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00:00:34,268 --> 00:00:36,469
(SOFT PIANO MUSIC PLAYING)
2
00:00:46,314 --> 00:00:47,681
JOAN: There's nothing
like seeing
3
00:00:47,714 --> 00:00:49,549
a child on stage
for the first time.
4
00:00:49,583 --> 00:00:54,354
They get up there,
the lights hit, and suddenly,
the whole world opens up.
5
00:00:54,387 --> 00:00:55,589
Theater for children,
6
00:00:55,622 --> 00:00:57,657
it's unbelievable
what they learn.
7
00:00:57,691 --> 00:01:02,529
They learn
to improvise, dance, sing,
work with each other,
8
00:01:02,562 --> 00:01:05,632
and some of them
really need it,
they really do.
9
00:01:05,665 --> 00:01:07,400
That's why I built this camp.
10
00:01:07,434 --> 00:01:08,870
I wanted to make a place
11
00:01:08,903 --> 00:01:11,705
where anyone is free
to be themselves.
12
00:01:11,738 --> 00:01:14,075
But keeping the camp open
is a year-round job.
13
00:01:14,108 --> 00:01:17,510
That's why we spend
the whole spring on the road,
14
00:01:17,544 --> 00:01:20,680
raising money,
recruiting young talent.
15
00:01:20,714 --> 00:01:23,351
And, you know,
we're theater people,
so. (CHUCKLES)
16
00:01:23,383 --> 00:01:25,052
We know how to work a crowd.
17
00:01:30,291 --> 00:01:31,859
Being at camp
for a whole summer,
18
00:01:31,893 --> 00:01:33,127
what it can do
for a child.
(UPBEAT MUSIC PLAYING)
19
00:01:33,160 --> 00:01:34,195
We don't have
that much room left.
20
00:01:34,228 --> 00:01:35,462
We have
not much room.
21
00:01:35,495 --> 00:01:37,064
No, we have a little bit
of wiggle room
at the camp.
22
00:01:37,098 --> 00:01:38,798
Maybe four more kids?
23
00:01:38,833 --> 00:01:40,902
We're almost full...
JOAN: We are.
24
00:01:40,935 --> 00:01:43,204
...so I think you should
register early for your girl.
25
00:01:43,237 --> 00:01:44,504
JOAN: For sure.
26
00:01:44,537 --> 00:01:46,374
And Ronald,
I'm so sorry to hear
about your divorce.
27
00:01:46,406 --> 00:01:47,440
RITA: I know.
28
00:01:47,474 --> 00:01:48,608
I mean,
she was just too young.
29
00:01:48,642 --> 00:01:50,610
But if your son
needs a place to go,
30
00:01:50,644 --> 00:01:53,546
AdirondACTS is
the perfect place
for him to come.
31
00:01:53,580 --> 00:01:57,550
We found
a lot of star campers
at this school.
32
00:01:59,820 --> 00:02:01,488
I know Willow
was freaked out
by the bedbugs,
33
00:02:01,521 --> 00:02:02,722
tell her they're gone.
34
00:02:06,127 --> 00:02:07,661
Why are you smiling?
35
00:02:07,694 --> 00:02:10,064
(GROANS)
He drives me crazy.
He's practically drunk.
36
00:02:10,097 --> 00:02:11,132
RITA: I know.
37
00:02:11,165 --> 00:02:13,034
JOAN: But I think we got him
to sign up his kid.
38
00:02:14,467 --> 00:02:16,636
(SIGHS) We're so behind
this year.
39
00:02:16,670 --> 00:02:18,438
We need to raise
more money.
40
00:02:18,471 --> 00:02:21,708
I know. I was thinking
we could give Leo a lead.
41
00:02:21,741 --> 00:02:22,843
Leo? No.
42
00:02:22,877 --> 00:02:23,811
He's awful.
43
00:02:23,844 --> 00:02:25,445
I know he's awful
and he's tone-deaf,
44
00:02:25,478 --> 00:02:27,181
but his parents
are really rich.
45
00:02:27,214 --> 00:02:30,284
Oh, come on.
You know we don't
do things that way.
46
00:02:30,318 --> 00:02:31,953
It's always gotta be
about the talent.
47
00:02:31,986 --> 00:02:33,553
How rich?
So rich.
48
00:02:33,586 --> 00:02:34,688
(UPBEAT MUSIC PLAYING)
49
00:02:34,721 --> 00:02:36,523
♪ If you're really sincere
50
00:02:36,556 --> 00:02:38,591
♪ If you're really sincere
51
00:02:38,625 --> 00:02:40,593
♪ If you feel it in here
52
00:02:40,627 --> 00:02:43,030
♪ Then it's gotta be right
Oh, baby
53
00:02:43,064 --> 00:02:44,365
Oh!
Look at him.
54
00:02:44,398 --> 00:02:45,632
Sebastian?
I know.
55
00:02:45,665 --> 00:02:48,169
JOAN: He is giving 110%.
56
00:02:48,202 --> 00:02:50,004
♪ Suffer
(JOAN CHEERING)
57
00:02:50,603 --> 00:02:53,007
(AUDIENCE CHEERING)
58
00:02:53,040 --> 00:02:56,944
♪ Oh, oh, oh you
gotta be sincere
59
00:02:56,978 --> 00:03:00,915
♪ Oh, oh, oh
You gotta feel it in here
60
00:03:00,948 --> 00:03:03,351
RITA: Oh, my God! Joan!
♪ Oh, my baby♪
61
00:03:03,384 --> 00:03:04,684
RITA: Joan!
62
00:03:04,718 --> 00:03:06,653
This is...
Somebody help me!
Somebody help me.
63
00:03:06,686 --> 00:03:08,255
She's not breathing.
64
00:03:08,289 --> 00:03:10,358
This is not part of the show.
65
00:03:10,391 --> 00:03:12,026
I need help! (ECHOING)
66
00:03:21,568 --> 00:03:25,039
(GASPS) It's beautiful.
67
00:03:30,111 --> 00:03:31,611
(MELLOW MUSIC PLAYING)
68
00:03:46,193 --> 00:03:49,796
What's up, Troy-jans?
It's your boy, Troy.
69
00:03:49,830 --> 00:03:51,999
Just right off the bat, wanna
keep it real with you guys,
70
00:03:52,033 --> 00:03:54,001
feeling a little naked
without my ring light.
71
00:03:54,035 --> 00:03:55,403
But you know what?
72
00:03:55,436 --> 00:03:56,569
We still out here.
73
00:03:56,603 --> 00:03:57,905
As you guys know,
74
00:03:57,938 --> 00:04:00,673
I don't usually like to talk
about my... (CLEARS THROAT)
75
00:04:03,911 --> 00:04:05,046
To be honest,
I've been going through
76
00:04:05,079 --> 00:04:06,579
some low-key
personal stuff lately
77
00:04:06,613 --> 00:04:09,183
and I just feel obligated
to let you guys know that.
78
00:04:09,216 --> 00:04:10,918
Long story short,
79
00:04:10,951 --> 00:04:12,719
theater gave
my mom a coma.
80
00:04:13,454 --> 00:04:14,989
She's down for the count
81
00:04:15,022 --> 00:04:18,926
for... (INHALES DEEPLY)
we really don't know how long.
82
00:04:18,959 --> 00:04:22,363
Unfortunately, that's just
kinda how comas go.
83
00:04:22,396 --> 00:04:23,831
But fear not, fam.
84
00:04:23,864 --> 00:04:26,434
Even though
I never really vibed
with my mom's camp
85
00:04:26,467 --> 00:04:29,569
and spent my summers
doing dope shit
with my friends,
86
00:04:29,602 --> 00:04:31,604
I happen to be
a financial guru
87
00:04:31,638 --> 00:04:35,176
and world-renowned
business mentor.
88
00:04:35,209 --> 00:04:37,111
Yeah, I do that kind of stuff.
89
00:04:37,144 --> 00:04:38,946
Your boy has the BDE.
90
00:04:38,979 --> 00:04:42,917
That's right. The business
development expertise
91
00:04:42,950 --> 00:04:45,286
to hold down the fort.
(GASPS)
92
00:04:45,319 --> 00:04:47,121
Oh, my God,
there's a person.
93
00:04:47,154 --> 00:04:48,688
I'm sorry.
I'm so sorry.
94
00:04:48,721 --> 00:04:50,357
I was in here
fixing the blinds,
95
00:04:50,391 --> 00:04:51,492
and then you came in
96
00:04:51,525 --> 00:04:53,127
and I panicked
and stayed.
97
00:04:53,160 --> 00:04:54,028
(EXHALES DEEPLY)
98
00:04:54,061 --> 00:04:56,596
I'm Glenn.
I'm the technical director.
99
00:04:58,598 --> 00:04:59,732
How you doing, man?
100
00:04:59,766 --> 00:05:01,302
Over the next three weeks,
101
00:05:01,335 --> 00:05:03,137
I'm gonna give you
an inside look
102
00:05:03,170 --> 00:05:06,874
at how I can take a business
from lame... to lit.
103
00:05:06,907 --> 00:05:08,275
Let's build.
(MAKES WHOOSHING SOUND)
104
00:05:08,309 --> 00:05:10,144
The most pressing matters
are in the main stage.
105
00:05:10,177 --> 00:05:11,812
Right now,
the cyclorama is buckling.
106
00:05:11,846 --> 00:05:12,980
It needs
to be re-anchored.
107
00:05:13,013 --> 00:05:14,614
Uh, we're gonna need
to prioritize
108
00:05:14,647 --> 00:05:16,484
the remaining equipment
for the musicals,
109
00:05:16,517 --> 00:05:20,821
which means the straight plays
are gonna have to be acoustic.
110
00:05:20,855 --> 00:05:22,689
Uh, which is actually
how they do it on Broadway.
111
00:05:22,722 --> 00:05:25,692
Can I just (CLICKS TONGUE)
cut you off? Real quick.
112
00:05:25,725 --> 00:05:26,827
Um...
It seems like you've got
113
00:05:26,861 --> 00:05:28,028
a pretty good handle
on this...
114
00:05:28,062 --> 00:05:29,530
Yeah.
...so I'm just gonna take
115
00:05:29,563 --> 00:05:31,832
"understanding a word
you're saying"
116
00:05:32,566 --> 00:05:33,666
off my list
117
00:05:33,700 --> 00:05:35,102
and let you take it
from here, brother.
118
00:05:35,136 --> 00:05:36,103
Okay.
119
00:05:36,137 --> 00:05:38,372
Quick question, though,
what's a straight play?
120
00:05:38,405 --> 00:05:39,874
Well, there are musicals,
121
00:05:39,907 --> 00:05:41,641
and then
there are straight plays.
122
00:05:42,510 --> 00:05:44,211
So then what would be
a gay play?
123
00:05:46,981 --> 00:05:49,150
I guess (STUTTERS) a musical.
124
00:05:50,317 --> 00:05:52,119
Oh, cool.
(DRUMS BEATING)
125
00:05:52,153 --> 00:05:54,989
RITA: This one.
Okay. Thanks. Okay.
126
00:05:56,323 --> 00:05:57,757
BOY: Yes. Yes!
RITA: Oh, yes!
127
00:06:00,828 --> 00:06:02,662
GIRL 1: Wait,
we have to bunk together.
128
00:06:02,695 --> 00:06:03,763
We have to.
129
00:06:03,796 --> 00:06:06,133
So, you're in bunk five,
Ellen.
130
00:06:06,167 --> 00:06:08,068
Okay, 'kay, 'kay.
That's good. That's good.
131
00:06:08,102 --> 00:06:11,472
Great, great. Great.
What's he doing? Perfect.
132
00:06:11,505 --> 00:06:14,408
Okay. Hi, everybody.
Welcome back.
133
00:06:14,441 --> 00:06:18,145
Mickey, Nicky. Nicky, Mickey,
Mickey, Nicky. Who knows?
134
00:06:18,179 --> 00:06:21,248
Don't switch shirts.
I'll get too confused.
135
00:06:21,282 --> 00:06:22,583
(UPBEAT MUSIC PLAYING)
136
00:06:22,616 --> 00:06:23,884
(GIGGLING)
137
00:06:27,687 --> 00:06:29,089
(BOTH LAUGHING EXCITEDLY)
138
00:06:29,990 --> 00:06:31,258
(HUMMING)
139
00:06:45,873 --> 00:06:46,907
AMOS: Beck, stop.
(REBECCA-DIANE SCREAMS)
140
00:06:46,941 --> 00:06:48,775
Beck, stop the car.
141
00:06:48,809 --> 00:06:50,544
Let me in.
I am letting you in.
142
00:06:50,578 --> 00:06:52,479
It's not opening.
I'm letting you in.
143
00:06:52,513 --> 00:06:54,747
AMOS: Oh, God.
(GROANS)
144
00:06:54,781 --> 00:06:56,283
I've been here 10 minutes
and it's unbearable.
145
00:06:56,317 --> 00:06:57,351
REBECCA-DIANE:
Oh, my God!
146
00:07:00,854 --> 00:07:02,323
(PERCUSSION MUSIC PLAYING)
147
00:07:13,968 --> 00:07:15,869
He's, like,
wandering about.
148
00:07:15,903 --> 00:07:17,338
He has no idea where he is,
what he's doing.
149
00:07:17,371 --> 00:07:18,205
He can't see?
150
00:07:18,239 --> 00:07:20,407
No, he only talks
to his camera.
151
00:07:20,441 --> 00:07:21,342
Oh, my God.
152
00:07:21,375 --> 00:07:22,676
The least creative person
I've ever met,
153
00:07:22,710 --> 00:07:23,944
and I've yet
to speak to the man.
154
00:07:24,411 --> 00:07:25,879
TROY: Play ball.
155
00:07:26,746 --> 00:07:27,881
She's hot.
156
00:07:27,915 --> 00:07:29,016
And half the staff
has been cut.
157
00:07:29,049 --> 00:07:30,317
They're not even
coming back.
158
00:07:30,351 --> 00:07:31,652
We need a coup.
159
00:07:31,685 --> 00:07:33,621
Well, there's not
even enough of us
to have a coup now.
160
00:07:33,654 --> 00:07:35,122
Oh, my God.
AMOS: Jesus.
161
00:07:35,155 --> 00:07:37,057
She wouldn't
even want it.
No.
162
00:07:37,091 --> 00:07:39,960
AMOS: We really have to hold
this place down artistically.
163
00:07:39,994 --> 00:07:41,729
I can't believe
that Joan's not here.
164
00:07:41,761 --> 00:07:43,297
I can't believe it.
165
00:07:43,330 --> 00:07:44,498
(INDISTINCT CHATTER)
166
00:07:49,236 --> 00:07:51,071
All I was doing
was blowing the roof off
167
00:07:51,105 --> 00:07:52,806
of Honestly, Sincere
in Bye Bye Birdie.
168
00:07:52,840 --> 00:07:54,108
Then I look over
to my house seats
169
00:07:54,141 --> 00:07:56,443
and there's Joan, convulsing.
170
00:07:56,477 --> 00:07:58,012
CHRISTOPHER L: What?
SEBASTIAN: It was frightening.
171
00:07:58,045 --> 00:08:00,047
I obviously
stayed in character.
172
00:08:00,080 --> 00:08:02,049
CHRISTOPHER L:
That's not real.
173
00:08:06,220 --> 00:08:07,621
(OVER MIC) All right.
Let's take a knee
174
00:08:07,655 --> 00:08:08,889
with the talking, fam.
175
00:08:09,757 --> 00:08:11,025
Listen up!
176
00:08:12,660 --> 00:08:14,028
Keep it down.
177
00:08:14,061 --> 00:08:15,062
Fam?
178
00:08:15,763 --> 00:08:17,097
Squad? Gang?
179
00:08:18,632 --> 00:08:20,567
Maybe, uh, zip it?
180
00:08:21,235 --> 00:08:23,003
Everybody.
181
00:08:23,037 --> 00:08:24,571
Can we just
get you guys to...
182
00:08:24,605 --> 00:08:27,474
♪ Oh, what a beautiful
183
00:08:27,508 --> 00:08:30,144
CHILDREN:
♪ Morning♪
184
00:08:31,545 --> 00:08:32,546
TROY: Dope.
185
00:08:35,282 --> 00:08:36,283
That was dope.
186
00:08:37,484 --> 00:08:40,954
Whaddup, AdirondACTS?
187
00:08:40,988 --> 00:08:43,924
(IMITATES FANFARE)
188
00:08:44,458 --> 00:08:45,793
Um...
189
00:08:45,826 --> 00:08:47,261
You guys know Joan, right?
190
00:08:47,294 --> 00:08:48,595
(CHILDREN CHEERING)
191
00:08:49,730 --> 00:08:51,398
(CHANTING) Joan, Joan, Joan!
192
00:08:51,432 --> 00:08:53,734
Joan, Joan, Joan!
193
00:08:53,767 --> 00:08:55,536
Joan, Joan, Joan!
194
00:08:55,569 --> 00:08:59,173
Yeah, um,
so she's not here.
195
00:08:59,206 --> 00:09:02,609
Um, you know, which
we're all very sad about.
196
00:09:02,643 --> 00:09:04,278
But don't worry.
197
00:09:04,311 --> 00:09:05,846
I'm her son.
198
00:09:05,879 --> 00:09:08,282
Troy!
199
00:09:13,354 --> 00:09:14,455
Um...
200
00:09:14,488 --> 00:09:15,723
Don't worry, guys.
201
00:09:15,756 --> 00:09:18,959
I just wanna reassure you
this will be a normal summer.
202
00:09:18,992 --> 00:09:20,494
You can check out
my website.
203
00:09:20,527 --> 00:09:22,262
Oh, yeah, go ahead. Yeah.
We're good.
Thanks so much.
204
00:09:22,296 --> 00:09:23,330
Hi, guys.
205
00:09:23,364 --> 00:09:25,566
(ALL CHEERING)
206
00:09:25,599 --> 00:09:27,401
We love you, Gigi!
207
00:09:29,838 --> 00:09:31,105
So a few reminders.
208
00:09:31,138 --> 00:09:33,006
I just need to know
all of your updated sizes.
209
00:09:33,040 --> 00:09:34,541
Also, sad news,
210
00:09:34,575 --> 00:09:37,411
I will not be doing
piercings any more
in the hut.
211
00:09:37,444 --> 00:09:40,681
Yeah. Because there's
a narc amongst us.
212
00:09:40,714 --> 00:09:42,149
Um, Cassie has narced.
213
00:09:42,182 --> 00:09:44,418
It's totally fine. Uh, yeah.
214
00:09:44,451 --> 00:09:45,619
Okay, I love you guys.
215
00:09:45,652 --> 00:09:47,621
Love you.
(CHILDREN CHEERING)
216
00:09:49,123 --> 00:09:50,958
(CHEERING INTENSIFIES)
217
00:09:54,895 --> 00:09:55,929
As you all know,
218
00:09:55,963 --> 00:09:57,264
I'm Amos Klobuchar,
head of drama.
219
00:09:57,297 --> 00:09:59,333
Rebecca-Diane,
head of music theory.
220
00:09:59,366 --> 00:10:03,036
We are now
going to announce,
as we do every summer,
221
00:10:03,070 --> 00:10:04,505
this session's
productions.
222
00:10:05,038 --> 00:10:06,907
Five, six, seven, eight.
223
00:10:06,940 --> 00:10:08,409
(BOTH STOMPING RHYTHMICALLY)
224
00:10:09,676 --> 00:10:10,911
♪ There once was a story
225
00:10:10,944 --> 00:10:12,413
♪ 'Bout a girl named Lisa
226
00:10:12,446 --> 00:10:15,416
♪ She wanted to perform
But she didn't have
her visa
227
00:10:15,449 --> 00:10:17,017
BOTH:
♪ Sorry about
your visa, Lisa
228
00:10:17,050 --> 00:10:18,218
♪ Five, six, seven, eight ♪
229
00:10:18,252 --> 00:10:19,520
Playing baseball
with the devil
230
00:10:19,553 --> 00:10:20,822
in a baseball diamond.
231
00:10:20,855 --> 00:10:22,956
BOTH: Damn Yankees
in the outdoor stage.
232
00:10:22,990 --> 00:10:24,091
(WHINING
IN HIGH-PITCHED TONE)
233
00:10:24,124 --> 00:10:25,726
AMOS: Who goes there?
(CONTINUES WHINING)
234
00:10:25,759 --> 00:10:26,994
Is it a ghost?
235
00:10:27,027 --> 00:10:28,162
Is it a witch?
236
00:10:28,195 --> 00:10:30,731
BOTH: The Crucible junior
in the lobby.
237
00:10:30,764 --> 00:10:32,766
♪ In the land of Andrew Lloyd
238
00:10:32,800 --> 00:10:35,302
♪ Where the felines
sing and dance
239
00:10:35,335 --> 00:10:37,906
♪ Whisker faced in unitards
240
00:10:37,938 --> 00:10:40,307
♪ You can join
their feral prance ♪
241
00:10:40,340 --> 00:10:41,942
Cats immersive.
242
00:10:41,975 --> 00:10:43,043
Well, I guess
that's all, folks.
243
00:10:43,076 --> 00:10:44,378
I gotta start
walking home.
244
00:10:44,411 --> 00:10:45,479
I'm taking a cab.
245
00:10:45,512 --> 00:10:47,047
BOTH: Whoa!
246
00:10:47,080 --> 00:10:48,182
♪ An original piece
247
00:10:48,215 --> 00:10:49,750
♪ And it's fully brand new
248
00:10:49,783 --> 00:10:51,618
♪ And it's fresh
from our hearts
Written just for you
249
00:10:51,652 --> 00:10:53,888
♪ But you've gotta
be good, yeah
You've gotta be great
250
00:10:53,922 --> 00:10:54,988
♪ You've gotta be
the creme de la creme
251
00:10:55,022 --> 00:10:56,223
♪ Of the place ♪
252
00:11:08,937 --> 00:11:10,704
This summer
it's a story...
253
00:11:10,737 --> 00:11:12,841
About a woman
in her glory.
254
00:11:12,874 --> 00:11:14,374
The founding
of a space...
255
00:11:14,408 --> 00:11:17,044
That has become
our favorite place.
256
00:11:17,077 --> 00:11:19,480
A woman
who all in this room
deeply love.
257
00:11:19,513 --> 00:11:22,917
And she's looking down,
not quite from above.
258
00:11:22,951 --> 00:11:24,284
Joan can...
259
00:11:24,318 --> 00:11:26,520
Joan will...
Joan here?
260
00:11:26,553 --> 00:11:27,688
(SNAPPING FINGERS)
261
00:11:29,189 --> 00:11:31,191
BOTH: Joan, Still!
262
00:11:33,760 --> 00:11:35,462
(ALL CHEERING)
263
00:11:44,806 --> 00:11:46,607
(FUNKY MUSIC PLAYING)
264
00:11:59,353 --> 00:12:01,856
TROY: Your resume
is absolutely stacked.
