i> RIGHT BECAUSE
YOU'RE HAPPY.

1456
01:18:46,271 --> 01:18:49,656
MARTHA'S GONE UP.
IT'S ANNA'S BEDTIME.

1457
01:18:49,725 --> 01:18:52,326
JUST THIS ONCE, PRETEND
YOU'VE FORGOTTEN.

1458
01:18:52,395 --> 01:18:54,210
BUT I DIDN'T.

1459
01:18:54,279 --> 01:18:56,029
JUST THIS ONE NIGHT.

1460
01:18:57,400 --> 01:18:59,878
THERE'LL BE SO MANY
NIGHTS, DARLING,

1461
01:18:59,902 --> 01:19:02,769
TWO LIFETIMESFUL,
TILL WE'RE BOTH OLD

1462
01:19:02,838 --> 01:19:05,772
AND EVEN ANNA'S
GROWN AND MARRIED, TOO.

1463
01:19:05,841 --> 01:19:07,274
WHAT'S WRONG?

1464
01:19:07,343 --> 01:19:08,775
I'M JEALOUS.

1465
01:19:08,844 --> 01:19:11,778
I'M EVEN JEALOUS
OF A LITTLE GIRL.

1466
01:19:11,847 --> 01:19:13,325
BUT SHE'S MY DAUGHTER.

1467
01:19:13,349 --> 01:19:16,283
I CAN'T JUST FORGET
MY DUTY TO HER.

1468
01:19:16,352 --> 01:19:17,784
WHEN YOU'RE WITH ME,

1469
01:19:17,853 --> 01:19:20,287
I WANT YOU TO FORGET ABOUT
EVERYONE ELSE IN THE WORLD,

1470
01:19:20,356 --> 01:19:22,289
YOUR DUTY, AND WHAT
THE WORLD WILL SAY.

1471
01:19:22,358 --> 01:19:24,336
I THINK YOU MUST BE A MAGICIAN.

1472
01:19:24,360 --> 01:19:26,838
YOU MAKE IT SEEM ALL
WRONG TO CONSIDER MY DUTY

1473
01:19:26,862 --> 01:19:28,896
AND ONLY RIGHT THAT I...

1474
01:19:44,529 --> 01:19:47,264
[DING-DING DING-DING]

1475
01:19:47,332 --> 01:19:50,267
[DING-DING DING-DING]

1476
01:19:50,335 --> 01:19:54,104
I THOUGHT YOU WERE
ONE WOMAN WITH SENSE,

1477
01:19:54,173 --> 01:19:57,157
BUT YOU'RE LIKE ALL
THE REST OF THEM...

1478
01:19:57,226 --> 01:20:00,744
FALL FOR ANY MAN WHO'LL
PROMISE YOU THE MOON

1479
01:20:00,813 --> 01:20:03,914
AND END BY TAKING
EVERYTHING YOU HAVE TO GIVE.

1480
01:20:06,518 --> 01:20:09,753
OH, DON'T TROUBLE
YOURSELF, MY DEAR.

1481
01:20:09,822 --> 01:20:11,755
IT'S NOT YOUR FAULT.

1482
01:20:11,824 --> 01:20:15,258
I SHOULD HAVE KNOWN
IT WAS ON THE CHART.

1483
01:20:15,327 --> 01:20:17,260
YOU'VE MADE YOUR CHOICE,

1484
01:20:17,329 --> 01:20:19,763
THE ONLY CHOICE YOU COULD MAKE.

1485
01:20:19,832 --> 01:20:21,264
YOU'VE CHOSEN LIFE,

1486
01:20:21,333 --> 01:20:23,767
AND THAT'S AS IT SHOULD BE...

1487
01:20:23,836 --> 01:20:25,802
WHATEVER THE RECKONING,

1488
01:20:25,871 --> 01:20:29,272
AND THAT'S WHY I'M
GOING AWAY, MY DEAR.

1489
01:20:29,341 --> 01:20:32,275
OH, I... I CAN'T HELP YOU NOW.

1490
01:20:32,344 --> 01:20:34,778
I CAN ONLY CONFUSE YOU MORE

1491
01:20:34,847 --> 01:20:38,281
AND DESTROY WHATEVER CHANCE
YOU HAVE LEFT OF HAPPINESS.

1492
01:20:38,350 --> 01:20:40,517
YOU MUST MAKE YOUR OWN LIFE

1493
01:20:40,586 --> 01:20:42,953
AMONGST THE LIVING.

1494
01:20:44,857 --> 01:20:47,791
AND WHETHER YOU'LL
MEET FAIR WINDS OR FOUL,

1495
01:20:47,860 --> 01:20:53,630
FIND YOUR OWN WAY
TO HARBOR IN THE END.

1496
01:20:58,804 --> 01:21:02,072
LUCIA, LISTEN TO ME.

1497
01:21:02,141 --> 01:21:04,241
LISTEN, MY DEAR.

