1
00:00:34,960 --> 00:00:37,242
(FUNK MUSIC PLAYING)

2
00:00:40,880 --> 00:00:43,731
(INDISTINCT CHATTERING)

3
00:01:02,520 --> 00:01:04,799
<i>MAN: Richard, say, kudos.</i>

4
00:01:04,800 --> 00:01:07,799
<i>Wow. You found some essential
truth in that staging.</i>

5
00:01:07,800 --> 00:01:09,959
<i>RICHARD: Yeah?
MAN: Absolutely. Clearly, it's about Vietnam.</i>

6
00:01:09,960 --> 00:01:12,759
<i>He suffers from
suburban existential...</i>

7
00:01:12,760 --> 00:01:14,719
<i>It's about whatever
you want it to be about.</i>

8
00:01:14,720 --> 00:01:17,039
<i>WOMAN:
Richard, we loved the play.</i>

9
00:01:17,040 --> 00:01:19,039
<i>RICHARD: You understood it, huh?
WOMAN: Perfectly.</i>

10
00:01:19,040 --> 00:01:21,049
<i>RICHARD:
I'll talk to you later.</i>

11
00:01:25,760 --> 00:01:27,530
MAN: You aced it.
You aced it.

12
00:01:28,280 --> 00:01:30,359
I'm sorry. I don't know your name.
Pam.

13
00:01:30,360 --> 00:01:31,759
Pam? This is Shelley, my girlfriend.
Hi.

14
00:01:31,760 --> 00:01:34,439
Hi. How are you?
I'm Richard and I'm thirsty.

15
00:01:34,440 --> 00:01:37,211
So we'll talk to you later.
Bye-bye.

16
00:01:37,320 --> 00:01:40,763
(TALKING INDISTINCTLY)

17
00:01:41,320 --> 00:01:45,889
MAN: That was a fine, fine play.
Really. Absolutely.

18
00:01:48,360 --> 00:01:51,211
Hey, Shelley, I gotta go
talk to this guy, okay?

19
00:01:53,840 --> 00:01:54,959
What is happening?

20
00:01:54,960 --> 00:01:56,999
This is for you from all of us.

21
00:01:57,000 --> 00:02:00,239
Hey, Shelley! Thank you.
Shelley, look at this.

22
00:02:00,240 --> 00:02:02,359
Wait a minute. What happened
here, did everybody sign this?

23
00:02:02,360 --> 00:02:05,399
WOMAN: Yeah, everybody signed.
Fabulous. Thank you.

24
00:02:05,400 --> 00:02:07,959
RICHARD: Where'd you sign this?
WOMAN: I signed it inside.

25
00:02:07,960 --> 00:02:09,446
Good, I got some news.

26
00:02:09,680 --> 00:02:11,279
There was an agent
in the house tonight,

27
00:02:11,280 --> 00:02:14,919
and he says he thinks this play
might be good enough for Broadway.

28
00:02:14,920 --> 00:02:17,239
MAN: All right!
Yeah. I know.

29
00:02:17,240 --> 00:02:21,240
Let's keep our fingers crossed.
Let's all have some cake.

30
00:02:23,240 --> 00:02:25,408
Penelope, great!

31
00:02:25,640 --> 00:02:30,129
Okay. Now, I think this thing
that we ought to do here is...

32
00:02:30,360 --> 00:02:33,559
Everybody get a piece? Here
you go. Let me trade you that.

33
00:02:33,560 --> 00:02:36,239
I think we shouldn't cut the mask.
We save those for later.

34
00:02:36,240 --> 00:02:38,519
(TALKS WITH MOUTH FULL)

35
00:02:38,520 --> 00:02:39,721
Hmm?

36
00:02:48,000 --> 00:02:49,964
Come back to me.

37
00:03:01,440 --> 00:03:02,971
Who was she?

38
00:03:03,280 --> 00:03:04,439
I never saw her in my life.

39
00:03:04,440 --> 00:03:05,721
WOMAN: What'd she give you?

40
00:03:08,160 --> 00:03:09,521
Oh, my God.

41
00:03:09,680 --> 00:03:12,167
MAN: Is this a party or what?
Let's have some cake.

42
00:03:53,640 --> 00:03:57,083
How was the play?
Did you enjoy it?

43
00:03:59,200 --> 00:04:00,890
Are you all right?

44
00:04:12,640 --> 00:04:14,080
(PIANO MUSIC PLAYING)

45
00:06:30,320 --> 00:06:31,521
(MUSIC STOPS)

46
00:06:36,080 --> 00:06:38,328
(SIREN WAILING IN DISTANCE)

47
00:06:53,760 --> 00:06:55,319
A-ha!
"A-ha," what?

48
00:06:55,320 --> 00:06:56,639
"A-ha," where ya goin'?

49
00:06:56,640 --> 00:06:57,839
I'm going on a trip.

50
00:06:57,840 --> 00:07:00,008
Where?
I have no idea.

51
00:07:00,360 --> 00:07:01,759
What about the play?

52
00:07:01,760 --> 00:07:03,679
Well, it isn't done.

53
00:07:03,680 --> 00:07:06,159
Okay. When will it be done?

54
00:07:06,160 --> 00:07:07,599
I don't know.

55
00:07:07,600 --> 00:07:11,202
Oh, my God. Richard, there are
people waiting for that play.

56
00:07:14,480 --> 00:07:15,959
Is Jill going with you?

57
00:07:15,960 --> 00:07:19,482
No. I don't think so.
We broke up.

58
00:07:31,760 --> 00:07:33,279
<i>SPORTSCASTER: The Red Sox
are at home tonight</i>

59
00:07:33,280 --> 00:07:35,562
<i>for a Comiskey Park game
against the Yankees.</i>

60
00:07:35,680 --> 00:07:38,451
<i>The Cubs are just beginning
a West Coast swing...</i>

61
00:08:42,800 --> 00:08:44,759
How long will you be with us?
Just tonight.

62
00:08:44,760 --> 00:08:46,079
Fine.
If you'll sign in here, sir.

63
00:08:46,080 --> 00:08:47,279
Sure.

64
00:08:47,280 --> 00:08:48,481
(CLEARS THROAT)

65
00:08:53,720 --> 00:08:55,649
Arthur, 313, please.

66
00:08:56,640 --> 00:08:59,241
Have a pleasant stay. Thank you.
Okay, thanks a lot.

67
00:08:59,920 --> 00:09:03,329
This your first time here, Mr...
Collier.

68
00:09:03,480 --> 00:09:06,126
Yeah. For some reason,
I never got around to coming here.

69
00:09:06,360 --> 00:09:07,759
I always heard how
nice it was, though.

70
00:09:07,760 --> 00:09:09,079
When was that?

71
00:09:09,080 --> 00:09:10,519
About eight years ago.

72
00:09:10,520 --> 00:09:12,519
See, I used to be a student
up at Millfield College.

73
00:09:12,520 --> 00:09:16,520
Yeah, the students come here now
and then to enjoy the restaurant

74
00:09:16,800 --> 00:09:18,839
and the rooms.
(LAUGHS)

75
00:09:18,840 --> 00:09:25,286
It seems to me, I remember they had a
graduation prom here back in '47, was it?

76
00:09:26,080 --> 00:09:27,999
Really?
You been here that long?

77
00:09:28,000 --> 00:09:29,770
Why, I've been here since 1910.

78
00:09:30,360 --> 00:09:31,879
(CHUCKLES) 1910?
Uh-huh.

79
00:09:31,880 --> 00:09:34,119
Came here with my parents
when I was five years old.

80
00:09:34,120 --> 00:09:36,243
Really?
My father was a desk clerk.

81
00:09:36,760 --> 00:09:39,531
I used to drive him crazy
playing ball in the lobby.

82
00:09:39,840 --> 00:09:43,279
He got so mad at me sometimes.
I'm lucky I lived to be six.

83
00:09:43,280 --> 00:09:44,766
Three, George.
(CHUCKLES)

84
00:09:47,840 --> 00:09:50,202
Got yourself a nice view here.
Let me see.

85
00:09:53,160 --> 00:09:54,600
Great.

86
00:09:57,400 --> 00:10:00,399
Okay, let's see now.
Here you go.

87
00:10:00,400 --> 00:10:01,639
Thank you, Mr. Collier.

88
00:10:01,640 --> 00:10:03,919
If there's anything I can do
for you, just let me know.

89
00:10:03,920 --> 00:10:07,119
My name's Arthur and I live in
the bungalow behind the hotel.

90
00:10:07,120 --> 00:10:09,129
Okay. Thanks a lot.
See ya around, Arthur.

91
00:10:12,200 --> 00:10:13,765
Have we ever met before?

92
00:10:15,560 --> 00:10:18,445
Have we ever...
No, no. I don't think so.

93
00:10:19,480 --> 00:10:22,879
No. No. I'm sure we haven't.
Have a nice stay here, Mr. Collier.

94
00:10:22,880 --> 00:10:24,491
Okay, thanks a lot.

95
00:10:47,520 --> 00:10:49,559
Sir?
Yeah, when do you open?

96
00:10:49,560 --> 00:10:51,171
In about 40 minutes, sir.

97
00:10:51,760 --> 00:10:52,961
Forty minutes?

98
00:10:54,080 --> 00:10:55,327
Yes, sir.

99
00:13:37,440 --> 00:13:39,642
Arthur! Hi.

100
00:13:39,680 --> 00:13:41,086
Yes, Mr. Collier.

101
00:13:41,560 --> 00:13:43,683
Arthur, you know,
in the Hall of History,

102
00:13:43,760 --> 00:13:45,530
there's a photograph,
a young woman.

103
00:13:45,960 --> 00:13:47,079
There's no nameplate.

104
00:13:47,080 --> 00:13:49,726
Yes, that's Elise McKenna.

105
00:13:50,200 --> 00:13:52,607
She was a famous
actress in her day.

106
00:13:52,760 --> 00:13:54,919
Starred in a play
in the hotel theater.

107
00:13:54,920 --> 00:13:57,805
I'm sorry. Did you say
there was a theater here?

108
00:13:58,480 --> 00:13:59,806
Down by the lake.

109
00:14:00,080 --> 00:14:01,281
Really?

110
00:14:01,440 --> 00:14:02,971
When was this play done?

111
00:14:04,080 --> 00:14:05,566
Oh, um...

112
00:14:05,800 --> 00:14:07,331
1912.

113
00:14:10,520 --> 00:14:12,165
1912?

114
00:15:36,760 --> 00:15:40,487
Hey, Arthur!
Arthur. Hi. Listen.

115
00:15:40,520 --> 00:15:43,279
Could you take my luggage and put it
back in my suite? Great. Thanks a lot.

116
00:15:43,280 --> 00:15:44,759
And can you tell me where
the nearest library is?

117
00:15:44,760 --> 00:15:46,644
In town.
Right past the church.

118
00:15:46,880 --> 00:15:49,686
Great. Look out.
Thanks. Terrific!

119
00:15:51,040 --> 00:15:54,722
Thanks a lot.
See you around, Arthur.

120
00:16:00,560 --> 00:16:02,091
Yeah.

121
00:16:06,880 --> 00:16:08,366
Yes.

122
00:16:11,240 --> 00:16:12,726
Oh, my God.