265
00:12:01,890 --> 00:12:03,992
Thank you.
Yeah.
266
00:12:04,024 --> 00:12:06,059
How did you learn
stage combat?
267
00:12:06,093 --> 00:12:07,561
Oh! Oh, man.
268
00:12:08,195 --> 00:12:09,831
It's hard to even say
269
00:12:09,864 --> 00:12:11,031
'cause I've been doing it
for so long.
270
00:12:11,064 --> 00:12:12,099
Totally.
Yeah.
271
00:12:12,132 --> 00:12:13,467
How about accent work?
272
00:12:13,500 --> 00:12:15,269
(IN AN ACCENT)
Oh. You no worry.
273
00:12:15,302 --> 00:12:16,703
I can do it, don't worry.
274
00:12:17,906 --> 00:12:19,039
That's really neat.
275
00:12:19,072 --> 00:12:20,507
How about
horseback riding?
276
00:12:20,541 --> 00:12:22,709
Jousting?
Is that like with the...?
(IN NORMAL VOICE) Yeah.
277
00:12:22,743 --> 00:12:25,112
That is with those. Yeah.
278
00:12:25,145 --> 00:12:26,713
And then
when did you learn
how to juggle?
279
00:12:26,747 --> 00:12:31,318
Well, um...
Oh, there was
a fire at my house.
280
00:12:31,351 --> 00:12:33,554
And that's sort of
how I dealt
with the trauma.
281
00:12:37,691 --> 00:12:39,760
Wow!
282
00:12:39,793 --> 00:12:41,094
BOBBY: Wow!
283
00:12:41,128 --> 00:12:42,864
Yes. Progressions
across the floor.
284
00:12:42,897 --> 00:12:44,698
Very nice, both of you, yes.
285
00:12:44,731 --> 00:12:45,934
Front.
286
00:12:45,967 --> 00:12:47,634
Higher. Higher.
287
00:12:47,668 --> 00:12:49,136
Ah! Ah!
288
00:12:49,169 --> 00:12:52,205
Listen, these are some
Cassie battements.
289
00:12:52,239 --> 00:12:54,174
You're doing
a little cheater flick.
290
00:12:58,012 --> 00:12:59,379
(FAST TEMPO MUSIC PLAYING)
291
00:12:59,413 --> 00:13:01,849
I am running late
for my niece's christening.
292
00:13:04,351 --> 00:13:07,220
I don't want to find
another therapist, David.
293
00:13:07,254 --> 00:13:09,323
AMOS: Welcome,
group two of auditioners.
294
00:13:09,356 --> 00:13:10,591
REBECCA-DIANE:
I know it's been a long day
295
00:13:10,624 --> 00:13:11,692
for you guys, but...
296
00:13:11,725 --> 00:13:12,759
AMOS: If you drop a line,
297
00:13:12,793 --> 00:13:14,194
or a note
is a little off-key,
298
00:13:14,227 --> 00:13:15,629
you crack or something,
299
00:13:15,662 --> 00:13:16,697
just, what does that
300
00:13:16,730 --> 00:13:17,865
say about you?
Mmm-hmm.
301
00:13:22,502 --> 00:13:23,503
Yo.
302
00:13:24,237 --> 00:13:25,439
Sorry I'm late.
303
00:13:25,472 --> 00:13:28,642
I don't think
you were... Oh.
(GRUNTS)
304
00:13:28,675 --> 00:13:33,014
Emma, 10,
has a goldfish
named Johnny.
305
00:13:33,047 --> 00:13:34,181
And she's gonna
kick us off
306
00:13:34,214 --> 00:13:37,018
with I Dreamed a Dream
from Les Mis.
307
00:13:37,051 --> 00:13:38,118
Oh, you know what?
308
00:13:38,151 --> 00:13:39,286
That's a good song choice
for her.
309
00:13:39,319 --> 00:13:41,555
I do believe her
as a French prostitute.
310
00:13:41,588 --> 00:13:42,489
Amos.
311
00:13:42,522 --> 00:13:44,892
Oh, I'm sorry, I'm sorry.
Sex worker.
312
00:13:44,926 --> 00:13:46,360
Thank you.
313
00:13:46,393 --> 00:13:48,395
(FRANTIC PIANO MUSIC PLAYING)
314
00:13:52,466 --> 00:13:53,500
♪ There's a hole
in the world
315
00:13:53,533 --> 00:13:54,969
♪ Like a great black pit
316
00:13:55,003 --> 00:13:56,403
♪ And it's filled with people
Who are filled with shit
317
00:13:56,436 --> 00:13:58,438
♪ And the vermin in the world
inhabit it
318
00:14:00,008 --> 00:14:03,510
♪ But not for long ♪
319
00:14:03,543 --> 00:14:09,416
Darla, 15, is 2,073
on the IMDb Star Meter.
320
00:14:09,449 --> 00:14:11,953
♪ What if when he sees me
321
00:14:11,986 --> 00:14:14,287
♪ I like him and he knows it
322
00:14:14,321 --> 00:14:15,455
(WHISPERS) This is
an example of a kid
323
00:14:15,489 --> 00:14:17,091
who started working
way too young.
324
00:14:17,125 --> 00:14:19,760
♪ And I can't close it?♪
325
00:14:19,793 --> 00:14:22,596
You got snacks?
No, I don't
have anything.
326
00:14:22,629 --> 00:14:24,665
♪ And even if Karen
were hotter than Sharon
327
00:14:24,698 --> 00:14:26,800
♪ I still would've
filed for divorce ♪
328
00:14:26,834 --> 00:14:29,070
Um, that rhythm was wrong.
Can we do that again?
329
00:14:29,103 --> 00:14:30,170
♪ That was the last time
330
00:14:30,203 --> 00:14:31,772
♪ I laid eyes on
331
00:14:31,806 --> 00:14:33,540
(VOCALIZING)
332
00:14:49,189 --> 00:14:50,524
♪ Margaret Thatcher♪
333
00:14:50,557 --> 00:14:54,028
♪ Though we all deserve to die
334
00:14:54,062 --> 00:14:59,399
♪ Even you, Mrs. Lovett
Even I ♪
335
00:14:59,433 --> 00:15:03,303
It says you're allergic
to polyester. Why?
336
00:15:03,336 --> 00:15:07,741
Devon, 13.
He has a green belt
in taekwondo.
337
00:15:12,212 --> 00:15:14,182
♪ You know, I think
that I'm better now
338
00:15:14,214 --> 00:15:15,549
♪ Better now
339
00:15:15,582 --> 00:15:17,985
♪ You only say that
'cause I'm not around
340
00:15:18,019 --> 00:15:19,286
♪ Not around
341
00:15:19,319 --> 00:15:21,321
♪ You know I never meant
to let you down
342
00:15:21,354 --> 00:15:22,857
♪ Let you down
343
00:15:22,890 --> 00:15:26,160
♪ Would've gave you anything
Would've gave you everything
344
00:15:26,194 --> 00:15:28,628
♪ You know, I think
that I am better now
345
00:15:28,662 --> 00:15:29,696
♪ Better now
346
00:15:29,730 --> 00:15:31,966
♪ You only say that
'cause I'm not around
347
00:15:31,999 --> 00:15:33,233
♪ Not around
348
00:15:33,266 --> 00:15:35,435
♪ You know I never meant
to let you down
349
00:15:35,469 --> 00:15:36,603
♪ Let you down
350
00:15:36,636 --> 00:15:38,438
BOTH:
♪ Would've gave you anything
351
00:15:38,472 --> 00:15:40,240
♪ Would've gave you everything
352
00:15:40,273 --> 00:15:42,342
♪ Whoa ♪
353
00:15:43,177 --> 00:15:45,746
That's what's up, dawg.
Finally.
354
00:15:45,779 --> 00:15:47,048
Can you clear now,
please? Thank you.
355
00:15:47,081 --> 00:15:48,515
TROY:
That was bussin'.
356
00:15:48,548 --> 00:15:49,349
AMOS: Inappropriate
to give feedback
during the audition.
357
00:15:49,382 --> 00:15:50,417
REBECCA-DIANE: Yeah.
358
00:15:50,450 --> 00:15:51,819
AMOS: Please don't
internalize that.
359
00:15:51,853 --> 00:15:53,286
It's Devon?
360
00:15:53,320 --> 00:15:55,288
Yeah.
Your first summer?
361
00:15:55,322 --> 00:15:56,656
Here?
REBECCA-DIANE: Yeah.
362
00:15:56,690 --> 00:15:57,925
AMOS: Yes.
Yeah.
363
00:15:57,959 --> 00:15:59,227
Do you know
any other Post songs
364
00:15:59,259 --> 00:16:01,195
that you could like,
rattle off the dome,
365
00:16:01,229 --> 00:16:03,430
like maybe
"Wow" or "Congratulations,"
366
00:16:03,463 --> 00:16:06,000
or the one from
the Spider-Verse
soundtrack?
367
00:16:06,033 --> 00:16:08,568
Abby, 11,
chose this session
368
00:16:08,602 --> 00:16:11,205
over sitting shiva
for her cousin.
369
00:16:11,239 --> 00:16:13,306
CLIVE:
Putting the work first.
370
00:16:14,341 --> 00:16:15,442
WOMAN: Oh, uh, excuse me,
I just need a second.
371
00:16:15,475 --> 00:16:16,777
RITA: Ma'am,
you can't be back here.
372
00:16:16,811 --> 00:16:17,945
WOMAN: I'm sorry. Um...
373
00:16:19,613 --> 00:16:20,948
Hi.
374
00:16:23,650 --> 00:16:26,854
My name's Caroline Krauss.
I'm a rep from Camp Lakeside.
375
00:16:34,061 --> 00:16:35,997
(BUS HONKING)
RITA: Shut up!
376
00:16:36,030 --> 00:16:38,065
(MUSIC PLAYING ON SPEAKERS)
Turn down your music!
377
00:16:38,099 --> 00:16:40,268
This is a bucolic setting!
378
00:16:40,300 --> 00:16:42,302
Okay, well, whatever it is
you're selling,
379
00:16:42,335 --> 00:16:43,503
we don't want any.
380
00:16:43,537 --> 00:16:45,438
Oh, I was actually here
to introduce myself
381
00:16:45,472 --> 00:16:47,474
to the, uh, new boss.
382
00:16:47,507 --> 00:16:49,743
Is there...
Is Troy here?
383
00:16:49,776 --> 00:16:53,613
I am so sorry
to hear about your mom.
384
00:16:55,016 --> 00:16:57,051
My entire team
at Barnswell Capital
385
00:16:57,084 --> 00:16:58,451
is sending
healing thoughts.
386
00:16:58,485 --> 00:17:02,089
Wait, Barnswell Capital?
Like the Barnswell Capital?
387
00:17:02,123 --> 00:17:03,825
Yeah.
Whoa.
388
00:17:04,892 --> 00:17:06,626
Your work
is so inspiring.
389
00:17:06,660 --> 00:17:09,096
I mean,
the Gentri-vacation Project.
390
00:17:09,130 --> 00:17:10,164
I have to say
391
00:17:10,198 --> 00:17:12,432
Gentri-vacation
was my brainchild.
392
00:17:12,465 --> 00:17:14,302
Wow, you know, um...
You know...
393
00:17:14,334 --> 00:17:16,003
I'm sorry.
You go.
394
00:17:16,037 --> 00:17:16,904
I was just gonna say that
395
00:17:16,938 --> 00:17:18,538
you seem to know
a lot about business.
396
00:17:18,572 --> 00:17:20,640
I'm a bit
of a money man myself.
397
00:17:20,674 --> 00:17:22,076
You know, I've been trying
to bring some of my
398
00:17:23,244 --> 00:17:26,247
en-Troy-preneurship
to the AdirondACTS.
399
00:17:26,280 --> 00:17:29,083
That's funny.
That's catchy, en-Troy.
400
00:17:29,116 --> 00:17:30,483
My name's Troy.
I know.
401
00:17:30,517 --> 00:17:32,652
I understood it completely
the first time I heard it.
402
00:17:32,686 --> 00:17:33,787
Yeah.
403
00:17:33,821 --> 00:17:35,289
That's kind
of what we're doing
with Lakeside.
404
00:17:35,323 --> 00:17:37,258
Yeah?
Yeah, we recently
acquired it
405
00:17:37,291 --> 00:17:39,327
so I'm doing kind of
a complete overhaul
406
00:17:39,359 --> 00:17:41,229
of the management structure.
Wow!
407
00:17:41,262 --> 00:17:42,296
CAROLINE:
I think it's commendable
408
00:17:42,330 --> 00:17:43,563
what you're doing here.
409
00:17:43,597 --> 00:17:45,432
Taking on the burden
of your mother's condition.
410
00:17:45,465 --> 00:17:48,568
Yeah.
And her struggling business.
411
00:17:48,602 --> 00:17:50,770
That's gotta be
so much weight
on your shoulders.
412
00:17:50,805 --> 00:17:52,139
Yeah. It is.
413
00:17:53,040 --> 00:17:54,976
Excuse me. So sorry.
414
00:17:55,009 --> 00:17:57,577
This is
an active work zone.
415
00:17:57,611 --> 00:17:59,280
I'm gonna need you
to vacate the area.
416
00:17:59,313 --> 00:18:01,148
CAROLINE:
Uh, just one moment.
417
00:18:01,182 --> 00:18:02,382
Troy, I think this could be
418
00:18:02,415 --> 00:18:04,185
an exciting opportunity
for the both of us.
419
00:18:04,218 --> 00:18:06,453
Wow. Yeah.
GLENN: You know what?
420
00:18:06,486 --> 00:18:08,222
I'm gonna need
this exact space
421
00:18:08,256 --> 00:18:10,590
to get up really high
for some work.
422
00:18:10,624 --> 00:18:12,894
Look, Troy,
I don't need to tell you
423
00:18:12,927 --> 00:18:15,462
that the bank
has filed a notice
of default.
424
00:18:15,762 --> 00:18:16,663
What?
425
00:18:16,696 --> 00:18:18,765
And it's not news to you,
of course,
426
00:18:18,798 --> 00:18:22,569
that they're weeks away
from foreclosing
on this place.
427
00:18:24,738 --> 00:18:27,875
No, that's definitely
not news to me.
428
00:18:31,678 --> 00:18:35,548
Listen, I think
I can help you
get out of this jam.
429
00:18:35,582 --> 00:18:37,084
I know I speak on behalf
430
00:18:37,118 --> 00:18:38,785
of my entire
board of directors
431
00:18:38,819 --> 00:18:41,421
when I say
that Barnswell Capital
432
00:18:41,454 --> 00:18:44,392
would love to get into bed
with AdirondACTS.
433
00:18:44,424 --> 00:18:50,697
♪ Tell them how
I am defying gravity
434
00:18:50,730 --> 00:18:56,370
♪ I'm flying high
defying gravity
435
00:18:56,404 --> 00:18:57,437
I'm so sorry.
I didn't mean
436
00:18:57,470 --> 00:18:58,873
to interrupt
that conversation.
437
00:18:58,906 --> 00:19:00,041
That was very
out of character for me.
438
00:19:00,074 --> 00:19:01,608
A little brazen...
Hey, you can't tell anyone
439
00:19:01,641 --> 00:19:04,345
about this
foreclosure thing,
okay?
440
00:19:04,378 --> 00:19:05,745
It's between me
and you.
441
00:19:05,779 --> 00:19:09,250
Uh, yeah.
Uh, our little secret.
442
00:19:09,283 --> 00:19:11,451
But I do think
you should know,
443
00:19:11,484 --> 00:19:13,220
Barnswell Capital,
they're not people
444
00:19:13,254 --> 00:19:15,323
that we should be
getting into bed with.
445
00:19:15,356 --> 00:19:18,359
Lakeside is the enemy.
446
00:19:18,392 --> 00:19:19,927
They've been trying
to get this land
447
00:19:19,961 --> 00:19:21,494
for a very long time,
448
00:19:21,528 --> 00:19:23,730
and I think Joan's success
is, in large part,
449
00:19:23,763 --> 00:19:26,067
due to the fact
that she has leaned on us,
450
00:19:26,100 --> 00:19:27,734
AdirondACTS family,
451
00:19:27,767 --> 00:19:30,104
and your mother
used to say,
452
00:19:30,137 --> 00:19:31,339
"We're theater people.
453
00:19:31,372 --> 00:19:34,241
"We know how to turn
cardboard into gold."
454
00:19:34,275 --> 00:19:38,045
♪ Bring me down♪
455
00:19:38,079 --> 00:19:39,546
(PIANO PLAYING)
456
00:19:41,215 --> 00:19:42,716
(POWER SHUTS DOWN)
(PIANO STOPS)
457
00:19:42,749 --> 00:19:44,185
CHRISTOPHER L: What?
REBECCA-DIANE: Oh, my God.
458
00:19:44,218 --> 00:19:45,419
Troy.
459
00:19:45,453 --> 00:19:47,922
Okay, you're not ruining
my final note. (CHUCKLES)
460
00:19:47,955 --> 00:19:49,857
(VOCALIZING)
461
00:19:51,859 --> 00:19:53,660
Yeah.
462
00:19:53,693 --> 00:19:55,963
I really need to start
reading the mail.
463
00:20:05,806 --> 00:20:08,109
(SOFTLY)
♪ Peters, Foster
Streisand, LuPone
464
00:20:08,142 --> 00:20:10,643
♪ Give us a role
we can make our own
465
00:20:10,677 --> 00:20:13,214
♪ Audra McDonald
Idina Menzel
466
00:20:13,247 --> 00:20:15,816
♪ We are gay witches
and this is our spell ♪
467
00:20:15,850 --> 00:20:17,184
RITA: Move on. We're
gonna move on.
AMOS: Okay.
468
00:20:17,218 --> 00:20:18,785
RITA: Okay. What about this?
The Crucible or Cats?
469
00:20:18,819 --> 00:20:20,421
I think that
she's in the running
for Tituba.
470
00:20:20,454 --> 00:20:21,822
No.
In the running.
471
00:20:21,856 --> 00:20:22,957
How are we gonna
talk about Tituba
472
00:20:22,990 --> 00:20:24,291
when we haven't
picked a Proctor?
473
00:20:24,325 --> 00:20:26,659
AMOS: Do you think
you could channel her
for us?
474
00:20:26,693 --> 00:20:28,595
Just try. I know
you don't like
to do it on command,
475
00:20:28,628 --> 00:20:31,232
but maybe Joan
has some wisdom
to offer in this moment.
476
00:20:31,265 --> 00:20:32,333
CLIVE: Here
in this situation room.
477
00:20:32,366 --> 00:20:33,467
RITA: Oh,
I would love to...
478
00:20:33,501 --> 00:20:35,036
Oh, I wanna
talk to her.
479
00:20:35,069 --> 00:20:36,303
Please do it.
480
00:20:37,637 --> 00:20:39,539
I have so many things
to tell her.
481
00:20:39,572 --> 00:20:40,640
CLIVE: Joan!
RITA: Joan.
482
00:20:40,673 --> 00:20:41,842
Joan, are you there?
483
00:20:41,876 --> 00:20:43,077
RITA: Are you here, Joan?
Guys, real quick.
484
00:20:43,110 --> 00:20:44,378
CLIVE: Joan, speak to us.
TROY: I'm gonna head out
485
00:20:44,412 --> 00:20:46,280
just 'cause the candles
and kids thing
486
00:20:46,313 --> 00:20:47,515
is making me
feel a little bit weird.
487
00:20:47,547 --> 00:20:48,748
We don't have
that much time
to begin with.
488
00:20:48,782 --> 00:20:50,084
Thank you.
That's fine.
Please.
489
00:20:50,117 --> 00:20:51,052
AMOS: Oh, my God!
490
00:20:51,085 --> 00:20:52,685
CLIVE: Can we get back
to the business at hand?
491
00:20:52,719 --> 00:20:54,055
AMOS: Can we open up
the discussion in terms
of Lolas?
492
00:20:54,088 --> 00:20:55,722
I'm just gonna
throw a name out.
Chantal.
493
00:20:55,755 --> 00:20:56,824
CLIVE: Chantal.
Yes, Chantal.
494
00:20:56,857 --> 00:20:58,392
It's exactly what
I was thinking. Chantal.
495
00:20:58,426 --> 00:21:01,228
Chantal. Chantal.
Chantal.
496
00:21:01,262 --> 00:21:02,595
Which one...
Okay. Chantal.
497
00:21:02,629 --> 00:21:03,696
CLIVE: Yes, yes.
498
00:21:03,730 --> 00:21:04,965
Okay, Chantal.
She's going where?
499
00:21:04,999 --> 00:21:06,100
Damn Yankees.
500
00:21:06,133 --> 00:21:07,301
REBECCA-DIANE: I'm just
worried she doesn't have...
501
00:21:07,334 --> 00:21:08,668
No, don't place her there!
502
00:21:08,701 --> 00:21:10,703
I'm worried she doesn't have
the sexuality to play it.
503
00:21:10,737 --> 00:21:12,907
Obviously, everyone
on this board is a virgin,
504
00:21:12,940 --> 00:21:14,241
but Chantal
seems like a virgin...
505
00:21:14,275 --> 00:21:15,242
AMOS: I agree.
506
00:21:15,276 --> 00:21:16,811
...the minute
that she steps
into a room.
507
00:21:16,844 --> 00:21:18,546
Her name. I don't wanna see
Chantal in a feather.
508
00:21:18,578 --> 00:21:19,746
AMOS: I hate to admit
that it's a great point.
509
00:21:19,779 --> 00:21:20,848
Okay, let's just
table the virgins.
510
00:21:20,881 --> 00:21:21,982
CLIVE: Well,
can't we get her there?
511
00:21:22,016 --> 00:21:23,184
GIGI: Get her there?
How do we get her there?
512
00:21:23,217 --> 00:21:24,885
Get her there?
What do you
want us to do?
513
00:21:24,919 --> 00:21:26,220
I don't know
how you get
a virgin there.
514
00:21:26,253 --> 00:21:28,022
You get them there.
515
00:21:28,055 --> 00:21:30,958
Okay. Where do you
think this one goes?
516
00:21:32,259 --> 00:21:35,229
Well, it looks like it was
some kind of short.
517
00:21:35,262 --> 00:21:37,431
Did you check the...
Breakers?
518
00:21:37,465 --> 00:21:38,731
Yeah, I killed them already.
519
00:21:40,034 --> 00:21:41,601
(ELECTRIC BEEPING)
520
00:21:42,702 --> 00:21:44,905
(GLENN VOCALIZING)
521
00:21:52,745 --> 00:21:54,915
Wow, that's really pretty,
Glenn.
522
00:21:57,717 --> 00:21:59,587
Okay. Uh...
523
00:21:59,652 --> 00:22:00,955
You want him
and Sebastian in Joan?
524
00:22:00,988 --> 00:22:02,223
AMOS: Listen.
Hey, how about...
