1 00:02:55,958 --> 00:02:58,700 "SOME KIND OF HAPPINESS." 2 00:02:58,743 --> 00:03:01,790 H-A-P-P-I-- GOOD, ONE "N." 3 00:03:01,833 --> 00:03:04,140 "HONEY WHITLOCK." 4 00:03:04,184 --> 00:03:06,969 W-H-I-T-- GOOD, GOOD. 5 00:03:07,012 --> 00:03:09,232 THAT'S GOOD. 6 00:03:09,276 --> 00:03:12,235 TRY MOVING A LITTLE MORE TO THE RIGHT, SINCLAIR. 7 00:03:12,279 --> 00:03:14,237 IS THAT BETTER, MR. STILLINGS? 8 00:03:14,281 --> 00:03:16,848 YEAH. YEAH, THAT'S ALL RIGHT. 9 00:03:16,892 --> 00:03:20,504 BUT TRY MOVING THE "N" A LITTLE MORE TO THE RIGHT. 10 00:03:20,548 --> 00:03:22,811 HMM. 11 00:03:22,854 --> 00:03:25,422 - HAVE YOU MET MISS WHITLOCK YET? - NOT TILL TONIGHT. 12 00:03:25,466 --> 00:03:28,164 BUT DON'T WORRY, SINCLAIR. I'LL INTRODUCE YOU. 13 00:03:28,208 --> 00:03:31,863 YOU PROMISE? I'D KILL TO MEET HER. 14 00:03:31,907 --> 00:03:35,215 15 00:03:35,258 --> 00:03:39,654 OHH, WHAT A TOWN. 16 00:03:39,697 --> 00:03:43,048 YOU KNOW, I TELL EVERYBODY IN HOLLYWOOD... 17 00:03:43,092 --> 00:03:46,051 THAT IF YOU WANT TO SHOOT ON LOCATION IN BALTIMORE, 18 00:03:46,095 --> 00:03:49,316 YOU REALLY DON'T NEED TO BRING A CREW FROM LOS ANGELES. 19 00:03:49,359 --> 00:03:53,972 BECAUSE BALTIMORE REALLY IS BEST. 20 00:03:54,016 --> 00:03:57,454 AND REMEMBER, MISS WHITLOCK... 21 00:03:57,498 --> 00:04:00,283 IS EVERY INCH A MOVIE STAR, 22 00:04:00,327 --> 00:04:05,114 AND SHE EXPECTS TO BE ONSTAGE AT 7:10 P.M. EXACTLY... 23 00:04:05,157 --> 00:04:08,291 IN ORDER TO ENSURE LIVE COVERAGE... 24 00:04:08,335 --> 00:04:11,251 FROM EACH OF THE 3 LOCAL NEWS SHOWS. 25 00:04:11,294 --> 00:04:14,166 OH, BY THE WAY, 26 00:04:14,210 --> 00:04:18,910 I HEAR SHE'S REALLY A NICE PERSON. 27 00:04:20,564 --> 00:04:23,611 28 00:04:23,654 --> 00:04:26,353 LOOK AT THIS DUMP OF A TOWN. 29 00:04:26,396 --> 00:04:29,660 GET ME THE FUCK BACK TO L.A. 30 00:04:29,704 --> 00:04:34,317 GOD, IF ONE MORE ASSHOLE MENTIONS A CRAB CAKE TO ME, I THINK I'M GONNA PUKE. 31 00:04:34,361 --> 00:04:36,798 WELL, DID YOU TRY THE STEAMED CRABS? 32 00:04:36,841 --> 00:04:40,062 THEY'RE RED AND REALLY TASTY. - NO, I DID NOT. 33 00:04:40,105 --> 00:04:43,761 I'M NOT INTERESTED IN ANY KIND OF MEAL THAT YOU HAVE TO BEAT WITH A FUCKING MALLET, 34 00:04:43,805 --> 00:04:46,286 WEARING SOME STUPID KIND OF LITTLE BIB. 35 00:04:46,329 --> 00:04:49,289 JUST A MINUTE! 