123
00:16:14,240 --> 00:16:16,599
<i>"One of the most revered
actresses on the American stage,</i>

124
00:16:16,600 --> 00:16:19,485
<i>"for many years, she was the theater's
greatest box office draw. "</i>

125
00:16:26,400 --> 00:16:29,239
<i>"Under the guidance of her
manager, William Fawcett Robinson,</i>

126
00:16:29,240 --> 00:16:30,919
<i>"Elise McKenna was
the first American actress</i>

127
00:16:30,920 --> 00:16:33,122
<i>"to create a mystique
in the public's eye."</i>

128
00:16:36,120 --> 00:16:38,448
<i>"Never seen in public
in her later years,</i>

129
00:16:38,600 --> 00:16:40,439
<i>"apparently,
without an offstage life,</i>

130
00:16:40,440 --> 00:16:42,404
<i>"the absolute
quintessence of seclusion. "</i>

131
00:16:43,960 --> 00:16:46,759
Excuse me. Do you have
any theater biographies

132
00:16:46,760 --> 00:16:49,280
that aren't in the racks under
the rare books or magazines?

133
00:16:49,520 --> 00:16:51,279
Well, we do have some magazines,

134
00:16:51,280 --> 00:16:53,721
but they're in the back, and
I'd have to find them and...

135
00:16:53,840 --> 00:16:55,361
Could you do that for me, please?

136
00:16:56,520 --> 00:16:58,639
Well, all right.

137
00:16:58,640 --> 00:17:01,159
Thanks. I'm in the back.
Okay.

138
00:17:01,160 --> 00:17:02,521
Great!

139
00:17:06,040 --> 00:17:07,480
Here you are.

140
00:17:08,640 --> 00:17:10,171
Thank you.
Thank you.

141
00:17:17,640 --> 00:17:18,841
(SNICKERS)

142
00:18:24,040 --> 00:18:26,199
Yes?
Hello, yes. Miss Roberts?

143
00:18:26,200 --> 00:18:28,679
Yes.
Hi. My name's Richard Collier.

144
00:18:28,680 --> 00:18:31,119
And I just read your book
on famous American actresses,

145
00:18:31,120 --> 00:18:32,359
and I really enjoyed it a lot.

146
00:18:32,360 --> 00:18:33,721
What is it you want?

147
00:18:34,440 --> 00:18:36,404
Information about Elise McKenna.

148
00:18:37,920 --> 00:18:39,565
What sort of information?

149
00:18:40,480 --> 00:18:43,399
Well, I'm a playwright and I was thinking
about doing a play based on her life.

150
00:18:43,400 --> 00:18:44,719
And of course I'd have to talk...
I'm sorry.

151
00:18:44,720 --> 00:18:47,526
Ma'am, please.
Please, don't.

152
00:18:52,520 --> 00:18:54,449
This is not for a play,
Miss Roberts.

153
00:18:55,680 --> 00:18:57,245
This is something very personal.

154
00:18:59,600 --> 00:19:01,165
I don't understand.

155
00:19:07,560 --> 00:19:09,091
Where did you get that?

156
00:19:10,720 --> 00:19:12,331
She gave it to me, ma'am.

157
00:19:12,640 --> 00:19:14,239
At the opening night
of a play that I wrote

158
00:19:14,240 --> 00:19:16,283
at Millfield College
about eight years ago.

159
00:19:17,840 --> 00:19:20,559
That watch was
very precious to her.

160
00:19:20,560 --> 00:19:23,843
She never, never left
it out of her possession.

161
00:19:25,160 --> 00:19:27,044
It disappeared the night she died.

162
00:19:28,360 --> 00:19:29,846
She died that night?

163
00:19:33,240 --> 00:19:34,965
Won't you come in, please?

164
00:19:36,400 --> 00:19:37,965
Thank you.

165
00:19:40,320 --> 00:19:43,364
I have some things I've been
saving for the theater collection.

166
00:19:56,680 --> 00:19:59,121
That was a costume from
one of the plays she was in.

167
00:20:01,280 --> 00:20:04,290
Miss Roberts, what was she like?

168
00:20:06,320 --> 00:20:08,999
When I knew her,
she was kind and thoughtful.

169
00:20:09,000 --> 00:20:13,569
But she was just too
much within herself.

170
00:20:14,200 --> 00:20:16,448
She seemed empty somehow.

171
00:20:16,640 --> 00:20:18,888
Well, she wasn't
always that way, was she?

172
00:20:19,120 --> 00:20:20,560
No, not at all.

173
00:20:20,920 --> 00:20:22,879
People who knew her
when she was young said

174
00:20:22,880 --> 00:20:25,686
that she was quick and
bright and full of fun.

175
00:20:25,800 --> 00:20:29,561
Strong, willful, not at all
the way she was later.

176
00:20:30,400 --> 00:20:31,559
What made her change?

177
00:20:31,560 --> 00:20:36,607
I don't know, but the change seems
to have taken place about 1912.

178
00:20:36,920 --> 00:20:39,487
After she performed
in a play at the Grand Hotel.

179
00:20:44,840 --> 00:20:47,441
That was her manager,
William Robinson.

180
00:20:49,080 --> 00:20:52,363
Was he really as strange as you
seemed to indicate in the book?

181
00:20:53,160 --> 00:20:55,931
There was something strange
about their relationship.

182
00:20:59,840 --> 00:21:01,371
Wow, look at this.

183
00:21:01,520 --> 00:21:03,839
Hey. May I?

184
00:21:03,840 --> 00:21:05,769
Of course.
This is incredible.

185
00:21:05,960 --> 00:21:09,482
This guy, Finney. He was my
philosophy teacher at Millfield.

186
00:21:09,520 --> 00:21:10,881
Really?
Yeah.

187
00:21:12,800 --> 00:21:14,889
She read that book over and over.

188
00:21:24,040 --> 00:21:25,924
She had that made.

189
00:21:37,040 --> 00:21:38,844
(MUSIC PLAYING)

190
00:21:52,640 --> 00:21:54,285
What is it?

191
00:21:55,320 --> 00:21:57,921
That's my favorite music
in the whole world.

192
00:22:00,600 --> 00:22:03,326
I don't understand
what's happening.

193
00:22:04,760 --> 00:22:06,610
(MUSIC CONTINUES)

194
00:22:08,480 --> 00:22:11,239
Dr. Finney?
You'll have to walk with me, young man.

195
00:22:11,240 --> 00:22:13,039
I have another class.
What's your name?

196
00:22:13,040 --> 00:22:14,319
Collier, sir.
Richard Collier.

197
00:22:14,320 --> 00:22:16,568
Student?
Yes, I was, nine years ago.

198
00:22:17,120 --> 00:22:21,599
Well, I try to make my classes
interesting, but nine years?

199
00:22:21,600 --> 00:22:22,759
What can I do for you?

200
00:22:22,760 --> 00:22:23,999
I have a question for you, sir.

201
00:22:24,000 --> 00:22:26,009
Shoot.
Is time travel possible?

202
00:22:27,640 --> 00:22:29,126
That is a question.

203
00:22:30,880 --> 00:22:34,482
Let me tell you something, Richard, is it?
Yes, sir.

204
00:22:36,440 --> 00:22:41,806
I was in Venice in 1971.

205
00:22:42,880 --> 00:22:45,765
I was staying in a very old hotel.

206
00:22:46,600 --> 00:22:48,689
But I mean, very old.

207
00:22:48,960 --> 00:22:52,289
The structure,
the furnishings, everything.

208
00:22:53,760 --> 00:22:58,329
The atmosphere was aged,
if you follow me.

209
00:22:58,680 --> 00:23:02,407
And my room,
I felt as though it was

210
00:23:02,440 --> 00:23:06,531
a century or more earlier than 1971.

211
00:23:06,640 --> 00:23:08,171
You understand?
Yes, sir.

212
00:23:08,320 --> 00:23:11,000
So, in other words, then, the
location is very important.

213
00:23:11,760 --> 00:23:14,361
Not all important, but essential.

214
00:23:14,840 --> 00:23:16,530
The rest is here.

215
00:23:20,000 --> 00:23:22,168
One afternoon, I...

216
00:23:23,600 --> 00:23:26,724
I was lying down in that room.

217
00:23:27,760 --> 00:23:32,329
All the sights around me,
a part of the past.

218
00:23:32,760 --> 00:23:34,644
Even the sounds I heard,

219
00:23:35,000 --> 00:23:36,999
and I conceived a notion.

220
00:23:37,000 --> 00:23:39,328
What, I asked myself,

221
00:23:39,640 --> 00:23:44,209
if I attempt to hypnotize my mind?

222
00:23:44,480 --> 00:23:49,239
Suggest to it that it isn't 1971,

223
00:23:49,240 --> 00:23:51,283
but 1571.

224
00:23:51,680 --> 00:23:53,239
I closed my eyes

225
00:23:53,240 --> 00:23:57,490
and fed a suggestion into my brain.

226
00:23:58,040 --> 00:24:02,039
It's August, 1571.

227
00:24:02,040 --> 00:24:05,239
I am in the Hotel Del Vecchio,

228
00:24:05,240 --> 00:24:09,525
and I spelled out
the details for myself,

229
00:24:09,560 --> 00:24:12,319
and did it over and over,

230
00:24:12,320 --> 00:24:15,000
and again and again and again.

231
00:24:15,720 --> 00:24:17,046
And?

232
00:24:19,000 --> 00:24:23,762
Well, I'll never
really know, Richard.

233
00:24:23,920 --> 00:24:25,770
I've never done it since.

234
00:24:26,520 --> 00:24:30,406
And I'm not sure I'd
want to do it again.

235
00:24:30,920 --> 00:24:35,409
I felt exhausted afterwards.
Completely washed out.

236
00:24:35,760 --> 00:24:38,281
And if it really did happen,

237
00:24:38,520 --> 00:24:42,039
I was only there a fraction
of an instant, remember.

238
00:24:42,040 --> 00:24:43,480
A flicker.

239
00:24:43,600 --> 00:24:46,007
Yes, sir. I understand that.
But you were there.

240
00:24:48,200 --> 00:24:49,561
I thought so.

241
00:24:50,000 --> 00:24:52,601
It was imperfect, granted.

242
00:24:52,800 --> 00:24:54,604
How would it be otherwise?

243
00:24:55,120 --> 00:24:59,450
There were objects around me that
were clearly from the present,

244
00:24:59,680 --> 00:25:01,599
and I knew they were there.

245
00:25:01,600 --> 00:25:02,926
Oh...

246
00:25:03,600 --> 00:25:06,201
If I were going to try it again...

247
00:25:06,440 --> 00:25:09,371
Mind you, I have no such
intention, but if I did,

248
00:25:09,600 --> 00:25:14,522
I would disassociate myself
entirely from the present.

249
00:25:14,760 --> 00:25:18,965
Move everything out of sight that
could possibly remind me of it.

250
00:25:20,520 --> 00:25:23,007
Then, who knows?

251
00:25:33,560 --> 00:25:35,000
Sorry. Hey.

252
00:25:45,240 --> 00:25:47,039
Hi.
Hi, how do you do?

253
00:25:47,040 --> 00:25:48,919
Listen, do you have 1912 money?

