1 00:01:17,560 --> 00:01:19,720 [ Man ] AND NOW, LADIES AND GENTLEMEN, 2 00:01:19,800 --> 00:01:23,520 THE LUXURIOUS STARS DESERT INN HOTEL IN LAS VEGAS... 3 00:01:23,600 --> 00:01:26,400 IS PROUD TO PRESENT THE FINAL PERFORMANCE... 4 00:01:26,480 --> 00:01:30,600 OF AN EXCITING ENGAGEMENT, THE INCOMPARABLE SINGING SENSATION, 5 00:01:30,680 --> 00:01:33,000 MISS DELORIS VAN CARTIER! 6 00:01:33,080 --> 00:01:35,160 ♪ HOLD ON, HOLD ON ♪ 7 00:01:35,280 --> 00:01:37,480 ♪ HOLD ON, HOLD ON ♪ 8 00:01:37,560 --> 00:01:39,800 ♪ STARTED MY LIFE ♪ 9 00:01:39,880 --> 00:01:43,560 ♪ IN A WORN, TORN DRESS THAT SOMEBODY THREW OUT ♪ ♪ SOMEBODY THREW OUT ♪ 10 00:01:43,640 --> 00:01:45,680 ♪ I KNEW THE WAY IT FELT TO ALWAYS LIVE IN DOUBT ♪ 11 00:01:45,760 --> 00:01:47,800 ♪ TO BE WITHOUT THE SIMPLE THINGS ♪ 12 00:01:47,920 --> 00:01:50,440 ♪ SO AFRAID MY FRIENDS WOULD SEE THE GUILT IN ME ♪ 13 00:01:50,520 --> 00:01:53,120 ♪ SO I GOT A GOOD JOB IN THE CITY ♪ 14 00:01:53,200 --> 00:01:55,920 ♪ WORKING FOR THE MAN EVERY NIGHT AND DAY ♪ 15 00:01:56,000 --> 00:01:58,880 ♪ BUT I NEVER LOST ONE MINUTE OF SLEEP ♪ 16 00:01:58,960 --> 00:02:00,960 ♪ WORRYIN’ ABOUT THE WAY THINGS MIGHT HAVE BEEN ♪ 17 00:02:01,040 --> 00:02:03,440 ♪ I WAS A DEVIL WITH THE BLUE DRESS, BLUE DRESS ♪ 18 00:02:03,520 --> 00:02:05,760 ♪ I WAS A DEVIL WITH THE BLUE DRESS ON ♪ 19 00:02:05,840 --> 00:02:08,360 I WAS A HO! ♪ SUGAR PIE, HONEY BUN ♪ 20 00:02:08,480 --> 00:02:10,600 ♪ SUGAR PIE, HONEY BUN ♪ ♪ YOU KNOW I LOVE YOU ♪ 21 00:02:10,680 --> 00:02:13,600 ♪ LOVE YOU ♪ ♪ I CAN’T HELP MYSELF ♪ 22 00:02:13,680 --> 00:02:17,840 ♪ I LOVE YOU AND NOBODY ELSE ♪ ♪ WAIT ♪ 23 00:02:17,920 --> 00:02:20,160 ♪ OH, YEAH WAIT A MINUTE, MR. POSTMAN ♪ 24 00:02:20,240 --> 00:02:22,920 ♪ WAIT ♪ ♪ WAIT, MR. POSTMAN ♪ 25 00:02:23,000 --> 00:02:25,320 ♪ MR. POSTMAN LOOK AND SEE ♪ ♪ OH, YEAH ♪ 26 00:02:25,400 --> 00:02:27,520 ♪ IF THERE’S A LETTER IN YOUR BAG FOR ME ♪ ♪ PLEASE, PLEASE ♪ 27 00:02:27,600 --> 00:02:30,600 ♪ MR. POSTMAN ♪ ♪ I’VE BEEN WAITING SUCH A LONG, LONG TIME ♪ 28 00:02:30,680 --> 00:02:34,000 ♪ DELIVER THE LETTER THE SOONER THE BETTER ♪ 29 00:02:34,080 --> 00:02:37,840 ♪ SHE WORE AN ITSY-BITSY TEENY-WEENY, YELLOW POLKA-DOT BIKINI ♪ 30 00:02:37,920 --> 00:02:41,600 ♪ STOP IN THE NAME OF LOVE ♪ ♪ BUT MY MAMA TOLD ME ♪ 31 00:02:41,680 --> 00:02:44,200 ♪ YOU BETTER SHOP AROUND ♪ 32 00:02:44,280 --> 00:02:47,040 [ Deloris ] SO THAT’S WHAT I DO, LADIES AND GENTLEMEN, I SHOP. 33 00:02:47,120 --> 00:02:49,440 [ Deloris ] I SHOPPED AND I SHOPPED AND I SHOPPED. 34 00:02:49,560 --> 00:02:52,800 I FOUND MYSELF SOMETHING SPECIAL. 35 00:02:52,880 --> 00:02:55,560 I GOT MYSELF A BRAND-NEW HUSTLE. 36 00:02:55,640 --> 00:02:57,800 ♪ DO THE HUSTLE ♪ 37 00:02:57,880 --> 00:02:59,920 ♪ DO THE HUSTLE ♪ 38 00:03:00,000 --> 00:03:02,320 ♪ DO THE HUSTLE DO THE HUSTLE ♪ 39 00:03:02,400 --> 00:03:05,280 ♪ MONEY, MONEY, MONEY MONEY ♪ 40 00:03:05,360 --> 00:03:07,840 ♪ MONEY, MONEY, MONEY ♪ 41 00:03:07,920 --> 00:03:10,960 ♪ I WAS A BAD GIRL ♪ 42 00:03:11,040 --> 00:03:15,200 ♪ TALKIN’ ABOUT A SAD GIRL FREAK OUT ♪ 43 00:03:15,280 --> 00:03:18,680 ♪ MR. BIG STUFF WHO DO YOU THINK YOU ARE ♪ 44 00:03:18,800 --> 00:03:21,480 ♪ MR. BIG STUFF, YOU’RE NEVER GONNA GET MY LOVE ♪ 45 00:03:21,560 --> 00:03:24,640 WHOA! SEE HOW THEY TREAT ME? 46 00:03:24,720 --> 00:03:28,240 HE GOT MY COUSIN. HE GOT MY COAT. 47 00:03:28,320 --> 00:03:30,480 WHEN I TRIED TO GET IT BACK, HE WHIPPED OUT THIS GREAT BIG-- 48 00:03:30,560 --> 00:03:32,480 ♪ SHOTGUN ♪ 49 00:03:32,560 --> 00:03:34,680 ♪ SHOOT HIM BEFORE HE RUNS NOW ♪ 50 00:03:34,760 --> 00:03:38,320 ♪ DO THE JERK, BABY ♪ 51 00:03:38,400 --> 00:03:41,280 ♪ DO THE JERK NOW ♪ HEY! I HAD-- 52 00:03:41,360 --> 00:03:44,680 ♪ NOWHERE TO RUN TO BABY ♪ 53 00:03:44,760 --> 00:03:46,960 ♪ NOWHERE TO HIDE I HAD ♪ ♪ OOO-OOO-OOO ♪ 54 00:03:47,040 --> 00:03:49,480 ♪ NOWHERE TO RUN TO BABY ♪ ♪ OOO-OOO-OOO ♪ 55 00:03:49,560 --> 00:03:51,520 ♪ I DIDN’T HAVE NOWHERE TO HIDE UNTIL ♪ 56 00:03:51,600 --> 00:03:54,800 ♪ HALLELUJAH, HALLELUJAH ♪ 57 00:03:54,880 --> 00:03:56,720 MAGIC! 58 00:03:56,800 --> 00:03:59,000 ♪ HALLELUJAH, HALLELU-- ♪ 59 00:03:59,080 --> 00:04:01,640 ALL RIGHT, YOU ALL, YOU KNOW THIS SONG. LET’S SING IT. 60 00:04:05,120 --> 00:04:09,320 ♪ NOTHING YOU COULD SAY COULD TEAR ME AWAY FROM MY GOD ♪ 61 00:04:09,400 --> 00:04:11,440 SHE’S COMING! 62 00:04:11,520 --> 00:04:15,080 ♪ NOTHING YOU COULD DO ’CAUSE I’M STUCK LIKE GLUE ♪ 63 00:04:15,160 --> 00:04:17,360 ♪ TO MY GOD ♪ 64 00:04:17,440 --> 00:04:19,440 ♪ MY GOD, MY GOD ♪ 65 00:04:19,520 --> 00:04:24,160 HEY! THESE ARE MY FRIENDS. LADIES, SING THIS FOR ME. 66 00:04:24,280 --> 00:04:26,680 ♪ WE ARE ♪ [ Deloris ] COME UP AND JOIN US. 67 00:04:26,760 --> 00:04:30,320 COME ON, AND HURRY UP. LADIES! 68 00:04:30,400 --> 00:04:34,320 [ Deloris ] ♪ THERE’S NOT A MAN TODAY ♪ 69 00:04:34,400 --> 00:04:36,440 ♪ WHO CAN TAKE ME AWAY-- ♪ HEY! 70 00:04:36,520 --> 00:04:39,600 ♪ I LOVE HIM I LOVE HIM ♪ HEY! 71 00:04:39,680 --> 00:04:42,440 - PULL IT UP. - ♪ I WILL FOLLOW HIM ♪ 72 00:04:42,520 --> 00:04:45,560 - LOOK OUT! - ♪ WHEREVER HE MAY GO ♪ 73 00:04:45,680 --> 00:04:48,720 - ♪ THERE ISN’T AN OCEAN TOO DEEP ♪ - ♪ TOO DEEP ♪ 74 00:04:48,800 --> 00:04:50,560 ♪ A MOUNTAIN SO HIGH IT CAN KEEP ♪ ♪ KEEP ♪ 75 00:04:50,640 --> 00:04:53,280 ♪ KEEP ME AWAY ♪ 76 00:04:53,360 --> 00:04:55,160 ♪ AWAY FROM HIS LOVE ♪ OH! 77 00:04:55,240 --> 00:04:59,000 - WHAT THE HELL ARE YOU DOING? - GO, GO, GO, GO! 78 00:04:59,080 --> 00:05:02,040 ♪ WE ARE FAMILY I GOT ALL MY SISTERS WITH ME ♪ 79 00:05:02,120 --> 00:05:04,600 ♪ WE ARE FAMILY ♪ 80 00:05:04,680 --> 00:05:07,400 ♪ GET UP, EVERYBODY AND SING, SWING ♪ 81 00:05:07,480 --> 00:05:12,400 ♪ WE ARE FAMILY I GOT ALL MY SISTERS WITH ME ♪ 82 00:05:12,480 --> 00:05:15,040 ♪ WE ARE FAMILY ♪ 83 00:05:15,120 --> 00:05:18,000 ♪ GET UP, EVERYBODY GET UP, EVERYBODY ♪ 84 00:05:18,080 --> 00:05:21,040 ♪ GET UP, EVERYBODY AND SING ♪ 85 00:05:21,120 --> 00:05:23,760 [ Cheering, Applause ] 86 00:05:23,880 --> 00:05:26,440 THANK YOU! THANK YOU! 87 00:05:26,520 --> 00:05:28,640 [ Man ] DELORIS, YOU WERE FANTASTIC. 88 00:05:28,720 --> 00:05:31,280 DELORIS, EXCELLENT. OH, MY! 89 00:05:31,360 --> 00:05:33,240 NICE OUTFIT. I’M GLAD I DIDN’T WEAR MINE. 90 00:05:33,320 --> 00:05:36,760 I GOT TO TELL YOU, SISTERS, THAT LAST BIT WAS GREAT. 91 00:05:36,840 --> 00:05:38,640 I’M A VERY BIG FAN OF YOURS. I GOT YOUR ALBUM. 92 00:05:38,720 --> 00:05:42,760 THIS IS MY MANAGER. THIS IS JOEY. 93 00:05:42,840 --> 00:05:45,880 -WHAT DO YOU WANT? -ARE YOU CURRENTLY REPRESENTED? 94 00:05:45,960 --> 00:05:49,320 THEY’RE NUNS, JOEY. GOD REPRESENTS THEM. COME ON. 95 00:05:49,400 --> 00:05:52,880 GOD IS GOOD, BUT CAN HE GET YOU YOUR OWN DRESSING ROOM? YOU WERE GREAT. 96 00:05:52,960 --> 00:05:55,280 OH, THANKS. I LOVE TO SING. SHE TAUGHT ME. 97 00:05:55,360 --> 00:05:57,360 I AM SO GLAD TO SEE YOU. 98 00:05:57,440 --> 00:05:59,240 WHAT ARE YOU DOING HERE? 99 00:05:59,320 --> 00:06:01,320 CAME TO SEE YOU. 100 00:06:01,400 --> 00:06:03,520 CAN YOU STAY A LONG TIME? 101 00:06:03,600 --> 00:06:06,720 WE HAVE TO BE BACK ON THE ROAD TONIGHT. 102 00:06:06,840 --> 00:06:08,880 WE DON’T HAVE TIME TO CHAT. MAYBE A LITTLE. 103 00:06:08,960 --> 00:06:11,360 WE DO HAVE TO GET BACK. WE’RE TEACHERS NOW. IT’S A SCHOOL NIGHT. 104 00:06:11,440 --> 00:06:13,960 [ Mary Robert ] AND REALLY IT’S ALL BECAUSE OF YOU. 105 00:06:14,040 --> 00:06:16,760 YOU INSPIRED US TO GO OUT INTO THE COMMUNITY... 106 00:06:16,840 --> 00:06:19,200 AND DO SOME GOOD IN THE HOOD. 107 00:06:19,280 --> 00:06:23,360 OH, MY. CAN I GET YOU GUYS SOMETHING? SIT DOWN. 108 00:06:23,440 --> 00:06:26,600 NO. NO? 109 00:06:26,680 --> 00:06:30,040 CAN THEY EVEN HEAR YOU IN THE BACK OF THE ROOM WHEN YOU’RE TEACHING? 110 00:06:30,160 --> 00:06:35,200 I’M GETTING BETTER. OH, WE’RE TEACHING AT ST. FRANCIS ACADEMY IN SAN FRANCISCO. 111 00:06:35,280 --> 00:06:40,200 I WENT TO THAT SCHOOL. OH! IT WAS-- OH! THEY NEED GOOD TEACHERS. 112 00:06:40,280 --> 00:06:42,240 WE’RE HAVING A BARREL OF LAUGHS. 113 00:06:42,320 --> 00:06:46,000 ALTHOUGH THE KIDS SOMETIMES GET A LITTLE UNRULY. 114 00:06:46,080 --> 00:06:48,040 JUST A LITTLE. ACTUALLY, THEY’RE OUT OF CONTROL. 115 00:06:48,120 --> 00:06:51,600 IT WAS SO BAD LAST WEEK SISTER MARY PATRICK FROWNED TWICE. 116 00:06:51,680 --> 00:06:54,440 [ Deloris ] OH! 117 00:06:54,560 --> 00:06:56,720 LET’S GET DOWN TO BUSINESS. [ Joey ] EXCUSE ME. 118 00:06:56,800 --> 00:06:59,440 ANY MATTERS OF BUSINESS HAVE TO GO THROUGH ME. EXCUSE ME. 119 00:06:59,560 --> 00:07:03,200 THESE ARE MY FRIENDS, AND I AM TALKING TO THEM. I WOULD LIKE-- 120 00:07:03,280 --> 00:07:05,640 I’M TALKING TO MY FRIENDS NOW. I’M YOUR MANAGER. 121 00:07:05,720 --> 00:07:07,920 FORGIVE US. EXCUSE ME. GO AHEAD. 122 00:07:08,000 --> 00:07:12,560 THANK YOU. NOW, COME ON, YOU GUYS, YOU COME UP HERE, YOU COME TO SEE ME. 123 00:07:12,640 --> 00:07:15,040 WHAT’S GOIN’ ON? DOES MOTHER SUPERIOR REALLY KNOW YOU’RE HERE? 124 00:07:15,120 --> 00:07:17,720 SHE SENT US ON THIS M-MISSION. 125 00:07:17,800 --> 00:07:20,680 THE REVEREND MOTHER SAID WE’RE NOT TO COME BACK WITHOUT YOU. 126 00:07:20,760 --> 00:07:22,880 WHAT DOES SHE WANT? [ Mary Patrick ] WE’RE NOT ENTIRELY CERTAIN. 127 00:07:22,960 --> 00:07:26,440 BUT WE KNOW THAT SHE NEEDS YOU AND SHE WANTS US TO COME AND BRING YOU BACK. 128 00:07:26,520 --> 00:07:29,000 IS SHE OKAY? HEALTH-WISE? IS SHE IN DANGER? 129 00:07:29,080 --> 00:07:31,840 OH, NO, SHE’S FINE. WELL, SHE’S A LITTLE DESPERATE. 130 00:07:31,920 --> 00:07:34,200 SHE’S DESPERATE? 131 00:08:01,240 --> 00:08:04,080 I’LL GET IT. IT’S ALL RIGHT. 132 00:08:12,520 --> 00:08:15,440 WHAT, WHAT? WHAT? WHAT? 133 00:08:15,520 --> 00:08:17,960 SIT, SIT, SIT, SIT! 134 00:08:37,400 --> 00:08:40,400 WELCOME. 135 00:08:40,480 --> 00:08:43,240 OH, WELCOME. 136 00:08:45,680 --> 00:08:49,360 [ Deloris ] IT’S GOOD TO SEE YOU, GOOD TO SEE YOU. 137 00:08:49,440 --> 00:08:54,360 OH, SISTER MARY CLAR-- OH, I DO APOLOGIZE. DELORIS. 138 00:08:54,440 --> 00:08:58,320 UH-HUH. IT’S SO GOOD TO SEE YOU TOO. 139 00:08:58,400 --> 00:09:02,120 I’M SORRY I COULDN’T JOIN THE SISTERS IN LAS VEGAS. 140 00:09:02,200 --> 00:09:05,240 I’VE HEARD YOU ARE TRULY A SPECTACLE. 141 00:09:05,320 --> 00:09:07,960 WELL, YEAH, YOU KNOW, I WORK HARD AT IT. 142 00:09:08,040 --> 00:09:11,960 YOU’RE PROBABLY WONDERING WHY I ASKED THE SISTERS TO BRING YOU HERE. 143 00:09:12,040 --> 00:09:14,520 I AM A LITTLE CURIOUS. WHAT’S ALL THE MYSTERY? 144 00:09:14,600 --> 00:09:19,800 WELL, YOU SEE, DELORIS, WE NEED YOUR HELP HERE... 145 00:09:22,240 --> 00:09:24,120 AT ST. FRANCIS. 146 00:09:24,200 --> 00:09:29,720 WE SEEM TO HAVE GOT IN SLIGHTLY OVER OUR HEADS. 147 00:09:29,840 --> 00:09:32,080 WHAT... DO YOU WANT? 148 00:09:32,160 --> 00:09:35,440 HELP US BY BECOMING A TEACHER. 149 00:09:35,520 --> 00:09:38,360 A TEACHER? ME? 150 00:09:38,440 --> 00:09:40,280 OH, NO. [ Chuckling ] 151 00:09:40,360 --> 00:09:42,280 LISTEN, I’M NOT CUT OUT TO BE A TEACHER. 152 00:09:42,360 --> 00:09:44,880 WHO WOULD I TEACH? WHAT WOULD I TEACH? 153 00:09:44,960 --> 00:09:48,040 TEACH THE CHILDREN. TEACH MUSIC. 154 00:09:48,120 --> 00:09:51,960 YOU WEREN’T CUT OUT TO BE A NUN EITHER, BUT LOOK WHAT YOU ACCOMPLISHED AT ST. KATHERINE’S. 155 00:09:52,040 --> 00:09:55,760 YOU BROUGHT A NEW SPIRIT INTO THE CONVENT AND INTO THE COMMUNITY. 156 00:09:55,840 --> 00:09:58,400 YOU WERE... INFECTIOUS. 157 00:09:58,480 --> 00:10:00,520 YOU COULD BE JUST AS INFECTIOUS HERE. 158 00:10:00,600 --> 00:10:03,480 YOU’RE MAKING ME SOUND LIKE A DISEASE. 159 00:10:03,560 --> 00:10:07,040 WE ARE STRUGGLING HERE WITH A COMMUNITY THAT IS TIRED... 160 00:10:07,120 --> 00:10:09,920 AND WORN AND DESPAIRING. 161 00:10:10,000 --> 00:10:14,000 WE SAW THIS SCHOOL AS SOME SORT OF RENEWAL, 162 00:10:14,080 --> 00:10:17,120 BUT IT’S BECOMING A HOPELESS SITUATION. 163 00:10:17,200 --> 00:10:20,200 WE HAVE NOWHERE ELSE TO TURN. 164 00:10:20,280 --> 00:10:22,840 WE ARE DESPERATE WOMEN, DELORIS. 165 00:10:22,920 --> 00:10:26,200 WE NEED YOU. 166 00:10:26,280 --> 00:10:30,920 OH! I’M-- THINK OF THE CHILDREN. 167 00:10:31,000 --> 00:10:33,880 WE MUST INVEST IN THEIR FUTURE. IT IS OUR DUTY. 168 00:10:33,960 --> 00:10:36,440 WHO BETTER TO HELP US THAN YOU? 169 00:10:36,520 --> 00:10:38,560 I’M A LOUNGE SINGER. 170 00:10:38,640 --> 00:10:42,000 YOU ARE THE PERFECT EXAMPLE OF HOW A SOW’S EAR... 171 00:10:42,080 --> 00:10:47,600 CAN BE TURNED INTO A SILK PURSE. 172 00:10:47,680 --> 00:10:51,920 HMM. WELL, I PROBABLY WOULDN’T HAVE PUT IT QUITE LIKE THAT. 173 00:10:52,000 --> 00:10:55,120 I MEAN, LOOK. I MEAN, REALLY. 174 00:10:55,200 --> 00:10:58,320 MY CAREER’S STARTING TO TAKE OFF. I KIND OF WANT TO GET INTO MY SUCCESS. 175 00:10:58,400 --> 00:11:01,200 A SUCCESS YOU MIGHT NOT HAVE HAD... 176 00:11:01,280 --> 00:11:04,960 WITHOUT THE HELP OF CERTAIN SUPPORTIVE FRIENDS... 177 00:11:05,040 --> 00:11:07,280 WHO SHALL REMAIN NAMELESS. 178 00:11:07,360 --> 00:11:10,680 OH, SO, YOU’RE GOING TO BE LIKE THAT, HUH, WITH THE GUILT? 179 00:11:10,760 --> 00:11:14,240 GUILT? I WOULD NEVER USE GUILT. 180 00:11:14,320 --> 00:11:16,240 I’M A NUN. 181 00:11:16,320 --> 00:11:18,760 ALL RIGHT, I’LL DO IT FOR YOU. 182 00:11:18,840 --> 00:11:22,520 OH, THANK YOU, DELORIS. I KNEW WE COULD COUNT ON YOU. 183 00:11:22,600 --> 00:11:25,320 BUT YOU’RE JUST TALKING ABOUT LIKE A WEEK, RIGHT? 184 00:11:25,400 --> 00:11:29,480 I DON’T THINK WE SHOULD RESTRICT OURSELVES TO A TIME FRAME. 185 00:11:29,560 --> 00:11:32,120 SISTERS, SISTERS. 186 00:11:34,600 --> 00:11:38,880 DELORIS HAS AGREED TO JOIN OUR TEACHING STAFF. 187 00:11:38,960 --> 00:11:43,400 SO, COULD YOU TAKE HER TO THE CHANGING ROOM? SURE, ABSOLUTELY. 188 00:11:43,480 --> 00:11:45,800 HE-- 189 00:11:45,880 --> 00:11:47,680 [ Deloris ] SOMEBODY TELL ME WHY I’M DRESSED LIKE THIS AGAIN. 190 00:11:47,760 --> 00:11:50,680 THE FATHERS HERE AT ST. FRANCIS ARE VERY STRICT. 191 00:11:50,760 --> 00:11:54,080 IF THEY WERE TO FIND OUT YOU’RE NEITHER A NUN OR A TEACHER, THEY MIGHT-- 192 00:11:54,160 --> 00:11:56,960 ASK ME TO LEAVE? IN A NEW YORK MINUTE. 193 00:11:57,040 --> 00:11:59,840 YEAH, WELL, NOW, I’M UNDERCOVER AGAIN. IT COULD BE FUN. 194 00:11:59,920 --> 00:12:02,920 CONVENT LIVING IS KIND OF GRIM. ALL I NEED IS A BED... 195 00:12:03,000 --> 00:12:06,600 AND A PLACE TO KNEEL. WAIT UNTIL YOU SEE WHAT WE HAVE IN THE ROOM FOR YOU. 196 00:12:06,680 --> 00:12:09,280 YOU DIDN’T GO OUT AND DO SOMETHING SILLY, DID YOU? WELL, MAYBE. 197 00:12:09,360 --> 00:12:12,160 WHAT DID YOU PUT IN, A BIDET? A BI-WHAT? 198 00:12:12,240 --> 00:12:14,960 NEVER MIND. WHAT IS IT? A WATCHED POT NEVER BOILS. 199 00:12:15,040 --> 00:12:17,040 NO, NO, DON’T TELL HER. IT’S A SURPRISE. OKAY. 200 00:12:17,120 --> 00:12:21,320 READY? ONE, TWO, THREE. ONE, TWO, THREE. 201 00:12:23,400 --> 00:12:26,480 [ Ticking ] 202 00:12:26,560 --> 00:12:29,280 [ Siren Wailing ] 203 00:12:29,360 --> 00:12:31,320 CURTAINS. 204 00:12:34,400 --> 00:12:37,720 SOMETIMES IT RESEMBLES A BATTLEGROUND AT RECESS HERE. 205 00:12:37,800 --> 00:12:40,400 FOR THE MOST PART, THE KIDS ARE REALLY WELL-BEHAVED. YEAH. 206 00:12:40,480 --> 00:12:44,800 [ Chattering ] 207 00:12:44,880 --> 00:12:48,200 A NEW NUN? YEAH, SISTER MARY SOMETHING OR OTHER. 208 00:12:48,280 --> 00:12:51,040 I’M TERRIBLE AT NAMES. COME IN. 209 00:12:51,120 --> 00:12:53,720 WHO WAS THAT? THE OLDER ONE IS... 210 00:12:53,800 --> 00:12:55,840 OUR PRINCIPAL, FATHER MAURICE. 211 00:12:55,920 --> 00:12:58,400 THE OTHER ONE IS OUR SCHOOL ADMINISTRATOR, MR. CRISP. 212 00:12:58,480 --> 00:13:00,720 HE’S ONLY BEEN HERE A FEW MONTHS. 213 00:13:00,800 --> 00:13:03,000 SHE LOOKS FAMILIAR. I THINK I’VE SEEN HER SOMEWHERE BEFORE. 214 00:13:03,080 --> 00:13:07,760 - JUST LONG ENOUGH TO HATE US. - SOME OF THE KIDS CALL HIM THE DEVIL INCARNATE. 215 00:13:07,840 --> 00:13:10,360 HE’S JUST GOT A BAD CASE OF THE GRUMPS. I DON’T CARE WHO HE IS. 216 00:13:10,440 --> 00:13:12,720 I JUST WANT TO PUT THE TOP UP ON MY CAR. 217 00:13:12,800 --> 00:13:15,360 IF THERE’S A CAR LEFT. 218 00:13:15,440 --> 00:13:17,240 WHAT’S SHE MEAN BY THAT? IS THAT A JOKE? HEY! 219 00:13:17,320 --> 00:13:20,880 I’D LIKE YOU ALL TO JOIN ME IN WELCOMING THE NEW ADDITION... 220 00:13:20,960 --> 00:13:25,320 TO THE TEACHING STAFF HERE AT ST. FRANCIS, SISTER MARY-- 221 00:13:25,400 --> 00:13:27,360 [ Whispering ] CLARENCE. CLARENCE. 222 00:13:29,840 --> 00:13:31,920 WHO WILL BE TEACHING OUR, UH-- 223 00:13:32,000 --> 00:13:34,800 MUSIC. MUSIC. 224 00:13:34,880 --> 00:13:37,280 - IS THERE STILL A MUSIC CLASS? - IN A MANNER OF SPEAKING. 