1
00:00:02,950 --> 00:00:04,156
OK, here we go‐‐

2
00:00:04,180 --> 00:00:05,476
"Palm Springs."

3
00:00:05,500 --> 00:00:06,436
Uh‐oh!

4
00:00:06,460 --> 00:00:07,290
Here we go!

5
00:00:18,500 --> 00:00:19,300
There's the title.

6
00:00:23,440 --> 00:00:26,456
Love this song.

7
00:00:26,480 --> 00:00:27,257
There's a goat.

8
00:00:27,281 --> 00:00:28,886
There she is.

9
00:00:28,910 --> 00:00:34,444
Like a movie sun.

10
00:00:37,396 --> 00:00:40,176
Uh, didn't actually shoot
this during an earthquake.

11
00:00:40,200 --> 00:00:42,876
Movie magic.

12
00:00:42,900 --> 00:00:44,616
We talked about waiting
for an earthquake,

13
00:00:44,640 --> 00:00:46,116
but then decided
that we didn't have

14
00:00:46,140 --> 00:00:48,227
the budget to wait that long.

15
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Oh.

16
00:00:49,234 --> 00:00:51,546
Yeah.

17
00:00:51,570 --> 00:00:53,346
That was real at the end,
though‐‐ the glowing lights.

18
00:00:53,370 --> 00:00:55,026
Look at those peepers.

19
00:00:55,050 --> 00:00:56,816
That really happened.

20
00:00:56,840 --> 00:00:58,436
Good morning!

21
00:00:58,460 --> 00:01:01,196
We're gonna start
off pretty racy here.

22
00:01:01,220 --> 00:01:02,336
Uh‐oh!

23
00:01:02,360 --> 00:01:04,646
There's history here.

24
00:01:04,670 --> 00:01:07,076
That's a good leg.

25
00:01:07,100 --> 00:01:09,626
For all those kids out there,
"Brooklyn Nine‐Nine" fans

26
00:01:09,650 --> 00:01:10,946
probably don't wanna watch this.

27
00:01:10,970 --> 00:01:12,896
You don't know that.

28
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Are you close?

29
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I really can't start
sweating, babe.

30
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Yeah.

31
00:01:16,581 --> 00:01:18,988
I'm working on it, darling.

32
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OK.

33
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OK, I'm sorry.

34
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I have to get ready.

35
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I'm so sorry.

36
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It's so bright in here, too,
it's just‐‐ and your sweat.

37
00:01:28,910 --> 00:01:29,687
I'm sorry.

38
00:01:29,711 --> 00:01:31,056
You can watch me, though.

39
00:01:31,080 --> 00:01:32,556
Watch me!

40
00:01:32,580 --> 00:01:33,825
OK, that's romantic.

41
00:01:39,040 --> 00:01:41,606
What the hell?

42
00:01:41,630 --> 00:01:42,407
Oh, my god.

43
00:01:42,431 --> 00:01:46,506
Shit, shit‐‐ shit.

44
00:01:46,530 --> 00:01:47,946
Oh, my god, shit.

45
00:01:47,970 --> 00:01:49,716
The sound design here
is not distracting

46
00:01:49,740 --> 00:01:51,588
while trying to talk.

47
00:01:53,580 --> 00:01:54,516
I'm finding it's helping.

48
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Shit.

49
00:01:55,501 --> 00:01:57,756
No offense, Ny‐Ny, but‐‐

50
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OK, also let's give a shout‐out
to the brilliant Meredith

51
00:02:00,600 --> 00:02:01,596
Hagner.

52
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Such a G.

53
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Such a G.

54
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The best.

55
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So funny.

56
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Definitely my favorite‐‐
definitely my favorite person

57
00:02:07,800 --> 00:02:08,776
that was in the movie.

58
00:02:08,800 --> 00:02:09,577
Yeah, me, too.

59
00:02:09,601 --> 00:02:14,496
It goes Meredith,
JK, June, Peter.

60
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Yeah, yeah.

61
00:02:18,390 --> 00:02:20,296
For me, it's you
and Meredith tied.

62
00:02:20,320 --> 00:02:21,096
Oh, interesting.

63
00:02:21,120 --> 00:02:21,897
But it's OK.

64
00:02:21,921 --> 00:02:24,546
OK, yeah.

65
00:02:24,570 --> 00:02:25,387
You kill me.

66
00:02:25,411 --> 00:02:29,286
Nyles, look‐‐ I know weddings
make you super weird,

67
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super uncomfortable.

68
00:02:30,151 --> 00:02:33,996
But, please, I'm begging you to
not bring our drama here, OK?

69
00:02:34,020 --> 00:02:35,956
Because this is
truly a sacred day.

70
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I will note‐‐

71
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Yes?

72
00:02:37,581 --> 00:02:39,486
‐‐that Nyles sitting
spread eagle on the bed

73
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was in the script.

74
00:02:40,321 --> 00:02:41,706
That was not an acting choice.

75
00:02:41,730 --> 00:02:42,726
OK, cool.

76
00:02:42,750 --> 00:02:44,001
You gonna be happy?

77
00:02:44,025 --> 00:02:45,171
Are you gonna be smiling?

78
00:02:45,195 --> 00:02:48,396
So what early clues kind of
hint that he's in a time loop?

79
00:02:48,420 --> 00:02:50,466
Well, for one, I
mean he says it very

80
00:02:50,490 --> 00:02:52,776
clearly to Jerry in the pool.

81
00:02:52,800 --> 00:02:56,376
You know, today is yesterday.

82
00:02:56,400 --> 00:02:59,616
Today, yesterday‐‐
it's all the same.

83
00:02:59,640 --> 00:03:00,996
To him, it is all the same.

84
00:03:01,020 --> 00:03:03,720
But to Jerry in the pool at
that moment, he doesn't know it.

85
00:03:07,110 --> 00:03:07,886
Got Tongayi.

86
00:03:07,910 --> 00:03:08,687
The best.

87
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Wonderful actor, lovely dude.

88
00:03:12,310 --> 00:03:16,006
Today, tomorrow, yesterday‐‐
it's all the same.

89
00:03:16,030 --> 00:03:20,806
I was gonna say that house
was owned by an optometrist.

90
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Talk more about that.

91
00:03:22,360 --> 00:03:23,816
Right?

92
00:03:23,840 --> 00:03:24,616
That's it.

93
00:03:24,640 --> 00:03:25,427
That's all I got.

94
00:03:25,451 --> 00:03:26,546
Nice try, though.

95
00:03:31,210 --> 00:03:35,506
Even the worst hipster would
not just go to a nice wedding

96
00:03:35,530 --> 00:03:38,206
in a Hawaiian shirt and shorts.

97
00:03:38,230 --> 00:03:40,906
So why would one
do that and crack

98
00:03:40,930 --> 00:03:43,696
a beer during the ceremony?

99
00:03:43,720 --> 00:03:46,996
Nyles is not a bad guy, so
that is a clue that something

100
00:03:47,020 --> 00:03:49,096
else is going on.

101
00:03:49,120 --> 00:03:50,986
But, no, seriously.

102
00:03:51,010 --> 00:03:53,766
OK, guys, we're all part
of this gorgeous tapestry.

103
00:03:53,790 --> 00:03:54,786
No, come on.

104
00:03:54,810 --> 00:03:55,587
Throw me a bone.

105
00:03:55,611 --> 00:03:57,286
This isn't the day
for moderation.

106
00:03:57,310 --> 00:03:58,136
It's not good wine.

107
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I don't care.

108
00:03:58,961 --> 00:04:01,136
It was about 30 degrees
during this scene‐‐

109
00:04:01,160 --> 00:04:01,937
It was.

110
00:04:01,961 --> 00:04:03,286
‐‐is my memory.

111
00:04:03,310 --> 00:04:07,426
And we put in some nice work in
post getting rid of the bug‐‐

112
00:04:07,450 --> 00:04:09,236
bug apocalypse
that was happening.

113
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Yeah.

114
00:04:10,060 --> 00:04:10,837
We happened to be‐‐

115
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The bugs that come
out during the cold.

116
00:04:14,350 --> 00:04:18,255
Basically, there was
like 700,000 bugs

117
00:04:18,279 --> 00:04:21,016
just hatched, right
where we were shooting

118
00:04:21,040 --> 00:04:22,456
a lot of this wedding stuff.

119
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Yeah.

120
00:04:24,470 --> 00:04:26,126
And they were flying
in and out of frame.

121
00:04:26,150 --> 00:04:27,336
But luckily, it was dark out.

122
00:04:27,360 --> 00:04:29,096
If you looked at any
one of the big lights

123
00:04:29,120 --> 00:04:31,556
that we had lighting
the whole scene,

124
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they were like covered
in bugs, almost like it

125
00:04:33,890 --> 00:04:35,816
was a beehive but grosser.

126
00:04:35,840 --> 00:04:37,376
Yeah.

127
00:04:37,400 --> 00:04:40,196
I also remember
shivering so hard for all

128
00:04:40,220 --> 00:04:42,746
of this, all of these scenes
that the next day, my back

129
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hurt.

130
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You're the maid of honor.

131
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It's your main job.

132
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She's been drinking, Howard.

133
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Sarah.

134
00:04:54,130 --> 00:04:57,016
Bonsoir, mi familia!

135
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Et ta mich.

136
00:04:57,941 --> 00:04:59,347
Who is that?

137
00:04:59,371 --> 00:05:00,676
Nyles, what are you doing?

138
00:05:00,700 --> 00:05:01,637
Going in for the save, babe.

139
00:05:01,661 --> 00:05:03,076
I'd like to share
my thoughts on love.

140
00:05:03,100 --> 00:05:04,786
The original movie
was constructed for,

141
00:05:04,810 --> 00:05:09,706
like, all the clues kind of
to be in the wedding speech

142
00:05:09,730 --> 00:05:11,006
and dance.

143
00:05:11,030 --> 00:05:14,026
So the wedding speech, you
kind of hear a longer version.

144
00:05:14,050 --> 00:05:16,876
But he, like, starts
calling out family

145
00:05:16,900 --> 00:05:19,876
members and things that he knows
about certain family members.

146
00:05:19,900 --> 00:05:23,686
He's kind of speaking directly
to Sarah, because he knows,

147
00:05:23,710 --> 00:05:25,456
you know‐‐ he knows
more about Sarah.

148
00:05:25,480 --> 00:05:28,586
He knows more about
Sarah's family.

149
00:05:28,610 --> 00:05:31,426
He knows a lot about
everyone at this wedding,

150
00:05:31,450 --> 00:05:33,316
and you start to
see that he is kind

151
00:05:33,340 --> 00:05:36,136
of a master of the universe.

152
00:05:36,160 --> 00:05:39,906
Their selflessness‐‐
it's in their blood.

153
00:05:39,930 --> 00:05:42,846
And Tala, there's something
that a lot of people

154
00:05:42,870 --> 00:05:44,826
here don't know about
you, but they should.

155
00:05:44,850 --> 00:05:47,256
I hope you don't mind.

156
00:05:47,280 --> 00:05:50,586
It's not just time and
money that Tala has given

157
00:05:50,610 --> 00:05:52,446
to so many charitable causes.

158
00:05:52,470 --> 00:05:54,096
She has also donated‐‐

159
00:05:54,120 --> 00:05:58,930
This speech got cut
down a lot in the end.

160
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It sure did.

161
00:06:03,150 --> 00:06:05,706
And there's some real
tidbits, actually, to be

162
00:06:05,730 --> 00:06:08,106
dropped here in this scene.

163
00:06:08,130 --> 00:06:12,856
There was a segment of the
speech where we introduce Nana.

164
00:06:12,880 --> 00:06:13,657
Right.

165
00:06:13,681 --> 00:06:15,526
And Jerry, and explain
the back story there.

166
00:06:15,550 --> 00:06:16,327
Yep.

167
00:06:16,351 --> 00:06:21,886
And it explains sort of
loosely why they all shukran.

168
00:06:21,910 --> 00:06:22,687
Right.

169
00:06:22,711 --> 00:06:27,066
Which is to say that Nana has
dedicated a lot of her life

170
00:06:27,090 --> 00:06:30,536
to helping people that
have been displaced.

171
00:06:30,560 --> 00:06:35,086
So Jerry, I believe, has
been adopted into her family.

172
00:06:35,110 --> 00:06:35,887
Right.

173
00:06:35,911 --> 00:06:37,110
Into the Schlieffen family.

174
00:06:42,190 --> 00:06:47,816
We may be born lost, but now‐‐

175
00:06:47,840 --> 00:06:49,306
So what were you
thinking in this scene?

176
00:06:49,330 --> 00:06:52,306
Were you like, ugh, I gotta
pretend like he's interesting

177
00:06:52,330 --> 00:06:57,346
and not a butt ugly weirdo.

178
00:06:57,370 --> 00:06:58,576
Oh, my god.

179
00:06:58,600 --> 00:07:00,016
This dance, this song‐‐

180
00:07:00,040 --> 00:07:03,196
immediately, like
I go into how many

181
00:07:03,220 --> 00:07:04,586
times we rehearsed this song.

182
00:07:04,610 --> 00:07:05,776
I know.

183
00:07:05,800 --> 00:07:07,426
I mean, the dance to this song.

184
00:07:07,450 --> 00:07:08,650
I know this song well now.

185
00:07:11,590 --> 00:07:14,386
Conner O'Malley!

186
00:07:14,410 --> 00:07:17,746
This part‐‐ he made me
laugh so hard in this,

187
00:07:17,770 --> 00:07:20,836
I can't believe you
guys got a take.

188
00:07:20,860 --> 00:07:24,136
Well, we actually stole
some of the footage of you

189
00:07:24,160 --> 00:07:25,936
laughing at Conner
and put it later

190
00:07:25,960 --> 00:07:29,656
in the movie for other reasons.

191
00:07:29,680 --> 00:07:30,916
It's mostly background actors.

192
00:07:30,940 --> 00:07:33,406
During the dance scene,
there are some plants

193
00:07:33,430 --> 00:07:34,357
that are actually dancing‐‐

194
00:07:34,381 --> 00:07:35,989
Yeah, there are a couple
of professional dancers.

195
00:07:36,013 --> 00:07:37,506
‐‐that were involved
in our rehearsals.

196
00:07:37,530 --> 00:07:38,307
Yeah.

197
00:07:38,331 --> 00:07:40,606
Yeah.

198
00:07:40,630 --> 00:07:42,866
The guy that I,
like, do this behind,

199
00:07:42,890 --> 00:07:45,016
he's incredible and helped
with the choreography.

200
00:07:45,040 --> 00:07:46,746
Yep.

201
00:07:46,770 --> 00:07:51,256
The bigger gentleman‐‐ taller,
I should say‐‐ who is very drunk

202
00:07:51,280 --> 00:07:53,506
in the scene is one of them.

203
00:07:53,530 --> 00:07:56,056
The guy who slaps my butt.

204
00:07:56,080 --> 00:07:58,096
That move when I slap
my hands over my head

205
00:07:58,120 --> 00:08:00,010
made me, like, lightly
hurt my schlong.

206
00:08:08,780 --> 00:08:09,786
Yeah, that sounds better.

207
00:08:09,810 --> 00:08:10,587
Yes, thank you.

208
00:08:10,611 --> 00:08:13,536
Yeah.

209
00:08:13,560 --> 00:08:16,816
I think we did five total
takes, maybe, of this?

210
00:08:16,840 --> 00:08:17,617
This first dance?

211
00:08:17,641 --> 00:08:19,426
Astonishing.

212
00:08:19,450 --> 00:08:22,906
We didn't have a lot of time.

213
00:08:22,930 --> 00:08:27,126
So this is their first meet.

214
00:08:27,150 --> 00:08:28,626
We had Nyles
sniffing at the top.

215
00:08:28,650 --> 00:08:30,836
You know, for someone who's
already seen the movie,

216
00:08:30,860 --> 00:08:33,816
you can maybe guess
he thinks he can smell

217
00:08:33,840 --> 00:08:35,566
Roy somewhere in the brush.

218
00:08:35,590 --> 00:08:36,547
That's very weird.

219
00:08:36,571 --> 00:08:37,926
Well, I know my hair mist.

220
00:08:37,950 --> 00:08:40,086
I dated a girl who
used to bathe in it.

221
00:08:40,110 --> 00:08:44,856
Also important to clock the
Orchid Explosion by Fournier,

222
00:08:44,880 --> 00:08:47,436
a brand that was made
up, and that there

223
00:08:47,460 --> 00:08:50,976
were many conversations about
what the title was gonna be.

224
00:08:51,000 --> 00:08:54,906
I believe I pitched some things,
none of which I remember.

225
00:08:54,930 --> 00:08:55,747
They were funny, though.

226
00:08:55,771 --> 00:08:58,376
We probably had like
20 to 30 options.

227
00:08:58,400 --> 00:08:59,177
Yeah.

228
00:08:59,201 --> 00:09:01,476
And that was one of
our few rehearsal days

229
00:09:01,500 --> 00:09:02,986
when you came to
our office, Cristin,

230
00:09:03,010 --> 00:09:05,346
and we were running this scene.

231
00:09:05,370 --> 00:09:07,906
And we were like, what
should it be called?

232
00:09:07,930 --> 00:09:09,196
Yeah.
Nyles.

233
00:09:09,220 --> 00:09:09,997
Hi.

234
00:09:10,021 --> 00:09:14,196
And ended up with Orchid
Explosion by Fournier.

235
00:09:14,220 --> 00:09:16,006
That's right.

236
00:09:16,030 --> 00:09:18,736
It definitely felt like the one.

237
00:09:18,760 --> 00:09:20,343
Yeah, it was.

238
00:09:20,367 --> 00:09:21,277
The scene with June Squibb‐‐

239
00:09:21,301 --> 00:09:24,666
June Squibb is such a G. We shot
this at 5:00 in the morning,

240
00:09:24,690 --> 00:09:25,846
this little thing right here.

241
00:09:25,870 --> 00:09:26,646
Yeah.

242
00:09:26,670 --> 00:09:27,487
5:00 in the morning.

243
00:09:27,511 --> 00:09:30,156
It was about 30 degrees out.

244
00:09:30,180 --> 00:09:34,236
We'd been shooting for hours,
and we were all freezing.

245
00:09:34,260 --> 00:09:36,586
And it was like a damp cold.

246
00:09:36,610 --> 00:09:38,946
And then June Squibb was
like, where do you want me?

247
00:09:38,970 --> 00:09:43,506
And then came and
just, like, nailed it.

248
00:09:43,530 --> 00:09:47,676
We also added a whole
scene on the spot

249
00:09:47,700 --> 00:09:49,916
that ends up later in the
movie, and she was like, OK!

250
00:09:49,940 --> 00:09:50,886
I know.

251
00:09:50,910 --> 00:09:51,756
Yep.

252
00:09:51,780 --> 00:09:52,557
And was great.

253
00:09:52,581 --> 00:09:53,976
Which we got two takes for.

254
00:09:54,000 --> 00:09:55,786
Yep.

255
00:09:55,810 --> 00:09:56,587
You're right.

256
00:09:56,611 --> 00:09:58,746
I remember being
apologetic to June,

257
00:09:58,770 --> 00:10:00,526
being like I'm so sorry
this is taking so long.

258
00:10:00,550 --> 00:10:02,616
She was like, I don't care.

259
00:10:02,640 --> 00:10:03,607
Yeah.

260
00:10:03,631 --> 00:10:05,416
Like, yeah, you're
a real deal actor.

261
00:10:05,440 --> 00:10:06,217
Yeah.

262
00:10:06,241 --> 00:10:07,410
Not give a what.

263
00:10:10,490 --> 00:10:12,000
I just can't handle
that right now.

264
00:10:15,360 --> 00:10:19,506
And what would Misty think
about us running off together?

265
00:10:19,530 --> 00:10:21,036
I have a feeling
she'd be OK with it.

266
00:10:21,060 --> 00:10:22,156
Oh, my god, we're so bad.

267
00:10:22,180 --> 00:10:22,956
Mm‐hmm.

268
00:10:22,980 --> 00:10:23,796
We're so bad.

269
00:10:23,820 --> 00:10:24,597
Mm.

270
00:10:24,621 --> 00:10:26,406
Oh, my god!