254
00:25:48,920 --> 00:25:50,849
I mean, very specifically, 1912.

255
00:25:51,640 --> 00:25:53,649
(SCISSORS SNIPPING)

256
00:26:03,720 --> 00:26:04,921
A-ha!

257
00:26:05,160 --> 00:26:06,521
That's it.

258
00:26:10,040 --> 00:26:11,765
All right. Let's see now.

259
00:26:14,760 --> 00:26:16,319
Yeah, not too bad.

260
00:26:16,320 --> 00:26:19,126
Yup, yup, yup, yup.
It's looking all right.

261
00:26:21,440 --> 00:26:23,404
(CHUCKLES)

262
00:26:25,320 --> 00:26:26,726
(CLEARS THROAT)

263
00:26:28,680 --> 00:26:31,645
Good evening, Miss McKenna.
You don't know me, but you will.

264
00:26:37,000 --> 00:26:38,565
Evening, Miss McKenna.

265
00:26:39,760 --> 00:26:41,610
You don't know me,

266
00:26:42,880 --> 00:26:44,320
but you will.

267
00:26:46,840 --> 00:26:48,246
Okay.

268
00:27:00,400 --> 00:27:01,601
(CLEARS THROAT)

269
00:27:06,120 --> 00:27:08,368
It is June 27th, 1912.

270
00:27:09,880 --> 00:27:11,161
Oh, boy.

271
00:27:12,840 --> 00:27:15,930
You are lying on your bed
in the Grand Hotel,

272
00:27:16,360 --> 00:27:20,121
and it is 6:00 p.m. in the
evening of June 27th,1912.

273
00:27:20,480 --> 00:27:23,365
<i>Your mind accepts
this absolutely.</i>

274
00:27:23,600 --> 00:27:28,362
<i>It is 6:00 p.m.
on June 27th, 1912.</i>

275
00:27:30,080 --> 00:27:33,284
<i>Elise McKenna is in this hotel
at this very moment.</i>

276
00:27:33,560 --> 00:27:36,604
<i>Her manager,
William Fawcett Robinson,</i>

277
00:27:37,040 --> 00:27:39,447
<i>is in this hotel
at this very moment.</i>

278
00:27:39,840 --> 00:27:43,601
<i>Now. This moment. Here.</i>

279
00:27:44,600 --> 00:27:46,290
God, how stupid.

280
00:27:47,400 --> 00:27:48,519
That's not very bright.

281
00:27:48,520 --> 00:27:53,408
<i>Both in the Grand Hotel on this
early evening on June 27th, 1912.</i>

282
00:27:53,600 --> 00:27:58,522
<i>6:00 p.m. on June 27th, 1912.</i>

283
00:27:59,360 --> 00:28:01,289
<i>Elise McKenna and you.</i>

284
00:28:01,600 --> 00:28:02,639
Goodbye.

285
00:28:02,640 --> 00:28:05,810
<i>Elise McKenna,
now, in this hotel.</i>

286
00:28:06,440 --> 00:28:10,201
<i>She and her company, who are in
this hotel at this very moment,</i>

287
00:28:10,440 --> 00:28:12,679
even as you lie here on your bed

288
00:28:12,680 --> 00:28:14,919
<i>in the Grand Hotel
on June 27th, 1912...</i>

289
00:28:14,920 --> 00:28:19,409
<i>6:00 p.m., June 27th, 1912.</i>

290
00:28:20,880 --> 00:28:24,004
<i>The stage is being set for their
performance tomorrow night.</i>

291
00:28:24,960 --> 00:28:29,609
<i>Your mind accepts
this absolutely.</i>

292
00:28:29,920 --> 00:28:33,488
<i>It is 6:00 p.m. on June 27th, 1912.</i>

293
00:28:34,480 --> 00:28:36,409
<i>You have traveled back in time.</i>

294
00:28:36,520 --> 00:28:38,882
<i>Soon you will open your eyes,</i>

295
00:28:39,440 --> 00:28:41,051
<i>and you will walk
into the corridor,</i>

296
00:28:41,400 --> 00:28:44,046
<i>and you will go downstairs
and find Elise McKenna.</i>

297
00:28:44,320 --> 00:28:47,205
<i>She is in the hotel
at this very moment.</i>

298
00:28:48,080 --> 00:28:49,159
Damn it!

299
00:28:49,160 --> 00:28:50,361
(RECORDING STOPS)

300
00:28:58,360 --> 00:29:00,289
<i>There's no question
in your mind.</i>

301
00:29:00,440 --> 00:29:04,361
<i>It is 6:00 p.m.
on June 27th, 1912.</i>

302
00:29:04,480 --> 00:29:05,999
That which you think
becomes your world.

303
00:29:06,000 --> 00:29:09,283
<i>Your mind accepts this absolutely.
It is June 27th, 1912.</i>

304
00:29:10,480 --> 00:29:11,841
<i>It has to happen!</i>

305
00:29:12,160 --> 00:29:15,125
<i>You know that now!
You know it.</i>

306
00:29:15,840 --> 00:29:17,804
<i>It has to happen.</i>

307
00:29:18,040 --> 00:29:22,131
<i>There is no question.
You know it.</i>

308
00:29:23,120 --> 00:29:24,526
<i>It has to happen.</i>

309
00:29:25,360 --> 00:29:28,131
<i>Relax. Accept.</i>

310
00:29:29,200 --> 00:29:31,721
<i>Relax and accept.</i>

311
00:29:32,680 --> 00:29:34,041
Shut up!

312
00:29:39,880 --> 00:29:41,366
(SOBBING)

313
00:30:11,440 --> 00:30:14,291
MAN: Yeah, not bad.
WOMAN: Great.

314
00:30:14,600 --> 00:30:16,006
Hey. Look at these pictures.

315
00:30:17,040 --> 00:30:19,401
I'll bet they're a hundred
years old, if they're a day.

316
00:30:20,080 --> 00:30:22,479
Look at this furniture.
Isn't that nice?

317
00:30:22,480 --> 00:30:23,681
Yeah.

318
00:30:23,880 --> 00:30:25,127
What a place.

319
00:30:25,920 --> 00:30:28,199
Yeah? You like those?
WOMAN: It's beautiful.

320
00:30:28,200 --> 00:30:31,079
They're yours. (LAUGHS)
WOMAN: I'll bet this is all crystal.

321
00:30:31,080 --> 00:30:32,281
You suppose it is?

322
00:30:32,880 --> 00:30:34,599
Yeah, it must be.

323
00:30:34,600 --> 00:30:36,520
Look at the rest of the place.
It has to be.

324
00:30:37,400 --> 00:30:39,489
Look at here, the original picture?

325
00:30:39,600 --> 00:30:43,009
WOMAN: Yeah, but look
how much they've been...

326
00:30:56,760 --> 00:30:58,007
Arthur!

327
00:30:58,400 --> 00:31:01,251
Arthur? Arthur?

328
00:31:04,440 --> 00:31:05,687
Arthur?

329
00:31:08,120 --> 00:31:10,288
Arthur! Come on.
Wake up.

330
00:31:10,400 --> 00:31:12,759
Hi, Arthur. I'm really
sorry to wake you up,

331
00:31:12,760 --> 00:31:15,645
but you're the only
one who can help me.

332
00:31:15,800 --> 00:31:18,279
Listen, you know those things in
the Hall of History display cases?

333
00:31:18,280 --> 00:31:19,719
Where do they come from?

334
00:31:19,720 --> 00:31:21,599
Is there a storeroom or something?

335
00:31:21,600 --> 00:31:23,679
Arthur, please. Where do
those things come from?

336
00:31:23,680 --> 00:31:27,327
The attic, Mr. Collier.

337
00:31:39,800 --> 00:31:41,161
Shit.

338
00:31:53,560 --> 00:31:55,125
Come on.

339
00:31:58,760 --> 00:32:00,166
Here we go.

340
00:32:09,680 --> 00:32:11,041
Twelve!

341
00:32:25,200 --> 00:32:26,845
(MUTTERING)

342
00:32:28,880 --> 00:32:30,320
McKenna.

343
00:32:46,560 --> 00:32:47,807
Yes.

344
00:32:52,600 --> 00:32:56,600
I was there.
I was there.

345
00:33:16,000 --> 00:33:18,965
<i>It is 6:00 p.m.,
June 27th, 1912.</i>

346
00:33:19,120 --> 00:33:23,041
<i>There is no question in
your mind. It is 6:00 p.m.</i>

347
00:33:23,400 --> 00:33:24,886
Of course.

348
00:33:40,280 --> 00:33:42,005
Room 416.

349
00:33:42,560 --> 00:33:44,649
Room 416.

350
00:33:45,760 --> 00:33:49,646
9:18, tomorrow morning.

351
00:33:51,800 --> 00:33:55,402
9:18. 9:18, tomorrow morning.

352
00:34:03,520 --> 00:34:05,449
Believe.

353
00:34:06,880 --> 00:34:08,923
Believe.

354
00:34:12,840 --> 00:34:14,724
Believe.

355
00:34:45,920 --> 00:34:48,851
1912.1912.

356
00:34:49,680 --> 00:34:53,362
1912.1912.

357
00:36:24,400 --> 00:36:25,965
I made it.

358
00:36:28,320 --> 00:36:29,931
(CHUCKLES)

359
00:36:31,440 --> 00:36:33,324
Oh, brother.

360
00:36:36,720 --> 00:36:38,809
(CHUCKLING) I made it.

361
00:36:42,560 --> 00:36:44,171
I made it.

362
00:37:01,480 --> 00:37:02,559
(DOOR OPENS)

363
00:37:02,560 --> 00:37:04,762
(WOMAN HUMMING)

364
00:37:44,640 --> 00:37:45,841
(DOOR CLATTERS)

365
00:37:52,920 --> 00:37:54,246
Maude!

366
00:37:59,200 --> 00:38:00,526
I'm back.

367
00:38:08,560 --> 00:38:10,364
Are you ready yet?
No.

368
00:38:10,480 --> 00:38:12,409
I don't know why you
act in such a manner.

369
00:38:12,560 --> 00:38:14,719
Indeed, I suspect you do not.

370
00:38:14,720 --> 00:38:17,359
And what am I to
make of that remark?

371
00:38:17,360 --> 00:38:20,769
What you will, Rollo.
What you will.

372
00:38:22,320 --> 00:38:24,519
Are we to have this
maddening exchange

373
00:38:24,520 --> 00:38:26,239
each and every time
I notice the existence

374
00:38:26,240 --> 00:38:27,879
of a female other than yourself?

375
00:38:27,880 --> 00:38:29,479
Notice her existence?
(SCOFFS)

376
00:38:29,480 --> 00:38:32,919
That scarcely describes your rapt
appraisal of her every inch.

377
00:38:32,920 --> 00:38:35,771
Rapt appraisal of her...
You just don't love me anymore.

378
00:38:35,920 --> 00:38:37,399
Oh, Maude.
Christ.

379
00:38:37,400 --> 00:38:39,439
I want to lie down for a while.
That's a good idea.

380
00:38:39,440 --> 00:38:40,519
Great idea.

381
00:38:40,520 --> 00:38:42,999
I warn you. I've had enough
of this constant bickering.