225 00:13:37,360 --> 00:13:39,840 WHY IS HE ASKING, "IS THERE A MUSIC CLASS?" HOW COME HE DOESN’T KNOW? 226 00:13:39,920 --> 00:13:44,840 SISTER MARY CLARENCE WILL BE TEACHING OUR MUSIC CLASS. 227 00:13:44,920 --> 00:13:47,520 [ Applause ] 228 00:13:48,880 --> 00:13:51,360 I THINK EACH OF YOU SHOULD... 229 00:13:51,440 --> 00:13:54,440 INTRODUCE YOURSELVES. [ Man ] I’LL START. 230 00:13:54,560 --> 00:13:57,120 I’M FATHER IGNATIUS. I TEACH MATH. 231 00:13:58,640 --> 00:14:02,920 I’M THOMAS. AVE, MAGISTRA NOVA. 232 00:14:03,000 --> 00:14:05,160 - LATIN TEACHER. - OH, GOOD. 233 00:14:05,280 --> 00:14:07,400 [ Mr. Crisp ] EXCUSE ME. 234 00:14:07,480 --> 00:14:11,040 AH, AND THIS IS MR. CRISP. THIS IS SISTER MARY CLARENCE. 235 00:14:11,120 --> 00:14:13,280 OH, YES, THE NEW NUN. 236 00:14:14,800 --> 00:14:18,880 SISTER MARY CLEMENS. 237 00:14:19,000 --> 00:14:21,120 CLARENCE. CLARENCE! 238 00:14:21,200 --> 00:14:24,680 LIKE IN THOMAS. I’M THE MUSIC TEACHER. 239 00:14:24,800 --> 00:14:28,600 MUSIC? YEAH. YOU’RE GRIPPING ME HERE. 240 00:14:28,720 --> 00:14:31,080 OH, YES, I’M SORRY. THANK YOU. 241 00:14:31,160 --> 00:14:34,400 YES, I JUST STOPPED BY TO, UH, 242 00:14:34,480 --> 00:14:38,560 REMIND YOU OF OUR MEETING THIS AFTERNOON. 243 00:14:38,640 --> 00:14:41,200 YES, YES, OH, YEAH. WELL, PARDON THE INTRUSION. 244 00:14:41,280 --> 00:14:43,440 [ Mr. Crisp ] BON APPETIT. 245 00:14:45,000 --> 00:14:47,080 GRUSS GOTT. 246 00:14:47,160 --> 00:14:50,640 [ Father Maurice ] AH, AND THIS IS FATHER WOLFGANG, WHO, UH, COOKS... 247 00:14:50,720 --> 00:14:55,560 SO, UH, DILIGENTLY TO MINISTER TO OUR DIETARY NEEDS. 248 00:14:55,640 --> 00:14:58,840 FOR LUNCHEON, BRATWURST A LA PROVENCE. 249 00:14:58,960 --> 00:15:03,600 HE ONLY KNOWS HOW TO COOK ONE THING, GERMAN SAUSAGE. 250 00:15:03,680 --> 00:15:06,560 DAY AFTER DAY, LIVERWURST, BRATWURST, BIERWURST. 251 00:15:06,640 --> 00:15:09,680 IT’S THE WORST. 252 00:15:09,800 --> 00:15:14,480 OH, NO, NO, NO. JENNY CRAIG, I JUST COULDN’T. THANK YOU SO MUCH. 253 00:15:14,560 --> 00:15:17,240 HMPH! 254 00:15:24,160 --> 00:15:27,280 THIS, UH, NEEDS A PRAYER. 255 00:15:29,680 --> 00:15:32,440 [ Bell Chiming ] 256 00:15:32,520 --> 00:15:36,080 [ Chuckling ] 257 00:15:36,160 --> 00:15:40,520 DAMN. [ Chiming Continues ] 258 00:15:40,600 --> 00:15:45,640 OH, SISTER CLARENCE, I WONDER IF I COULD HAVE A WORD WITH YOU IN PRIVATE? 259 00:15:45,720 --> 00:15:49,120 - OH, NO, I NEED TO-- - NO, PLEASE. 260 00:15:51,120 --> 00:15:53,200 SURE. 261 00:15:55,720 --> 00:15:58,240 THANK YOU. 262 00:16:01,880 --> 00:16:05,480 OH. WON’T YOU SIT DOWN? 263 00:16:05,560 --> 00:16:09,200 YES, THE SISTERS TELL ME THAT YOUR LAST POSTING WAS... 264 00:16:09,280 --> 00:16:14,080 AT A WOMEN’S PRISON FACILITY IN THE LOUISIANA BAYOU. 265 00:16:14,160 --> 00:16:16,800 WHAT? IT WASN’T? 266 00:16:16,880 --> 00:16:20,000 NO, NO, IT WAS, IT WAS. IT WAS-- YES, OF COURSE. 267 00:16:20,080 --> 00:16:23,840 I MEAN, IT WAS-- YEAH, NO, THE PRISON WAS REALLY ROUGH ON ME. 268 00:16:23,920 --> 00:16:27,720 SO, I, I, I, I BEEN TRYING TO WIPE THIS EXPERIENCE FROM MY MIND. 269 00:16:27,840 --> 00:16:30,120 BECAUSE IT WAS SO TRAUMATIC FOR ME. 270 00:16:30,200 --> 00:16:32,520 - REALLY? - YES! 271 00:16:32,600 --> 00:16:35,520 THEY’D LED ME TO BELIEVE THAT YOU ENJOYED IT. 272 00:16:35,600 --> 00:16:38,000 WELL, IN A-- YES, I DID. 273 00:16:38,080 --> 00:16:42,200 IT WAS A TRAUMATIC ENJOYMENT OF AN EXPERIENCE THAT I SHOULD NOT HAVE HAD... 274 00:16:42,280 --> 00:16:45,520 AND APPRECIATED THE WAY THAT I DID BECAUSE I’M A NUN. 275 00:16:45,600 --> 00:16:48,480 AND NUNS ARE NOT MEANT TO HAVE ENJOYABLE EXPERIENCES... 276 00:16:48,560 --> 00:16:51,160 BECAUSE THEY LEAD TO ALL KINDS OF SITUATIONS, 277 00:16:51,280 --> 00:16:54,320 WHICH IS WHERE I FOUND MYSELF WHICH IS WHY I’M HERE NOW, 278 00:16:54,400 --> 00:16:56,840 AND I KNOW THAT YOU UNDERSTAND THAT. 279 00:16:56,920 --> 00:16:59,000 OH, WELL, YES, INDEED, I DO SEE WHAT YOU MEAN. 280 00:16:59,120 --> 00:17:04,000 I KNEW YOU WOULD. AS I DO WITH ALL MY NEW TEACHERS, 281 00:17:04,080 --> 00:17:08,440 I’D LIKE TO SHARE WITH YOU MY THEORIES ABOUT EDUCATION, 282 00:17:08,520 --> 00:17:13,280 GLEANED FROM MY YEARS OF EXPERIENCE HERE AS THE PRINCIPAL OF ST. FRANCIS. 283 00:17:13,360 --> 00:17:18,360 - I AM AN OPEN BOOK. - DISCIPLINE. 284 00:17:20,120 --> 00:17:23,000 MM-HMM. 285 00:17:23,080 --> 00:17:25,560 ANYTHING ELSE TO GO WITH THAT? THAT’S IT? DISCIPLINE? 286 00:17:25,640 --> 00:17:29,000 UNFORTUNATELY, I THINK THAT’S PRETTY MUCH ALL WE CAN EXPECT HERE. 287 00:17:29,080 --> 00:17:31,280 YOU HAVE ANY QUESTIONS? 288 00:17:33,360 --> 00:17:37,960 NO, I FEEL AS THOUGH I HAVE ABSORBED ALL I CAN FROM YOU. 289 00:17:38,040 --> 00:17:40,560 WELL, THEN, 290 00:17:40,640 --> 00:17:45,400 I WISH YOU GOOD DAY AND GOOD LUCK. 291 00:17:45,480 --> 00:17:49,480 THANK YOU, YOUR EMINENCESHIP. 292 00:17:49,560 --> 00:17:52,000 THANK YOU SO MUCH. [ Kissing Sound ] 293 00:17:52,080 --> 00:17:54,600 [ Chuckling ] 294 00:17:56,200 --> 00:18:00,400 OKAY, YOUR ROYAL PAPPYNESS. 295 00:18:00,480 --> 00:18:03,440 [ Door Rolling Closed ] 296 00:18:03,520 --> 00:18:05,400 PIECE OF WORK, ISN’T HE? A PRISON? 297 00:18:05,520 --> 00:18:09,560 YOU LIED TO ME AND YOU’RE GONNA GO TO HELL. [ Gasping ] 298 00:18:14,040 --> 00:18:18,360 [ Father Thomas ] YOU CALL. VOCANT, THEY CALL, ARE CALLING, DO CALL. 299 00:18:18,440 --> 00:18:21,760 VOCO, I CALL, AM CALLING, DO CALL. 300 00:18:21,840 --> 00:18:26,560 VOCAS, YOU CALL, ARE CALLING, DO CALL. 301 00:18:26,640 --> 00:18:30,080 VOCO, I CALL, AM CALLING, DO CALL. 302 00:18:30,160 --> 00:18:34,960 [ Mark Patrick ] CLASS, EYES UP, PENCILS DOWN, MOUTHS CLOSED. 303 00:18:35,040 --> 00:18:37,640 TODAY WE’RE GOING TO LEARN A VALUABLE LESSON AND MAYBE HAVE A LITTLE FUN DOING IT. 304 00:18:37,760 --> 00:18:40,720 YEAH, RIGHT. THE TOPIC FOR TODAY: PROMISCUITY. 305 00:18:40,800 --> 00:18:43,360 PROMISCUITY. WHO CAN TELL ME WHAT THAT MEANS? 306 00:18:43,440 --> 00:18:47,600 SANDRA. IN YOUR DREAMS. 307 00:18:47,680 --> 00:18:50,320 SANDRA, I KNOW YOU HAVE A QUESTION BURNING INSIDE THERE. 308 00:18:50,400 --> 00:18:53,760 YOU CAN’T ANSWER ANY QUESTIONS ABOUT SEX. 309 00:18:53,840 --> 00:18:58,600 OH, DON’T BE SO SURE. YOU DON’T HAVE TO BITE THE DOUGHNUT TO KNOW IT’S SWEET. 310 00:18:58,680 --> 00:19:00,520 COME ON, PLUS WE HAVE THE BIBLE RIGHT HERE. 311 00:19:02,800 --> 00:19:05,800 SISTER MARY CLARENCE? OH, YOU LOOK A LITTLE LOST. 312 00:19:05,880 --> 00:19:08,520 YES! WHO ISN’T? 313 00:19:08,600 --> 00:19:10,520 WHAT, YOU CAN’T FIND THE MUSIC ROOM? NO. 314 00:19:10,600 --> 00:19:13,840 IT’S DOWNSTAIRS. TAKE A LEFT, A RIGHT, A RIGHT, ANOTHER LEFT-- 315 00:19:13,920 --> 00:19:16,200 ALL RIGHT, I’M SORRY. IT’S TRICKY. 316 00:19:16,280 --> 00:19:18,960 I’LL HELP YOU FIND IT. FOLLOW ME AND I’LL SHOW YOU EXACTLY WHERE IT IS. 317 00:19:19,040 --> 00:19:22,920 I KNOW EXACTLY WHAT YOU MEAN. WHEN I FIRST GOT HERE, ONE HALL LOOKS LIKE ANOTHER. 318 00:19:23,000 --> 00:19:25,200 ONE STAIRWELL LOOKS LIKE ANOTHER STAIRWELL. 319 00:19:25,280 --> 00:19:28,040 SOMETIMES I FIND MYSELF JUST STOPPING DEAD IN MY TRACKS AND GOING, 320 00:19:28,120 --> 00:19:32,000 "OH, LORD, COME TO MY RESCUE, COME TO MY AID." 321 00:19:32,080 --> 00:19:34,520 WATCH YOUR STEP. YEAH. 322 00:19:34,600 --> 00:19:38,480 WELL, HERE WE ARE. IT’S THE, UM, ♪ [ Students Rapping ] 323 00:19:38,560 --> 00:19:41,560 MUSIC CLASS. ♪ [ Rapping Continues ] 324 00:19:41,640 --> 00:19:45,120 AH, WELL, THANK YOU. 325 00:19:45,200 --> 00:19:50,600 OH, OH, OH, OH. REMEMBER, NOTHING EVER IS AS BAD AS IT SEEMS AT FIRST. 326 00:19:50,680 --> 00:19:54,000 FIGHT THE GOOD FIGHT. 327 00:19:54,080 --> 00:19:56,560 OKAY. CERCUM CORDA. 328 00:19:56,640 --> 00:19:59,280 OH, WAIT A MINUTE. WHAT? WHAT WAS THAT? 329 00:19:59,360 --> 00:20:01,840 IT’S LATIN. IT MEANS, "LIFT UP YOUR HEART." 330 00:20:01,920 --> 00:20:05,720 I THOUGHT YOU SAID, "INSERT SOME QUARTERS." I’M SOR-- 331 00:20:05,800 --> 00:20:08,760 - I DON’T KNOW IF I’M CUT OUT FOR THIS. - YOU’RE JOKIN’ ME. 332 00:20:08,840 --> 00:20:12,080 THE CHILDREN ARE WAITING. YEAH. AIN’T THEY? 333 00:20:12,160 --> 00:20:16,480 ♪ COLD BEANS, HEY AND COLLARD GREENS, HEY ♪ 334 00:20:16,560 --> 00:20:19,280 ♪ COLD BEANS, HEY AND COLLARD GREENS ♪ 335 00:20:19,360 --> 00:20:21,400 ♪ HEY, COLD BEANS ♪ 336 00:20:21,480 --> 00:20:26,560 OH, NO, SEE, THAT’S WHY YOUR MAMA DEEJAYS FOR THE ICE-CREAM TRUCK. 337 00:20:26,640 --> 00:20:29,040 OH, IT’S YOU! 338 00:20:29,120 --> 00:20:32,600 THANK HEAVEN YOU’RE HERE. ♪ [ Rapping Continues ] 339 00:20:32,680 --> 00:20:35,320 CLASS, THIS IS YOUR NEW TEACHER. 340 00:20:35,400 --> 00:20:37,280 SISTER MARY CLARENCE. CLASS! 341 00:20:37,360 --> 00:20:41,920 YOUR MAMA IS SO FAT, SHE SAT ON A RAINBOW AND SKITTLES POPPED OUT. 342 00:20:42,000 --> 00:20:44,760 CLASS! WELL, CONGRATULATIONS, 343 00:20:44,840 --> 00:20:47,200 YOU’RE THE NEW MAYOR OF SODOM AND GOMORRAH. 344 00:20:47,280 --> 00:20:51,320 ♪ COLD BEANS, HEY AND COLLARD GREENS ♪ 345 00:20:51,400 --> 00:20:54,080 [ Girl ] THAT’S WHY YOUR MOTHER’S SO FAT. SHE’S ON BOTH SIDES OF THE RAINBOW. 346 00:20:54,160 --> 00:20:56,880 [ Laughing ] 347 00:20:56,960 --> 00:21:01,160 ♪ COLD BEANS, HEY AND COLLARD GREENS ♪ 348 00:21:01,280 --> 00:21:05,520 KEEP THE FAITH. REMEMBER, OUR LORD SAID, "BE YE STRONG OF WILL." 349 00:21:05,600 --> 00:21:08,360 AND YE BETTER BE TOUGH AS NAILS TOO. 350 00:21:08,440 --> 00:21:10,560 YEAH. 351 00:21:10,640 --> 00:21:15,520 ♪ COLD BEANS, HEY AND COLLARD GREENS ♪ 352 00:21:15,600 --> 00:21:19,840 [ Door Slams ] ♪ HEY, COLD BEANS, HEY AND COLLARD GREENS ♪ 353 00:21:19,960 --> 00:21:22,400 ♪ HEY, COLD BEANS, HEY AND COLLARD GREENS ♪ 354 00:21:22,480 --> 00:21:25,560 [ Scratching ] 355 00:21:25,680 --> 00:21:29,840 - [ Murmuring ] - GOOD MORNING. I’D LIKE TO INTRODUCE MYSELF. 356 00:21:29,920 --> 00:21:31,880 WOULD YOU ALL PUT YOUR SEATS BACK IN ORDER, PLEASE? 357 00:21:31,960 --> 00:21:36,520 [ Murmuring ] 358 00:21:36,600 --> 00:21:39,960 [ Girl ] WATCH MY NEW SHOES! 359 00:21:40,040 --> 00:21:42,040 AAAH! 360 00:21:42,560 --> 00:21:46,040 I HAVE THIS FUNNY PROBLEM WITH MY EARS. I DON’T LIKE A LOT OF NOISE. 361 00:21:46,120 --> 00:21:49,400 SO MAYBE YOU COULD DO IT QUIETLY? THANK YOU. 362 00:21:49,760 --> 00:21:52,920 I’D LIKE TO INTRODUCE MYSELF. MY NAME IS SISTER MARY CLARENCE, AND I AM-- 363 00:21:53,040 --> 00:21:56,520 - YO, MAMA? - NO, SIR, LET’S TALK ABOUT YOUR MAMA, 364 00:21:56,600 --> 00:21:59,080 WHO IS SO DUMB SHE GOT HIT BY A PARKED CAR. 365 00:21:59,160 --> 00:22:03,400 [ Students ] OOH! THANK YOU. LET’S TRY ATTENDANCE. 366 00:22:03,480 --> 00:22:05,840 I’D LIKE TO INTRODUCE MYSELF. 367 00:22:05,920 --> 00:22:09,160 I’M TYLER CHASE, AND ON BEHALF OF THE WHOLE MUSIC CLASS AS WE ARE-- 368 00:22:09,240 --> 00:22:11,960 TYLER! TYLER! YOU GOT A LITTLE SOMETHING ON YOUR NOSE. 369 00:22:12,040 --> 00:22:14,920 YEAH, TYLER, A BIG, BIG BROWN THING RIGHT AROUND HERE. "HELLO, I’M TYLER CHASE." 370 00:22:15,000 --> 00:22:17,760 [ Students Making Kissing Sounds ] THANK YOU, MR. CHASE. 371 00:22:19,520 --> 00:22:23,560 RICHARD PINCHAM. WAKE UP, FOOL! 372 00:22:23,640 --> 00:22:25,760 PAPER OR PLASTIC? 373 00:22:25,840 --> 00:22:28,240 I BEG YOUR PARDON. ARE YOU RICHARD? 374 00:22:28,320 --> 00:22:31,000 YEAH. 375 00:22:31,120 --> 00:22:33,960 - DID YOU DO THESE? - YEAH. S-SORRY. 376 00:22:34,080 --> 00:22:37,120 LET ME SEE. THAT’S WHY THEY CALL ME SKETCH. 377 00:22:37,200 --> 00:22:39,520 I DO SKETCHES. SORRY. 378 00:22:39,600 --> 00:22:41,480 - THESE ARE REAL GOOD. - THANKS. 379 00:22:41,560 --> 00:22:44,560 TRY TO STAY AWAKE IN MY CLASS THOUGH. ALL RIGHT. 380 00:22:44,640 --> 00:22:48,480 WESLEY JAMES? WESLEY GLEN JAMES? 381 00:22:48,560 --> 00:22:54,400 RESPECTFULLY, MY SISTER, JAMES IS THE SLAVE NAME FORCED UPON MY ANCESTORS. 382 00:22:54,480 --> 00:22:59,760 WHILE WESLEY, THAT’S SOME NAME MY ASSIMILATIONIST PARENTS CAME UP WITH. 383 00:22:59,840 --> 00:23:03,040 BUT TODAY, IN HONOR OF ALL MY BROTHERS AND SISTERS WHO DIED IN THE STRUGGLE, 384 00:23:03,120 --> 00:23:06,240 I WISH TO BE CALLED BY MY TRUE NAME, 385 00:23:06,320 --> 00:23:09,440 AHMAL M’JOMO JAMAAEL, 386 00:23:09,520 --> 00:23:11,840 WHICH MEANS, "HE WHO IS SPIRITED." 387 00:23:11,920 --> 00:23:16,360 - AND LONG-WINDED. - A SIMPLE "PRESENT" WOULD’VE DONE IT, BRO. 388 00:23:16,440 --> 00:23:19,160 - AND WHO ARE YOU? - FRAN-KAY. 389 00:23:19,240 --> 00:23:21,360 ♪ HEY, HO, HEY ♪ 390 00:23:21,440 --> 00:23:24,920 CHECK IT OUT. ♪ HELLO THERE, MISS, AND LET ME KICK AN INTRODUCTION ♪ 391 00:23:25,000 --> 00:23:27,880 ♪ FLUTE, VIOLIN, BASS GUITAR AND THEN PERCUSSION-- ♪ 392 00:23:27,960 --> 00:23:30,800 JUST STOP. CAN’T YOU COME UP WITH YOUR OWN THING? 393 00:23:30,880 --> 00:23:33,520 MUST YOU CONTINUALLY COME BEHIND MY PEOPLE AND STEAL OUR EXPRESSIONS? 394 00:23:33,600 --> 00:23:37,360 FIRST JAZZ, THEN ROCK AND ROLL, NOW RAP. WHAT YOU GONNA TRY TO TAKE NEXT, MAN? 395 00:23:37,440 --> 00:23:40,160 I’M GONNA TAKE YOUR GIRL IF YOU AIN’T CAREFUL. KEEP TALKIN’, BOY. 396 00:23:40,240 --> 00:23:45,360 EXCUSE ME. LET’S LEAVE THIS DISPLAY OF MANHOOD OUTSIDE, SHALL WE? THANK YOU SO MUCH. 397 00:23:45,440 --> 00:23:48,240 YO, COULD WE HURRY THIS UP? SOME OF US GOT THINGS TO DO. 398 00:23:48,320 --> 00:23:52,000 [ Girl ] YOU KNOW WHAT I’M SAYIN’? ARE YOU RITA WATSON? 399 00:23:52,080 --> 00:23:56,840 YEAH, THAT’S ME. I’M SORRY I DON’T HAVE ANY CUTE STORIES OR "ANTIDOTES" TO TELL YOU. 400 00:23:56,920 --> 00:24:00,400 ANECDOTE. SHUT UP. MIND YOUR BUSINESS. 401 00:24:00,480 --> 00:24:03,120 HOW ’BOUT WE JUST CALL YOU RITA DIVA-WITH-A-’TUDE? 402 00:24:03,200 --> 00:24:05,240 SISTER, MAYBE I CAN HELP YOU OUT? ARE WE ALL HERE? 403 00:24:05,320 --> 00:24:07,880 [ Students ] YEAH! WE’RE HERE. 404 00:24:07,960 --> 00:24:11,400 THANK YOU. ALL RIGHT. WHAT HAVE YOU BEEN DOIN’? 405 00:24:11,480 --> 00:24:13,440 [ Boy ] IS SHE JOKIN’? 406 00:24:13,520 --> 00:24:18,360 ALL RIGHT, LET ME GIVE YOU AN EASIER QUESTION. WHERE ARE THE MUSIC BOOKS? 407 00:24:18,440 --> 00:24:20,800 [ Boy ] UP THERE! OH! 408 00:24:20,880 --> 00:24:23,760 MAYBE I SHOULD EXPLAIN SOMETHING TO YOU, SISTER. 409 00:24:23,840 --> 00:24:26,520 THIS IS WHAT WE CALL A BIRD COURSE. 410 00:24:26,600 --> 00:24:30,680 THE REASON WE CALL IT A BIRD COURSE IS BECAUSE WE, UH, FLY RIGHT THROUGH IT. 411 00:24:30,760 --> 00:24:32,600 [ Twittering ] 412 00:24:32,680 --> 00:24:36,640 [ Rita ] SEE, ALL YOU GOT TO DO TO PASS IN THIS CLASS IS SHOW UP. 413 00:24:36,720 --> 00:24:40,000 HMM. SO YOU COME TO CLASS, 414 00:24:40,120 --> 00:24:43,080 YOU DO NOTHING... AND YOU PASS? 415 00:24:43,160 --> 00:24:45,840 OH, NO, WE DON’T EXACTLY DO NOTHING. 416 00:24:45,960 --> 00:24:50,280 WE HAVE A GOOD TIME TOO. YO, FRANKIE. 417 00:24:50,360 --> 00:24:55,240 ♪ COLD BEANS, HEY AND COLLARD GREENS ♪ 418 00:24:55,320 --> 00:24:59,360 ♪ COLD BEANS, HEY AND COLLARD GREENS ♪ 419 00:24:59,440 --> 00:25:03,160 ♪ COLD BEANS, HEY AND COLLARD GREENS ♪ 420 00:25:03,240 --> 00:25:07,720 ♪ COLD BEANS, HEY AND COLLARD GREENS ♪ 421 00:25:07,800 --> 00:25:10,680 MONEY? YOU’RE ASKING FOR MONEY? 422 00:25:10,760 --> 00:25:14,600 YES! YOU KNOW, THE LITTLE GREEN STUFF THAT HAS PICTURES... 423 00:25:14,680 --> 00:25:17,800 OF DEAD PRESIDENTS ON IT AND YOU USE IT TO BUY THINGS... 424 00:25:17,880 --> 00:25:19,800 LIKE INSTRUMENTS OR SONGBOOKS. 425 00:25:19,880 --> 00:25:22,960 - SISTER MARY CLEMENS. - [ Sighing ] 426 00:25:23,040 --> 00:25:28,360 MR. CRISP, MY NAME IS MARY CLARENCE. 427 00:25:28,440 --> 00:25:31,960 CLARENCE. I THINK YOU’RE CONFUSING ST. FRANCIS... 428 00:25:32,040 --> 00:25:35,520 WITH LOYOLA MARYMOUNT OR THE UNIVERSITY OF NOTRE DAME. 429 00:25:35,600 --> 00:25:39,880 - THERE IS NO MONEY HERE. - YET THEY MANAGE TO PAY YOU, CRISPY. 430 00:25:39,960 --> 00:25:44,160 MR. CRISP IS RIGHT. FRANKLY, WE’RE LUCKY TO BE OPEN FOR BUSINESS AT ALL. 431 00:25:44,240 --> 00:25:47,520 THEN I WISH ONE OF YOU WOULD TELL ME... 432 00:25:47,600 --> 00:25:50,000 WHAT IT IS I’M SUPPOSED TO DO WITH THESE CHILDREN. 433 00:25:51,640 --> 00:25:54,680 [ Boy ] GO! RUN, GET OUTTA HERE! 434 00:25:58,600 --> 00:26:02,760 TEACH THEM TO PLAY... SOCCER! 435 00:26:02,840 --> 00:26:05,680 WE DON’T HAVE THE BALLS FOR THAT. 436 00:26:05,760 --> 00:26:09,320 [ Sketch ] ♪ MISTER GRAFFITI ARTIST I GET MORE PRESS ♪ 437 00:26:09,400 --> 00:26:11,440 ♪ THAN JACKIE JACKSON TALKIN’ TO OPRAH WINFREY ♪ 438 00:26:11,520 --> 00:26:15,080 ♪ WHEN I KICK THESE RHYMES UP IN A BUNDLE, YOU TURN PURPLE ♪ 439 00:26:15,160 --> 00:26:18,400 ♪ YOU’RE PULLING YOUR PANTS UP LIKE URKEL, YEAH SO JUMP IF YOU’RE WITH ME ♪ 440 00:26:18,480 --> 00:26:21,680 ♪ YEAH, SO JUMP IF YOU’RE WITH ME ♪ 441 00:26:21,760 --> 00:26:24,680 ♪ YEAH, WHO GOTS THE FLO’ WHO GOTS THE FLO’ ♪ I GOT THE FLO’. 