271
00:10:26,430 --> 00:10:27,906
I can't say I ever liked her.

272
00:10:27,930 --> 00:10:29,226
Yeah, she has her moments.

273
00:10:29,250 --> 00:10:31,586
But this one hurts.

274
00:10:31,610 --> 00:10:33,956
Why don't you
go in there and stop them?

275
00:10:33,980 --> 00:10:35,666
Trust me, there is not a
world where these two‐‐

276
00:10:35,690 --> 00:10:39,436
When he brings Sarah to‐‐

277
00:10:39,460 --> 00:10:45,166
to spy on Misty, on Misty's
tryst through the window,

278
00:10:45,190 --> 00:10:50,836
that is another big clue that
he knows what's going on.

279
00:10:50,860 --> 00:10:55,906
And especially when
he's like, you know,

280
00:10:55,930 --> 00:10:56,986
I don't need a leg up.

281
00:10:57,010 --> 00:11:01,336
When he says that line to
Sarah, timed perfectly where

282
00:11:01,360 --> 00:11:05,296
Misty says hold my leg up‐‐

283
00:11:05,320 --> 00:11:08,096
everything in there
is intentional,

284
00:11:08,120 --> 00:11:09,886
and I think those are
just some of the clues.

285
00:11:09,910 --> 00:11:10,817
Of course, you can.

286
00:11:10,841 --> 00:11:11,896
You don't need a leg up.

287
00:11:11,920 --> 00:11:13,060
Hold my leg up.

288
00:11:14,740 --> 00:11:16,556
That was weird.

289
00:11:16,580 --> 00:11:18,356
This is so fucked up.

290
00:11:18,380 --> 00:11:20,866
So fucked up.

291
00:11:20,890 --> 00:11:22,806
It's kind of hot, though.

292
00:11:22,830 --> 00:11:24,676
Don't you kiss me.

293
00:11:24,700 --> 00:11:26,595
Don't you tell me what to do.

294
00:11:34,030 --> 00:11:37,466
Oh, spicy!

295
00:11:37,490 --> 00:11:39,786
Yeah, we know how to do it.

296
00:11:39,810 --> 00:11:42,146
We know how it physically works.

297
00:11:42,170 --> 00:11:44,516
Right before we got on
those rocks to make out,

298
00:11:44,540 --> 00:11:47,276
a snake wrangler poked a couple
of the rocks and was like,

299
00:11:47,300 --> 00:11:48,147
I think it's good.

300
00:11:48,171 --> 00:11:50,826
And then we laid down on the‐‐

301
00:11:50,850 --> 00:11:54,066
Yeah, I think you're giving
his tone more credit.

302
00:11:54,090 --> 00:11:55,616
It was more like,
I think it's good?

303
00:11:55,640 --> 00:11:56,680
Yeah, that's right.

304
00:12:00,810 --> 00:12:01,701
Oh, yeah.

305
00:12:01,725 --> 00:12:02,502
Oh, yeah.

306
00:12:02,526 --> 00:12:04,746
Let's get it started.

307
00:12:04,770 --> 00:12:07,926
Man, was I waiting on this.

308
00:12:07,950 --> 00:12:09,759
In a lot of ways,
this was the moment

309
00:12:09,783 --> 00:12:11,526
in the script‐‐ when I was
first reading the script‐‐

310
00:12:11,550 --> 00:12:12,876
that I was like, oh!

311
00:12:12,900 --> 00:12:14,766
Yeah.

312
00:12:14,790 --> 00:12:15,936
I might have to do this.

313
00:12:15,960 --> 00:12:16,737
I know.

314
00:12:16,761 --> 00:12:18,966
Getting shot with an
arrow right there.

315
00:12:18,990 --> 00:12:20,616
This is like my
favorite misdirect.

316
00:12:20,640 --> 00:12:22,236
If you're like,
what is this movie?

317
00:12:22,260 --> 00:12:23,346
It's a wedding comedy.

318
00:12:23,370 --> 00:12:26,796
Oh, no!

319
00:12:26,820 --> 00:12:29,616
Perhaps a little zanier
then first thought!

320
00:12:29,640 --> 00:12:30,427
Yeah.

321
00:12:30,451 --> 00:12:31,446
Is what you said.

322
00:12:31,470 --> 00:12:33,876
That's right.

323
00:12:33,900 --> 00:12:36,546
That moment in the writing
of the script kind of

324
00:12:36,570 --> 00:12:38,046
came in late.

325
00:12:38,070 --> 00:12:39,516
The Roy character
was kind of one

326
00:12:39,540 --> 00:12:42,126
of the last things we added.

327
00:12:42,150 --> 00:12:46,483
And once we kind of realized
that and figured out that,

328
00:12:46,507 --> 00:12:47,916
you know, Nyles would
get hit with an arrow

329
00:12:47,940 --> 00:12:50,996
at the beginning, that
would be kind of the biggest

330
00:12:51,020 --> 00:12:52,146
twist in the movie so to speak.

331
00:12:52,170 --> 00:12:53,859
You think you're in one
movie, and then you‐‐ he

332
00:12:53,883 --> 00:12:55,192
gets hit with an
arrow, and you're like,

333
00:12:55,216 --> 00:12:56,749
oh, this is not what I
thought I was watching.

334
00:13:00,580 --> 00:13:03,196
Keep running, shit bird.

335
00:13:03,220 --> 00:13:05,884
I will always find you.

336
00:13:22,620 --> 00:13:26,176
This scene is shot
at Bronson Caves.

337
00:13:26,200 --> 00:13:26,977
It is.

338
00:13:27,001 --> 00:13:29,526
Which is where "Batman" was.

339
00:13:29,550 --> 00:13:31,226
The old "Batman," yes.

340
00:13:31,250 --> 00:13:33,846
The old "Batman," not your
Christopher Nolan "Batman."

341
00:13:33,870 --> 00:13:36,126
No.

342
00:13:36,150 --> 00:13:37,866
And many other things.

343
00:13:37,890 --> 00:13:40,536
It's a much used cave area.

344
00:13:40,560 --> 00:13:41,595
That cave is dope.

345
00:13:44,196 --> 00:13:47,541
Wake up!

346
00:13:47,565 --> 00:13:48,365
Good morning!

347
00:13:56,520 --> 00:13:59,126
That's a good leg.

348
00:13:59,150 --> 00:14:02,416
OK, fine, but we
have to be fast.

349
00:14:02,440 --> 00:14:07,166
We started this in
2016, November 9th‐‐

350
00:14:07,190 --> 00:14:11,936
the election, all the values
that we had kind of grown up

351
00:14:11,960 --> 00:14:15,296
seemed to be just not
important anymore.

352
00:14:15,320 --> 00:14:17,426
And that's only
accelerated, but it

353
00:14:17,450 --> 00:14:19,346
was a very confusing
world where nothing

354
00:14:19,370 --> 00:14:21,456
seems to be concrete or real.

355
00:14:21,480 --> 00:14:22,257
You?

356
00:14:22,281 --> 00:14:23,966
Today's young.

357
00:14:23,990 --> 00:14:26,586
Ask me again at the end.

358
00:14:26,610 --> 00:14:28,386
Anything can happen.

359
00:14:28,410 --> 00:14:30,036
You!

360
00:14:30,060 --> 00:14:33,206
What the fuck did you do to me?

361
00:14:33,230 --> 00:14:34,686
What the fuck did you do to me?

362
00:14:34,710 --> 00:14:36,619
We have a "Zero Dark Thirty"
scene with the torture stuff.

363
00:14:36,643 --> 00:14:39,336
We have our "Saving Private
Scene" with beer cans.

364
00:14:39,360 --> 00:14:40,956
When Sarah comes out and
Nyles jumps in the pool

365
00:14:40,980 --> 00:14:42,189
and she throws beer
cans in the pool,

366
00:14:42,213 --> 00:14:43,746
like those should
be really flying

367
00:14:43,770 --> 00:14:47,466
through the water the way
that those bullets do when

368
00:14:47,490 --> 00:14:49,086
they're storming
Normandy beach on D‐Day

369
00:14:49,110 --> 00:14:50,077
in "Saving Private Ryan."

370
00:14:50,101 --> 00:14:52,846
That could be our "Saving
Private Ryan" scene.

371
00:14:52,870 --> 00:14:53,647
For sure.

372
00:14:53,671 --> 00:14:56,277
What the fuck is going on?

373
00:14:56,301 --> 00:14:58,270
You're a sick fuck, Roy!

374
00:15:07,985 --> 00:15:09,826
Nyles?

375
00:15:09,850 --> 00:15:10,626
Nyles!

376
00:15:10,650 --> 00:15:11,527
No, stop.

377
00:15:11,551 --> 00:15:12,566
Don't come in here!

378
00:15:12,590 --> 00:15:13,367
Are you OK?

379
00:15:13,391 --> 00:15:14,940
Don't come in here!

380
00:15:18,330 --> 00:15:19,130
Hello?

381
00:15:28,497 --> 00:15:30,469
What the fuck?

382
00:15:33,940 --> 00:15:35,056
How many times‐‐

383
00:15:35,080 --> 00:15:36,376
This was the first
day of shooting.

384
00:15:36,400 --> 00:15:37,177
Yeah.

385
00:15:37,201 --> 00:15:39,526
How many wake‐ups did
you do, would you say?

386
00:15:39,550 --> 00:15:40,367
How many takes?

387
00:15:40,391 --> 00:15:42,586
It was our first
day, so we overshot.

388
00:15:42,610 --> 00:15:46,706
And there were a ton
of days that we needed.

389
00:15:46,730 --> 00:15:50,886
Ironically, these were the most
takes I ever got for anything,

390
00:15:50,910 --> 00:15:51,687
I would say.

391
00:15:51,711 --> 00:15:53,096
Yeah.

392
00:15:53,120 --> 00:15:54,946
I bet you we did 30 takes.

393
00:15:54,970 --> 00:15:56,816
I mean, not of the
same waking up,

394
00:15:56,840 --> 00:15:59,306
but of like sitting up in bed.

395
00:15:59,330 --> 00:16:00,786
Yeah.

396
00:16:00,810 --> 00:16:01,806
Right?

397
00:16:01,830 --> 00:16:04,686
At least.

398
00:16:04,710 --> 00:16:07,056
We spent about the
entire first half

399
00:16:07,080 --> 00:16:10,326
of the first day shooting you
waking up and your eye opening.

400
00:16:10,350 --> 00:16:14,026
Yeah, yeah.

401
00:16:14,050 --> 00:16:15,076
Are you all right?

402
00:16:15,100 --> 00:16:17,506
Oh, my god, look at everybody.

403
00:16:17,530 --> 00:16:19,896
Gallagher.

404
00:16:19,920 --> 00:16:22,006
You must have gotten up early.

405
00:16:22,030 --> 00:16:26,426
Love the detail of him having
the wet towel around his neck.

406
00:16:26,450 --> 00:16:27,227
I know.

407
00:16:27,251 --> 00:16:28,696
Was that his idea?

408
00:16:28,720 --> 00:16:31,216
I almost feel like it was
practical, like he was like,

409
00:16:31,240 --> 00:16:33,496
would anyone care if I did
this with my character?

410
00:16:33,520 --> 00:16:36,316
I'm very hot.

411
00:16:36,340 --> 00:16:39,146
I don't understand
your question.

412
00:16:39,170 --> 00:16:42,446
This‐‐ this day
already happened.

413
00:16:42,470 --> 00:16:44,446
I just think you're
the coolest, Cristin.

414
00:16:44,470 --> 00:16:45,586
Way to go, man.

415
00:16:45,610 --> 00:16:47,556
Andy, you too, man.

416
00:16:47,580 --> 00:16:49,006
Can you believe we did this?

417
00:16:49,030 --> 00:16:50,666
We made this.

418
00:16:50,690 --> 00:16:52,666
It was, like, really‐‐
it was really hard.

419
00:16:52,690 --> 00:16:54,256
Threw it together.

420
00:16:54,280 --> 00:16:55,876
It looks like a breeze
when you watch it.

421
00:16:55,900 --> 00:16:57,226
I know.

422
00:16:57,250 --> 00:17:00,526
So this was a very, very
intensive scene to shoot.

423
00:17:00,550 --> 00:17:02,476
This is the second
time we're showing it.

424
00:17:02,500 --> 00:17:05,716
But obviously, showing
above pool and under pool

425
00:17:05,740 --> 00:17:09,776
with time in between to dry
us all off, to start over

426
00:17:09,800 --> 00:17:10,653
takes and stuff.
Right.

427
00:17:10,677 --> 00:17:11,487
It took a very long time.

428
00:17:11,511 --> 00:17:13,746
Oh, my god, that's right.

429
00:17:13,770 --> 00:17:15,295
Sarah, oh, my god!

430
00:17:15,319 --> 00:17:16,696
What are you doing?

431
00:17:16,720 --> 00:17:18,196
Oh, my god, Camila crushed it.

432
00:17:18,220 --> 00:17:19,525
That was so funny.

433
00:17:19,549 --> 00:17:20,326
So funny.

434
00:17:20,350 --> 00:17:26,206
And she had a really cool,
bad‐ass stunt lady who came in.

435
00:17:26,230 --> 00:17:27,886
Pretty much broken off.

436
00:17:27,910 --> 00:17:29,296
There's one full canine.

437
00:17:29,320 --> 00:17:31,106
This is like a big
day for everyone!

438
00:17:31,130 --> 00:17:32,926
This is a big day for me, too!

439
00:17:32,950 --> 00:17:34,786
The wedding is
today, in six hours.

440
00:17:34,810 --> 00:17:37,416
Sarah, why are you
standing there like a freak?

441
00:17:37,440 --> 00:17:39,116
Why were you in the pool?

442
00:17:39,140 --> 00:17:41,446
This scene was a blast to film.

443
00:17:41,470 --> 00:17:44,506
I was very, very adamant that
I be allowed to throw up.

444
00:17:44,530 --> 00:17:46,756
Yep.

445
00:17:46,780 --> 00:17:48,694
It was one of the
few things I took

446
00:17:48,718 --> 00:17:51,016
a stand on, where I
was like, I will be

447
00:17:51,040 --> 00:17:52,946
throwing up in the teeth scene.

448
00:17:52,970 --> 00:17:55,876
Couldn't respect it more.

449
00:17:55,900 --> 00:17:56,816
I respect you very much.

450
00:17:56,840 --> 00:17:57,617
There it goes.

451
00:17:57,641 --> 00:17:58,806
There it is.

452
00:17:58,830 --> 00:17:59,660
Sarah, no!

453
00:18:04,720 --> 00:18:07,046
Guess you followed me.

454
00:18:07,070 --> 00:18:07,847
What's going on?

455
00:18:07,871 --> 00:18:10,156
Well, the beer is
a fictional beer

456
00:18:10,180 --> 00:18:15,466
that Max and Andy Siara
and our production

457
00:18:15,490 --> 00:18:18,325
designer, Jason Kisvarday,
came up with together.

458
00:18:21,790 --> 00:18:24,776
It's got a hidden
message on it, kinda.

459
00:18:24,800 --> 00:18:26,656
The tortoise that's on
it is representative

460
00:18:26,680 --> 00:18:33,256
of a myth about all of
the universe and such.

461
00:18:33,280 --> 00:18:34,057
Yeah.

462
00:18:34,081 --> 00:18:36,196
Did you keep any?

463
00:18:36,220 --> 00:18:36,997
No.

464
00:18:37,021 --> 00:18:38,166
I mean, they're
filled with water.

465
00:18:38,190 --> 00:18:40,796
I think Max and Andy each
have a couple of them.

466
00:18:40,820 --> 00:18:42,276
That's cool.

467
00:18:42,300 --> 00:18:45,576
I keep wanting a beer company,
even if it's a small one.

468
00:18:45,600 --> 00:18:48,276
I'm appealing to anyone out
there who's a beer company.

469
00:18:48,300 --> 00:18:49,326
Yeah.

470
00:18:49,350 --> 00:18:52,846
To give us a call and be like,
I wanna make that beer for real.

471
00:18:52,870 --> 00:18:54,726
Yeah.

472
00:18:54,750 --> 00:18:57,816
But just know‐‐ just
know that it's not gonna

473
00:18:57,840 --> 00:18:59,676
be like a super dense IPA.

474
00:18:59,700 --> 00:19:03,996
It's gotta be like a really
light, watery summertime beer

475
00:19:04,020 --> 00:19:07,346
that you just want ice cold.

476
00:19:07,370 --> 00:19:08,470
You don't wanna go there.

477
00:19:38,780 --> 00:19:43,521
So here is Cristin pretending
to be really hot in the desert‐‐

478
00:19:43,545 --> 00:19:44,322
temperature.

479
00:19:44,346 --> 00:19:45,639
He means physically.

480
00:19:45,663 --> 00:19:47,156
I know he means physically.

481
00:19:47,180 --> 00:19:49,046
He said it, and it's
on‐‐ it's on film.

482
00:19:49,070 --> 00:19:50,156
No, temperature hot!

483
00:19:50,180 --> 00:19:53,696
Yep, he said Cristin is in the
desert pretending to be hot.

484
00:19:53,720 --> 00:19:55,706
I have no opinion
one way or the other

485
00:19:55,730 --> 00:19:56,846
on your physical appearance.

486
00:19:56,870 --> 00:19:58,918
It was purely about temperature.

487
00:20:02,510 --> 00:20:03,310
Where‐‐

488
00:20:06,240 --> 00:20:10,556
I told you, you gotta wait.

489
00:20:10,580 --> 00:20:12,116
No matter what we
did, it would never

490
00:20:12,140 --> 00:20:15,416
be completely different
from things like "Groundhog

491
00:20:15,440 --> 00:20:17,776
Day" and "Edge of Tomorrow."

492
00:20:17,800 --> 00:20:21,176
And now we have
wonderful new stuff

493
00:20:21,200 --> 00:20:24,336
like "Russian Doll" and "Happy
Death Day" and all that.

494
00:20:24,360 --> 00:20:29,456
So, you know, in a way we
use that to our advantage,

495
00:20:29,480 --> 00:20:30,267
I like to think.

496
00:20:30,291 --> 00:20:32,906
And Andy Siara, especially
when he was writing it,

497
00:20:32,930 --> 00:20:35,306
did, where we just
kinda gave the audience

498
00:20:35,330 --> 00:20:37,616
the credit of assuming
they have seen those

499
00:20:37,640 --> 00:20:39,446
and know how it works.

500
00:20:39,470 --> 00:20:44,036
Tried to sort of skip past a
lot of the setup parts of that

501
00:20:44,060 --> 00:20:45,386
and start a little deeper in.

502
00:20:45,410 --> 00:20:47,426
And certainly with
my character, he's

503
00:20:47,450 --> 00:20:48,926
been in it for a
long time, which

504
00:20:48,950 --> 00:20:51,536
we felt like was
a nice twist on it

505
00:20:51,560 --> 00:20:53,156
and allowed for a
lot of different kind

506
00:20:53,180 --> 00:20:58,376
of comedic bits and
different dramatic dynamics.

507
00:20:58,400 --> 00:21:00,416
Goes back to the start.

508
00:21:00,440 --> 00:21:03,176
But will this day
end if I go in there?

509
00:21:03,200 --> 00:21:04,220
Sure, for you.

510
00:21:07,130 --> 00:21:08,570
You're wasting your time!

511
00:21:18,520 --> 00:21:20,200
It's gonna be a
beautiful wedding.

512
00:21:25,020 --> 00:21:28,856
Wake up!

513
00:21:28,880 --> 00:21:30,330
Good morning!

514
00:21:39,610 --> 00:21:41,896
This is some of our
first really awesome

515
00:21:41,920 --> 00:21:44,986
scoring, music score
made by Matthew Compton,

516
00:21:45,010 --> 00:21:46,116
also known as Cornbread.

517
00:21:46,140 --> 00:21:47,396
So good.

518
00:21:47,420 --> 00:21:50,476
He really did a great job.

519
00:21:50,500 --> 00:21:52,266
There's a lot of
debate about how long

520
00:21:52,290 --> 00:21:56,976
Nyles and Sarah have been
stuck there at any given time.

521
00:21:57,000 --> 00:22:02,196
Certainly, he's been there
an insanely long time.