382
00:38:43,000 --> 00:38:45,399
That's what you always say to
everything, "I will not discuss it."

383
00:38:45,400 --> 00:38:47,119
That's your answer to everything.

384
00:38:47,120 --> 00:38:49,288
Unless you come to your senses,

385
00:38:49,480 --> 00:38:51,762
I shall leave without you.

386
00:38:59,240 --> 00:39:02,330
Excuse me. Did you see someone
just trying to get in here?

387
00:39:02,600 --> 00:39:05,280
Yes, some young chap, ran that way.

388
00:39:05,520 --> 00:39:08,087
I'll be damned.
I'd better report that.

389
00:39:08,320 --> 00:39:09,599
Indeed, you'd better, sir.

390
00:39:09,600 --> 00:39:12,644
I'd have reported it myself,
if I'd known that there was...

391
00:39:19,200 --> 00:39:21,721
Good afternoon, Miss McKenna.
You don't know me.

392
00:39:22,360 --> 00:39:24,289
Good afternoon, Miss McKenna.

393
00:39:28,280 --> 00:39:30,479
Good afternoon, Miss McKenna,
I've just come 68 years.

394
00:39:30,480 --> 00:39:32,011
May I please speak to you?

395
00:39:39,800 --> 00:39:41,119
Yes?
Yes, <i>monsieur?</i>

396
00:39:41,120 --> 00:39:42,399
Um...

397
00:39:42,400 --> 00:39:44,011
ls Miss McKenna here?

398
00:39:44,800 --> 00:39:46,479
No, I'm afraid she's not.

399
00:39:46,480 --> 00:39:48,119
Could you tell me where she is?

400
00:39:48,120 --> 00:39:50,209
I'm sorry,
I have no idea, <i>monsieur.</i>

401
00:39:52,320 --> 00:39:53,885
Strike one.

402
00:39:54,040 --> 00:39:56,811
(INDISTINCT CHATTERING)

403
00:40:00,040 --> 00:40:01,571
I beg your pardon.

404
00:40:10,320 --> 00:40:11,601
Getting out?

405
00:40:48,880 --> 00:40:50,809
Not inside, Arthur.

406
00:41:03,640 --> 00:41:05,888
Are you Arthur?
Yes, sir.

407
00:41:10,120 --> 00:41:11,526
Here you go.

408
00:41:12,040 --> 00:41:14,925
Arthur, not inside.

409
00:41:40,640 --> 00:41:43,127
(ACTORS REHEARSING INDISTINCTLY)

410
00:41:58,600 --> 00:42:00,040
I'm sorry. Excuse me.

411
00:42:00,800 --> 00:42:02,919
MAN: I say, I shall have her!

412
00:42:02,920 --> 00:42:05,361
WOMAN:
Not in my life, you shall not!

413
00:42:07,840 --> 00:42:10,691
(MAN YELLING)

414
00:42:12,600 --> 00:42:14,519
Whatever you desire,

415
00:42:14,520 --> 00:42:17,769
I guarantee you satisfaction!

416
00:42:21,440 --> 00:42:25,559
Be out of here within two
hours after the show's over?

417
00:42:25,560 --> 00:42:28,559
That's impossible. The man's insane.
That's what he wants.

418
00:42:28,560 --> 00:42:30,719
You know Robinson.
I wish to God I didn't.

419
00:42:30,720 --> 00:42:32,319
All right, if he's that
anxious to get out of here,

420
00:42:32,320 --> 00:42:34,999
let him doff his fine coat
and help us tear down the set.

421
00:42:35,000 --> 00:42:36,281
What?

422
00:42:36,560 --> 00:42:38,559
Sorry.
Have you seen Miss McKenna?

423
00:42:38,560 --> 00:42:40,999
You have a message for her? Give it
to me and I'll see it reaches her.

424
00:42:41,000 --> 00:42:43,851
Now, as for our
precious Mr. Robinson...

425
00:42:45,840 --> 00:42:49,519
Madam, I do not so regard her.
Yes, you do.

426
00:42:49,520 --> 00:42:52,087
And you shall not marry her.

427
00:42:52,120 --> 00:42:54,519
And I say, I shall have her.

428
00:42:54,520 --> 00:42:56,639
Not in my life, you shall not.

429
00:42:56,640 --> 00:43:00,479
Give in, Cecily.
It's not your place to say.

430
00:43:00,480 --> 00:43:01,920
Desist!

431
00:43:02,040 --> 00:43:06,199
Good people, this is a
comedy, not <i>King Lear.</i>

432
00:43:06,200 --> 00:43:09,244
Let's not bury the
playwright before his time.

433
00:43:09,280 --> 00:43:10,766
Excuse me!

434
00:43:12,480 --> 00:43:13,679
I'm terribly sorry to bother you.

435
00:43:13,680 --> 00:43:15,803
I wonder if you know
where Miss McKenna might be.

436
00:43:18,400 --> 00:43:20,807
Very well, very well.
Let us take it again.

437
00:43:22,440 --> 00:43:23,959
From the beginning.

438
00:43:23,960 --> 00:43:25,079
(CLEARS THROAT)

439
00:43:25,080 --> 00:43:29,569
A yearly stipend, shall we
say, paid for by the month.

440
00:43:29,680 --> 00:43:31,450
Whatever you desire.

441
00:43:31,640 --> 00:43:33,126
Hello.

442
00:43:33,200 --> 00:43:34,890
Take it again, Madeline.

443
00:43:35,320 --> 00:43:38,524
WOMAN: Why not put her on the
scale and sell her by the pound?

444
00:43:39,080 --> 00:43:41,408
May I speak to you, please,
Miss McKenna? May I...

445
00:43:42,040 --> 00:43:43,730
May I please speak to...

446
00:43:44,880 --> 00:43:46,279
(CLEARS THROAT)

447
00:43:46,280 --> 00:43:48,562
Miss McKenna. No. No.

448
00:43:49,040 --> 00:43:50,685
Elise, may I...

449
00:43:51,320 --> 00:43:52,639
Oh, boy!
(COUGHS)

450
00:43:52,640 --> 00:43:55,764
Miss McKenna.
Good afternoon, Miss McKenna.

451
00:44:01,320 --> 00:44:03,279
(GROANS) Uh...

452
00:44:03,280 --> 00:44:05,767
I'm, um... Flustered, my sweet?

453
00:44:05,880 --> 00:44:07,519
(SPEAKING FRENCH)

454
00:44:07,520 --> 00:44:11,088
Never seen an actress
en <i>déshabillé</i> before?

455
00:44:14,640 --> 00:44:16,649
Uh, I'm looking for
Miss McKenna, please.

456
00:44:17,440 --> 00:44:21,008
Most likely walking by the lake, my dear.
Thank you.

457
00:44:21,520 --> 00:44:22,599
Oh!

458
00:44:22,600 --> 00:44:25,280
Watch it, sonny.
Sorry. Excuse me.

459
00:46:27,040 --> 00:46:28,446
Is it you?

460
00:46:31,720 --> 00:46:33,251
Is it?

461
00:46:39,280 --> 00:46:40,891
Yes.

462
00:46:42,960 --> 00:46:45,039
Are you all right?
Yes, yes, quite all right.

463
00:46:45,040 --> 00:46:46,919
I'm sorry if I startled you.
No, you didn't startle me.

464
00:46:46,920 --> 00:46:48,039
I think I did.

465
00:46:48,040 --> 00:46:50,004
MAN:
I'll take you in to dinner now.

466
00:46:52,520 --> 00:46:54,768
May I speak to you, please?

467
00:47:02,240 --> 00:47:04,044
Anything the matter?

468
00:47:06,200 --> 00:47:08,289
Who was that young man?

469
00:47:08,920 --> 00:47:10,565
I've no idea.

470
00:47:10,920 --> 00:47:12,724
He gave no name?

471
00:47:13,280 --> 00:47:15,079
There was hardly time.

472
00:47:15,080 --> 00:47:17,123
You were conversing, McKenna.

473
00:47:17,560 --> 00:47:18,761
No.

474
00:47:22,960 --> 00:47:24,810
Well, not really.

475
00:47:27,400 --> 00:47:30,490
No, no need to look back.
He's following us.

476
00:47:32,360 --> 00:47:35,086
Keep on walking.
I'll be right along.

477
00:47:44,520 --> 00:47:46,519
Are you a guest here, sir?

478
00:47:46,520 --> 00:47:47,999
You're Robinson.

479
00:47:48,000 --> 00:47:49,531
Are you a guest of the hotel?

480
00:47:50,040 --> 00:47:51,119
Uh...

481
00:47:51,120 --> 00:47:52,639
Yes. Yes, I am.

482
00:47:52,640 --> 00:47:55,839
Then I must ask you to stop
annoying Miss McKenna any further.

483
00:47:55,840 --> 00:47:58,486
If you do not, I shall
see that you're put out.

484
00:48:08,480 --> 00:48:10,119
What did you say to him?

485
00:48:10,120 --> 00:48:12,322
What I've always said
to men of his sort.

486
00:48:27,640 --> 00:48:29,683
That gown of yours in Act 2,

487
00:48:30,320 --> 00:48:31,839
I'm not crazy about it, you know.

488
00:48:31,840 --> 00:48:33,963
It'll have to be redone.

489
00:48:34,000 --> 00:48:37,010
Warn Marie that I shall
discuss it with her later.

490
00:48:45,480 --> 00:48:48,239
MAN: Good evening, reservations
for four under Woods.

491
00:48:48,240 --> 00:48:52,159
Woods. Yes, <i>monsieur</i>. What
time was the reservation for?

492
00:48:52,160 --> 00:48:53,359
8:00 p.m.
8:00 p.m.

493
00:48:53,360 --> 00:48:54,919
<i>Monsieur,</i>
may I help you, please?

494
00:48:54,920 --> 00:48:57,441
I'm dining with Miss
McKenna, thank you.

495
00:49:03,480 --> 00:49:05,250
Good evening.
How are you, sir?

496
00:49:06,120 --> 00:49:08,279
(INDISTINCT CHATTER)

497
00:49:08,280 --> 00:49:10,562
(MUSIC PLAYING)

498
00:49:12,360 --> 00:49:15,039
I told you, we should have
gone to Poughpeepskie.

499
00:49:15,040 --> 00:49:16,319
Poughkeepsie.

500
00:49:16,320 --> 00:49:17,999
Poughpeepskie.

501
00:49:18,000 --> 00:49:20,487
And I just won't
discuss it any further.

502
00:49:31,360 --> 00:49:33,050
(MAN LAUGHING)

503
00:49:41,360 --> 00:49:45,087
It isn't the lines at all.
If only these actors would...

504
00:49:46,600 --> 00:49:51,044
Isn't he the nincompoop who thought
he could do <i>Hamlet</i> last season?

505
00:49:52,120 --> 00:49:54,159
<i>Mon chéri,</i> we meet again.

506
00:49:54,160 --> 00:49:55,319
Yes, hello.

507
00:49:55,320 --> 00:49:59,439
I so admire a man not hidebound
by the dictates of fashion.

508
00:49:59,440 --> 00:50:01,079
Ma'am?
That suit.