442 00:26:24,760 --> 00:26:26,560 ♪ GRAB THE MICROPHONE AND LET YOUR FUNKY LYRICS GO ♪ 443 00:26:26,640 --> 00:26:29,880 ♪ HERE I GO ON THE MICROPHONE ABOUT TO WRECK IT ♪ 444 00:26:29,960 --> 00:26:32,120 ♪ YOU THOUGHT A FEMALE M.C. COULDN’T DO IT BUT NOW CHECK IT ♪ 445 00:26:32,200 --> 00:26:34,360 ♪ IF THE BLUES IS WHAT YOU CHOOSE, I’LL KICK IT COUNT BASIE STYLE ♪ 446 00:26:34,440 --> 00:26:37,520 ♪ BUT IF BEBOP IS WHAT YOU ROCK, I’LL KICK THE MONK OR SOME MILES ♪ 447 00:26:37,600 --> 00:26:41,040 ♪ WON’T GRAB NO PHILLIES MY STYLE IS WILLING IF YOU LET ME ♪ 448 00:26:41,120 --> 00:26:44,240 ♪ OR IF I CHOOSE TO ’CAUSE WOMEN’S LIB SAID I DON’T HAVE TO 449 00:26:44,320 --> 00:26:46,720 ♪ SO THINK AGAIN BEFORE YOU TEST A SISTER, ’CAUSE WITH MY GIRLS BEHIND ME ♪ 450 00:26:46,800 --> 00:26:49,320 - ♪ WE GOT LOTS OF POWER, MISTER ♪ - ♪ OH, OH ♪ 451 00:26:49,400 --> 00:26:53,960 ♪ WHO’S GOT THE FLO’ GRAB THE MICROPHONE AND LET YOUR FUNKY LYRICS GO ♪ 452 00:26:54,040 --> 00:26:55,960 ♪ I GOT THE FLO’ YOU ALL GOTTA GO ♪ 453 00:26:56,040 --> 00:26:58,520 ♪ SO GO GET YOUR BAGS SO WE CAN GO, HO-HO ♪ 454 00:26:58,600 --> 00:27:02,320 ♪ AAAH, OH, OH, NOW ♪ 455 00:27:02,400 --> 00:27:05,280 THANK YOU, THANK YOU. [ Boy ] SHE’S BACK. 456 00:27:05,360 --> 00:27:07,680 [ Students ] SHE’S BACK. 457 00:27:07,760 --> 00:27:10,200 THE QUESTION AT HAND IS, HOW DO WE GET THIS NUN... 458 00:27:10,280 --> 00:27:13,480 TO EXTRICATE HERSELF FROM US QUICKLY AND EXPEDITIOUSLY? 459 00:27:13,560 --> 00:27:17,960 -IN OTHER WORDS, LET’S GET THIS NUN TO RUN. -I’M NOT SURE I’M DOWN FOR THIS. 460 00:27:18,040 --> 00:27:19,840 THAT’S LIKE MESSIN’ WITH HIGHER POWER. 461 00:27:19,920 --> 00:27:22,920 PLUS, THIS SISTER IS LIKE A SISTER SISTER, KNOW WHAT I’M SAYING? 462 00:27:23,000 --> 00:27:26,720 - SHE AIN’T NO SISTER OF YOURS. - HEY, HEY, HEY, CHILL, OKAY? 463 00:27:26,800 --> 00:27:30,960 - I HEARD THAT. - WE ALL GOT TO AGREE ON THIS. ARE WE IN OR ARE WE OUT? 464 00:27:31,040 --> 00:27:34,120 [ Man ] YOUNG MAN! PICASSO! 465 00:27:34,200 --> 00:27:37,200 KEEP THIS JOB, GET YOUR BUTT BACK IN HERE, BOY. 466 00:27:37,280 --> 00:27:40,560 GUESS I KNOW WHAT THAT MEANS. I’LL STICK WITH THE MAJORITY ON THIS ONE. 467 00:27:40,640 --> 00:27:42,520 I GOTTA GO, SO I’LL CHECK Y’ALL LATER. ALL RIGHT, HOME. 468 00:27:42,640 --> 00:27:44,800 PEACE. ADIEU. 469 00:27:44,880 --> 00:27:46,840 THERE’S NO DIALOGUE, MAN. COME ON. 470 00:27:46,920 --> 00:27:49,160 RITA LOUISE WATSON! 471 00:27:49,240 --> 00:27:52,320 YOU BETTER GET YOUR BEHIND IN THIS HOUSE NOW. 472 00:27:52,400 --> 00:27:55,960 YOU GOT HOMEWORK TO DO. [ Rita ] MA! 473 00:27:56,040 --> 00:27:58,600 - MA, WE’RE JUST CHILLIN’. - RITA, DON’T MAKE ME COME DOWN THERE AFTER YOU. 474 00:27:58,680 --> 00:28:02,560 CALL ME TONIGHT SO WE CAN FIGURE OUT A PLAN. ALL RIGHT. 475 00:28:02,640 --> 00:28:07,040 [ Ma ] RITA! ON SECOND THOUGHT, CALL ME IN THE MORNIN’. 476 00:28:07,160 --> 00:28:10,240 - PEACE, Y’ALL. - SEE YA LATER, RITA. 477 00:28:10,320 --> 00:28:13,760 [ Bell Chiming ] 478 00:28:13,840 --> 00:28:16,200 [ Boy ] HEY, HERE SHE COMES! 479 00:28:16,280 --> 00:28:18,240 HEY, SHH! 480 00:28:33,560 --> 00:28:35,800 [ Girl Clearing Throat ] 481 00:28:35,880 --> 00:28:38,040 [ Boy Clearing Throat ] 482 00:28:40,320 --> 00:28:43,200 WELL, YOU LOOK LIKE MY CLASS. 483 00:28:43,280 --> 00:28:45,440 IS, UH, SOMETHING GOIN’ ON? 484 00:28:45,520 --> 00:28:48,400 [ In Unison ] NO, SISTER MARY CLARENCE. 485 00:28:48,480 --> 00:28:52,040 I SAW A SCENE LIKE THIS ONCE IN A HORROR MOVIE. 486 00:28:52,120 --> 00:28:56,400 THEY SUBDUED AN ENTIRE COMMUNITY BY PUTTING SOME KIND OF WEIRD DRUG IN THE WATER. 487 00:28:56,480 --> 00:28:58,360 IS THAT WHAT’S GOING ON HERE? 488 00:29:00,080 --> 00:29:03,680 ALL RIGHT, UH, TODAY... 489 00:29:03,760 --> 00:29:06,480 I’D LIKE TO TALK ABOUT MUSIC, BECAUSE THAT’S WHAT I AM. 490 00:29:06,560 --> 00:29:09,400 I AM THE MUSIC TEACHER, AND IT’S WHAT I LOVE. 491 00:29:09,480 --> 00:29:13,760 NOW, WHEN YOU THINK ABOUT VARIOUS PEOPLE AND WHAT THEY LIKE, 492 00:29:13,840 --> 00:29:16,280 YOU THINK, WELL, THIS ONE LIKES THIS, THIS ONE LIKES THAT. 493 00:29:16,400 --> 00:29:18,760 ME, I’M WHAT YOU CALL ECLECTIC. 494 00:29:18,840 --> 00:29:21,400 - "ECLECTIC"? - WHAT’S THAT? 495 00:29:21,480 --> 00:29:24,120 YOU PLUG YOUR BOX INTO THE WALL AND IT GIVES YOU POWER, STUPID. 496 00:29:24,240 --> 00:29:27,600 NOT ELECTRIC, ECLECTIC, STUPID. 497 00:29:27,680 --> 00:29:31,600 LET ME SIMPLIFY IT FOR YOU. WHEN I SAY "ECLECTIC," 498 00:29:31,680 --> 00:29:35,120 WHAT I MEAN IS, I LIKE LOTS OF DIFFERENT TYPES OF MUSIC. 499 00:29:35,200 --> 00:29:38,520 OPERA, ROCK AND ROLL, RAP, I LIKE IT ALL. 500 00:29:38,600 --> 00:29:42,360 BUT MY FAVORITE, MY ABSOLUTE ALL-TIME FAVORITE, 501 00:29:42,440 --> 00:29:45,960 ARE THE GIRL GROUPS FROM THE ’50s AND ’60s. 502 00:29:46,040 --> 00:29:48,160 - LIKE WHO? - TYLER! SHUT UP! 503 00:29:48,240 --> 00:29:52,720 - IDIOT, MAN. - TYLER, SHUT UP! 504 00:29:52,800 --> 00:29:54,760 LADIES AND GENTLEMEN, LET US NOT BADGER... 505 00:29:54,840 --> 00:29:56,960 ARE WE DUMB? THIS MAN WHO WANTS THIS INFORMATION. 506 00:29:57,040 --> 00:30:02,840 I LIKE PATTI LaBELLE AND THE BLUEBELLS, AND I LIKE THE SUPREMES. 507 00:30:02,920 --> 00:30:05,720 [ Tyler ] WHO ARE THE SUPREMES? 508 00:30:05,800 --> 00:30:09,600 YOU DON’T NEED TO GET PHYSICAL WITH HIM. 509 00:30:09,680 --> 00:30:12,400 OH, YOU’RE GONNA GET JUMPED AFTER SCHOOL, TYLER. 510 00:30:12,480 --> 00:30:16,800 YES, IT IS A SHOCKING QUESTION: "WHO ARE THE SUPREMES?" 511 00:30:16,880 --> 00:30:20,920 YOU NEVER HEARD OF DIANA ROSS? OH, DIANA ROSS. 512 00:30:21,000 --> 00:30:23,240 WELL, LET ME TELL YOU. THEY WERE... 513 00:30:23,320 --> 00:30:25,320 THE PREMIER GROUP. [ Students ] YES! 514 00:30:25,400 --> 00:30:29,840 AS YOU HEAR, YOUR COMRADES-IN-ARMS SAY, "YES!" BECAUSE THEY WERE INCREDIBLE. 515 00:30:29,920 --> 00:30:33,520 WHAT I LOVE WHEN I THINK ABOUT MUSIC... ABOUT TIME. 516 00:30:33,600 --> 00:30:38,400 IS HOW YOU CAN TAKE THIS TYPE OF MUSIC AND THAT TYPE OF MUSIC AND FUSE IT TOGETHER. 517 00:30:38,520 --> 00:30:41,120 MMM. FUSE IT! 518 00:30:41,200 --> 00:30:44,640 YEAH, FUSE IT. I’M REALLY GLAD YOU’RE INTO THIS. 519 00:30:44,720 --> 00:30:47,600 THE BEST EXAMPLE I CAN GIVE YOU, NOW-- 520 00:30:47,680 --> 00:30:50,040 [ Cloth Ripping ] [ Hysterical Laughing ] 521 00:30:50,160 --> 00:30:53,520 [ Cheering, Applause ] 522 00:30:53,600 --> 00:30:56,640 - [ Cloth Ripping ] - YOU GOT BUSTED! 523 00:30:56,720 --> 00:31:02,200 [ Chanting ] FUSION! FUSION! FUSION! 524 00:31:02,280 --> 00:31:05,520 FUSION! FUSION! FUSION! 525 00:31:05,600 --> 00:31:08,960 [ Chanting Continues ] FUSION! FUSION! [ Grunting ] 526 00:31:09,040 --> 00:31:11,880 [ Panting, Growling ] 527 00:31:11,960 --> 00:31:15,080 [ Grunting ] 528 00:31:15,160 --> 00:31:18,880 [ Grunting ] GODDAMN IT. 529 00:31:22,880 --> 00:31:25,600 OH, MAN! 530 00:31:25,680 --> 00:31:27,560 [ Crashing ] OOH! 531 00:31:27,640 --> 00:31:29,800 [ Knocking ] [ Mary Clarence ] YEAH? 532 00:31:29,880 --> 00:31:34,080 [ Door Creaking ] 533 00:31:34,200 --> 00:31:38,720 [ Mother Superior ] WE WANT YOU TO KNOW THAT WE UNDERSTAND... 534 00:31:38,800 --> 00:31:42,640 AND THAT YOU’RE QUITE FREE TO LEAVE WHENEVER YOU PLEASE. 535 00:31:42,720 --> 00:31:45,320 I’M SURE YOU’LL BE MUCH BETTER OFF IN SHOW BUSINESS. 536 00:31:45,400 --> 00:31:48,360 GOODNESS KNOWS, THE MONEY IS BETTER. 537 00:31:48,440 --> 00:31:52,760 I’M SURE BRIGHT LIGHTS AND SEQUINS ARE FAR PRETTIER TO LOOK AT THAN ANYTHING WE HAVE HERE. 538 00:31:52,840 --> 00:31:56,800 DO YOU KNOW WHAT I HATE MOST ABOUT THIS PLACE? 539 00:31:56,880 --> 00:31:59,600 THERE’S NOTHING TO PICK UP AND THROW. 540 00:31:59,680 --> 00:32:02,480 WE UNDERSTAND. 541 00:32:02,560 --> 00:32:04,680 YEAH. 542 00:32:04,760 --> 00:32:08,240 BYE-BYE. WOULD YOU LIKE A CUP OF TEA? 543 00:32:10,680 --> 00:32:16,080 [ Door Creaking ] 544 00:32:16,160 --> 00:32:19,120 [ Father Maurice ] OH, THIS MUSTN’T HAPPEN. IT CAN’T HAPPEN. 545 00:32:19,200 --> 00:32:22,160 IT WOULD BE CRIMINAL, ABSOLUTELY CRIMINAL IF THIS HAPPENED. 546 00:32:22,240 --> 00:32:25,120 ST. FRANCIS’ SCHOOL AND CHURCH HAVE BEEN A BEACON OF HOPE... 547 00:32:25,200 --> 00:32:28,400 TO THE PEOPLE OF THIS COMMUNITY FOR MANY, MANY YEARS. 548 00:32:28,480 --> 00:32:32,440 IF WE CLOSE DOWN THE SCHOOL, IT WOULD BE AN ABSOLUTE AND TOTAL DISASTER. 549 00:32:32,520 --> 00:32:36,800 YOU’RE ABSOLUTELY SURE NOTHING CAN BE DONE? [ Man ] I’M AFRAID NOT. 550 00:32:36,880 --> 00:32:40,160 I WAS HOPING WE COULD KEEP IT OPEN UNTIL THE END OF THE SCHOOL YEAR. 551 00:32:40,240 --> 00:32:42,640 WE KNOW IT’S UNFORTUNATE. WE DON’T LIKE IT EITHER. 552 00:32:42,720 --> 00:32:48,040 THE ARCHDIOCESE HAS DECIDED ST. FRANCIS SHOULD CLOSE AT THE END OF THE SEMESTER. 553 00:32:48,120 --> 00:32:50,680 WHY DOES IT HAVE TO HAPPEN SO QUICKLY? 554 00:32:50,760 --> 00:32:53,800 YOU’RE TOTALLY IN THE RED WITH VERY LITTLE HOPE OF RECOVERY. 555 00:32:53,880 --> 00:32:57,880 YOU MUST REALIZE, FATHER, THE COMMUNITY CONTRIBUTIONS HAVE BEEN NIL. 556 00:32:57,960 --> 00:33:01,800 THE SCHOOL HAS NO OUTSTANDING ACADEMIC OR ACHIEVEMENT RECORDS. 557 00:33:01,880 --> 00:33:04,560 I’VE BEEN EXPLORING THE POSSIBILITY OF OTHER USES FOR THE PROPERTY. 558 00:33:04,640 --> 00:33:06,960 [ Father Maurice ] WHAT? [ Mr. Crisp ] YES, AND THE BOTTOM LINE IS... 559 00:33:07,040 --> 00:33:10,320 IT’S MORE VALUABLE AS A PARKING LOT THAN IT IS AS A SCHOOL. 560 00:33:10,400 --> 00:33:12,480 THE RECOMMENDATION IS TO CLOSE. 561 00:33:12,560 --> 00:33:16,000 WELL, I SUPPOSE THERE’S NOTHING MORE TO BE SAID. 562 00:33:16,080 --> 00:33:19,080 WELL, THANK YOU. 563 00:33:29,560 --> 00:33:31,840 MR. CRISP, YOU SHOULD BE COMMENDED FOR YOUR WORK... 564 00:33:31,920 --> 00:33:35,120 AND YOUR EXCELLENT ANALYSIS OF THE SITUATION. 565 00:33:35,240 --> 00:33:37,600 THANK YOU VERY MUCH, BUT I DO WISH... 566 00:33:37,680 --> 00:33:40,920 YOU’D CONSIDER MY APPLICATION FOR EARLY RETIREMENT. 567 00:33:41,040 --> 00:33:43,560 AFTER ALL, I HAVE BEEN WORKING FOR THE ARCHDIOCESE DOING THIS WORK... 568 00:33:43,640 --> 00:33:47,520 FOR ALMOST 30 YEARS NOW, AND I WOULD JUST LIKE MY DUE. 569 00:33:47,600 --> 00:33:50,520 WHY, ABSOLUTELY. THANK YOU, THANK YOU. 570 00:33:50,600 --> 00:33:54,320 LET’S GO OUT AND HAVE SOME LUNCH NOW, SHALL WE? EXCELLENT IDEA. 571 00:34:04,400 --> 00:34:06,600 - WHAT? - WHAT? - WHEN? 572 00:34:06,680 --> 00:34:10,040 THE END OF THE SEMESTER. WHERE DID YOU HEAR THAT? 573 00:34:10,120 --> 00:34:14,040 I HAPPENED TO BE EAVESDROPPING IN FATHER MAURICE’S OFFICE, AND I HEARD HIM TALKIN’. 574 00:34:14,120 --> 00:34:19,280 WE WERE AFRAID THIS MIGHT HAPPEN. I’VE BEEN EXPECTING IT FOR SOME TIME. 575 00:34:19,360 --> 00:34:21,840 WHAT DO WE DO NOW? WE’LL PROBABLY BE REASSIGNED. 576 00:34:21,920 --> 00:34:26,400 THE CHILDREN WILL BE BUSED TO A PUBLIC SCHOOL IN ANOTHER DISTRICT. 577 00:34:26,480 --> 00:34:31,240 WHAT A STUPID THING TO DO. THIS IS THE ONLY SCHOOL LEFT IN THIS COMMUNITY. 578 00:34:31,320 --> 00:34:35,600 WE’VE GOT TO DO SOMETHING. OTHERWISE WE’RE GONNA LOSE OUR STUDENTS AND NOT GET THEM BACK. 579 00:34:35,680 --> 00:34:39,000 THEN I GUESS WE ARE GOING TO DO SOMETHING. 580 00:34:39,080 --> 00:34:43,440 - NOW, YOU DO MEAN "WE," DON’T YOU? WE! - YES, YES, WE! 581 00:34:43,520 --> 00:34:48,200 - YOU’RE NOT LEAVING? - I SAID I WAS GONNA COME AND HELP, HERE I AM. 582 00:34:48,280 --> 00:34:52,040 - THANK YOU, DELORIS. - JUST CALL ME MARY CLARENCE. 583 00:34:52,120 --> 00:34:53,920 [ Mother Superior Chuckling ] 584 00:34:54,000 --> 00:34:56,160 [ Bell Chiming ] 585 00:34:56,240 --> 00:34:59,920 OH, REVEREND MOTHER. I’D LIKE TO SPEAK TO YOU. OH, FATHER MAURICE. 586 00:35:00,000 --> 00:35:05,400 MY MIND IS CONSUMED WITH TRYING TO DEAL WITH-- SISTER MARY CLARENCE. 587 00:35:05,480 --> 00:35:09,920 YES, AS A MATTER OF FACT. I AM FAMILIAR WITH THE DILEMMA. 588 00:35:10,040 --> 00:35:13,240 I’M TOLD THAT SHE PRESIDED AT THE ECCLESIASTICAL EQUIVALENT... 589 00:35:13,320 --> 00:35:15,880 OF A PEP RALLY LAST NIGHT. 590 00:35:15,960 --> 00:35:19,040 YES, I AM AWARE OF THIS. YOU ARE? HOW DID YOU KNOW? 591 00:35:19,120 --> 00:35:22,480 YOU’LL FIND THAT WHEN ONE DEALS WITH SISTER MARY CLARENCE, 592 00:35:22,560 --> 00:35:26,000 ONE IS SMOTHERED WITH MORE INFORMATION THAN ONE WISHES TO POSSESS. 593 00:35:26,080 --> 00:35:28,600 I’M AFRAID SHE’S BECOMING QUITE DISRUPTIVE. 594 00:35:28,680 --> 00:35:32,240 DISRUPTION IS THE WAY MARY CLARENCE COMMUNICATES. 595 00:35:32,320 --> 00:35:36,240 I WORRY ABOUT RAISING FALSE HOPES AMONG THE CHILDREN. 596 00:35:36,360 --> 00:35:40,840 ADVISE ME, REVEREND MOTHER. TELL ME ABOUT YOUR EXPERIENCES WITH MARY CLARENCE. 597 00:35:40,920 --> 00:35:43,800 NO, I WOULDN’T WANT TO FRIGHTEN YOU. 598 00:35:43,880 --> 00:35:49,480 BUT IN MY EXPERIENCE, I FOUND IT EASIER AND ULTIMATELY... 599 00:35:49,560 --> 00:35:54,040 QUITE EFFECTIVE TO GIVE MARY CLARENCE A FREE HAND. 600 00:35:54,120 --> 00:35:56,600 AREN’T HER IDEAS EXTREMELY RADICAL? 601 00:35:56,680 --> 00:35:59,600 IF I REMEMBER CORRECTLY, 602 00:35:59,680 --> 00:36:03,040 THE TERM "RADICAL" WAS APPLIED TO US IN OUR DAY. 603 00:36:03,120 --> 00:36:06,560 OR HAVE YOU FORGOTTEN THE TROUBLE WE CAUSED BISHOP O’MALLEY? 604 00:36:06,640 --> 00:36:09,200 OH, YES, BISHOP O’MALLEY. [ Chuckling ] 605 00:36:09,280 --> 00:36:13,360 GIVE MARY CLARENCE A CHANCE. 606 00:36:13,440 --> 00:36:18,040 IF THE SCHOOL IS ON THE ROAD TO CLOSURE, 607 00:36:18,120 --> 00:36:21,280 AT LEAST SHE’LL MAKE IT AN INTERESTING RIDE. 608 00:36:21,360 --> 00:36:24,240 [ Students Chattering ] 609 00:36:24,320 --> 00:36:27,160 GOOD MORNING, LADIES AND GENTLEMEN. PLEASE TAKE YOUR SEATS. 610 00:36:27,240 --> 00:36:29,840 DO IT QUICKLY AND QUIETLY. 611 00:36:29,920 --> 00:36:32,360 WELCOME TO THE FIRST DAY OF YOUR NEW SCHOLASTIC LIVES. 612 00:36:32,440 --> 00:36:35,240 THIS IS NO LONGER A BIRD COURSE. 613 00:36:35,320 --> 00:36:38,240 THE BIRD HAS FLOWN. IF YOU WANT TO PASS THIS COURSE, 614 00:36:38,320 --> 00:36:40,920 YOU GONNA HAVE TO EARN IT, ’CAUSE I HAVE NO PROBLEMS, 615 00:36:41,000 --> 00:36:45,040 NOT ONE, FAILING EACH AND EVERY ONE OF YOU. 616 00:36:45,120 --> 00:36:47,720 I NEVER THOUGHT THIS WAS NO BIRD COURSE. I’M GLAD FOR YOU. 617 00:36:47,800 --> 00:36:51,160 VERY, VERY GLAD, ’CAUSE THIS IS A NEW DAY. 618 00:36:51,240 --> 00:36:53,880 THINGS ARE GOING TO BE A LITTLE DIFFERENT AROUND HERE. OH, YEAH? 619 00:36:53,960 --> 00:36:57,480 - LIKE HOW? - LIKE WHEN I TALK, FRAN-KAY, YOU DON’T. 620 00:36:57,560 --> 00:37:00,560 [ Girl ] MAN! 621 00:37:00,640 --> 00:37:03,320 IS THIS SOMETHING YOU WANT TO SHARE WITH THE REST OF THE CLASS? 622 00:37:03,400 --> 00:37:06,080 I’M JUST KICKING IT WITH MY GIRL. I’LL TELL YOU WHAT, 623 00:37:06,200 --> 00:37:08,320 YOU GONNA KICK IT WITH ME OR I’M GONNA KICK YOU OUT. 624 00:37:08,400 --> 00:37:12,880 WHAT YOU THINK OF THAT? PUT ’EM AWAY. COLD. 625 00:37:12,960 --> 00:37:16,800 AND YOU. THIS IS NOT ELIZABETH ARDEN, MISS THING. 626 00:37:16,920 --> 00:37:21,520 YOU WANT TO BEAT THAT MUG OF YOURS, YOU DO IT AT HOME BEFORE YOU COME TO CLASS, UNDERSTAND? 627 00:37:21,600 --> 00:37:24,800 PUT IT AWAY. AND YOU, SKETCH, 628 00:37:24,880 --> 00:37:27,760 I LIKE YOU A LOT, BUT I DON’T WANT YOU CATCHING Zs IN MY CLASS NO MORE. 629 00:37:27,840 --> 00:37:32,480 - I BE TIRED. I GOT A JOB. - BABY, SAVE IT FOR OPRAH. 630 00:37:32,600 --> 00:37:36,640 THIS IS A BRAND-NEW DAY, LADIES AND GENTLEMEN, A BRAND-NEW DAY. 631 00:37:36,720 --> 00:37:41,800 WE’RE GONNA START WITH RESPECT. YOU’RE GONNA RESPECT ME, AND I’M GONNA RESPECT YOU. 632 00:37:41,880 --> 00:37:46,720 THE FIRST THING YOU’RE GONNA DO, GENTLEMEN, IS TAKE OFF THOSE HATS. 633 00:37:46,800 --> 00:37:51,200 THIS IS A BRAND-NEW DAY. 634 00:37:51,280 --> 00:37:53,640 [ Students Laughing ] 635 00:37:53,720 --> 00:37:57,560 I GUESS THAT MEANS YOU’RE GONNA BE COMBING YOUR HAIR BEFORE YOU COME TO MY CLASS. 636 00:37:57,640 --> 00:38:01,560 AND I KNOW YOU LAUGHIN’ OVER THERE, SO YOU THINK THIS IS VERY FUNNY, MISS THING. 637 00:38:01,640 --> 00:38:05,240 THERE IS NO SUN IN THIS ROOM. YOU WILL NOT GET A TAN. TAKE OFF THOSE SUNGLASSES. 638 00:38:05,320 --> 00:38:09,040 THAT GOES FOR YOU TOO. IF THEY’RE NOT PRESCRIPTION, I DON’T WANT TO SEE ’EM. 639 00:38:09,120 --> 00:38:12,720 I WANT TO SEE YOU. I WANT TO LOOK INTO YOUR EYES. 640 00:38:12,800 --> 00:38:15,640 I WANT YOU TO BE ABLE TO LOOK INTO MINE. 641 00:38:15,720 --> 00:38:19,040 YES, MISS WATSON? WE DON’T WANT NO NEW WAY. 642 00:38:19,120 --> 00:38:21,200 THE OLD WAY WAS FINE FOR US, RIGHT? 