522
00:22:02,220 --> 00:22:05,406
We've never‐‐ we've never
fully said for sure, you know?

523
00:22:05,430 --> 00:22:08,826
There's times where people were
like, it's like 50 to 70 years.

524
00:22:08,850 --> 00:22:12,376
But then it was also like, but
maybe like 150 to 300 years.

525
00:22:12,400 --> 00:22:13,177
Yeah.

526
00:22:13,201 --> 00:22:15,846
And then at other times, it
was like there's a chance

527
00:22:15,870 --> 00:22:18,516
it's been like 1,000 years.

528
00:22:18,540 --> 00:22:19,596
Yeah, I know.

529
00:22:19,620 --> 00:22:22,706
I like that we don't know.

530
00:22:22,730 --> 00:22:23,507
I agree.

531
00:22:23,531 --> 00:22:25,176
I think it helps to
not know, because you

532
00:22:25,200 --> 00:22:27,676
just fill in the blanks with
your imagination to fit‐‐

533
00:22:27,700 --> 00:22:28,477
Yeah.

534
00:22:28,501 --> 00:22:30,366
‐‐you know, how it feels to you.

535
00:22:30,390 --> 00:22:34,056
I think with Nyles,
it almost doesn't

536
00:22:34,080 --> 00:22:37,056
matter as long as you know
it's been a super long time.

537
00:22:37,080 --> 00:22:39,496
Because at a certain
point, he gave up‐‐

538
00:22:39,520 --> 00:22:40,297
Yeah.

539
00:22:40,321 --> 00:22:42,966
‐‐and has been drifting for‐‐

540
00:22:42,990 --> 00:22:45,786
you know, if it was 50
years of doing nothing

541
00:22:45,810 --> 00:22:47,796
and the same thing every day
of just floating and drinking

542
00:22:47,820 --> 00:22:50,286
beer, or if it was 1,000‐‐

543
00:22:50,310 --> 00:22:51,426
Right.

544
00:22:51,450 --> 00:22:54,196
‐‐nothing internally and
emotionally and spiritually has

545
00:22:54,220 --> 00:22:54,997
changed for him.

546
00:22:55,021 --> 00:22:57,816
He's just broken and drifting.

547
00:22:57,840 --> 00:22:59,946
We've been saying‐‐
I like between 40

548
00:22:59,970 --> 00:23:01,776
years and 40 million years.

549
00:23:01,800 --> 00:23:03,426
That's like the sweet spot.

550
00:23:03,450 --> 00:23:06,946
But I will definitely say
it's long enough for him

551
00:23:06,970 --> 00:23:07,747
to remember.

552
00:23:07,771 --> 00:23:09,656
And he also drinks
too much, so that

553
00:23:09,680 --> 00:23:10,657
does something to your memory.

554
00:23:10,681 --> 00:23:17,316
But long enough for him
to forget who he was,

555
00:23:17,340 --> 00:23:19,386
in large part, in real life.

556
00:23:19,410 --> 00:23:21,006
We never‐‐ we never mapped out.

557
00:23:21,030 --> 00:23:23,286
I know there was‐‐

558
00:23:23,310 --> 00:23:27,936
and I think that's something
I loved, too, about the movie.

559
00:23:27,960 --> 00:23:29,286
There are a number
of days that pass,

560
00:23:29,310 --> 00:23:32,466
but also it's very episodic in
that you're cutting in and out

561
00:23:32,490 --> 00:23:35,346
of time, into different scenes,
and there's no real explanation

562
00:23:35,370 --> 00:23:36,496
for how much time is passing.

563
00:23:36,520 --> 00:23:37,320
You goof.

564
00:23:40,200 --> 00:23:41,000
Wait, what?

565
00:23:43,670 --> 00:23:45,216
I don't know what it is.

566
00:23:45,240 --> 00:23:47,246
It could be life,
it could be death.

567
00:23:47,270 --> 00:23:48,116
It might be a dream.

568
00:23:48,140 --> 00:23:48,957
I might be imagining.

569
00:23:48,981 --> 00:23:50,306
You might be imagining me.

570
00:23:50,330 --> 00:23:52,356
It could be purgatory or a
glitch in the simulation.

571
00:23:52,380 --> 00:23:53,456
This is when we started‐‐

572
00:23:53,480 --> 00:23:55,426
we did days of just the
two of us in this car‐‐

573
00:23:55,450 --> 00:23:56,227
Yeah.

574
00:23:56,251 --> 00:23:57,836
‐‐which were some of my most‐‐

575
00:23:57,860 --> 00:23:59,366
like, my fondest memories.

576
00:23:59,390 --> 00:24:00,446
Same.

577
00:24:00,470 --> 00:24:01,377
It was when we started‐‐

578
00:24:01,401 --> 00:24:03,206
Just being in that
dusty car together.

579
00:24:03,230 --> 00:24:04,506
‐‐getting into it.

580
00:24:04,530 --> 00:24:06,506
It was some real acting
going on, you know?

581
00:24:06,530 --> 00:24:07,946
Nothing matters.

582
00:24:07,970 --> 00:24:09,326
Well, then, what's
the point of living?

583
00:24:09,350 --> 00:24:13,076
Well, we kind of have
no choice but to live.

584
00:24:13,100 --> 00:24:16,916
So I think your best
bet is just to learn

585
00:24:16,940 --> 00:24:20,256
how to suffer existence.

586
00:24:20,280 --> 00:24:21,606
So we can't die.

587
00:24:21,630 --> 00:24:23,406
No, the loop just starts over.

588
00:24:23,430 --> 00:24:24,816
There might be some
way to kill yourself,

589
00:24:24,840 --> 00:24:25,926
but I haven't figured it out.

590
00:24:25,950 --> 00:24:29,706
And I've done a
lot of suicides‐‐

591
00:24:29,730 --> 00:24:31,096
so many.

592
00:24:31,120 --> 00:24:34,050
No‐‐ no, I'm gonna
get out of this.

593
00:24:38,585 --> 00:24:39,385
Suit yourself.

594
00:24:41,820 --> 00:24:42,597
What are you doing?

595
00:24:42,621 --> 00:24:44,836
Bracing for a quick death.

596
00:24:44,860 --> 00:24:48,146
I mean, we can't die,
but pain is very real.

597
00:24:48,170 --> 00:24:51,016
There's nothing worse than
slowly dying in the ICU.

598
00:24:51,040 --> 00:24:52,576
This is another scene
in the script that

599
00:24:52,600 --> 00:24:53,746
made me want to do the movie.

600
00:24:53,770 --> 00:24:55,426
I just love that whole convo.

601
00:24:55,450 --> 00:24:57,016
We could just skip
this whole phase.

602
00:24:57,040 --> 00:25:01,216
That level of‐‐ of having
given himself over to it.

603
00:25:01,240 --> 00:25:03,295
Whatever.

604
00:25:04,780 --> 00:25:06,241
See you tomorrow.

605
00:25:06,265 --> 00:25:07,750
Wake up!

606
00:25:10,720 --> 00:25:15,196
Yeah, that‐‐ that is
definitely Nyles' escape,

607
00:25:15,220 --> 00:25:17,596
and it's kind of
a nice microcosm.

608
00:25:17,620 --> 00:25:21,886
You know, it kind of
reaffirms when we meet him,

609
00:25:21,910 --> 00:25:23,686
he's the master of this
universe at the wedding.

610
00:25:23,710 --> 00:25:25,636
But we're really not quite
sure what's going on.

611
00:25:25,660 --> 00:25:30,376
So when he takes Sarah to the
bar and is able to kind of mess

612
00:25:30,400 --> 00:25:34,306
with Darla and take the
guy's hat, it kind of just

613
00:25:34,330 --> 00:25:36,886
hammers on that idea that this
guy has been here way too long

614
00:25:36,910 --> 00:25:42,116
and knows kind of how everything
plays out in the universe.

615
00:25:42,140 --> 00:25:45,376
That's the first film Andy
Siara and I made together

616
00:25:45,400 --> 00:25:46,307
in film school, actually.

617
00:25:46,331 --> 00:25:49,936
It was set at a dive bar as a
hurricane was passing through,

618
00:25:49,960 --> 00:25:51,616
and everybody was
kind of taking refuge.

619
00:25:51,640 --> 00:25:56,666
So maybe that's an enduring
setting and theme for us.

620
00:25:56,690 --> 00:25:59,836
It just is‐‐ if you go to a
good dive bar, there's endless‐‐

621
00:25:59,860 --> 00:26:02,056
I feel like there's stories
about those characters,

622
00:26:02,080 --> 00:26:05,536
definitely Darla,
within that dive bar.

623
00:26:05,560 --> 00:26:06,546
There's just endless stories.

624
00:26:06,570 --> 00:26:07,996
So it's a great
setting for color

625
00:26:08,020 --> 00:26:12,946
and also just that idea
of running a dance number

626
00:26:12,970 --> 00:26:15,256
through there seems
so outrageous,

627
00:26:15,280 --> 00:26:17,326
but I think that's
what made it fun.

628
00:26:17,350 --> 00:26:20,606
Cousin of the Schlieffen clan.

629
00:26:20,630 --> 00:26:22,366
That's about all I
know about the dude.

630
00:26:22,390 --> 00:26:25,810
Yeah, but why was he
trying to kill you?

631
00:26:30,810 --> 00:26:38,666
One night, a very long time
ago, I partied with Roy.

632
00:26:38,690 --> 00:26:41,096
This was back in the early days
before I'd really acquainted

633
00:26:41,120 --> 00:26:42,726
myself with everyone.

634
00:26:42,750 --> 00:26:44,276
I was just feeling
my way through it.

635
00:26:44,300 --> 00:26:45,253
That tuna?

636
00:26:45,277 --> 00:26:46,077
Yes, sir.

637
00:26:50,750 --> 00:26:53,996
I know you know, but you
don't know that I know.

638
00:26:54,020 --> 00:26:54,957
Or do you know?

639
00:26:54,981 --> 00:26:56,906
Do you ever wonder if
people think you're boring?

640
00:26:56,930 --> 00:26:58,466
What?

641
00:26:58,490 --> 00:27:01,196
Are you being a dick
to the bartender?

642
00:27:01,220 --> 00:27:03,176
I would like a Moscato, please.

643
00:27:03,200 --> 00:27:04,556
Sure.

644
00:27:04,580 --> 00:27:06,446
What might have been and
what has been point to one

645
00:27:06,470 --> 00:27:08,465
end, which is always present.

646
00:27:11,410 --> 00:27:13,620
Second thought, make that
two shots of bourbon, please.

647
00:27:18,950 --> 00:27:22,926
This moment was improvised
between JK and myself.

648
00:27:22,950 --> 00:27:23,727
I like your hat.

649
00:27:23,751 --> 00:27:25,106
Of course, you do.

650
00:27:25,130 --> 00:27:27,786
There you go.

651
00:27:27,810 --> 00:27:28,901
I like you're hat.

652
00:27:28,925 --> 00:27:30,386
Of course, you do.

653
00:27:30,410 --> 00:27:33,556
Oh, man, I love him.

654
00:27:33,580 --> 00:27:35,946
Here they are!

655
00:27:35,970 --> 00:27:38,460
So JK Simmons, obviously,
is a national treasure.

656
00:27:41,110 --> 00:27:44,416
I worked with him on the
film "I Love You, Man."

657
00:27:44,440 --> 00:27:46,656
He played me and
Paul Rudd's dad‐‐

658
00:27:46,680 --> 00:27:47,686
name drop.

659
00:27:47,710 --> 00:27:55,026
And we have stayed in touch and
our friendly, and I love him.

660
00:27:55,050 --> 00:27:56,886
And when we were
thinking about casting,

661
00:27:56,910 --> 00:28:00,246
we were all holy shit‐‐
what if JK would play Roy?

662
00:28:00,270 --> 00:28:01,896
That would be pretty
much the greatest

663
00:28:01,920 --> 00:28:03,306
thing that ever happened.

664
00:28:03,330 --> 00:28:07,626
So I was all, hey, man,
do you think you'd ever

665
00:28:07,650 --> 00:28:10,776
want to do another indie, dude?

666
00:28:10,800 --> 00:28:13,596
Hey, man, you like
making movies?

667
00:28:13,620 --> 00:28:15,666
You like shooting
in the cold desert?

668
00:28:15,690 --> 00:28:16,986
You like shooting
in a hot desert?

669
00:28:17,010 --> 00:28:18,936
You can have both on this.

670
00:28:18,960 --> 00:28:19,760
Hey, man!

671
00:28:23,898 --> 00:28:25,986
We're in the
shit, we're in the shit.

672
00:28:26,010 --> 00:28:29,836
We are the shit, we are‐‐

673
00:28:29,860 --> 00:28:30,660
we're alive.

674
00:28:35,580 --> 00:28:37,896
Shooting that stuff with
JK was the best, man.

675
00:28:37,920 --> 00:28:41,066
Part of, I think, why he
wanted to do the movie‐‐

676
00:28:41,090 --> 00:28:43,116
it's that montage
and then, you know,

677
00:28:43,140 --> 00:28:46,966
the scene at the end, the
find your Irvine and all

678
00:28:46,990 --> 00:28:49,566
that I think really moved him.

679
00:28:49,590 --> 00:28:53,916
But when he told me he
was thinking about it,

680
00:28:53,940 --> 00:28:57,966
he said he sent moments from
that montage to friends of his,

681
00:28:57,990 --> 00:28:59,886
to be like man, I think
I gotta do this movie.

682
00:28:59,910 --> 00:29:01,836
It's so nuts!

683
00:29:01,860 --> 00:29:03,636
And certainly, for
me, I just loved

684
00:29:03,660 --> 00:29:06,006
knowing that it would be
he and I. The fact that

685
00:29:06,030 --> 00:29:08,826
were already kind of buddies‐‐

686
00:29:08,850 --> 00:29:11,436
it adds an element
of fun to it, of him,

687
00:29:11,460 --> 00:29:14,496
like, torturing me and
making me miserable

688
00:29:14,520 --> 00:29:16,386
and shooting me with
an arrow while I

689
00:29:16,410 --> 00:29:18,456
run naked through the desert
and that kind of stuff.

690
00:29:18,480 --> 00:29:22,206
It just made it funnier
to me, for some reason.

691
00:29:22,230 --> 00:29:23,736
And especially just
somebody like him

692
00:29:23,760 --> 00:29:26,886
who has so much gravitas
and, like, people know

693
00:29:26,910 --> 00:29:29,916
he's such an esteemed actor‐‐
seeing him really get loose

694
00:29:29,940 --> 00:29:33,936
and doing something kind of so
dark and silly was exciting,

695
00:29:33,960 --> 00:29:36,426
I think.

696
00:29:36,450 --> 00:29:38,196
That was a mistake.

697
00:29:38,220 --> 00:29:39,856
When Roy found out
about his new life,

698
00:29:39,880 --> 00:29:42,126
he did not take it lightly.

699
00:29:42,150 --> 00:29:44,346
Luckily, he lives in Irvine
and wakes up there every day,

700
00:29:44,370 --> 00:29:48,396
so he only comes around
once every few days.

701
00:29:48,420 --> 00:29:49,596
Or weeks, I don't know.

702
00:29:49,620 --> 00:29:51,546
My sense of time
is a little fuzzy.

703
00:29:51,570 --> 00:29:52,596
But what does he want?

704
00:29:52,620 --> 00:29:53,766
I think he thinks‐‐

705
00:29:53,790 --> 00:29:55,050
Yeah, I went full butt.

706
00:29:58,200 --> 00:30:00,366
We shot the running away and
getting shot with the arrow

707
00:30:00,390 --> 00:30:04,266
naked thing with one
of my stunt doubles,

708
00:30:04,290 --> 00:30:07,896
Seth, who has a significantly
better looking butt than me.

709
00:30:07,920 --> 00:30:10,806
And then we shot mine, just
in case you could tell.

710
00:30:10,830 --> 00:30:16,736
And you couldn't totally
tell, but my butt was funnier.

711
00:30:16,760 --> 00:30:18,156
Amen to that.

712
00:30:18,180 --> 00:30:20,236
I tied my tubes at 40.

713
00:30:20,260 --> 00:30:21,037
Yeah.

714
00:30:21,061 --> 00:30:22,536
You have to confront him, right?

715
00:30:22,560 --> 00:30:25,446
I mean, you cannot keep running
from this person forever.

716
00:30:25,470 --> 00:30:26,830
What are you talking about?

717
00:30:29,530 --> 00:30:31,636
Of course, I can.

718
00:30:31,660 --> 00:30:32,437
Come on.

719
00:30:32,461 --> 00:30:34,146
Burrito truck just opened.

720
00:30:34,170 --> 00:30:35,137
That's for you.

721
00:30:35,161 --> 00:30:36,406
Keep the change, OK?

722
00:30:36,430 --> 00:30:37,506
But you have to
promise me you're

723
00:30:37,530 --> 00:30:39,186
gonna spend it all today.

724
00:30:39,210 --> 00:30:40,866
Any time anything
gets too serious,

725
00:30:40,890 --> 00:30:46,296
it's like I have
the tendency to just

726
00:30:46,320 --> 00:30:48,466
push it to the other direction.

727
00:30:48,490 --> 00:30:52,746
So if anything sounds a little
too pretentious, I will‐‐

728
00:30:52,770 --> 00:30:54,726
it's good to, like, throw
a banana peel out there

729
00:30:54,750 --> 00:30:56,286
and have a person slip
on the banana peel.

730
00:30:56,310 --> 00:31:00,726
So nothing gets
too, too serious.

731
00:31:00,750 --> 00:31:03,756
Max and I would always
talk about having

732
00:31:03,780 --> 00:31:05,796
one foot on a banana peel
and the other in the grave,

733
00:31:05,820 --> 00:31:11,826
so that you go from moments
of slapstick to, you know‐‐

734
00:31:11,850 --> 00:31:13,776
trying to touch on
something that is maybe

735
00:31:13,800 --> 00:31:15,606
under the surface a little bit.

736
00:31:15,630 --> 00:31:16,709
Daisy, the bar keep.

737
00:31:16,733 --> 00:31:18,276
So the last thing we
actually shot of the movie

738
00:31:18,300 --> 00:31:22,446
was Jena Friedman, who
plays Daisy the bartender‐‐

739
00:31:22,470 --> 00:31:26,406
their moment together in
the car, Nyles and Daisy.

740
00:31:26,430 --> 00:31:29,706
We let the camera roll and
did like 15 minutes of improv.

741
00:31:29,730 --> 00:31:31,836
That was really fun.

742
00:31:31,860 --> 00:31:37,626
All the‐‐ all the sex flashes
when Nyles is describing

743
00:31:37,650 --> 00:31:40,536
his hookup history
within the bubble

744
00:31:40,560 --> 00:31:46,826
were very fun to go and shoot,
just because you got to squeeze

745
00:31:46,850 --> 00:31:50,756
in a little intimate moment
with Peter Gallagher, you know,

746
00:31:50,780 --> 00:31:52,436
one day and then Tongayi.

747
00:31:52,460 --> 00:31:53,247
Jerry Schlieffen?

748
00:31:53,271 --> 00:31:54,906
Well, he fucked me.

749
00:31:54,930 --> 00:31:56,006
He put his penis
in my butt hole.

750
00:31:56,030 --> 00:31:56,967
Yeah, I know how it works.

751
00:31:56,991 --> 00:31:58,226
I really thought I'd try it.

752
00:31:58,250 --> 00:32:00,266
He's a sweet guy.

753
00:32:00,290 --> 00:32:01,556
Nice shot.

754
00:32:01,580 --> 00:32:02,596
And that's it?

755
00:32:02,620 --> 00:32:03,397
That's all you got?

756
00:32:03,421 --> 00:32:07,796
Oh, your dad.

757
00:32:07,820 --> 00:32:08,630
What are we doing?

758
00:32:11,420 --> 00:32:12,556
I don't know.

759
00:32:12,580 --> 00:32:13,547
No, I'm just kidding.

760
00:32:13,571 --> 00:32:14,876
Oh, my god.

761
00:32:14,900 --> 00:32:16,166
I got you, though.

762
00:32:16,190 --> 00:32:16,967
You did.

763
00:32:16,991 --> 00:32:18,386
What about you?

764
00:32:18,410 --> 00:32:20,476
What's going on
with your sex life?