1498
01:21:04,309 --> 01:21:06,743
YOU'VE BEEN DREAMING,

1499
01:21:06,812 --> 01:21:08,745
DREAMING OF A SEA CAPTAIN

1500
01:21:08,814 --> 01:21:10,747
THAT HAUNTED THIS HOUSE,

1501
01:21:10,816 --> 01:21:13,250
OF TALKS YOU HAD WITH HIM,

1502
01:21:13,318 --> 01:21:16,753
EVEN A BOOK YOU
BOTH WROTE TOGETHER,

1503
01:21:16,822 --> 01:21:21,758
BUT, LUCIA, YOU WROTE THE BOOK,

1504
01:21:21,827 --> 01:21:25,829
YOU AND NO ONE ELSE...

1505
01:21:25,898 --> 01:21:28,782
THE BOOK YOU IMAGINED
FROM HIS HOUSE,

1506
01:21:28,851 --> 01:21:31,284
FROM HIS PICTURE ON THE WALL,

1507
01:21:31,353 --> 01:21:34,353
FROM HIS GEAR LYING
AROUND IN EVERY ROOM.

1508
01:21:38,343 --> 01:21:41,945
IT'S BEEN A DREAM, LUCIA.

1509
01:21:50,021 --> 01:21:53,290
AND IN THE MORNING
AND THE YEARS AFTER,

1510
01:21:53,358 --> 01:21:57,027
YOU'LL ONLY REMEMBER
IT AS A DREAM,

1511
01:21:57,096 --> 01:21:59,746
AND IT'LL DIE,

1512
01:21:59,815 --> 01:22:03,516
AS ALL DREAMS
MUST DIE AT WAKING.

1513
01:22:11,593 --> 01:22:14,861
HOW YOU'D HAVE
LOVED THE NORTH CAPE

1514
01:22:14,930 --> 01:22:17,981
AND THE FJORDS AND
THE MIDNIGHT SUN,

1515
01:22:18,050 --> 01:22:20,934
TO SAIL ACROSS THE
REEF AT BARBADOS,

1516
01:22:21,002 --> 01:22:23,937
WHERE THE BLUE
WATER TURNS TO GREEN,

1517
01:22:24,005 --> 01:22:25,439
TO THE FALKLANDS

1518
01:22:25,507 --> 01:22:28,942
WHERE A SOUTHERLY GALE
RIPS THE WHOLE SEA WHITE!

1519
01:22:29,010 --> 01:22:32,446
WHAT WE'VE MISSED, LUCIA!

1520
01:22:33,682 --> 01:22:37,133
WHAT WE'VE BOTH MISSED.

1521
01:22:40,171 --> 01:22:44,273
GOODBYE, MY DARLING.

1522
01:23:03,295 --> 01:23:06,730
LISTEN TO THIS...
FROM MR. SPROULE.

1523
01:23:06,799 --> 01:23:09,566
IT'S ABOUT THE
BOOK I'VE WRITTEN.

1524
01:23:09,634 --> 01:23:13,904
"OUR CHECK FOR £100
ADVANCE ROYALTIES

1525
01:23:13,972 --> 01:23:15,405
AS YOU REQUESTED."

1526
01:23:15,473 --> 01:23:20,243
YOU MEAN TO TELL ME THEY
PAID YOU GOOD MONEY FOR THAT?

1527
01:23:20,312 --> 01:23:22,746
MARTHA, HAVE YOU
BEEN READING MY BOOK?

1528
01:23:22,815 --> 01:23:24,292
I'M SUPPOSED TO DUST IN HERE,

1529
01:23:24,316 --> 01:23:26,294
AND WHAT FALLS UNDER
ME EYE FALLS UNDER ME EYE.

1530
01:23:26,318 --> 01:23:28,752
I'M SURPRISED AT YOU.
IT'S LIKE EAVESDROPPING.

1531
01:23:28,821 --> 01:23:31,755
I'M SURPRISED AT YOU.
SUCH LANGUAGE! LUMMY.

1532
01:23:31,824 --> 01:23:34,257
WELL, IF YOU'RE WRITING
ABOUT A SEA CAPTAIN,

1533
01:23:34,326 --> 01:23:37,243
YOU HAVE TO USE THE SORT
OF LANGUAGE HE WOULD USE.

1534
01:23:37,312 --> 01:23:40,430
HE'D HAVE A HARD TIME
LIVING UP TO<i> YOUR</i> IDEA OF HIM.

1535
01:23:40,499 --> 01:23:44,283
MR. SPROULE WANTS ME TO COME
INTO TOWN TO SIGN SOME PAPERS,

1536
01:23:44,352 --> 01:23:47,787
BUT I... I CAN'T POSSIBLY
LEAVE HERE NOW JUST WHEN...

1537
01:23:47,856 --> 01:23:49,255
JUST WHEN WHAT?

1538
01:23:49,324 --> 01:23:51,792
I'M EXPECTING MR. FAIRLEY.

1539
01:23:51,860 --> 01:23:54,343
WE'RE HAVING A PICNIC.

1540
01:23:54,412 --> 01:23:56,563
YOU MEAN HE IS.

1541
01:23:56,632 --> 01:23:59,115
I HEARD YOU, MARTHA.

1542
01:23:59,184 --> 01:24:02,385
PLEASE REMEMBER THAT
I'M GOING TO MARRY HIM.

1543
01:24:02,454 --> 01:24:03,887
YES, MA'AM.

1544
01:24:05,791 --> 01:24:07,223
BY THE WAY,

1545
01:24:07,292 --> 01:24:08,391
I'VE BEEN THINKING

1546
01:24:08,460 --> 01:24:11,061
WE MIGHT PUT THAT
PORTRAIT OF CAPTAIN GREGG

1547
01:24:11,129 --> 01:24:12,562
UP IN THE ATTIC.