525
00:22:02,256 --> 00:22:03,390
I have no one.
526
00:22:03,424 --> 00:22:04,458
You take Sean,
we'll take Sebastian.
527
00:22:04,492 --> 00:22:05,692
Hmm?
RITA: All right.
528
00:22:05,725 --> 00:22:06,827
GIGI: Now we have a deal.
All right. All right.
529
00:22:06,861 --> 00:22:08,162
He can be Mr. Mistoffelees.
Okay. Okay.
530
00:22:08,195 --> 00:22:10,431
CLIVE: Put him in there.
Okay. Sean is Mistoffelees.
531
00:22:10,464 --> 00:22:13,934
If we can have Darla
for Joan, Still.
532
00:22:13,968 --> 00:22:15,102
CLIVE: You can have Darla.
533
00:22:15,136 --> 00:22:17,770
I'm sorry. For what
in Joan, Still?
534
00:22:17,805 --> 00:22:19,340
To play Joan.
Old Joan.
535
00:22:19,373 --> 00:22:20,740
AMOS: She's not
even on my list.
536
00:22:20,773 --> 00:22:22,709
She's obviously
the best one.
Joan is the most organic
537
00:22:22,742 --> 00:22:23,844
and warm person
that I know.
538
00:22:23,878 --> 00:22:25,246
It emanates from her
539
00:22:25,279 --> 00:22:26,646
and Darla, it's sort of like,
put on and then another layer,
540
00:22:26,679 --> 00:22:28,048
put on and then another layer,
put on...
541
00:22:28,082 --> 00:22:29,316
Like all of the work
she's done...
542
00:22:29,350 --> 00:22:30,717
I find her so free.
All the sets
543
00:22:30,750 --> 00:22:32,453
she's been on
just reek on her.
544
00:22:32,486 --> 00:22:33,888
Just sit with it
for a second.
545
00:22:33,921 --> 00:22:35,389
(POWER SWITCHES ON)
546
00:22:35,422 --> 00:22:37,657
(CHILDREN CHEERING)
547
00:22:39,792 --> 00:22:41,896
(INTRIGUING MUSIC PLAYING)
548
00:22:51,704 --> 00:22:54,575
AMOS: Please
don't disappoint Joan.
549
00:22:54,608 --> 00:22:56,443
(MICROPHONE FEEDBACK)
550
00:22:58,579 --> 00:22:59,779
(SIGHS)
551
00:23:01,315 --> 00:23:02,316
Campers,
552
00:23:02,883 --> 00:23:04,852
the cast lists are up.
553
00:23:04,885 --> 00:23:07,388
(ALL CLAMORING EXCITEDLY)
554
00:23:17,965 --> 00:23:19,500
Oh, my God!
Oh, my God!
Oh, my God!
555
00:23:19,533 --> 00:23:21,001
SEBASTIAN: Out of the way!
556
00:23:23,871 --> 00:23:25,472
(CHILDREN SQUEALING)
557
00:23:27,107 --> 00:23:28,741
GIRL: Am I going to be a cat?
558
00:23:30,010 --> 00:23:32,246
ALICE: Little person
coming through.
559
00:23:32,779 --> 00:23:35,015
(CHILDREN CHATTERING)
560
00:23:42,590 --> 00:23:44,258
(ALL CHEERING)
561
00:23:45,392 --> 00:23:46,827
ALICE: I'm so proud of you.
562
00:23:54,168 --> 00:23:55,135
(LAUGHS)
563
00:23:55,169 --> 00:23:56,971
ALAN: You've got to hear
her sing, Marty.
564
00:23:57,004 --> 00:24:00,007
She just booked the title role
in Joan, Still...
565
00:24:00,040 --> 00:24:01,809
...and I'm this close
to signing her.
566
00:24:01,842 --> 00:24:03,210
She's the whole package.
567
00:24:03,244 --> 00:24:04,545
WOMAN: (ON PHONE)
My daughter is a genius.
568
00:24:04,578 --> 00:24:06,213
I hear you loud and clear.
Believe me, you're not the
569
00:24:06,247 --> 00:24:07,881
only one who's upset.
I've been getting
a lot of calls.
570
00:24:07,915 --> 00:24:09,149
How dare you do this
to my daughter?
571
00:24:09,183 --> 00:24:10,750
I'm seriously
going to do something
572
00:24:10,783 --> 00:24:12,219
if my daughter
is not the lead
by tomorrow.
573
00:24:12,253 --> 00:24:13,621
Ma'am, again,
I was not involved
574
00:24:13,654 --> 00:24:14,822
in the casting decision.
575
00:24:14,855 --> 00:24:16,257
I will be sure
to pass that on.
576
00:24:16,290 --> 00:24:18,025
But in the meantime,
if you wanna bribe me,
577
00:24:18,058 --> 00:24:19,759
I am very open to...
DARLA: Troy, right?
578
00:24:19,792 --> 00:24:21,061
Are you listening to me?
Hold on one second.
579
00:24:21,095 --> 00:24:21,929
Hi, yes.
580
00:24:21,962 --> 00:24:23,230
Hi. I'm Darla.
Hi, Darla.
581
00:24:23,264 --> 00:24:24,764
I just wanna thank you
for entrusting me
582
00:24:24,797 --> 00:24:27,134
to inhabit your mother
in Joan, Still.
583
00:24:27,167 --> 00:24:29,870
Wasn't me who made
the decision, but of course.
584
00:24:29,903 --> 00:24:31,205
I'd love to have
a sit-down.
585
00:24:31,238 --> 00:24:33,140
Go over
her mannerisms, tics,
586
00:24:33,173 --> 00:24:34,575
favorite foods
and traumas.
587
00:24:34,608 --> 00:24:35,709
Right on. Um...
588
00:24:35,743 --> 00:24:37,344
Do you happen
to have her dream journal?
589
00:24:37,378 --> 00:24:39,413
Dream journal.
Um, you might
have to come back.
590
00:24:39,446 --> 00:24:40,981
Troy, all the freezers
were out last night,
591
00:24:41,015 --> 00:24:43,017
so the meat turned.
So what do we serve
for lunch?
592
00:24:43,050 --> 00:24:45,386
DARLA:
I'll come back later.
(FLAPPING LIPS)
593
00:24:45,919 --> 00:24:47,187
Have a big breakfast.
594
00:24:48,188 --> 00:24:49,523
(SIGHS) Rita.
595
00:24:50,591 --> 00:24:51,791
CLIVE: Class,
596
00:24:52,792 --> 00:24:55,896
to dance
is the highest expression
597
00:24:55,929 --> 00:24:57,731
of human existence.
598
00:24:57,765 --> 00:25:01,168
Acting is remembering
and then choosing to forget.
599
00:25:01,201 --> 00:25:05,172
Music is the closest thing
we have to the other side.
600
00:25:05,205 --> 00:25:07,541
(SYNTH MUSIC
PLAYING ON SPEAKER)
601
00:25:10,678 --> 00:25:12,479
(MAKING SQUEAKING SOUND)
602
00:25:14,214 --> 00:25:16,183
(FEET STOMPING)
603
00:25:17,384 --> 00:25:18,552
Mask work.
604
00:25:18,585 --> 00:25:19,820
Who's next?
605
00:25:19,853 --> 00:25:20,921
So, I'm gonna be
teaching you guys
606
00:25:20,954 --> 00:25:22,156
a little fashion history
607
00:25:22,189 --> 00:25:23,590
and we're gonna
really look closely
608
00:25:23,624 --> 00:25:25,526
at the period costuming.
609
00:25:25,559 --> 00:25:26,660
I see...
610
00:25:26,694 --> 00:25:27,728
clavicle realness.
611
00:25:27,761 --> 00:25:29,830
Showing off the clav.
612
00:25:29,863 --> 00:25:31,999
You need to know
when to use a clavicle.
613
00:25:32,032 --> 00:25:34,501
Right.
It's once a week.
614
00:25:34,535 --> 00:25:36,403
This is me
at Coachella.
615
00:25:36,437 --> 00:25:38,739
Kind of cross-faded.
I'm looking
for my friend, Chad.
616
00:25:38,772 --> 00:25:40,341
I was running.
"Chad!"
617
00:25:40,374 --> 00:25:42,843
I'm hating everything
about this except for the
618
00:25:43,444 --> 00:25:44,578
peekaboo vaginal sleeve.
619
00:25:46,347 --> 00:25:47,581
Characterization.
620
00:25:47,614 --> 00:25:48,749
Let's say it.
621
00:25:48,782 --> 00:25:50,918
Characterization.
ALL: Characterization.
622
00:25:50,951 --> 00:25:52,953
It's time to dive in
to our first exercise.
623
00:25:52,986 --> 00:25:55,589
Somebody wants to maybe
give it a shot?
624
00:25:55,622 --> 00:25:56,990
Anybody.
625
00:25:57,458 --> 00:25:58,459
Nobody?
626
00:25:59,727 --> 00:26:02,496
Darla, why don't you
come up here
and demonstrate with me?
627
00:26:02,529 --> 00:26:06,066
So Darla is going to say
just a basic fact about me,
628
00:26:06,100 --> 00:26:08,068
anything that
she observes.
629
00:26:08,102 --> 00:26:09,804
Just anything
that comes to mind
when you look at me.
630
00:26:09,838 --> 00:26:11,739
No wrong answers.
Just throw something out.
631
00:26:11,772 --> 00:26:13,073
You're an acting teacher.
632
00:26:13,107 --> 00:26:14,241
Okay. I'm gonna stop you
right there.
633
00:26:14,274 --> 00:26:17,211
So that's actually
wildly opinionated.
634
00:26:17,244 --> 00:26:19,413
That was a really simplistic
way of looking at it.
635
00:26:19,446 --> 00:26:22,716
I am a performer
who works full time
636
00:26:22,750 --> 00:26:24,051
as an acting teacher, right?
637
00:26:25,119 --> 00:26:27,287
(PLAYING PEACEFUL TUNE
ON FLUTE)
638
00:26:34,928 --> 00:26:36,363
Sing that back to me.
639
00:26:37,598 --> 00:26:39,433
(CHILDREN VOCALIZING TUNE)
640
00:26:39,466 --> 00:26:41,602
Now we're gonna do
a little bit of an exercise
641
00:26:41,635 --> 00:26:43,036
to just strengthen our mouths.
642
00:26:43,070 --> 00:26:44,638
ALL:
♪ I was with Al Gore
643
00:26:44,671 --> 00:26:46,140
♪ By the old cheese store
644
00:26:46,173 --> 00:26:48,675
♪ And he brought his own bag
From the ocean floor ♪
645
00:26:48,709 --> 00:26:52,579
ALL: Wolf Blitzer has
a blister on his upper lip.
646
00:26:52,613 --> 00:26:54,248
You are a family...
647
00:26:55,482 --> 00:26:56,750
of influencers.
648
00:26:56,784 --> 00:26:58,619
The mom is the manager.
649
00:26:58,652 --> 00:27:01,155
You're dating
a basketball player,
650
00:27:01,188 --> 00:27:03,457
but he's constantly
cheating on you.
651
00:27:03,490 --> 00:27:04,826
And if that isn't enough,
652
00:27:04,859 --> 00:27:07,060
all your names
start with the same letter.
653
00:27:09,296 --> 00:27:10,297
Oh, nice.
654
00:27:11,265 --> 00:27:13,567
Your show's canceled!
Your show's canceled!
655
00:27:14,468 --> 00:27:15,669
It's back.
656
00:27:16,670 --> 00:27:17,704
Whoa.
657
00:27:17,738 --> 00:27:20,174
Wanting to learn
about stagecraft
658
00:27:20,207 --> 00:27:22,443
is an act of nobility.
659
00:27:22,476 --> 00:27:26,280
You know, even if it's just
because dance was full.
660
00:27:26,313 --> 00:27:29,583
Something that we like
to dig into here
661
00:27:29,616 --> 00:27:32,486
is the art
of the spotlight.
662
00:27:39,159 --> 00:27:42,864
No offense,
but this is really easy.
663
00:27:42,897 --> 00:27:45,032
Can you make it harder?
664
00:27:46,567 --> 00:27:47,568
Okay.
665
00:27:52,239 --> 00:27:55,108
(UPBEAT PIANO MUSIC PLAYING)
666
00:28:14,896 --> 00:28:17,030
(UPBEAT INSTRUMENTAL
MUSIC PLAYING)
667
00:28:32,814 --> 00:28:34,381
(PANTING)
668
00:28:37,551 --> 00:28:39,921
You know, if there was
a real dancer on stage,
669
00:28:39,954 --> 00:28:41,154
that would be...
670
00:28:42,089 --> 00:28:43,624
that would be different.
671
00:28:43,657 --> 00:28:44,893
Better, probably.
672
00:28:44,926 --> 00:28:46,293
Whoa, that was amazing.
673
00:28:46,326 --> 00:28:48,228
GLENN: (STAMMERS)
Let's take a break.
674
00:28:49,363 --> 00:28:50,731
AMOS:
So we have like...
(PLAYING PIANO)
675
00:28:50,764 --> 00:28:52,834
♪ You never
676
00:28:52,867 --> 00:28:55,068
♪ Listen to me
Yeah.
677
00:28:55,102 --> 00:28:56,136
And then...
678
00:28:56,169 --> 00:28:57,704
♪ Daddy♪
Yeah.
679
00:28:57,738 --> 00:28:59,841
I want her
to say that loudly.
680
00:28:59,874 --> 00:29:01,475
Write that down.
Mmm-hmm. Like guttural.
681
00:29:01,508 --> 00:29:03,210
That's very Joan.
A guttural "Daddy."
682
00:29:03,243 --> 00:29:05,379
It would be great to go
into the first rehearsal
683
00:29:05,412 --> 00:29:07,447
with like,
three or four songs.
684
00:29:07,481 --> 00:29:10,317
For Joan's song
at Studio 54,
I've been thinking...
685
00:29:10,350 --> 00:29:11,685
(SCATTING)
686
00:29:13,153 --> 00:29:14,488
♪ Lower now♪
687
00:29:14,521 --> 00:29:16,089
(BOTH SCATTING)
688
00:29:17,025 --> 00:29:18,191
Okay. That's good.
689
00:29:18,225 --> 00:29:21,228
What are we doing for,
in the Wall Street piece?
690
00:29:21,261 --> 00:29:23,530
♪ Selling the stock
Buying the stock♪
691
00:29:24,531 --> 00:29:25,632
It's tap.
692
00:29:25,666 --> 00:29:27,701
It's tap.
It's tap.
693
00:29:27,734 --> 00:29:30,070
Like, stocks and bonds.
♪ Stocks things
694
00:29:30,103 --> 00:29:31,605
♪ Bonds and selling
Stocks.
695
00:29:31,638 --> 00:29:33,273
♪ I work on Wall Street♪
Stocks.
696
00:29:33,307 --> 00:29:34,608
I don't know
when I'm gonna be able
697
00:29:34,641 --> 00:29:37,477
to really get
to the finale.
Yeah, yeah, I got it.
698
00:29:37,511 --> 00:29:38,880
You can take that?
Yeah, I got it.
699
00:29:38,913 --> 00:29:41,081
So, I'm writing,
Rebecca-Diane...
700
00:29:41,448 --> 00:29:42,449
finale.
701
00:29:43,317 --> 00:29:44,919
It's for her.
It's all for her.
702
00:29:44,953 --> 00:29:46,453
It's for her.
(TURNS PAGE)
703
00:29:47,654 --> 00:29:50,058
DARLA: Well, it makes sense.
I've been taking tap
704
00:29:50,090 --> 00:29:51,358
since I was two.
CHRISTOPHER L: Oh, my gosh.
705
00:29:51,391 --> 00:29:52,192
DARLA: So, I'm like...
That's why I, like, have it.
706
00:29:52,225 --> 00:29:53,694
Performers, attention.
707
00:29:54,896 --> 00:29:56,763
Welcome to
the first rehearsal
of Joan, Still.
708
00:29:57,431 --> 00:29:59,132
I'm not gonna
sugarcoat it.
709
00:29:59,166 --> 00:30:00,701
Emotionally,
physically
and spiritually,
710
00:30:00,734 --> 00:30:02,904
this is our most
complicated piece
we've ever tried to do.
711
00:30:02,937 --> 00:30:04,271
Most ambitious.
712
00:30:04,304 --> 00:30:08,042
Now, we only have three weeks
to create a masterpiece.
713
00:30:08,076 --> 00:30:09,743
It's on you now.
It's up to you.
714
00:30:09,776 --> 00:30:10,878
So that's
on your shoulders
715
00:30:10,912 --> 00:30:13,948
as well as Joan's well-being
and her legacy. All on you.
716
00:30:13,982 --> 00:30:15,950
But you so deserve it
on every level.
717
00:30:15,984 --> 00:30:18,218
You guys are so talented,
so unbelievable.
718
00:30:18,251 --> 00:30:19,453
This will break you.
719
00:30:20,220 --> 00:30:21,889
This will
fully destroy you.
720
00:30:21,923 --> 00:30:24,224
Congratulations on being
the most talented kids
at camp.
721
00:30:24,257 --> 00:30:26,627
(JAUNTY MUSIC PLAYING)
722
00:30:26,660 --> 00:30:28,328
(INAUDIBLE CONVERSATIONS)
723
00:30:31,933 --> 00:30:33,935
On a "mi," go.
724
00:30:33,968 --> 00:30:35,302
ALL:
♪ Mi, mi, mi♪
725
00:30:38,305 --> 00:30:39,874
Um, I'm just gonna go
and see if there's
726
00:30:39,907 --> 00:30:41,274
any alcohol
that's been confiscated.
727
00:30:41,308 --> 00:30:42,609
I'll just grab it
and I'll meet you
at the fire pit?
728
00:30:42,643 --> 00:30:44,411
You know what?
I just can't.
I can't come tonight.
729
00:30:44,444 --> 00:30:46,346
I'm having insane
creative inspiration.
730
00:30:46,380 --> 00:30:47,882
It's just coming
out of me at all ends.
731
00:30:47,915 --> 00:30:49,149
No. Rebecca, Rebecca.
732
00:30:49,182 --> 00:30:50,350
I'm not going
to the staff hang
without you.
733
00:30:50,384 --> 00:30:52,020
I'm gonna get stuck
listening to a story
734
00:30:52,053 --> 00:30:54,956
about how Clive was nude
for the entire '80s.
735
00:30:54,989 --> 00:30:56,991
And the dancers
start applauding for me.
736
00:30:57,025 --> 00:30:58,725
And I had no idea why.
737
00:30:58,759 --> 00:31:01,561
But, of course,
I obliged them
with a deep curtsy.
738
00:31:01,595 --> 00:31:05,833
And as I'm bowing,
I realize I'm still nude.
739
00:31:06,901 --> 00:31:08,301
(BOTH LAUGHING)
740
00:31:08,870 --> 00:31:11,772
CLIVE: Oh, still nude.
741
00:31:13,707 --> 00:31:15,275
Um, let's do a toast.
742
00:31:15,308 --> 00:31:17,544
Shall we, a toast to Joan?
CLIVE: Praise be.
743
00:31:17,577 --> 00:31:19,780
Right? A little toast.
Let me top everyone off.
744
00:31:19,814 --> 00:31:22,582
I can feel that her spirit
is with us right now.
745
00:31:22,616 --> 00:31:23,517
GIGI: Yes.
746
00:31:23,550 --> 00:31:24,886
She's here.
She's here.
She's here.
747
00:31:24,919 --> 00:31:26,453
I have a little story
for us.
748
00:31:26,486 --> 00:31:30,190
So I was a camper here
and Joan said to me,
749
00:31:30,223 --> 00:31:31,893
she looked me in the eyes,
she said,
750
00:31:33,027 --> 00:31:34,294
"You're untalented.
751
00:31:35,495 --> 00:31:37,330
"You can't dance.
You can't sing.
752
00:31:38,132 --> 00:31:39,332
"You can't act.
753
00:31:40,068 --> 00:31:41,803
"You're very bad at this.
754
00:31:41,836 --> 00:31:43,403
"But you look amazing.
755
00:31:43,437 --> 00:31:46,640
"Your skin is glowing
and your outfit
is unbelievable."
756
00:31:48,775 --> 00:31:50,343
And she was right.
757
00:31:50,377 --> 00:31:51,846
RITA: At camp,
we have a tradition.
758
00:31:51,879 --> 00:31:54,214
Every night,
a staff member
or counselor
759
00:31:54,247 --> 00:31:56,349
is gonna come in here
and do a show for you.
760
00:31:56,383 --> 00:31:59,187
Tonight was supposed
to be Joan's night,
761
00:31:59,219 --> 00:32:00,387
but Joan isn't here.
762
00:32:00,420 --> 00:32:03,457
So tonight, I am going
to take her place
763
00:32:03,490 --> 00:32:06,793
and read you
a special bedtime story.
764
00:32:06,828 --> 00:32:10,497
♪ My friends
By the fire with my friends
765
00:32:10,530 --> 00:32:14,735
♪ Having fun with my friends ♪
766
00:32:14,768 --> 00:32:16,470
(VOCALIZING)
767
00:32:18,405 --> 00:32:20,240
Gorgeous.
Thank you, Rebecca.
768
00:32:20,273 --> 00:32:21,976
Sorry. Sorry.
769
00:32:22,009 --> 00:32:25,779
I just feel like this mood
is getting kind of like, sad.
770
00:32:25,813 --> 00:32:27,681
You know what I mean?
Let's get crunk a little.
771
00:32:27,714 --> 00:32:28,715
Janet.
772
00:32:30,283 --> 00:32:32,019
What are you doing here
at the camp?
773
00:32:32,053 --> 00:32:34,321
Oh, I mean, like,
what are any of us
doing here
774
00:32:34,354 --> 00:32:35,789
at the camp?
No, no, no.
775
00:32:35,823 --> 00:32:36,891
What are you doing?
776
00:32:36,924 --> 00:32:40,393
I just wanna say
your energy
is so chaotic.
777
00:32:40,427 --> 00:32:41,495
I don't think so.
778
00:32:41,528 --> 00:32:43,064
And I actually do
some energy healing
779
00:32:43,097 --> 00:32:44,731
and any time
you wanna talk
outside class,
780
00:32:44,765 --> 00:32:46,834
I'm really happy
to sit down with you.
781
00:32:46,868 --> 00:32:47,835
I'm chilling.
782
00:32:47,869 --> 00:32:49,003
You know what I mean?
REBECCA-DIANE: Mmm-hmm.
783
00:32:49,036 --> 00:32:50,637
I don't like
this type of, um,
784
00:32:50,670 --> 00:32:52,073
voice.
785
00:32:52,106 --> 00:32:53,340
This is my voice.
786
00:32:53,373 --> 00:32:56,010
No, I think
it sounded different
three seconds ago.
787
00:32:56,043 --> 00:32:57,410
No, that's how I talk.