765
00:32:20,500 --> 00:32:23,566
This thing started
out of film school,

766
00:32:23,590 --> 00:32:25,756
us just wanting to go
make something together,

767
00:32:25,780 --> 00:32:28,426
taking a trip out to
the desert, coming back

768
00:32:28,450 --> 00:32:31,546
with the idea of Nyles
being in the throes

769
00:32:31,570 --> 00:32:34,186
of a very busy wedding season.

770
00:32:34,210 --> 00:32:37,936
Me feeling, at the time, very
uncomfortable with commitment,

771
00:32:37,960 --> 00:32:40,546
and Andy having just gotten
married in Palm Springs.

772
00:32:40,570 --> 00:32:44,236
And then, I think, kind
of staring down the barrel

773
00:32:44,260 --> 00:32:48,376
at the rest of his life
and grappling with what

774
00:32:48,400 --> 00:32:49,786
that kind of commitment meant.

775
00:32:49,810 --> 00:32:54,636
And us in a room working on
this idea of developing it,

776
00:32:54,660 --> 00:32:57,876
pushing through drafts, kind
of acting as each other's

777
00:32:57,900 --> 00:32:59,226
therapists.

778
00:32:59,250 --> 00:33:01,326
That's, I think, where
that emotion comes from.

779
00:33:01,350 --> 00:33:06,606
And Andy it's just so
emotionally honest and talented

780
00:33:06,630 --> 00:33:12,786
and funny that it was about
throwing all of ourselves

781
00:33:12,810 --> 00:33:15,036
at each other, every
idea that we ever wanted

782
00:33:15,060 --> 00:33:18,006
to see in a movie at the
wall, while figuring out who

783
00:33:18,030 --> 00:33:21,096
these two principal characters
were that allowed us to kind

784
00:33:21,120 --> 00:33:23,226
of mine those emotional depths.

785
00:33:23,250 --> 00:33:25,606
Oh, my god.

786
00:33:25,630 --> 00:33:27,206
Maybe it's a karma thing.

787
00:33:27,230 --> 00:33:28,056
What is?

788
00:33:28,080 --> 00:33:28,857
Yeah.

789
00:33:28,881 --> 00:33:33,366
What if it's like, to get out
of this you have to be selfless,

790
00:33:33,390 --> 00:33:34,237
and then you're free?

791
00:33:34,261 --> 00:33:36,756
It's about $100 a candy
bar, and I'm still here.

792
00:33:36,780 --> 00:33:39,126
Yeah, but not like that‐‐ like
real acts of selflessness,

793
00:33:39,150 --> 00:33:40,956
like the bone marrow
shit that Tala does.

794
00:33:40,980 --> 00:33:42,136
You know, look‐‐ what if‐‐

795
00:33:42,160 --> 00:33:44,436
oh, my god, what if life just
keeps going for everyone else?

796
00:33:44,460 --> 00:33:46,776
Everybody kind of
inherently understood what

797
00:33:46,800 --> 00:33:48,216
the North Star tonally was.

798
00:33:48,240 --> 00:33:50,496
So because of
that, we just tried

799
00:33:50,520 --> 00:33:52,696
to play every moment as
straight as possible,

800
00:33:52,720 --> 00:33:54,366
especially because
the time limit

801
00:33:54,390 --> 00:33:55,776
concept was so heightened.

802
00:33:55,800 --> 00:33:57,426
So it was always about
keeping it grounded

803
00:33:57,450 --> 00:34:00,486
and kind of telling the human
story within this world.

804
00:34:00,510 --> 00:34:05,166
That being said, you do one
take with a certain energy,

805
00:34:05,190 --> 00:34:08,945
and you get something that
feels offbeat and right.

806
00:34:08,969 --> 00:34:12,905
You'll try a different
take that is completely

807
00:34:12,929 --> 00:34:15,726
a different emotion
to kind of then

808
00:34:15,750 --> 00:34:20,195
give yourself options in the
cutting room, to calibrate

809
00:34:20,219 --> 00:34:23,405
a happy moment or a sad moment
or a slapstick moment or kind

810
00:34:23,429 --> 00:34:25,416
of a more downbeat moment.

811
00:34:25,440 --> 00:34:27,336
It's all about
getting everything

812
00:34:27,360 --> 00:34:29,286
that you can to
then give yourself

813
00:34:29,310 --> 00:34:33,635
options to construct
a moment to fit

814
00:34:33,659 --> 00:34:35,317
what you want people to feel.

815
00:34:50,920 --> 00:34:53,356
I‐‐ I do think what
makes this movie so good

816
00:34:53,380 --> 00:34:55,306
is that I would probably‐‐

817
00:34:55,330 --> 00:34:57,916
like you would just bang
your head against a wall.

818
00:34:57,940 --> 00:34:59,206
You would do all
the same things.

819
00:34:59,230 --> 00:35:03,136
You would attempt to try to
kill yourself to get out of it.

820
00:35:03,160 --> 00:35:04,516
You would attempt
to do every drug.

821
00:35:04,540 --> 00:35:06,076
You would eat
everything you want.

822
00:35:06,100 --> 00:35:07,666
You would try to
sleep with people.

823
00:35:07,690 --> 00:35:09,626
You would just‐‐ it
would be madness.

824
00:35:09,650 --> 00:35:10,427
I don't know.

825
00:35:10,451 --> 00:35:15,251
I mean, this is my nightmare,
to get stuck in a time loop.

826
00:35:15,275 --> 00:35:16,227
Honestly.

827
00:35:16,251 --> 00:35:18,196
I should never have
left the Great Lakes!

828
00:35:18,220 --> 00:35:19,366
This place is a nightmare!

829
00:35:19,390 --> 00:35:20,167
It's all right.

830
00:35:20,191 --> 00:35:21,286
It's all right, Randy.

831
00:35:21,310 --> 00:35:22,366
Everything is great.

832
00:35:22,390 --> 00:35:23,716
Sorry!

833
00:35:23,740 --> 00:35:25,816
I would try to
leave, if I could.

834
00:35:25,840 --> 00:35:27,616
Well, yeah.

835
00:35:27,640 --> 00:35:29,566
I would probably idle
there for a few years

836
00:35:29,590 --> 00:35:31,126
and, like, catch up
on all the shows.

837
00:35:31,150 --> 00:35:32,596
What the hell did
you say to her?

838
00:35:32,620 --> 00:35:34,516
Sister stuff, but
I think I'm good.

839
00:35:34,540 --> 00:35:36,596
But are you stuck in
the time of the shows?

840
00:35:36,620 --> 00:35:37,397
No.

841
00:35:37,421 --> 00:35:40,036
I mean, like, all the TV
shows and movies that I've

842
00:35:40,060 --> 00:35:40,975
always wanted to watch.

843
00:35:44,090 --> 00:35:46,106
But, like, what year is it?

844
00:35:46,130 --> 00:35:47,226
This year.

845
00:35:47,250 --> 00:35:48,266
This has been great.

846
00:35:48,290 --> 00:35:49,146
Well, you know, not great.

847
00:35:49,170 --> 00:35:49,947
I know.

848
00:35:49,971 --> 00:35:53,306
As soon as I asked, then
I realized it wasn't‐‐

849
00:35:53,330 --> 00:35:55,076
I'd be, like, man,
I'm just gonna watch‐‐

850
00:35:55,100 --> 00:35:57,026
My argument was
built on two things.

851
00:35:57,050 --> 00:35:58,376
Yeah.
I'm gonna watch all of "MASH."

852
00:35:58,400 --> 00:35:59,177
Or what?

853
00:35:59,201 --> 00:36:00,851
I'll watch all of "MASH."

854
00:36:00,875 --> 00:36:02,276
All of "MASH?"

855
00:36:02,300 --> 00:36:03,356
Yeah, just now, like‐‐

856
00:36:03,380 --> 00:36:07,626
That's what's gonna get you
to stay in the time loop?

857
00:36:07,650 --> 00:36:08,426
Oh, my god.

858
00:36:08,450 --> 00:36:09,426
They've got, I remember‐‐

859
00:36:09,450 --> 00:36:10,227
Good luck.

860
00:36:10,251 --> 00:36:12,676
‐‐rogue episodes from when I
was younger on syndication.

861
00:36:12,700 --> 00:36:13,976
But I'll be like,
you know, why don't I

862
00:36:14,000 --> 00:36:14,844
sit down and watch "MASH?"

863
00:36:14,868 --> 00:36:18,596
But you can just watch "MASH"
outside of the time loop.

864
00:36:18,620 --> 00:36:19,886
Re‐watch all of "Alf."

865
00:36:19,910 --> 00:36:21,956
"MASH" isn't time loop‐‐

866
00:36:21,980 --> 00:36:23,796
it's not contingent on
the being in a time loop.

867
00:36:23,820 --> 00:36:24,597
Well, yeah.

868
00:36:24,621 --> 00:36:27,266
No, but if I spend my time
now watching all of "MASH,"

869
00:36:27,290 --> 00:36:29,396
that's time I can't get back.

870
00:36:29,420 --> 00:36:30,387
You know?

871
00:36:30,411 --> 00:36:32,186
I'm serious!

872
00:36:32,210 --> 00:36:34,003
But you clearly
seem to have such

873
00:36:34,027 --> 00:36:35,336
an affinity for "MASH"
that you wouldn't

874
00:36:35,360 --> 00:36:36,506
even want that time back.

875
00:36:36,530 --> 00:36:38,066
I could have said anything!

876
00:36:38,090 --> 00:36:44,626
Like "Mork and Mindy,"
"Cheers," you know?

877
00:36:44,650 --> 00:36:45,427
"Mork and Mindy?"

878
00:36:45,451 --> 00:36:47,366
I haven't seen all of
"Better Call Saul."

879
00:36:47,390 --> 00:36:49,466
I would catch up on that.

880
00:36:49,490 --> 00:36:51,206
You know?

881
00:36:51,230 --> 00:36:53,906
Or re‐watch all
of "The Simpsons."

882
00:36:53,930 --> 00:36:56,966
It's like 30 seasons.

883
00:36:56,990 --> 00:36:58,832
Let's waste some time.

884
00:37:01,832 --> 00:37:04,025
Sinking in a funny way.

885
00:37:08,476 --> 00:37:10,996
Hey, who's the mustache?

886
00:37:11,020 --> 00:37:14,001
Prick my wife ran off with.

887
00:37:17,660 --> 00:37:20,096
I loved filming the deaths
over and over again,

888
00:37:20,120 --> 00:37:23,756
because they're humorous
deaths like falling

889
00:37:23,780 --> 00:37:25,640
out of the top of the car.

890
00:37:28,550 --> 00:37:29,576
The plane was a blast.

891
00:37:29,600 --> 00:37:30,956
That was so much fun.

892
00:37:30,980 --> 00:37:34,376
I remember really,
really having quite

893
00:37:34,400 --> 00:37:35,996
a time in that little plane.

894
00:37:36,020 --> 00:37:36,797
Agreed.

895
00:37:36,821 --> 00:37:38,966
It's very much wish
fulfillment, you

896
00:37:38,990 --> 00:37:42,536
know, getting to sort of try
anything without any fear

897
00:37:42,560 --> 00:37:44,846
of repercussion.

898
00:37:44,870 --> 00:37:45,670
Yeah.

899
00:37:48,880 --> 00:37:51,496
It also felt like‐‐

900
00:37:51,520 --> 00:37:54,026
it felt like we were
doing like cartoon deaths.

901
00:37:54,050 --> 00:37:54,826
Yes.

902
00:37:54,850 --> 00:37:55,627
It felt‐‐

903
00:37:55,651 --> 00:37:56,906
They felt, like,
very Wile E Coyote.

904
00:37:56,930 --> 00:37:58,646
I was gonna say the same thing.

905
00:37:58,670 --> 00:37:59,447
You know what I mean?

906
00:37:59,471 --> 00:38:02,662
Yeah, early Road Runner vibes.

907
00:38:02,686 --> 00:38:06,136
Yeah, strong Road Runner vibes.

908
00:38:06,160 --> 00:38:09,046
Yeah, I think that was also
part of what was a blast.

909
00:38:09,070 --> 00:38:12,440
We were also able to, like,
be live action human cartoons.

910
00:38:15,190 --> 00:38:18,586
I think it goes without
saying that dancing

911
00:38:18,610 --> 00:38:22,426
replaces all iconic
dance scenes from now on.

912
00:38:22,450 --> 00:38:25,486
"Dirty Dancing,"
"Pulp Fiction," "Billy

913
00:38:25,510 --> 00:38:29,950
Elliot," "Fame," "Flashdance."

914
00:38:33,590 --> 00:38:36,416
Those dance rehearsals
were so much fun.

915
00:38:36,440 --> 00:38:38,126
Do you remember
when you dropped me?

916
00:38:38,150 --> 00:38:39,206
You took it quite well.

917
00:38:39,230 --> 00:38:40,007
Yep.

918
00:38:40,031 --> 00:38:41,326
I still feel bad about it.

919
00:38:41,350 --> 00:38:42,726
You shouldn't, you shouldn't.

920
00:38:42,750 --> 00:38:43,527
Here's the thing.

921
00:38:43,551 --> 00:38:48,956
My arms are weak and floppy
like a baby calf, you know?

922
00:38:48,980 --> 00:38:51,056
Baby calves don't
have arms, Andy.

923
00:38:51,080 --> 00:38:52,556
Get your shit straight.

924
00:38:52,580 --> 00:38:53,517
What if you count‐‐

925
00:38:53,541 --> 00:38:56,646
if you count their front
legs, if they were‐‐

926
00:38:56,670 --> 00:38:57,447
by the way, could.

927
00:38:57,471 --> 00:38:59,386
If they chose to stand
up on their hind legs.

928
00:38:59,410 --> 00:39:00,476
If they chose to‐‐

929
00:39:00,500 --> 00:39:01,347
you're right.

930
00:39:01,371 --> 00:39:03,446
It's an issue of choice.

931
00:39:03,470 --> 00:39:05,366
Sarah, where have you been?

932
00:39:05,390 --> 00:39:06,666
Tala's pissed.

933
00:39:06,690 --> 00:39:08,316
I missed you.

934
00:39:08,340 --> 00:39:09,117
What?

935
00:39:09,141 --> 00:39:10,636
I want you to meet
me in the bathroom.

936
00:39:10,660 --> 00:39:12,926
I like to give
the actors freedom

937
00:39:12,950 --> 00:39:14,546
to improvise and find
things, so there are

938
00:39:14,570 --> 00:39:16,226
flourishes within every scene.

939
00:39:16,250 --> 00:39:21,296
Andy was constantly inventing
moments within scenes

940
00:39:21,320 --> 00:39:22,646
and finding stuff.

941
00:39:22,670 --> 00:39:24,536
It's what‐‐ those are
the surprises that I

942
00:39:24,560 --> 00:39:28,796
think make a script better.

943
00:39:28,820 --> 00:39:31,376
And it was already a
super strong script,

944
00:39:31,400 --> 00:39:35,826
but I think the only fully
improvised scene, so to speak,

945
00:39:35,850 --> 00:39:39,326
was that tattoo moment
within the montage.

946
00:39:39,350 --> 00:39:41,756
So we stole those tattoo shots.

947
00:39:41,780 --> 00:39:44,726
The sun was setting,
but Milioti and I both

948
00:39:44,750 --> 00:39:46,490
really wanted it in the movie.

949
00:39:49,070 --> 00:39:51,836
Just taking a
breather to snuggle.

950
00:39:51,860 --> 00:39:54,716
This was what I
was looking forward

951
00:39:54,740 --> 00:39:56,954
to most when we were shooting.

952
00:39:56,978 --> 00:39:58,856
Yeah.

953
00:39:58,880 --> 00:40:01,136
Milioti insisted on the
hook hand and the eye patch,

954
00:40:01,160 --> 00:40:02,546
and we obliged, of course.

955
00:40:02,570 --> 00:40:04,591
Yep.

956
00:40:04,615 --> 00:40:06,417
That hook hand is on my mantle.

957
00:40:06,441 --> 00:40:08,526
Prove it.

958
00:40:08,550 --> 00:40:10,526
Ugh, goddammit.

959
00:40:10,550 --> 00:40:14,716
I know, but I'm like
stuffed in these jeans.

960
00:40:14,740 --> 00:40:15,627
Hold on.

961
00:40:15,651 --> 00:40:17,936
Prove it!

962
00:40:17,960 --> 00:40:21,196
Damn, check out those jeans!

963
00:40:21,220 --> 00:40:24,146
OK, here's the hook.

964
00:40:24,170 --> 00:40:25,616
Yeah!

965
00:40:25,640 --> 00:40:27,276
Yeah, here it is.

966
00:40:27,300 --> 00:40:28,077
I kept it.

967
00:40:28,101 --> 00:40:30,056
It was the only thing
I asked to keep.

968
00:40:30,080 --> 00:40:32,646
I asked to keep two things‐‐
this hook and my dignity.

969
00:40:32,670 --> 00:40:34,436
And I was only given one.

970
00:40:34,460 --> 00:40:37,298
No one walks away from an
indie shoot with their dignity.

971
00:40:39,360 --> 00:40:40,160
Ta‐da!

972
00:40:42,680 --> 00:40:43,527
Wow.

973
00:40:43,551 --> 00:40:44,966
You kind of feel that
they're falling in love.

974
00:40:44,990 --> 00:40:46,166
That's what that
was about, bringing

975
00:40:46,190 --> 00:40:47,186
color into that moment.

976
00:40:47,210 --> 00:40:50,656
And we also‐‐ there's a
special on Cristin's slow‐mo

977
00:40:50,680 --> 00:40:52,556
when the confetti is
falling to help it.

978
00:40:52,580 --> 00:40:54,366
But there's like a more
kind of orange‐ish glow,

979
00:40:54,390 --> 00:40:57,356
which is about‐‐

980
00:40:57,380 --> 00:40:59,156
orange, in the movie,
kind of is like‐‐

981
00:40:59,180 --> 00:41:00,866
it's the color of the
tent in the desert, too.

982
00:41:00,890 --> 00:41:02,276
It's kind of that‐‐

983
00:41:02,300 --> 00:41:04,766
and the glow in the
cave, obviously.

984
00:41:04,790 --> 00:41:07,346
It signifies intimacy.

985
00:41:07,370 --> 00:41:10,676
Everything in this
void, the space

986
00:41:10,700 --> 00:41:14,696
where the candy bar once was
but is now in my stomach,

987
00:41:14,720 --> 00:41:16,616
is the past.

988
00:41:16,640 --> 00:41:19,766
And everything that's
remaining is the future,

989
00:41:19,790 --> 00:41:21,446
encased in chocolate.

990
00:41:21,470 --> 00:41:25,016
I have no interest
in this emptiness.

991
00:41:25,040 --> 00:41:27,966
You know, the who,
what, why of your past.

992
00:41:27,990 --> 00:41:28,766
You got here.

993
00:41:28,790 --> 00:41:29,767
That's all that matters.

994
00:41:29,791 --> 00:41:33,836
But if you really want to know
someone deeper, it does matter.

995
00:41:33,860 --> 00:41:35,266
It does.

996
00:41:35,290 --> 00:41:37,456
You have to know
the whole package.

997
00:41:37,480 --> 00:41:38,656
I disagree.

998
00:41:38,680 --> 00:41:40,870
This‐‐ the next bite‐‐

999
00:41:43,860 --> 00:41:44,990
that's all that matters.

1000
00:41:48,670 --> 00:41:49,900
I was married for two years.

1001
00:41:55,350 --> 00:41:57,226
I knew it wasn't gonna work.

1002
00:41:57,250 --> 00:41:58,566
This was one of
my favorite scenes

1003
00:41:58,590 --> 00:42:02,316
to shoot in the whole movie.

1004
00:42:02,340 --> 00:42:05,736
It was awesome to be shooting
by firelight, obviously.

1005
00:42:05,760 --> 00:42:06,607
Yeah.

1006
00:42:06,631 --> 00:42:09,666
And everyone was
really far away.

1007
00:42:09,690 --> 00:42:12,336
And we also shot
it over two nights,

1008
00:42:12,360 --> 00:42:14,406
because the first
night we were shooting,

1009
00:42:14,430 --> 00:42:15,616
we had done a lot of it.