1548
01:24:12,631 --> 01:24:14,442
DON'T YOU LIKE IT ANYMORE?

1549
01:24:14,466 --> 01:24:17,233
IT WAS A SILLY IDEA
TO HANG IT IN HERE.

1550
01:24:17,302 --> 01:24:20,236
I... I DON'T KNOW
WHAT POSSESSED ME.

1551
01:24:20,305 --> 01:24:21,738
ATMOSPHERE, I SUPPOSE.

1552
01:24:21,807 --> 01:24:23,073
YES, MA'AM.

1553
01:24:23,141 --> 01:24:25,742
I'LL HANG IT IN MY
ROOM, IF YOU DON'T MIND.

1554
01:24:25,811 --> 01:24:27,243
OF COURSE NOT.

1555
01:24:27,312 --> 01:24:29,290
PERHAPS YOU CAN GET UNCLE NEDDY

1556
01:24:29,314 --> 01:24:30,792
TO PAINT ONE OF HIMSELF INSTEAD.

1557
01:24:30,816 --> 01:24:31,816
MARTHA!

1558
01:24:44,012 --> 01:24:45,445
"DEAR MR. SPROULE,

1559
01:24:45,514 --> 01:24:49,949
"I FIND THAT I AM UNABLE TO
LEAVE WHITECLIFF THIS WEEK

1560
01:24:50,018 --> 01:24:53,119
AND HOPE THAT YOU..."

1561
01:24:57,692 --> 01:25:00,626
A BOY BROUGHT A NOTE FOR YOU.

1562
01:25:07,635 --> 01:25:10,070
A BILLET-DOUX, I DARE SAY.

1563
01:25:14,809 --> 01:25:16,242
OH, HOW TERRIBLE.

1564
01:25:16,311 --> 01:25:21,247
MR. FAIRLEY HAS BEEN CALLED
UP TO LONDON FOR A FEW DAYS.

1565
01:25:21,316 --> 01:25:23,436
WHAT'S SO TERRIBLE ABOUT THAT?

1566
01:25:37,332 --> 01:25:38,264
THERE!

1567
01:25:38,333 --> 01:25:40,294
IS THAT ALL, MR. SPROULE?

1568
01:25:40,318 --> 01:25:44,754
EXCEPT TO DEPOSIT THE CHECKS TO
YOUR ACCOUNT WHEN THEY COME IN.

1569
01:25:44,823 --> 01:25:46,756
I CONGRATULATE YOU, MY DEAR,

1570
01:25:46,825 --> 01:25:49,258
AND I CONGRATULATE
THE CAPTAIN, TOO.

1571
01:25:49,327 --> 01:25:50,760
OH, THE CAPTAIN.

1572
01:25:50,829 --> 01:25:54,597
AND I INTEND TO HOLD YOU TO
YOUR PROMISE TO INTRODUCE US.

1573
01:25:54,666 --> 01:25:57,311
OH, YES, I DID
PROMISE, DIDN'T I?

1574
01:25:57,335 --> 01:25:58,768
YOU KNOW,

1575
01:25:58,837 --> 01:26:01,704
SOMEDAY WHEN I'VE KNOWN YOU
A LITTLE LONGER, MR. SPROULE,

1576
01:26:01,773 --> 01:26:04,206
I'LL TELL YOU THE TRUTH
ABOUT THE CAPTAIN.

1577
01:26:04,275 --> 01:26:06,042
GOODBYE AND THANK YOU AGAIN.

1578
01:26:06,110 --> 01:26:07,744
GOODBYE, MRS. MUIR.

1579
01:26:12,301 --> 01:26:15,235
WOULD YOU PLEASE GIVE
ME MR. FAIRLEY'S ADDRESS?

1580
01:26:15,304 --> 01:26:16,736
MILES FAIRLEY?

1581
01:26:16,805 --> 01:26:18,238
YES, PLEASE.

1582
01:26:20,142 --> 01:26:22,575
UH, HERE IT IS, MRS. MUIR.

1583
01:26:22,644 --> 01:26:24,577
NUMBER 14, ALBEMARLE STREET.

1584
01:26:24,646 --> 01:26:26,579
THANK YOU SO MUCH.

1585
01:26:47,986 --> 01:26:48,986
[RING]

1586
01:26:51,490 --> 01:26:52,756
YES, MA'AM?

1587
01:26:52,824 --> 01:26:54,969
I'D LIKE TO SEE
MR. FAIRLEY, PLEASE.

1588
01:26:54,993 --> 01:26:56,259
YES, MA'AM.

1589
01:26:59,014 --> 01:27:00,446
WHAT NAME, PLEASE?

1590
01:27:00,515 --> 01:27:01,882
IT'S MRS. MUIR.

1591
01:27:01,950 --> 01:27:04,885
YES, MA'AM. WILL YOU
WAIT IN THERE, PLEASE?

1592
01:27:32,463 --> 01:27:36,565
MRS. MUIR? THE MAID SAID YOU
WANTED TO SEE MY HUSBAND.

1593
01:27:36,634 --> 01:27:38,601
PERHAPS<i> I</i> CAN HELP YOU.