643 00:38:21,280 --> 00:38:23,200 RIGHT! YEAH! 644 00:38:23,280 --> 00:38:25,760 OKAY, SO IF YOU’RE GONNA FAIL US, THEN YOU MIGHT AS WELL GO AHEAD, 645 00:38:25,840 --> 00:38:28,160 ’CAUSE, UM, I AIN’T DOIN’ NOTHIN’. 646 00:38:28,280 --> 00:38:30,720 FINE, THAT’S HOW YOU FEEL, THERE’S THE DOOR. 647 00:38:30,800 --> 00:38:33,280 DON’T LET IT HIT YOU IN THE BUTTS ON YOUR WAY OUT. 648 00:38:33,360 --> 00:38:36,280 YO, YO, SIS, I CAN’T AFFORD TO FAIL THIS CLASS. 649 00:38:36,360 --> 00:38:39,000 YOU BETTER TELL YOUR FRIENDS YOU CAN’T AFFORD TO FAIL THIS CLASS. 650 00:38:39,080 --> 00:38:41,280 MY PARENTS WOULDN’T BE PLEASED. 651 00:38:41,360 --> 00:38:44,720 COME ON, Y’ALL, WE AIN’T GOTTA TAKE THIS FROM HER. COME ON. 652 00:38:44,840 --> 00:38:46,840 SKETCH, COME ON, MAN. 653 00:38:50,040 --> 00:38:51,680 FRAN-KAY? 654 00:38:51,760 --> 00:38:54,680 YO, RITA, YOU KNOW I’M USUALLY DOWN FOR STUFF LIKE THIS, BUT, YO, 655 00:38:54,760 --> 00:38:57,960 I’M GONNA TAKE CARE OF BUSINESS THIS TIME. 656 00:38:58,040 --> 00:39:02,000 A LITTLE LONELY OUT ON THAT LIMB BY YOURSELF, MISS WATSON? 657 00:39:08,440 --> 00:39:10,720 SO MUCH FOR FRIENDSHIP. 658 00:39:10,800 --> 00:39:14,560 [ Woman ] ♪ IF YOU WANNA BE SOMEBODY ♪ 659 00:39:14,640 --> 00:39:18,680 ♪ IF YOU WANNA GO SOMEWHERE ♪ 660 00:39:18,760 --> 00:39:22,760 ♪ YOU BETTER WAKE UP AND PAY ATTENTION ♪ 661 00:39:22,880 --> 00:39:26,120 [ Deloris ] ALL RIGHT, LET’S GET DOWN TO BUSINESS, LADIES AND GENTLEMEN. 662 00:39:26,200 --> 00:39:29,080 YOU WANNA GO SOMEWHERE AND YOU WANNA BE SOMEBODY, 663 00:39:29,160 --> 00:39:33,280 YOU BETTER WAKE UP AND PAY ATTENTION, HONEY, ’CAUSE THE REAL WORLD IS OUT THERE. 664 00:39:33,360 --> 00:39:35,720 THEY DON’T CARE HOW HIP YOU THINK YOU ARE. 665 00:39:35,800 --> 00:39:38,760 OR WHO YOU KICK IT WITH. IT DON’T MATTER. 666 00:39:38,840 --> 00:39:41,760 [ Deloris ] IF YOU DON’T HAVE AN EDUCATION, YOU DON’T HAVE ANYTHING. 667 00:39:41,840 --> 00:39:44,160 AND THAT’S THE TRUTH, HONEY. 668 00:39:44,240 --> 00:39:48,160 ♪ IF YOU WANNA BE SOMEBODY IF YOU WANNA GO SOMEWHERE ♪ 669 00:39:48,240 --> 00:39:52,200 ♪ YOU BETTER WAKE UP AND PAY ATTENTION ♪ 670 00:39:52,280 --> 00:39:56,720 ♪ PAY ATTENTION, YOU GOTTA WAKE UP, WAKE UP, BABY ♪ 671 00:39:56,800 --> 00:39:59,800 BUT WE CANNOT DO IT BY OURSELVES, WE NEED THE HELP. 672 00:39:59,920 --> 00:40:04,440 WE’RE HERE FOR THE CHILDREN, RIGHT? IF NOT FOR THEM, FOR WHO? 673 00:40:04,520 --> 00:40:08,440 LOOK, LET’S START WITH THE CURRICULUM, OKAY? 674 00:40:08,520 --> 00:40:10,760 LET’S TALK ABOUT BORING. 675 00:40:10,840 --> 00:40:12,880 I CAN BARELY STAY AWAKE TO TEACH IT. 676 00:40:12,960 --> 00:40:15,400 I HAVE SOME GOOD IDEAS FOR GOOSING UP SEX ED. 677 00:40:15,480 --> 00:40:19,040 AND WHAT ARE WE GONNA DO ABOUT THE GRAFFITI? NOT THAT A BUCKET OF PAINT COULDN’T FIX IT. 678 00:40:19,120 --> 00:40:22,400 - I’D LOVE TO SEE US TEACH NEW MATH. - YES! 679 00:40:22,520 --> 00:40:24,960 NO, NO, YOU’VE GOT TO FACE FACTS. WE’RE CLOSING DOWN. 680 00:40:25,040 --> 00:40:29,800 YES, WE MAY BE CLOSING, BUT WE’RE NOT CLOSED YET. 681 00:40:29,880 --> 00:40:33,640 SO WHY DON’T WE GO OUT WITH A LITTLE CLASS? 682 00:40:33,720 --> 00:40:35,680 [ Deloris ] COME ON, PEOPLE, LET’S HEAR IT AGAIN. 683 00:40:35,760 --> 00:40:39,600 [ In Unison ] IF YOU WANNA BE SOMEBODY, IF YOU WANNA GO SOMEWHERE, 684 00:40:39,680 --> 00:40:42,160 YOU BETTER WAKE UP AND PAY ATTENTION. 685 00:40:42,240 --> 00:40:44,280 MAKE ME BELIEVE WHAT YOU’RE SAYIN’. 686 00:40:44,360 --> 00:40:47,640 - COULD WE WAKEN THIS UP A LITTLE? - YEAH, IF YOU THINK YOU CAN. 687 00:40:47,720 --> 00:40:51,240 OKAY, DIONNA. 688 00:40:51,320 --> 00:40:56,320 ♪ IF YOU WANNA BE SOMEBODY IF YOU WANNA GO SOMEWHERE ♪ 689 00:40:56,400 --> 00:41:01,000 ♪ YOU BETTER WAKE UP AND PAY ATTENTION ♪ ♪ PAY ATTENTION ♪ 690 00:41:01,080 --> 00:41:06,080 ♪ IF YOU WANNA BE SOMEBODY IF YOU WANNA GO SOMEWHERE ♪ 691 00:41:06,160 --> 00:41:10,160 ♪ YOU BETTER WAKE UP AND PAY ATTENTION ♪ 692 00:41:10,240 --> 00:41:13,280 WAIT A MINUTE. WAIT A MINUTE. WAIT A MINUTE! 693 00:41:13,360 --> 00:41:16,880 TALK ABOUT A WAKE-UP CALL. WHERE DID THIS COME FROM? 694 00:41:16,960 --> 00:41:20,440 THIS IS A MUSIC CLASS, ISN’T IT? 695 00:41:20,520 --> 00:41:23,240 YES, THIS IS A MUSIC CLASS. YOU TELLIN’ ME YOU GUYS CAN SING? 696 00:41:25,320 --> 00:41:28,920 NO, REALLY, THAT WAS GREAT. MY-- 697 00:41:29,000 --> 00:41:33,280 I JUST FIGURED OUT HOW I’M GONNA GET YOU THROUGH THIS MUSIC CLASS. 698 00:41:33,360 --> 00:41:36,920 [ Boy ] OH, NO, REALLY? YES, YES! 699 00:41:37,000 --> 00:41:39,080 I’M GONNA TURN YOU GUYS INTO A CHOIR. 700 00:41:39,160 --> 00:41:40,600 NOPE! 701 00:41:43,040 --> 00:41:46,160 [ Sketch ] COME ON, I MEAN, MOST CHOIRS ARE JUST A BUNCH OF PEOPLE... 702 00:41:46,240 --> 00:41:48,800 SINGING WACK SONGS THAT NOBODY CARE ABOUT. 703 00:41:48,880 --> 00:41:51,520 [ Deloris ] MAYBE NOT. MAYBE NOT. 704 00:41:51,600 --> 00:41:54,720 QUICKLY, SIT DOWN. LET’S GO, LET’S GO. 705 00:41:54,800 --> 00:41:58,360 QUIT CHEWIN’ THAT GUM. YOU LOOK LIKE MISTER ED. SIT DOWN. 706 00:41:58,440 --> 00:42:02,000 [ Man ] WHERE’D THESE KIDS COME FROM? 707 00:42:02,120 --> 00:42:05,160 LADIES! COME RIGHT IN. COME RIGHT IN. 708 00:42:05,240 --> 00:42:09,080 WATCH YOUR FOOTING. YOU KNOW WHAT TO DO. GOOD TO SEE YOU. 709 00:42:09,160 --> 00:42:13,200 YOU KNOW ALL ABOUT THESE PEOPLE. OH, YES. 710 00:42:13,280 --> 00:42:15,240 [ Deloris ] YOU KNOW WHERE TO GO. 711 00:42:15,320 --> 00:42:17,560 [ Applause ] 712 00:42:19,960 --> 00:42:23,520 [ Laughing, Snickering ] 713 00:42:23,600 --> 00:42:26,120 YOU READY, ALMA? HELLO! 714 00:42:27,760 --> 00:42:31,360 YOU READY, ALMA? 715 00:42:31,440 --> 00:42:35,280 ALMA! TURN THE PACK ON. 716 00:42:36,840 --> 00:42:40,640 YOU READY? YES. 717 00:42:40,720 --> 00:42:42,640 READY, LADIES? 718 00:42:42,720 --> 00:42:44,840 [ In Unison ] YES! 719 00:42:46,800 --> 00:42:49,400 FIVE, SIX-- FIVE, SIX, SEVEN, EIGHT! 720 00:42:49,480 --> 00:42:52,640 ♪♪ 721 00:42:54,360 --> 00:42:57,280 ♪ BA-DA-DA-DA, DA-DA-DA DA-DA-DA-DA ♪ 722 00:42:57,360 --> 00:43:00,560 ♪ BA-DA-DA-DA, DA-DA-DA DA-DA-DA-DA ♪ 723 00:43:00,680 --> 00:43:03,440 - ♪ PEOPLE MOVIN’ OUT PEOPLE MOVIN’ IN ♪ - ♪ WHY ♪ 724 00:43:03,520 --> 00:43:06,240 ♪ BECAUSE OF THE COLOR OF THE SKIN ♪ 725 00:43:06,320 --> 00:43:09,040 ♪ RUN, RUN, RUN BUT YOU SURE CAN’T HIDE ♪ 726 00:43:09,120 --> 00:43:10,840 ♪ BA-DA-DA-DA, DA-DA-DA DA-DA-DA-DA ♪ 727 00:43:10,920 --> 00:43:13,360 ♪ AN EYE FOR AN EYE A TOOTH FOR A TOOTH ♪ 728 00:43:13,440 --> 00:43:16,160 ♪ VOTE FOR ME AND I’LL SET YOU FREE ♪ 729 00:43:16,240 --> 00:43:20,800 ♪ RAP ON, SISTERS RAP ON ♪ 730 00:43:20,880 --> 00:43:25,840 ♪ WELL, THE ONLY PERSON TALKIN’ ABOUT LOVE THY BROTHER IS A PREACHER ♪ 731 00:43:25,920 --> 00:43:32,120 ♪ AND IT SEEMS NOBODY’S INTERESTED IN LEARNIN’ BUT THE TEACHER ♪ 732 00:43:32,200 --> 00:43:35,560 ♪ SEGREGATION, DETERMINATION DEMONSTRATION, INTEGRATION AGGRAVATION ♪ 733 00:43:35,640 --> 00:43:37,680 ♪ HUMILIATION, OBLIGATION TO OUR NATION ♪ 734 00:43:37,800 --> 00:43:39,880 ♪ BALL OF CONFUSION ♪ 735 00:43:39,960 --> 00:43:43,320 ♪ OH, YEAH, YEAH ♪ 736 00:43:43,400 --> 00:43:46,120 ♪ THAT’S WHAT THE WORLD IS TODAY, OOH, HEY, HEY ♪ 737 00:43:46,200 --> 00:43:48,720 ♪ LET ME HEAR IT LET ME HEAR IT, SAY IT ♪ 738 00:43:48,800 --> 00:43:51,280 - ♪ THE SALE OF PILLS ARE AT AN ALL-TIME HIGH ♪ - ♪ SAY IT ♪ 739 00:43:51,360 --> 00:43:54,040 -♪ YOUNG FOLKS WALKIN’ AROUND WITH THEIR HEADS IN THE SKY ♪ -♪ OH, SAY IT ♪ 740 00:43:54,120 --> 00:43:56,160 ♪ CITIES AFLAME IN THE SUMMERTIME ♪ 741 00:43:56,240 --> 00:43:59,480 ♪ AND OH, THE BEAT GOES ON ♪ 742 00:43:59,560 --> 00:44:01,960 ♪ EVOLUTION, REVOLUTION, GUN CONTROL, THE SOUND OF SOUL ♪ 743 00:44:02,040 --> 00:44:04,400 - ♪ SHOOTIN’ ROCKETS TO THE MOON ♪ - ♪ KIDS GROWIN’ UP TOO SOON ♪ 744 00:44:04,480 --> 00:44:09,560 ♪ GLORIA, AROUND AND AROUND AND AROUND WE GO ♪ 745 00:44:09,640 --> 00:44:12,400 ♪ GLORIA ♪ 746 00:44:12,480 --> 00:44:14,800 ♪ WHERE THE WORLD’S HEADED NOBODY KNOWS ♪ 747 00:44:14,920 --> 00:44:17,000 ♪ HALLELUJAH ♪ 748 00:44:17,080 --> 00:44:20,400 PLAY IT, ALMA. GO AHEAD, GIRL! 749 00:44:20,480 --> 00:44:22,640 ♪ GREAT GOOGA MOOGA, CAN’T YA HEAR ME TALKIN’ TO YA ♪ 750 00:44:22,720 --> 00:44:25,720 - ♪ JUST A BALL OF CONFUSION ♪ - ♪ OH, YEAH ♪ 751 00:44:25,800 --> 00:44:28,920 - ♪ THAT’S WHAT THE WORLD IS TODAY ♪ - ♪ OY, VEY ♪ 752 00:44:30,760 --> 00:44:33,360 OOH! THAT WAS BOO! 753 00:44:33,440 --> 00:44:36,240 SO, WHAT DID YOU GUYS THINK? 754 00:44:36,320 --> 00:44:39,920 WELL, IT WAS OKAY. WHAT DO YOU MEAN, "IT WAS OKAY"? 755 00:44:40,000 --> 00:44:43,480 WHAT ABOUT YOU? IT WAS COOL FOR WHAT IT WAS, BUT IT WASN’T ALL THAT. 756 00:44:43,560 --> 00:44:48,120 LOOK WHO WAS SINGIN’. YO, WORD UP, AND TO WHO? NUNS SINGIN’ TO OLD BIDDIES? 757 00:44:48,200 --> 00:44:50,520 THERE WAS TWO GUYS IN THE FOURTH ROW THAT DIDN’T EVEN APPLAUD. 758 00:44:50,600 --> 00:44:53,200 THEY WAS DEAD, STUPID. 759 00:44:53,280 --> 00:44:56,160 LOOK, SIS, I THINK WE SHOULD JUST 86 THIS CHOIR THING. 760 00:44:56,240 --> 00:44:58,480 SOME OF US ACTUALLY GOT REPS TO THINK ABOUT. 761 00:44:58,560 --> 00:45:01,800 YO, WORD UP, IF WE START WEARIN’ ROBES AND SINGING’ HYMNS, 762 00:45:01,880 --> 00:45:04,520 MY HOMEBOYS ARE GONNA THINK WE’RE A BUNCH OF PUNKS, RIGHT? 763 00:45:04,640 --> 00:45:06,880 THAT’S NOT REALLY TRUE. ’CAUSE IN NIGERIA... 764 00:45:06,960 --> 00:45:10,200 SINGIN’ AND WEARIN’ CEREMONIAL ROBES IS A MARK OF HONOR. 765 00:45:10,280 --> 00:45:12,520 SPARE US ROOTS, MAN! ALL I’M SAYIN’ IS, 766 00:45:12,600 --> 00:45:15,160 CAN’T WE SING SOMETHIN’ THAT AIN’T GONNA GET THE CRAP KICKED OUT OF US? 767 00:45:15,240 --> 00:45:17,560 I UNDERSTAND YOU GOTTA THINK ABOUT YOUR IMAGE. 768 00:45:17,640 --> 00:45:19,760 IMAGE IS VERY IMPORTANT TO EVERYBODY. 769 00:45:19,840 --> 00:45:22,720 BECAUSE, OF COURSE, YOUR FRIENDS ARE GONNA DICTATE YOUR ACTIONS... 770 00:45:22,800 --> 00:45:27,400 THROUGH YOUR LIFE, SO, HEY, I WOULDN’T WANT YOU TO STEP AWAY FROM THEM AND BE AN INDIVIDUAL. 771 00:45:27,480 --> 00:45:30,440 THAT WOULD ALMOST BE TOO MUCH. 772 00:45:30,520 --> 00:45:34,280 BUT I WILL SAY THIS TO YOU, WHEN THESE LADIES GET ON THE BUS, 773 00:45:34,360 --> 00:45:37,000 DO NOT DISRESPECT THEM, DO NOT EMBARRASS ME, 774 00:45:37,080 --> 00:45:42,040 ’CAUSE IT AIN’T EASY TO GET UP AND SING IN FRONT OF PEOPLE LIKE YOURSELVES. 775 00:45:42,120 --> 00:45:44,640 [ Boy ] NICE JOB, LADIES. 776 00:45:44,720 --> 00:45:47,080 [ Girl ] GOOD JOB. 777 00:45:54,840 --> 00:45:58,840 [ Trash Cans Clattering ] 778 00:46:02,360 --> 00:46:05,240 [ Mary Patrick ] VERY GOOD. HE’S FUNNY. UH-OH! 779 00:46:05,320 --> 00:46:08,320 I SMELL TROUBLE. CHECK IT OUT. [ Deloris ] THINK SO? 780 00:46:08,400 --> 00:46:11,440 HEY, FATHER THOMAS, WHAT’S HAPPENIN’? 781 00:46:11,520 --> 00:46:14,400 WELL, WHAT’S HAPPENIN’ IS, I’VE BEEN SENT TO GIVE YOU A MESSAGE... 782 00:46:14,480 --> 00:46:18,960 LIKE I’M WORKING FOR WESTERN UNION INSTEAD OF THE ROMAN CATHOLIC CHURCH. 783 00:46:19,040 --> 00:46:21,200 DON’T TELL ME YOU HAVE TO SING IT. 784 00:46:21,280 --> 00:46:25,560 OH, THAT’S VERY FUNNY. I’M SURE YOU STILL WON’T BE AS HUMOROUS... 785 00:46:25,680 --> 00:46:29,720 AFTER YOU TALK TO FATHER MAURICE WHO WANTS TO SEE YOU RIGHT NOW! 786 00:46:29,800 --> 00:46:34,480 SISTER, DURING SCHOOL HOURS, WE ARE RESPONSIBLE FOR THE CHILDREN. 787 00:46:34,560 --> 00:46:37,200 THEY CAN’T GO ON A FIELD TRIP WITHOUT PARENTAL CONSENT. 788 00:46:37,280 --> 00:46:40,920 OKAY, I’LL BUY THAT. I MADE A MISTAKE. 789 00:46:41,000 --> 00:46:45,040 I’M SORRY. IT WILL NEVER HAPPEN AGAIN. INDEED IT WON’T. 790 00:46:45,120 --> 00:46:49,800 BECAUSE FROM RIGHT NOW, AUTHORIZED OR UNAUTHORIZED FIELD TRIPS ARE CANCELED. 791 00:46:49,880 --> 00:46:52,280 BUT WHY? 792 00:46:52,360 --> 00:46:57,000 SISTER, IN A VERY, VERY SHORT TIME, ST. FRANCIS WILL CLOSE FOR GOOD. 793 00:46:57,080 --> 00:47:00,880 I’D LIKE THAT TIME TO BE SAFE AND PLEASANT FOR EVERYONE CONCERNED. 794 00:47:00,960 --> 00:47:03,760 DO I MAKE MYSELF CLEAR? 795 00:47:03,840 --> 00:47:07,320 YES, ABUNDANTLY. 796 00:47:07,400 --> 00:47:09,240 THANK YOU. 797 00:47:12,120 --> 00:47:14,880 YOU HEARD HIM SAY THAT? JUST NOW? 798 00:47:14,960 --> 00:47:17,600 - JUST A SECOND AGO. - ST. FRANCIS CAN’T BE CLOSIN’. 799 00:47:17,680 --> 00:47:21,840 MY FAMILY DROPPED OUT OF HIGH SCHOOL LIKE SUCKERS, MAN. I REFUSE TO GO OUT LIKE THAT. 800 00:47:21,920 --> 00:47:27,000 WE COULD TAKE ’EM HIGHER WITH THE CHOIR, SO TO SPEAK. IT COULD BE DOPE. 801 00:47:27,080 --> 00:47:31,280 WE NEED TO EXHIBIT SOME PRIDE IN OURSELVES, LIKE PAUL LAWRENCE DUNBAR DID, RIGHT? 802 00:47:31,360 --> 00:47:34,440 YEAH, YEAH, IT AIN’T ALL THAT. OH, OKAY. 803 00:47:34,520 --> 00:47:36,840 OKAY, SEE? THAT’S WHAT I’M TALKIN’ ABOUT. 804 00:47:36,960 --> 00:47:38,840 [ Ahmal ] THAT’S WHAT’S WRONG WITH Y’ALL YOUNG KIDS TODAY. 805 00:47:38,960 --> 00:47:42,520 Y’ALL DON’T WANNA LISTEN. Y’ALL GO AHEAD AND WALK AWAY. 806 00:47:42,600 --> 00:47:45,560 Y’ALL SUPPOSED TO BE MY BROTHERS AND SISTERS, MAN. 807 00:47:45,640 --> 00:47:47,280 DON’T Y’ALL REALIZE HOW MUCH THEY TOOK FROM US? 808 00:47:47,360 --> 00:47:49,840 SKETCH, YOU KNOW WHAT I’M TALKING ABOUT, RIGHT? 809 00:47:49,920 --> 00:47:53,480 THEY STOLE OUR LAND, MAN, AND OUR NAME AND OUR MOTHER, MAN. 810 00:47:53,600 --> 00:47:56,600 YO, MR. JOHNSON, YOU KNOW WHAT I’M SAYING, RIGHT? GET YOUR BUTT A JOB, BOY. 811 00:47:56,680 --> 00:47:58,480 I DON’T BELIEVE THIS. BROTHER TRY TO WEAR THE CLOTHES, 812 00:47:58,560 --> 00:48:01,520 TRY TO WALK THE WALK AND CAN’T UNDERSTAND THE TALK. GET OUTTA HERE. 813 00:48:01,600 --> 00:48:04,040 [ Ahmal ] I KNOW YOU UNDERSTAND ME, COME ON. 814 00:48:04,120 --> 00:48:08,000 THIS USED TO BE THE OLD MUSIC ROOM. 815 00:48:08,080 --> 00:48:11,720 THE ACOUSTICS IN THIS ROOM ARE INCREDIBLE. YOU CAN’T BUY THEM. 816 00:48:11,800 --> 00:48:17,120 OH, LOOK. IT’S LIKE A MONSTER’S CRYPT. 817 00:48:17,200 --> 00:48:21,360 OH, GOD, THIS IS GROSS. OH, NO, THIS IS WACK. THIS IS WACK. 818 00:48:21,440 --> 00:48:24,680 COME ON, YOU GUYS. I’D HATE TO SEE THOSE SPIDERS GET INTO THOSE WEAVES... 819 00:48:24,800 --> 00:48:26,200 I KNOW SOME OF YOU ARE WEARING; I CAN TELL. 820 00:48:26,280 --> 00:48:28,400 [ Chattering, Shouting ] 821 00:48:33,760 --> 00:48:36,840 NOW, DOES ANYBODY PLAY AN INSTRUMENT? 822 00:48:36,920 --> 00:48:40,040 I CAN PLAY... PIANO. COME HERE. 823 00:48:40,120 --> 00:48:43,080 HE CAN PLAY THAT? 824 00:48:43,160 --> 00:48:47,280 IT STILL HAS SOME SOUND IN IT. GIVE ME AN "A" ON THIS. SEE IF IT WORKS. 825 00:48:47,360 --> 00:48:52,440 ♪ [ Hits Note ] SEE? VERY NICE. VERY NICE. 826 00:48:52,520 --> 00:48:56,760 OKAY, LET’S SEE. SKETCH. "MARY HAD A LITTLE LAMB." 827 00:48:56,840 --> 00:49:01,040 [ Laughing ] GO AHEAD, SKETCH. I DON’T SING; I RAP. 828 00:49:01,120 --> 00:49:04,600 YEAH, THAT’S RIGHT. I RAP TOO. BUT YOU WOULDN’T KNOW ANYTHING ABOUT THAT NOW, WOULD YOU? 829 00:49:04,680 --> 00:49:08,480 OH, WELL, EXCUSE ME, FRAN-KAY, HEY-HO. 830 00:49:08,560 --> 00:49:11,480 I HAPPEN TO BE A BIG FAN OF RUN D.N.A. 831 00:49:11,560 --> 00:49:13,680 RUN D.M.C., MY SISTER. RUN D.M.C. 832 00:49:13,760 --> 00:49:17,200 HE GOT IT. IT WAS A JOKE. WILL YOU LIGHTEN UP? LOOK. 833 00:49:17,280 --> 00:49:20,720 I LIKE BIG DADDY KANE, OKAY? WILL YOU JUST RAP FOR ME, PLEASE? 834 00:49:20,800 --> 00:49:24,120 YOU WANNA HEAR "MARY HAD A LITTLE LAMB," RIGHT? YEAH. 835 00:49:24,200 --> 00:49:26,200 CHECK IT. [ Rapping ] ♪ MARY HAD A LITTLE LAMB ♪ ♪ FEET WAS WHITE AS SNOW ♪ 836 00:49:26,320 --> 00:49:28,040 HER FLEECE. HOLD ON. OH, OKAY. 837 00:49:28,120 --> 00:49:30,360 ♪ MARY HAD A LITTLE LAMB ♪ ♪ FLEECE WAS WHITE AS SNOW ♪ 838 00:49:30,440 --> 00:49:32,480 ♪ YO, AND EVERYWHERE THAT MARY WENT ♪ ♪ HER LAMB WAS SURE TO GO ♪ 839 00:49:32,560 --> 00:49:35,440 ♪ BOO, YEAH, BOO, YEAH ♪ ♪ BOO, YEAH ♪ 840 00:49:35,520 --> 00:49:39,480 NOT BAD. SO, WE’LL GO ON. AHMAL, SING FOR ME. 841 00:49:39,560 --> 00:49:44,560 [ Clears Throat ] ♪ MARY HAD A LITTLE LAMB ♪ 842 00:49:44,640 --> 00:49:47,480 [ Voice Breaks ] ♪ LAMB ♪ YEAH! OOOH! 843 00:49:47,560 --> 00:49:51,000 A LITTLE TENTATIVE, BUT HEY, WE CAN WORK ON THAT. THAT WAS VERY NICE. 844 00:49:51,080 --> 00:49:53,920 WELL, YOU KNOW, SHAKA ZULU SAID WORD SOUNDS HAD POWER. 845 00:49:54,000 --> 00:49:57,600 YEAH, WELL, CHAKA KHAN SAID, "IT’S MY THING." SO WHAT? 846 00:49:57,720 --> 00:49:59,720 TANYA, LET’S HEAR IT. "MARY HAD A LITTLE LAMB." 847 00:50:01,280 --> 00:50:04,720 ♪ MARY HAD A LITTLE LAMB ♪ 848 00:50:04,800 --> 00:50:07,680 [ Cheering ] THAT WAS BEAUTIFUL. 