1010
00:42:15,640 --> 00:42:17,466
But then there was a sandstorm.

1011
00:42:17,490 --> 00:42:18,636
Yes, and rain.

1012
00:42:18,660 --> 00:42:20,046
So we had to cut bait.

1013
00:42:20,070 --> 00:42:21,186
And rain, that's right.

1014
00:42:21,210 --> 00:42:23,136
We were hiding under
a tarp for a while.

1015
00:42:23,160 --> 00:42:25,386
Yeah.

1016
00:42:25,410 --> 00:42:27,846
In the middle of the desert.

1017
00:42:27,870 --> 00:42:30,216
And then, we came
back and shot it

1018
00:42:30,240 --> 00:42:33,276
the night after, which was the
last night of shooting, right?

1019
00:42:33,300 --> 00:42:34,596
This is the last
thing we shot almost?

1020
00:42:34,620 --> 00:42:35,946
This is the last thing we shot.

1021
00:42:35,970 --> 00:42:38,456
Oh, my god.

1022
00:42:38,480 --> 00:42:40,406
This was so great.

1023
00:42:40,430 --> 00:42:42,356
It was good because we were
already kind of emotional

1024
00:42:42,380 --> 00:42:43,446
about the shoot ending.

1025
00:42:43,470 --> 00:42:45,716
And it was also great because
we had run this a ton,

1026
00:42:45,740 --> 00:42:47,156
so we really knew
the scene well.

1027
00:42:47,180 --> 00:42:50,246
And I think the second night,
we were able to really get loose

1028
00:42:50,270 --> 00:42:51,356
with it.

1029
00:42:51,380 --> 00:42:52,212
Yeah.

1030
00:42:52,236 --> 00:42:54,376
And take it down into the
old dirt, which was good.

1031
00:42:54,400 --> 00:42:55,177
Yeah.

1032
00:42:55,201 --> 00:42:57,206
I honestly can't remember.

1033
00:42:57,230 --> 00:42:59,436
We really knew who the
characters were by then.

1034
00:42:59,460 --> 00:43:00,237
Yeah!

1035
00:43:00,261 --> 00:43:04,636
And we were just sort of
like left to our own devices.

1036
00:43:04,660 --> 00:43:06,100
So that's a long time.

1037
00:43:14,980 --> 00:43:16,772
These are fantastic mushrooms.

1038
00:43:20,628 --> 00:43:23,496
Yeah.

1039
00:43:23,520 --> 00:43:26,436
Too bad we're doing them in
such a shit hole, though.

1040
00:43:26,460 --> 00:43:29,172
I am not a fan of
this magical desert.

1041
00:43:29,196 --> 00:43:32,076
Well, then I just
feel sorry for you.

1042
00:43:32,100 --> 00:43:33,226
Yeah?

1043
00:43:33,250 --> 00:43:34,027
Oh, wow.

1044
00:43:34,051 --> 00:43:36,546
And, you know, we
needed to make sure

1045
00:43:36,570 --> 00:43:39,366
that we got a bunch of pertinent
information across, but also

1046
00:43:39,390 --> 00:43:41,976
certain energy.

1047
00:43:42,000 --> 00:43:45,996
So we lost runs that were
a lot more philosophical.

1048
00:43:46,020 --> 00:43:47,766
It's the same way that
I would say that I

1049
00:43:47,790 --> 00:43:49,596
feel sorry that, you know‐‐

1050
00:43:49,620 --> 00:43:52,026
One of the things when I
signed on to this movie‐‐

1051
00:43:52,050 --> 00:43:54,096
that scene was like
one of the most‐‐

1052
00:43:54,120 --> 00:43:55,716
I didn't know how you
guys were gonna do it.

1053
00:43:55,740 --> 00:43:57,366
I didn't know, like, how
it was gonna be shot.

1054
00:43:57,390 --> 00:43:58,836
I didn't know what
the effects were.

1055
00:43:58,860 --> 00:44:01,296
But I remember reading
the script and being like,

1056
00:44:01,320 --> 00:44:06,186
oh, this is so beautiful
and strange that they

1057
00:44:06,210 --> 00:44:07,686
would see these dinosaurs.

1058
00:44:07,710 --> 00:44:11,676
And, like, it was one of
the things that made me‐‐

1059
00:44:11,700 --> 00:44:16,926
that solidified my decision to
be like yeah, I'm doing this.

1060
00:44:16,950 --> 00:44:19,956
Yeah, I also love it.

1061
00:44:19,980 --> 00:44:21,426
Obviously, that
whole scene builds

1062
00:44:21,450 --> 00:44:24,336
to them suddenly
seeing dinosaurs,

1063
00:44:24,360 --> 00:44:27,486
and it's indicative
of Siara's writing.

1064
00:44:27,510 --> 00:44:30,696
And it's part of what he does
that I love so much, where you

1065
00:44:30,720 --> 00:44:35,796
really feel it, and it's
intentionally ambiguous

1066
00:44:35,820 --> 00:44:38,166
because they're tripping.

1067
00:44:38,190 --> 00:44:41,316
It's so much more just about
their wavelength and the fact

1068
00:44:41,340 --> 00:44:43,626
that they're connecting
on this deeper level.

1069
00:44:43,650 --> 00:44:47,646
It really works both as a
magical fun thing to watch

1070
00:44:47,670 --> 00:44:51,186
and as a symbolic
moment and totem

1071
00:44:51,210 --> 00:44:53,596
of like what's happening between
the characters, which is just‐‐

1072
00:44:53,620 --> 00:44:54,397
Yeah.

1073
00:44:54,421 --> 00:44:57,396
‐‐very beautiful, I think.

1074
00:44:57,420 --> 00:45:02,246
You have two characters who
don't believe they could love

1075
00:45:02,270 --> 00:45:05,006
and who, more importantly,
don't believe they

1076
00:45:05,030 --> 00:45:07,236
are capable of being loved.

1077
00:45:07,260 --> 00:45:08,826
These things are impossible.

1078
00:45:08,850 --> 00:45:11,336
And in this moment,
maybe they're

1079
00:45:11,360 --> 00:45:13,106
crossing that threshold.

1080
00:45:13,130 --> 00:45:16,716
They are feeling something
that is impossible.

1081
00:45:16,740 --> 00:45:19,556
So therefore, I felt
like they should

1082
00:45:19,580 --> 00:45:23,156
see something that is
technically impossible to see,

1083
00:45:23,180 --> 00:45:24,491
which is dinosaurs.

1084
00:45:28,350 --> 00:45:29,150
Night.

1085
00:45:36,380 --> 00:45:38,456
It was always about‐‐ what was
really exciting was telling

1086
00:45:38,480 --> 00:45:41,096
this emotional story,
this love story

1087
00:45:41,120 --> 00:45:45,426
but between two people who had
kind of given up on themselves,

1088
00:45:45,450 --> 00:45:46,250
in a way.

1089
00:45:49,970 --> 00:45:54,136
There is purpose in caring.

1090
00:45:54,160 --> 00:45:56,306
In a meaningless world,
there is purpose in caring.

1091
00:45:56,330 --> 00:45:59,006
And you have to find
that, whatever that means.

1092
00:45:59,030 --> 00:46:00,836
And for these two
people, I think

1093
00:46:00,860 --> 00:46:02,036
it's kind of the
consistent thing

1094
00:46:02,060 --> 00:46:04,286
that we can all adhere to.

1095
00:46:04,310 --> 00:46:07,706
Love is the only kind
of transcendent truth,

1096
00:46:07,730 --> 00:46:09,656
in a meaningless world, that
cuts through everything‐‐

1097
00:46:09,680 --> 00:46:11,016
your connections with people.

1098
00:46:11,040 --> 00:46:14,876
So that's‐‐ that's
what it's about, to me.

1099
00:46:14,900 --> 00:46:20,936
Taking that profound
plunge into real commitment

1100
00:46:20,960 --> 00:46:22,836
is a beautiful thing.

1101
00:46:22,860 --> 00:46:24,776
It can be so transcendent.

1102
00:46:24,800 --> 00:46:26,636
That's what the movie
is about, to me.

1103
00:46:39,050 --> 00:46:40,436
Every wake‐up is
different emotionally,

1104
00:46:40,460 --> 00:46:43,826
so we want to visually reflect
that with camera height

1105
00:46:43,850 --> 00:46:46,106
and lens choice and movement.

1106
00:46:46,130 --> 00:46:48,896
It kind of became this
acting exercise, in a way,

1107
00:46:48,920 --> 00:46:52,136
to kind of know where
you were within the loop.

1108
00:46:52,160 --> 00:46:54,656
Dial it in emotionally
according to that.

1109
00:46:54,680 --> 00:46:57,026
They're just so talented
on a performance level

1110
00:46:57,050 --> 00:47:00,806
that you could really
tell them to do anything,

1111
00:47:00,830 --> 00:47:04,556
and they'll be able to get it.

1112
00:47:04,580 --> 00:47:06,656
That was another thing
in the script, when I

1113
00:47:06,680 --> 00:47:08,276
read it, that I really loved‐‐

1114
00:47:08,300 --> 00:47:13,286
that she has committed this
huge betrayal of her sister,

1115
00:47:13,310 --> 00:47:18,416
and it's such an awful thing
to do, but it's so human.

1116
00:47:18,440 --> 00:47:20,996
And you also understand
this person who's

1117
00:47:21,020 --> 00:47:25,946
filled with such self‐loathing
and sort of sabotages so much

1118
00:47:25,970 --> 00:47:28,616
in her life, she's like
torn apart by the fact

1119
00:47:28,640 --> 00:47:29,487
that she did that.

1120
00:47:29,511 --> 00:47:32,006
But she's not like
self‐aware, and she's

1121
00:47:32,030 --> 00:47:36,596
just sort of like at the
whim of her own pain.

1122
00:47:36,620 --> 00:47:38,996
Both of the two main
characters are flawed,

1123
00:47:39,020 --> 00:47:41,066
and we don't shy away from it.

1124
00:47:41,090 --> 00:47:42,626
This is such a
turning point for her,

1125
00:47:42,650 --> 00:47:47,216
because she realizes that she
has to repeat one of the worst

1126
00:47:47,240 --> 00:47:49,976
days of her life for infinity.

1127
00:47:50,000 --> 00:47:52,586
And actually, no
matter what, if she

1128
00:47:52,610 --> 00:47:55,286
has to keep waking up with
that same shame every single

1129
00:47:55,310 --> 00:47:57,426
morning, she's gonna go insane.

1130
00:47:57,450 --> 00:47:58,496
There's no running from it.

1131
00:47:58,520 --> 00:48:02,036
She's reached such a
breaking point that‐‐

1132
00:48:02,060 --> 00:48:05,726
yeah, she has sort of
veered into the more

1133
00:48:05,750 --> 00:48:07,346
Nyles territory,
where you find him

1134
00:48:07,370 --> 00:48:08,936
in the beginning of the movie‐‐

1135
00:48:08,960 --> 00:48:10,556
where she's
realizing that if she

1136
00:48:10,580 --> 00:48:13,946
has to relive this same
horrible event every day, then

1137
00:48:13,970 --> 00:48:14,996
what's the point of any of it?

1138
00:48:15,020 --> 00:48:17,996
Then, just chaos reigns,
and she's gonna cut

1139
00:48:18,020 --> 00:48:19,616
herself off from any caring.

1140
00:48:19,640 --> 00:48:23,246
Also, she's genuinely
has developed

1141
00:48:23,270 --> 00:48:24,926
an incredible
connection with Nyles,

1142
00:48:24,950 --> 00:48:26,816
and I think she's terrified.

1143
00:48:26,840 --> 00:48:28,796
It's definitely the
moment it flips.

1144
00:48:28,820 --> 00:48:31,596
He has completely given
himself over to it.

1145
00:48:31,620 --> 00:48:35,066
And now, after not caring about
anything for maybe hundreds

1146
00:48:35,090 --> 00:48:37,916
of years, really
cares about something

1147
00:48:37,940 --> 00:48:40,426
and immediately gets
slapped down for it.

1148
00:48:40,450 --> 00:48:42,266
Yeah, yeah.

1149
00:48:42,290 --> 00:48:45,716
For something having nothing
to do with him, but of course,

1150
00:48:45,740 --> 00:48:47,516
he doesn't understand.

1151
00:48:47,540 --> 00:48:53,056
For miles, right?

1152
00:48:53,080 --> 00:48:54,446
Do you wanna talk about it, or‐‐

1153
00:48:54,470 --> 00:48:55,247
The cop?

1154
00:48:55,271 --> 00:48:58,306
No, the fact that we
had sex last night.

1155
00:48:58,330 --> 00:49:00,796
You said we should have
sex, then we had sex.

1156
00:49:00,820 --> 00:49:04,166
What's there to talk about?

1157
00:49:04,190 --> 00:49:08,366
During the kind of long
development process‐‐

1158
00:49:08,390 --> 00:49:12,866
long writing of this movie
where I was trying to find it‐‐

1159
00:49:12,890 --> 00:49:17,736
I got married at a lovely
wedding in Palm Springs.

1160
00:49:17,760 --> 00:49:19,826
And I think it was this‐‐

1161
00:49:19,850 --> 00:49:22,346
and the world was
changing around this time,

1162
00:49:22,370 --> 00:49:23,426
too, drastically.

1163
00:49:23,450 --> 00:49:26,036
Like a big pivot
point in history.

1164
00:49:26,060 --> 00:49:31,166
And you know, 2015, 2016,
2017, when a lot of this

1165
00:49:31,190 --> 00:49:36,596
was constructed, it
was a kind of search

1166
00:49:36,620 --> 00:49:42,686
for meaning underneath all
of the noise of the world.

1167
00:49:42,710 --> 00:49:48,086
And finding‐‐ I don't know‐‐

1168
00:49:48,110 --> 00:49:56,336
joy and beauty and magic and
kind of the more mundane,

1169
00:49:56,360 --> 00:49:58,076
routine aspects of life.

1170
00:49:58,100 --> 00:50:01,816
He's trying to kill me!

1171
00:50:01,840 --> 00:50:04,391
He's trying to kill me‐‐

1172
00:50:04,415 --> 00:50:06,506
he's trying to kill me.

1173
00:50:06,530 --> 00:50:09,736
Sir, step out of the
vehicle with your hands up.

1174
00:50:09,760 --> 00:50:13,446
Thank you, thank you.

1175
00:50:13,470 --> 00:50:14,656
Is that‐‐

1176
00:50:14,680 --> 00:50:17,626
Sir, if you do not comply,
I'll have no choice

1177
00:50:17,650 --> 00:50:18,750
but to remove you by force.

1178
00:50:25,133 --> 00:50:26,040
Uh, OK!

1179
00:50:28,850 --> 00:50:30,050
I'm coming out!

1180
00:50:33,920 --> 00:50:35,876
Sorry about that, Mr. Policeman.

1181
00:50:35,900 --> 00:50:39,476
I thought you were someone else.

1182
00:50:39,500 --> 00:50:41,990
Should always go with that
first instinct, shit bird.

1183
00:50:45,760 --> 00:50:48,586
And obviously, throwing JK
into the mix at the end of this

1184
00:50:48,610 --> 00:50:50,086
was so much fun.

1185
00:50:50,110 --> 00:50:51,526
Yeah.

1186
00:50:51,550 --> 00:50:56,176
And we got incredible ad line‐‐

1187
00:50:56,200 --> 00:50:58,428
suck my dick, officer bitch.

1188
00:50:58,452 --> 00:51:00,916
You call for back up?

1189
00:51:00,940 --> 00:51:02,666
Dude, what the
fuck are you doing?

1190
00:51:02,690 --> 00:51:03,996
Oh, come on, relax.

1191
00:51:04,020 --> 00:51:05,506
I just‐‐ I just clipped him.

1192
00:51:05,530 --> 00:51:06,966
You did not just clip him!

1193
00:51:06,990 --> 00:51:08,446
Well, he's a fucking sadist!

1194
00:51:08,470 --> 00:51:09,549
I was just saving you.

1195
00:51:09,573 --> 00:51:10,416
You should be thanking me.

1196
00:51:10,440 --> 00:51:11,357
He was gonna kill you.

1197
00:51:11,381 --> 00:51:12,716
OK, well, no thank you.

1198
00:51:12,740 --> 00:51:13,517
Freeze!

1199
00:51:13,541 --> 00:51:14,686
Put your hands above your head.

1200
00:51:14,710 --> 00:51:16,316
Suck my dick, officer bitch.

1201
00:51:16,340 --> 00:51:17,117
There it is.

1202
00:51:17,141 --> 00:51:18,226
Leave us alone.

1203
00:51:18,250 --> 00:51:20,446
If I'm ever lucky enough
that someone makes

1204
00:51:20,470 --> 00:51:22,066
a montage of my
work, I would like

1205
00:51:22,090 --> 00:51:26,386
it to either begin or end with
suck my dick, officer bitch.

1206
00:51:26,410 --> 00:51:27,546
Or both!

1207
00:51:27,570 --> 00:51:28,686
Or both.
Bookend it.

1208
00:51:28,710 --> 00:51:29,487
Yeah.

1209
00:51:29,511 --> 00:51:30,766
Yeah.

1210
00:51:30,790 --> 00:51:37,426
This whole stretch from the
campfire scene through to them

1211
00:51:37,450 --> 00:51:39,496
on the side of the
road, arguing‐‐

1212
00:51:39,520 --> 00:51:42,736
I remember reading that
and like salivating

1213
00:51:42,760 --> 00:51:43,906
over getting to do that.

1214
00:51:43,930 --> 00:51:45,496
Nothing matters, right?

1215
00:51:45,520 --> 00:51:46,447
Those are your words.

1216
00:51:46,471 --> 00:51:47,516
No, pain matters.

1217
00:51:47,540 --> 00:51:49,426
What we do to other
people matters.

1218
00:51:49,450 --> 00:51:51,406
Being a source of
terror is not fun, OK?

1219
00:51:51,430 --> 00:51:52,456
It's not fulfilling.

1220
00:51:52,480 --> 00:51:54,496
I know this from experience.

1221
00:51:54,520 --> 00:51:58,906
Near the tail end of the shoot,
and aesthetically as the movie

1222
00:51:58,930 --> 00:52:00,226
went on, it was
always about going

1223
00:52:00,250 --> 00:52:02,686
like a little more hand‐held and
loose as they kind of broke out

1224
00:52:02,710 --> 00:52:06,946
of the monotony of their days
and connected with each other

1225
00:52:06,970 --> 00:52:08,836
and started getting
real with one another.

1226
00:52:08,860 --> 00:52:11,896
And that was fun to be out
in the desert, hand‐held,

1227
00:52:11,920 --> 00:52:14,626
kind of letting the
actors run around

1228
00:52:14,650 --> 00:52:15,766
and roam free a little bit.

1229
00:52:15,790 --> 00:52:19,216
And again, much like the
tooth break and the taser,

1230
00:52:19,240 --> 00:52:22,246
it's just one of those
things that both Andy

1231
00:52:22,270 --> 00:52:23,776
Siara and I just
find endlessly funny,

1232
00:52:23,800 --> 00:52:26,476
that kind of physical comedy.

1233
00:52:26,500 --> 00:52:28,336
And that's the Andy
Samberg special.

1234
00:52:28,360 --> 00:52:31,466
You know, I think he got that on
the first take, just, you know,

1235
00:52:31,490 --> 00:52:32,267
the shock.

1236
00:52:32,291 --> 00:52:34,726
Something that you clearly
know nothing about.

1237
00:52:34,750 --> 00:52:37,396
If I had known that I
was going to be stuck

1238
00:52:37,420 --> 00:52:41,866
with a pretentious sad boy
for the rest of eternity,

1239
00:52:41,890 --> 00:52:45,086
I would have stayed
so far away from you.

1240
00:52:45,110 --> 00:52:47,106
And I sure as hell would
never have fucked you.

1241
00:52:47,130 --> 00:52:52,028
Oh, please, you
fucked me 1,000 times.

1242
00:52:52,052 --> 00:52:52,852
What?

1243
00:53:00,150 --> 00:53:01,296
It's a look at marriage.

1244
00:53:01,320 --> 00:53:02,626
It's a look at commitment.