1594
01:27:38,670 --> 01:27:40,403
HUSBAND?

1595
01:27:40,472 --> 01:27:42,605
OR IF YOU DON'T MIND WAITING.

1596
01:27:42,674 --> 01:27:43,773
HE SHOULD BE BACK SOON.

1597
01:27:43,842 --> 01:27:45,775
HE'S TAKING THE
CHILDREN TO THE PARK.

1598
01:27:45,844 --> 01:27:50,280
I'VE HAD THEM ABROAD FOR THE
PAST FEW MONTHS. WE JUST RETURNED.

1599
01:27:50,349 --> 01:27:53,283
MILES IS MAKING
UP FOR LOST TIME.

1600
01:27:53,352 --> 01:27:54,784
PLEASE SIT DOWN.

1601
01:27:54,853 --> 01:27:57,120
IF YOU'RE A FRIEND OF HIS,

1602
01:27:57,189 --> 01:27:59,850
YOU KNOW HOW FOND
HE IS OF THE CHILDREN.

1603
01:27:59,874 --> 01:28:02,375
YOU<i> ARE</i> A FRIEND
OF HIS, AREN'T YOU?

1604
01:28:02,444 --> 01:28:04,577
I... I'M A WRITER.

1605
01:28:04,646 --> 01:28:08,648
WE, UH... MR. FAIRLEY AND I
HAVE THE SAME PUBLISHER.

1606
01:28:08,717 --> 01:28:10,233
HOW EXCITING.

1607
01:28:10,302 --> 01:28:14,687
I DON'T OFTEN MEET ONE
OF MILES' LITERARY FRIENDS.

1608
01:28:14,756 --> 01:28:17,240
YOU'LL WAIT FOR HIM, WON'T YOU?

1609
01:28:17,309 --> 01:28:20,537
I EXPECT HIM BACK ANY
MINUTE, AND WE'LL HAVE TEA.

1610
01:28:20,561 --> 01:28:22,078
NO, I...

1611
01:28:22,147 --> 01:28:23,413
I'LL GO.

1612
01:28:23,481 --> 01:28:25,292
I'M AFRAID I'VE MADE A MISTAKE.

1613
01:28:25,316 --> 01:28:26,749
MISTAKE, MRS. MUIR?

1614
01:28:26,817 --> 01:28:28,751
YES. I... I'M SORRY.

1615
01:28:30,255 --> 01:28:32,755
I THINK I UNDERSTAND, MY DEAR,

1616
01:28:32,824 --> 01:28:35,041
AND I'M SORRY, TOO.

1617
01:28:35,110 --> 01:28:36,610
TRULY I AM.

1618
01:28:36,678 --> 01:28:42,282
YOU SEE, IT ISN'T THE FIRST TIME
SOMETHING LIKE THIS HAS HAPPENED.

1619
01:28:47,455 --> 01:28:48,504
MRS. MUIR.

1620
01:29:37,506 --> 01:29:39,466
COME ON IN, MA'AM.

1621
01:29:39,508 --> 01:29:42,487
I BROUGHT YOU
SOME NICE HOT MILK.

1622
01:29:42,511 --> 01:29:43,943
[CRYING]

1623
01:29:47,849 --> 01:29:49,782
OH, THERE, THERE.

1624
01:29:49,851 --> 01:29:53,786
HE AIN'T WORTH
IT. BLAST HIS HIDE.

1625
01:29:53,855 --> 01:29:56,289
HE AIN'T WORTH IT.

1626
01:30:15,711 --> 01:30:17,143
[ARF ARF]

1627
01:30:17,212 --> 01:30:18,629
[ARF ARF]

1628
01:30:18,697 --> 01:30:20,130
[ARF ARF]

1629
01:30:26,371 --> 01:30:27,804
WHERE YOU BEEN?

1630
01:30:27,873 --> 01:30:29,305
JUST WALKING.

1631
01:30:29,374 --> 01:30:32,308
YOU'VE BEEN DOING A LOT OF
WALKING THESE LAST FEW MONTHS.

1632
01:30:32,377 --> 01:30:34,310
YOU MUSTN'T GO TIRING
YOURSELF OUT, NOW.

1633
01:30:34,379 --> 01:30:36,312
I'M NOT A BIT TIRED.

1634
01:30:36,381 --> 01:30:38,314
OFF TO YOUR ROOM

1635
01:30:38,383 --> 01:30:41,317
AND A NICE BIT OF
SHUT-EYE BEFORE TEA.

1636
01:30:45,691 --> 01:30:48,157
MARTHA, DO YOU
KNOW WHAT DAY THIS IS?

1637
01:30:48,226 --> 01:30:49,659
WASH DAY.

1638
01:30:49,728 --> 01:30:54,163
YES, BUT IT WAS EXACTLY A
YEAR AGO THAT WE CAME HERE.

1639
01:30:54,232 --> 01:30:56,666
WE WENT UP THESE
STAIRS TOGETHER,

1640
01:30:56,735 --> 01:31:00,169
AND THEN I HURT MY
FINGER ON THE WINDOW.

1641
01:31:00,238 --> 01:31:01,638
REMEMBER?

1642
01:31:01,707 --> 01:31:02,707
YES, MA'AM.