788
00:32:57,444 --> 00:33:00,882
"She was so excited to be
at this Equity open call.
789
00:33:00,915 --> 00:33:03,650
"But she'd been waiting
for hours and hours.
790
00:33:03,683 --> 00:33:07,487
"She could hear people singing
on the other side of the door.
791
00:33:07,521 --> 00:33:10,657
"And then finally,
it was her turn.
792
00:33:10,690 --> 00:33:13,094
"But when she walked
in the room,
793
00:33:13,127 --> 00:33:15,196
"the men turned her away
794
00:33:15,229 --> 00:33:19,100
"because she was non-union."
795
00:33:19,133 --> 00:33:20,333
The end.
796
00:33:21,434 --> 00:33:22,970
AMOS: We at one time
were going to pursue
797
00:33:23,004 --> 00:33:25,106
an education
in the theater
798
00:33:25,139 --> 00:33:26,673
and we both actually
auditioned together
799
00:33:26,706 --> 00:33:29,676
for a little-known institution
called Juilliard.
800
00:33:29,709 --> 00:33:31,045
We were in
the waiting room,
you know.
801
00:33:31,078 --> 00:33:32,412
I had my monologue
all prepared.
802
00:33:32,445 --> 00:33:34,949
I was doing
"Gallop Apace," Juliet.
803
00:33:34,982 --> 00:33:36,851
She had Romeo
in the tomb.
804
00:33:36,884 --> 00:33:37,885
And then...
805
00:33:37,919 --> 00:33:40,288
Gerald walked into
the waiting room.
Gerald '08.
806
00:33:40,320 --> 00:33:41,388
REBECCA-DIANE:
Gerald '08 walked in.
807
00:33:41,421 --> 00:33:42,556
AMOS: Just to
catch you up, Janet,
808
00:33:42,589 --> 00:33:43,858
we had a torrid affair.
809
00:33:43,891 --> 00:33:45,392
Lot of, like,
will they, won't they.
810
00:33:45,425 --> 00:33:46,828
The camp
was all abuzz about it.
811
00:33:46,861 --> 00:33:49,462
We never really spoke
or touched or kissed,
but it...
812
00:33:49,496 --> 00:33:51,631
You know, it was
on everybody's lips.
813
00:33:51,665 --> 00:33:54,634
And so he really threw
my pH balance,
like, way off.
814
00:33:54,668 --> 00:33:56,570
And Rebecca
could feel it, too,
815
00:33:56,603 --> 00:33:58,638
because we kind
of share a soul.
816
00:33:58,672 --> 00:34:01,242
And we are linked
artistically, emotionally...
817
00:34:01,275 --> 00:34:03,610
Completely. We are one.
You're codependent?
818
00:34:03,643 --> 00:34:05,880
Well, no, I would say
that we're dependent
on each other.
819
00:34:05,913 --> 00:34:06,981
So, anyways,
820
00:34:07,014 --> 00:34:08,049
we were inches
from a callback,
821
00:34:08,082 --> 00:34:09,250
slipped from our hands.
822
00:34:09,283 --> 00:34:10,852
It didn't happen.
It didn't go our way.
823
00:34:10,885 --> 00:34:12,019
We both bombed.
No.
824
00:34:12,053 --> 00:34:13,054
Bombed.
825
00:34:13,087 --> 00:34:14,322
REBECCA-DIANE: Yeah,
we've always wanted to do
826
00:34:14,354 --> 00:34:15,555
a gender-reversed production
827
00:34:15,589 --> 00:34:17,024
of Romeo and Juliet.
Mmm-hmm.
828
00:34:18,926 --> 00:34:19,927
Why don't you do it?
829
00:34:21,195 --> 00:34:22,897
Well, I would love
to do it with you.
830
00:34:22,930 --> 00:34:24,798
And I've been working
really hard and taking...
831
00:34:24,832 --> 00:34:28,368
I mean, you know,
the absolute goal
at the end of the day
832
00:34:28,401 --> 00:34:29,636
is, of course, to perform,
833
00:34:29,669 --> 00:34:32,139
but I don't think
we're quite at that place.
834
00:34:34,976 --> 00:34:36,643
(HIP-HOP MUSIC PLAYING)
835
00:34:48,256 --> 00:34:49,789
(CELL PHONE BUZZING)
TROY: Ay, yikes.
836
00:34:49,824 --> 00:34:51,125
MAN: (ON PHONE)
Hi, Mr. Rubinsky,
837
00:34:51,158 --> 00:34:53,094
this is Carl
from Warwick Bank.
838
00:34:53,127 --> 00:34:55,329
If you do not make a payment
on your mortgage this week,
839
00:34:55,363 --> 00:34:57,198
we will initiate
foreclosure proceedings.
840
00:34:57,231 --> 00:35:00,767
Please take action to avoid
repossession of your camp.
841
00:35:01,269 --> 00:35:02,336
(CELL PHONE BEEPS)
842
00:35:02,370 --> 00:35:03,637
AUTOMATED VOICE:
"Repossession" means
843
00:35:03,670 --> 00:35:05,206
the action of retaking
possession of something.
844
00:35:05,239 --> 00:35:07,909
In particular, when a buyer
defaults on payments.
845
00:35:07,942 --> 00:35:09,277
Whoa.
846
00:35:09,310 --> 00:35:10,744
(HIP-HOP MUSIC CONTINUES)
847
00:35:13,814 --> 00:35:17,952
(CLEARS THROAT)
Oh, what a beautiful...
848
00:35:17,985 --> 00:35:19,186
ALL: Morning!
849
00:35:19,220 --> 00:35:22,722
(ON MIC) All right. First up,
minor housekeeping issue.
850
00:35:22,756 --> 00:35:25,960
Whoever stole my CBD gummies,
please return them.
851
00:35:25,993 --> 00:35:27,594
No questions asked.
852
00:35:27,627 --> 00:35:29,763
I'm pretty sure
I know who it was,
853
00:35:29,796 --> 00:35:31,631
so just go ahead
and cough that up.
854
00:35:31,665 --> 00:35:33,134
I can't sleep without them.
855
00:35:33,167 --> 00:35:34,534
GIRL: CisHet bitch.
856
00:35:34,567 --> 00:35:36,103
(CHILDREN LAUGHING)
857
00:35:36,137 --> 00:35:37,604
Okay. Thank you for that.
858
00:35:40,740 --> 00:35:41,574
Thank you.
859
00:35:41,608 --> 00:35:43,476
Food has been so good.
Keep it up.
860
00:35:46,479 --> 00:35:47,514
(CHAIR SLIDES)
861
00:35:47,547 --> 00:35:49,250
GLENN: Ow!
TROY: Oh.
862
00:35:49,283 --> 00:35:50,885
Hey, sorry. Are you...
Sorry.
863
00:35:50,918 --> 00:35:53,187
No, it was completely
my fault. You're fine.
864
00:35:56,456 --> 00:35:59,126
Hey, uh, do you wanna
have lunch with me?
865
00:36:02,462 --> 00:36:05,132
By the way, thanks for
not telling anyone
866
00:36:05,166 --> 00:36:06,566
about the foreclosure.
867
00:36:06,599 --> 00:36:08,069
I really appreciate that.
868
00:36:09,469 --> 00:36:11,638
I don't know
if I can do this, man.
869
00:36:11,671 --> 00:36:14,541
I have no idea how my mom
kept this place afloat.
870
00:36:14,574 --> 00:36:17,078
I mean,
the bank's way up
my ass.
871
00:36:17,111 --> 00:36:18,578
Plus, Tim keeps complaining
872
00:36:18,611 --> 00:36:20,480
about being woken up
by the kids' singing.
873
00:36:20,513 --> 00:36:22,249
Who's Tim?
874
00:36:23,184 --> 00:36:24,584
My Airbnb bunkie.
875
00:36:24,617 --> 00:36:26,153
This guy named Tim.
That guy.
876
00:36:28,122 --> 00:36:29,390
Hey!
I really can't afford
877
00:36:29,423 --> 00:36:31,158
a bad review right now.
878
00:36:31,192 --> 00:36:33,693
I swear, dude, I can usually
get down with any vibe.
879
00:36:33,727 --> 00:36:35,229
But these kids, man.
880
00:36:35,262 --> 00:36:36,563
They just don't wanna
meet me halfway.
881
00:36:36,596 --> 00:36:37,664
Every time I come up
with a plan,
882
00:36:37,697 --> 00:36:38,798
they call me the Music Man .
883
00:36:38,833 --> 00:36:40,067
I don't even know
what that is.
884
00:36:41,202 --> 00:36:42,403
Well, it's a musical.
885
00:36:42,436 --> 00:36:44,138
Everything's a goddamn
musical here, man.
886
00:36:44,171 --> 00:36:45,505
GLENN:
Well, yeah, it is.
887
00:36:45,538 --> 00:36:47,942
'Cause it's sort
of their entire lives.
888
00:36:47,975 --> 00:36:49,343
Like those kids.
889
00:36:49,377 --> 00:36:51,678
That's actually
last year's cast of Rent.
890
00:36:51,711 --> 00:36:53,546
It was a very
formative production.
891
00:36:53,580 --> 00:36:56,083
It's all about family.
It's all about community.
892
00:36:56,117 --> 00:36:58,052
Okay, see, that's...
893
00:36:58,085 --> 00:36:59,487
that's helpful.
Good.
894
00:36:59,519 --> 00:37:00,620
What about them?
895
00:37:00,653 --> 00:37:02,655
GLENN: Those are Fosse kids.
896
00:37:02,689 --> 00:37:03,958
If they snap at you,
897
00:37:03,991 --> 00:37:05,692
just know that they're not
trying to be demanding.
898
00:37:05,725 --> 00:37:07,527
It's just part
of the vocabulary.
899
00:37:07,560 --> 00:37:08,695
These kids are smart.
900
00:37:08,728 --> 00:37:09,964
If you need their help,
you just have to
901
00:37:09,997 --> 00:37:11,899
sort of meet them
on their level.
902
00:37:11,932 --> 00:37:14,268
CLIVE: And starfish,
starfish,
903
00:37:14,301 --> 00:37:16,270
starfish, and starfish.
904
00:37:16,303 --> 00:37:17,604
Jiggle like a jackal.
905
00:37:17,637 --> 00:37:18,873
Jiggle like a jackal.
906
00:37:18,906 --> 00:37:21,641
You need to know that only
3% of people make it.
907
00:37:21,674 --> 00:37:24,644
The rest of them
end up in a mental facility
908
00:37:24,677 --> 00:37:26,981
or on a go-go box
in Hell's Kitchen.
909
00:37:27,014 --> 00:37:28,883
AMOS: Let's just get a few
more selections today
910
00:37:28,916 --> 00:37:31,285
from my collected
original works,
911
00:37:31,318 --> 00:37:32,420
as we do every year.
912
00:37:32,453 --> 00:37:33,686
That's a low blow, Eileen.
913
00:37:33,720 --> 00:37:34,889
And don't pretend my IBS
914
00:37:34,922 --> 00:37:36,190
isn't part of
why you haven't wanted
915
00:37:36,223 --> 00:37:37,624
to touch me
in almost a decade.
916
00:37:37,657 --> 00:37:40,094
It's got nothing to do
with your IBS, Roger.
917
00:37:40,127 --> 00:37:41,529
I want you to live
a little bit more
918
00:37:41,561 --> 00:37:42,830
with the reality
of having IBS
919
00:37:42,863 --> 00:37:44,198
and what that might do
to your character.
920
00:37:44,231 --> 00:37:47,134
Because I'm not really feeling
the detail of the IBS.
921
00:37:47,168 --> 00:37:48,502
I wanna live, Mother.
922
00:37:48,536 --> 00:37:51,072
Let's just try to throw
some different spices
in there.
923
00:37:51,105 --> 00:37:53,841
A little bit of pain,
a little bit of stepfather.
924
00:37:53,874 --> 00:37:57,178
Got it. So hand me
my goddamn lipstick.
925
00:37:58,145 --> 00:38:00,314
And let me live.
Good.
926
00:38:00,347 --> 00:38:01,614
Mostly a lot better.
927
00:38:01,648 --> 00:38:02,682
Thank you, Darla.
Take a seat.
928
00:38:02,715 --> 00:38:04,085
JANET: Okay.
Today's a new thing.
929
00:38:04,118 --> 00:38:06,554
I'm teaching, um,
930
00:38:06,586 --> 00:38:08,022
stage combat.
931
00:38:09,190 --> 00:38:10,257
What is it?
932
00:38:11,559 --> 00:38:12,659
What is it?
933
00:38:12,692 --> 00:38:13,894
It's the art
of surprise.
934
00:38:13,928 --> 00:38:16,363
It pushes the envelope
of what theater can be.
935
00:38:16,397 --> 00:38:17,797
Absolutely.
936
00:38:19,066 --> 00:38:21,402
But also
what do we think it is?
937
00:38:21,435 --> 00:38:24,872
It causes our heart
to skip a beat,
but safely.
938
00:38:24,905 --> 00:38:27,842
Does anybody have an answer
that's like, not poetry?
939
00:38:27,875 --> 00:38:28,943
Maybe?
You know what I mean?
940
00:38:28,976 --> 00:38:31,145
Like a legal definition
of what it is.
941
00:38:31,178 --> 00:38:33,914
It's basically like
teaching us how to fight.
942
00:38:34,281 --> 00:38:35,416
Oh.
943
00:38:35,449 --> 00:38:37,551
We are starting
our past lives seminar.
944
00:38:37,585 --> 00:38:40,020
(ALL HUMMING)
945
00:38:41,455 --> 00:38:43,623
You were a nurse
in World War II.
946
00:38:43,656 --> 00:38:45,860
You fell in love with
one of your fellow nurses
947
00:38:45,893 --> 00:38:48,028
and you were
the first lesbian
nurse couple
948
00:38:48,062 --> 00:38:49,396
that had ever lived.
949
00:38:49,430 --> 00:38:50,797
Let that inform
your singing.
950
00:38:50,831 --> 00:38:54,034
You were
President William Howard Taft.
951
00:38:55,302 --> 00:38:56,570
(CHILDREN CHEERING)
952
00:38:56,604 --> 00:38:59,440
You are the oldest soul
in this room.
953
00:38:59,473 --> 00:39:00,908
This is your last life.
954
00:39:01,774 --> 00:39:02,977
(CHIME DINGS)
955
00:39:05,412 --> 00:39:06,713
Wow, thank you all.
956
00:39:06,746 --> 00:39:08,315
Thank you all for that.
957
00:39:08,349 --> 00:39:09,782
All right, artists.
958
00:39:09,817 --> 00:39:11,252
Next, we're going
to be doing some...
959
00:39:11,285 --> 00:39:12,286
(CELL PHONE BUZZING)
960
00:39:13,821 --> 00:39:16,423
Um... Uh...
(CHUCKLES AWKWARDLY)
961
00:39:16,457 --> 00:39:18,826
I'm so sorry.
(STUTTERS)
962
00:39:18,859 --> 00:39:20,194
I'll be back.
I just have
to take this.
963
00:39:21,462 --> 00:39:22,662
It's all good.
964
00:39:24,298 --> 00:39:25,432
Hello?
965
00:39:25,466 --> 00:39:28,369
Hi. Yes, I can be
available tonight.
966
00:39:36,243 --> 00:39:37,478
(MOUTHING)
967
00:39:37,511 --> 00:39:38,846
(MOUTHING)
968
00:39:38,879 --> 00:39:40,247
(WHIMSICAL MUSIC PLAYING)
969
00:39:48,556 --> 00:39:50,457
(INAUDIBLE)
970
00:39:53,928 --> 00:39:56,397
All right,
all-stars.
971
00:39:56,430 --> 00:39:57,932
Whoa!
972
00:39:58,499 --> 00:40:00,234
Look at this turnout.
973
00:40:00,501 --> 00:40:02,336
Um, yes?
974
00:40:02,369 --> 00:40:03,504
Are we doing
a cabaret?
975
00:40:03,537 --> 00:40:04,638
A what?
976
00:40:04,672 --> 00:40:06,140
I think
it's a night
of scene work.
977
00:40:06,173 --> 00:40:09,577
That's totally what this is.
It's a night of scene work.
978
00:40:09,610 --> 00:40:11,278
And here's the scene.
979
00:40:12,279 --> 00:40:14,781
You guys are the staff
980
00:40:14,815 --> 00:40:16,951
of a fine
dining establishment.
981
00:40:16,984 --> 00:40:19,920
So anything those guys
in there order,
982
00:40:19,954 --> 00:40:22,856
you say, "Yes,"
and then you bring it to them.
983
00:40:22,890 --> 00:40:24,791
Like an improv exercise.
984
00:40:24,825 --> 00:40:26,627
Can we make up
our own characters?
985
00:40:26,660 --> 00:40:28,696
MACKENZIE:
And do accents?
Okay.
986
00:40:28,728 --> 00:40:30,898
Let's just get together here,
Rotarians...
987
00:40:30,931 --> 00:40:33,968
...and kick Oklahoma City's
fundraising ass.
988
00:40:34,001 --> 00:40:35,768
Should we do that?
Huh? Cheers!
989
00:40:35,803 --> 00:40:36,837
ROTARIANS: Cheers!
MAN: Cheers, cheers!
990
00:40:36,870 --> 00:40:38,239
We're here thanks
to Troy Rubinsky.
991
00:40:38,272 --> 00:40:39,607
We're happy
to have you guys.
BILL: Thanks so much.
992
00:40:39,640 --> 00:40:40,808
Thank you. Good.
And I guess
993
00:40:40,841 --> 00:40:43,611
we're gonna get served
by the campers here,
994
00:40:43,644 --> 00:40:45,279
which I was not aware of.
995
00:40:45,312 --> 00:40:47,047
(BILL CHUCKLES AWKWARDLY)
996
00:40:47,081 --> 00:40:48,682
BILL: Dressing?
No. Is there...
997
00:40:48,716 --> 00:40:49,782
All right. Well...
998
00:40:49,817 --> 00:40:51,018
(LAUGHTER)
999
00:40:51,051 --> 00:40:53,354
Hey, just eat it dry,
I guess, huh.
1000
00:40:54,421 --> 00:40:55,823
It's crazy
that this is their
1001
00:40:55,856 --> 00:40:57,725
first immersive
theater experience.
1002
00:40:57,757 --> 00:40:59,960
I know. We have
a big responsibility.
1003
00:41:00,995 --> 00:41:02,830
Can I offer you a roll?
1004
00:41:02,863 --> 00:41:05,399
Or the chilling tale
about how I lost
my daughter?
1005
00:41:05,432 --> 00:41:07,901
(COUGHS)
(MUSIC STOPS)
1006
00:41:10,304 --> 00:41:11,405
(HUMMING)
1007
00:41:15,576 --> 00:41:16,710
(CLICKS TONGUE) Ooh.
1008
00:41:16,744 --> 00:41:18,646
Reminder.
Pay rent to mom.
1009
00:41:18,679 --> 00:41:21,415
Remember to check in
with RD about the finale.
1010
00:41:21,949 --> 00:41:23,550
Papier-mache nose.
1011
00:41:24,652 --> 00:41:25,853
LAINY: Amos!
1012
00:41:26,487 --> 00:41:27,855
Amos!
1013
00:41:27,888 --> 00:41:31,892
Rebecca missed
her nighttime performance.
1014
00:41:31,925 --> 00:41:34,061
That doesn't
sound like Rebecca.
1015
00:41:34,094 --> 00:41:37,331
Okay, but I'm craving
a performance.
1016
00:41:37,364 --> 00:41:40,167
(UPBEAT PIANO MUSIC PLAYING)
(ROTARIANS MURMURING)
1017
00:41:41,869 --> 00:41:43,804
I think it's going
pretty good.
1018
00:41:43,837 --> 00:41:46,240
The kids are getting
real into it.
1019
00:41:46,273 --> 00:41:47,808
GLENN: Your mom knows
what she's talking about.
1020
00:41:47,841 --> 00:41:49,109
We help our own.
1021
00:41:49,143 --> 00:41:51,779
Men! There's been
an attack.
1022
00:41:51,812 --> 00:41:53,247
BOY: This is how we go.
1023
00:41:53,280 --> 00:41:54,748
It's been a pleasure
serving with you.
1024
00:41:54,782 --> 00:41:55,916
My son! My son!
1025
00:41:55,949 --> 00:41:58,952
All of my children
are dying in this war.
1026
00:41:58,986 --> 00:42:00,354
Are they getting
too into it?
1027
00:42:00,387 --> 00:42:02,990
ALICE: Save yourselves!
I just, um...
1028
00:42:03,023 --> 00:42:05,092
I just really wanna go home.
1029
00:42:05,125 --> 00:42:06,894
AMOS: Well,
as we all know by now,
1030
00:42:06,927 --> 00:42:09,963
our bedtime performer
is missing in action.
1031
00:42:09,997 --> 00:42:11,699
Uh, I really apologize.
1032
00:42:11,732 --> 00:42:13,567
Waiting for entertainment
that's expected
1033
00:42:13,600 --> 00:42:14,768
is a painful experience.
1034
00:42:14,802 --> 00:42:16,070
This is very impromptu,
1035
00:42:16,103 --> 00:42:17,806
so I didn't really have
anything prepared, but...
1036
00:42:17,838 --> 00:42:20,908
Peter Piper picked a peck
of pickled peppers. Wait.
1037
00:42:21,909 --> 00:42:24,211
The peppers were pickled
when he picked them?
1038
00:42:24,244 --> 00:42:26,146
Peter Piper picked
a priority.
1039
00:42:26,180 --> 00:42:27,214
And what was that priority
1040
00:42:27,247 --> 00:42:29,116
that Peter Piper picked?
Family.
1041
00:42:30,317 --> 00:42:32,386
Friends. Connection.
1042
00:42:33,587 --> 00:42:34,788
He picked a life.
1043
00:42:34,823 --> 00:42:35,923
These were triggers.
1044
00:42:35,956 --> 00:42:37,826
This has lasting effects,
okay?
1045
00:42:37,858 --> 00:42:40,127
One guy had sort of
a Vietnam flashback
1046
00:42:40,160 --> 00:42:42,563
and you had kids
serving liquor.
1047
00:42:42,596 --> 00:42:43,897
That's gotta be illegal.
1048
00:42:43,931 --> 00:42:45,499
It was interesting, but no.
1049
00:42:45,532 --> 00:42:46,567
It was a bit.
She was doing...
1050
00:42:46,600 --> 00:42:47,735
No. But let's settle
on 40 bucks.
1051
00:42:47,768 --> 00:42:49,269
Mmm-hmm.
Troy, please.
1052
00:42:49,303 --> 00:42:50,637
You let me down.
1053
00:42:50,671 --> 00:42:52,005
This did not work out.
1054
00:42:52,039 --> 00:42:53,440
Yeah. Okay. Um...