1245
00:53:02,650 --> 00:53:12,506
It's a look at how scary it is
to take a giant leap in life.

1246
00:53:12,530 --> 00:53:15,356
But to some people‐‐ not
to everyone‐‐ like taking

1247
00:53:15,380 --> 00:53:18,446
that leap can be a
profound experience.

1248
00:53:18,470 --> 00:53:22,976
And taking a major step‐‐

1249
00:53:23,000 --> 00:53:26,846
be it having a kid or getting
married or buying a house

1250
00:53:26,870 --> 00:53:30,176
or getting a new job‐‐ and how
these these moves can be scary,

1251
00:53:30,200 --> 00:53:35,196
but they also can
be rewarding, too.

1252
00:53:35,220 --> 00:53:37,580
So I didn't, OK?

1253
00:53:44,600 --> 00:53:48,216
I'm getting out of this day.

1254
00:53:48,240 --> 00:53:50,680
Look, Sarah‐‐ I'm sorry, OK?

1255
00:54:01,950 --> 00:54:04,376
Hey, Pia.

1256
00:54:04,400 --> 00:54:07,316
For some reason, I rolled
up one of my sleeves,

1257
00:54:07,340 --> 00:54:09,086
and then we couldn't
get out of it.

1258
00:54:09,110 --> 00:54:12,206
So that was a real lesson.

1259
00:54:12,230 --> 00:54:15,386
Shouldn't have done that.

1260
00:54:15,410 --> 00:54:17,756
But, you know, I was like
he was just waking up,

1261
00:54:17,780 --> 00:54:19,176
and his sleeve got
rolled up in his sleep.

1262
00:54:19,200 --> 00:54:19,976
I don't know.

1263
00:54:20,000 --> 00:54:20,960
It was a terrible choice.

1264
00:54:26,250 --> 00:54:30,006
So did anyone actually see
her sleep in there last night?

1265
00:54:30,030 --> 00:54:31,536
She wakes me up
every morning, guys,

1266
00:54:31,560 --> 00:54:32,526
so she's gotta be somewhere.

1267
00:54:32,550 --> 00:54:33,487
Nyles, what are you doing?

1268
00:54:33,511 --> 00:54:34,566
Sarah!

1269
00:54:34,590 --> 00:54:38,061
Come on out, come on out.

1270
00:54:38,085 --> 00:54:39,306
Wake up!

1271
00:54:39,330 --> 00:54:42,276
You know, these are just
kind of fun montage pops.

1272
00:54:42,300 --> 00:54:44,286
You know, we picked
them up at sort

1273
00:54:44,310 --> 00:54:47,716
of every location we went to so
we had stuff to throw in there.

1274
00:54:47,740 --> 00:54:49,986
I love this overhead
shot of the pool so much.

1275
00:54:50,010 --> 00:54:54,696
That's Max and Q really
killing it there.

1276
00:54:54,720 --> 00:54:55,836
Nice call back here.

1277
00:54:55,860 --> 00:54:59,496
You know we've learned
from the time loop formula

1278
00:54:59,520 --> 00:55:01,506
it's great to hit
the same moments

1279
00:55:01,530 --> 00:55:04,386
and change them as you go,
to signify time passing.

1280
00:55:04,410 --> 00:55:06,576
But you recognize them.

1281
00:55:06,600 --> 00:55:09,426
This is our awesome indie
film shot, making you know

1282
00:55:09,450 --> 00:55:12,174
that you're in an indie film.

1283
00:55:12,198 --> 00:55:14,286
Wake up!

1284
00:55:14,310 --> 00:55:15,277
This is all improvised.

1285
00:55:15,301 --> 00:55:17,946
We asked Conner to
throw some stuff at us,

1286
00:55:17,970 --> 00:55:20,946
and I found this kind of
late in the editing process.

1287
00:55:20,970 --> 00:55:22,966
And it got a great laugh
at the test screening,

1288
00:55:22,990 --> 00:55:24,696
so we were really
happy with that.

1289
00:55:24,720 --> 00:55:27,166
I don't feel safe anymore.

1290
00:55:27,190 --> 00:55:29,496
Yeah.

1291
00:55:29,520 --> 00:55:33,641
Just picking off shots
here, knocking them out.

1292
00:55:33,665 --> 00:55:35,286
Wake up!

1293
00:55:35,310 --> 00:55:37,536
Air Force Reserves, I
ate three whole pizzas.

1294
00:55:37,560 --> 00:55:38,886
Randy, you have
the best stories.

1295
00:55:38,910 --> 00:55:39,966
I know.

1296
00:55:39,990 --> 00:55:41,136
Hey!

1297
00:55:41,160 --> 00:55:43,086
Oh, my god!

1298
00:55:43,110 --> 00:55:44,970
The wedding guy's here!

1299
00:55:47,650 --> 00:55:48,426
I need a breather.

1300
00:55:48,450 --> 00:55:49,227
Can I‐‐

1301
00:55:49,251 --> 00:55:50,406
Oh, please, go for it.

1302
00:55:50,430 --> 00:55:52,536
I bought it for you, man.

1303
00:55:52,560 --> 00:55:54,120
Misty's boyfriend,
are you in on this?

1304
00:55:58,410 --> 00:55:59,187
That's a hard no.

1305
00:55:59,211 --> 00:56:00,686
OK, all right.

1306
00:56:00,710 --> 00:56:01,617
Don't mind if I do.

1307
00:56:01,641 --> 00:56:05,966
This is Nyles' big
realization, which

1308
00:56:05,990 --> 00:56:08,186
was an interesting thing to try
and play because the audience

1309
00:56:08,210 --> 00:56:09,216
already knows.

1310
00:56:09,240 --> 00:56:15,386
So we're trying to bring you
back into his POV a little bit.

1311
00:56:15,410 --> 00:56:19,196
Even gave it a little like
moment of discovery music cue,

1312
00:56:19,220 --> 00:56:22,436
that Akiva and other
people made fun of me

1313
00:56:22,460 --> 00:56:24,956
for liking because it was like
straight out of the "Goonies."

1314
00:56:24,980 --> 00:56:28,256
It's very Amblin, twinkly sound.

1315
00:56:28,280 --> 00:56:29,336
But I like it.

1316
00:56:29,360 --> 00:56:32,616
I thought it conveyed
what we needed.

1317
00:56:32,640 --> 00:56:37,406
And then, you know, this is the
big fight, big confrontation.

1318
00:56:37,430 --> 00:56:39,176
I have to say, every
time I watch this scene,

1319
00:56:39,200 --> 00:56:40,856
I just feel so
horrible for Tala.

1320
00:56:40,880 --> 00:56:42,806
Abraham boned each other.

1321
00:56:42,830 --> 00:56:45,116
She wakes up with
him every single day,

1322
00:56:45,140 --> 00:56:46,916
and then probably sneaks
out in the morning.

1323
00:56:46,940 --> 00:56:48,836
God, no wonder
she hates herself.

1324
00:56:48,860 --> 00:56:50,636
Here, smell this‐‐
from Abe's room.

1325
00:56:50,660 --> 00:56:51,446
Shut up and sit down.

1326
00:56:51,470 --> 00:56:52,247
You're drunk.

1327
00:56:52,271 --> 00:56:53,276
Nyles, what are you doing?

1328
00:56:53,300 --> 00:56:54,716
Just shut up and go fuck Trevor.

1329
00:56:54,740 --> 00:56:56,526
That isn't true, is it?

1330
00:56:56,550 --> 00:56:57,326
What?

1331
00:56:57,350 --> 00:56:58,127
No‐‐ no!

1332
00:56:58,151 --> 00:56:59,366
This guy's been drunk all day.

1333
00:56:59,390 --> 00:57:01,206
That may be accurate.

1334
00:57:01,230 --> 00:57:03,116
However, if you do
smell the pillow,

1335
00:57:03,140 --> 00:57:06,296
you will recognize the distinct
scent of Orchid Explosion

1336
00:57:06,320 --> 00:57:10,096
by Fournier, the hair mist you
got for Sarah on her birthday.

1337
00:57:10,120 --> 00:57:13,816
Does anyone else here wear
Orchid Explosion by Fournier?

1338
00:57:13,840 --> 00:57:15,706
Oh, my god.

1339
00:57:15,730 --> 00:57:17,328
I didn't think so.

1340
00:57:17,352 --> 00:57:19,306
Get the fuck out of here, OK?

1341
00:57:19,330 --> 00:57:20,806
Abe, let's take a walk.

1342
00:57:20,830 --> 00:57:22,293
You don't actually
believe this guy, do you?

1343
00:57:22,317 --> 00:57:24,226
You cheated on your fiancee
the night before your wedding?

1344
00:57:24,250 --> 00:57:26,836
It was awesome doing a
fight scene with Tyler

1345
00:57:26,860 --> 00:57:28,846
because he's done so much of it.

1346
00:57:28,870 --> 00:57:31,006
But also, we had
rad stunt guys doing

1347
00:57:31,030 --> 00:57:35,926
a bunch of the crazy stuff
and crashing through things.

1348
00:57:35,950 --> 00:57:39,106
The fork moment‐‐
when we first saw it,

1349
00:57:39,130 --> 00:57:41,596
we definitely were
all like yeah,

1350
00:57:41,620 --> 00:57:45,416
that's how we imagined it‐‐
super gnarly and, like,

1351
00:57:45,440 --> 00:57:46,217
you could be all‐‐

1352
00:57:46,241 --> 00:57:49,856
That
whole fight, I really enjoy.

1353
00:57:49,880 --> 00:57:50,656
It was fun.

1354
00:57:50,680 --> 00:57:51,466
Love it.

1355
00:57:51,490 --> 00:57:52,307
But the fork‐‐

1356
00:57:52,331 --> 00:57:54,546
He just got forked in the face.

1357
00:57:54,570 --> 00:57:57,976
It was a close up of
Tyler's face, fork in it‐‐

1358
00:57:58,000 --> 00:57:59,156
it was a shot that I designed.

1359
00:57:59,180 --> 00:58:01,426
We wanted it to be a
close up, so then you

1360
00:58:01,450 --> 00:58:04,906
could match cut back
to him the next scene

1361
00:58:04,930 --> 00:58:07,636
and the next shot when
everything would reset,

1362
00:58:07,660 --> 00:58:09,176
with his face all normal.

1363
00:58:09,200 --> 00:58:12,376
Maybe get a laugh across the
cut there, like Nyles can't even

1364
00:58:12,400 --> 00:58:16,096
win the fight that he wins.

1365
00:58:16,120 --> 00:58:18,376
Tala, you know that I'm
not great with words.

1366
00:58:18,400 --> 00:58:22,946
But I do love you
more than anything.

1367
00:58:22,970 --> 00:58:26,976
So we're going to perform a
number that I sung to Howard.

1368
00:58:27,000 --> 00:58:28,406
It was great.

1369
00:58:28,430 --> 00:58:29,596
I love that night.

1370
00:58:29,620 --> 00:58:32,216
I remember it very clearly,
because it became‐‐ it was very

1371
00:58:32,240 --> 00:58:33,986
stressful, but it
became very fun

1372
00:58:34,010 --> 00:58:35,636
when we were racing
to the finish line

1373
00:58:35,660 --> 00:58:36,986
and doing all this crazy stuff.

1374
00:58:37,010 --> 00:58:38,886
It felt like team
sports or something.

1375
00:58:38,910 --> 00:58:42,716
Everybody was on the same page
and hustling to get it done.

1376
00:58:42,740 --> 00:58:45,632
That pause softly on the meadow.

1377
00:58:49,750 --> 00:58:55,966
When Sarah goes missing,
or when she's gone,

1378
00:58:55,990 --> 00:59:00,316
I think what was really
important to us was that‐‐

1379
00:59:00,340 --> 00:59:01,420
at least in the writing of it‐‐

1380
00:59:04,790 --> 00:59:08,146
I wanted Nyles and
us as an audience

1381
00:59:08,170 --> 00:59:12,016
to maybe think for
a moment that she

1382
00:59:12,040 --> 00:59:17,726
actually did get out of the time
loop, that she found a way out.

1383
00:59:17,750 --> 00:59:22,156
And so, what would that be like?

1384
00:59:22,180 --> 00:59:24,946
If the person you
spent however much time

1385
00:59:24,970 --> 00:59:28,576
we believe they have spent
together up to that point,

1386
00:59:28,600 --> 00:59:32,176
and now all of a sudden,
this person that you got very

1387
00:59:32,200 --> 00:59:35,296
close to just leaves for good.

1388
00:59:35,320 --> 00:59:39,586
Where does that
send you spiraling?

1389
00:59:39,610 --> 00:59:43,126
And I think that was a big‐‐

1390
00:59:43,150 --> 00:59:44,606
we wanted to capture
that feeling.

1391
00:59:44,630 --> 00:59:45,407
I don't know if we did.

1392
00:59:45,431 --> 00:59:46,773
I don't know if it
was successful at all,

1393
00:59:46,797 --> 00:59:48,710
but we were aiming
for that feeling.

1394
00:59:51,700 --> 00:59:55,066
What that would have done
to Nyles right at the start

1395
00:59:55,090 --> 00:59:57,976
of the movie versus
where he is emotionally

1396
00:59:58,000 --> 00:59:59,236
at that point in
the movie‐‐ because

1397
00:59:59,260 --> 01:00:06,976
at that point in the movie,
we've now seen his more nothing

1398
01:00:07,000 --> 01:00:10,126
matters mindset be challenged.

1399
01:00:10,150 --> 01:00:12,706
And we start to see
him go the other way,

1400
01:00:12,730 --> 01:00:15,346
onto Sarah's side where
everything matters.

1401
01:00:15,370 --> 01:00:19,786
My nephew‐‐ thanks
for your concern.

1402
01:00:19,810 --> 01:00:21,106
You cannot be here.

1403
01:00:21,130 --> 01:00:21,987
Who is that man?

1404
01:00:22,011 --> 01:00:23,306
Fuck!
Oh!

1405
01:00:23,330 --> 01:00:24,107
Hey, hon.

1406
01:00:24,131 --> 01:00:25,432
This is‐‐

1407
01:00:25,456 --> 01:00:26,456
Nyles.

1408
01:00:26,480 --> 01:00:27,566
‐‐Nyles.

1409
01:00:27,590 --> 01:00:28,766
He's an old friend.

1410
01:00:28,790 --> 01:00:31,046
Tuna will be ready soon.

1411
01:00:31,070 --> 01:00:35,076
I am adopted and don't
really have a relationship

1412
01:00:35,100 --> 01:00:35,877
with my birth father.

1413
01:00:35,901 --> 01:00:39,326
But I met him one time,
and I was in his backyard.

1414
01:00:39,350 --> 01:00:43,286
And it was kind of a profound
moment and an emotional moment.

1415
01:00:43,310 --> 01:00:45,566
And I remember sitting there,
and he had a son who at that

1416
01:00:45,590 --> 01:00:47,666
time was about two years old‐‐

1417
01:00:47,690 --> 01:00:49,376
half brother, I guess, of mine.

1418
01:00:49,400 --> 01:00:51,926
And as I was having
this conversation

1419
01:00:51,950 --> 01:00:56,336
with my birth father, this
kid was out in the yard

1420
01:00:56,360 --> 01:00:58,541
just watering dog shit.

1421
01:00:58,565 --> 01:01:01,136
And I just remember
thinking, that's so funny.

1422
01:01:01,160 --> 01:01:02,626
He looked like I
did at that age.

1423
01:01:02,650 --> 01:01:03,926
He was just running
around with a hose,

1424
01:01:03,950 --> 01:01:05,686
just pointing dog shit
out and watering it.

1425
01:01:05,710 --> 01:01:08,036
And I just remember
thinking, this is surreal.

1426
01:01:08,060 --> 01:01:11,576
This is the stuff of life that
gets seared into your memory,

1427
01:01:11,600 --> 01:01:15,156
but also we need to use that
in something at some point.

1428
01:01:15,180 --> 01:01:16,586
So that's where that came from.

1429
01:01:16,610 --> 01:01:19,826
Little Joey is
watering dog shit.

1430
01:01:19,850 --> 01:01:24,586
It's weird, but it's beautiful.

1431
01:01:24,610 --> 01:01:26,446
One of the things that
I think everyone who

1432
01:01:26,470 --> 01:01:30,466
worked on it was drawn
to was the comedy

1433
01:01:30,490 --> 01:01:32,986
goes real big and real hard.

1434
01:01:33,010 --> 01:01:35,446
But it also doesn't
shy away from some

1435
01:01:35,470 --> 01:01:39,076
of the more philosophical
and emotional

1436
01:01:39,100 --> 01:01:40,255
conversations and moments.

1437
01:01:42,770 --> 01:01:44,846
One of the biggest,
and certainly

1438
01:01:44,870 --> 01:01:48,266
one of my personal favorites,
is this scene between Nyles

1439
01:01:48,290 --> 01:01:54,056
and Roy, where Roy sort
of talks about coming

1440
01:01:54,080 --> 01:01:55,466
to peace with his situation.

1441
01:01:55,490 --> 01:01:59,366
And it obviously all works as
a metaphor for what we're all

1442
01:01:59,390 --> 01:02:03,086
going through and what
to do with the time

1443
01:02:03,110 --> 01:02:04,676
that we're given in this life.

1444
01:02:04,700 --> 01:02:07,556
And at a certain point,
you gotta stop swimming

1445
01:02:07,580 --> 01:02:09,716
upstream and just
appreciate what you have

1446
01:02:09,740 --> 01:02:11,486
and really relish it.

1447
01:02:11,510 --> 01:02:14,176
And I don't know.

1448
01:02:14,200 --> 01:02:15,901
No one could have pulled
it off quite like JK.

1449
01:02:15,925 --> 01:02:17,926
I guess I had my
head up my own ass.

1450
01:02:17,950 --> 01:02:20,516
I mean, I didn't
really comprehend.

1451
01:02:20,540 --> 01:02:23,536
And so Roy really represents
one of those journeys.

1452
01:02:23,560 --> 01:02:26,416
He's completed a
version of this arc.

1453
01:02:26,440 --> 01:02:33,816
Roy discovers how to articulate
in his way that he has found,

1454
01:02:33,840 --> 01:02:36,756
you know, the kind of
beauty in the mundane,

1455
01:02:36,780 --> 01:02:38,196
in the routine of life.

1456
01:02:38,220 --> 01:02:42,186
And to him, where at one point
at the start of the movie,

1457
01:02:42,210 --> 01:02:44,436
when he first goes
to that wedding,

1458
01:02:44,460 --> 01:02:48,186
we see he used this
wedding as a way

1459
01:02:48,210 --> 01:02:50,856
to escape family
duties for the day.

1460
01:02:50,880 --> 01:02:53,116
He's like, I'm gonna go out to
this wedding in Palm Springs,

1461
01:02:53,140 --> 01:02:54,906
because I don't really
wanna be at home

1462
01:02:54,930 --> 01:02:57,036
with the family in Irvine.

1463
01:02:57,060 --> 01:03:00,516
And he has a long night
of partying with Nyles

1464
01:03:00,540 --> 01:03:04,266
because of this feeling.

1465
01:03:04,290 --> 01:03:06,456
Then, he gets pissed off
that he's been trapped

1466
01:03:06,480 --> 01:03:09,816
in this world with Nyles.

1467
01:03:09,840 --> 01:03:14,676
He goes through all of that
only to realize that by getting

1468
01:03:14,700 --> 01:03:17,693
trapped in here and
by living the same

1469
01:03:17,717 --> 01:03:19,026
day over and over
again‐‐ all the things

1470
01:03:19,050 --> 01:03:20,346
that he was running from‐‐

1471
01:03:20,370 --> 01:03:27,516
he realizes that he was
running based out of fear.

1472
01:03:27,540 --> 01:03:31,486
Well, at least you
have each other.

1473
01:03:31,510 --> 01:03:35,986
That Irvine scene was also
just incredible, to see

1474
01:03:36,010 --> 01:03:37,876
those two guys act together.

1475
01:03:37,900 --> 01:03:42,766
Andy Samberg‐‐ my favorite part
of his performance in the movie

1476
01:03:42,790 --> 01:03:44,926
comes in that Irvine scene.

1477
01:03:44,950 --> 01:03:47,366
We hold on it in the movie,
when he's kind of rejected.