1643
01:31:02,741 --> 01:31:04,608
THEN I HAD A DREAM.

1644
01:31:04,676 --> 01:31:06,788
I REMEMBER YOU
TELLING ME ABOUT IT.

1645
01:31:06,812 --> 01:31:09,296
IT WAS A VERY STRANGE DREAM,

1646
01:31:09,364 --> 01:31:12,965
THE FIRST OF MANY DREAMS.

1647
01:31:13,034 --> 01:31:15,635
NOW, THEN, OFF WITH YOUR DRESS.

1648
01:31:15,704 --> 01:31:18,638
NO. I'LL REST IN THE BIG CHAIR.

1649
01:31:18,707 --> 01:31:20,640
WHATEVER YOU SAY, MA'AM.

1650
01:31:20,709 --> 01:31:22,141
GO ON DOWN, RUMMY.

1651
01:31:27,048 --> 01:31:28,526
THANK YOU, MARTHA.

1652
01:31:28,550 --> 01:31:30,650
I'LL CALL YOU IN AN HOUR.

1653
01:31:36,058 --> 01:31:37,490
[DOOR CLOSES]

1654
01:31:40,896 --> 01:31:43,830
[DING-DING DING-DING]

1655
01:31:43,899 --> 01:31:46,332
[DING-DING DING-DING]

1656
01:33:26,702 --> 01:33:27,634
MUMMY!

1657
01:33:27,703 --> 01:33:29,802
HELLO, ANNA!

1658
01:33:39,047 --> 01:33:41,481
ANNA! DARLING!
THIS IS A SURPRISE.

1659
01:33:41,550 --> 01:33:43,817
HOW DID YOU GET OFF
FROM THE UNIVERSITY?

1660
01:33:43,885 --> 01:33:45,362
THEY DON'T KNOW I'M AWAY.

1661
01:33:45,386 --> 01:33:46,319
BUT...

1662
01:33:46,387 --> 01:33:48,198
COME ON, BILL. DON'T BE SHY.

1663
01:33:48,222 --> 01:33:49,155
THIS IS BILL, MUMMY.

1664
01:33:49,223 --> 01:33:50,156
HOW DO YOU DO?

1665
01:33:50,224 --> 01:33:51,424
HOW DO YOU DO?

1666
01:33:51,493 --> 01:33:53,203
HIS REAL NAME IS SIR EVELYN
ANTHONY PEREGRINE SCATHE,

1667
01:33:53,227 --> 01:33:54,789
SO OF COURSE HE'S CALLED BILLY,

1668
01:33:54,813 --> 01:33:57,230
AND WE'RE THINKING
OF GETTING ENGAGED.

1669
01:33:57,299 --> 01:33:58,231
ANNA!

1670
01:33:58,300 --> 01:33:59,443
WELL, I HAVEN'T
EVEN ASKED HER YET,

1671
01:33:59,467 --> 01:34:00,945
BUT IF SHE KEEPS
ON COMMITTING US,

1672
01:34:00,969 --> 01:34:02,380
I SUPPOSE I'LL HAVE TO.

1673
01:34:02,404 --> 01:34:04,382
WE'VE COME FOR
YOUR BLESSING, MUMMY,

1674
01:34:04,406 --> 01:34:05,884
AND WE HAVEN'T HAD TEA.

1675
01:34:05,908 --> 01:34:08,841
ANNA, YOU... YOU QUITE
TAKE MY BREATH AWAY.

1676
01:34:11,245 --> 01:34:14,180
DARLING, YOU JUST MAKE
YOURSELF AT HOME IN THERE,

1677
01:34:14,248 --> 01:34:15,893
AND WE'LL HELP
MARTHA WITH THE TEA.

1678
01:34:15,917 --> 01:34:17,895
WELL, IF I'M NOT WANTED.

1679
01:34:17,919 --> 01:34:20,854
OH, WE'LL SING OUT
WHEN WE WANT YOU.

1680
01:34:20,922 --> 01:34:23,402
COME ON, MUMMY.

1681
01:34:25,577 --> 01:34:28,344
THERE WILL BE TWO
MORE FOR TEA, MARTHA.

1682
01:34:28,413 --> 01:34:29,345
MARTHA!

1683
01:34:29,414 --> 01:34:30,846
MISS ANNA.

1684
01:34:30,915 --> 01:34:32,893
AND YOU'LL FIND A STRANGE
YOUNG MAN IN THE LIVING ROOM.

1685
01:34:32,917 --> 01:34:33,849
WHO?

1686
01:34:33,918 --> 01:34:35,896
WELL, WHAT DO YOU THINK?

1687
01:34:35,920 --> 01:34:38,521
GRACIOUS. YOU HAVEN'T
GIVEN ME TIME TO THINK.

1688
01:34:38,590 --> 01:34:40,756
I GATHER HIS NAME
IS SIR EVELYN SCATHE,

1689
01:34:40,825 --> 01:34:42,358
AND YOU WANT TO MARRY HIM.

1690
01:34:42,427 --> 01:34:43,859
SIR EVELYN?

1691
01:34:43,928 --> 01:34:45,573
I MET HIM AT A DANCE IN LONDON.

1692
01:34:45,597 --> 01:34:46,907
HE'S A SUBLIEUTENANT
IN THE NAVY.