509
00:50:01,080 --> 00:50:03,599
I haven't seen one
like it for a decade.

510
00:50:03,600 --> 00:50:04,719
(LAUGHING)

511
00:50:04,720 --> 00:50:06,365
A decade?
Yes.

512
00:50:06,840 --> 00:50:08,719
Still looking for Miss McKenna?

513
00:50:08,720 --> 00:50:10,968
Yes, in fact...
Over there.

514
00:50:18,040 --> 00:50:20,527
Thank you.
(WOMAN RESPONDS IN FRENCH)

515
00:50:50,080 --> 00:50:52,239
What do you think you're doing?

516
00:50:52,240 --> 00:50:54,090
Dancing with you.

517
00:50:54,280 --> 00:50:56,759
But we don't even know each other.

518
00:50:56,760 --> 00:50:58,039
I know everything about you.

519
00:50:58,040 --> 00:50:59,401
Yes, I'm sure you do.

520
00:50:59,800 --> 00:51:01,479
What do you mean?

521
00:51:01,480 --> 00:51:03,319
If you will excuse me...
No, you don't understand.

522
00:51:03,320 --> 00:51:05,879
I think I do.
No, no, please, don't leave.

523
00:51:05,880 --> 00:51:09,368
You have no idea how far
I've come to be with you.

524
00:51:31,040 --> 00:51:34,164
There's no need to be
afraid of me, you know.

525
00:51:40,560 --> 00:51:42,199
WILLIAM: The man's an intruder.

526
00:51:42,200 --> 00:51:46,325
Will you kindly see to it that he
is escorted from the premises?

527
00:51:47,200 --> 00:51:49,050
If you will, sir.

528
00:51:59,000 --> 00:52:00,565
One moment.

529
00:52:03,080 --> 00:52:05,089
I shall go with him.

530
00:52:05,600 --> 00:52:07,086
McKenna.

531
00:52:11,200 --> 00:52:13,448
Are you sure you want to do this?

532
00:52:14,920 --> 00:52:18,841
Don't worry, William.
I shall return momentarily.

533
00:52:33,840 --> 00:52:35,199
Thank you so much.
I was so embarrassed...

534
00:52:35,200 --> 00:52:36,839
Your name, please?

535
00:52:36,840 --> 00:52:38,399
Richard Collier.

536
00:52:38,400 --> 00:52:39,679
Your place of residence?

537
00:52:39,680 --> 00:52:40,919
Chicago.

538
00:52:40,920 --> 00:52:42,406
Your occupation?

539
00:52:42,600 --> 00:52:44,159
I'm a playwright.

540
00:52:44,160 --> 00:52:45,725
A playwright.

541
00:52:46,200 --> 00:52:48,159
(STAMMERING) Yes, but
I'm not here because...

542
00:52:48,160 --> 00:52:49,599
And you say that you know
everything about me.

543
00:52:49,600 --> 00:52:51,079
Well, yes...
Which is patently absurd.

544
00:52:51,080 --> 00:52:52,679
You couldn't possibly
know everything about me.

545
00:52:52,680 --> 00:52:56,043
We've never met. You're a
complete stranger to me.

546
00:52:57,360 --> 00:53:00,484
But then, why did you
say, "Is it you?"

547
00:53:02,440 --> 00:53:04,079
I don't have to answer that.

548
00:53:04,080 --> 00:53:07,124
I know you don't.
I wish you would, though.

549
00:53:14,280 --> 00:53:16,608
What is the matter with him?

550
00:53:17,880 --> 00:53:20,439
He's just looking out for me
as he has always done.

551
00:53:20,440 --> 00:53:23,166
But why is that?
Do I look dangerous?

552
00:53:25,880 --> 00:53:27,445
Wait. Wait.

553
00:53:30,160 --> 00:53:32,362
When can I see you again?

554
00:53:34,760 --> 00:53:36,450
I don't know.

555
00:53:59,000 --> 00:54:01,521
(SPEAKING FRENCH)

556
00:54:01,840 --> 00:54:03,479
And have it ready
by tomorrow morning.

557
00:54:03,480 --> 00:54:05,364
I'll do my best.

558
00:54:11,120 --> 00:54:13,004
Smiling, McKenna?

559
00:54:14,120 --> 00:54:16,004
Seems appropriate.

560
00:54:17,240 --> 00:54:20,284
Rather handsome young man,
if ill-mannered.

561
00:54:20,960 --> 00:54:22,359
I'll keep an eye on him.

562
00:54:22,360 --> 00:54:24,244
I'm sure you will.

563
00:54:28,560 --> 00:54:30,649
Is he the one, William?

564
00:54:32,120 --> 00:54:33,481
Is he?

565
00:54:35,160 --> 00:54:37,522
Only you can tell for certain.

566
00:54:39,320 --> 00:54:42,171
Now, tomorrow night's performance.

567
00:54:42,840 --> 00:54:45,520
Remember, stay ahead of them.

568
00:54:46,000 --> 00:54:49,044
Keep the mystery,
always the mystery.

569
00:54:49,560 --> 00:54:51,922
BOTH: Excess within control.

570
00:54:58,200 --> 00:55:00,243
Sleep well, McKenna.

571
00:55:30,160 --> 00:55:32,203
(GRUNTS) All right.

572
00:55:59,440 --> 00:56:00,880
(KNOCKING)

573
00:56:03,600 --> 00:56:06,087
ELISE: (WHISPERING) Who is it?

574
00:56:06,280 --> 00:56:08,084
Richard Collier.

575
00:56:15,920 --> 00:56:17,167
Good morning.

576
00:56:20,280 --> 00:56:21,641
You sleep all right?

577
00:56:21,840 --> 00:56:23,963
Wonderfully.
I'm sorry.

578
00:56:24,480 --> 00:56:26,091
I didn't sleep too well either.

579
00:56:26,600 --> 00:56:28,689
But I was on a porch chair.
So, you know...

580
00:56:29,000 --> 00:56:30,440
Don't you even have a room?

581
00:56:30,720 --> 00:56:33,685
Yes, I will at 9:18.
Room 416.

582
00:56:35,880 --> 00:56:39,163
I mean. Would you
like to go to breakfast?

583
00:56:39,720 --> 00:56:41,206
At 6:00 a.m.?

584
00:56:41,520 --> 00:56:43,165
Well, later?

585
00:56:43,360 --> 00:56:45,319
I don't eat breakfast
on performance days.

586
00:56:45,320 --> 00:56:47,124
No, of course not.

587
00:56:47,280 --> 00:56:48,959
Lunch?
Mr. Collier!

588
00:56:48,960 --> 00:56:50,319
No, no, no.
It's not Mr. Collier.

589
00:56:50,320 --> 00:56:51,639
Isn't that your name?

590
00:56:51,640 --> 00:56:53,199
Well, yes, that's my name, but...
(SHUSHING)

591
00:56:53,200 --> 00:56:55,439
What?
Marie. She's sleeping in the other room.

592
00:56:55,440 --> 00:56:56,639
Marie?

593
00:56:56,640 --> 00:56:58,365
My maid.
Oh.

594
00:56:58,760 --> 00:56:59,839
I'm sorry.

595
00:56:59,840 --> 00:57:02,999
Well, of course my
name is Mr. Collier.

596
00:57:03,000 --> 00:57:05,806
But I was hoping you'd call me
by my first name, Richard.

597
00:57:06,480 --> 00:57:08,728
Why should I?
I don't know.

598
00:57:08,920 --> 00:57:10,690
Just hoped you would.

599
00:57:12,480 --> 00:57:13,839
When can I see you today?

600
00:57:13,840 --> 00:57:15,239
I shall be rehearsing all day.

601
00:57:15,240 --> 00:57:16,519
All day! That's crazy! You can't...
(SHUSHING)

602
00:57:16,520 --> 00:57:18,404
Don't wake her up.

603
00:57:18,760 --> 00:57:20,680
Will you walk with me?
Can you do that much?

604
00:57:21,400 --> 00:57:22,601
I can't.

605
00:57:23,640 --> 00:57:25,959
Young woman, if you do not
walk with me, I shall go mad,

606
00:57:25,960 --> 00:57:28,305
positively insane and do
crazed things to myself.

607
00:57:28,331 --> 00:57:28,916
(SHUSHING)

608
00:57:34,120 --> 00:57:37,210
Walk with me. Please.

609
00:57:41,720 --> 00:57:43,968
Say, "Richard," that's me.

610
00:57:44,240 --> 00:57:47,649
"Thank you. I would love to walk with you
and talk with you and get to know you

611
00:57:47,680 --> 00:57:49,719
"and not be afraid of you
and resolve everything."

612
00:57:49,720 --> 00:57:51,365
Say, "Yes."

613
00:57:56,880 --> 00:57:58,241
Yes.

614
00:57:59,240 --> 00:58:00,646
1:00.

615
00:58:01,120 --> 00:58:02,685
Outside the hotel.

616
00:58:04,840 --> 00:58:06,405
She's crazy about me.

617
00:58:28,680 --> 00:58:31,042
Can I persuade you to join me?

618
00:58:31,760 --> 00:58:34,008
Where are you from, Collier?

619
00:58:34,200 --> 00:58:36,767
Chicago.
Where are you from, sir?

620
00:58:37,440 --> 00:58:40,769
I'm given to understand
that you're a playwright.

621
00:58:40,880 --> 00:58:43,039
You understand correctly.

622
00:58:43,040 --> 00:58:47,643
No doubt you dream of seeing Miss
McKenna in one of your opera.

623
00:58:48,760 --> 00:58:51,439
That's plural for opus. I presume
you've written more than one?

624
00:58:51,440 --> 00:58:52,559
Mmm.

625
00:58:52,560 --> 00:58:53,799
And seen them produced.

626
00:58:53,800 --> 00:58:55,525
Really?
Mm-hmm.

627
00:58:56,200 --> 00:58:58,039
I'm not entirely unacquainted
with the achievements

628
00:58:58,040 --> 00:59:01,005
of the American stage
in the past decade.

629
00:59:01,680 --> 00:59:02,959
Perhaps I've seen one?

630
00:59:02,960 --> 00:59:04,650
No, I doubt it.

631
00:59:04,800 --> 00:59:08,490
I also doubt very much that I shall
ever see one graced by Miss McKenna.

632
00:59:10,080 --> 00:59:12,360
You don't really believe
that's why I'm here, do you?

633
00:59:15,200 --> 00:59:18,324
Why are you here?
Is it money?

634
00:59:19,640 --> 00:59:21,600
I don't think you really
believe that either.

635
00:59:21,920 --> 00:59:23,849
There is a law, Collier.

636
00:59:25,560 --> 00:59:27,599
I warn you. I will not
hesitate to make avail of it.

637
00:59:27,600 --> 00:59:29,006
Yes? On what charge?

638
00:59:30,400 --> 00:59:32,879
The matter's concluded, sir.
No.

639
00:59:32,880 --> 00:59:35,082
Yes.
You may depend on it.

640
00:59:40,560 --> 00:59:42,205
Good morning, sir.
Good morning.

641
00:59:42,560 --> 00:59:45,001
Excuse me. Arthur!

642
00:59:48,760 --> 00:59:50,246
Forgive me again, sir.