849 00:50:07,760 --> 00:50:12,160 GO AHEAD, GIRL. YOU JUST SAVED THAT LAMB’S LIFE. NO LAMB CHOPS TONIGHT, HUH? 850 00:50:12,240 --> 00:50:14,280 [ Laughing ] VERY NICE. 851 00:50:14,360 --> 00:50:19,680 WHAT DO YOU SAY WE TRY IT, JUST FOR FUN, AS A GROUP? HUH? YOU UP FOR THAT? 852 00:50:22,680 --> 00:50:26,200 ON THREE. GIVE ME AN "A." ♪ [ Hits Note ] 853 00:50:26,280 --> 00:50:28,080 HE’S SO MULTITALENTED, ISN’T HE? 854 00:50:28,160 --> 00:50:30,720 THAT WAS VERY NICE THE WAY YOU DID THAT. THANKS. 855 00:50:30,800 --> 00:50:34,240 ALL RIGHT. ON THREE. ONE, TWO, THREE. 856 00:50:34,320 --> 00:50:38,320 [ Off-key ] ♪ MARY HAD A LITTLE LAMB ♪ 857 00:50:38,400 --> 00:50:41,280 OKAY, OKAY, OKAY, OKAY. 858 00:50:41,360 --> 00:50:45,920 MAYBE I WENT A LITTLE TOO FAST FOR YOU, OKAY? WE’LL GO BACK AND TAKE IT NICE AND SLOW. 859 00:50:46,000 --> 00:50:49,360 UH, MARIA, LET ME HEAR "MARY HAD A LITTLE LAMB." 860 00:50:51,360 --> 00:50:54,480 WHAT’S THE MATTER? [ Boy ] YEAH, WHAT’S UP? 861 00:50:54,560 --> 00:50:57,280 SHE’S SHY. WHAT? 862 00:50:57,360 --> 00:51:00,400 I DON’T KNOW "MARY HAD A LITTLE LAMB." 863 00:51:00,480 --> 00:51:02,920 [ Laughing, Shouting ] OH, NO! 864 00:51:03,040 --> 00:51:08,200 HEY, HEY, HEY, HEY! HEY! EXCUSE ME! IT’S NOT FUNNY. 865 00:51:08,280 --> 00:51:11,240 IT IS NOT MARIA’S FAULT... 866 00:51:11,320 --> 00:51:14,920 IF SHE DOES NOT KNOW THAT MARY HAD A LAMB. 867 00:51:15,000 --> 00:51:19,680 IT IS NOT-- AND I SAY THIS TO YOU, IT IS NOT MARIA’S FAULT... 868 00:51:19,760 --> 00:51:23,800 [ Laughter ] BECAUSE MAYBE, MAYBE WHERE MARIA CAME FROM, 869 00:51:23,880 --> 00:51:26,960 MARY HAD A DOG... OR A LITTLE KITTY CAT. 870 00:51:27,040 --> 00:51:30,040 OR A LITTLE BALDHEADED BROTHER NAMED BART. 871 00:51:30,120 --> 00:51:33,000 [ Laughter Continues ] IT IS NOT HER FAULT THAT SHE DOESN’T KNOW IT, 872 00:51:33,080 --> 00:51:35,400 AND WE’RE NOT GONNA HOLD THAT AGAINST HER, ARE WE? NO! 873 00:51:35,480 --> 00:51:39,880 NO, WE ARE NOT. YOU SING WHATEVER IT IS THAT IS IN YOU TO SING. 874 00:51:39,960 --> 00:51:41,760 ALL RIGHT. ALL RIGHT. 875 00:51:41,840 --> 00:51:45,280 THANK YOU. OKAY. [ Clears Throat ] 876 00:51:47,240 --> 00:51:50,560 ♪ THE LOVE BOAT ♪ [ Jeering ] 877 00:51:50,640 --> 00:51:55,040 ♪ SOON WILL BE MAKING ANOTHER RUN ♪ ALL ABOARD. 878 00:51:55,120 --> 00:51:57,800 OKAY. OKAY, STOP. ♪ THE LOVE BOAT-- ♪ 879 00:51:57,880 --> 00:52:00,240 "THE LOVE BOAT." ALL RIGHT. ALL RIGHT, THAT’S NICE. 880 00:52:00,320 --> 00:52:02,920 THAT’S-- MARY LAZARUS, THIS IS YOUR SOUL MATE. 881 00:52:03,000 --> 00:52:07,240 DO YOU KNOW THE THEME SONG FROM "GILLIGAN’S ISLAND" TOO? IT’S ONE OF MY FAVORITES. 882 00:52:07,320 --> 00:52:11,200 LISTEN, YOU GUYS. THIS IS NOT ABOUT WHETHER YOU CAN SING OR NOT. 883 00:52:11,280 --> 00:52:14,080 WE KNOW YOU CAN SING. WE’VE HEARD YOU DO IT. 884 00:52:14,160 --> 00:52:19,480 THIS IS ABOUT SINGING TOGETHER AS A GROUP. 885 00:52:19,560 --> 00:52:21,680 HIT IT. ♪ [ Hits Note ] 886 00:52:21,760 --> 00:52:26,200 ALL RIGHT. ON THREE. ONE, TWO-- 887 00:52:26,280 --> 00:52:30,520 ♪ [ Piano ] 888 00:52:30,600 --> 00:52:35,600 ♪♪ 889 00:52:35,680 --> 00:52:41,280 [ Tanya Singing ] ♪ WHEN JESUS IS ♪ 890 00:52:41,360 --> 00:52:46,080 ♪ MY PORTION ♪ 891 00:52:46,160 --> 00:52:51,240 ♪ A CONSTANT FRIEND ♪ 892 00:52:51,320 --> 00:52:56,440 ♪ IS HE ♪ 893 00:52:56,520 --> 00:53:00,120 ♪ HIS EYE ♪ 894 00:53:00,240 --> 00:53:04,960 ♪ IS ON THE SPARROW-- ♪ 895 00:53:05,040 --> 00:53:09,520 HMM. I MESS UP THAT PART EVERY TIME. 896 00:53:09,600 --> 00:53:13,520 ♪ THE SPARROW ♪ 897 00:53:18,200 --> 00:53:22,040 WHAT’S THE MATTER, RITA? THAT WAS BEAUTIFUL. 898 00:53:22,120 --> 00:53:24,360 HEY, DON’T EVEN TRY, GIRL, ’CAUSE YOU CAN BLOW TOO. 899 00:53:24,440 --> 00:53:28,040 YEAH, BUT YOU GOT THAT TYPE OF VOICE, YOU COULD REALLY MAKE IT. 900 00:53:28,120 --> 00:53:30,640 UH-UH. THIS IS FOR CHURCH. 901 00:53:33,720 --> 00:53:36,640 WHAT’S WRONG WITH YOU, GIRL? 902 00:53:36,720 --> 00:53:39,400 I DON’T KNOW. I JUST BEEN THINKING ABOUT THINGS. 903 00:53:39,480 --> 00:53:43,400 MY MOTHER THINKS SINGING IS A DEAD END. 904 00:53:43,480 --> 00:53:45,960 NO SECURITY. AND THAT’S COOL, RITA. 905 00:53:46,040 --> 00:53:48,760 BUT WHAT DO YOU THINK? 906 00:53:51,360 --> 00:53:55,840 I DON’T KNOW. LOOK, LET’S DO THE SONG I WAS DOING... 907 00:53:55,960 --> 00:53:59,760 BUT THIS TIME LET’S DO IT TOGETHER. I CAN’T SING WITH YOU, GIRL. 908 00:53:59,880 --> 00:54:04,040 COME ON. I KNOW YOU’RE WITH IT. 909 00:54:04,120 --> 00:54:08,000 [ Laughs ] YOU TAKE THE TOP, AND I’LL TAKE THE BOTTOM. 910 00:54:08,080 --> 00:54:10,320 [ Sighs ] 911 00:54:10,400 --> 00:54:13,880 JUST TRY IT. OKAY. 912 00:54:13,960 --> 00:54:16,280 ♪ [ Piano ] 913 00:54:16,400 --> 00:54:19,880 ♪ I SING ♪ 914 00:54:19,960 --> 00:54:26,440 [ Together ] ♪ BECAUSE I’M HAPPY ♪ 915 00:54:26,520 --> 00:54:29,240 ♪ AND I SING ♪ 916 00:54:29,320 --> 00:54:34,640 ♪ BECAUSE I’M FREE ♪ 917 00:54:36,400 --> 00:54:40,160 ♪ HIS EYE ♪ 918 00:54:40,240 --> 00:54:45,800 ♪ IS ON THE SPARROW ♪ 919 00:54:47,480 --> 00:54:50,360 PLEASE DON’T STOP. 920 00:54:50,440 --> 00:54:54,040 I’LL SEE YOU LATER, RITA. [ Sighs ] OKAY. 921 00:54:55,760 --> 00:54:58,680 YOU HAVE A BEAUTIFUL VOICE. 922 00:55:00,520 --> 00:55:03,000 SO WHAT? 923 00:55:03,080 --> 00:55:05,640 SO? 924 00:55:08,320 --> 00:55:12,800 SO WHY AREN’T YOU IN THE CHOIR? I KNOW YOU WANT TO BE. 925 00:55:12,880 --> 00:55:17,160 YEAH, WELL, THERE ARE A LOT OF THINGS I WANNA DO, BUT I AIN’T GONNA GET TO DO ’EM. SO-- 926 00:55:17,240 --> 00:55:21,280 YEAH, I KNOW. I-I USED TO FEEL THAT WAY TOO. 927 00:55:21,360 --> 00:55:26,200 YOU KNOW, YOU SHOULD TALK TO SISTER MARY CLARENCE. SHE HELPED ME SO MUCH. 928 00:55:26,280 --> 00:55:29,520 UM, RITA... 929 00:55:29,600 --> 00:55:32,800 YOU’RE JUST BARELY 17. 930 00:55:32,880 --> 00:55:36,880 NOW, HOW DO YOU KNOW WHAT YOU’RE GONNA GET TO DO AND NOT DO? 931 00:55:36,960 --> 00:55:40,160 HAVE YOU WALKED AROUND THIS NEIGHBORHOOD LATELY? 932 00:55:40,240 --> 00:55:43,600 I’M NOT EXACTLY LIVING IN THE LAND OF OPPORTUNITY. 933 00:55:43,680 --> 00:55:48,320 I MIGHT WANT TO SING. BUT IT AIN’T GONNA HAPPEN, SO WHAT’S THE POINT? 934 00:55:48,400 --> 00:55:53,200 WELCOME TO THE REAL WORLD, SISTER. RITA. 935 00:55:53,280 --> 00:55:56,680 RIT-- RITA! 936 00:55:56,760 --> 00:55:59,920 RITA! WHAT’S THE MATTER? 937 00:56:00,000 --> 00:56:04,000 THIS CHICK’S GOT A LOT OF ATTITUDE. NO. NO. 938 00:56:04,080 --> 00:56:06,360 NO, I THINK IT’S DEEPER THAN THAT. 939 00:56:06,440 --> 00:56:08,800 SI-- DELOR-- SISTER MARY CLARENCE, 940 00:56:08,880 --> 00:56:11,760 I THINK THAT SHE NEEDS HELP. 941 00:56:11,840 --> 00:56:13,880 WELL, WHY ARE YOU LOOKING AT ME? WELL, OKAY. 942 00:56:13,960 --> 00:56:17,760 I THOUGHT THAT MAYBE YOU COULD HELP HER. 943 00:56:17,840 --> 00:56:21,560 YOU KNOW, KIND OF THE WAY YOU HELPED ME? NO, NO, YOU WERE DIFFERENT. 944 00:56:21,640 --> 00:56:25,760 LOOK. SHE REALLY, REALLY WANTS TO SING. 945 00:56:27,720 --> 00:56:30,360 IS SHE ANY GOOD? 946 00:56:30,440 --> 00:56:32,480 YES. 947 00:56:35,440 --> 00:56:38,480 MMM. GOD BLESS YOU, SISTER MARY CLARENCE. 948 00:56:38,560 --> 00:56:43,080 ALL RIGHT, ALL RIGHT. CHAPEL TIME. GET IN THERE. 949 00:56:48,320 --> 00:56:51,800 AH, RITA... HEY. WHAT? 950 00:56:51,880 --> 00:56:56,200 LISTEN. YOU HAVE JUST A LITTLE BIT MORE ATTITUDE THAN I LIKE, 951 00:56:56,280 --> 00:56:59,800 BUT I’VE DECIDED I’M GONNA DOG YOU NO MATTER WHAT. 952 00:56:59,880 --> 00:57:01,800 OKAY? OKAY. I’M LISTENING TO YOU. GO AHEAD. 953 00:57:01,880 --> 00:57:04,040 I KNOW YOU WANT TO SING. 954 00:57:04,120 --> 00:57:07,120 I LOVE TO SING. NOTHING MAKES ME HAPPIER. 955 00:57:07,200 --> 00:57:10,160 I EITHER WANTED TO BE A SINGER OR THE HEAD OF THE ICE CAPADES. 956 00:57:10,280 --> 00:57:12,680 HEY, DO YOU KNOW WHAT THE ICE CAPADES ARE? 957 00:57:12,760 --> 00:57:15,000 DON’T ROLL YOUR EYES. THEY WERE VERY COOL. 958 00:57:15,120 --> 00:57:18,000 I WENT TO MY MOTHER WHO GAVE ME THIS BOOK CALLED... 959 00:57:18,120 --> 00:57:21,600 "LETTERS TO A YOUNG POET" BY RAINER MARIA RILKE. 960 00:57:21,680 --> 00:57:24,800 HE’S A FABULOUS WRITER. A FELLOW USED TO WRITE TO HIM AND SAY, 961 00:57:24,880 --> 00:57:28,000 "I WANT TO BE A WRITER. PLEASE READ MY STUFF." 962 00:57:28,080 --> 00:57:33,600 AND RILKE SAYS TO THIS GUY, "DON’T ASK ME ABOUT BEING A WRITER. 963 00:57:33,720 --> 00:57:37,640 "IF, WHEN YOU WAKE UP IN THE MORNING, YOU CAN THINK OF NOTHING BUT WRITING... 964 00:57:37,720 --> 00:57:40,120 THEN YOU’RE A WRITER." 965 00:57:40,200 --> 00:57:42,760 I’M GONNA SAY THE SAME THING TO YOU. 966 00:57:42,840 --> 00:57:47,760 IF YOU WAKE UP IN THE MORNING AND YOU CAN’T THINK OF ANYTHING BUT SINGIN’ FIRST, 967 00:57:47,840 --> 00:57:50,080 THEN YOU’RE SUPPOSED TO BE A SINGER, GIRL. 968 00:57:52,880 --> 00:57:55,400 WHAT’S THE POINT OF YOUR STORY, SISTER? WHAT’S THE POINT? 969 00:57:55,480 --> 00:57:58,000 READ THE BOOK. 970 00:58:01,840 --> 00:58:05,000 AND DON’T ROLL YOUR EYES ABOUT THE ICE CAPADES. IT WAS A VERY GOOD LIVING. 971 00:58:05,080 --> 00:58:08,200 I JUST WANT TO POINT THAT OUT. 972 00:58:08,280 --> 00:58:10,200 [ Sighs ] 973 00:58:10,280 --> 00:58:11,760 ♪ [ Piano ] 974 00:58:14,120 --> 00:58:15,560 ♪♪ 975 00:58:31,080 --> 00:58:35,760 [ Singing Scales ] ♪ LA LA LA LA LA LA LA LA LA ♪ 976 00:58:35,840 --> 00:58:39,560 THAT’S GOOD. [ Scales Continue ] ♪ LA LA LA LA LA LA LA LA LA ♪ 977 00:58:39,640 --> 00:58:41,640 LET’S TRY SOME ENERGY. HEY! 978 00:58:41,720 --> 00:58:45,560 [ Tempo Increases ] ♪ LA LA LA LA LA LA LA LA LA ♪ AND AS A GROUP. 979 00:58:45,640 --> 00:58:48,160 ♪ LA LA LA LA LA LA LA LA LA ♪ 980 00:58:48,240 --> 00:58:51,760 FROM THE DIAPHRAGM. ♪ LA LA LA LA LA LA LA LA LA ♪ 981 00:58:51,840 --> 00:58:54,240 WELCOME BACK. HEY! 982 00:58:54,320 --> 00:58:57,560 ♪ LA LA LA LA LA LA LA LA LA ♪ LET’S DO FRAN-KAY, HEY! 983 00:58:57,680 --> 00:59:01,280 ♪ LA LA LA LA LA LA LA LA LA ♪ HEY, HO, HEY! 984 00:59:01,360 --> 00:59:06,200 ♪ LA LA LA LA LA LA LA LA LA ♪ 985 00:59:06,280 --> 00:59:09,360 ♪ LA LA LA LA LA LA LA LA LA ♪ 986 00:59:09,440 --> 00:59:14,080 ♪ LA LA LA LA LA LA LA LA LA ♪ ♪ LA LA LA LA LA ♪ 987 00:59:14,160 --> 00:59:16,880 GO RIGHT DOWN THE SCALE. OKAY. 988 00:59:16,960 --> 00:59:19,680 ♪ LA-- ♪ OUCH. 989 00:59:19,760 --> 00:59:23,840 YES, GO ON. GO ON. ♪ LA LA LA LA ♪ 990 00:59:23,920 --> 00:59:27,400 ♪ LA LA LA LA LA LA LA LA LA ♪ 991 00:59:27,480 --> 00:59:31,520 ♪ LA LA LA LA LA LA LA LA LA ♪ ♪ LA LA LA LA LA ♪ 992 00:59:31,600 --> 00:59:34,280 ♪ LA LA LA LA LA ♪ 993 00:59:34,360 --> 00:59:37,040 [ Chattering ] 994 00:59:46,040 --> 00:59:49,280 [ Chattering Continues ] 995 00:59:56,960 --> 00:59:58,880 ♪ LA LA LA LA LA LA LA LA LA ♪ 996 00:59:58,960 --> 01:00:03,880 ♪ LA LA LA LA LA LA LA LA LA ♪ ♪ LA LA LA LA LA ♪ 997 01:00:03,960 --> 01:00:07,680 OKAY, YOU GOT IT? THIS IS SO CORNY. 998 01:00:17,240 --> 01:00:19,240 YOU ALWAYS TALKING ABOUT SHAKA ZULU. 999 01:00:19,320 --> 01:00:22,560 DO YOU THINK SHAKA ZULU COULD REPEL A BUNCH OF TROOPS... 1000 01:00:22,680 --> 01:00:25,440 WITH A LITTLE, TEENY-TINY VOICE LIKE YOU’RE USING? 1001 01:00:25,520 --> 01:00:29,280 HERE, GIVE ME "OH, HAPPY DAY" IN "C." 1002 01:00:29,360 --> 01:00:33,800 ♪ [ Piano ] YOU LISTEN TO WHAT I’M GONNA DO, OKAY? 1003 01:00:33,880 --> 01:00:36,400 THIS IS YOU. 1004 01:00:36,480 --> 01:00:38,560 [ Weak Voice ] ♪ OH, HAPPY DAY ♪ 1005 01:00:38,640 --> 01:00:40,720 THAT AIN’T GONNA SCARE NOBODY, SHAKA. 1006 01:00:40,800 --> 01:00:43,200 [ Powerful Voice ] ♪ OH, HAPPY DAY ♪ 1007 01:00:43,280 --> 01:00:45,040 THAT’S WHAT I WANT YOU TO DO, OKAY? 1008 01:00:45,120 --> 01:00:47,840 TAKE IT UP A HALF A STEP FOR ME. 1009 01:00:47,920 --> 01:00:53,600 ♪ [ Piano Continues ] ALL RIGHT, REPEL ME. 1010 01:00:53,680 --> 01:00:58,240 [ Clears Throat ] ♪ OH, HAPPY DAY ♪ THAT AIN’T GONNA SCARE NOBODY. 1011 01:00:58,320 --> 01:01:02,040 [ Powerful Voice ] ♪ OH, HAPPY DAY ♪ SEE, NOW YOU GOT IT. 1012 01:01:02,120 --> 01:01:06,440 ♪ LA LA LA LA LA ♪ ♪ LA LA LA LA LA ♪ 1013 01:01:06,560 --> 01:01:11,000 ♪ LA LA LA LA LA LA LA ♪ ♪ LA LA LA LA LA LA LA ♪ 1014 01:01:11,080 --> 01:01:13,040 - ♪ LA LA LA LA LA ♪ - ♪ LA LA LA LA LA ♪ 1015 01:01:13,120 --> 01:01:15,200 - ♪ LA LA LA LA LA ♪ - ♪ LA LA LA LA LA ♪ 1016 01:01:15,280 --> 01:01:17,680 - ♪ LA, LA ♪ - ♪ LA, LA ♪ 1017 01:01:17,760 --> 01:01:20,400 - ♪ LA LA LA, LA LA ♪ - ♪ LA LA LA, LA LA ♪ [ Cheering ] 1018 01:01:20,480 --> 01:01:23,560 ♪ [ Piano ] 1019 01:01:23,640 --> 01:01:26,400 ♪♪ 1020 01:01:26,480 --> 01:01:31,800 OKAY, YOU GUYS, RELAX. OKAY? TAKE A DEEP BREATH. 1021 01:01:31,920 --> 01:01:35,520 YOU’LL BE FINE. DON’T WORRY. 1022 01:01:35,600 --> 01:01:37,480 YOU READY? 1023 01:01:37,560 --> 01:01:41,480 ♪ OH, HAPPY DAY ♪ ♪ OH, HAPPY DAY ♪ 1024 01:01:41,560 --> 01:01:45,160 ♪ OH, HAPPY DAY ♪ COME HERE. COME HERE AND STAND OVER HERE. 1025 01:01:45,240 --> 01:01:49,000 ♪ OH, HAPPY DAY ♪ ♪ WHEN JESUS WASHED ♪ 1026 01:01:49,080 --> 01:01:53,560 ♪ WHEN JESUS WASHED ♪ ♪ WHEN JESUS WASHED ♪ 1027 01:01:53,640 --> 01:01:56,160 ♪ WHEN JESUS WASHED ♪ 1028 01:01:56,240 --> 01:01:59,280 ♪ JESUS WASHED ♪ ♪ WHEN JESUS WASHED ♪ 1029 01:01:59,360 --> 01:02:02,960 ♪ WASHED MY SINS AWAY ♪ Y’ALL ARE GONNA HAVE TO DO BETTER THAN THIS. 1030 01:02:03,040 --> 01:02:07,520 ♪ OH, HAPPY DAY OH, HAPPY DAY ♪ ♪ OH, HAPPY DAY ♪ 1031 01:02:07,600 --> 01:02:10,080 ALL RIGHT, YOU GUYS, TAKE YOUR CUE FROM ME. 1032 01:02:10,160 --> 01:02:14,320 ♪ LA LA LA LA LA LA LA LA LA ♪ ♪ LA LA LA LA LA LA LA LA LA ♪ 1033 01:02:14,400 --> 01:02:18,680 - ♪ LA LA LA LA LA ♪ - ♪ LA LA LA LA LA ♪ 1034 01:02:18,800 --> 01:02:22,880 ♪ LA LA LA LA LA LA LA ♪ ♪ LA LA LA LA LA LA LA ♪ 1035 01:02:22,960 --> 01:02:26,440 ♪ LA LA LA LA LA ♪ SING IT. ♪ LA LA LA LA LA ♪ 1036 01:02:26,520 --> 01:02:30,640 ♪ OH, HAPPY DAY ♪ ♪ OH, HAPPY DAY ♪ 1037 01:02:30,720 --> 01:02:35,200 ♪ OH, HAPPY DAY ♪ ♪ OH, HAPPY DAY ♪ 1038 01:02:35,280 --> 01:02:39,400 ♪ WHEN JESUS WASHED ♪ ♪ WHEN JESUS WASHED ♪ 1039 01:02:39,480 --> 01:02:43,520 ♪ WHEN JESUS WASHED ♪ ♪ WHEN JESUS WASHED ♪ 1040 01:02:43,600 --> 01:02:48,520 ♪ WHEN MY JESUS WASHED ♪ ♪ WHEN JESUS WASHED ♪ 1041 01:02:48,600 --> 01:02:52,200 - ♪ HE WASHED MY SINS AWAY ♪ - ♪ LA LA LA LA LA LA LA ♪ 1042 01:02:52,280 --> 01:02:54,840 ♪ LA LA LA LA LA LA LA ♪ 1043 01:02:54,960 --> 01:02:57,160 ♪ LA LA LA LA LA ♪ LET’S PARTY. ♪ LA LA LA LA LA ♪ 1044 01:02:57,240 --> 01:03:00,560 ♪ HE TAUGHT ME HOW ♪ 1045 01:03:00,640 --> 01:03:03,080 ♪ OH, HE TAUGHT ME HOW ♪ 1046 01:03:03,160 --> 01:03:07,600 ♪ TO WASH ♪ ♪ TO WASH ♪ 1047 01:03:07,720 --> 01:03:10,560 ♪ TO FIGHT AND PRAY ♪ ♪ TO FIGHT AND PRAY ♪ 1048 01:03:10,640 --> 01:03:12,680 ♪ FIGHT AND PRAY ♪ 1049 01:03:12,760 --> 01:03:17,200 ♪ AND HE TAUGHT ME HOW TO LIVE REJOICING ♪ ♪ AND LIVE ♪ 1050 01:03:17,280 --> 01:03:19,680 ♪ REJOICING ♪ ♪ YES, HE DID ♪ 1051 01:03:19,760 --> 01:03:23,360 ♪ OH, YEAH ♪ ♪ EVERY ♪ 1052 01:03:23,440 --> 01:03:27,800 ♪ EVERY, EVERY DAY ♪ ♪ EVERY DAY ♪ 1053 01:03:27,880 --> 01:03:30,960 ♪ OH, YEAH ♪ ♪ EVERY DAY ♪ 1054 01:03:31,040 --> 01:03:35,440 ♪ OHH-OHH, HAPPY DAY ♪ 1055 01:03:35,520 --> 01:03:38,160 ♪ OH, HAPPY DAY ♪ 1056 01:03:38,240 --> 01:03:42,880 ♪ OH, HAPPY DAY, YEAH ♪ ♪ OH, HAPPY DAY ♪ 1057 01:03:42,960 --> 01:03:46,280 ♪ WHEN JESUS WASHED ♪ ♪ WHEN JESUS WASHED ♪ 1058 01:03:46,360 --> 01:03:51,040 ♪ WHEN JESUS WASHED ♪ ♪ WHEN JESUS WASHED ♪ 1059 01:03:51,120 --> 01:03:55,520 [ Hits High Note ] ♪ WHEN JESUS WASHED ♪ ♪ WHEN JESUS WASHED ♪ 1060 01:03:55,600 --> 01:04:00,760 ♪ MY SINS AWAY ♪ ♪ OH, HAPPY DAY ♪ 1061 01:04:00,840 --> 01:04:03,360 ♪ OH, I’M TALKING ABOUT HAPPY DAYS ♪ ♪ OH, HAPPY DAY ♪ 1062 01:04:03,440 --> 01:04:07,880 ♪ OH, YEAH, SING IT, SING IT SING IT, YEAH, YEAH ♪ ♪ OH, HAPPY DAY ♪ 1063 01:04:07,960 --> 01:04:13,640 - ♪ I’M TALKING ABOUT ♪ - ♪ OH, HAPPY DAY ♪ 1064 01:04:13,720 --> 01:04:17,920 [ Cheering ] 1065 01:04:20,440 --> 01:04:22,760 TAKE YOUR BOW. 1066 01:04:22,880 --> 01:04:25,760 GO ON, TAKE YOUR BOW. 1067 01:04:25,880 --> 01:04:27,480 ALL RIGHT! 1068 01:04:27,560 --> 01:04:30,280 [ Cheering, Applause Continue ] 1069 01:04:37,120 --> 01:04:39,280 LADIES AND GENTLEMEN... 1070 01:04:39,360 --> 01:04:42,640 I BELIEVE WE ARE NOW A CHOIR. 1071 01:04:47,320 --> 01:04:49,680 ♪ [ Whistling ] 1072 01:04:49,760 --> 01:04:52,720 ♪ ASHES TO ASHES AND DUST TO DUST ♪ 1073 01:04:52,800 --> 01:04:55,840 ♪ SHOW ME THE MAN THAT A WOMAN CAN TRUST ♪ 1074 01:04:55,920 --> 01:04:58,800 SO WHERE DOES IT SAY "ON THE EIGHTH DAY, HE DUSTED"? 1075 01:04:58,880 --> 01:05:03,080 LOOK AT ALL THESE TROPHIES. "ALL-STATE MUSIC COMPETITION. YEAH. 1076 01:05:03,160 --> 01:05:07,080 1971. 1969." WOW! 1077 01:05:07,160 --> 01:05:10,000 LOOKS LIKE THIS SCHOOL’S BEEN WINNING COMPETITIONS FOR A LONG TIME. 1078 01:05:10,080 --> 01:05:12,520 YEAH. DO YOU THINK THEY STILL HAVE THESE CONTESTS? 