1693
01:34:46,931 --> 01:34:48,909
YOU KNOW MY WEAKNESS
FOR SAILORMEN.

1694
01:34:48,933 --> 01:34:50,533
WELL, IT'S THE FIRST
I'VE HEARD OF IT.

1695
01:34:50,602 --> 01:34:52,580
OH, IT'S A LIFELONG VICE.

1696
01:34:52,604 --> 01:34:54,370
BUT WHAT DO YOU WANT ME TO SAY?

1697
01:34:54,439 --> 01:34:55,916
DON'T MATTER WHAT YOU SAY.

1698
01:34:55,940 --> 01:34:57,918
SHE'LL HAVE HER OWN
WAY, SAME AS HER MOTHER.

1699
01:34:57,942 --> 01:34:59,875
DON'T YOU GO MAKING
EYES AT HIM, NOW.

1700
01:34:59,944 --> 01:35:02,856
ONLY A LIEUTENANT?
CAPTAINS IS MORE IN MY LINE.

1701
01:35:02,880 --> 01:35:04,080
[GIGGLES]

1702
01:35:04,149 --> 01:35:07,333
OH, I'VE NEVER BEEN
SO HAPPY IN ALL MY LIFE.

1703
01:35:07,402 --> 01:35:08,835
THEN I'M HAPPY, TOO,

1704
01:35:08,904 --> 01:35:11,337
AND I SHAN'T WASTE
TIME WITH QUESTIONS.

1705
01:35:11,406 --> 01:35:13,384
I KNEW YOU WOULDN'T,
AND WAIT TILL YOU HEAR.

1706
01:35:13,408 --> 01:35:14,886
I'VE DISCUSSED IT WITH BILL.

1707
01:35:14,910 --> 01:35:17,388
YOU'RE TO COME AND LIVE
WITH US, YOU AND MARTHA.

1708
01:35:17,412 --> 01:35:18,845
OH, NO, DARLING.

1709
01:35:18,914 --> 01:35:20,346
OH, BUT YOU MUST.

1710
01:35:20,415 --> 01:35:23,349
YOU'VE BEEN ALONE
SO MUCH OF YOUR LIFE.

1711
01:35:23,418 --> 01:35:26,853
YOU'RE VERY KIND, BUT...
IT'S HARD TO EXPLAIN.

1712
01:35:26,922 --> 01:35:30,356
YOU CAN BE MUCH MORE
ALONE WITH OTHER PEOPLE

1713
01:35:30,425 --> 01:35:32,358
THAN YOU ARE BY YOURSELF,

1714
01:35:32,427 --> 01:35:34,694
EVEN IT'S PEOPLE YOU LOVE.

1715
01:35:34,763 --> 01:35:38,131
THAT SOUNDS ALL
MIXED-UP, DOESN'T IT?

1716
01:35:38,200 --> 01:35:42,319
NO, NOT A BIT, BUT IF YOU
EVER CHANGE YOUR MIND...

1717
01:35:42,387 --> 01:35:44,470
GET A PLATE, DARLING.

1718
01:35:46,374 --> 01:35:48,307
AND SOME EXTRA CUPS.

1719
01:35:48,376 --> 01:35:51,310
NO. I... I WON'T CHANGE MY MIND.

1720
01:35:51,379 --> 01:35:55,314
I LOVE THIS HOUSE, AND
I'VE BEEN VERY HAPPY HERE,

1721
01:35:55,383 --> 01:35:57,483
AND I SHALL LIVE
HERE TILL I DIE.

1722
01:35:57,552 --> 01:35:59,552
WITH CAPTAIN GREGG?

1723
01:36:00,055 --> 01:36:01,487
WHAT DID YOU SAY?

1724
01:36:01,556 --> 01:36:03,923
WITH THE GHOST OF CAPTAIN GREGG?

1725
01:36:03,992 --> 01:36:06,425
ANNA, WHAT ARE
YOU TALKING ABOUT?

1726
01:36:06,494 --> 01:36:07,972
OH, I KNEW THE
CAPTAIN VERY WELL.

1727
01:36:07,996 --> 01:36:09,473
WHEN I WAS A LITTLE GIRL,

1728
01:36:09,497 --> 01:36:10,975
THE FIRST YEAR WE LIVED HERE,

1729
01:36:10,999 --> 01:36:12,977
WE USED TO HAVE THE
MOST WONDERFUL TALKS.

1730
01:36:13,001 --> 01:36:14,433
YOU DIDN'T.

1731
01:36:14,502 --> 01:36:16,647
IT WAS ALL A GAME I
MADE UP, OF COURSE,

1732
01:36:16,671 --> 01:36:18,604
SORT OF A DREAM GAME,

1733
01:36:18,673 --> 01:36:22,108
BUT IT WAS A VERY
REAL WHILE IT LASTED,

1734
01:36:22,177 --> 01:36:24,110
AND HE STOPPED COMING SUDDENLY.

1735
01:36:24,179 --> 01:36:28,614
I SUPPOSE I WAS GROWING TOO
OLD AND SOPHISTICATED FOR HIM,

1736
01:36:28,683 --> 01:36:30,449
BUT I GRIEVED AND GRIEVED.

1737
01:36:30,518 --> 01:36:33,452
I WAS HOPELESSLY
IN LOVE WITH HIM.