1478
01:03:47,390 --> 01:03:50,561
He can't stay for dinner,
and he has to go back.

1479
01:03:50,585 --> 01:03:53,056
He's kind of getting
kicked out of Roy's house

1480
01:03:53,080 --> 01:03:54,616
because he's freaking
out his kids.

1481
01:03:54,640 --> 01:03:57,196
And Andy delivered
this expression

1482
01:03:57,220 --> 01:03:59,986
that was kind of every
single emotional shade

1483
01:04:00,010 --> 01:04:02,836
of the movie from,
you know, frustration

1484
01:04:02,860 --> 01:04:07,576
to sadness to
disbelief to regret.

1485
01:04:07,600 --> 01:04:09,966
And that was so fun to watch.

1486
01:04:09,990 --> 01:04:14,396
I mean, it was just
such a blast to make.

1487
01:04:14,420 --> 01:04:16,676
I think a lot of people
would choose an arrow

1488
01:04:16,700 --> 01:04:19,046
through the chest over
sitting through traffic

1489
01:04:19,070 --> 01:04:22,736
all the way home from Irvine.

1490
01:04:22,760 --> 01:04:24,836
When he first
pulled that bow back

1491
01:04:24,860 --> 01:04:27,356
and we're so close together,
everyone just started laughing.

1492
01:04:27,380 --> 01:04:29,396
It was like, oh,
yeah, this is working.

1493
01:04:29,420 --> 01:04:30,971
This is why we're making this.

1494
01:04:30,995 --> 01:04:34,616
I'm getting out of this day.

1495
01:04:34,640 --> 01:04:37,556
Look, Sarah‐‐ I'm sorry, OK?

1496
01:04:37,580 --> 01:04:39,906
Sarah, Sarah!

1497
01:04:39,930 --> 01:04:41,916
It's gonna be a
beautiful wedding.

1498
01:04:41,940 --> 01:04:45,816
Fun little tidbit‐‐
the moment where Abe‐‐

1499
01:04:45,840 --> 01:04:50,616
Tyler, who we love‐‐ comes
in shirtless, in some

1500
01:04:50,640 --> 01:04:54,276
of the early screenings we did
to sort of test the movie out,

1501
01:04:54,300 --> 01:04:59,046
his body was so incredibly,
beautifully ripped

1502
01:04:59,070 --> 01:05:01,036
that it was distracting people.

1503
01:05:01,060 --> 01:05:02,136
I didn't know that.

1504
01:05:02,160 --> 01:05:03,097
So we actually had to‐‐

1505
01:05:03,121 --> 01:05:04,986
we knocked it down
in the color correct

1506
01:05:05,010 --> 01:05:06,786
so it wouldn't be
pulling focus so much

1507
01:05:06,810 --> 01:05:09,386
from the drama of the scene.

1508
01:05:09,410 --> 01:05:10,806
Did that happen
in the scene when

1509
01:05:10,830 --> 01:05:12,386
I had to take my shirt off?

1510
01:05:12,410 --> 01:05:13,187
Just curious.

1511
01:05:13,211 --> 01:05:14,466
Uh‐huh!

1512
01:05:14,490 --> 01:05:15,266
Yep.

1513
01:05:15,290 --> 01:05:16,127
Yeah, I figured.

1514
01:06:04,900 --> 01:06:07,289
There's only one possible
future given the laws of our‐‐

1515
01:06:07,313 --> 01:06:08,157
Yeah, but it would allow‐‐

1516
01:06:08,181 --> 01:06:11,206
We had the goat on
set a couple of days.

1517
01:06:11,230 --> 01:06:14,836
But seeing Cristin,
I just remember

1518
01:06:14,860 --> 01:06:17,566
lining up the shot
when she was bringing

1519
01:06:17,590 --> 01:06:19,756
the goat into the cave.

1520
01:06:19,780 --> 01:06:22,666
And just‐‐ it was one of
those casual moments on set

1521
01:06:22,690 --> 01:06:24,496
when you're not
rolling or anything,

1522
01:06:24,520 --> 01:06:25,936
but people are just
kind of standing by.

1523
01:06:25,960 --> 01:06:28,846
And I just remember looking
over and seeing Milioti just

1524
01:06:28,870 --> 01:06:32,246
with this goat, talking to
the goat, getting acquainted

1525
01:06:32,270 --> 01:06:33,047
with the goat.

1526
01:06:33,071 --> 01:06:35,446
And again, it was what I
was mentioning earlier.

1527
01:06:35,470 --> 01:06:38,236
It's like, oh, this is the
chance to be really special.

1528
01:06:38,260 --> 01:06:39,976
We're doing so much weird shit.

1529
01:06:41,920 --> 01:06:42,892
Wake up.

1530
01:06:51,326 --> 01:06:52,126
Hey.

1531
01:06:55,540 --> 01:06:56,447
You're here.

1532
01:06:56,471 --> 01:06:59,271
Yep.

1533
01:06:59,295 --> 01:07:02,236
Wow.

1534
01:07:02,260 --> 01:07:03,256
It's good to see you.

1535
01:07:03,280 --> 01:07:04,886
You look‐‐ you look great.

1536
01:07:04,910 --> 01:07:08,776
Yeah, well, can't age.

1537
01:07:08,800 --> 01:07:10,276
Right.

1538
01:07:10,300 --> 01:07:11,087
Let me in, Sarah!

1539
01:07:11,111 --> 01:07:13,756
You can't lock me
out of my own room.

1540
01:07:13,780 --> 01:07:15,556
Nyles!

1541
01:07:15,580 --> 01:07:17,806
Ugh!

1542
01:07:17,830 --> 01:07:18,797
So how have you been?

1543
01:07:18,821 --> 01:07:21,136
Oh, so bad.

1544
01:07:21,160 --> 01:07:24,836
I mean‐‐ no, yeah.

1545
01:07:24,860 --> 01:07:26,226
Really, really bad.

1546
01:07:26,250 --> 01:07:28,496
But can I just say something?

1547
01:07:28,520 --> 01:07:30,866
The journey of this
movie has been‐‐

1548
01:07:30,890 --> 01:07:36,506
I don't know‐‐ a long,
joy‐filled experience that,

1549
01:07:36,530 --> 01:07:40,196
from the beginning, Max
and I, the director and I

1550
01:07:40,220 --> 01:07:44,246
first headed out to Palm
Springs to talk about this back

1551
01:07:44,270 --> 01:07:46,836
in summer of 2015.

1552
01:07:46,860 --> 01:07:50,126
You live with a script
or an idea for so long,

1553
01:07:50,150 --> 01:07:51,549
and you just hope
you get to make it.

1554
01:07:51,573 --> 01:07:52,916
And you hope when you
make it that people

1555
01:07:52,940 --> 01:07:54,756
are gonna come on board
and make it even better.

1556
01:07:54,780 --> 01:07:58,436
And that's what we were
lucky enough to get.

1557
01:07:58,460 --> 01:08:02,316
The movie doesn't work
without Nyles and Sarah‐‐

1558
01:08:02,340 --> 01:08:05,186
you really believing that
they could fall in love,

1559
01:08:05,210 --> 01:08:08,226
but also that there's just
comedic chemistry there.

1560
01:08:08,250 --> 01:08:12,296
And it needed to feel
electric, and Andy

1561
01:08:12,320 --> 01:08:15,476
and Cristin had that in spades.

1562
01:08:15,500 --> 01:08:16,317
It was incredible.

1563
01:08:16,341 --> 01:08:19,826
I remember the first time
that we all sat together,

1564
01:08:19,850 --> 01:08:23,726
Becky Sloviter, our amazing
producer, and Andy, Cristin,

1565
01:08:23,750 --> 01:08:25,795
and me‐‐ just when
Cristin was in town

1566
01:08:25,819 --> 01:08:28,526
and we were all kind
of meeting before, we

1567
01:08:28,550 --> 01:08:29,795
would start prepping stuff.

1568
01:08:29,819 --> 01:08:32,335
And I remember Becky
and I just sat there,

1569
01:08:32,359 --> 01:08:34,165
and Andy and Cristin
talked for like two hours.

1570
01:08:34,189 --> 01:08:36,205
You couldn't get a word in,
because they just‐‐ you know,

1571
01:08:36,229 --> 01:08:38,125
they were so on
the same wavelength

1572
01:08:38,149 --> 01:08:42,056
in terms of creativity
and taste in music

1573
01:08:42,080 --> 01:08:44,455
and film and life stuff.

1574
01:08:44,479 --> 01:08:47,036
And I think that really
carries over into the movie.

1575
01:08:47,060 --> 01:08:49,526
It just was super special.

1576
01:08:49,550 --> 01:08:50,487
Do we, though?

1577
01:08:50,511 --> 01:08:52,766
I mean, I don't want
you to set yourself

1578
01:08:52,790 --> 01:08:54,096
up for disappointment again.

1579
01:08:54,120 --> 01:08:55,886
Remember the whole karma thing?

1580
01:08:55,910 --> 01:08:57,625
This is different.

1581
01:08:57,649 --> 01:08:59,306
I tested it.

1582
01:08:59,330 --> 01:09:01,016
Tested it how?

1583
01:09:01,040 --> 01:09:02,246
Spuds' goat.

1584
01:09:02,270 --> 01:09:04,915
I sent her into the
cave, and I blew her up.

1585
01:09:04,939 --> 01:09:07,585
I don't know where she went,
but she's not here anymore.

1586
01:09:07,609 --> 01:09:08,517
Can you zip me up?

1587
01:09:08,541 --> 01:09:10,661
Wait, the goat is gone?

1588
01:09:10,685 --> 01:09:11,966
Mm‐hmm.

1589
01:09:11,990 --> 01:09:13,526
It's crazy, right?

1590
01:09:13,550 --> 01:09:15,806
So I think that we just get
through the rest of today,

1591
01:09:15,830 --> 01:09:17,125
we don't do anything too nuts.

1592
01:09:17,149 --> 01:09:20,676
And then tonight, we peace the
fuck out of this shit hole.

1593
01:09:20,700 --> 01:09:25,146
Well, I mean‐‐ you sure
you don't wanna run

1594
01:09:25,170 --> 01:09:26,121
some more tests or something?

1595
01:09:26,145 --> 01:09:26,922
What?

1596
01:09:26,946 --> 01:09:27,954
No, what are you talking about?

1597
01:09:27,978 --> 01:09:29,466
Well, just, the cave's
not going anywhere.

1598
01:09:29,490 --> 01:09:30,376
What's the big rush?

1599
01:09:30,400 --> 01:09:35,410
You know, in case something
actually does happen.

1600
01:09:35,434 --> 01:09:37,776
Holy shit.

1601
01:09:37,800 --> 01:09:38,655
Are you scared to leave?

1602
01:09:38,679 --> 01:09:39,456
What?

1603
01:09:39,480 --> 01:09:43,116
No, not at all.

1604
01:09:43,140 --> 01:09:45,420
I just don't want to leave.

1605
01:09:45,444 --> 01:09:46,906
There's a difference.
Oh, yeah?

1606
01:09:46,930 --> 01:09:47,767
What's the difference.

1607
01:09:47,791 --> 01:09:50,896
I wanna stay with you.

1608
01:09:50,920 --> 01:09:53,186
Look, I love you, OK?

1609
01:09:53,210 --> 01:09:54,010
How about that?

1610
01:09:56,746 --> 01:09:57,986
What?

1611
01:09:58,010 --> 01:09:58,810
I love you.

1612
01:10:01,880 --> 01:10:06,266
You‐‐ how can you
even know that?

1613
01:10:06,290 --> 01:10:07,976
I am literally the
only other human

1614
01:10:08,000 --> 01:10:09,396
being stuck in here with you.
No.

1615
01:10:09,420 --> 01:10:10,196
What about Roy?

1616
01:10:10,220 --> 01:10:10,997
I don't love him.

1617
01:10:11,021 --> 01:10:12,926
Oh, my god, Nyles.

1618
01:10:12,950 --> 01:10:17,336
So you are saying that out
there in the real world,

1619
01:10:17,360 --> 01:10:19,076
with the millions of other
people to choose from,

1620
01:10:19,100 --> 01:10:20,496
you would still choose me?

1621
01:10:20,520 --> 01:10:21,297
Yeah.

1622
01:10:21,321 --> 01:10:24,056
But why would I want to go
back there anyway, you know?

1623
01:10:24,080 --> 01:10:26,366
It's a world of death and
poverty and debilitating

1624
01:10:26,390 --> 01:10:27,806
emotional distress.

1625
01:10:27,830 --> 01:10:30,506
At least in here, we
get to be together.

1626
01:10:30,530 --> 01:10:32,836
You have lost your mind.

1627
01:10:32,860 --> 01:10:34,006
Is that so bad?

1628
01:10:34,030 --> 01:10:36,076
That's what love is all about.

1629
01:10:36,100 --> 01:10:37,336
Don't be so afraid of it.

1630
01:10:37,360 --> 01:10:38,746
This isn't real.

1631
01:10:38,770 --> 01:10:40,726
Nyles, everything that
we are doing in here

1632
01:10:40,750 --> 01:10:41,986
is fucking meaningless.

1633
01:10:42,010 --> 01:10:43,419
So what?

1634
01:10:43,443 --> 01:10:45,286
I mean, it's not like things
were going so great for you

1635
01:10:45,310 --> 01:10:47,846
out there.

1636
01:10:47,870 --> 01:10:51,416
Look, I know about
you and Abe, OK?

1637
01:10:51,440 --> 01:10:54,116
And if your plan works,
that's a whole other mess

1638
01:10:54,140 --> 01:10:55,766
you're gonna have to deal with.

1639
01:10:55,790 --> 01:10:59,546
How do you know about that?

1640
01:10:59,570 --> 01:11:04,766
Orchid Explosion by Fournier,
but it doesn't matter.

1641
01:11:04,790 --> 01:11:05,926
I don't care about that stuff.

1642
01:11:05,950 --> 01:11:09,686
That's like my whole thing.

1643
01:11:09,710 --> 01:11:11,196
I can't keep waking up in there.

1644
01:11:11,220 --> 01:11:13,136
Just ignore it.

1645
01:11:13,160 --> 01:11:16,836
I need my life back.

1646
01:11:16,860 --> 01:11:22,026
And I am asking you if you
want to leave this place

1647
01:11:22,050 --> 01:11:23,506
and come with me.

1648
01:11:23,530 --> 01:11:28,556
And I'm saying no, but I'm
also asking you to stay.

1649
01:11:28,580 --> 01:11:33,896
You know, the whole thing was
just kind of a treat to make.

1650
01:11:33,920 --> 01:11:36,806
It was that rare
instance of everyone

1651
01:11:36,830 --> 01:11:39,776
truly loving and
believing in the material.

1652
01:11:39,800 --> 01:11:41,516
No one was there doing
it for the paycheck.

1653
01:11:41,540 --> 01:11:45,990
It was all just for the love
and, dare I say, for the art.

1654
01:11:46,014 --> 01:11:47,008
Sarah‐‐

1655
01:11:53,980 --> 01:11:55,500
Nyles, what the fuck was that?

1656
01:11:58,600 --> 01:12:00,736
We should break up.

1657
01:12:00,760 --> 01:12:01,536
What?

1658
01:12:01,560 --> 01:12:02,407
You don't like me.

1659
01:12:02,431 --> 01:12:06,106
I don't like you, but I don't
think we should break up.

1660
01:12:06,130 --> 01:12:06,907
What?

1661
01:12:06,931 --> 01:12:09,096
People don't break up with me.

1662
01:12:09,120 --> 01:12:10,576
This is so fucked up.

1663
01:12:10,600 --> 01:12:11,377
OK.

1664
01:12:11,401 --> 01:12:12,756
I'm breaking up with you!

1665
01:12:12,780 --> 01:12:15,118
I had the idea first!

1666
01:12:15,142 --> 01:12:22,746
The blind may see,
but stay behind the reeds

1667
01:12:22,770 --> 01:12:26,690
of all liability.

1668
01:12:29,630 --> 01:12:34,206
And there's nothing
more you need.

1669
01:12:34,230 --> 01:12:35,007
Thank you.

1670
01:12:35,031 --> 01:12:36,836
You have beautiful skin.

1671
01:12:36,860 --> 01:12:37,976
I love your haircut.

1672
01:12:38,000 --> 01:12:39,446
Me, too.

1673
01:12:39,470 --> 01:12:41,066
Without further
ado, let me bring

1674
01:12:41,090 --> 01:12:46,946
up the actual maid of honor, the
big sister of the bride, Sarah.

1675
01:12:46,970 --> 01:12:48,296
Good luck, girl.

1676
01:12:48,320 --> 01:12:51,116
Thank you, Misty.

1677
01:12:51,140 --> 01:12:54,866
When I was 12, I had just
started at this new school.

1678
01:12:54,890 --> 01:12:57,236
And I was truly
terrified of the world,

1679
01:12:57,260 --> 01:13:02,306
and I kept having these
really awful nightmares.

1680
01:13:02,330 --> 01:13:05,936
And then one morning, I woke
up after a full night of sleep.

1681
01:13:05,960 --> 01:13:13,296
And I find Tala asleep
next to me, holding me.

1682
01:13:13,320 --> 01:13:14,946
She'd heard me
crying in my sleep,

1683
01:13:14,970 --> 01:13:20,346
and she crawled into my bed
to snuggle me because she

1684
01:13:20,370 --> 01:13:21,287
thought that might help.

1685
01:13:21,311 --> 01:13:23,886
And she was like five years old.

1686
01:13:23,910 --> 01:13:28,056
Yeah, I think that she's
finally accepted herself.

1687
01:13:28,080 --> 01:13:31,116
And also, I think knowing that
this is like maybe the last

1688
01:13:31,140 --> 01:13:33,636
time she's ever gonna
see her family possibly‐‐

1689
01:13:33,660 --> 01:13:36,426
because she doesn't know
what's gonna happen‐‐

1690
01:13:36,450 --> 01:13:40,806
that she's able to like release
and give her sister the wedding

1691
01:13:40,830 --> 01:13:42,446
that she should have given her.

1692
01:13:42,470 --> 01:13:44,056
Yep.

1693
01:13:44,080 --> 01:13:47,666
And the speech that she
should have given her.

1694
01:13:47,690 --> 01:13:49,916
Big sisters are supposed
to teach baby sisters,

1695
01:13:49,940 --> 01:13:54,866
but I will today and forever‐‐

1696
01:13:54,890 --> 01:14:01,106
and ever, ever‐‐ be
learning from you.

1697
01:14:01,130 --> 01:14:02,166
Four nights?

1698
01:14:02,190 --> 01:14:03,356
That sounds right.
Is that right?

1699
01:14:03,380 --> 01:14:04,856
Three to four nights of
shooting the wedding,

1700
01:14:04,880 --> 01:14:06,956
all of the wedding stuff.

1701
01:14:06,980 --> 01:14:11,972
Can't stress how
much we were rushing.

1702
01:14:11,996 --> 01:14:16,226
We had a real breakneck
pace on this thing.

1703
01:14:16,250 --> 01:14:18,386
Every scene at the
wedding was like, I think,

1704
01:14:18,410 --> 01:14:21,026
two takes except for the
dancing, which was five.

1705
01:14:21,050 --> 01:14:22,406
By the way, I think
that's also maybe

1706
01:14:22,430 --> 01:14:26,216
why we haven't busted out any
bloopers yet, because we're

1707
01:14:26,240 --> 01:14:27,740
using like every shot frame.

1708
01:14:30,120 --> 01:14:30,897
Right.

1709
01:14:30,921 --> 01:14:32,726
Many, many things
re‐appropriated

1710
01:14:32,750 --> 01:14:34,796
to fit different scenes
they weren't meant for

1711
01:14:34,820 --> 01:14:38,270
and reaction shots from
totally different scenes.

1712
01:14:41,981 --> 01:14:43,375
I love you.

1713
01:14:43,399 --> 01:14:44,896
I love you, too.

1714
01:14:48,890 --> 01:14:50,196
So hopefully, you get this.

1715
01:14:50,220 --> 01:14:52,976
And sorry about that, again.

1716
01:14:53,000 --> 01:14:57,265
And I hope to see you soon.

1717
01:14:57,289 --> 01:14:59,536
OK.