643
00:59:53,960 --> 00:59:55,479
I'm very sorry, sir.

644
00:59:55,480 --> 00:59:58,570
That's quite all right.
I'd like a room, please.

645
00:59:58,760 --> 01:00:00,883
Oh. Don't you have one?

646
01:00:01,200 --> 01:00:05,564
Well, I was rather ill when I arrived
last night. So I stayed with a friend.

647
01:00:05,640 --> 01:00:07,171
Ah, I see.

648
01:00:08,360 --> 01:00:09,800
You do have a room, sir?

649
01:00:10,440 --> 01:00:12,079
Yes, yes.

650
01:00:12,080 --> 01:00:13,645
Thank you.

651
01:00:18,200 --> 01:00:22,962
One single. $3 a day.
Bathroom privileges extra.

652
01:00:23,280 --> 01:00:26,404
Would you care to sign
the register now, sir?

653
01:00:28,560 --> 01:00:29,886
Um...

654
01:00:30,560 --> 01:00:33,491
Excuse me. I'm sorry. Are you
sure this is the right room?

655
01:00:33,560 --> 01:00:35,799
The right room, sir?
I don't understand.

656
01:00:35,800 --> 01:00:38,559
I'm sorry, Mr. Biehl.
That room is reserved.

657
01:00:38,560 --> 01:00:40,279
Forgot to put a notice in the slot.

658
01:00:40,280 --> 01:00:41,925
I'm very sorry.

659
01:00:50,680 --> 01:00:53,531
Right, shall I sign?
Would you, please?

660
01:01:05,160 --> 01:01:06,361
Excuse me.

661
01:01:07,040 --> 01:01:08,924
Let me just finish that for you.

662
01:01:10,280 --> 01:01:11,891
WOMAN: Grand Hotel.

663
01:01:12,520 --> 01:01:13,999
9:18.

664
01:01:14,000 --> 01:01:15,281
WOMAN: I'm sorry...

665
01:01:15,520 --> 01:01:16,881
Thank you, sir.

666
01:01:20,080 --> 01:01:22,439
Bingo. (CLEARS THROAT)
I beg your pardon?

667
01:01:22,440 --> 01:01:24,529
(CHUCKLES) Oh, nothing.

668
01:01:26,960 --> 01:01:29,162
Which room is your luggage in, sir?

669
01:01:29,920 --> 01:01:31,039
Um...

670
01:01:31,040 --> 01:01:33,561
It's no problem.
I can get it later myself.

671
01:01:33,840 --> 01:01:35,371
Thank you very much.

672
01:01:57,800 --> 01:01:59,240
See you around, Arthur.

673
01:02:05,320 --> 01:02:07,522
(MAN HUMMING)

674
01:02:15,240 --> 01:02:17,169
Morning.
Morning.

675
01:02:19,320 --> 01:02:20,851
Astonishing.

676
01:02:24,320 --> 01:02:25,760
Hello.
Hello!

677
01:02:25,800 --> 01:02:27,365
You look lovely.
Thank you.

678
01:02:27,480 --> 01:02:29,409
Shall we?
Certainly.

679
01:02:29,840 --> 01:02:32,281
Sorry I'm late.
Complications.

680
01:02:33,160 --> 01:02:35,362
What did you do to your face?
Shaved.

681
01:02:35,520 --> 01:02:37,120
New blade wasn't
quite sharp enough.

682
01:02:37,360 --> 01:02:39,839
I shudder to think what you'd look
like if the blade were any sharper.

683
01:02:39,840 --> 01:02:41,041
(CHUCKLES)

684
01:02:41,280 --> 01:02:43,926
No. I don't believe it.

685
01:02:44,400 --> 01:02:46,489
Gotta give him credit.
He's like a bulldog.

686
01:02:47,360 --> 01:02:48,639
Would you like me to speak to him?

687
01:02:48,640 --> 01:02:50,410
Wouldn't do a bit of good.

688
01:02:51,360 --> 01:02:53,483
I think I know what would, though.

689
01:03:02,360 --> 01:03:04,050
Whoa! Wait for me!
Whoa!

690
01:03:15,200 --> 01:03:17,880
(INAUDIBLE)

691
01:04:24,400 --> 01:04:28,400
Mr. Collier, it isn't easy
being a successful actress.

692
01:04:29,440 --> 01:04:31,483
Over the years, I...

693
01:04:32,280 --> 01:04:35,131
I found it necessary
to protect myself.

694
01:04:36,960 --> 01:04:39,481
So understand, please understand.

695
01:04:41,720 --> 01:04:44,048
That I'm even with you today

696
01:04:46,640 --> 01:04:48,319
when we only met last night.

697
01:04:48,320 --> 01:04:51,171
Why did you say, is it you?

698
01:04:55,360 --> 01:04:57,164
I was expecting.

699
01:04:57,680 --> 01:04:59,041
Me?

700
01:05:00,680 --> 01:05:02,166
Someone.

701
01:05:02,280 --> 01:05:03,686
Who?

702
01:05:04,760 --> 01:05:06,166
Tell me.

703
01:05:09,080 --> 01:05:10,319
I think you'll laugh.

704
01:05:10,320 --> 01:05:12,204
Why? Is it funny?

705
01:05:12,360 --> 01:05:13,891
In a way.

706
01:05:15,640 --> 01:05:17,839
William told me you were coming.

707
01:05:17,840 --> 01:05:20,008
Robinson?
Yes.

708
01:05:22,720 --> 01:05:24,570
He knows somehow.

709
01:05:25,400 --> 01:05:27,204
He really does.

710
01:05:28,800 --> 01:05:31,519
He knew a lot of things
before they happened,

711
01:05:31,520 --> 01:05:33,165
my career, my...

712
01:05:38,960 --> 01:05:40,605
He told me that

713
01:05:41,720 --> 01:05:44,321
one day I would meet a man who'd

714
01:05:46,400 --> 01:05:48,204
change my life.

715
01:05:48,720 --> 01:05:52,561
Did he tell you that man would
be someone to be afraid of?

716
01:05:53,720 --> 01:05:55,126
Yes.

717
01:05:56,160 --> 01:05:59,489
And what do you think now?
Do you...

718
01:05:59,640 --> 01:06:01,604
Do you believe that?

719
01:06:03,400 --> 01:06:04,806
No.

720
01:06:05,160 --> 01:06:07,203
You're obviously not.

721
01:06:11,360 --> 01:06:13,927
(HUMMING)

722
01:06:20,680 --> 01:06:22,325
That's beautiful.

723
01:06:23,840 --> 01:06:25,280
What is it?

724
01:06:26,560 --> 01:06:29,525
That's Rachmaninoff,
from the <i>Rhapsody.</i>

725
01:06:31,160 --> 01:06:33,124
I saw him with
the philharmonic once.

726
01:06:33,560 --> 01:06:35,762
I love his music, but I've
never heard this piece.

727
01:06:36,520 --> 01:06:40,247
Really? Well, I'll introduce
you to it sometime.

728
01:07:00,200 --> 01:07:03,324
Sorry we had the carriage so long.
Thank you.

729
01:07:05,440 --> 01:07:06,759
See that guy's face?

730
01:07:06,760 --> 01:07:08,599
They're gonna hang us
for horse-napping.

731
01:07:08,600 --> 01:07:10,370
(BOTH CHUCKLING)

732
01:07:16,840 --> 01:07:18,559
Stick out your tongue.

733
01:07:18,560 --> 01:07:19,799
Huh?

734
01:07:19,800 --> 01:07:21,843
Stick out your tongue.

735
01:07:22,720 --> 01:07:25,207
Why? No.

736
01:07:36,280 --> 01:07:39,279
The most peculiar moment
in my life, Mr. Collier.

737
01:07:39,280 --> 01:07:42,086
I think you'll survive
it, Miss McKenna.

738
01:07:44,920 --> 01:07:46,884
What time is it now?

739
01:07:49,000 --> 01:07:50,326
Um...

740
01:07:51,880 --> 01:07:53,241
4:30.

741
01:07:53,320 --> 01:07:55,568
Well, I must be getting back.

742
01:07:55,640 --> 01:07:57,199
You have to? Can't you
stay a little longer?

743
01:07:57,200 --> 01:07:59,448
No, I have to rest awhile.

744
01:07:59,760 --> 01:08:02,406
The play.

745
01:08:04,200 --> 01:08:05,686
It's lovely.

746
01:08:08,160 --> 01:08:10,124
Where did you get it?

747
01:08:12,520 --> 01:08:14,484
It was given to me.

748
01:08:21,040 --> 01:08:22,844
Well, shall we?

749
01:08:26,840 --> 01:08:29,566
So, when's the company leave?

750
01:08:31,240 --> 01:08:32,680
Tonight.

751
01:08:37,320 --> 01:08:39,329
Where are you going?

752
01:08:39,480 --> 01:08:40,806
Denver.

753
01:08:47,760 --> 01:08:51,009
Well, thank you for
a most pleasant afternoon.

754
01:08:53,200 --> 01:08:54,925
Could we talk just a little longer?

755
01:08:55,720 --> 01:08:58,366
I really should rest awhile.
Please.

756
01:09:03,640 --> 01:09:05,763
Very well, then.
Just for a moment or so.

757
01:09:30,520 --> 01:09:33,007
What did you want to talk about?

758
01:09:49,880 --> 01:09:51,286
No.

759
01:10:15,600 --> 01:10:17,290
Oh, my God.

760
01:10:18,160 --> 01:10:20,010
What's happening?

761
01:10:37,680 --> 01:10:39,689
(KNOCKING ON DOOR)

762
01:10:40,840 --> 01:10:42,326
WILLIAM: McKenna?

763
01:10:45,880 --> 01:10:47,366
McKenna?

764
01:10:48,160 --> 01:10:49,646
Come in.

765
01:10:54,920 --> 01:10:56,159
I think you'd better go.

766
01:10:56,160 --> 01:10:58,159
Have you been waiting all
this time for our return?

767
01:10:58,160 --> 01:11:00,159
This is hardly the time for discussion...
Have you?

768
01:11:00,160 --> 01:11:01,919
Yes.
Does that surprise you?

769
01:11:01,920 --> 01:11:03,399
Our relationship is
strictly business.

770
01:11:03,400 --> 01:11:04,839
Strictly business?

771
01:11:04,840 --> 01:11:08,519
I'm involved with you as an actress,
Mr. Robinson, not a doormat.

772
01:11:08,520 --> 01:11:10,281
Do not attempt to
wipe your boots on me.

773
01:11:15,040 --> 01:11:16,366
Richard.

774
01:11:20,760 --> 01:11:22,960
I shall leave a ticket for you
at the theater door.

775
01:11:31,840 --> 01:11:33,724
"Excess within control," McKenna?

776
01:11:36,760 --> 01:11:37,961
<i>Au revoir.</i>

777
01:11:39,880 --> 01:11:41,491
(DOOR SHUTS)

778
01:11:49,640 --> 01:11:52,241
(ORCHESTRAL MUSIC PLAYING)

779
01:12:10,080 --> 01:12:13,124
(APPLAUSE)

780
01:12:20,560 --> 01:12:22,091
Good evening, miss.

781
01:12:22,240 --> 01:12:23,805
Not good at all.