1079 01:05:15,360 --> 01:05:18,680 [ Chattering, Shouting ] 1080 01:05:20,760 --> 01:05:23,040 FOCUS. 1081 01:05:23,120 --> 01:05:26,120 WHAT IF I TOLD YOU THAT WE HAVE JUST ENTERED YOU ALL... 1082 01:05:26,200 --> 01:05:28,560 IN THE ALL-STATE MUSIC COMPETITION? 1083 01:05:28,640 --> 01:05:31,320 SIX WEEKS FROM SATURDAY IN HOLLYWOOD! 1084 01:05:31,400 --> 01:05:33,920 - WHAT? - [ Chattering Continues ] 1085 01:05:34,000 --> 01:05:36,800 OH, MY GOD! THAT IS SO COOL. WE’VE BEEN DOING SOME CRAZY STUFF, MAN! 1086 01:05:36,880 --> 01:05:38,880 WELL, SISTER, YOU PUT THIS CHOIR TOGETHER. 1087 01:05:38,960 --> 01:05:41,760 WE TOOK OUR CUE FROM YOU. AND WE FOUND OUT THAT IN THE PAST, 1088 01:05:41,840 --> 01:05:44,720 THIS SCHOOL HAS WON A LOT OF COMPETITIONS. 1089 01:05:44,800 --> 01:05:47,640 DON’T YOU HAVE ANY FAITH IN YOURSELVES? WE HAVE FAITH IN YOU. 1090 01:05:47,720 --> 01:05:52,040 HOLLYWOOD? ARE YOU SURE WE’RE GOOD ENOUGH TO COMPETE AGAINST OTHER CHOIRS? 1091 01:05:52,120 --> 01:05:55,120 YOU COULD BE IF YOU REHEARSE EVERY DAY BEFORE CLASS AND AFTER SCHOOL. 1092 01:05:55,200 --> 01:05:57,120 SO HOW ABOUT IT? 1093 01:05:57,200 --> 01:06:00,480 [ Rita ] WAIT A MINUTE, SISTERS, WE NEED TO DISCUSS THIS. 1094 01:06:00,560 --> 01:06:05,160 - WHAT’S UP? Y’ALL READY FOR AN ALL-STATE THING? - NO. NO. ABSOLUTELY NOT. 1095 01:06:05,240 --> 01:06:07,280 [ Shouting, Jeering ] NO! NO! 1096 01:06:07,400 --> 01:06:09,600 OH, Y’ALL. COME ON, Y’ALL! DON’T BE A BUNCH OF PUNKS. 1097 01:06:09,680 --> 01:06:12,640 LISTEN, NOBODY HAS EVER CARED WHAT WE WAS GOOD AT... 1098 01:06:12,720 --> 01:06:15,960 EXCEPT FOR SISTER MARY CLARENCE AND HER HOMEGIRLS UP THERE. 1099 01:06:16,040 --> 01:06:18,560 OH, FRANKIE. HER AND HER SISTERS WERE HOOKING US UP, YO. 1100 01:06:18,640 --> 01:06:22,000 PLUS, WE CAN GO TO HOLLYWOOD. YOU KNOW WHAT I’M SAYING? HOLLYWOOD! 1101 01:06:22,080 --> 01:06:25,000 - WAIT A MINUTE! WHAT ARE WE GONNA WEAR? - AIRHEAD. 1102 01:06:25,080 --> 01:06:28,040 CLOTHES, MARGARET. YOU GUYS, YOU GUYS, COME ON! 1103 01:06:28,120 --> 01:06:30,920 YOU GUYS, WE OWE THIS TO OURSELVES. I THINK WE SHOULD DO IT. 1104 01:06:31,000 --> 01:06:33,560 WHAT ABOUT OUR BOYFRIENDS? 1105 01:06:33,680 --> 01:06:36,120 WELL, THERE MAY BE SOME ALL-BOY CHOIRS AT THIS COMPETITION. 1106 01:06:36,200 --> 01:06:38,400 WE’RE IN. WE’RE IN. 1107 01:06:38,480 --> 01:06:42,360 AND I SAY THAT IF WE WIN THIS THING, THEN THE ARCHDIOCESE IS GONNA BE PLEASED AS PUNCH. 1108 01:06:42,480 --> 01:06:45,320 AND MAYBE WE’LL HAVE A PRAYER TO KEEP THE SCHOOL OPEN, EH? RIGHT. 1109 01:06:45,440 --> 01:06:48,000 [ Chattering, Murmuring ] 1110 01:06:48,080 --> 01:06:51,920 SO DOES THIS MEAN WE’RE GOING TO THE ALL-STATE COMPETITION? 1111 01:06:52,000 --> 01:06:55,280 [ Cheering ] 1112 01:06:58,160 --> 01:07:01,160 LET’S TURN THIS MOTHER OUT AND ROCK THE HOUSE! DOPE! 1113 01:07:03,320 --> 01:07:07,920 THEY WOULDN’T BRING DRUGS IN HERE, WOULD THEY? NO. 1114 01:07:08,000 --> 01:07:10,720 NO. NO. ABSOLUTELY NOT. 1115 01:07:10,800 --> 01:07:13,280 HOW CAN YOU KEEP SAYING NO? NOW, YOU’VE HEARD THEM. 1116 01:07:13,360 --> 01:07:15,680 THEY’RE GOOD. THEY ARE SO READY FOR THIS. 1117 01:07:15,760 --> 01:07:19,160 SISTER, ONCE AGAIN YOU’VE MADE A PROMISE TO THE STUDENTS THAT YOU CAN’T KEEP. 1118 01:07:19,240 --> 01:07:22,440 NOW, I’VE TOLD YOU BEFORE, FIELD TRIPS ARE ABSOLUTELY OUT OF THE QUESTION. 1119 01:07:22,560 --> 01:07:26,400 THIS IS NOT A FIELD TRIP. THIS IS SOMETHING THAT CAN SAVE THE SCHOOL. 1120 01:07:26,520 --> 01:07:29,120 YOU HAVE MY ANSWER. AND IT’S THE WRONG ONE! 1121 01:07:29,200 --> 01:07:32,480 SISTER MARY CLARENCE, YOU’RE BEING INSUBORDINATE. 1122 01:07:33,960 --> 01:07:38,680 I KNOW, AND SURELY YOU CAN UNDERSTAND WHY. 1123 01:07:38,760 --> 01:07:43,040 I MEAN, THESE KIDS HAVE WORKED SO HARD FOR THIS, AND THEY’RE GOOD, THEY’RE REALLY GOOD. 1124 01:07:43,120 --> 01:07:47,160 THEY COULD WIN. THIS SCHOOL USED TO WIN THAT COMPETITION EVERY YEAR. 1125 01:07:47,240 --> 01:07:49,560 EVERY YEAR THEY WON. NOW, COME ON, 1126 01:07:49,640 --> 01:07:53,040 IF THEY’RE GONNA CLOSE THE SCHOOL, LET’S GO OUT WITH A BANG. 1127 01:07:53,120 --> 01:07:55,840 YES, LET HER. 1128 01:07:55,920 --> 01:07:58,880 VERY AWESOME. 1129 01:07:58,960 --> 01:08:02,480 WELL... VERY WELL, THEN. 1130 01:08:02,560 --> 01:08:07,120 YOU SEEM TO HAVE THE SUPPORT OF EVERYONE, SO I’LL-- I’LL GIVE MY PERMISSION. 1131 01:08:07,200 --> 01:08:11,240 [ Applause ] 1132 01:08:11,360 --> 01:08:15,800 YOU’VE GOT TO RAISE THE MONEY YOURSELF, AND YOU’VE GOT TO GET PARENTAL CONSENT FOR EACH CHILD. 1133 01:08:15,880 --> 01:08:18,520 I CAN DO THAT. THAT IS NOT A PROBLEM. THANK YOU. 1134 01:08:18,600 --> 01:08:21,240 THANK YOU, THANK YOU, MY BROTHERS. 1135 01:08:21,320 --> 01:08:23,840 COME ON. 1136 01:08:26,880 --> 01:08:31,120 ♪ [ Hitting Notes ] ♪ [ Singing Notes ] ♪ LA, LA ♪ 1137 01:08:31,200 --> 01:08:37,040 ♪ LA, LA ♪ 1138 01:08:37,120 --> 01:08:39,160 AGAIN. 1139 01:08:39,240 --> 01:08:44,120 ♪ LA, LA ♪ 1140 01:08:44,200 --> 01:08:46,880 ♪ [ Piano ] 1141 01:08:46,960 --> 01:08:50,400 ♪ OOH OOH OOH-OOH ♪ 1142 01:08:50,520 --> 01:08:54,400 ♪ OOH OOH OOH-OOH ♪ 1143 01:08:54,480 --> 01:08:58,240 ♪ DOO DOO DOO-DOO ♪ 1144 01:08:58,320 --> 01:09:02,560 ♪ DOO DOO DOO-DOO ♪ 1145 01:09:02,640 --> 01:09:06,080 ♪ DOO DOO DOO-DOO DOO-DOO ♪ 1146 01:09:06,160 --> 01:09:08,080 ♪ DOO-DOO DOO DOO-DOO ♪ 1147 01:09:08,160 --> 01:09:11,920 ♪ AH AH AH ♪ 1148 01:09:12,000 --> 01:09:16,160 ♪ AH AH AH ♪ ♪ EVERYTHING, EVERYTHING ♪ 1149 01:09:16,240 --> 01:09:20,320 ♪ JOYFUL, JOYFUL JOY-- ♪ 1150 01:09:20,400 --> 01:09:22,840 [ Sighing ] ♪ JOY-- ♪ 1151 01:09:24,560 --> 01:09:27,760 ♪ FILL US WITH THE LIGHT OF DAY ♪ 1152 01:09:30,280 --> 01:09:32,520 ♪ FILL US WITH THE LIGHT OF-- ♪ 1153 01:09:32,600 --> 01:09:35,760 ♪ FILL US WITH THE LIGHT-- ♪ RITA? 1154 01:09:35,840 --> 01:09:37,760 ♪ COME AND JOIN THE CHOR-- ♪ 1155 01:09:37,840 --> 01:09:40,720 ♪ MIGHTY CHORUS THE MIGHTY CHORUS ♪ 1156 01:09:40,800 --> 01:09:44,560 ♪ FATHER LOVE IS REIGNING O’ER-- ♪ 1157 01:09:44,640 --> 01:09:47,760 ♪ OOH OOH OOH ♪ RITA? 1158 01:09:47,840 --> 01:09:51,320 MAMA, WHAT ARE YOU DOIN’ HOME SO EARLY? 1159 01:09:51,400 --> 01:09:56,040 MRS. GIBBS NEEDS ME TO DO HER HAIR. WHAT ARE YOU DOING? 1160 01:09:56,120 --> 01:09:59,160 I WAS JUST FOOLING AROUND WITH SOME STUFF. GIVE ME THAT, PLEASE. 1161 01:09:59,240 --> 01:10:01,600 - HUH? - GIVE ME THAT. 1162 01:10:03,120 --> 01:10:05,800 AND THE TAPE RECORDER TOO. 1163 01:10:07,200 --> 01:10:08,960 WHAT IS THIS? 1164 01:10:11,520 --> 01:10:13,840 IT’S JUST SOME MUSIC, MA. 1165 01:10:13,920 --> 01:10:18,000 SISTER MARY CLARENCE WANTS US TO LEARN IT... FOR THE CHOIR. 1166 01:10:18,080 --> 01:10:21,800 NOW, JUST WHEN WERE YOU GONNA TELL ME THAT YOU’RE IN A CHOIR? 1167 01:10:23,400 --> 01:10:26,920 RITA, HOW MANY TIMES DO WE HAVE TO GO THROUGH THIS? 1168 01:10:27,000 --> 01:10:30,600 SINGING DOES NOT PUT FOOD ON THE TABLE. 1169 01:10:30,680 --> 01:10:34,000 SINGING DOES NOT PAY THE BILLS. 1170 01:10:34,080 --> 01:10:36,560 SINGING IS NO GUARANTEE TO A FUTURE, 1171 01:10:36,640 --> 01:10:39,320 EVEN IF YOU HAVE GOT TALENT. MAMA, DO YOU KNOW I CAN SING? 1172 01:10:39,400 --> 01:10:42,280 SO COULD YOUR DADDY, AND HE DIED STILL TRYING TO MAKE IT. 1173 01:10:42,360 --> 01:10:46,800 WHAT DOES THAT HAVE TO DO WITH ME? MOM, WE’RE A GOOD CHOIR. 1174 01:10:46,880 --> 01:10:50,440 THEY WANNA TAKE US TO THIS ALL-STATE MUSIC COMPETITION. WE COULD WIN. 1175 01:10:50,560 --> 01:10:54,520 IF YOU WANT TO WIN IN LIFE, THEN YOU KEEP YOUR NOSE IN THEM BOOKS AND OUT OF THE CLOUDS. 1176 01:10:54,600 --> 01:10:58,920 - IF YOU COULD JUST LISTEN TO ME, LET ME EXPLAIN-- - BABY, I KNOW HOW YOU FEEL. 1177 01:10:59,000 --> 01:11:01,600 BUT THERE ARE A LOT OF TALENTED PEOPLE RIGHT DOWN ON THE STREET, 1178 01:11:01,680 --> 01:11:03,440 SINGING THEIR "SHOULDA-COULDA-WOULDA’s." 1179 01:11:03,520 --> 01:11:05,960 - IS THAT HOW YOU WANNA END UP? - NO, THAT’S NOT WHAT I WA-- 1180 01:11:06,040 --> 01:11:08,760 GOOD. THEN YOU DON’T HAVE TIME FOR ANY CHOIR, ’CAUSE YOU GOT TO STUDY. 1181 01:11:08,840 --> 01:11:12,360 WE HAVE A CHANCE OF WINNING. THE CHOIR AND THE COMPETITION ARE OUT. 1182 01:11:12,440 --> 01:11:17,120 BUT, MAMA. IF YOU "BUT, MAMA" ME ONE MORE TIME. 1183 01:11:17,200 --> 01:11:21,040 NOW, I SAID THE CHOIR AND THE COMPETITION IS OUT. 1184 01:11:21,120 --> 01:11:24,280 YOU UNDERSTAND? 1185 01:11:24,360 --> 01:11:26,800 YES, MA’AM. 1186 01:11:51,200 --> 01:11:54,240 AS FAR AS I CAN TELL, WITH FOOD AND LODGING AND COSTUMES... 1187 01:11:54,320 --> 01:11:57,600 AND TRANSPORTATION AND GAS, THIS IS GONNA COST US ABOUT $2,000. 1188 01:11:57,680 --> 01:12:00,160 OH, MY-- WHICH IS A LOT OF MONEY. 1189 01:12:00,240 --> 01:12:03,200 DON’T LOOK AT ME. I TOOK A VOW OF POVERTY. 1190 01:12:03,280 --> 01:12:07,960 THE ONLY PERSON I CAN THINK OF THAT EVER MADE MONEY AS A NUN: SALLY FIELD. GOD LOVE HER. 1191 01:12:08,040 --> 01:12:11,920 TWO THOUSAND DOLLARS? IT MIGHT AS WELL BE A MILLION. 1192 01:12:12,000 --> 01:12:15,320 IT’S ABSOLUTELY DOABLE. I JUST THINK WE HAVE TO GET THE COMMUNITY INVOLVED. 1193 01:12:15,400 --> 01:12:18,880 IT’S ABOUT TIME THIS COMMUNITY TOOK CARE OF THE SCHOOL. I MEAN, ALL THE KIDS GO HERE. 1194 01:12:18,960 --> 01:12:20,800 THAT’S THE ONLY WAY. [ Muttering ] 1195 01:12:20,880 --> 01:12:22,720 SISTER MARY CLARENCE. HEY. 1196 01:12:22,800 --> 01:12:24,840 OH, RITA, I’M GLAD YOU’RE HERE. 1197 01:12:24,920 --> 01:12:28,600 WOULD YOU TAKE ONE OF THESE CONSENT FORMS AND MAKE SURE THAT YOUR MOM SIGNS IT? 1198 01:12:28,680 --> 01:12:30,520 IF WE CAN RAISE THE BUCKAROOS. 1199 01:12:30,600 --> 01:12:33,320 LOOK, I NEED TO TALK TO YOU. I HAVE TO QUIT THE CHOIR. 1200 01:12:33,400 --> 01:12:35,600 I GOT A LOT OF REASONS I CAN’T EXPLAIN AND I’M SORRY. 1201 01:12:35,680 --> 01:12:38,000 BUT I GOTTA LEAVE THE CHOIR. 1202 01:12:38,080 --> 01:12:42,400 GIVE US BACK OUR CONSENT FORM. STOP THAT. 1203 01:12:51,920 --> 01:12:55,440 ♪ [ Radio ] JUST A MINUTE, PLEASE. 1204 01:13:02,120 --> 01:13:04,320 HI, I’M SISTER MARY CLARENCE. 1205 01:13:04,400 --> 01:13:07,960 I KNOW WHO YOU ARE. WHAT CAN I DO FOR YOU, SISTER? 1206 01:13:10,080 --> 01:13:12,600 WELL, UH... RITA LEFT THE CHOIR, 1207 01:13:12,680 --> 01:13:16,000 AND I WAS KIND OF HOPING I COULD GET YOU TO TALK HER INTO COMING BACK. 1208 01:13:16,120 --> 01:13:19,520 OH, I DON’T THINK I CAN DO THAT. 1209 01:13:19,600 --> 01:13:22,880 YOU KNOW SOMETHING, SISTER. I REALLY DON’T WANT TO DISCUSS THIS WITH YOU. 1210 01:13:23,000 --> 01:13:25,280 AS YOU CAN SEE, I’VE GOT SOME WORK TO DO. 1211 01:13:25,360 --> 01:13:29,120 AND, UH, IF YOU’LL EXCUSE ME, GOOD DAY TO YOU. 1212 01:13:38,960 --> 01:13:42,320 ♪ [ Deloris Screams ] ♪ [ Rap Music, Clapping ] 1213 01:13:42,400 --> 01:13:46,560 [ Deloris ] HEY, WE’RE HERE TO COLLECT SOME MONEY FROM YOU. 1214 01:13:46,640 --> 01:13:50,120 THAT MEANS WE NEED YOUR HELP. WE’RE NOT PLAYIN’. PUT THAT BASKET OUT THERE. 1215 01:13:50,240 --> 01:13:53,560 GIVE THAT MONEY. GIVE THAT MONEY, BABY. 1216 01:13:53,640 --> 01:13:55,720 GIVE THAT MONEY. COME ON, GIRLS, YOU DO WHAT I DO. 1217 01:13:55,800 --> 01:13:58,400 - HEY! - AAAH! 1218 01:13:58,480 --> 01:14:02,040 ♪ GET UP OFF OF THAT THING AND DANCE ’TIL YOU FEEL BETTER ♪ 1219 01:14:02,120 --> 01:14:06,560 ♪ GET UP OFF OF THAT THING JUST TRY TO RELEASE THAT PRESSURE, SING ♪ 1220 01:14:06,640 --> 01:14:10,320 ♪ GET UP OFF OF THAT THING ♪ GO AHEAD, GIRL. ♪ DANCE ’TIL YOU FEEL BETTER ♪ 1221 01:14:10,400 --> 01:14:14,480 HEY. ♪ GET UP OFF OF THAT THING TRY TO RELEASE THAT PRESSURE ♪ 1222 01:14:14,560 --> 01:14:18,280 ♪ CALLING OUT AROUND THE WORLD ♪ 1223 01:14:18,360 --> 01:14:22,200 ♪ ARE YOU READY FOR A BRAND-NEW BEAT ♪ SING IT IF YOU KNOW IT. 1224 01:14:22,280 --> 01:14:26,600 ♪ SUMMER’S HERE AND THE TIME IS RIGHT ♪ 1225 01:14:26,680 --> 01:14:29,280 ♪ FOR DANCING IN THE STREET ♪ 1226 01:14:29,360 --> 01:14:32,640 ♪ THEY’RE DANCING IN CHICAGO ♪ [ Shouting ] 1227 01:14:32,720 --> 01:14:37,400 ♪ AND DOWN IN NEW ORLEANS ♪ ♪ DANCING IN THE STREET ♪ 1228 01:14:37,480 --> 01:14:41,800 - ♪ IN NEW YORK CITY ♪ - ♪ DANCING IN THE STREET ♪ 1229 01:14:41,880 --> 01:14:45,800 ♪ OH, IT DOESN’T MATTER WHAT YOU WEAR ♪ 1230 01:14:45,920 --> 01:14:49,840 ♪ JUST AS LONG AS YOU ARE THERE ♪ 1231 01:14:49,920 --> 01:14:55,200 ♪ SO COME ON EVERY GUY GRAB YOUR GIRL ♪ 1232 01:14:55,280 --> 01:14:59,360 ♪ EVERYWHERE AROUND THE WORLD ♪ 1233 01:14:59,440 --> 01:15:01,800 ♪ DANCING IN THE STREET ♪ 1234 01:15:01,880 --> 01:15:04,000 ♪ YOU’RE DANCING IN THE STREET ♪ 1235 01:15:04,080 --> 01:15:07,080 ♪ DANCING IN THE STREET ♪ 1236 01:15:07,160 --> 01:15:10,960 ♪ THIS IS AN INVITATION ACROSS THE NATION ♪ 1237 01:15:11,040 --> 01:15:15,360 ♪ A CHANCE FOR FOLKS TO MEET ♪ 1238 01:15:15,440 --> 01:15:18,800 ♪ GET UP OFF OF THAT THING ♪ 1239 01:15:18,880 --> 01:15:21,120 ♪ I SAID GET UP OFF OF THAT THING ♪ 1240 01:15:21,200 --> 01:15:23,840 [ Falls ] OH, MY! OH, MY! 1241 01:15:23,920 --> 01:15:27,560 ♪ GET UP OFF OF THAT THING ♪ YOU, YOU RIGHT. YOU RIGHT. COME ON UP. YOU OKAY? 1242 01:15:27,640 --> 01:15:30,720 ♪ GET UP OFF OF THAT THING ♪ 1243 01:15:30,800 --> 01:15:33,640 OKAY. HUH! ♪ GET UP OFF OF THAT THING ♪ 1244 01:15:33,760 --> 01:15:37,720 OW! OW! OW! ♪ I SAID GET UP OFF OF THAT THING ♪ 1245 01:15:37,800 --> 01:15:40,880 I’M GOING, I’M GOING. ♪ GET UP OFF OF THAT THING ♪ 1246 01:15:40,960 --> 01:15:44,160 [ Muttering ] OH! OH! 1247 01:15:44,240 --> 01:15:48,000 ♪ GET UP OFF OF THAT THING ♪ [ Screaming ] 1248 01:15:48,080 --> 01:15:50,440 ♪ GET UP OFF OF THAT THING ♪ 1249 01:15:50,520 --> 01:15:54,320 ♪ HEY, HEY, HEY, I SAID JUST GET UP OFF OF THAT THING ♪ 1250 01:15:54,400 --> 01:15:56,480 I’M GOING. THANKS. 1251 01:15:56,560 --> 01:15:59,480 ♪ GET UP OFF OF THAT THING ♪ 1252 01:15:59,560 --> 01:16:03,680 ♪ I SAID GET UP OFF OF THAT THING, AAH ♪ 1253 01:16:03,760 --> 01:16:08,120 AND THE GRAND TOTAL IS, MINUS EXPENSES-- DRUMROLL, PLEASE. 1254 01:16:08,200 --> 01:16:13,240 ♪ [ Hitting Table ] $1,920.17. 1255 01:16:13,320 --> 01:16:17,000 WOW, THAT OUGHTA GET US DOWN THERE AND BACK. 1256 01:16:17,080 --> 01:16:19,480 YOU’RE-- YOU’RE NOT DRIVING AGAIN, ARE YOU? 1257 01:16:19,600 --> 01:16:23,720 I CAN DRIVE ANYTHING ON WHEELS. YOU GOT A PROBLEM WITH THAT? UH-UH. 1258 01:16:23,800 --> 01:16:26,200 COME ON. IT’S BEEN A LONG DAY. WE ALL BETTER GET TO BED. 1259 01:16:26,280 --> 01:16:28,400 YEAH, WE GOT A LOT TO DO IN A FEW DAYS. 1260 01:16:28,520 --> 01:16:31,680 OH, AND DON’T FORGET TO GET THE CONSENT FORMS FROM THE KIDS. 1261 01:16:31,760 --> 01:16:34,680 [ Grunts ] 1262 01:16:39,560 --> 01:16:42,600 ALL RIGHT. 1263 01:16:42,680 --> 01:16:44,840 WHAT? NOTHING. 1264 01:16:44,920 --> 01:16:47,480 NO, SOMETHING. 1265 01:16:47,560 --> 01:16:51,160 I JUST-- I JUST CAN’T BELIEVE YOU CAME HERE AND DID IT AGAIN. 1266 01:16:51,240 --> 01:16:54,680 I MEAN, YOU MADE ALL THIS HAPPEN. 1267 01:16:54,800 --> 01:16:57,160 EVERYTHING’S GONNA BE FINE NOW. 1268 01:16:59,000 --> 01:17:03,200 YOU THINK SO? I REALLY THINK SO. 1269 01:17:06,080 --> 01:17:09,080 THANKS. YOU WANT SOME HELP? PLEASE. 1270 01:17:09,160 --> 01:17:13,520 LOOK, WE HAVE ANOTHER HELPER. GO GET IT. [ Giggling ] 1271 01:17:13,600 --> 01:17:16,600 [ Deloris ] I DON’T KNOW ABOUT YOU SOMETIMES. YOU JUST SCARE ME. 1272 01:17:16,680 --> 01:17:19,720 [ Students Chattering, Indistinct Rapping ] 1273 01:17:22,480 --> 01:17:25,120 [ Ahmal ] YO, LOOK WHO IT IS, MAN. 1274 01:17:25,200 --> 01:17:28,760 [ Chattering, Rapping Continue ] HEY, YO, RITA! 1275 01:17:28,840 --> 01:17:30,880 YO, RITA, COME HERE! 1276 01:17:32,800 --> 01:17:35,080 YO, WHAT’S UP, RITA? 1277 01:17:35,160 --> 01:17:38,240 [ Maria ] SO, UH, SISTER MARY CLARENCE SAID YOU QUIT THE CHOIR. 1278 01:17:38,320 --> 01:17:40,160 YEAH, I DID. SO? 1279 01:17:40,240 --> 01:17:43,760 SO INQUIRING MINDS WANT TO KNOW. 1280 01:17:43,840 --> 01:17:47,160 IF I WANT TO QUIT THE CHOIR, THAT’S MY BUSINESS. 1281 01:17:47,240 --> 01:17:49,800 I FEEL LIKE THIS CHOIR GIG’S A BIG JOKE TO EVERYBODY. 1282 01:17:49,880 --> 01:17:53,640 I’M SURE WE’LL HAVE A PLETHORA OF OTHER OPPORTUNITIES, RITA. 1283 01:17:53,720 --> 01:17:56,080 [ Laughing ] 1284 01:17:58,080 --> 01:18:00,320 RITA, LOOK, WE GOT A REAL SHOT. 1285 01:18:00,400 --> 01:18:06,280 AND IF WE’RE EVER GONNA DO ANYTHING WORTH SOMETHING, WE GOTTA STICK TOGETHER. 1286 01:18:06,360 --> 01:18:11,480 I MEAN, DON’T YOU UNDERSTAND? THIS IS ALL WE GOT. 1287 01:18:11,560 --> 01:18:14,400 THIS IS ALL, RIGHT HERE. 1288 01:18:14,480 --> 01:18:18,560 YOU HAVE TO BE DOWN. I WANT YOU TO, RITA. 1289 01:18:18,640 --> 01:18:23,160 ♪ [ Indistinct Rapping Continues ] [ Boy ] BYE, RITA. 1290 01:18:54,360 --> 01:18:58,040 [ Chattering ] COME ALONG, CHILDREN. QUICKLY NOW. 1291 01:18:58,120 --> 01:19:00,600 OKAY, OKAY, MARGARET. [ Boy ] THERE. 