1055
00:42:53,474 --> 00:42:56,510
(TENSE MUSIC PLAYING)
(SIGHS HEAVILY)
1056
00:43:03,584 --> 00:43:04,785
(UPBEAT MUSIC PLAYING)
1057
00:43:04,819 --> 00:43:07,254
(INDISTINCT CONVERSATION)
1058
00:43:15,229 --> 00:43:17,297
(CHILDREN TALKING
INDISTINCTLY)
1059
00:43:17,331 --> 00:43:20,534
Mikey. I'm still this close
to signing Darla.
1060
00:43:21,502 --> 00:43:22,336
Alan?
1061
00:43:22,369 --> 00:43:24,271
I'm in a middle
of a conversation.
1062
00:43:24,304 --> 00:43:25,639
You're supposed
to be at dance class.
Come on. Let's go.
1063
00:43:25,672 --> 00:43:27,074
Ugh, jeez. Fine.
1064
00:43:27,608 --> 00:43:29,777
(BUSY SIGNAL)
1065
00:43:29,811 --> 00:43:31,378
ALAN:
I even told her...
Alan!
1066
00:43:31,412 --> 00:43:32,780
...that she would
get top billing.
1067
00:43:32,814 --> 00:43:33,947
Off the phone!
1068
00:43:33,981 --> 00:43:35,649
(SIGHS) Just one second.
1069
00:43:35,682 --> 00:43:37,451
No seconds.
Let's go.
1070
00:43:37,484 --> 00:43:39,353
(UPBEAT MUSIC CONTINUES)
1071
00:43:40,855 --> 00:43:42,790
Um...
1072
00:43:42,824 --> 00:43:44,691
How much
for three bags?
1073
00:43:44,725 --> 00:43:46,260
That was never the rate.
1074
00:43:46,293 --> 00:43:48,095
It has always been
five dollars.
1075
00:43:48,128 --> 00:43:50,097
These better be
genuine Throat Coat.
1076
00:43:50,731 --> 00:43:52,332
(INHALES DEEPLY)
1077
00:43:52,366 --> 00:43:54,568
That's genuine Throat Coat.
That's genuine.
1078
00:43:55,335 --> 00:43:57,204
I don't even
recognize you.
1079
00:43:57,237 --> 00:43:58,939
Where is
my little Joan gone?
1080
00:43:58,972 --> 00:44:00,741
I'm still me, Tata.
1081
00:44:00,774 --> 00:44:03,076
No, your face
is a new face.
1082
00:44:03,110 --> 00:44:04,846
MACKENZIE:
It's called rouge, Tata.
1083
00:44:04,879 --> 00:44:05,979
DEVON: The cheeks
of a hussy.
1084
00:44:06,013 --> 00:44:08,048
Yeah, yeah.
Let's hold.
Let's hold.
1085
00:44:08,081 --> 00:44:09,249
Devon, you are
on the stage,
1086
00:44:09,283 --> 00:44:11,218
but your partner
is fully alone.
1087
00:44:11,251 --> 00:44:12,686
And I think
you really need to...
1088
00:44:12,719 --> 00:44:14,588
I think that ultimately,
Devon, you need to just
1089
00:44:14,621 --> 00:44:16,089
kind of let in the pain
of being a father.
1090
00:44:16,123 --> 00:44:17,791
Like we need
to feel that pain.
1091
00:44:17,826 --> 00:44:18,959
(CHUCKLES NERVOUSLY,
STUTTERS)
1092
00:44:18,992 --> 00:44:20,327
But I'm not a father.
1093
00:44:20,360 --> 00:44:21,930
I don't know
how to do that.
1094
00:44:21,962 --> 00:44:24,198
Did Julianne Moore
really have dementia?
(SCOFFS)
1095
00:44:24,231 --> 00:44:25,834
(WHISPERS)
No. No. No.
1096
00:44:25,867 --> 00:44:27,100
AMOS: Do the
connection exercise.
1097
00:44:27,902 --> 00:44:29,770
And then
we'll try it again.
1098
00:44:29,804 --> 00:44:30,939
REBECCA-DIANE:
Deliver.
1099
00:44:30,971 --> 00:44:32,005
Thank you
for all you're doing.
1100
00:44:32,039 --> 00:44:33,240
Thank you.
1101
00:44:34,274 --> 00:44:35,576
Aren't you gonna
say something?
1102
00:44:35,609 --> 00:44:36,443
Oh!
1103
00:44:36,477 --> 00:44:37,744
You missed
your bedtime performance.
1104
00:44:37,778 --> 00:44:39,179
That's so unlike you.
What happened?
1105
00:44:39,213 --> 00:44:40,314
I'm so sorry.
I was just finishing
1106
00:44:40,347 --> 00:44:41,816
the finale
and I got distracted...
1107
00:44:41,850 --> 00:44:44,985
Yeah, I'm sure...
This finale,
it's like this is repeated.
1108
00:44:45,018 --> 00:44:46,153
It's like, I love you,
1109
00:44:46,186 --> 00:44:47,387
but, we're getting
towards crunch time,
okay?
1110
00:44:47,421 --> 00:44:48,622
And you have
other responsibilities
1111
00:44:48,655 --> 00:44:51,158
which I know you know.
I'm just playing catch up.
1112
00:44:51,191 --> 00:44:53,060
Okay, but just I need
my gal with me, so...
1113
00:44:53,093 --> 00:44:54,929
I got you.
Okay.
1114
00:44:54,963 --> 00:44:56,563
I'm still me, Tata.
1115
00:44:56,597 --> 00:44:59,868
No. Using your little hands
to write letters to the devil
1116
00:44:59,901 --> 00:45:02,002
and never once
to shape pierogi.
1117
00:45:02,035 --> 00:45:04,771
Just because dumplings
aren't my priority
1118
00:45:04,806 --> 00:45:06,173
anymore doesn't mean any...
1119
00:45:06,206 --> 00:45:08,408
You never once
sent a suitor home
to your dying Tata.
1120
00:45:09,376 --> 00:45:11,311
This is not the Joan
that I know.
1121
00:45:13,547 --> 00:45:14,648
You know what, Tata?
1122
00:45:15,449 --> 00:45:16,683
You're right.
1123
00:45:16,717 --> 00:45:21,321
I decide who Joan is,
and I may not be
who Joan was,
1124
00:45:21,355 --> 00:45:24,658
but, Tata, I am Joan, still.
1125
00:45:28,662 --> 00:45:31,698
That got better.
Better.
1126
00:45:31,732 --> 00:45:34,167
BOTH: (CHANTING)
That got better.
1127
00:45:34,201 --> 00:45:35,435
Very good.
Devon, the accent's
1128
00:45:35,469 --> 00:45:36,603
all over the place,
but it's much better.
1129
00:45:36,637 --> 00:45:37,906
REBECCA-DIANE: Yeah.
Mackenzie, extraordinary.
1130
00:45:37,939 --> 00:45:39,039
Mac. That was so good.
1131
00:45:39,072 --> 00:45:40,440
Thank you.
SEBASTIAN: Amazing.
1132
00:45:40,474 --> 00:45:42,142
CHRISTOPHER L: She killed it.
Stop!
1133
00:45:42,844 --> 00:45:44,378
(WHISPERS)
She's using.
1134
00:45:54,721 --> 00:45:56,356
(SIGHS)
Lift up your hands.
1135
00:45:59,861 --> 00:46:02,262
(BOTH SNIFFING)
1136
00:46:02,296 --> 00:46:03,664
(WHISPERS)
She wouldn't.
1137
00:46:03,697 --> 00:46:05,332
Tear stick.
1138
00:46:05,365 --> 00:46:07,067
It's just Chapstick,
I swear.
1139
00:46:07,100 --> 00:46:08,368
Give it to me.
1140
00:46:08,402 --> 00:46:10,103
REBECCA-DIANE:
Oh, my God.
1141
00:46:10,137 --> 00:46:12,239
Mackenzie, I'm not mad.
I'm just furious.
1142
00:46:12,272 --> 00:46:14,741
Your tears should come
from within, from the story,
1143
00:46:14,775 --> 00:46:16,143
from the words
on the page,
1144
00:46:16,176 --> 00:46:18,913
not from some
emotional grenade
that you smuggled in.
1145
00:46:18,947 --> 00:46:20,080
What's a tear stick?
1146
00:46:20,113 --> 00:46:21,648
AMOS:
Insult to the material. Okay?
1147
00:46:21,682 --> 00:46:24,052
It's a mentholated eyeliner
that helps you cry.
1148
00:46:24,084 --> 00:46:28,188
Joan is screaming
and furious at you.
1149
00:46:28,221 --> 00:46:32,659
Because tear sticks
are doping for actors.
1150
00:46:32,693 --> 00:46:35,696
Do you wanna be
the Lance Armstrong
of theater?
1151
00:46:35,729 --> 00:46:38,398
No.
Get off the stick.
1152
00:46:39,901 --> 00:46:42,169
(SNIFFLES)
Get off the stick.
1153
00:46:43,136 --> 00:46:44,338
(SNIFFLES)
(TEAR STICK CLATTERS)
1154
00:46:44,371 --> 00:46:45,772
One day it's tear stick.
1155
00:46:45,807 --> 00:46:48,042
The next
you're calling for line
1156
00:46:48,076 --> 00:46:49,309
and pretty soon
your understudy's
1157
00:46:49,343 --> 00:46:50,477
on eight times a week
1158
00:46:50,510 --> 00:46:53,081
in Weehawken
or God knows where.
Okay?
1159
00:46:53,113 --> 00:46:55,582
It's a slip-ry,
slip-ry slope.
1160
00:46:56,316 --> 00:46:57,651
Devon, I'm so sorry.
1161
00:46:58,752 --> 00:47:00,153
(CHUCKLES AWKWARDLY)
1162
00:47:00,687 --> 00:47:01,923
Really, it's fine.
1163
00:47:01,956 --> 00:47:03,223
Tell him
you're sorry.
1164
00:47:03,958 --> 00:47:05,225
I'm sorry, Devon.
1165
00:47:05,258 --> 00:47:06,760
It's really fine.
1166
00:47:07,761 --> 00:47:09,030
I choose to forgive.
1167
00:47:09,063 --> 00:47:10,397
But we don't forget.
1168
00:47:10,430 --> 00:47:13,133
But until the end,
the law can forgive.
1169
00:47:13,166 --> 00:47:14,902
(WHISPERS)
But without
ever forgetting.
1170
00:47:16,269 --> 00:47:17,905
(CALL ME BY YOUR NAME
BY LIL NAS X PLAYING)
1171
00:47:56,878 --> 00:48:00,781
Hi! Welcome to AdirondACTS.
You guys having fun?
1172
00:48:00,815 --> 00:48:02,182
Enjoying the party? Yeah.
1173
00:48:03,183 --> 00:48:04,384
(FRANNY GRUNTS)
(ALL GASP)
1174
00:48:04,418 --> 00:48:07,088
FRANNY:
Oh, my God, Lainy,
why would you do that?
1175
00:48:07,121 --> 00:48:09,824
You piss me off,
like, a lot.
1176
00:48:13,094 --> 00:48:14,728
JANET: (CLAPPING) Whoo!
1177
00:48:14,761 --> 00:48:15,863
Let's go.
1178
00:48:15,897 --> 00:48:17,631
Stage combat.
1179
00:48:17,664 --> 00:48:20,068
You think this is fun
and games? Hitting?
1180
00:48:20,101 --> 00:48:21,468
It's not funny.
You're right. It's art.
1181
00:48:21,501 --> 00:48:23,437
WENDY: No. It's not.
Grow up.
1182
00:48:24,671 --> 00:48:26,941
Excuse me.
Have you seen
Rebecca-Diane?
1183
00:48:26,974 --> 00:48:28,442
Is she out there?
No?
1184
00:48:29,776 --> 00:48:30,777
Enjoy.
1185
00:48:31,979 --> 00:48:33,413
Where is she?
1186
00:48:43,790 --> 00:48:45,960
TROY: (ON MIC)
Yo, what up, AdirondACTS?
1187
00:48:45,993 --> 00:48:47,494
Welcome, Lakeside.
1188
00:48:47,527 --> 00:48:50,630
Just want you to know
this is not a free event
for you.
1189
00:48:50,664 --> 00:48:53,000
Okay? Unless you're verified.
1190
00:48:53,034 --> 00:48:54,202
Thanks for coming out.
1191
00:48:54,234 --> 00:48:56,436
Man, this is
a dream show for me.
1192
00:48:56,470 --> 00:48:59,372
I know this one's
a theater camp classic, so
1193
00:48:59,406 --> 00:49:02,944
thought I'd put
a little twist on it.
1194
00:49:02,977 --> 00:49:06,114
MALE SINGER: (ON SPEAKERS)
♪ Give my regards to Broadway
1195
00:49:06,147 --> 00:49:08,381
♪ Remember me
to Herald Square
1196
00:49:08,415 --> 00:49:11,318
Send my regards
to Broadway, bitch!
1197
00:49:12,452 --> 00:49:15,689
MALE SINGER:
♪ Whisper of how I'm yearning
1198
00:49:15,722 --> 00:49:16,958
♪ To mingle
with the old-time throng
1199
00:49:16,991 --> 00:49:18,592
TROY:
♪ Put 'em up!
Put 'em up! Put 'em up!
1200
00:49:18,625 --> 00:49:19,827
(ALL CHEERING)
1201
00:49:19,861 --> 00:49:23,097
MALE SINGER:
♪ Give my regards
to Old Broadway
1202
00:49:23,131 --> 00:49:25,532
♪ And say
I'll be there 'ere long
1203
00:49:25,565 --> 00:49:27,135
TROY:
♪ That's what's up!♪
1204
00:49:27,168 --> 00:49:28,602
TROY: I know you're busy,
so I don't wanna
1205
00:49:28,635 --> 00:49:29,871
take too much of your time,
1206
00:49:29,904 --> 00:49:32,073
but the vibes
are pretty good
in there, huh?
1207
00:49:32,106 --> 00:49:34,008
Uh, sure.
That was me DJing.
1208
00:49:34,041 --> 00:49:35,176
But look.
1209
00:49:35,209 --> 00:49:37,310
So I know, you know,
the Rotary Club thing
1210
00:49:37,344 --> 00:49:38,645
didn't really go to plan.
1211
00:49:38,678 --> 00:49:40,347
You took a lot of my kids
out of rehearsal for that.
1212
00:49:40,380 --> 00:49:41,648
I get that
and I'm sorry,
1213
00:49:41,681 --> 00:49:43,583
and I'm still perfecting
the formula here,
1214
00:49:43,617 --> 00:49:46,921
but I've recently had,
like, a surge of ideas,
1215
00:49:46,954 --> 00:49:48,856
you know, that would bring
some additional revenue.
1216
00:49:48,890 --> 00:49:51,625
You know, one of 'em is, like,
maybe we send the kids
1217
00:49:51,658 --> 00:49:55,263
into the city to do,
like, singing telegrams.
1218
00:49:55,295 --> 00:49:56,730
Okay. Incredibly dangerous.
1219
00:49:56,763 --> 00:49:58,331
Maybe we do
like remote students.
1220
00:49:58,365 --> 00:49:59,666
But, okay. I'm sorry.
I'm sorry. I'm sorry.
1221
00:49:59,699 --> 00:50:00,767
Maybe, maybe...
1222
00:50:00,801 --> 00:50:02,435
We don't need
any of these ideas,
okay, Troy?
1223
00:50:02,469 --> 00:50:03,838
We don't need
any of these ideas.
1224
00:50:03,871 --> 00:50:04,872
Yeah.
1225
00:50:04,906 --> 00:50:06,207
Your mother managed
to keep this place running
1226
00:50:06,240 --> 00:50:08,142
in the face of a lot
of financial trouble
1227
00:50:08,176 --> 00:50:09,342
and never once
did she compromise
1228
00:50:09,376 --> 00:50:11,778
the artistic vision
to save money. Okay?
1229
00:50:11,813 --> 00:50:13,780
Right. (STUTTERS)
You know,
that's kind of what
1230
00:50:13,815 --> 00:50:15,549
I'm trying to get after.
1231
00:50:15,582 --> 00:50:16,984
Yes. No, no, no.
I understand.
1232
00:50:17,018 --> 00:50:18,820
I understand that.
But what you
don't understand
1233
00:50:18,853 --> 00:50:20,554
is the importance
of what we do here,
okay?
1234
00:50:20,587 --> 00:50:22,824
This place is for people
who need it, okay?
1235
00:50:22,857 --> 00:50:24,491
People who
aren't accepted
anywhere else.
1236
00:50:24,524 --> 00:50:26,359
You are not one of
those people, Troy.
1237
00:50:26,393 --> 00:50:28,095
You are not one of us.
1238
00:50:36,037 --> 00:50:37,872
(SIGHS)
(SOFT MUSIC PLAYING)
1239
00:50:40,174 --> 00:50:41,474
Becks-Di?
1240
00:50:42,243 --> 00:50:44,377
Rebecca...
Oh. Not her.
1241
00:50:48,082 --> 00:50:50,151
Be sure to cherish
these relationships,
okay?
1242
00:50:50,184 --> 00:50:51,618
'Cause they're gone
in a flash.
1243
00:50:52,820 --> 00:50:54,222
Just wanted you
to know that.
1244
00:50:54,255 --> 00:50:55,355
CAROLINE: Of course,
she's gonna cry.
1245
00:50:55,388 --> 00:50:57,058
I'm laying her off
'cause she cries too much.
1246
00:50:57,091 --> 00:50:59,160
Mrs. Krauss.
Oh. Hi.
1247
00:50:59,193 --> 00:51:00,862
Dope that you made it.
1248
00:51:00,895 --> 00:51:04,397
(CHUCKLES, STAMMERS)
I'm happy to be here.
1249
00:51:04,431 --> 00:51:05,665
Yeah.
Yeah.
1250
00:51:05,699 --> 00:51:08,870
So, um, things have taken
a bit of a turn here
1251
00:51:08,903 --> 00:51:12,606
and I've been thinking
about the offer.
1252
00:51:12,639 --> 00:51:13,640
Me too.
1253
00:51:14,075 --> 00:51:15,176
A lot.
1254
00:51:15,209 --> 00:51:16,878
Yeah. Um...
1255
00:51:17,744 --> 00:51:19,746
I just feel like
it would be a,
1256
00:51:20,380 --> 00:51:21,481
you know, lucrative
1257
00:51:21,514 --> 00:51:23,550
and mutually beneficial
partnership.
1258
00:51:24,252 --> 00:51:25,652
Like for
the both of us
though.
1259
00:51:27,154 --> 00:51:29,957
Wow. Well, that's great.
(CHUCKLES)
1260
00:51:29,991 --> 00:51:32,960
So, like,
does the offer
still stand?
1261
00:51:32,994 --> 00:51:34,494
Yes, Troy.
1262
00:51:34,527 --> 00:51:36,163
Barnswell would love
to work with you.
1263
00:51:36,197 --> 00:51:37,298
Wow!
1264
00:51:37,331 --> 00:51:38,698
Yeah.
Nice.
1265
00:51:38,732 --> 00:51:40,667
I have to say
I'm super excited
to work with someone
1266
00:51:40,700 --> 00:51:43,371
who knows the TUVs
of deal making.
1267
00:51:43,403 --> 00:51:45,639
Did you just say
the TUVs?
1268
00:51:45,672 --> 00:51:47,574
Trust.
You won't regret it.
And vibes.
1269
00:51:47,607 --> 00:51:48,809
Trust. Won't regret it.
Vibes.
1270
00:51:48,843 --> 00:51:50,644
You've been watching
my vlogs?
1271
00:51:50,677 --> 00:51:52,679
(CHUCKLES) Religiously.
1272
00:51:52,712 --> 00:51:53,747
Stop.
1273
00:51:54,916 --> 00:51:56,050
The GoPro loves you.
1274
00:51:57,318 --> 00:51:58,551
Don't understand.
SEBASTIAN: I'm here
1275
00:51:58,585 --> 00:52:00,520
having a wonderful time.
CHRISTOPHER L: Devon!
1276
00:52:01,222 --> 00:52:02,256
SEBASTIAN: Where?
1277
00:52:02,290 --> 00:52:04,724
(CHRISTOPHER L
AND SEBASTIAN GASP)
1278
00:52:04,758 --> 00:52:05,893
(STUTTERS) It's not
what it looks like.
1279
00:52:05,927 --> 00:52:07,295
SEBASTIAN:
What the hell
is this?
1280
00:52:07,328 --> 00:52:10,331
We were supposed
to be manifesting.
It's a full moon.
1281
00:52:10,364 --> 00:52:11,399
They were saying no one
at theater camp
1282
00:52:11,431 --> 00:52:12,465
could play football.
1283
00:52:12,499 --> 00:52:14,601
I'm just proving to them
that I could.
1284
00:52:14,634 --> 00:52:16,304
(UPBEAT DANCE MUSIC PLAYING)
1285
00:52:16,337 --> 00:52:18,105
(ALL CHEERING)
1286
00:52:29,250 --> 00:52:30,284
(CAR HORN HONKS)
1287
00:52:30,318 --> 00:52:31,584
(REBECCA-DIANE GROANS)
1288
00:52:34,288 --> 00:52:35,522
Oh, my God.
1289
00:52:41,594 --> 00:52:43,630
Good morning, girlboss.
1290
00:52:43,663 --> 00:52:46,466
Coffee. You've gone crazy.
1291
00:52:46,499 --> 00:52:47,701
I'm wild.
1292
00:52:48,535 --> 00:52:50,137
Oh, man.
Mmm.
1293
00:52:50,905 --> 00:52:51,906
Wow.
1294
00:52:52,306 --> 00:52:53,707
Thank you.
1295
00:52:53,740 --> 00:52:57,144
So, last night
was pretty hot, huh?
1296
00:52:57,178 --> 00:52:58,545
(CHUCKLES)
It was really hot.
1297
00:52:58,578 --> 00:53:00,381
You were so bussin'.
1298
00:53:00,414 --> 00:53:02,749
I came here just to do work
1299
00:53:02,782 --> 00:53:04,952
and I ended up
meeting someone
1300
00:53:05,685 --> 00:53:07,455
who took my breath away.
Same.
1301
00:53:07,487 --> 00:53:08,956
Then, like, shoved it
back in my mouth.
1302
00:53:08,990 --> 00:53:11,691
God, I just feel like
I can really, like,
1303
00:53:11,725 --> 00:53:14,128
reach my full potential here.
You know.
1304
00:53:14,161 --> 00:53:15,695
Yeah. Me too.
1305
00:53:15,729 --> 00:53:20,234
With Barnswell's backing,
like, I can finally,
1306
00:53:20,267 --> 00:53:21,601
you know,
start to implement
1307
00:53:21,634 --> 00:53:23,204
some real change
around this place.
1308
00:53:24,972 --> 00:53:26,874
Troy, don't you remember
the agreement
1309
00:53:26,907 --> 00:53:28,909
that you signed
last night?