1738
01:36:33,521 --> 01:36:36,455
HEAVENS. YOU LOOK
AS IF YOU'VE SEEN A...

1739
01:36:36,524 --> 01:36:39,458
DON'T TELL ME YOU SAW HIM, TOO.

1740
01:36:39,527 --> 01:36:41,261
NO.

1741
01:36:41,329 --> 01:36:44,113
NO, NOT FOR YEARS.

1742
01:36:44,182 --> 01:36:45,581
THEN YOU DID.

1743
01:36:45,650 --> 01:36:49,085
OH, MUMMY, YOU DON'T
SUPPOSE HE REALLY HAUNTED US.

1744
01:36:49,154 --> 01:36:52,299
NO, DARLING. THINGS
LIKE THAT CAN'T HAPPEN.

1745
01:36:52,323 --> 01:36:55,091
IT WAS ONLY A DREAM.

1746
01:36:55,160 --> 01:36:58,595
THE SAME DREAM FOR BOTH OF US?

1747
01:36:58,663 --> 01:37:01,931
PERHAPS I SET YOU OFF BY
TELLING YOU ABOUT MY DREAMS.

1748
01:37:02,000 --> 01:37:03,867
LITTLE GIRLS ARE
VERY IMPRESSIONABLE.

1749
01:37:03,935 --> 01:37:05,913
I DON'T REMEMBER
YOUR TELLING ME.

1750
01:37:05,937 --> 01:37:09,417
OH, TELL ME NOW. I'D
LOVE TO HEAR ABOUT THEM.

1751
01:37:09,441 --> 01:37:11,875
WELL, I CAN'T REMEMBER
THEM VERY WELL,

1752
01:37:11,943 --> 01:37:13,376
JUST BITS AND PIECES,

1753
01:37:13,445 --> 01:37:15,879
A PHRASE HERE AND THERE, A LOOK,

1754
01:37:15,947 --> 01:37:20,516
AND I THINK I DREAMED MOST
OF MY BOOK <i>BLOOD AND SWASH.</i>

1755
01:37:20,585 --> 01:37:22,218
I MUST HAVE.

1756
01:37:22,287 --> 01:37:25,555
<i>I</i> NEVER COULD
HAVE THOUGHT OF IT.

1757
01:37:25,623 --> 01:37:30,393
ALL THESE YEARS, I...
I'VE TRIED TO REMEMBER,

1758
01:37:30,462 --> 01:37:32,528
BUT I CAN'T.

1759
01:37:32,597 --> 01:37:34,442
DO YOU KNOW WHAT I THINK?

1760
01:37:34,466 --> 01:37:37,211
I THINK YOU FELL IN
LOVE WITH HIM, TOO.

1761
01:37:37,235 --> 01:37:38,901
I DID NOTHING OF THE SORT.

1762
01:37:38,970 --> 01:37:41,949
OH, I WOULDN'T
BLAME YOU IF YOU HAD.

1763
01:37:41,973 --> 01:37:44,406
WHEN DID YOU STOP SEEING HIM?

1764
01:37:44,475 --> 01:37:47,910
AFTER ABOUT A YEAR, I
DREAMED WE QUARRELED,

1765
01:37:47,979 --> 01:37:50,579
AND IT WAS ABOUT A MAN.

1766
01:37:50,648 --> 01:37:52,081
UNCLE NEDDY.

1767
01:37:52,150 --> 01:37:54,917
ANNA, DID YOU KNOW
THAT MILES AND I...

1768
01:37:54,986 --> 01:37:57,464
I USED TO PRAY YOU
WOULDN'T MARRY HIM.

1769
01:37:57,488 --> 01:37:58,921
AND YOU WERE SO RIGHT.

1770
01:37:58,990 --> 01:38:02,859
I SAW HIM ABOUT FIVE YEARS
AGO AT A DINNER PARTY.

1771
01:38:02,927 --> 01:38:07,196
HE WAS BALD AND FAT. HE DRANK
TOO MUCH, AND THEN HE CRIED.

1772
01:38:07,265 --> 01:38:11,534
IT SEEMS HIS WIFE FINALLY HAD
ENOUGH AND TOOK THE CHILDREN AWAY.

1773
01:38:11,603 --> 01:38:14,204
YOU NEVER CAN TELL, CAN YOU?

1774
01:38:14,272 --> 01:38:16,706
ONCE I THOUGHT I WANTED

1775
01:38:16,774 --> 01:38:20,409
TO SPEND THE REST
OF MY LIFE WITH HIM.

1776
01:38:20,478 --> 01:38:24,547
OH, PERHAPS HE<i> DID</i>
EXIST, THE CAPTAIN.

1777
01:38:24,616 --> 01:38:27,684
PERHAPS HE<i> DID</i> COME
BACK AND TALK TO US.

1778
01:38:27,752 --> 01:38:30,264
WOULDN'T IT BE
WONDERFUL IF HE HAD?

1779
01:38:30,288 --> 01:38:32,722
THEN YOU'D HAVE SOMETHING...
YOU KNOW WHAT I MEAN...

1780
01:38:32,791 --> 01:38:35,224
TO LOOK BACK ON WITH HAPPINESS.

1781
01:38:35,293 --> 01:38:37,226
NO, DARLING. HE NEVER EXISTED.