1718
01:14:59,560 --> 01:15:01,636
That was a lovely speech.

1719
01:15:01,660 --> 01:15:04,246
So a lot of questions
about this scene.

1720
01:15:04,270 --> 01:15:06,586
A lot of people want
to know if Nana knows.

1721
01:15:06,610 --> 01:15:08,116
Does she know about the loop?

1722
01:15:08,140 --> 01:15:12,356
Is she just kind of sensing
that something's up?

1723
01:15:12,380 --> 01:15:14,056
I don't want to
answer what I think.

1724
01:15:14,080 --> 01:15:17,456
Because, as you know from when
we did press together for this,

1725
01:15:17,480 --> 01:15:19,456
I don't like answering
any of these things

1726
01:15:19,480 --> 01:15:22,786
because I think that's what
makes the movie so great.

1727
01:15:22,810 --> 01:15:24,176
No one knows.

1728
01:15:24,200 --> 01:15:24,977
Yes.

1729
01:15:25,001 --> 01:15:26,566
I have my own opinion about it.

1730
01:15:26,590 --> 01:15:27,435
That's for me.

1731
01:15:29,980 --> 01:15:32,386
I don't even tell
Andy what I think.

1732
01:15:32,410 --> 01:15:34,576
The truth is‐‐ and
I know this is not

1733
01:15:34,600 --> 01:15:36,016
necessarily what
people want‐‐ but I

1734
01:15:36,040 --> 01:15:38,386
think maybe deep down it is.

1735
01:15:38,410 --> 01:15:41,536
There's no definitive answer
to a lot of these questions,

1736
01:15:41,560 --> 01:15:43,426
because a lot of
different people

1737
01:15:43,450 --> 01:15:46,876
working on the movie
in a creative capacity

1738
01:15:46,900 --> 01:15:48,326
think different things.

1739
01:15:48,350 --> 01:15:51,346
So it actually is
meant to be what

1740
01:15:51,370 --> 01:15:52,996
you think it is, is what it is.

1741
01:15:53,020 --> 01:15:56,206
And that's the correct answer.

1742
01:15:56,230 --> 01:15:58,306
Up for interpretation, Thomas.

1743
01:15:58,330 --> 01:15:59,926
Yes.

1744
01:15:59,950 --> 01:16:00,780
Oh, Thomas.

1745
01:16:18,050 --> 01:16:18,977
Love the song.

1746
01:16:19,001 --> 01:16:22,846
This was your pitch,
using this song.

1747
01:16:22,870 --> 01:16:26,146
When we were driving
to Joshua Tree

1748
01:16:26,170 --> 01:16:29,476
one day to shoot in
the car‐‐ me, you,

1749
01:16:29,500 --> 01:16:31,906
and our wonderful
producer Becky Sloviter‐‐

1750
01:16:31,930 --> 01:16:34,066
and you said there was
a moment in the script

1751
01:16:34,090 --> 01:16:38,173
you always imagined
this song was playing.

1752
01:16:38,197 --> 01:16:39,706
That's right‐‐ Leonard
Cohen's "The Partisan."

1753
01:16:39,730 --> 01:16:40,507
Yes.

1754
01:16:40,531 --> 01:16:42,826
And it was actually the
scene right after this scene.

1755
01:16:42,850 --> 01:16:46,036
And we tried it there, but
then we reshuffled it and ended

1756
01:16:46,060 --> 01:16:47,316
up using it inside the bar.

1757
01:16:47,340 --> 01:16:48,287
It works beautifully.

1758
01:16:48,311 --> 01:16:49,672
So thank you.

1759
01:17:02,464 --> 01:17:03,940
No‐‐ no!

1760
01:17:06,892 --> 01:17:09,844
Dammit!

1761
01:17:12,150 --> 01:17:12,927
What?

1762
01:17:12,951 --> 01:17:14,406
Don't shoot, don't shoot!

1763
01:17:14,430 --> 01:17:15,986
It's fun seeing‐‐

1764
01:17:16,010 --> 01:17:21,066
I love‐‐ this was always,
always a part of the script.

1765
01:17:21,090 --> 01:17:23,036
There's actually‐‐ yeah, some
people have been like, wait,

1766
01:17:23,060 --> 01:17:23,937
what's the deal with Spuds?

1767
01:17:23,961 --> 01:17:25,246
Is he really his dad?

1768
01:17:25,270 --> 01:17:27,326
And I'm always confused.

1769
01:17:27,350 --> 01:17:30,566
It's just, Nyles knows
everything about Spuds,

1770
01:17:30,590 --> 01:17:34,046
so he tricks them in this
moment into giving him a ride.

1771
01:17:34,070 --> 01:17:37,046
So, sorry to anyone who wanted
that to be a real thing,

1772
01:17:37,070 --> 01:17:38,638
that Spuds was Nyles' dad.

1773
01:17:46,934 --> 01:17:48,862
Sarah!

1774
01:17:48,886 --> 01:17:53,246
Sarah, wait‐‐ wait!

1775
01:17:53,270 --> 01:17:54,366
I get it now.

1776
01:17:54,390 --> 01:17:55,297
You were right.

1777
01:17:55,321 --> 01:17:57,396
I was scared.

1778
01:17:57,420 --> 01:17:59,136
But I'm not anymore.

1779
01:17:59,160 --> 01:18:02,436
Look, Sarah‐‐ from the
first time that I saw you‐‐

1780
01:18:02,460 --> 01:18:03,306
No, stop.

1781
01:18:03,330 --> 01:18:04,117
Stop it.

1782
01:18:04,141 --> 01:18:07,740
Nyles, I don't want another one
of your speeches, all right?

1783
01:18:16,470 --> 01:18:17,976
You get one more sentence.

1784
01:18:18,000 --> 01:18:21,046
OK, OK.

1785
01:18:21,070 --> 01:18:24,586
Even though I pretend not
to be, I've realized that I

1786
01:18:24,610 --> 01:18:26,716
am completely codependent.

1787
01:18:26,740 --> 01:18:29,596
But I'm cool with
it, because I think

1788
01:18:29,620 --> 01:18:31,736
that life should be shared now.

1789
01:18:31,760 --> 01:18:35,779
And I need you to survive.

1790
01:18:35,803 --> 01:18:38,096
OK, that's your one sentence.

1791
01:18:38,120 --> 01:18:41,166
I need you to survive,
comma, but it's

1792
01:18:41,190 --> 01:18:42,846
so much more than that.

1793
01:18:42,870 --> 01:18:48,446
Colon‐‐ I know you better
than anyone knows you.

1794
01:18:48,470 --> 01:18:51,476
And remember that night
when we saw the dinosaurs?

1795
01:18:51,500 --> 01:18:52,736
You said it yourself.

1796
01:18:52,760 --> 01:18:55,586
I just like that this was‐‐

1797
01:18:55,610 --> 01:18:58,616
this scene was always
really true to who she was,

1798
01:18:58,640 --> 01:19:00,566
that she doesn't become
like a completely different

1799
01:19:00,590 --> 01:19:03,596
person after this connection.

1800
01:19:03,620 --> 01:19:06,506
She still is able‐‐ she still
expresses love in the way

1801
01:19:06,530 --> 01:19:08,696
that Sarah expresses
love, which is,

1802
01:19:08,720 --> 01:19:11,816
I think, through a series of‐‐

1803
01:19:11,840 --> 01:19:14,736
I don't think she's very
comfortable being vulnerable.

1804
01:19:14,760 --> 01:19:19,926
And, you know, that's one of the
things that ties them together.

1805
01:19:19,950 --> 01:19:21,896
But I like that there
wasn't suddenly a shift,

1806
01:19:21,920 --> 01:19:23,066
and she was like, oh, my god.

1807
01:19:23,090 --> 01:19:24,386
You're right‐‐ I love you!

1808
01:19:24,410 --> 01:19:26,366
Like it was just like,
all right come on.

1809
01:19:26,390 --> 01:19:29,466
The challenge of it was
making it feel like a payoff,

1810
01:19:29,490 --> 01:19:31,436
and like you were
rooting for them

1811
01:19:31,460 --> 01:19:34,196
and seeing that they really
cared about each other

1812
01:19:34,220 --> 01:19:36,416
without betraying who
we were telling you

1813
01:19:36,440 --> 01:19:39,696
they were the whole time.

1814
01:19:39,720 --> 01:19:41,326
Exactly.
It's very true to who they are.

1815
01:19:41,350 --> 01:19:43,226
Tried to undercut it a bunch
of times with little details

1816
01:19:43,250 --> 01:19:48,536
and not having her be like you
said, just fully giving it up.

1817
01:19:48,560 --> 01:19:49,799
It's a rom‐com!

1818
01:19:49,823 --> 01:19:51,566
I'm hoping it didn't distract
from my point too much.

1819
01:19:51,590 --> 01:19:53,036
I mean, an emphatic
period is just‐‐

1820
01:19:53,060 --> 01:19:54,186
it's an exclamation point.

1821
01:19:54,210 --> 01:19:55,524
I didn't want to seem desperate.

1822
01:19:59,880 --> 01:20:02,986
What if we get
sick of each other?

1823
01:20:03,010 --> 01:20:06,221
We're already sick
of each other.

1824
01:20:06,245 --> 01:20:07,045
It's the best.

1825
01:20:12,440 --> 01:20:14,810
I can survive just fine
without you, you know?

1826
01:20:18,330 --> 01:20:22,286
But there is a chance that
this life can be a little

1827
01:20:22,310 --> 01:20:26,246
less mundane with you in it.

1828
01:20:26,270 --> 01:20:29,516
Yeah, less mundane.

1829
01:20:29,540 --> 01:20:30,427
That's super low bar.

1830
01:20:30,451 --> 01:20:31,610
That's a great place to start.

1831
01:20:36,450 --> 01:20:38,046
OK.

1832
01:20:38,070 --> 01:20:38,870
OK.

1833
01:20:41,774 --> 01:20:43,216
Come on.

1834
01:20:43,240 --> 01:20:46,442
Let's see if we blow up and die.

1835
01:20:46,466 --> 01:20:47,424
OK.

1836
01:20:51,240 --> 01:20:55,316
So is the whole go
disappearing thing for real?

1837
01:20:55,340 --> 01:20:57,416
Oh, Kate Bush.

1838
01:20:57,440 --> 01:20:59,166
This‐‐ oh, yeah.

1839
01:20:59,190 --> 01:20:59,967
This is your idea?

1840
01:20:59,991 --> 01:21:01,921
The first meeting I ever
had with Max and Andy,

1841
01:21:01,945 --> 01:21:04,556
I said I feel like we should
have a scene where they go

1842
01:21:04,580 --> 01:21:06,686
into the cave and
blow themselves up,

1843
01:21:06,710 --> 01:21:08,256
and Kate Bush is playing
and it's this song.

1844
01:21:08,280 --> 01:21:11,246
And they were like, love it!

1845
01:21:11,270 --> 01:21:14,158
It's so good.

1846
01:21:14,182 --> 01:21:16,456
Oh, I love this part.

1847
01:21:16,480 --> 01:21:18,416
Love how it looks.

1848
01:21:18,440 --> 01:21:20,446
Everyone did such a nice job.

1849
01:21:20,470 --> 01:21:21,270
Yeah.

1850
01:21:26,660 --> 01:21:29,576
We've been cloudbusting, daddy.

1851
01:21:29,600 --> 01:21:32,050
Yeah‐yeah, yeah‐‐ oh!

1852
01:21:38,430 --> 01:21:42,156
There are clues throughout
the entire movie that

1853
01:21:42,180 --> 01:21:46,056
can point you to one ending.

1854
01:21:46,080 --> 01:21:48,000
However, it shouldn't matter.

1855
01:21:50,720 --> 01:21:54,426
What truly matters in
the movie is that they

1856
01:21:54,450 --> 01:21:56,796
walk into that cave together.

1857
01:21:56,820 --> 01:21:59,335
They embrace the unknown,
but they do it together.

1858
01:22:08,450 --> 01:22:09,227
Here's the ending.

1859
01:22:09,251 --> 01:22:12,016
No one knows what it means.

1860
01:22:12,040 --> 01:22:12,817
No one knows.

1861
01:22:12,841 --> 01:22:14,536
And I actually had
my own opinions,

1862
01:22:14,560 --> 01:22:15,646
and I would never share them.

1863
01:22:15,670 --> 01:22:16,996
Yeah.

1864
01:22:17,020 --> 01:22:17,987
They're different than yours.

1865
01:22:18,011 --> 01:22:19,616
I know what yours are.

1866
01:22:19,640 --> 01:22:21,286
Now what do we do?

1867
01:22:21,310 --> 01:22:23,416
Look, it's the
same thing that we

1868
01:22:23,440 --> 01:22:26,236
were saying before
earlier, about Nana

1869
01:22:26,260 --> 01:22:28,276
and about the dinosaurs.

1870
01:22:28,300 --> 01:22:32,816
There are certain things in
this movie that are not meant

1871
01:22:32,840 --> 01:22:35,036
to be known with certainty.

1872
01:22:35,060 --> 01:22:39,866
Like the thing we talked about
a lot was the movie kinda

1873
01:22:39,890 --> 01:22:43,346
could've ended when
they walk into that cave

1874
01:22:43,370 --> 01:22:46,136
and blow themselves
up, because they've

1875
01:22:46,160 --> 01:22:48,806
both decided that they're in
and they're gonna take the leap.

1876
01:22:48,830 --> 01:22:50,186
And that's sort of‐‐

1877
01:22:50,210 --> 01:22:51,433
that's the arc, you know?

1878
01:22:51,457 --> 01:22:52,766
What the fuck are you
doing in our pool?

1879
01:22:52,790 --> 01:22:55,436
Also, the family there is our
producer, Becky Sloviter‐‐

1880
01:22:55,460 --> 01:22:58,146
our amazing producer and
that's your husband and kids,

1881
01:22:58,170 --> 01:22:58,947
which I love.

1882
01:22:58,971 --> 01:23:00,313
They drove a very long
way to do that one

1883
01:23:00,337 --> 01:23:01,610
shot for like two seconds.

1884
01:23:11,963 --> 01:23:16,416
I went downtown to see my lady.

1885
01:23:16,440 --> 01:23:19,176
She stood me up, and
I stood there waiting.

1886
01:23:19,200 --> 01:23:21,246
It'll be all right.

1887
01:23:21,270 --> 01:23:25,191
Aw, I love this part where
you see the dinosaurs.

1888
01:23:25,215 --> 01:23:28,741
Do you see them,
do you see them?

1889
01:23:28,765 --> 01:23:29,542
Yeah.

1890
01:23:29,566 --> 01:23:32,026
Oh, yeah, maybe you do.

1891
01:23:32,050 --> 01:23:33,846
Maybe that's them
there on the horizon.

1892
01:23:33,870 --> 01:23:35,910
When the morning comes.

1893
01:23:42,370 --> 01:23:44,116
Way to go, Max.

1894
01:23:44,140 --> 01:23:45,716
Way to go, Siara.

1895
01:23:45,740 --> 01:23:47,096
Way to go!

1896
01:23:47,120 --> 01:23:47,896
Yay, Andy!

1897
01:23:47,920 --> 01:23:48,697
Nice job.

1898
01:23:48,721 --> 01:23:49,946
Well produced, well produced.

1899
01:23:49,970 --> 01:23:50,770
Yay!

1900
01:23:57,800 --> 01:23:59,216
Hey, shit bird.

1901
01:23:59,240 --> 01:24:00,926
I got the message from
your girlfriend last night.

1902
01:24:00,950 --> 01:24:03,163
That is a pretty crazy theory.

1903
01:24:03,187 --> 01:24:04,220
You really think it could work?

1904
01:24:07,380 --> 01:24:10,536
We leave a little bit
of a breadcrumb trail

1905
01:24:10,560 --> 01:24:12,336
of hope for Roy.

1906
01:24:12,360 --> 01:24:14,190
We weren't gonna leave
him high and dry.

1907
01:24:19,320 --> 01:24:20,456
Hi.

1908
01:24:20,480 --> 01:24:21,280
Hi.

1909
01:24:26,290 --> 01:24:29,416
No way.

1910
01:24:29,440 --> 01:24:32,386
Wow, Daisy I'd like a‐‐

1911
01:24:32,410 --> 01:24:35,386
lots of alcohol, please.

1912
01:24:35,410 --> 01:24:36,446
Nice to meet you.

1913
01:24:36,470 --> 01:24:37,247
Yeah.

1914
01:24:37,271 --> 01:24:38,604
When the morning comes.

1915
01:24:41,880 --> 01:24:42,737
It was a blast.

1916
01:24:42,761 --> 01:24:47,916
I mean, the movie was a complete
romp, as designed and written.

1917
01:24:47,940 --> 01:24:49,696
And that's kinda what
the shoot felt like, too.

1918
01:24:49,720 --> 01:24:54,306
We shot in 21 days, so
there wasn't a lot of time.

1919
01:24:54,330 --> 01:24:59,526
But everybody came
inspired and prepared,

1920
01:24:59,550 --> 01:25:03,036
and it was just‐‐ you know,
it felt like a fun party

1921
01:25:03,060 --> 01:25:06,126
that you hoped
would last forever,

1922
01:25:06,150 --> 01:25:08,856
but it had to end at some point.

1923
01:25:08,880 --> 01:25:09,936
But it was a total blast.

1924
01:25:09,960 --> 01:25:11,790
It was a dream come true.

1925
01:25:11,814 --> 01:25:15,166
Standing here, waiting on you.

1926
01:25:15,190 --> 01:25:19,095
It'll be all right
when the morning comes.

1927
01:25:21,870 --> 01:25:34,296
When the morning comes.

1928
01:25:34,320 --> 01:25:45,774
It'll be all
right when the morning comes.

1929
01:26:12,666 --> 01:26:15,156
When the morning comes.

1930
01:26:57,486 --> 01:27:01,396
Let me give you
a little experience of

1931
01:27:01,420 --> 01:27:03,891
some young chickens out today.

1932
01:27:03,915 --> 01:27:07,396
I'm gonna give you a
little experience of

1933
01:27:07,420 --> 01:27:10,066
some young chickens out today.

1934
01:27:10,090 --> 01:27:13,126
They are full of
disappointments.

1935
01:27:13,150 --> 01:27:16,396
They are never, never on time.

1936
01:27:16,420 --> 01:27:19,426
They don't keep
to an appointment.

1937
01:27:19,450 --> 01:27:22,096
They don't let you
catch their lie.

1938
01:27:22,120 --> 01:27:25,426
They will tell you this
when they mean that.

1939
01:27:25,450 --> 01:27:28,166
I wish I could keep them apart.

1940
01:27:28,190 --> 01:27:31,126
But ask your mom, how can I?

1941
01:27:31,150 --> 01:27:34,233
These women‐‐ necessary evil.

1942
01:27:34,257 --> 01:27:37,106
Oh, man‐‐ oh, man.

1943
01:27:37,130 --> 01:27:41,220
Yes, man stupid being.

1944
01:28:15,310 --> 01:28:21,424
Yeah, 5:00 PM is
10:00 AM on the East Wednesday.

1945
01:28:21,448 --> 01:28:24,486
And when you try
to taste heaven,

1946
01:28:24,510 --> 01:28:27,196
they'll never come your way.

1947
01:28:27,220 --> 01:28:30,316
The only time they
keep to an appointment

1948
01:28:30,340 --> 01:28:33,346
is when in desperate need.

1949
01:28:33,370 --> 01:28:36,676
They will tell you
all sorts of lies

1950
01:28:36,700 --> 01:28:39,176
just to get what they need.

1951
01:28:39,200 --> 01:28:45,536
And man, being so stupid,
will give them all they need,

1952
01:28:45,560 --> 01:28:48,121
forgetting all the
disappointments

1953
01:28:48,145 --> 01:28:51,086
and all their previous lies.

1954
01:28:51,110 --> 01:28:54,796
And man‐‐ oh, man, yeah‐‐

1955
01:28:54,820 --> 01:28:55,870
man needs help.

1956
01:29:05,940 --> 01:29:08,000
I say, man stupid being.

1957
01:29:41,600 --> 01:29:43,700
Man stupid being.

1958
01:29:47,900 --> 01:29:51,250
Man stupid being.