782
01:12:24,880 --> 01:12:26,445
Particularly bad.

783
01:12:27,600 --> 01:12:29,039
I'll not go downstairs again.

784
01:12:29,040 --> 01:12:31,049
What is it, miss?

785
01:12:32,040 --> 01:12:35,929
I've just been dining with the man
my father is determined that I wed.

786
01:12:36,280 --> 01:12:37,639
Banker Harwell.

787
01:12:37,640 --> 01:12:39,365
Banker Harwell, yes.

788
01:12:39,600 --> 01:12:44,119
All 67 years, and 5'4" of height
and several hundred pounds of him!

789
01:12:44,120 --> 01:12:45,651
(AUDIENCE LAUGHS)

790
01:12:45,760 --> 01:12:47,599
He does have money, though, miss.

791
01:12:47,600 --> 01:12:49,802
And never lets a soul forget it.

792
01:12:50,800 --> 01:12:53,526
I'm amazed he has
the least desire to marry.

793
01:12:53,720 --> 01:12:55,968
He's so happily wedded to his gold.

794
01:12:56,040 --> 01:12:57,359
(AUDIENCE LAUGHS)

795
01:12:57,360 --> 01:12:59,562
Perhaps he won't be that bad, miss.

796
01:12:59,800 --> 01:13:02,685
There must be something
you like about 'im.

797
01:13:02,920 --> 01:13:05,248
Yes, his absence.

798
01:13:05,280 --> 01:13:06,891
(ALL LAUGHING)

799
01:13:12,400 --> 01:13:15,206
The man of my dreams
has almost faded now.

800
01:13:23,840 --> 01:13:25,963
And what man is that, miss?

801
01:13:27,040 --> 01:13:29,527
The one I have created in my mind.

802
01:13:33,040 --> 01:13:34,651
The sort of man

803
01:13:35,880 --> 01:13:38,079
each woman dreams of in the deepest

804
01:13:38,080 --> 01:13:40,851
and most secret reaches
of her heart.

805
01:13:46,720 --> 01:13:48,684
I can almost see him now before me.

806
01:13:52,520 --> 01:13:54,324
What would I say to him

807
01:13:56,080 --> 01:13:57,850
if he were really here?

808
01:13:59,400 --> 01:14:00,886
"Forgive me.

809
01:14:03,440 --> 01:14:05,324
"I've never known this feeling.

810
01:14:07,440 --> 01:14:10,166
"I've lived without it all my life.

811
01:14:12,360 --> 01:14:15,325
"Is it any wonder, then,
I failed to recognize you?

812
01:14:16,720 --> 01:14:20,686
"You've brought it to
me for the first time.

813
01:14:22,560 --> 01:14:24,250
"Is there any way

814
01:14:25,520 --> 01:14:28,246
"that I can tell you
how my life has changed?

815
01:14:29,880 --> 01:14:34,085
"Any way at all to let you know
what sweetness you have given me?

816
01:14:35,960 --> 01:14:38,367
"There is so much to say.

817
01:14:41,720 --> 01:14:43,763
"I cannot find the words,

818
01:14:45,080 --> 01:14:46,770
"except for these,

819
01:14:49,920 --> 01:14:51,485
"I love you."

820
01:14:56,400 --> 01:14:58,364
And such would I say to him

821
01:14:59,240 --> 01:15:01,283
if he were really here.

822
01:15:01,640 --> 01:15:03,683
(AUDIENCE APPLAUDING)

823
01:15:40,880 --> 01:15:43,287
What in God's name were you doing?

824
01:15:43,920 --> 01:15:47,279
Nothing.
Nothing? Rewriting the entire first scene?

825
01:15:47,280 --> 01:15:49,279
I got it back on course.
Elise, hold a moment.

826
01:15:49,280 --> 01:15:51,164
We've just got to
take that photograph.

827
01:15:52,120 --> 01:15:55,210
Very well. Just a moment,
I have to change.

828
01:15:55,840 --> 01:15:57,166
Quickly!

829
01:16:04,080 --> 01:16:05,611
And a little flourish.

830
01:16:05,760 --> 01:16:08,440
Yes, yes. Yes, very pretty.
Very pretty. Just one moment.

831
01:16:08,960 --> 01:16:12,528
Here we go. I'm just going
to focus on that lovely...

832
01:16:13,160 --> 01:16:15,761
Yes, yes, yes! I'm just
going to put in the plate.

833
01:16:15,840 --> 01:16:18,566
One moment.
There we go.

834
01:16:19,960 --> 01:16:21,446
A little smile, please.

835
01:16:21,920 --> 01:16:25,966
Not quite. Perhaps if you think
of something happy or bright.

836
01:16:26,880 --> 01:16:29,731
Yes, that's it.
That's it. Hold it.

837
01:16:31,160 --> 01:16:32,646
(CAMERA CLICKS)

838
01:16:33,320 --> 01:16:35,921
PHOTOGRAPHER: Perfect!
Absolutely perfect.

839
01:16:54,560 --> 01:16:57,081
MAN: I say, I shall have her!

840
01:16:57,880 --> 01:16:59,199
Not in my life, you shall not.

841
01:16:59,200 --> 01:17:00,359
MAN: Mr. Collier?

842
01:17:00,360 --> 01:17:02,050
I am the one who loves her!

843
01:17:03,200 --> 01:17:04,399
For you.

844
01:17:04,400 --> 01:17:05,965
WOMAN: Neither do you.

845
01:17:07,400 --> 01:17:09,559
MAN: I can provide her
with life's enrichments,

846
01:17:09,560 --> 01:17:11,799
rather than the riches of life.

847
01:17:11,800 --> 01:17:13,279
(AUDIENCE LAUGHS)

848
01:17:13,280 --> 01:17:15,482
(ACTORS CONTINUING)

849
01:17:16,120 --> 01:17:18,800
MAN: I think an old
song says it best.

850
01:17:26,960 --> 01:17:31,449
Do you have any notion how many years
I have been with Miss McKenna?

851
01:17:33,880 --> 01:17:36,287
Since March of 1903.

852
01:17:41,080 --> 01:17:43,965
March, 1903.

853
01:17:44,080 --> 01:17:45,520
That's correct.

854
01:17:46,080 --> 01:17:48,442
She was 16 at the time.

855
01:17:50,200 --> 01:17:53,961
There she was on that dingy stage

856
01:17:54,600 --> 01:17:57,007
in that pathetic play.

857
01:17:57,960 --> 01:18:00,128
Total radiance.

858
01:18:02,160 --> 01:18:04,279
It only took seconds
for me to realize

859
01:18:04,280 --> 01:18:06,642
exactly what she had to be.

860
01:18:07,680 --> 01:18:09,325
Mrs. Robinson?

861
01:18:10,160 --> 01:18:12,839
Do you actually believe

862
01:18:12,840 --> 01:18:15,168
that I have nurtured her,

863
01:18:15,280 --> 01:18:20,361
cared for her, molded, taught,
developed her for all these years

864
01:18:20,440 --> 01:18:22,449
merely to groom a wife?

865
01:18:24,040 --> 01:18:25,321
What, then?

866
01:18:26,400 --> 01:18:27,840
A star.

867
01:18:31,080 --> 01:18:34,999
Only someone with the limited
awareness of your age

868
01:18:35,000 --> 01:18:37,639
could possibly conceive that my
entire passion for this woman

869
01:18:37,640 --> 01:18:39,410
is no more than physical!

870
01:18:40,720 --> 01:18:42,519
Are you incapable
of understanding that

871
01:18:42,520 --> 01:18:46,399
she has it within herself
to be one of the greatest,

872
01:18:46,400 --> 01:18:50,525
if not the greatest
actress of her generation?

873
01:19:00,000 --> 01:19:01,719
I owe you an apology.

874
01:19:01,720 --> 01:19:03,046
What?

875
01:19:04,000 --> 01:19:06,043
I understand you now.

876
01:19:06,640 --> 01:19:10,003
You have nothing but the best
motives in mind for her.

877
01:19:10,320 --> 01:19:12,010
And you...
But so do I.

878
01:19:12,680 --> 01:19:16,719
Of course, she'll continue to
act, she will continue to grow

879
01:19:16,720 --> 01:19:19,969
and she will become everything
you want her to be.

880
01:19:21,840 --> 01:19:24,008
With you at her side?
Yes.

881
01:19:24,520 --> 01:19:26,085
With me at her side.

882
01:19:27,280 --> 01:19:28,559
Never.

883
01:19:28,560 --> 01:19:29,966
My God.

884
01:19:30,680 --> 01:19:33,087
You really think you
own her, don't you?

885
01:19:34,200 --> 01:19:37,404
Collier, I know who you are.

886
01:19:40,120 --> 01:19:43,767
Ever since you came here,
I've known from the start.

887
01:19:45,520 --> 01:19:46,999
You came to destroy her.

888
01:19:47,000 --> 01:19:48,565
God, you're out of your mind.

889
01:19:54,360 --> 01:19:55,561
(GRUNTS)

890
01:19:55,680 --> 01:19:57,450
(APPLAUSE)

891
01:20:02,920 --> 01:20:04,559
No more.
No more?

892
01:20:04,560 --> 01:20:06,762
One curtain call?
The audience will be furious.

893
01:20:08,400 --> 01:20:10,648
Marie, did you find him?
No, Miss McKenna.

894
01:20:10,680 --> 01:20:12,530
Did you try his room?
He wasn't there.

895
01:20:15,800 --> 01:20:17,079
What did they say at the desk?

896
01:20:17,080 --> 01:20:18,359
They have not seen him.

897
01:20:18,360 --> 01:20:19,679
He left no message?

898
01:20:19,680 --> 01:20:21,120
No, I'm sorry.

899
01:20:21,440 --> 01:20:23,369
This makes no sense at all.

900
01:20:24,520 --> 01:20:27,087
What could have happened to him?

901
01:20:28,560 --> 01:20:29,966
Marie!

902
01:20:30,280 --> 01:20:33,086
Marie, help me change.
Quickly.

903
01:20:34,520 --> 01:20:36,051
(KNOCKING ON DOOR)

904
01:20:36,800 --> 01:20:38,411
Wait, Marie.

905
01:20:45,040 --> 01:20:46,651
Thank you, Marie.

906
01:21:00,280 --> 01:21:02,050
Your performance in Act 1,

907
01:21:02,600 --> 01:21:06,079
I must say, was somewhat eccentric.

908
01:21:06,080 --> 01:21:08,479
Where is he?
What have you done to him?

909
01:21:08,480 --> 01:21:10,125
I've done nothing, McKenna.

910
01:21:11,360 --> 01:21:14,484
Mr. Collier has left.
That's all.

911
01:21:14,880 --> 01:21:17,128
What do you mean?
Gone.

912
01:21:18,000 --> 01:21:19,486
From the hotel

913
01:21:20,520 --> 01:21:22,006
and your life.

914
01:21:22,120 --> 01:21:23,651
I don't believe you.

915
01:21:26,480 --> 01:21:27,841
I must admit,

916
01:21:29,080 --> 01:21:30,725
he was somewhat more charming

917
01:21:31,320 --> 01:21:33,522
than others that we've
encountered in the past,

918
01:21:34,480 --> 01:21:35,886
you and I.