1782
01:38:37,295 --> 01:38:40,229
WE MADE HIM UP, YOU AND I.

1783
01:38:40,298 --> 01:38:43,900
I JUST WASN'T INTENDED TO
HAVE THAT KIND OF HAPPINESS,

1784
01:38:43,968 --> 01:38:46,903
AND I HAVEN'T MISSED
IT, REALLY I HAVEN'T.

1785
01:38:46,971 --> 01:38:49,405
OH, I'VE BEEN LONELY AT TIMES,

1786
01:38:49,473 --> 01:38:51,674
BUT THERE HAVE BEEN
COMPENSATIONS... YOU,

1787
01:38:51,742 --> 01:38:55,594
NOW BILL... AND DEAR MARTHA.

1788
01:38:55,663 --> 01:38:59,265
WE SIT AND CHATTER
LIKE A PAIR OF PARROTS.

1789
01:39:02,170 --> 01:39:05,204
AND THIS HOUSE...

1790
01:39:05,273 --> 01:39:08,207
AND THE SEA AND THE GULLS...

1791
01:39:09,944 --> 01:39:11,878
AND MEMORIES...

1792
01:39:13,447 --> 01:39:15,381
I HAVE THOSE, YOU KNOW.

1793
01:39:15,449 --> 01:39:17,383
EVEN IF IT WAS A DREAM.

1794
01:39:17,451 --> 01:39:18,885
NOW, COME ALONG,

1795
01:39:18,953 --> 01:39:22,388
AND WE'LL JOIN YOUR
YOUNG MAN FOR SOME TEA.

1796
01:40:55,099 --> 01:40:57,366
YOU, COME IN HERE.

1797
01:41:00,439 --> 01:41:02,705
CATCH YOUR DEATH.

1798
01:41:04,443 --> 01:41:06,810
WHAT WERE YOU DOING OUT THERE?

1799
01:41:06,878 --> 01:41:08,311
I DON'T KNOW.

1800
01:41:08,379 --> 01:41:10,814
YOU KNOW WHAT THE DOCTOR SAID.

1801
01:41:10,882 --> 01:41:12,982
OH, BOTHER THE DOCTOR.

1802
01:41:13,051 --> 01:41:14,484
HE'S AN OLD WOMAN.

1803
01:41:14,553 --> 01:41:17,987
YEAH, AND YOU AIN'T A
YOUNG ONE ANYMORE.

1804
01:41:18,056 --> 01:41:20,034
HERE'S A LETTER FROM ANNA.

1805
01:41:20,058 --> 01:41:21,491
WHAT SHE SAY?

1806
01:41:21,560 --> 01:41:23,037
LITTLE LUCY'S ENGAGED

1807
01:41:23,061 --> 01:41:26,496
TO THE CAPTAIN OF A
TRANSATLANTIC PLANE.

1808
01:41:26,565 --> 01:41:28,543
ANNA'S VERY HAPPY ABOUT IT.

1809
01:41:28,567 --> 01:41:31,501
SAYS IT MUST RUN IN THE FAMILY.

1810
01:41:31,570 --> 01:41:34,504
AIRPLANES, NOT IN
MY FAMILY, THEY DON'T.

1811
01:41:34,573 --> 01:41:36,653
I SUPPOSE SHE MEANS CAPTAINS.

1812
01:41:39,261 --> 01:41:41,194
HERE, DRINK YOUR HOT MILK.

1813
01:41:41,263 --> 01:41:43,741
NOT NOW, MARTHA. I'M TOO TIRED,

1814
01:41:43,765 --> 01:41:47,200
AND I HAVE A FUNNY
PAIN IN MY ARM.

1815
01:41:47,269 --> 01:41:49,535
NO WONDER, STANDING
OUT THERE IN THE FOG.

1816
01:41:49,604 --> 01:41:51,537
COME ON, DRINK IT UP.

1817
01:41:51,606 --> 01:41:53,084
STOP BOSSING ME, MARTHA.

1818
01:41:53,108 --> 01:41:55,086
I DON'T WANT ANY HOT MILK.

1819
01:41:55,110 --> 01:41:57,043
NOW, NOW. DON'T GET IN A STATE.

1820
01:41:57,112 --> 01:42:02,048
I'M NOT IN A STATE. I... I
JUST WANT TO BE LEFT ALONE.

1821
01:42:02,117 --> 01:42:03,549
BOSSING ME.

1822
01:42:03,618 --> 01:42:06,986
VERY WELL. THE BOSSING
I NEVER INTENDED.

1823
01:42:07,055 --> 01:42:11,257
I ONLY BROUGHT THE
MILK FOR YOUR OWN GOOD.

1824
01:42:13,628 --> 01:42:15,110
BOSSING ME.

1825
01:42:23,071 --> 01:42:25,171
I'M TIRED.

1826
01:42:46,094 --> 01:42:47,094
[CRASH]

1827
01:42:53,602 --> 01:42:56,936
AND NOW YOU'LL
NEVER BE TIRED AGAIN.

1828
01:42:57,005 --> 01:43:00,539
COME, LUCIA.

1829
01:43:00,608 --> 01:43:04,377
COME, MY DEAR.

1830
01:43:47,021 --> 01:43:48,521
MARTHA...