1292 01:19:00,680 --> 01:19:02,280 OOH! OH, THIS IS A MESS. IS THAT EVERYBODY? 1293 01:19:02,360 --> 01:19:05,480 WAIT FOR ME! WAIT FOR ME! 1294 01:19:10,160 --> 01:19:12,040 THANK YOU, SISTER. 1295 01:19:12,120 --> 01:19:15,120 NICE TO SEE YOU. 1296 01:19:15,200 --> 01:19:18,480 OH! EXCUSE ME. CONSENT FORM. 1297 01:19:18,560 --> 01:19:21,680 A MUST. THANK YOU. 1298 01:19:21,760 --> 01:19:24,640 COME ON, COME ON, COME ON. 1299 01:19:24,720 --> 01:19:26,960 [ Cheering ] 1300 01:19:30,920 --> 01:19:34,600 [ Mr. Crisp ] LOOK WHAT I FOUND IN THE LIBRARY. 1301 01:19:34,680 --> 01:19:37,480 [ Father Maurice ] "DELORIS VAN CARTIER." MM-HMM. 1302 01:19:37,560 --> 01:19:41,520 A LOUNGE SINGER? I KNEW I’D SEEN HER SOMEWHERE BEFORE. 1303 01:19:41,600 --> 01:19:43,960 "GIRLFRIEND OF A VICIOUS MOBSTER." 1304 01:19:44,040 --> 01:19:47,080 OH, DEAR! A GUN MOLL. 1305 01:19:47,160 --> 01:19:49,440 SISTER MARY CHRISTINE-- UH, CLIFT-- 1306 01:19:49,520 --> 01:19:52,400 UH, SISTER-- SISTER MARY FAKE! 1307 01:19:52,480 --> 01:19:56,560 I’LL HAVE TO CALL THE OFFICIALS AND REMOVE ST. FRANCIS FROM THE COMPETITION AT ONCE. 1308 01:19:56,640 --> 01:20:00,240 NO. NO, NO. I DON’T THINK THAT’S SUCH A GOOD IDEA. 1309 01:20:00,320 --> 01:20:04,560 -WELL, WHAT WOULD YOU SUGGEST? -WELL, SHE’S OUR RESPONSIBILITY. 1310 01:20:04,640 --> 01:20:07,920 I THINK WE SHOULD HANDLE IT PERSONALLY. 1311 01:20:12,400 --> 01:20:17,840 THOMAS, YOU DON’T USUALLY DRIVE. PERHAPS ONE OF US WHO HAS A DRIVER’S LICENSE SHOULD TAKE-- 1312 01:20:17,920 --> 01:20:20,080 NONSENSE! 1313 01:20:20,160 --> 01:20:23,160 [ Horns Honking ] THOMAS. UH, THOMAS, I KNOW, I KNOW YOU’RE BUSY, 1314 01:20:23,240 --> 01:20:26,000 BUT SEE THAT LITTLE STICK ON YOUR LEFT THERE? 1315 01:20:26,080 --> 01:20:28,080 THAT’S YOUR TURNING SIGNAL. YEAH! 1316 01:20:28,160 --> 01:20:31,600 [ Horn Honks ] PERHAPS THE OTHER DRIVERS WOULDN’T BE SO HOSTILE... 1317 01:20:31,720 --> 01:20:34,560 IF YOU’D CONSIDER USING IT. I’VE HAD ENOUGH OF THIS. 1318 01:20:34,640 --> 01:20:39,200 WHERE IN THE SAM HILL DID YOU PEOPLE LEARN HOW TO DRIVE? 1319 01:20:39,280 --> 01:20:43,440 [ Screaming ] NO! TURN! [ Truck Horn Honks ] 1320 01:20:43,520 --> 01:20:47,560 JACKASS! THOMAS! JESUS CHRIST! 1321 01:20:49,320 --> 01:20:53,560 RITA, I’M HOME! 1322 01:20:53,640 --> 01:20:56,240 RITA? 1323 01:20:56,320 --> 01:20:58,440 RITA? 1324 01:21:00,960 --> 01:21:03,120 RITA? 1325 01:21:12,400 --> 01:21:15,400 "DEAR MAMA, I WENT TO THE ALL-STATE MUSIC COMPETITION. 1326 01:21:21,120 --> 01:21:24,480 "I NEVER MEANT TO HURT YOU, BUT I HAD TO FOLLOW MY HEART. 1327 01:21:24,560 --> 01:21:28,080 PLEASE FORGIVE ME. I LOVE YOU, RITA." 1328 01:21:30,680 --> 01:21:32,920 [ Applause ] [ Announcer ] WELCOME, WELCOME, WELCOME, 1329 01:21:33,000 --> 01:21:37,400 LADIES AND GENTLEMEN, TO THE 30th ANNUAL ALL-STATE MUSIC COMPETITION, 1330 01:21:37,480 --> 01:21:41,720 A GATHERING OF THE MOST TALENTED YOUNG MUSICIANS... 1331 01:21:41,800 --> 01:21:43,640 IN THE STATE OF CALIFORNIA. 1332 01:21:43,720 --> 01:21:45,600 [ Chattering ] 1333 01:21:45,680 --> 01:21:48,160 [ Mary Patrick ] LET’S GO, MARGARET! 1334 01:21:48,240 --> 01:21:51,880 THAT IS MARGARET, ISN’T IT? I CAN’T TELL WHO IT IS UNDER ALL THAT PAINT. HELLO? 1335 01:21:51,960 --> 01:21:56,240 SISTER, I HATE THIS THING. I MEAN, IT DOES ABSOLUTELY NOTHING FOR MY FIGURE. 1336 01:21:56,320 --> 01:21:59,040 CAN I WEAR SOMETHING TIGHTER? YOU KNOW, MORE FORM-FITTING? NO. DEAR, LISTEN TO ME. 1337 01:21:59,120 --> 01:22:02,640 YOU’RE HERE TO IMPRESS THOSE JUDGES WITH YOUR VOICE, NOT YOUR HEINIE. COME ON, LET’S GO. 1338 01:22:02,720 --> 01:22:07,280 ♪ [ Singing In Round, "Barbara Allen" ] 1339 01:22:07,400 --> 01:22:09,000 ♪♪ 1340 01:22:17,760 --> 01:22:20,840 OH, RITA, LOOK WHAT YOU DID! OH, MARIA, I’M SORRY. 1341 01:22:20,960 --> 01:22:23,400 I KNOW. PUT ONE ON THE OTHER SIDE. START A FASHION TREND. 1342 01:22:23,480 --> 01:22:27,680 THE WOMEN OF THE MANGBETU TRIBES PUT LINES ON THEIR CHEEKS AS SIGNS OF FERTILITY, MARIA. 1343 01:22:27,760 --> 01:22:31,440 WELL, SECOND THOUGHT, OFF. TAKE IT OFF, MARIA. TAKE IT OFF NOW. 1344 01:22:31,520 --> 01:22:35,200 DANG, MAN! DANG! THIS THING RIPPED? WHAT? WH-WH-WHAT? 1345 01:22:35,280 --> 01:22:38,400 NOW, WHAT THE HECK AM I SUPPOSED TO DO NOW, HUH? LISTEN TO ME. DON’T FRET. 1346 01:22:38,480 --> 01:22:40,680 MY MOTHER USED TO SAY, "NOTHING IS IMPOSSIBLE... 1347 01:22:40,760 --> 01:22:43,240 IF YOU ALWAYS CARRY WITH YOU A LITTLE BIT OF FAITH AND A BIG ROLL OF ELECTRICAL TAPE." 1348 01:22:43,320 --> 01:22:45,520 [ Chuckles ] HELLO! 1349 01:22:45,600 --> 01:22:48,160 OH, MAN, LOOK AT MY HAIR! FRANKIE, YOU LIKE MY HAIR, MAN? 1350 01:22:48,240 --> 01:22:51,400 NO, I THINK IT LOOKS LIKE A BOWL OF LARD AND YOU LOOK WACK. 1351 01:22:51,480 --> 01:22:54,600 MAN, I’M GONNA WASH IT OUT. 1352 01:22:54,680 --> 01:22:56,560 I’M SO NERVOUS. I THINK I’M GONNA THROW UP. I DON’T THINK I CAN GO ON. 1353 01:22:56,640 --> 01:22:59,520 JUST THINK OF IT THIS WAY: NEVER MIND HOW YOU FEEL. 1354 01:22:59,600 --> 01:23:03,560 THINK HOW GREAT YOU’RE GONNA MAKE THEM FEEL, THAT AUDIENCE, WHEN Y’ALL SING SO BEAUTIFULLY. 1355 01:23:03,640 --> 01:23:07,560 NOW, TAKE A DEEP BREATH... AND YAWN. 1356 01:23:07,640 --> 01:23:10,160 [ Applause ] [ Yawning ] SEE HOW THAT RELAXES YOU? 1357 01:23:10,240 --> 01:23:13,880 NOW, FROM SAN DIEGO... 1358 01:23:13,960 --> 01:23:17,840 THE OCEANVIEW HIGH SCHOOL GOSPEL CHOIR. 1359 01:23:17,920 --> 01:23:21,320 ♪ LORD ♪ 1360 01:23:21,400 --> 01:23:25,840 ♪ SEND A REVIVAL ♪ 1361 01:23:25,920 --> 01:23:28,040 ♪ OOH ♪ 1362 01:23:28,120 --> 01:23:31,440 ♪ AND LET IT BEGIN IN ME ♪ 1363 01:23:31,520 --> 01:23:34,840 ♪ LORD, SEND A REVIVAL ♪ 1364 01:23:34,920 --> 01:23:38,000 ♪ LORD, SEND A REVIVAL ♪ 1365 01:23:38,080 --> 01:23:40,560 ♪ LORD, SEND A REVIVAL ♪ 1366 01:23:40,640 --> 01:23:43,720 ♪ AND LET IT BEGIN IN ME ♪ 1367 01:23:43,800 --> 01:23:47,480 [ Girl Soloist ] ♪ WELL, NOW, WE NEED A REVIVAL ♪ 1368 01:23:47,560 --> 01:23:50,680 ♪ TO ROCK THIS WORLD TODAY ♪ 1369 01:23:50,800 --> 01:23:54,400 ♪ SATAN IS LOOSE AND ON THE RAMPAGE ♪ 1370 01:23:54,480 --> 01:23:57,480 ♪ THAT IS WHY WE PRAY YEAH ♪ 1371 01:23:57,560 --> 01:24:01,320 ♪ LORD, SEND A REVIVAL ♪ [ Together ] THEY’RE GOOD. THEY’RE REALLY GOOD. 1372 01:24:01,400 --> 01:24:04,080 ♪ SINGING, LORD ♪ ♪ LORD, SEND A REVIVAL ♪ 1373 01:24:04,160 --> 01:24:07,240 ♪ LORD, WOO-OO-OOH ♪ ♪ LORD, SEND A REVIVAL ♪ 1374 01:24:07,320 --> 01:24:11,400 ♪ AND LET IT BEGIN IN ME ♪ [ Applause ] 1375 01:24:11,480 --> 01:24:13,840 [ Father Ignatius ] IF WE’RE GONNA FIND THEM, WE HAVE TO GO BACKSTAGE. 1376 01:24:13,920 --> 01:24:16,080 BUT THERE’S SO MANY HERE. HOW ARE WE GONNA FIND THEM? 1377 01:24:16,160 --> 01:24:19,560 THAT SHOULDN’T BE TOO HARD. WE JUST LOOK FOR THE CHOIR THAT LOOKS LIKE... 1378 01:24:19,640 --> 01:24:22,280 IT JUST ROBBED A CONVENIENCE STORE. 1379 01:24:23,240 --> 01:24:26,440 - ♪ [ Choir Singing ] - GREAT CAESAR’S GHOST! 1380 01:24:26,520 --> 01:24:30,440 - PASSES. - [ Applause ] 1381 01:24:30,520 --> 01:24:34,880 THREE-TIME STATE CHAMPIONS, THE CHAPMAN CHOIR... 1382 01:24:34,960 --> 01:24:38,320 FROM ORANGE COUNTY’S GRANT HIGH SCHOOL. 1383 01:24:38,400 --> 01:24:42,120 ♪ [ Organ ] 1384 01:24:44,240 --> 01:24:48,840 - [ Feet Thumping ] - YO. 1385 01:24:50,760 --> 01:24:54,800 ♪ JOYFUL, JOYFUL WE ADORE THEE ♪ 1386 01:24:54,880 --> 01:24:58,960 ♪ GOD OF GLORY LORD OF LOVE ♪ 1387 01:24:59,040 --> 01:25:03,040 ♪ HEARTS UNFOLD LIKE FLOWERS BEFORE THEE ♪ 1388 01:25:03,160 --> 01:25:06,440 ♪ OPENING TO THE SUN ABOVE ♪ 1389 01:25:06,520 --> 01:25:10,080 MAN, THEY’RE SINGING OUR SONG, MAN. THEY’RE LIKE AN ARMY. 1390 01:25:10,160 --> 01:25:14,600 ♪ ...SADNESS DRIVE THE DARK OF DOUBT AWAY ♪ 1391 01:25:14,680 --> 01:25:17,800 ♪ GIVER OF IMMORTAL GLADNESS-- ♪ 1392 01:25:17,880 --> 01:25:21,200 IS THIS THE GREEN ROOM? WOW! I GUESS IT IS. 1393 01:25:21,280 --> 01:25:25,360 WELL. YOO-HOO! HELLO? UM-- 1394 01:25:25,440 --> 01:25:27,800 FATHER THOMAS! IT’S US! 1395 01:25:27,880 --> 01:25:31,560 OH, MY GOODNESS, YOU’RE HERE. WELL, COLOR ME SURPRISED. WE WEREN’T EXPECTING YOU. 1396 01:25:31,640 --> 01:25:34,960 THE KIDS ARE GONNA BURST WHEN THEY FIND OUT YOU’VE COME TO SUPPORT THEM. COME ON. 1397 01:25:35,040 --> 01:25:38,680 I’M HERE WITH THE OTHER FATHERS, BUT WE DIDN’T COME TO SUPPORT THE CHILDREN. 1398 01:25:38,760 --> 01:25:43,680 FATHER MAURICE AND MR. CRISP ARE GOING TO PULL THEM OUT OF THE COMPETITION. 1399 01:25:43,760 --> 01:25:46,560 WHY? WH-WHY WOULD THEY WANT TO DO THAT? 1400 01:25:46,640 --> 01:25:51,440 BECAUSE IT TURNS OUT SISTER MARY CLARENCE ISN’T A SISTER AT ALL. 1401 01:25:51,520 --> 01:25:53,480 SHE’S A LAS VEGAS SHOW GIRL. 1402 01:25:53,560 --> 01:25:55,680 SHOW GIRL? CAN YOU BELIEVE IT? 1403 01:25:55,760 --> 01:25:58,520 WHO’D HAVE THUNK? SHE HAS SO MANY NUNLIKE QUALITIES. 1404 01:25:58,600 --> 01:26:01,320 NOT TO MENTION THE WHOLE OUTFIT. YES. 1405 01:26:01,400 --> 01:26:06,280 FATHER MAURICE AND MR. CRISP ARE LOOKING FOR THEM RIGHT NOW. 1406 01:26:06,360 --> 01:26:09,640 OH, MY, REALLY? WELL, THAT’S, THAT’S INTERESTING. I THINK THAT’S A VERY GOOD IDEA. 1407 01:26:09,720 --> 01:26:12,680 AND I THINK THAT WE SHOULD GO LOOK FOR HER TOO. GOOD IDEA. I DO TOO. 1408 01:26:12,760 --> 01:26:14,920 I AGREE. OKAY. BYE-BYE. SEE YA. 1409 01:26:18,560 --> 01:26:22,160 ♪ EVER SINGING MARCH WE ONWARD ♪ 1410 01:26:22,240 --> 01:26:24,880 THEY GOT IT GOING ON. AND LOOK AT THOSE ROBES, MAN. 1411 01:26:24,960 --> 01:26:27,280 WE’RE GONNA LOOK LIKE SUCKERS, MAN. 1412 01:26:27,360 --> 01:26:30,120 WELL, YOU KNOW WHAT? ALL OF A SUDDEN, I DON’T FEEL SO GOOD. 1413 01:26:30,200 --> 01:26:32,520 ♪ IN THE TRIUMPH ♪ 1414 01:26:32,600 --> 01:26:37,360 ♪ SONG OF LIFE ♪ 1415 01:26:37,440 --> 01:26:40,320 [ Cheering, Applause ] 1416 01:26:43,400 --> 01:26:45,600 YES, VERY GOOD. 1417 01:26:48,280 --> 01:26:51,200 [ Feet Thumping ] 1418 01:26:59,280 --> 01:27:03,640 [ Cheering, Shouting Continue ] 1419 01:27:07,360 --> 01:27:10,720 [ Chattering ] 1420 01:27:10,800 --> 01:27:13,400 HEY, HEY, HEY, HEY! WHY AREN’T YOU GUYS READY? 1421 01:27:13,480 --> 01:27:16,440 - YOU SAW THAT OTHER CHOIR. - WE CAN’T WIN AGAINST THEM. 1422 01:27:16,520 --> 01:27:19,520 [ Frankie ] YO, HE’S RIGHT. WE’LL BE LAUGHED OFF THE STAGE. 1423 01:27:19,600 --> 01:27:22,600 I DIDN’T COME THIS FAR TO BE EMBARRASSED. THEY SANG OUR NUMBER, BETTER. 1424 01:27:22,720 --> 01:27:26,440 - WE’RE GOING HOME. - SO BECAUSE YOU THINK THEY SANG IT BETTER, 1425 01:27:26,520 --> 01:27:29,040 Y’ALL ARE READY TO LEAVE ’CAUSE YOU GOT SCARED. 1426 01:27:29,120 --> 01:27:32,080 [ Murmuring, Shouting ] 1427 01:27:32,160 --> 01:27:35,600 OH, YEAH. NO, THAT’S YOUR M.O. SEE, THAT’S HOW YOU ALL OPERATE. 1428 01:27:35,680 --> 01:27:38,160 "OOH, SOMETHIN’ NEW. BETTER RUN AWAY." 1429 01:27:38,240 --> 01:27:40,000 FORGET ABOUT ALL THE PEOPLE WHO BUSTED THEIR BUTT... 1430 01:27:40,080 --> 01:27:42,240 TO GET YOU HERE ’CAUSE THEY BELIEVED IN YA. 1431 01:27:42,360 --> 01:27:46,480 I’M GONNA REMIND YOU OF SOMETHING, OKAY? IF YOU WANNA GO SOMEWHERE... 1432 01:27:46,560 --> 01:27:49,520 AND YOU WANNA BE SOMEBODY, YOU BETTER WAKE UP AND PAY ATTENTION. 1433 01:27:49,600 --> 01:27:54,040 BECAUSE IF EVERY TIME SOMETHING SCARY COMES UP, YOU DECIDE TO RUN, 1434 01:27:54,120 --> 01:27:56,560 Y’ALL ARE GONNA BE RUNNING FOR THE REST OF YOUR LIVES. 1435 01:27:59,760 --> 01:28:02,520 [ Sighs ] 1436 01:28:02,600 --> 01:28:05,120 YOU GUYS, SHE IS RIGHT. 1437 01:28:05,200 --> 01:28:07,560 AND IF WE GONNA DO THIS, WE GOT TO BE SLAMMING. 1438 01:28:07,680 --> 01:28:11,120 ♪ IN THE STILL OF THE NIGHT ♪ 1439 01:28:11,200 --> 01:28:13,240 ♪ SHOO-WOP SHOO-WAH ♪ 1440 01:28:13,320 --> 01:28:17,840 ♪ SHOO-WOP SHOO-WAH SHOO-WOP SHOO-WAH ♪ 1441 01:28:17,920 --> 01:28:21,600 ST. FRANCIS ACADEMY? GET READY. 1442 01:28:23,720 --> 01:28:27,760 [ Soloist ] ♪ IN THE STILL OF THE NIGHT ♪ 1443 01:28:27,840 --> 01:28:30,400 FORGIVE ME, I’M-- I’M TERRIBLY SORRY. 1444 01:28:30,480 --> 01:28:32,480 WHAT A SEA OF HUMANITY. I’M SORRY. 1445 01:28:32,560 --> 01:28:36,120 YO, FATHER MAURICE! WE THOUGHT YOU WASN’T COMING. 1446 01:28:36,200 --> 01:28:38,960 WHAT’S HAPPENING, MAN? WHAT’S UP? [ Sighs ] 1447 01:28:39,040 --> 01:28:41,760 - HOW ARE YOU? HOW ARE YOU? - YES. 1448 01:28:41,880 --> 01:28:43,960 - WE’RE GLAD YOU’RE HERE. - THANK YOU. 1449 01:28:44,040 --> 01:28:46,120 WE’RE SURE TO WIN WITH YOU HERE. 1450 01:28:46,200 --> 01:28:49,680 OH, WELL, I’M VERY GLAD TO BE HERE TO SUPPORT THE CHOIR, 1451 01:28:49,760 --> 01:28:53,120 BUT I’M AFRAID SOMETHING HAS JUST BEEN BROUGHT TO MY ATTENTION. 1452 01:28:53,200 --> 01:28:57,640 SOMETHING THAT I’M AFRAID-- WELL, I DON’T KNOW HOW TO SAY THIS, EXACTLY, 1453 01:28:57,720 --> 01:29:03,160 BUT I JUST HAVE TO SAY THAT, WELL, YOU CHILDREN ARE AMAZING. 1454 01:29:03,280 --> 01:29:06,360 - [ Chattering Continues ] - I ALMOST DIDN’T RECOGNIZE YOU. 1455 01:29:06,440 --> 01:29:09,520 WHY, THERE’S SUCH A GLOW IN ALL OF YOU. IT’S REMARKABLE. 1456 01:29:09,600 --> 01:29:14,160 YOU JUST ALL LOOK LIKE ANGELS. WAIT ’TIL YOU HEAR ’EM SING. 1457 01:29:14,240 --> 01:29:16,280 ALL RIGHT, YOU GUYS. PLACES. LET’S GO. 1458 01:29:16,360 --> 01:29:18,560 [ Cheering, Shouting ] 1459 01:29:21,520 --> 01:29:23,680 [ Chattering ] 1460 01:29:26,880 --> 01:29:29,120 FATHER MAURICE, WHAT ARE YOU DOING? 1461 01:29:29,200 --> 01:29:31,920 WELL, I DECIDED TO LET THEM SING. 1462 01:29:32,000 --> 01:29:35,640 OH, G--! DO YOU KNOW WHAT YOU’VE DONE? WHAT DID I DO? 1463 01:29:35,720 --> 01:29:39,920 DIDN’T YOU TELL THE ARCHDIOCESE PEOPLE WHEN YOU CALLED THEM ABOUT SISTER MARY FAKE? 1464 01:29:40,000 --> 01:29:43,360 WELL, I THOUGHT I’D TELL THEM WHEN I SAW THEM. WELL, ARE THEY HERE? 1465 01:29:43,440 --> 01:29:46,080 WELL, I THINK THEY’RE HERE. YES, I THINK THEY’RE HERE. BUT YOU HAVEN’T TOLD THEM. 1466 01:29:46,160 --> 01:29:48,480 WELL, NOT YET. OH, WELL, I’M GOING TO TELL THEM. 1467 01:29:48,560 --> 01:29:51,400 I’M GOING TO MAKE SURE THEY KNOW ABOUT HER. WHERE THE HELL ARE THEY? 1468 01:29:51,480 --> 01:29:53,960 UH, UH, MR. CRISP? WHAT? 1469 01:29:54,080 --> 01:29:56,960 WE’LL HELP YOU FIND THEM. WON’T WE, GUYS? 1470 01:29:57,080 --> 01:30:00,480 JUST A FEW MINUTES AGO, THEY WERE HEADED IN THAT DIRECTION. ARE YOU SURE? 1471 01:30:00,560 --> 01:30:02,640 I SAW IT TOO. I SAW, WITH HIM. 1472 01:30:02,720 --> 01:30:05,520 WELL, LET’S GO! GO FIND, YES! 1473 01:30:05,600 --> 01:30:09,840 DOWN HERE? WE JUST CAME FROM DOWN HERE. RIGHT DOWN THE HALL THERE. 1474 01:30:09,920 --> 01:30:13,800 REALLY, MR. CRISP, I SAW THEM. AND THEY WERE SAYING SOMETHING ABOUT THE VENTILATION SYSTEM. 1475 01:30:13,880 --> 01:30:18,320 VENTILATION SYSTEM? WHAT HAVE YOU BEEN DRINKING, SOME OF THAT SACRAMENTAL WINE? 1476 01:30:18,400 --> 01:30:21,520 UH, MR. CRISP, THEY’RE RIGHT IN HERE. 1477 01:30:21,600 --> 01:30:24,560 I CAN HEAR VOICES. I’M SURE YOU CAN HEAR VOICES. 1478 01:30:24,640 --> 01:30:27,200 THERE THEY ARE. AFTER YOU. WHAT THE HELL ARE YOU TALKING ABOUT? 1479 01:30:27,280 --> 01:30:30,760 - FORGIVE ME. HURRY! - WAIT A MINUTE. HEY! 1480 01:30:30,840 --> 01:30:34,520 GET SOMETHING TO HOLD THIS DOOR WITH! HURRY, I MEAN, ’CAUSE HE’S A BIG GUY. 1481 01:30:34,600 --> 01:30:37,440 - NOT THIS. THIS IS DESSERT. - GIVE ME THAT THING! 1482 01:30:37,520 --> 01:30:41,440 A GENUINE HAMUS ALABAMUS. [ Mr. Crisp ] DAMN IT! OPEN THE DOOR! 1483 01:30:41,520 --> 01:30:44,480 HEY, IT’S DARK IN HERE. IN NOMINE PATRIS. FATHER, FORGIVE US. 1484 01:30:44,560 --> 01:30:47,120 WE KNOW EXACTLY WHAT WE DO. 1485 01:30:47,200 --> 01:30:50,040 [ Cheering ] 1486 01:30:56,040 --> 01:30:58,200 THAT LAST CHOIR WAS RATHER GOOD, DON’T YOU THINK? 1487 01:31:01,080 --> 01:31:04,400 YOU KNOW, WHAT SHE’S DONE WITH THOSE CHILDREN IS NOTHING SHORT OF AMAZING. 1488 01:31:04,520 --> 01:31:09,000 WELL, SISTER MARY CLARENCE IS NO ORDINARY NUN. 1489 01:31:09,080 --> 01:31:11,400 OH, YOU DON’T HAVE TO TELL ME THAT. 1490 01:31:11,480 --> 01:31:14,960 YOU’RE NOT ANGRY WITH ME FOR MISLEADING YOU? 1491 01:31:15,040 --> 01:31:18,000 NOT AT ALL. AS A MATTER OF FACT, 1492 01:31:18,080 --> 01:31:20,760 YOU’RE FREE TO FOOL ME ANYTIME YOU WANT. [ Snickers ] 1493 01:31:20,840 --> 01:31:23,520 [ Announcer ] AND NOW, LADIES AND GENTLEMEN, 1494 01:31:23,600 --> 01:31:28,920 FROM SAN FRANCISCO, THE CHOIR OF ST. FRANCIS HIGH SCHOOL... 1495 01:31:29,000 --> 01:31:31,960 UNDER THE DIRECTION OF SISTER MARY CLARENCE... 1496 01:31:32,040 --> 01:31:35,880 ALSO SINGING "JOYFUL, JOYFUL." 