919
01:21:36,760 --> 01:21:39,319
A trifle more sincere,
perhaps. Still...

920
01:21:39,320 --> 01:21:41,249
Then he was not
the one you spoke of?

921
01:21:42,320 --> 01:21:43,399
No.

922
01:21:43,400 --> 01:21:45,280
Then you were wrong
about him, weren't you?

923
01:21:47,840 --> 01:21:49,485
You were wrong.

924
01:21:52,240 --> 01:21:53,646
I love him

925
01:21:54,840 --> 01:21:57,042
and he's going to
make me very happy.

926
01:21:58,800 --> 01:22:00,206
Do you understand?

927
01:22:04,320 --> 01:22:05,965
I love him.

928
01:22:07,120 --> 01:22:11,166
What difference can that
make now? He's gone.

929
01:22:11,680 --> 01:22:13,928
I'll find him, William.

930
01:22:15,480 --> 01:22:17,887
Don't you dare try to stop me.

931
01:22:22,840 --> 01:22:25,042
Now, if you will excuse
me while I change.

932
01:22:27,360 --> 01:22:28,800
Of course.

933
01:22:49,160 --> 01:22:50,964
May I remind you

934
01:22:51,640 --> 01:22:53,683
that we leave within the hour?

935
01:23:44,920 --> 01:23:46,281
Thank you.

936
01:23:55,840 --> 01:23:57,451
(HORSE SNARLS)
(GRUNTS)

937
01:24:54,200 --> 01:24:55,719
Elise!

938
01:24:55,720 --> 01:24:57,763
(BANGING ON DOOR)
Elise?

939
01:24:58,600 --> 01:24:59,961
Elise?

940
01:25:04,000 --> 01:25:05,406
MAN: Sir?

941
01:25:05,760 --> 01:25:07,291
Are you all right?

942
01:25:07,800 --> 01:25:10,571
The company, are they gone?
Company?

943
01:25:10,880 --> 01:25:13,239
The ones who did the play last night.
Where are they? Are they gone?

944
01:25:13,240 --> 01:25:15,249
They left as soon as
they were packed, sir.

945
01:25:21,040 --> 01:25:23,720
Come along, Arthur.
We'll be late.

946
01:26:36,160 --> 01:26:37,771
Richard!

947
01:27:06,320 --> 01:27:08,439
You all right?
Yes.

948
01:27:08,440 --> 01:27:10,449
I thought I lost you.
Never.

949
01:27:10,640 --> 01:27:12,569
Never, never, never!

950
01:29:02,320 --> 01:29:03,885
Mm-mm-mm!

951
01:29:05,240 --> 01:29:06,726
You will marry me, won't you?

952
01:29:06,800 --> 01:29:08,206
(GAGS)

953
01:29:10,000 --> 01:29:11,486
(LAUGHS) Sorry.
You won't?

954
01:29:12,560 --> 01:29:13,921
Sure.

955
01:29:14,680 --> 01:29:17,319
I was just laughing at the
way you asked, that's all.

956
01:29:17,320 --> 01:29:18,759
For one moment there...
What?

957
01:29:18,760 --> 01:29:21,559
I thought you had a wife and
children back home somewhere.

958
01:29:21,560 --> 01:29:22,761
(CHUCKLES)

959
01:29:23,040 --> 01:29:24,287
Elise.

960
01:29:25,120 --> 01:29:26,765
I want to be everything to you.

961
01:29:27,120 --> 01:29:28,560
You are.

962
01:29:29,880 --> 01:29:31,445
You are.

963
01:29:34,520 --> 01:29:36,119
Tell me more about
yourself, my love.

964
01:29:36,120 --> 01:29:38,481
Well, I was born in...
What sort of plays do you write?

965
01:29:38,680 --> 01:29:40,439
Are there parts in it for me?
I could...

966
01:29:40,440 --> 01:29:43,239
I would love to act
in one of your plays,

967
01:29:43,240 --> 01:29:46,639
assuming that I ever want
to act again after tonight.

968
01:29:46,640 --> 01:29:48,171
You will.

969
01:29:48,320 --> 01:29:49,646
Richard.

970
01:29:56,920 --> 01:29:57,999
(CLEARS THROAT)

971
01:29:58,000 --> 01:29:59,486
Good plays.
What?

972
01:29:59,520 --> 01:30:01,484
I write good plays.

973
01:30:02,440 --> 01:30:03,599
I never let you answer, did I?

974
01:30:03,600 --> 01:30:05,006
No.
Sorry.

975
01:30:09,720 --> 01:30:12,319
What time do you think it is?
I don't know.

976
01:30:12,320 --> 01:30:15,126
I don't care. I love you.

977
01:30:16,280 --> 01:30:18,209
Don't look. Fine.

978
01:30:21,640 --> 01:30:23,319
It's 5:00.
Really?

979
01:30:23,320 --> 01:30:24,639
I don't feel sleepy
somehow, do you?

980
01:30:24,640 --> 01:30:26,046
No.

981
01:30:29,520 --> 01:30:33,520
The first thing I intend to do for you...
You've already done.

982
01:30:34,040 --> 01:30:36,319
Well, the second thing, then.
What?

983
01:30:36,320 --> 01:30:37,760
Buy you a new suit.

984
01:30:39,120 --> 01:30:41,721
I don't understand.
Nobody seems to like my suit.

985
01:30:41,840 --> 01:30:45,089
Well, can you blame them?
Wait a minute. I think my suit's terrific.

986
01:30:45,320 --> 01:30:47,399
What's wrong with this?
So what if it's 10 years old?

987
01:30:47,400 --> 01:30:48,639
At least 15.

988
01:30:48,640 --> 01:30:50,251
Fifteen?
Mm-hmm.

989
01:30:50,360 --> 01:30:53,245
Well, I think it's fabulous.
Let me show you.

990
01:30:53,680 --> 01:30:56,121
It's a really great suit.
It's in first-class condition.

991
01:30:56,160 --> 01:30:58,159
The sleeves fit.
That's pretty good for me.

992
01:30:58,160 --> 01:30:59,519
My arms are about nine feet long.

993
01:30:59,520 --> 01:31:03,247
And it's got pockets everywhere.
I can pull rabbits outta here.

994
01:31:03,720 --> 01:31:06,681
Yeah, this is the best part. This is
a special coin compartment for...

995
01:31:10,960 --> 01:31:12,366
Richard?

996
01:31:14,400 --> 01:31:16,204
Richard?

997
01:31:17,840 --> 01:31:19,246
Richard!

998
01:31:19,320 --> 01:31:21,921
Richard! Richard!

999
01:31:22,080 --> 01:31:24,282
Richard!

1000
01:31:24,880 --> 01:31:26,969
Richard!

1001
01:31:32,360 --> 01:31:35,291
(INDISTINCT RADIO CHATTER)

1002
01:32:05,040 --> 01:32:07,481
<i>MAN: (ON RADIO)
How's traffic?</i>

1003
01:32:11,080 --> 01:32:13,959
<i>WOMAN: (ON RADIO) And the road
conditions are pretty good today.</i>

1004
01:32:13,960 --> 01:32:16,239
<i>(SOBBING) You really shouldn't
run into any problems,</i>

1005
01:32:16,240 --> 01:32:18,599
<i>except on the inbound
Kennedy at Jackson,</i>

1006
01:32:18,600 --> 01:32:20,919
<i>there's a three-car
accident with injuries</i>

1007
01:32:20,920 --> 01:32:22,639
<i>right at the center
of the roadway.</i>

1008
01:32:22,640 --> 01:32:25,525
<i>Traffic is backed up
from Ohio to Jackson...</i>

1009
01:32:26,200 --> 01:32:28,846
No. No. No!

1010
01:32:29,200 --> 01:32:30,481
No!

1011
01:32:30,760 --> 01:32:32,121
No!

1012
01:32:53,000 --> 01:32:55,009
June 29,1912.

1013
01:32:55,320 --> 01:32:57,919
It's June 29, 1912. Oh, God.

1014
01:32:57,920 --> 01:32:59,281
Oh, please.

1015
01:33:00,840 --> 01:33:04,647
June 29. I'm back.
I'm back. Oh, God.

1016
01:33:04,680 --> 01:33:06,245
June 29,1912.

1017
01:33:16,520 --> 01:33:18,688
(SOBBING)

1018
01:33:32,720 --> 01:33:34,206
No!

1019
01:37:13,720 --> 01:37:14,799
(KNOCKING ON DOOR)

1020
01:37:14,800 --> 01:37:16,729
ARTHUR: Mr. Collier?

1021
01:37:18,600 --> 01:37:20,131
MAN: Are you sure he's in there?

1022
01:37:20,160 --> 01:37:22,488
Well, the maid says
he's been in there for days.

1023
01:37:24,440 --> 01:37:26,439
ARTHUR: Are you all right, sir?

1024
01:37:26,440 --> 01:37:28,563
HOTEL MANAGER: Use the passkey.

1025
01:37:30,760 --> 01:37:32,121
Mr. Collier?

1026
01:37:34,600 --> 01:37:36,165
Oh, my God!

1027
01:37:36,520 --> 01:37:38,484
Let's get him on the bed.
All right, easy.

1028
01:37:38,840 --> 01:37:41,122
Careful, careful!
I got him.

1029
01:37:42,000 --> 01:37:43,399
Better take his legs.
All right.

1030
01:37:43,400 --> 01:37:45,159
All right, over here.

1031
01:37:45,160 --> 01:37:46,646
Okay.

1032
01:37:47,520 --> 01:37:49,006
Easy.

1033
01:37:58,880 --> 01:38:02,971
HOTEL MANAGER: Operator? Get Dr. Paul
up to Suite 313 right away.

1034
01:38:06,520 --> 01:38:08,119
Looks like he hasn't
eaten in a week.

1035
01:38:08,120 --> 01:38:10,279
You better send for an ambulance.
I'll call one right now.

1036
01:38:10,280 --> 01:38:12,847
What a shame.
If I'd only known.

1037
01:38:12,960 --> 01:38:14,359
Operator?
Get an ambulance.

1038
01:38:14,360 --> 01:38:15,679
ARTHUR: He is gonna make it,
isn't he?

1039
01:38:15,680 --> 01:38:16,839
DOCTOR: I don't know.

1040
01:38:16,840 --> 01:38:18,559
HOTEL MANAGER: They're on their way.
How is he?

1041
01:38:18,560 --> 01:38:19,959
We're gonna need some oxygen.

1042
01:38:19,960 --> 01:38:22,083
We've got some downstairs.
I'll get it right now.

1043
01:38:22,640 --> 01:38:25,571
ARTHUR: Keep him warm
with this blanket.

1044
01:38:27,080 --> 01:38:28,930
Looks like he hasn't
eaten in a week.

1045
01:38:29,480 --> 01:38:31,170
What a shame.

1046
01:38:34,320 --> 01:38:36,409
I wonder what happened.

1047
01:38:36,520 --> 01:38:39,485
Gotta keep him going
until they get here.

1048
01:38:47,520 --> 01:38:50,371
Gladys, this is Arthur again,
in Mr. Collier's suite.

1049
01:38:50,400 --> 01:38:52,568
We've got to get that ambulance...