1310
00:53:28,943 --> 00:53:31,544
Yeah, it was to get us out
of the foreclosure.
1311
00:53:31,578 --> 00:53:34,081
(FRANTIC MUSIC PLAYING)
1312
00:53:36,884 --> 00:53:38,352
Welcome to Tech Week,
campers.
1313
00:53:38,386 --> 00:53:40,421
(ON SPEAKERS)
Performances are just
a few days away,
1314
00:53:40,454 --> 00:53:43,157
so let's stay focused
on bringing those shows
to life.
1315
00:53:43,190 --> 00:53:45,625
And if you have any issues,
you look for Glenn.
1316
00:53:45,658 --> 00:53:46,726
I'm sure he'll have time
to help you.
1317
00:53:46,760 --> 00:53:48,462
MAN 1: (ON RADIO) Glenn.
Go for Glenn.
1318
00:53:48,496 --> 00:53:49,997
LAINY: Glenn,
we need you in props.
1319
00:53:50,031 --> 00:53:51,198
MAN 1: Glenn,
where's our bush?
1320
00:53:51,232 --> 00:53:53,533
MAN 2: Glenn, where's
my damn wagon wheel?
1321
00:53:53,566 --> 00:53:54,601
MAN 1: Glenn?
1322
00:53:54,634 --> 00:53:55,668
WOMAN: Glenn,
what's your 20?
1323
00:53:55,702 --> 00:53:56,904
There's a leak in the lobby.
1324
00:53:56,937 --> 00:53:59,273
MAN 1: Glenn, we're missing
the king's cane.
1325
00:53:59,306 --> 00:54:00,540
(MUSIC STOPS)
1326
00:54:11,252 --> 00:54:12,420
(MUSIC RESUMES)
1327
00:54:12,453 --> 00:54:13,854
Oh, my God, Gigi,
move it along.
1328
00:54:13,888 --> 00:54:15,089
I'm trying.
This is not giving.
1329
00:54:15,122 --> 00:54:17,690
I'm trying, okay?
My nails are gonna break.
1330
00:54:17,724 --> 00:54:19,759
RITA: (ON RADIO) Glenn, Glenn,
1331
00:54:19,793 --> 00:54:22,196
the smoke machine
is out of control.
1332
00:54:23,630 --> 00:54:25,266
GLENN: Zeroing in
on the source.
1333
00:54:25,299 --> 00:54:26,534
(CHILDREN COUGHING)
1334
00:54:26,566 --> 00:54:29,070
Oh, God,
I'm dodging pilgrims
left and right.
1335
00:54:34,375 --> 00:54:35,509
Nice.
1336
00:54:35,543 --> 00:54:37,511
Thank you.
MAN 1: Glenn?
1337
00:54:37,545 --> 00:54:38,611
Go for Glenn.
1338
00:54:38,645 --> 00:54:39,679
AMOS: (ON MIC)
Darla, can you just move
1339
00:54:39,712 --> 00:54:41,048
a little bit to your right?
1340
00:54:41,082 --> 00:54:43,284
Just scooch the...
Yes, bring the bassinet.
That's right.
1341
00:54:43,317 --> 00:54:44,852
REBECCA-DIANE: See?
And I think it should just
1342
00:54:44,885 --> 00:54:46,854
be a little bit
to the left.
1343
00:54:46,887 --> 00:54:48,755
I think it just
doesn't make sense.
1344
00:54:49,390 --> 00:54:50,524
Darla, step to the right.
1345
00:54:50,558 --> 00:54:51,892
REBECCA-DIANE: No,
I think we had discussed
1346
00:54:51,926 --> 00:54:52,960
that everything
would be on the left
1347
00:54:52,993 --> 00:54:54,061
for this number,
so let's just...
1348
00:54:54,095 --> 00:54:55,162
We're gonna go ahead
and put it where we...
1349
00:54:55,196 --> 00:54:56,564
Darla, this is
your director speaking.
1350
00:54:56,596 --> 00:54:57,764
You're gonna go ahead
and move to the right
1351
00:54:57,797 --> 00:54:58,833
with the bassinet.
Co-director here as well.
1352
00:54:58,866 --> 00:55:00,733
And just move on
over to the left
1353
00:55:00,767 --> 00:55:02,635
and get too far
on that side
1354
00:55:02,669 --> 00:55:04,038
so we can't quite
bring you back.
1355
00:55:04,071 --> 00:55:06,073
Joan's whole world has been
established stage right.
1356
00:55:06,107 --> 00:55:07,942
So you're gonna take
two steps to the right.
1357
00:55:07,975 --> 00:55:09,810
That's where
we always play
her hero moments.
1358
00:55:09,844 --> 00:55:11,445
Now cheat out.
Cheat out.
1359
00:55:11,479 --> 00:55:13,713
REBECCA-DIANE: (WHISPERING)
Why are you acting like this?
1360
00:55:13,746 --> 00:55:16,616
I'm just a little bit tired
of co-directing with a ghost.
1361
00:55:16,649 --> 00:55:17,784
Well, I'm not a ghost.
1362
00:55:17,818 --> 00:55:19,854
I am a human person
that is alive. I am here.
1363
00:55:19,887 --> 00:55:21,355
I care about this show.
1364
00:55:21,388 --> 00:55:23,991
Do you?
I wouldn't have any idea.
1365
00:55:24,024 --> 00:55:25,893
You've been completely absent
1366
00:55:25,926 --> 00:55:27,128
since the beginning
of the session, okay?
1367
00:55:27,161 --> 00:55:29,130
And I need to run
my rehearsal now.
1368
00:55:29,163 --> 00:55:30,030
So, thank you.
1369
00:55:30,064 --> 00:55:31,332
Darla, let's just
run the song, okay?
1370
00:55:31,365 --> 00:55:32,699
You're fine right there.
1371
00:55:32,732 --> 00:55:33,968
Music, please.
1372
00:55:34,634 --> 00:55:36,437
(GENTLE PIANO MUSIC PLAYING)
1373
00:55:36,470 --> 00:55:37,905
(SIGHS DEEPLY)
1374
00:55:46,580 --> 00:55:49,583
♪ Thought my dreaming
was done
1375
00:55:49,617 --> 00:55:52,419
♪ All I needed was one
1376
00:55:52,453 --> 00:55:56,789
♪ Revelation to show me
my boy
1377
00:55:56,824 --> 00:56:01,228
♪ That my life
had truly begun
1378
00:56:01,262 --> 00:56:03,998
♪ So I offer the sun
1379
00:56:04,031 --> 00:56:08,569
♪ Salutation
Hello to my Troy
1380
00:56:08,602 --> 00:56:12,739
♪ I will build this
theatrical place
1381
00:56:14,108 --> 00:56:19,947
♪ Giving children
a safe, loving space
1382
00:56:19,980 --> 00:56:24,485
♪ It will grow
from the magic and grace
1383
00:56:24,518 --> 00:56:28,222
♪ That I see in your face
1384
00:56:28,255 --> 00:56:29,423
Rebecca-Diane.
1385
00:56:29,456 --> 00:56:30,925
Rebecca-Diane,
can I talk to you?
1386
00:56:30,958 --> 00:56:32,193
No, I'm in the middle
of tech.
1387
00:56:32,226 --> 00:56:33,260
Just one sec.
1388
00:56:33,294 --> 00:56:34,261
Troy.
Real quick.
1389
00:56:34,295 --> 00:56:36,063
DARLA:
♪ Know your dream's
never done
1390
00:56:36,096 --> 00:56:38,832
♪ You're my moon and my sun
1391
00:56:38,866 --> 00:56:42,735
♪ My foundation
My beautiful Troy ♪
1392
00:56:42,769 --> 00:56:45,839
TROY: Hey. Look.
I'm sorry for even asking.
1393
00:56:45,873 --> 00:56:50,244
I feel really weird
even bringing this up.
1394
00:56:50,277 --> 00:56:52,213
I don't have time.
We're in the middle
of tech week.
1395
00:56:52,246 --> 00:56:54,148
No, I get that.
So just tell me
what's up.
1396
00:56:54,181 --> 00:56:55,182
I just, um...
1397
00:56:56,517 --> 00:56:58,686
Do you think you could
give my mom a message
from me?
1398
00:56:58,718 --> 00:56:59,954
Yeah, for sure.
I'll give your mom
a message.
1399
00:56:59,987 --> 00:57:01,288
TROY: No, no, no. Please.
It's really important.
1400
00:57:01,322 --> 00:57:02,156
Troy.
1401
00:57:02,189 --> 00:57:03,557
I hear that.
It's really important.
1402
00:57:03,591 --> 00:57:04,625
I just don't have time.
1403
00:57:04,658 --> 00:57:05,725
Just tell her
I need her help.
1404
00:57:05,758 --> 00:57:07,461
Say, "Troy needs
your help."
1405
00:57:07,494 --> 00:57:09,196
Five, six, seven, eight.
1406
00:57:09,230 --> 00:57:10,931
We're going
towards the nose.
1407
00:57:11,565 --> 00:57:13,267
Live it up and step.
1408
00:57:13,300 --> 00:57:16,070
Step towards the nose.
Head to the nose.
1409
00:57:16,103 --> 00:57:19,039
I don't choose
when she comes inside of me.
1410
00:57:19,073 --> 00:57:20,641
Okay, but can you just try?
1411
00:57:20,674 --> 00:57:23,110
Mom, please!
1412
00:57:23,143 --> 00:57:25,246
What are you doing?
You said
she was in you.
1413
00:57:25,279 --> 00:57:26,746
She's not in
my breasts.
1414
00:57:26,779 --> 00:57:29,016
I'm not that...
I'm not... That's not...
1415
00:57:29,049 --> 00:57:30,451
Tell her it's important.
Just tell her...
1416
00:57:30,484 --> 00:57:31,585
Please tell her
it's important.
1417
00:57:31,619 --> 00:57:32,653
Tell her
it's really important.
1418
00:57:32,686 --> 00:57:33,786
Okay. Okay, I'm gonna...
All right.
1419
00:57:33,821 --> 00:57:35,155
I just need to talk to her.
1420
00:57:35,189 --> 00:57:36,257
Okay.
Okay.
1421
00:57:40,427 --> 00:57:41,428
(IMITATES JOAN) Troy.
1422
00:57:42,263 --> 00:57:43,464
Mom?
1423
00:57:43,497 --> 00:57:44,797
It's your mom.
1424
00:57:45,065 --> 00:57:46,400
Mom.
1425
00:57:46,433 --> 00:57:48,969
Thank God. It's so good
to hear your voice.
1426
00:57:49,003 --> 00:57:52,406
I know it's been a minute
since we've chatted.
1427
00:57:53,374 --> 00:57:54,375
Um...
1428
00:57:57,278 --> 00:57:58,345
I miss you.
1429
00:57:59,346 --> 00:58:01,048
Kind of a lot.
1430
00:58:01,081 --> 00:58:03,884
You know, I'm sorry
for not trying harder
1431
00:58:03,917 --> 00:58:06,687
to understand
what you were doing here
1432
00:58:06,720 --> 00:58:08,589
with this place
and this camp.
1433
00:58:08,622 --> 00:58:10,991
I was a kid, you know.
I just wanted to
1434
00:58:11,025 --> 00:58:12,626
go to sleepovers
at Dakota's house
1435
00:58:12,660 --> 00:58:14,194
and set cool
away messages
1436
00:58:14,228 --> 00:58:15,596
and make my Sims
have sex and...
1437
00:58:15,629 --> 00:58:16,796
(IN NORMAL VOICE)
Troy, you said
there was something
1438
00:58:16,830 --> 00:58:18,132
that you actually needed.
1439
00:58:18,165 --> 00:58:19,300
And it was urgent.
You're right.
I always do this.
1440
00:58:20,768 --> 00:58:22,002
Look, I should have
tried harder
1441
00:58:22,036 --> 00:58:24,038
to understand
what you were doing here.
1442
00:58:24,071 --> 00:58:26,940
Because, you know, I get it.
1443
00:58:26,974 --> 00:58:29,043
These people
are really weird.
1444
00:58:29,076 --> 00:58:30,711
Especially
Rebecca-Diane.
1445
00:58:30,744 --> 00:58:32,212
But they're wonderful.
1446
00:58:33,681 --> 00:58:36,917
Look, I messed up,
Mom. Okay?
1447
00:58:36,950 --> 00:58:40,154
And I'm really sorry,
and I hope you forgive me.
1448
00:58:40,187 --> 00:58:41,789
And I really need
your advice right now,
1449
00:58:41,822 --> 00:58:43,257
but I'm sorry
I sold the camp.
1450
00:58:45,793 --> 00:58:46,894
Hey.
1451
00:58:46,927 --> 00:58:48,462
AMOS: (ON MIC) Rebecca-Diane?
1452
00:58:48,495 --> 00:58:49,596
What'd my mom say?
1453
00:58:51,298 --> 00:58:52,299
What the...
1454
00:58:53,367 --> 00:58:54,368
(SIGHS)
1455
00:58:56,637 --> 00:58:58,172
(EXHALES DEEPLY)
1456
00:58:58,205 --> 00:59:00,874
Rebecca-Diane,
we are at a standstill.
1457
00:59:00,908 --> 00:59:01,942
Good work, you guys.
1458
00:59:01,975 --> 00:59:03,177
REBECCA-DIANE: Yes?
1459
00:59:03,777 --> 00:59:05,713
Welcome back.
1460
00:59:05,746 --> 00:59:07,214
Uh, we need to see
the finale now.
1461
00:59:07,247 --> 00:59:08,582
Yeah.
We are out of time.
1462
00:59:08,615 --> 00:59:10,451
So we need to hear it.
Let's do
the finale tomorrow.
1463
00:59:10,484 --> 00:59:11,385
REBECCA-DIANE:
Sounds good?
1464
00:59:11,418 --> 00:59:12,686
Okay, well,
tomorrow's our only chance
1465
00:59:12,720 --> 00:59:13,822
to run the entire show.
1466
00:59:13,854 --> 00:59:15,456
So I at least
need to hear it musically,
1467
00:59:15,489 --> 00:59:16,623
so I can block something,
1468
00:59:16,657 --> 00:59:17,758
and these kids
can start to learn it.
1469
00:59:17,791 --> 00:59:18,959
(GROANS)
Because tomorrow they have
1470
00:59:18,992 --> 00:59:20,327
to run it top to bottom
and then perform it.
1471
00:59:20,361 --> 00:59:22,963
So let's hear
the finale song, please.
1472
00:59:22,996 --> 00:59:24,031
It's just so unfortunate,
1473
00:59:24,064 --> 00:59:25,232
because we do not
have the track,
1474
00:59:25,265 --> 00:59:26,600
so that we don't have
any way to play the song.
1475
00:59:26,633 --> 00:59:28,435
So you can just
sing it for us.
1476
00:59:28,469 --> 00:59:29,503
I've lost my voice.
1477
00:59:29,536 --> 00:59:31,739
Okay, well... You're gonna
have to find it again.
1478
00:59:31,772 --> 00:59:34,141
And we have this.
So you can just
1479
00:59:34,908 --> 00:59:36,643
play it yourself
for us. Okay?
1480
00:59:37,578 --> 00:59:39,980
You love this.
1481
00:59:40,948 --> 00:59:42,883
There you go.
1482
00:59:42,916 --> 00:59:44,718
Who's excited
to hear the finale?
1483
00:59:44,752 --> 00:59:46,220
(ALL CHEERING)
1484
00:59:49,590 --> 00:59:50,758
(AMOS CLEARS THROAT)
1485
00:59:50,791 --> 00:59:52,092
And what is it called?
1486
00:59:54,661 --> 00:59:56,163
It's called...
1487
00:59:57,832 --> 00:59:59,032
"Camp."
1488
01:00:00,534 --> 01:00:01,535
That's original.
1489
01:00:06,039 --> 01:00:08,242
(PLAYING ZITHER)
1490
01:00:08,275 --> 01:00:12,045
♪ Girl with an open Snapple
1491
01:00:14,181 --> 01:00:18,185
♪ A boy who's looking down
1492
01:00:18,887 --> 01:00:23,323
♪ We all come here for
1493
01:00:23,357 --> 01:00:25,592
♪ Summertime
1494
01:00:28,262 --> 01:00:29,263
♪ Camp
1495
01:00:30,697 --> 01:00:32,466
♪ Isn't home
1496
01:00:35,870 --> 01:00:37,171
♪ But isn't it?
1497
01:00:38,038 --> 01:00:39,506
♪ In a way
1498
01:00:40,741 --> 01:00:43,343
♪ It kind of is
1499
01:00:43,377 --> 01:00:44,711
♪ Oh, it
1500
01:00:46,079 --> 01:00:50,684
♪ Kind of is
1501
01:00:51,652 --> 01:00:53,487
♪ Let's raise a toast
1502
01:00:53,520 --> 01:00:55,756
♪ But in the glass
isn't alcohol
1503
01:00:55,789 --> 01:00:59,159
♪ It's something more
profound than alcohol
It's truth
1504
01:00:59,193 --> 01:01:01,094
Drums, boom, boom, boom.
1505
01:01:01,128 --> 01:01:03,197
(IMITATES DRUMS PLAYING)
1506
01:01:03,597 --> 01:01:04,631
Flute.
1507
01:01:04,665 --> 01:01:06,066
(IMITATES FLUTE PLAYING)
1508
01:01:06,500 --> 01:01:07,634
Sustained.
1509
01:01:07,668 --> 01:01:09,770
(RESUMES FLUTE PLAYING)
1510
01:01:09,803 --> 01:01:12,439
♪ All coming together for♪
1511
01:01:13,908 --> 01:01:15,108
Boom.
1512
01:01:26,286 --> 01:01:27,688
What the fuck
was that?
1513
01:01:28,923 --> 01:01:30,959
It was the finale.
1514
01:01:30,991 --> 01:01:32,059
You're telling me
that's something
1515
01:01:32,092 --> 01:01:33,393
that you wrote
before just now?
1516
01:01:34,628 --> 01:01:36,898
That's the song
that you needed time away
1517
01:01:36,931 --> 01:01:38,232
from meaningful traditions,
1518
01:01:38,265 --> 01:01:40,467
missing time with the kids,
1519
01:01:40,501 --> 01:01:43,270
ruining the process
of creating
this piece together
1520
01:01:43,303 --> 01:01:45,639
because you've been
running off working
on the finale.
1521
01:01:45,672 --> 01:01:46,673
It was that?
1522
01:01:47,474 --> 01:01:48,810
Rebecca,
I'm not an idiot, okay?
1523
01:01:48,843 --> 01:01:50,344
You made that up.
1524
01:01:50,377 --> 01:01:51,778
So I'm just
trying to understand
1525
01:01:51,813 --> 01:01:53,347
what you thought
we were gonna do today.
1526
01:01:53,380 --> 01:01:54,715
You were just gonna
have these kids
1527
01:01:54,748 --> 01:01:56,116
have no ending
to the show?
1528
01:01:56,149 --> 01:01:58,318
You said,
"I got the finale.
I can do it."
1529
01:01:58,352 --> 01:02:00,420
So I trusted you
like I always do.
1530
01:02:00,454 --> 01:02:01,722
What have you been doing
all this time?
1531
01:02:01,755 --> 01:02:03,624
I got a job, okay?
1532
01:02:05,259 --> 01:02:07,862
What, like you're tutoring
kids in singing?
1533
01:02:07,896 --> 01:02:09,329
What are you talking about?
1534
01:02:09,363 --> 01:02:12,332
I just signed
a two-year contract
with Duchess Cruises.
1535
01:02:12,366 --> 01:02:15,202
I'm a featured soloist in
Cole Porter on the Waves.
1536
01:02:15,235 --> 01:02:17,437
So yeah, I've been
a little distracted.
1537
01:02:17,471 --> 01:02:19,606
AMOS: Sorry, you're taking
a performance job?
1538
01:02:19,640 --> 01:02:21,108
Since when are you
taking performance jobs?
1539
01:02:21,141 --> 01:02:22,743
Because I wanna be
a performer!
1540
01:02:22,776 --> 01:02:23,878
Okay, I thought we were both
1541
01:02:23,912 --> 01:02:25,212
full-time teachers
aspiring to be performers.
1542
01:02:25,245 --> 01:02:26,814
When is that gonna happen?
1543
01:02:26,848 --> 01:02:28,115
I wanna perform.
1544
01:02:28,148 --> 01:02:29,650
Well, that's great.
I just wish
maybe you'd told me.
1545
01:02:29,683 --> 01:02:31,585
I always thought
maybe we'd make
that decision together
1546
01:02:31,618 --> 01:02:32,954
like we do most things.
It's impossible
1547
01:02:32,987 --> 01:02:34,022
to tell you anything
because you interrupt
1548
01:02:34,054 --> 01:02:35,289
everything that I say.
That's not true.
1549
01:02:35,322 --> 01:02:36,490
I do not interrupt everything
that you say, Rebecca.
1550
01:02:36,523 --> 01:02:37,424
I'm just trying to share
my feelings with you...
1551
01:02:37,457 --> 01:02:38,458
Every single thing
that I...
1552
01:02:38,492 --> 01:02:39,726
...the way that I have
for 15 years.
1553
01:02:39,760 --> 01:02:42,195
Every single thing that I...
That's not true, Rebecca.
1554
01:02:48,135 --> 01:02:49,269
Everything that I say.
I am unable to...
1555
01:02:49,303 --> 01:02:50,404
That's not true, Rebecca.
That is not true.
1556
01:02:50,437 --> 01:02:52,439
How could you
do this to me?
1557
01:02:53,540 --> 01:02:55,108
You?
1558
01:02:55,142 --> 01:02:57,177
This has nothing
to do with you.
1559
01:02:57,210 --> 01:02:58,445
Exactly.
Why would you
do something
1560
01:02:58,478 --> 01:02:59,847
that has nothing
to do with me?
1561
01:03:01,049 --> 01:03:03,350
Let that statement
just sit in the space.
1562
01:03:04,217 --> 01:03:05,853
It looks great.
I stand by it.
1563
01:03:05,887 --> 01:03:07,321
I mean... (STUTTERS) What?
1564
01:03:07,354 --> 01:03:08,589
I don't understand
what you're getting at.
1565
01:03:08,622 --> 01:03:10,123
I just want something else.
That should be okay.
1566
01:03:10,157 --> 01:03:11,625
That's really nice for you,
Rebecca, but you shouldn't
1567
01:03:11,658 --> 01:03:13,126
leave the best kids
in the camp in the lurch
1568
01:03:13,160 --> 01:03:14,294
with no show to perform.
1569
01:03:14,328 --> 01:03:15,796
Okay, I've...
That was selfish.
1570
01:03:15,830 --> 01:03:17,130
I make sacrifices
for them.
1571
01:03:17,164 --> 01:03:19,466
Because they're talented
and they deserve it.
1572
01:03:19,499 --> 01:03:21,401
I sacrifice
everything else
in my life
1573
01:03:21,435 --> 01:03:23,270
for this job and for them.