1497 01:31:52,080 --> 01:31:56,840 ♪ [ Piano ] 1498 01:31:56,920 --> 01:31:59,400 ♪♪ 1499 01:31:59,480 --> 01:32:01,760 [ Music Stops ] 1500 01:32:05,120 --> 01:32:06,760 ♪ [ Piano ] 1501 01:32:10,800 --> 01:32:11,920 [ Music Stops ] 1502 01:32:17,680 --> 01:32:21,920 ♪ [ Piano ] 1503 01:32:24,640 --> 01:32:26,880 ♪ JOYFUL, JOYFUL ♪ 1504 01:32:26,960 --> 01:32:33,000 ♪ LORD, WE ADORE THEE ♪ 1505 01:32:33,080 --> 01:32:39,480 ♪ GOD OF GLORY LORD OF LOVE ♪ 1506 01:32:39,560 --> 01:32:45,880 ♪ HEARTS UNFOLD LIKE FLOWERS BEFORE THEE ♪ 1507 01:32:46,000 --> 01:32:49,040 YOUR TEACHER SAYS TAKE OFF YOUR ROBES. 1508 01:32:49,120 --> 01:32:51,960 HUH? TAKE OFF YOUR ROBES. DO IT QUICKLY. COME ON. 1509 01:32:52,040 --> 01:32:54,960 - TAKE OFF YOUR ROBES. - PUT ON ANYTHING YOU WANT. 1510 01:32:55,040 --> 01:32:58,400 IF WE’RE GONNA GO OUT THERE, WE’RE GONNA GO OUT THERE COMFORTABLE. SOME OF US. 1511 01:32:58,480 --> 01:33:02,240 ♪ OF PAIN AND SADNESS DRIVE THE DARK ♪ 1512 01:33:02,320 --> 01:33:07,320 ♪ OF DOUBT AWAY ♪ 1513 01:33:09,800 --> 01:33:13,680 ♪ GIVER OF IMMORTAL ♪ 1514 01:33:13,760 --> 01:33:18,480 ♪ GLADNESS ♪ 1515 01:33:18,560 --> 01:33:22,480 ♪ FILL US WITH THE LIGHT ♪ 1516 01:33:22,560 --> 01:33:24,760 ♪ FILL US WITH THE LIGHT ♪ 1517 01:33:24,840 --> 01:33:28,000 ♪ OH, FILL US ♪ 1518 01:33:28,080 --> 01:33:35,440 ♪ WITH THE LIGHT OF DAY ♪ 1519 01:33:35,520 --> 01:33:37,600 ♪♪ 1520 01:33:45,600 --> 01:33:50,120 ♪ JOYFUL, JOYFUL LORD, WE ADORE THEE ♪ 1521 01:33:50,200 --> 01:33:54,400 ♪ GOD OF GLORY LORD OF LOVE ♪ 1522 01:33:54,480 --> 01:33:57,960 ♪ HEARTS UNFOLD LIKE FLOWERS BEFORE THEE ♪ 1523 01:33:58,040 --> 01:34:02,040 ♪ HAIL THEE AS THE SUN ABOVE ♪ 1524 01:34:02,160 --> 01:34:04,720 ♪ MELT THE CLOUDS OF SIN ♪ 1525 01:34:04,800 --> 01:34:06,840 ♪ SIN AND SADNESS ♪ 1526 01:34:06,920 --> 01:34:10,440 ♪ DRIVE THE DARK OF DOUBT AWAY ♪ 1527 01:34:10,520 --> 01:34:15,400 ♪ DRIVE IT ALL AWAY GIVER OF IMMORTAL GLADNESS ♪ 1528 01:34:15,480 --> 01:34:17,760 ♪ FILL US ♪ 1529 01:34:17,840 --> 01:34:20,520 ♪ FILL US WITH THE LIGHT OF DAY ♪ 1530 01:34:20,600 --> 01:34:23,480 ♪ LIGHT OF DAY ♪ [ Rapping ] ♪ CHECK THE RHYME ♪ 1531 01:34:23,600 --> 01:34:26,080 ♪ HEY, CHAKA, JOYFUL, JOYFUL LORD, WE ADORE THEE ♪ 1532 01:34:26,160 --> 01:34:28,480 ♪ AND IN MY LIFE I’VE PUT NONE BEFORE THEE ♪ 1533 01:34:28,560 --> 01:34:31,760 ♪ SINCE I WAS A YOUNGSTER I CAME TO KNOW THAT YOU WAS THE ONLY WAY TO GO ♪ 1534 01:34:31,840 --> 01:34:34,880 ♪ SO I HAVE TO GROW TO COME TO AN UNDERSTANDING ♪ 1535 01:34:34,960 --> 01:34:37,120 ♪ AND I’M DOWN WITH THE KING SO NOW I’M DEMANDING ♪ 1536 01:34:37,200 --> 01:34:39,200 ♪ THAT YOU TELL ME WHO YOU’RE DOWN WITH, SEE ♪ 1537 01:34:39,320 --> 01:34:41,120 ♪ ’CAUSE ALL I KNOW IS THAT I’M DOWN WITH G-O-D ♪ 1538 01:34:41,200 --> 01:34:43,120 - ♪ YOU DOWN WITH G-O-D ♪ - ♪ YEAH, YOU KNOW ME ♪ 1539 01:34:43,240 --> 01:34:45,600 - ♪ YOU DOWN WITH G-O-D ♪ - ♪ YEAH, YOU KNOW ME ♪ 1540 01:34:45,680 --> 01:34:47,520 - ♪ YOU DOWN WITH G-O-D ♪ - ♪ YEAH, YOU KNOW ME ♪ 1541 01:34:47,600 --> 01:34:50,280 - ♪ WHO’S DOWN WITH G-O-D ♪ - ♪ EVERYBODY SING ♪ 1542 01:34:50,360 --> 01:34:54,120 ♪ COME AND JOIN THE CHORUS THE MIGHTY, MIGHTY CHORUS ♪ 1543 01:34:54,200 --> 01:34:59,320 ♪ WHICH THE MORNING STARS BEGAN ♪ 1544 01:34:59,400 --> 01:35:03,840 ♪ THE FATHER OF LOVE IS RISING O’ER US ♪ 1545 01:35:03,920 --> 01:35:06,440 ♪ BY THE WAY ♪ ♪ WHAT HAVE YOU DONE FOR HIM LATELY ♪ 1546 01:35:08,480 --> 01:35:11,040 ♪ OOH OOH OOH-YEAH ♪ 1547 01:35:13,960 --> 01:35:16,120 ♪ WHAT HAVE YOU DONE FOR HIM LATELY ♪ 1548 01:35:16,200 --> 01:35:19,480 ♪ HE WATCHES OVER EVERYTHING ♪ 1549 01:35:19,560 --> 01:35:24,000 ♪ SO WE SING JOYFUL, JOYFUL ♪ 1550 01:35:24,080 --> 01:35:27,600 ♪ OH, OH, GOD ♪ ♪ LORD, WE ADORE THEE ♪ 1551 01:35:27,680 --> 01:35:31,200 ♪ GOD OF GLORY LORD OF LOVE ♪ ♪ OHHH ♪ 1552 01:35:31,280 --> 01:35:34,800 ♪ LORD, WE ADORE THEE ♪ ♪ HEARTS UNFOLD LIKE FLOWERS BEFORE THEE ♪ 1553 01:35:34,880 --> 01:35:40,000 ♪ HAIL THEE AS THE SUN ABOVE ♪ ♪ HAIL THEE AS THE SUN ABOVE ♪ 1554 01:35:40,080 --> 01:35:43,360 ♪ OH, MELT THE CLOUDS ♪ ♪ MELT THE CLOUDS OF SIN AND SADNESS ♪ 1555 01:35:43,440 --> 01:35:48,000 ♪ DRIVE THE DARK OF DOUBT AWAY ♪ 1556 01:35:48,080 --> 01:35:52,960 ♪ OHHH ♪ ♪ DRIVE IT ALL AWAY GIVER OF IMMORTAL GLADNESS ♪ 1557 01:35:53,040 --> 01:35:55,120 ♪ MM-MM, FILL US ♪ 1558 01:35:55,200 --> 01:35:58,000 ♪ FILL US WITH THE LIGHT OF DAY LORD, FILL US ♪ 1559 01:35:58,080 --> 01:36:02,400 ♪ FILL US ♪ ♪ OH, WE NEED YOU YES, WE DO, FILL US ♪ 1560 01:36:02,480 --> 01:36:05,560 ♪ FILL US ♪ ♪ YEAH, YEAH, YEAH YEAH, YEAH ♪ 1561 01:36:05,640 --> 01:36:07,920 ♪ OH-OH, OH, YEAH ♪ ♪ FILL US ♪ 1562 01:36:08,000 --> 01:36:12,000 ♪ WITH THE LIGHT OF DAY, LORD ♪ ♪ FILL US ♪ 1563 01:36:12,120 --> 01:36:16,280 ♪ HEAR US AS WE PRAY, LORD ♪ ♪ FILL US ♪ 1564 01:36:16,360 --> 01:36:19,400 ♪ WITH THE LIGHT OF DAY, LORD ♪ 1565 01:36:19,480 --> 01:36:22,640 ♪ WE NEED YOU, COME RIGHT AWAY WE NEED YOU ♪ 1566 01:36:22,720 --> 01:36:25,360 ♪ NEED YOU TODAY WE NEED YOU, I’M HERE ♪ 1567 01:36:25,440 --> 01:36:28,320 ♪ FILL US, FILL US FILL US, FILL US ♪ 1568 01:36:28,400 --> 01:36:31,960 ♪ EH EH EH ♪ ♪ FILL US WITH THE LIGHT OF DAY ♪ 1569 01:36:32,040 --> 01:36:34,840 ♪ OH, YEAH ♪ ♪ LIGHT OF DAY ♪ 1570 01:36:34,920 --> 01:36:37,520 [ Applause ] 1571 01:37:00,040 --> 01:37:04,560 AND NOW, THE MOMENT WE’VE ALL BEEN WAITING FOR. 1572 01:37:04,640 --> 01:37:09,960 BUT FIRST, LET’S GIVE ALL THE CONTESTANTS A NICE BIG HAND. 1573 01:37:10,040 --> 01:37:12,480 [ Applause ] 1574 01:37:12,560 --> 01:37:15,240 THANK YOU. 1575 01:37:15,320 --> 01:37:18,560 THANK YOU. THE THIRD RUNNER-UP: 1576 01:37:18,640 --> 01:37:23,840 PINEWOOD HIGH SCHOOL, SAN BERNARDINO, QUARTET. 1577 01:37:28,320 --> 01:37:31,640 THE SECOND RUNNER-UP: OCEANVIEW HIGH SCHOOL, 1578 01:37:31,720 --> 01:37:34,520 SAN DIEGO, GOSPEL CHOIR! 1579 01:37:34,600 --> 01:37:38,120 [ Applause Continues ] 1580 01:37:44,040 --> 01:37:49,760 FIRST RUNNER-UP: GRANT HIGH SCHOOL, ORANGE COUNTY, CHAPMAN CHOIR! 1581 01:37:49,840 --> 01:37:53,400 [ Applause Continues ] 1582 01:37:58,800 --> 01:38:02,520 THE GRAND PRIZE WINNER: 1583 01:38:02,600 --> 01:38:05,800 ST. FRANCIS HIGH SCHOOL, SAN FRANCISCO! 1584 01:38:05,880 --> 01:38:09,880 [ Applause, Cheering ] 1585 01:38:37,200 --> 01:38:40,120 [ Cheering ] 1586 01:38:44,240 --> 01:38:47,200 SIMPLY OUTSTANDING. WHAT A PERFORMANCE. MY HEART IS STILL RACING. 1587 01:38:47,280 --> 01:38:49,560 CONGRATULATIONS. GOOD EVENING. 1588 01:38:49,640 --> 01:38:52,960 WHAT A SURPRISE TO SEE YOU HERE. YOU’RE AWARE, OF COURSE, 1589 01:38:53,040 --> 01:38:56,280 THAT THE SCHOOL THAT HAS JUST WON IS THE SCHOOL YOU ARE ABOUT TO CLOSE. 1590 01:38:56,360 --> 01:39:00,520 WITH A CHOIR LIKE THAT? WE’VE GOT TO GET READY FOR NEXT YEAR’S COMPETITION. 1591 01:39:00,600 --> 01:39:04,120 I’M SO PLEASED YOU FEEL THAT WAY. [ Mr. Crisp ] OH! 1592 01:39:04,200 --> 01:39:06,960 OH, MR. CRISP, JUST IN TIME. 1593 01:39:07,040 --> 01:39:09,480 JUST THE PEOPLE I WANT TO SEE. YOU HAVE BEEN DECEIVED. 1594 01:39:09,560 --> 01:39:12,200 WHAT’S HE TALKING ABOUT? 1595 01:39:12,280 --> 01:39:15,480 THIS SISTER MARY CLARENCE-- [ Mother Superior ] HE’S QUITE RIGHT. 1596 01:39:15,600 --> 01:39:18,600 YOU HAVE BEEN DECEIVED. ACTUALLY, IT WAS MR. CRISP-- 1597 01:39:18,680 --> 01:39:23,200 - IT WAS MR. CRISP’S IDEA? - I SUPPOSE HE DID IT TO KEEP ST. FRANCIS FROM CLOSING. 1598 01:39:23,280 --> 01:39:26,120 AND IT WORKED. ST. FRANCIS ISN’T CLOSING? 1599 01:39:26,200 --> 01:39:28,520 NO, ST. FRANCIS ISN’T CLOSING. 1600 01:39:28,600 --> 01:39:30,960 WE KNEW YOU WANTED TO BE CONSIDERED FOR EARLY RETIREMENT, 1601 01:39:31,040 --> 01:39:33,320 WE DIDN’T KNOW YOU WERE JUST BEING MODEST. 1602 01:39:33,400 --> 01:39:37,560 - OH, I-- - THEY CAN’T LET A PRIZE BULL LIKE YOU BE PUT TO PASTURE. 1603 01:39:37,640 --> 01:39:41,160 NO, THERE MUST BE A REAL TROUBLE SPOT SOMEWHERE IN THE ARCHDIOCESE... 1604 01:39:41,240 --> 01:39:45,000 THAT COULD USE MR. CRISP’S EXTRAORDINARY TALENTS. 1605 01:39:45,080 --> 01:39:48,680 THAT WOMAN, THAT... WOMAN! 1606 01:39:48,800 --> 01:39:51,960 GO WITH GOD, CRISPY. 1607 01:39:52,040 --> 01:39:54,200 I DON’T KNOW HOW THE HECK SISTER MARY CLARENCE DOES THIS, 1608 01:39:54,280 --> 01:39:56,440 PERFORMS NIGHT AFTER NIGHT IN VEGAS. 1609 01:39:56,520 --> 01:39:58,480 HOW DOES SHE DO IT? SHE’S USED TO ALL THIS. 1610 01:39:58,560 --> 01:40:03,240 WE’RE THE NERVOUS WRECKS. YEAH, ALL THESE PEOPLE. 1611 01:40:03,320 --> 01:40:06,400 [ Together ] VEGAS? 1612 01:40:18,680 --> 01:40:23,240 MAMA, IT WAS JUST THIS ONE TIME. I’M SORRY, I’LL NEVER DISOBEY YOU AGAIN. 1613 01:40:23,320 --> 01:40:25,080 THIS MEANT A LOT TO ME. PLEASE, DON’T BE MAD AT ME, BECAUSE I’M SORRY-- 1614 01:40:25,160 --> 01:40:27,200 JUST STOP. 1615 01:40:28,920 --> 01:40:32,240 YOU’RE INCREDIBLE. 1616 01:40:32,320 --> 01:40:34,200 AND I’M PROUD OF YOU. 1617 01:40:35,960 --> 01:40:38,240 I’M VERY PROUD OF YOU. 1618 01:40:46,760 --> 01:40:50,440 CONGRATULATIONS TO ALL OF YOU. WELL, CONGRATULATIONS. 1619 01:40:50,520 --> 01:40:53,040 SISTER MARY CLARENCE, YOU’VE DONE IT AGAIN. 1620 01:40:53,120 --> 01:40:56,080 AND BECAUSE OF YOUR RESOUNDING AND WELL-DESERVED SUCCESS, 1621 01:40:56,160 --> 01:41:00,440 THE ARCHDIOCESE HAVE DECIDED TO KEEP ST. FRANCIS OPEN! 1622 01:41:00,520 --> 01:41:04,600 [ Cheering ] YOU OWE ME. 1623 01:41:04,680 --> 01:41:07,160 OH, MY GOSH, I FEEL SO HAPPY I THINK I’M GOING TO CRY. 1624 01:41:07,240 --> 01:41:10,240 I KNOW HOW YOU FEEL. I’M A SUCKER FOR HAPPY ENDINGS MYSELF. 1625 01:41:10,320 --> 01:41:14,200 YOU TWO. OH, WHAT THE HELL. 1626 01:41:14,280 --> 01:41:15,840 [ Blowing Nose ] 1627 01:41:15,920 --> 01:41:18,240 YOU AIN’T REALLY A NUN, ARE YOU? 1628 01:41:18,320 --> 01:41:21,040 YOU DON’T TALK LIKE A NUN, AND YOU DEFINITELY DON’T ACT LIKE ONE. 1629 01:41:21,120 --> 01:41:24,320 RUMOR HAS IT THAT YOU’RE A LAS VEGAS SHOW GIRL? 1630 01:41:24,400 --> 01:41:28,960 LET ME POINT OUT ONE THING, MY DEAR AHMAL. 1631 01:41:29,040 --> 01:41:33,800 I AM NOT NOW NOR HAVE I EVER BEEN A LAS VEGAS SHOW GIRL. 1632 01:41:35,720 --> 01:41:40,840 I... AM A HEADLINER. OOH! 1633 01:41:40,920 --> 01:41:44,400 [ Sister Mary Lazarus ] NOW, WAIT A MINUTE. 1634 01:41:44,480 --> 01:41:48,040 [ Father Ignatius ] AND ONE, TWO-- ONE, TWO! 1635 01:41:48,120 --> 01:41:52,760 ♪ NOW, IF YOU NEED ME CALL ME NO MATTER WHERE YOU ARE ♪ 1636 01:41:52,880 --> 01:41:56,040 ♪ NO MATTER HOW FAR DON’T WORRY, BABY ♪ 1637 01:41:56,120 --> 01:42:00,240 ♪ JUST CALL OUT MY NAME I’LL BE THERE IN A HURRY ♪ 1638 01:42:00,320 --> 01:42:03,320 ♪ YOU DON’T HAVE TO WORRY FOR, BABY, THERE ♪ 1639 01:42:03,400 --> 01:42:07,160 ♪ AIN’T NO MOUNTAIN HIGH ENOUGH ♪ ♪ AIN’T NO MOUNTAIN ♪ 1640 01:42:07,240 --> 01:42:11,160 ♪ AIN’T NO VALLEY LOW ENOUGH ♪ ♪ VALLEY TOO LOW ♪ 1641 01:42:11,240 --> 01:42:14,520 ♪ AIN’T NO RIVER WIDE ENOUGH ♪ 1642 01:42:14,600 --> 01:42:17,360 ♪ TO KEEP ME FROM GETTIN’ TO YOU BABE ♪ 1643 01:42:17,440 --> 01:42:20,760 ♪ REMEMBER THE DAY I SET YOU FREE ♪ 1644 01:42:20,840 --> 01:42:24,480 ♪ I TOLD YOU YOU CAN ALWAYS COUNT ON ME, DARLIN’ ♪ 1645 01:42:24,560 --> 01:42:28,360 ♪ AND FROM THAT DAY ON I MADE A VOW ♪ 1646 01:42:28,440 --> 01:42:30,320 ♪ I’LL BE THERE WHEN YOU WANT ME ♪ 1647 01:42:30,400 --> 01:42:32,960 ♪ SOME WAY, SOMEHOW ♪ 1648 01:42:33,040 --> 01:42:37,160 ♪ BABY, THERE AIN’T NO MOUNTAIN HIGH ENOUGH ♪ ♪ NO MOUNTAIN HIGH ENOUGH ♪ 1649 01:42:37,240 --> 01:42:41,000 ♪ AIN’T NO VALLEY LOW ENOUGH ♪ ♪ NO VALLEY LOW ENOUGH ♪ 1650 01:42:41,080 --> 01:42:44,640 ♪ AIN’T NO RIVER WIDE ENOUGH ♪ NO RIVER WIDE ENOUGH ♪ 1651 01:42:44,720 --> 01:42:47,680 ♪ TO KEEP ME FROM GETTIN’ TO YOU, BABE ♪ 1652 01:42:47,760 --> 01:42:49,520 - ♪ AND NO WIND ♪ - ♪ NO WIND ♪ 1653 01:42:49,600 --> 01:42:51,600 - ♪ AND NO RAIN ♪ - ♪ NO RAIN ♪ 1654 01:42:51,680 --> 01:42:54,440 ♪ OR WINTER’S COLD ♪ 1655 01:42:54,520 --> 01:42:58,440 - ♪ CAN STOP ME, BABY ♪ - ♪ OH, BABY ♪ 1656 01:42:58,520 --> 01:43:02,840 - ♪ ’CAUSE YOU ARE MY GOAL ♪ - ♪ IF YOU’RE EVER IN TROUBLE I’LL BE THERE ON THE DOUBLE ♪ 1657 01:43:02,920 --> 01:43:06,840 ♪ JUST SEND FOR ME, BABY OH, BABY ♪ 1658 01:43:06,920 --> 01:43:11,720 ♪ MY LOVE IS ALIVE DEEP DOWN IN MY HEART ♪ 1659 01:43:11,800 --> 01:43:13,800 ♪ ALTHOUGH WE ARE MILES APART ♪ ♪ OOO-OOO ♪ 1660 01:43:13,920 --> 01:43:16,640 ♪ IF YOU EVER NEED A HELPIN’ HAND ♪ 1661 01:43:16,720 --> 01:43:18,680 ♪ I’LL BE THERE ON THE DOUBLE ♪ 1662 01:43:18,800 --> 01:43:21,600 ♪ JUST AS FAST AS I CAN ♪ 1663 01:43:21,680 --> 01:43:25,840 ♪ DON’T YOU KNOW THERE AIN’T NO MOUNTAIN HIGH ENOUGH ♪ ♪ NO MOUNTAIN HIGH ENOUGH ♪ 1664 01:43:25,920 --> 01:43:29,880 ♪ AIN’T NO VALLEY LOW ENOUGH ♪ ♪ NO VALLEY LOW ENOUGH ♪ 1665 01:43:29,960 --> 01:43:33,760 ♪ AIN’T NO RIVER WIDE ENOUGH ♪ ♪ NO RIVER WIDE ENOUGH ♪ 1666 01:43:33,840 --> 01:43:36,800 ♪ TO KEEP ME FROM GETTIN’ TO YOU, BABE ♪ 1667 01:43:36,880 --> 01:43:39,200 ♪ AIN’T NO MOUNTAIN HIGH ENOUGH ♪ ♪ OH ♪ 1668 01:43:39,280 --> 01:43:41,200 ♪ AIN’T NO VALLEY LOW ENOUGH ♪ ♪ SING IT AGAIN ♪ 1669 01:43:41,280 --> 01:43:43,440 ♪ AIN’T NO RIVER WIDE ENOUGH ♪ ♪ WHOO ♪ 1670 01:43:43,520 --> 01:43:46,000 ♪ TO KEEP ME FROM YOU ♪ ♪ NO, NO ♪ 1671 01:43:46,080 --> 01:43:48,520 ♪ AIN’T NO MOUNTAIN HIGH ENOUGH AIN’T NO VALLEY LOW ENOUGH ♪ ♪ NO WAY ♪ 1672 01:43:48,600 --> 01:43:52,000 ♪ AIN’T NO RIVER WIDE ENOUGH TO KEEP ME FROM YOU ♪ ♪ OH ♪ 1673 01:43:59,960 --> 01:44:03,960 ♪ AH, AH, AH, AH NO MOUNTAIN HIGH ENOUGH ♪ 1674 01:44:04,040 --> 01:44:07,320 ♪ AIN’T NO RIVER WIDE ENOUGH TO KEEP ME FROM YOU ♪ 1675 01:44:07,400 --> 01:44:11,000 ♪ AIN’T NO MOUNTAIN HIGH ENOUGH AIN’T NO MOUNTAIN ♪ 1676 01:44:11,080 --> 01:44:14,840 ♪ NOTHING CAN KEEP ME KEEP ME FROM YOU ♪ 1677 01:44:14,920 --> 01:44:18,120 ♪ AH, AH, AH, AH NO MOUNTAIN HIGH ENOUGH ♪ 1678 01:44:18,200 --> 01:44:22,120 ♪ NOTHING CAN KEEP ME KEEP ME FROM YOU ♪ 1679 01:44:22,240 --> 01:44:25,520 ♪ AIN’T NO MOUNTAIN HIGH ENOUGH ♪ 1680 01:44:25,600 --> 01:44:29,480 ♪ NOTHING CAN KEEP ME KEEP ME FROM YOU ♪ 1681 01:44:29,560 --> 01:44:33,240 ♪ AH, AH, AH, AH ♪ 1682 01:44:33,320 --> 01:44:37,160 ♪ NOTHING CAN KEEP ME KEEP ME FROM YOU ♪ 1683 01:44:37,240 --> 01:44:40,960 ♪ AIN’T NO MOUNTAIN HIGH ENOUGH ♪ 1684 01:44:41,040 --> 01:44:44,720 ♪ NOTHING CAN KEEP ME KEEP ME FROM YOU ♪ 1685 01:44:44,840 --> 01:44:48,400 ♪ AIN’T NO MOUNTAIN HIGH ENOUGH ♪ 1686 01:44:48,480 --> 01:44:51,640 ♪ PEOPLE, LET ME TELL YA ♪ 1687 01:44:51,720 --> 01:44:55,440 ♪ I WORK HARD EVERY DAY ♪ 1688 01:44:55,560 --> 01:44:58,200 ♪ I GET UP OUTTA BED ♪ 1689 01:44:58,280 --> 01:45:03,120 ♪ I PUT ON MY CLOTHES ’CAUSE I GOT BILLS TO PAY ♪ 1690 01:45:03,200 --> 01:45:07,800 ♪ NOW, IT AIN’T EASY BUT I DON’T NEED NO HELP ♪ 1691 01:45:07,880 --> 01:45:10,880 ♪ I GOT A STRONG WILL TO SURVIVE ♪ 1692 01:45:10,960 --> 01:45:14,000 ♪ I’VE GOT A DEEPER LOVE ♪ 1693 01:45:14,080 --> 01:45:18,240 ♪ A DEEPER LOVE A DEEPER LOVE INSIDE ♪ 1694 01:45:18,320 --> 01:45:21,760 ♪ AND I CALL IT HIGH ON A DEEPER LOVE ♪ 1695 01:45:21,880 --> 01:45:24,000 ♪ HIGH ON A DEEPER LOVE ♪ 1696 01:45:24,080 --> 01:45:27,320 ♪ HIGH ON A DEEPER LOVE WHOA, WHOA, WHOA ♪ 1697 01:45:27,400 --> 01:45:29,600 ♪ NOW I GOT LOVE IN MY HEART ♪ 1698 01:45:29,720 --> 01:45:31,600 ♪ IT HEALS ME TO THRILL ♪ 1699 01:45:31,720 --> 01:45:34,960 ♪ TO MAKE IT THROUGH THE DAY ♪ 1700 01:45:35,040 --> 01:45:40,160 ♪ HAVE LOVE HAVE RESPECT FOR YOURSELF ♪ 1701 01:45:40,240 --> 01:45:43,840 ♪ AND THAT’S WHY I’M NOT LOOKIN’ FOR ♪ 1702 01:45:43,920 --> 01:45:47,840 ♪ HANDOUTS, CHARITY WELFARE I DON’T NEED ♪ 1703 01:45:47,920 --> 01:45:51,880 ♪ STEALIN’, DEALIN’ NOT MY FEELIN’ ♪ 1704 01:45:51,960 --> 01:45:55,600 ♪ NOWHERE STANDIN’ REALLY BRAGGIN’ ♪ 1705 01:45:55,680 --> 01:46:01,040 ♪ NOT CHEATIN’, ’CAUSE I’VE GOT A DEEPER LOVE ♪ 1706 01:46:01,120 --> 01:46:03,480 ♪ A DEEPER LOVE ♪ 1707 01:46:03,560 --> 01:46:05,960 ♪ DEEPER LOVE INSIDE ♪ 1708 01:46:06,040 --> 01:46:09,160 ♪ AND I CALL IT HIGH ON A DEEPER LOVE ♪ 1709 01:46:09,240 --> 01:46:13,080 ♪ HIGH ON A DEEPER LOVE HIGH ON A DEEPER LOVE ♪ 1710 01:46:13,160 --> 01:46:15,120 ♪ WHOA, WHOA, WHOA ♪ 1711 01:46:15,200 --> 01:46:19,120 ♪ IT’S THE POWER, BABY THE STRENGTH TO SURVIVE ♪ 1712 01:46:19,200 --> 01:46:22,000 ♪ HIGH ON A DEEPER LOVE WHOA, WHOA, WHOA ♪ 1713 01:46:22,080 --> 01:46:26,400 ♪ AND I WILL THANK YOU FOR HELPING ME SEE ♪ 1714 01:46:26,480 --> 01:46:29,040 ♪ THERE’S A POWER THAT LIVES ♪ 1715 01:46:29,120 --> 01:46:32,560 ♪ DEEP INSIDE ME GIVIN’ ME STRENGTH ♪ 1716 01:46:32,640 --> 01:46:35,840 ♪ TO CARRY ON ♪ 1717 01:46:35,920 --> 01:46:38,640 ♪ I’LL BE STRONG WHOA, WHOA, WHOA ♪ 1718 01:46:46,880 --> 01:46:50,440 ♪ HIGH ON A DEEPER LOVE HIGH ON A DEEPER LOVE ♪ 1719 01:46:50,520 --> 01:46:55,000 ♪ HIGH ON A DEEPER LOVE WHOA, WHOA, WHOA ♪