What do you sacrifice?
1574
01:03:23,303 --> 01:03:25,539
I got a callback
for Juilliard.
1575
01:03:29,776 --> 01:03:33,815
And I didn't go
because I wanted
to be here with you.
1576
01:03:33,848 --> 01:03:36,350
You've just kinda
been lying to me
for like, 10 years.
1577
01:03:41,321 --> 01:03:42,623
I'm happy for you,
Rebecca.
1578
01:03:42,656 --> 01:03:44,291
I'm thrilled for you.
1579
01:03:44,324 --> 01:03:46,861
I think it's great that
you've left these kids
1580
01:03:46,894 --> 01:03:48,295
with no show
1581
01:03:48,328 --> 01:03:49,864
and all for a cruise.
1582
01:03:50,965 --> 01:03:52,834
A non-narrative piece
on a cruise.
1583
01:03:57,105 --> 01:03:58,538
(DOOR OPENS)
1584
01:04:00,041 --> 01:04:01,541
(FOOTSTEPS APPROACHING)
1585
01:04:02,944 --> 01:04:04,478
Excuse me.
Hi.
1586
01:04:04,511 --> 01:04:07,481
Um... Guys,
this is a teardown.
1587
01:04:07,514 --> 01:04:09,583
Um, can we get this up?
Can we see
what's under here?
1588
01:04:09,616 --> 01:04:11,284
Yeah, we're gonna
tear the...
1589
01:04:11,318 --> 01:04:12,719
TROY: Maybe don't. Maybe...
Tear this up.
1590
01:04:12,753 --> 01:04:14,922
Let's see
what's under here.
TROY: Do we need to do this?
1591
01:04:14,956 --> 01:04:16,323
Let's talk
this out first.
1592
01:04:16,356 --> 01:04:17,524
I don't think
we need to do that.
1593
01:04:17,557 --> 01:04:18,826
Sorry, we're in
the middle of rehearsal.
1594
01:04:18,860 --> 01:04:21,161
Hi. We're in the middle
of something too. Hi.
1595
01:04:21,194 --> 01:04:22,964
Troy, what's going on?
1596
01:04:22,997 --> 01:04:24,197
No, it...
Everything's fine, guys.
1597
01:04:24,231 --> 01:04:26,034
Everything is gonna
be okay.
1598
01:04:26,067 --> 01:04:28,168
It doesn't look okay.
ALICE: No, it's not.
1599
01:04:28,201 --> 01:04:29,436
No, it's not.
What are they doing?
1600
01:04:29,469 --> 01:04:32,040
Listen, I know this place
meant a lot to you.
1601
01:04:32,073 --> 01:04:33,507
But I do hope
you'll consider
1602
01:04:33,540 --> 01:04:36,077
joining the Lakeside family
next summer.
1603
01:04:36,110 --> 01:04:37,310
ALICE: No.
1604
01:04:37,344 --> 01:04:39,080
What does that mean?
Not happening, lady.
1605
01:04:39,113 --> 01:04:41,149
Troy, you sold the camp
to Lakeside?
1606
01:04:41,181 --> 01:04:42,850
It's more of a partnership.
1607
01:04:42,884 --> 01:04:45,652
Demolition is next week.
Just stop. Please, stop.
1608
01:04:45,686 --> 01:04:46,520
Next week?
Tell them...
1609
01:04:46,553 --> 01:04:47,955
CHRISTOPHER L:
Can she be gone now?
1610
01:04:47,989 --> 01:04:50,992
Please.
Nobody wants you here.
1611
01:04:51,025 --> 01:04:52,160
CHRISTOPHER S:
Get her and her
1612
01:04:52,225 --> 01:04:54,028
knockoff Chanel bag
out of here.
1613
01:04:54,062 --> 01:04:55,863
TROY: It will be okay.
1614
01:04:58,231 --> 01:05:00,701
(JAZZ MUSIC PLAYING)
1615
01:05:40,808 --> 01:05:43,111
CLIVE: Cheer up, kids.
1616
01:05:43,144 --> 01:05:44,912
(JAZZ MUSIC
PLAYING OVER SPEAKERS)
1617
01:05:51,585 --> 01:05:52,954
MACKENZIE: This is like,
my first time sneaking out.
1618
01:05:52,987 --> 01:05:54,155
SEBASTIAN: Shh! Guys.
1619
01:05:54,188 --> 01:05:55,455
ALICE: Shush!
1620
01:05:55,489 --> 01:05:57,091
DARLA: I know
we're all scared right now
1621
01:05:57,125 --> 01:05:58,458
and we don't know
if the show's happening.
1622
01:05:58,492 --> 01:06:00,061
I heard that
the Lakeside kids
1623
01:06:00,094 --> 01:06:01,428
get to be
in all the shows now, too.
1624
01:06:01,461 --> 01:06:04,098
Lainy told me
that Troy smokes drugs.
1625
01:06:04,132 --> 01:06:05,900
I heard, that they're cutting
all of the tone-deaf kids.
1626
01:06:05,933 --> 01:06:07,034
SEBASTIAN: Hey, guys.
1627
01:06:07,068 --> 01:06:08,936
Rumors are rumors.
1628
01:06:08,970 --> 01:06:11,638
This could be
our last week here.
Maybe ever.
1629
01:06:11,671 --> 01:06:14,041
So let's make our mark
while we can.
1630
01:06:14,075 --> 01:06:15,509
We don't know
what's gonna happen.
1631
01:06:15,542 --> 01:06:17,444
But as Joan always says,
1632
01:06:17,477 --> 01:06:19,113
summers come and go.
1633
01:06:19,147 --> 01:06:21,581
But what happens
on this stage,
1634
01:06:22,415 --> 01:06:23,818
that's eternal.
1635
01:06:36,197 --> 01:06:37,330
Jesus.
1636
01:06:37,364 --> 01:06:39,399
Hey, sorry to bother you,
1637
01:06:39,432 --> 01:06:41,434
but are we planning
on rehearsing later?
1638
01:06:41,468 --> 01:06:43,370
Let's see. Our composer
has deserted us
1639
01:06:43,403 --> 01:06:46,140
and I refuse to tell
a slapdash,
1640
01:06:46,174 --> 01:06:47,909
trainwreck version
of Joan's story,
1641
01:06:47,942 --> 01:06:49,409
so, no.
1642
01:06:49,442 --> 01:06:50,777
The show is dead
in the water.
1643
01:06:50,812 --> 01:06:54,115
Okay, well, I have this
Zoom director's session
1644
01:06:54,148 --> 01:06:55,715
for a movie
about a pregnant gymnast.
1645
01:06:55,749 --> 01:06:58,318
They're already filming,
and someone dropped out.
1646
01:06:58,351 --> 01:07:00,054
And I was wondering
if you could help me?
1647
01:07:01,088 --> 01:07:02,824
I...
1648
01:07:02,857 --> 01:07:05,358
I can't stomach
industry sides right now.
1649
01:07:05,392 --> 01:07:07,794
So just let me
hang my shirts in peace.
1650
01:07:12,465 --> 01:07:15,970
I could really use your help
with the characterization.
1651
01:07:19,173 --> 01:07:20,707
What are the character's
allergies?
1652
01:07:21,142 --> 01:07:22,243
What?
1653
01:07:22,276 --> 01:07:23,710
Oh, God,
we have a lot
of work to do.
1654
01:07:23,743 --> 01:07:25,612
Let's get a notebook,
and let's start taking
some notes.
1655
01:07:26,580 --> 01:07:27,681
Wow, "one of,"
I'd love to know
1656
01:07:27,714 --> 01:07:29,050
who these
other teachers are.
1657
01:07:33,453 --> 01:07:35,355
(LIVELY MUSIC PLAYING)
1658
01:07:35,388 --> 01:07:36,924
(INDISTINCT CONVERSATION)
1659
01:07:37,524 --> 01:07:38,725
DEVON'S DAD:
Here he comes.
1660
01:07:39,126 --> 01:07:40,895
Hi, baby!
1661
01:07:40,928 --> 01:07:42,362
(DEVON'S DAD CHUCKLES)
1662
01:07:42,395 --> 01:07:43,463
DEVON: Hey, Dads.
1663
01:07:43,496 --> 01:07:45,099
DEVON'S DAD:
Oh, God, I missed you.
1664
01:07:45,132 --> 01:07:46,934
(INDISTINCT CONVERSATION)
1665
01:07:49,636 --> 01:07:53,373
(KNOCK AT DOOR)
TROY: My guy,
massive news.
1666
01:07:53,406 --> 01:07:55,009
I think I figured out
how to save the camp.
1667
01:07:55,042 --> 01:07:56,210
How?
1668
01:07:56,244 --> 01:07:57,744
So I was going over
the Barnswell deal
that I signed,
1669
01:07:57,777 --> 01:07:59,646
like all last night
and this morning
1670
01:07:59,679 --> 01:08:02,917
and I noticed they only take
possession of the camp
1671
01:08:02,950 --> 01:08:05,019
if the bank forecloses.
1672
01:08:05,052 --> 01:08:07,922
Caroline just assumed
that we would fail.
But the truth is
1673
01:08:07,955 --> 01:08:10,825
we still can come up
with the money
to hold off the bank.
1674
01:08:10,858 --> 01:08:13,060
And how do you expect us
to find this money, Troy?
1675
01:08:13,094 --> 01:08:16,230
That is where
the en-Troy-preneurship
comes in.
1676
01:08:16,264 --> 01:08:17,932
Right.
I sent out
an email blast
1677
01:08:17,965 --> 01:08:19,166
to my ride or dies,
1678
01:08:19,200 --> 01:08:20,400
the Founding Ballers,
1679
01:08:20,433 --> 01:08:22,169
and I invited them
to the show.
1680
01:08:22,203 --> 01:08:23,637
Right? These guys are like
1681
01:08:23,670 --> 01:08:26,173
primo business influencers,
Glenn.
1682
01:08:26,207 --> 01:08:27,375
So if they come here,
1683
01:08:27,407 --> 01:08:29,476
and they see
our little freaky-deakies
1684
01:08:29,509 --> 01:08:32,179
in action,
crushing Joan, Still,
1685
01:08:32,213 --> 01:08:33,413
they'll have to invest.
1686
01:08:33,446 --> 01:08:34,648
They'll be
emptying their pockets.
1687
01:08:34,681 --> 01:08:37,784
Yeah, no, they sound,
uh, extremely legit.
1688
01:08:37,818 --> 01:08:39,020
Yeah.
1689
01:08:39,053 --> 01:08:40,821
Um, and I think it's nice
that you wanna do this
for the camp
1690
01:08:40,855 --> 01:08:42,489
and for your mom,
1691
01:08:42,522 --> 01:08:45,458
but we don't have
any creative
visionaries left. Okay?
1692
01:08:45,492 --> 01:08:47,128
What are you
talking about?
Yes, we do.
1693
01:08:48,396 --> 01:08:49,663
We have you, Glenn.
1694
01:08:50,965 --> 01:08:52,066
Show everyone how much
1695
01:08:52,099 --> 01:08:53,533
they've been
underestimating you.
1696
01:08:54,001 --> 01:08:55,136
Finish the job.
1697
01:08:55,169 --> 01:08:57,504
CHILDREN: Yes!
SEBASTIAN: Totally, Glenn.
Come on, Glenn.
1698
01:08:57,537 --> 01:08:58,839
Glenn,
you got this.
1699
01:08:58,873 --> 01:09:00,308
Come on, Glenn.
1700
01:09:00,341 --> 01:09:01,775
What do you say,
man?
1701
01:09:10,051 --> 01:09:11,551
(LIVELY MUSIC CONTINUES)
1702
01:09:18,725 --> 01:09:20,560
What's up,
my little dollar ballers?
1703
01:09:20,593 --> 01:09:21,695
It's your boy Salem here
1704
01:09:21,728 --> 01:09:24,131
with my other
Founding Ballers out here.
1705
01:09:24,165 --> 01:09:25,333
And we're out here checking
1706
01:09:25,366 --> 01:09:27,034
on a potential
investment opportunity.
1707
01:09:27,068 --> 01:09:29,703
Things are a little crazy,
and your boy, Salem...
1708
01:09:29,736 --> 01:09:31,339
I'm feeling
a little volatile.
1709
01:09:31,372 --> 01:09:32,672
So I'm gonna take
a chance,
1710
01:09:32,706 --> 01:09:34,442
and we're gonna see
some little kids...
1711
01:09:34,474 --> 01:09:35,642
Ballers.
Wow, the whole squad.
What's up, Salem?
1712
01:09:35,675 --> 01:09:36,844
Given the current ecosystem
of the crypto...
1713
01:09:36,877 --> 01:09:38,346
Yeah, give me a second here.
Yeah, I'm just gonna
1714
01:09:38,379 --> 01:09:39,413
finish this one quick.
Yeah, yeah, totally.
1715
01:09:39,447 --> 01:09:41,015
What's bussin'?
What's bussin'?
1716
01:09:41,048 --> 01:09:42,283
Hey. What's bussin', guys?
1717
01:09:42,316 --> 01:09:43,351
I can't believe
you guys came.
1718
01:09:43,384 --> 01:09:44,584
Yeah, man.
Thanks for having us.
1719
01:09:44,617 --> 01:09:46,020
I've seen
like every vlog.
Oh, yeah? Yeah. Yeah.
1720
01:09:46,053 --> 01:09:47,554
I got your merch.
I have that shirt.
1721
01:09:48,422 --> 01:09:49,924
(INDISTINCT CHATTER)
1722
01:09:49,957 --> 01:09:52,460
TROY: I just wanna say
thank you all
for all your hard work
1723
01:09:52,525 --> 01:09:53,660
in the last 24 hours.
1724
01:09:53,693 --> 01:09:56,063
I look around and I see
a lot of prepared faces.
1725
01:09:56,097 --> 01:09:58,299
I'd say no pressure, but...
1726
01:09:58,332 --> 01:10:00,001
it's a little bit
of pressure.
1727
01:10:00,034 --> 01:10:02,602
You know?
Gigi, you got anything?
1728
01:10:02,635 --> 01:10:04,738
Um, I would like to say
that I was very angry
1729
01:10:04,771 --> 01:10:06,673
with you guys
a couple hours ago.
1730
01:10:06,706 --> 01:10:08,608
Uh, but I'm over it.
1731
01:10:08,641 --> 01:10:10,011
All right, guys.
Put your hands in.
Come on.
1732
01:10:10,044 --> 01:10:12,947
One, two, three!
ALL: Joan, Still!
1733
01:10:12,980 --> 01:10:14,982
(ALL CHEERING)
1734
01:10:16,017 --> 01:10:17,018
BOY: Let's do this!
1735
01:10:19,987 --> 01:10:22,423
Sorry. Uh, can someone
just tell me
1736
01:10:22,456 --> 01:10:24,724
like, the status
on this woman?
1737
01:10:24,758 --> 01:10:27,194
Is she alive or dead?
1738
01:10:30,931 --> 01:10:31,932
You're a liar.
1739
01:10:35,403 --> 01:10:36,603
Excuse me?
1740
01:10:37,271 --> 01:10:38,272
A very good one.
1741
01:10:39,807 --> 01:10:42,209
I think you'd make
a fantastic agent.
1742
01:10:42,243 --> 01:10:44,311
I'm trying
to get my company
off the ground.
1743
01:10:44,945 --> 01:10:46,113
Think about it.
1744
01:10:47,248 --> 01:10:48,249
I'm always here.
1745
01:10:51,352 --> 01:10:52,552
Excuse me.
1746
01:10:59,659 --> 01:11:01,929
(INTRIGUING MUSIC PLAYING)
1747
01:11:06,400 --> 01:11:08,169
(FRANTIC MUSIC PLAYING)
1748
01:11:09,837 --> 01:11:12,672
AMOS: Kids. Kids, have you
seen Darla? Darla anywhere?
1749
01:11:15,309 --> 01:11:16,343
Darla!
1750
01:11:17,011 --> 01:11:18,012
Darla!
1751
01:11:20,780 --> 01:11:22,049
Darla,
you have to go on.
1752
01:11:22,083 --> 01:11:23,716
(PANTING) You see
what they're doing?
1753
01:11:23,750 --> 01:11:25,086
They're ruining
our show.
1754
01:11:25,119 --> 01:11:26,420
Why are you leaving?
1755
01:11:26,454 --> 01:11:28,255
I'm sorry.
I'm sorry, Amos, okay?
1756
01:11:29,023 --> 01:11:30,925
You must be Amos.
1757
01:11:30,958 --> 01:11:33,760
Oh, my granddaughter
has had
1758
01:11:33,793 --> 01:11:35,996
the best time with you
this summer.
1759
01:11:36,030 --> 01:11:38,399
We have got
the most gushing letters.
1760
01:11:38,432 --> 01:11:41,035
Well, she said you were
a little tough on her, but...
1761
01:11:41,068 --> 01:11:42,970
her craft
has never been better.
1762
01:11:43,504 --> 01:11:44,572
Oh, um...
1763
01:11:44,604 --> 01:11:46,006
Hurry up and say
your goodbyes, honey.
1764
01:11:46,040 --> 01:11:48,075
Quickly, because we don't
wanna catch traffic.
(KISSES)
1765
01:11:53,646 --> 01:11:55,516
You always told me
that I needed
1766
01:11:55,549 --> 01:11:57,485
to open myself up
to character roles,
1767
01:11:57,518 --> 01:12:00,254
that ingenue isn't everything.
1768
01:12:01,021 --> 01:12:04,291
I listened,
and I booked the job.
1769
01:12:17,704 --> 01:12:19,273
Maybe I'll see you
next summer.
1770
01:12:30,783 --> 01:12:32,052
(ENGINE STARTS)
1771
01:12:36,924 --> 01:12:39,560
Good evening,
AdirondACTS.
1772
01:12:39,593 --> 01:12:41,362
(AUDIENCE CHEERING)
1773
01:12:43,497 --> 01:12:46,333
Special shout-out to my crew,
Founding Ballers.
1774
01:12:46,367 --> 01:12:47,601
Thanks for coming out.
1775
01:12:47,635 --> 01:12:49,802
As most of you know,
1776
01:12:49,837 --> 01:12:51,305
my name is Troy,
1777
01:12:51,338 --> 01:12:55,276
and I've been blessed
with having
an amazing mother.
1778
01:12:55,309 --> 01:12:56,844
A woman...
Oh, my God.
1779
01:12:56,877 --> 01:12:58,479
...all of you know and love.
1780
01:12:58,512 --> 01:13:02,316
Unfortunately, she is unable
to be with us tonight.
1781
01:13:03,150 --> 01:13:04,751
So we've decided
1782
01:13:04,784 --> 01:13:07,955
to bring the show
to her via a live feed.
1783
01:13:07,988 --> 01:13:10,057
Give it up
for Joan!
1784
01:13:17,764 --> 01:13:19,799
She really looks good.
1785
01:13:19,833 --> 01:13:21,302
I think
she's lost weight.
1786
01:13:21,734 --> 01:13:23,204
I think so, too.
1787
01:13:23,237 --> 01:13:25,506
Our kids have worked
their little butts off
all summer
1788
01:13:25,539 --> 01:13:29,076
to do my mom's story justice
and to hopefully bring you
1789
01:13:29,109 --> 01:13:31,812
the best night of your lives.
Are you ready?
1790
01:13:31,845 --> 01:13:33,847
(ALL CHEERING)
1791
01:13:33,881 --> 01:13:35,516
This one's
for you, Mom.
1792
01:13:35,549 --> 01:13:38,986
Let's blow the roof off
that ICU!
1793
01:13:42,923 --> 01:13:46,460
CHORUS:
♪ Joan then
1794
01:13:46,493 --> 01:13:49,830
♪ Joan now
1795
01:13:49,863 --> 01:13:53,334
♪ Joan does
1796
01:13:53,367 --> 01:13:56,637
♪ Somehow
1797
01:13:56,670 --> 01:13:59,306
Troy, it's me.
Troy, it's me.
1798
01:13:59,340 --> 01:14:01,208
You know,
I don't think this show
is gonna work out.
1799
01:14:01,242 --> 01:14:02,775
Shh.
♪ Joan will
1800
01:14:02,810 --> 01:14:04,111
Shh. Are you
playing a game?
1801
01:14:04,144 --> 01:14:07,248
♪ Joan can
1802
01:14:07,281 --> 01:14:12,820
♪ Joan still ♪
1803
01:14:12,853 --> 01:14:14,288
Tonight we take you
to the start
1804
01:14:14,321 --> 01:14:16,624
of our great founder's
beating heart.
1805
01:14:16,657 --> 01:14:18,626
Our tale begins in '63.
1806
01:14:18,659 --> 01:14:20,894
A young girl
and her father flee.
1807
01:14:20,928 --> 01:14:23,564
Though planes could fly
and girls could vote,
1808
01:14:23,597 --> 01:14:25,933
for some reason,
they took a boat.
1809
01:14:30,004 --> 01:14:32,606
CHORUS:
♪ America
1810
01:14:32,640 --> 01:14:35,142
♪ America
1811
01:14:35,175 --> 01:14:37,845
♪ We're sailing to America
1812
01:14:37,878 --> 01:14:42,116
♪ In 1963 ♪
1813
01:14:43,550 --> 01:14:45,686
Oh, my little Joan,
come.
1814
01:14:45,719 --> 01:14:47,421
Look at the horizon.
1815
01:14:47,454 --> 01:14:50,658
Think of all
the possibilities
that await you.
1816
01:14:50,691 --> 01:14:53,527
♪ In America
1817
01:14:53,560 --> 01:14:55,496
♪ Enlightened nation
1818
01:14:55,529 --> 01:14:59,099
♪ Where even women
get education
1819
01:14:59,133 --> 01:15:02,069
♪ From clean to cook
Every skill you need
1820
01:15:02,102 --> 01:15:04,571
♪ Don't fret
I'll tell the recipes
1821
01:15:04,605 --> 01:15:06,106
♪ 'Cause women
cannot read
1822
01:15:06,140 --> 01:15:08,542
♪ Hey! Women cannot read
1823
01:15:08,575 --> 01:15:10,377
♪ Women cannot read
1824
01:15:10,411 --> 01:15:13,447
♪ A, B, C, D, she don't know
'Cause women cannot read
1825
01:15:13,480 --> 01:15:14,815
MACKENZIE:
♪ Okay, I know
there's something better
1826
01:15:14,848 --> 01:15:16,183
DEVON:
♪ America
1827
01:15:16,216 --> 01:15:17,151
MACKENZIE:
♪ Than to cook
and do the cleaning
1828
01:15:17,184 --> 01:15:18,619
DEVON:
♪ Enlightened nation
1829
01:15:18,652 --> 01:15:20,287
♪ But I look
at every letter
♪ Where even women
1830
01:15:20,321 --> 01:15:21,722
♪ And I wanna know
its meaning
♪ Get education
1831
01:15:21,755 --> 01:15:22,856
♪ I'm wrestling
with these words
1832
01:15:22,890 --> 01:15:24,024
DEVON:
♪ From clean to cook
1833
01:15:24,058 --> 01:15:25,092
♪ And I'm an inch away
from knowing
1834
01:15:25,125 --> 01:15:26,260
DEVON:
♪ Every skill you need
1835
01:15:26,293 --> 01:15:27,661
♪ My eyes are moving
back and forth
1836
01:15:27,695 --> 01:15:30,931
♪ The sense of it
is growing
1837
01:15:31,732 --> 01:15:34,068
(STUTTERS)
1838
01:15:34,101 --> 01:15:37,905
Jifka was shot!
(CHORUS GASP)
1839
01:15:37,938 --> 01:15:39,039
CHORUS:
♪ Maybe she can read
1840
01:15:39,073 --> 01:15:41,008
♪ No way!
♪ Maybe she can read
1841
01:15:41,041 --> 01:15:43,444
DEVON:
♪ That's luck
A, B, C, D, she can't know!
1842
01:15:43,477 --> 01:15:45,612
CHORUS:
♪ Or maybe she can read!♪
1843
01:15:45,646 --> 01:15:47,748
(AUDIENCE CLAPPING
IN DISTANCE)
1844
01:15:47,781 --> 01:15:49,216
So Joan ended
the affair
1845
01:15:49,249 --> 01:15:50,918
with her
astrology professor
1846
01:15:50,951 --> 01:15:51,985
and she used her diploma
1847
01:15:52,019 --> 01:15:53,187
to get a job
as a mailroom clerk
1848
01:15:53,220 --> 01:15:55,923
at the New York
Stock Exchange.
1849
01:15:55,956 --> 01:15:58,759
(INDISTINCT,
OVERLAPPING CHATTER)
1850
01:15:58,792 --> 01:15:59,893
SEBASTIAN:
If I'm not making money,
1851
01:15:59,927 --> 01:16:01,028
then I'm losing money.
1852
01:16:01,061 --> 01:16:03,397
If I'm losing money,
you're losing your job
1853
01:16:03,430 --> 01:16:04,631
and you're all fired!
1854
01:16:07,067 --> 01:16:08,869
♪ From my corner
in the mailroom
1855
01:16:08,902 --> 01:16:10,104
♪ Under the ground I hear
1856
01:16:10,137 --> 01:16:11,472
CHORUS:
♪ The Wall Street noise!
1857
01:16:11,505 --> 01:16:13,640
♪ It's a beautiful sound
Sorting letters, getting older
1858
01:16:13,674 --> 01:16:16,710
♪ Makin' minimum pay
While the brokers get richer
1859
01:16:16,744 --> 01:16:18,379
♪ I could listen all day
1860
01:16:18,412 --> 01:16:21,115
♪ When you buy
It's the feeling
Of a-jumpin' to the ceiling
1861
01:16:21,148 --> 01:16:23,884
CHORUS:
♪ Buy the stock
Buy the stock
1862
01:16:23,917 --> 01:16:24,952
♪ Buy the stock
1863
01:16:24,985 --> 01:16:26,220
Then martini time, boys
1864
01:16:26,253 --> 01:16:29,690
♪ Will I ever be part
of the Wall Street noise?
1865
01:16:29,723 --> 01:16:31,692
(BROADWAY MUSIC PLAYING)
1866
01:16:31,725 --> 01:16:33,160
♪ It's a shimmy
in the shoulders
1867
01:16:33,193 --> 01:16:34,795
♪ When you talk
to the shareholders
1868
01:16:34,829 --> 01:16:37,097
♪ Guiltless greed
is one of life's great joys
1869
01:16:37,131 --> 01:16:40,367
♪ Maybe someday I'll stomp
In the Wall Street
1870
01:16:40,401 --> 01:16:43,203
♪ Noise
1871
01:16:44,438 --> 01:16:47,441
They messed up
one little turn,
but it's okay.
1872
01:16:47,474 --> 01:16:48,308
I didn't see it.
1873
01:16:48,342 --> 01:16:49,443
I think we should
just move forward.
1874
01:16:49,476 --> 01:16:50,944
♪ Sell the stocks
Shareholders buy
1875
01:16:50,978 --> 01:16:52,045
♪ Sell the stocks
Shareholders buy
1876
01:16:52,079 --> 01:16:53,514
♪ Buy, sell, stock
1877
01:16:53,547 --> 01:16:55,884
And as Joan rose
through the ranks
of the company
1878
01:16:55,916 --> 01:16:58,552
and her profits
grew and grew,
1879
01:16:58,585 --> 01:17:00,988
so did she!
1880
01:17:02,556 --> 01:17:04,158
(SCATTERED CLAPPING)
1881
01:17:10,631 --> 01:17:12,132
Is that
the tech guy?
1882
01:17:13,868 --> 01:17:16,503
Somebody get me portfolios
on line four.
1883
01:17:17,906 --> 01:17:20,140
I'll be in
my corner office.
1884
01:17:20,174 --> 01:17:22,409
Sure thing, boss.
Let's do this.
1885
01:17:22,443 --> 01:17:24,044
♪ You do this
You do that
1886
01:17:24,077 --> 01:17:25,914
♪ Fix that graph
and get me stats
1887
01:17:25,946 --> 01:17:28,917
CHORUS:
♪ She's a stock broker
Deep down and dirty dealing
1888
01:17:28,949 --> 01:17:30,451
♪ Got the checks
Got the cash
1889
01:17:30,484 --> 01:17:32,219
♪ And I'm smashing
that glass ceiling
1890
01:17:32,252 --> 01:17:34,021
CHORUS:
♪ Now she's part
of this sound
1891
01:17:34,054 --> 01:17:35,622
♪ And I found my voice
1892
01:17:35,656 --> 01:17:37,724
CHORUS:
♪ As she's making
people millions
1893
01:17:37,758 --> 01:17:39,259
♪ Screwing innocent civilians
1894
01:17:39,293 --> 01:17:42,129
♪ With her fab flap
and brilliance
In the Wall Street
1895
01:17:43,430 --> 01:17:44,431
♪ Noise! ♪
1896
01:17:44,965 --> 01:17:46,500
(AUDIENCE CHEERING)
1897
01:17:55,108 --> 01:17:57,277
(DISCO MUSIC PLAYING)
1898
01:17:59,079 --> 01:18:01,048
CHORUS:
♪ Studio 54!
1899
01:18:01,081 --> 01:18:03,016
♪ Dark room
Bright lights
1900
01:18:03,050 --> 01:18:04,953
♪ Debbie Harry wearing tights
1901
01:18:04,985 --> 01:18:06,987
CHORUS:
♪ Stiff drink
High heels
1902
01:18:07,020 --> 01:18:08,689
♪ David Geffen doing deals
1903
01:18:08,722 --> 01:18:12,659
CHORUS:
♪ Lovers and strangers
and big chandeliers
1904
01:18:12,693 --> 01:18:14,695
♪ Got no home to go to
1905
01:18:14,728 --> 01:18:16,563
♪ So I'm staying here
1906
01:18:16,597 --> 01:18:18,933
CHORUS:
♪ Live it up
♪ Like there's no tomorrow
1907
01:18:18,967 --> 01:18:21,301
CHORUS:
♪ Tomorrow, give it up
1908
01:18:21,335 --> 01:18:22,769
GLENN:
♪ To the groovy
1909
01:18:22,803 --> 01:18:24,705
CHORUS:
♪ Disco glittery light
Disco glittery light
1910
01:18:24,738 --> 01:18:25,840
CHORUS:
♪ Live it up
1911
01:18:25,874 --> 01:18:28,877
♪ 'Cause if there's
no tomorrow
1912
01:18:28,910 --> 01:18:30,244
♪ Nothing matters to me
1913
01:18:30,277 --> 01:18:33,247
♪ So get lost inside
the boogie tonight
1914
01:18:35,549 --> 01:18:36,818
And cue cocaine.
1915
01:18:36,851 --> 01:18:37,919
CHORUS:
♪ Live it up
1916
01:18:37,952 --> 01:18:40,020
♪ Don't you
have school tomorrow?
1917
01:18:40,053 --> 01:18:41,255
CHORUS:
♪ Give it up
1918
01:18:41,288 --> 01:18:43,490
♪ Suddenly, the disco
doesn't feel right
1919
01:18:43,524 --> 01:18:47,060
CHORUS:
♪ Clears away
The troubles and the sorrow
1920
01:18:47,094 --> 01:18:48,195
♪ Someone's gotta save ya
1921
01:18:48,228 --> 01:18:50,497
♪ From degenerate
behavior tonight
1922
01:18:50,531 --> 01:18:52,666
Quick. Give me
your hand, little girl.
1923
01:18:52,699 --> 01:18:53,868
I'll save you.
1924
01:18:53,902 --> 01:18:55,102
I'm an artiste,
1925
01:18:55,135 --> 01:18:57,170
and artistes
don't need saving.
1926
01:18:57,204 --> 01:19:00,808
Sometimes they do!
1927
01:19:04,846 --> 01:19:06,747
Wow, Joan.
You were right.
1928
01:19:06,780 --> 01:19:09,116
I guess I did need your help.
1929
01:19:09,149 --> 01:19:11,051
Have you ever
considered becoming...
1930
01:19:11,853 --> 01:19:13,353
a teacher?
1931
01:19:15,055 --> 01:19:19,626
GLENN:
♪ I'll make it
through tomorrow
1932
01:19:19,660 --> 01:19:23,096
♪ Only gonna have
three cocktails a week
1933
01:19:24,231 --> 01:19:27,734
♪ I'll quit my job tomorrow
1934
01:19:28,468 --> 01:19:32,040
♪ These children matter to me
1935
01:19:32,072 --> 01:19:36,010
♪ So I'll apply to SUNY
1936
01:19:36,044 --> 01:19:40,547
♪ Tonight ♪
1937
01:19:41,114 --> 01:19:42,382
Jesus, he's good.
1938
01:19:43,250 --> 01:19:46,353
♪ Thought my dreaming
was done
1939
01:19:46,386 --> 01:19:49,222
♪ All I needed was one
1940
01:19:49,256 --> 01:19:53,760
♪ Revelation to show me
my boy
1941
01:19:53,794 --> 01:19:55,029
(WHISPERING)
That kid's good.
1942
01:19:55,063 --> 01:19:56,263
I'm gonna make him
a star.
1943
01:19:56,296 --> 01:19:58,066
I was actually
just thinking
the same thing.
1944
01:19:58,098 --> 01:20:02,937
GLENN:
♪ Now I offer this sun
Salutation
1945
01:20:02,971 --> 01:20:05,405
♪ Hello to my Troy ♪
1946
01:20:05,439 --> 01:20:07,942
♪ I will build
this theatrical place
1947
01:20:07,976 --> 01:20:09,176
Hey.
1948
01:20:09,844 --> 01:20:12,179
Hey, do you like this?
1949
01:20:12,212 --> 01:20:14,348
I'm over here, I'm like...
(SNORES, CHUCKLES)
1950
01:20:15,782 --> 01:20:17,117
CHRISTOPHER S:
And finally,
1951
01:20:17,150 --> 01:20:19,821
after selling her father's
beloved pierogi recipe
1952
01:20:19,854 --> 01:20:21,188
for a small fortune,
1953
01:20:21,221 --> 01:20:23,523
Joan purchased
a beautiful plot of land
1954
01:20:23,557 --> 01:20:26,393
located right in the middle
of the Adirondack Mountains.
1955
01:20:29,931 --> 01:20:33,166
This land is beautiful.
1956
01:20:33,200 --> 01:20:36,570
And the stage
could go here.
1957
01:20:36,603 --> 01:20:39,874
And all the children
looking for somewhere
to belong.
1958
01:20:40,674 --> 01:20:42,810
I can almost see them.
1959
01:20:44,511 --> 01:20:48,082
♪ A girl with an open Snapple
1960
01:20:48,116 --> 01:20:51,418
♪ A boy who's looking down
1961
01:20:51,451 --> 01:20:54,956
♪ The faces
and the memories
1962
01:20:54,989 --> 01:20:59,326
♪ That we have from right now
1963
01:20:59,359 --> 01:21:02,629
♪ Raise a glass for everyone
1964
01:21:02,663 --> 01:21:06,400
♪ That will come through
these halls
1965
01:21:06,433 --> 01:21:09,003
♪ But in the glass
isn't alcohol
1966
01:21:09,037 --> 01:21:11,471
♪ It's something
more profound
1967
01:21:11,505 --> 01:21:13,206
♪ And the halls
aren't halls at all
1968
01:21:13,240 --> 01:21:15,076
♪ Of course, they're trees
1969
01:21:15,109 --> 01:21:16,376
♪ And lakes
1970
01:21:16,777 --> 01:21:21,115
♪ And birds
1971
01:21:21,149 --> 01:21:23,084
CHORUS:
♪ We all fly
1972
01:21:23,117 --> 01:21:27,688
♪ To find a place
we can belong
1973
01:21:27,721 --> 01:21:29,256
♪ We all fly
1974
01:21:29,289 --> 01:21:34,327
♪ To find a place
we can call home
1975
01:21:35,696 --> 01:21:38,532
♪ Camp isn't home
1976
01:21:39,934 --> 01:21:43,137
♪ But is it kind of?
1977
01:21:43,171 --> 01:21:45,305
♪ Kind of it is
1978
01:21:45,338 --> 01:21:48,475
♪ I think it kind of is
1979
01:21:48,508 --> 01:21:51,278
BOTH:
♪ Camp isn't home
1980
01:21:52,779 --> 01:21:55,883
♪ But is it kind of?
1981
01:21:55,917 --> 01:22:00,520
♪ I think it kind of is
1982
01:22:01,755 --> 01:22:05,258
♪ Where every kid
picked last in gym
1983
01:22:05,292 --> 01:22:07,794
♪ Finally makes the team
1984
01:22:07,829 --> 01:22:10,731
BOTH:
♪ Where square pegs
find their holes
1985
01:22:10,764 --> 01:22:13,734
♪ And outcasts
find their dreams
1986
01:22:13,767 --> 01:22:16,938
BOTH:
♪ It's a melting pot
for belting girls
1987
01:22:16,971 --> 01:22:19,639
♪ And boys in tiny shorts
1988
01:22:19,673 --> 01:22:22,275
CHORUS:
♪ Come to find
forever friendships
1989
01:22:22,309 --> 01:22:25,312
♪ Just four hours
from New York
1990
01:22:25,345 --> 01:22:26,646
♪ We all fly
1991
01:22:26,680 --> 01:22:31,085
♪ To find a place
we can belong
1992
01:22:31,119 --> 01:22:32,519
♪ We all fly
1993
01:22:32,552 --> 01:22:37,624
♪ To find a place
we can call home
1994
01:22:37,657 --> 01:22:39,861
♪ A place we can call Joan
1995
01:22:39,894 --> 01:22:42,329
♪ Camp isn't home
1996
01:22:43,430 --> 01:22:46,767
♪ But is it kind of?
1997
01:22:46,800 --> 01:22:48,568
♪ Kind of it is
1998
01:22:48,602 --> 01:22:51,738
♪ I think it kind of is
It kind of is
1999
01:22:51,772 --> 01:22:53,406
♪ Camp isn't home
2000
01:22:53,440 --> 01:22:55,475
♪ Camp isn't home
2001
01:22:55,509 --> 01:22:58,311
♪ But is it kind of?
2002
01:22:58,345 --> 01:23:02,716
♪ I think it kind of is
2003
01:23:03,985 --> 01:23:07,354
♪ We all fly
2004
01:23:07,387 --> 01:23:09,456
Camp taught me
that my words are powerful.
2005
01:23:09,489 --> 01:23:11,658
Without camp,
I would've never known
2006
01:23:11,691 --> 01:23:13,727
I could sing a high F
above middle C.
2007
01:23:14,427 --> 01:23:15,662
At camp, I learned that
2008
01:23:15,695 --> 01:23:17,198
you don't have to be pretty
to be talented.
2009
01:23:17,231 --> 01:23:18,465
It's just a bonus.
2010
01:23:20,500 --> 01:23:21,568
(WHISPERING)
I'm sorry.
2011
01:23:21,601 --> 01:23:23,770
I'm sorry.
You finished the song.
2012
01:23:24,371 --> 01:23:25,873
It's so beautiful.
2013
01:23:25,907 --> 01:23:27,641
I did it for you.
2014
01:23:27,674 --> 01:23:30,410
You should do
whatever you wanna do
2015
01:23:30,443 --> 01:23:31,979
and pursue your dreams, okay?
2016
01:23:32,546 --> 01:23:33,815
I'm going to stay here.
2017
01:23:33,848 --> 01:23:36,650
If there is a here,
I belong here.
2018
01:23:36,683 --> 01:23:38,418
Well, I'll come back
all the time.
2019
01:23:38,451 --> 01:23:39,619
Promise?
I promise.
2020
01:23:39,653 --> 01:23:41,454
You're not getting
rid of me.
2021
01:23:41,488 --> 01:23:43,224
At camp,
I learned to live
in my truth
2022
01:23:43,257 --> 01:23:44,758
as a heterosexual man.
2023
01:23:46,160 --> 01:23:47,460
We knew. (SOBBING)
2024
01:23:47,494 --> 01:23:49,596
We always knew, buddy.
Good job.
2025
01:23:50,430 --> 01:23:51,631
Glenn is amazing.
2026
01:23:51,665 --> 01:23:53,167
Glenn is so good,
it makes me upset.
2027
01:23:53,201 --> 01:23:55,236
It's insane.
It makes me upset.
2028
01:23:55,269 --> 01:23:57,337
(VOCALIZING)
2029
01:23:57,370 --> 01:23:59,673
CHORUS:
♪ We all fly
2030
01:24:02,642 --> 01:24:04,678
♪ Camp isn't home
Camp isn't home
2031
01:24:06,746 --> 01:24:11,618
♪ But is it kind of?
Kind of it is
2032
01:24:11,651 --> 01:24:14,421
♪ I think it kind of is
2033
01:24:14,454 --> 01:24:18,125
♪ Camp isn't home
2034
01:24:18,159 --> 01:24:24,664
♪ But is it kind of?
I think it kind of is
2035
01:24:26,433 --> 01:24:30,470
♪ Camp isn't home
But is it kind of?
2036
01:24:30,503 --> 01:24:35,309
♪ Kind of it is
I think it kind of is
2037
01:24:35,343 --> 01:24:37,111
♪ Camp isn't home
2038
01:24:39,313 --> 01:24:42,083
♪ But is it kind of?
2039
01:24:42,116 --> 01:24:46,553
♪ I think it kind of is
2040
01:24:47,520 --> 01:24:49,123
I hope I see you
next summer.
2041
01:24:50,157 --> 01:24:51,591
Thanks for being
so hard on me.
2042
01:24:51,625 --> 01:24:53,060
I know it was
for a good reason.
2043
01:24:53,094 --> 01:24:55,528
Harness this pain and use it
in the future, okay?
2044
01:24:58,099 --> 01:25:00,001
CHORUS:
♪ Camp isn't home
2045
01:25:00,034 --> 01:25:02,702
♪ But is it kind of?
2046
01:25:02,736 --> 01:25:07,540
♪ I think it kind of is
2047
01:25:09,310 --> 01:25:12,579
♪ Joan, Still ♪
2048
01:25:17,784 --> 01:25:19,753
(MUSIC ENDS)
(ALL CHEERING)
2049
01:25:24,859 --> 01:25:25,860
Yeah!
2050
01:25:27,128 --> 01:25:28,528
AMOS: That's lit!
2051
01:25:44,078 --> 01:25:45,645
(AUDIENCE CHEERING)
2052
01:25:49,850 --> 01:25:52,086
WOMAN: Bravo! Bravo!
She's awake!
2053
01:25:53,321 --> 01:25:55,522
I have no idea
what this was,
2054
01:25:55,555 --> 01:25:58,326
who set this up,
why I'm watching this,
2055
01:25:58,359 --> 01:25:59,492
but what a pleasure!
2056
01:25:59,526 --> 01:26:01,761
What a thrill!
What talent!
2057
01:26:01,795 --> 01:26:02,930
Uh, must have set it up
in the wrong room.
2058
01:26:02,964 --> 01:26:04,332
You lifted
my spirits, kids.
2059
01:26:04,365 --> 01:26:05,532
Yeah, that was my bad.
2060
01:26:05,565 --> 01:26:08,202
And Joan,
what a woman she is.
2061
01:26:08,235 --> 01:26:09,937
But Joan, Still, right?
2062
01:26:09,971 --> 01:26:11,571
That is something
to celebrate.
2063
01:26:11,604 --> 01:26:14,241
I can't wait to see you
on Broadway.
2064
01:26:14,275 --> 01:26:15,977
You kids are wonderful.
2065
01:26:16,010 --> 01:26:18,545
You're all going to be
big, big stars!
2066
01:26:19,646 --> 01:26:21,581
(BETTER NOW
BY POST MALONE PLAYING)
2067
01:26:29,457 --> 01:26:30,858
(GASPS)
2068
01:26:30,891 --> 01:26:32,827
Don't let Troy
run the camp!
2069
01:26:33,327 --> 01:26:35,528
Oh, you're up, huh?
2070
01:26:35,562 --> 01:26:37,431
I just saw
a whole show
about your life.
2071
01:26:37,465 --> 01:26:39,166
The kids did an amazing job.
2072
01:26:39,200 --> 01:26:41,168
♪ Camp isn't home ♪
2073
01:26:41,202 --> 01:26:42,635
Oh, what a song.
2074
01:26:42,669 --> 01:26:44,704
You slept through it.
I watched it.
2075
01:26:44,738 --> 01:26:46,807
Well, um, do you know
why I'm here?
2076
01:26:47,975 --> 01:26:49,010
No.
2077
01:26:49,043 --> 01:26:50,811
(BETTER NOW CONTINUES)
2078
01:28:23,270 --> 01:28:25,672
(FRANTIC JAZZ MUSIC PLAYING)
2079
01:31:46,874 --> 01:31:48,909
REBECCA-DIANE:
♪ Bye class
2080
01:31:48,942 --> 01:31:50,944
♪ We're done
2081
01:31:52,479 --> 01:31:57,151
♪ The ghosts of
our past selves are done
2082
01:31:57,184 --> 01:32:00,888
♪ We are gone, we are gone
2083
01:32:00,921 --> 01:32:03,657
♪ We are now new people
2084
01:32:03,691 --> 01:32:06,226
♪ We are now new people
2085
01:32:06,260 --> 01:32:11,265
♪ We are now the children
of the plants ♪
2086
01:32:13,801 --> 01:32:15,903
REBECCA-DIANE:
Thank you guys so much.
2087
01:32:15,936 --> 01:32:18,005
I'll see you next week.
2088
01:32:18,038 --> 01:32:20,207
Or tomorrow. I don't remember.