36 00:04:49,332 --> 00:04:52,553 WHILE FAMILIES OF MUTANTS GAWK IN MY FACE. 37 00:04:52,596 --> 00:04:54,337 NO, THANK YOU. 38 00:04:55,686 --> 00:04:57,122 HI. 39 00:04:59,211 --> 00:05:04,478 YOUR LIMOUSINE IS HERE, MISS WHITLOCK. YOU LOOK BEAUTIFUL. 40 00:05:04,521 --> 00:05:08,351 WELL, THANK YOU, CHARLES, DARLING. I'M SO EXCITED. 41 00:05:08,395 --> 00:05:10,179 WE'LL BE RIGHT WITH YOU. 42 00:05:16,359 --> 00:05:20,711 LIBBY, DO YOU THINK THAT PAT NIXON GOT FUCKED IN THIS HOTEL ROOM? 43 00:05:20,755 --> 00:05:22,452 WHAT? 44 00:05:22,496 --> 00:05:25,063 IT IS CALLED THE PRESIDENTIAL SUITE, ISN'T IT? 45 00:05:25,107 --> 00:05:28,240 YES, BUT-- 46 00:05:28,284 --> 00:05:31,853 I BET SHE DID. CALL THE MANAGER AND ASK HIM. 47 00:05:31,896 --> 00:05:35,030 I CAN'T ASK THAT. 48 00:05:35,073 --> 00:05:37,380 PAT NIXON WAS A STROKE VICTIM. 49 00:05:37,424 --> 00:05:40,775 I BELIEVE IT IS YOUR JOB TO ASK, IS IT NOT? 50 00:05:40,818 --> 00:05:44,126 NOW, CALL DOWNSTAIRS AND ASK THE MANAGER... 51 00:05:44,169 --> 00:05:47,782 IF PAT NIXON GOT FUCKED IN MY HOTEL ROOM. 52 00:05:47,825 --> 00:05:50,132 I WANT TO KNOW. 53 00:05:50,175 --> 00:05:52,352 YES, MISS WHITLOCK. 54 00:05:54,005 --> 00:05:56,617 55 00:05:56,660 --> 00:06:00,751 6:41 P.M. 56 00:06:00,795 --> 00:06:02,971 A STAR IS BORN. 57 00:06:03,014 --> 00:06:05,190 10-4, PETIE. 58 00:06:07,279 --> 00:06:11,327 CHRIST, LYLE. LOOK! THERE'S WHAT'S-HER-NAME FROM E! NETWORK. 59 00:06:11,371 --> 00:06:14,069 WOULD YOU LOOK AT THE TITS ON HER! 60 00:06:14,112 --> 00:06:16,114 61 00:06:18,421 --> 00:06:20,858 6:43 P.M. 62 00:06:20,902 --> 00:06:24,514 63 00:06:24,558 --> 00:06:28,039 THE HOTEL MANAGER SAID NO. PAT NIXON NEVER STAYED HERE. 64 00:06:28,083 --> 00:06:31,956 BUT NANCY REAGAN DID IN 1986. - YOU ACTUALLY ASKED HIM? 65 00:06:32,000 --> 00:06:34,611 Y-YOU SAID TO CALL DOWNSTAIRS. 66 00:06:34,655 --> 00:06:39,442 YOU ASKED THE HOTEL MANAGER IF PAT NIXON HAD SEX IN MY ROOM? 67 00:06:39,486 --> 00:06:42,445 WELL, SORT OF. I-I THOUGHT YOU NEEDED TO KNOW. 68 00:06:42,489 --> 00:06:44,926 I WAS KIDDING, LIBBY! 69 00:06:44,969 --> 00:06:49,060 HE MUST THINK YOU'RE A COMPLETE LUNATIC. 70 00:06:49,104 --> 00:06:52,673 GOOD GOD, YOU WOULD DO ANYTHING. 71 00:06:52,716 --> 00:06:55,153 72 00:06:55,197 --> 00:06:57,373 GOOD LUCK, MISS WHITLOCK. 73 00:06:57,417 --> 00:06:59,462 74 00:07:01,856 --> 00:07:06,208 EXCUSE ME. DID YOU HEAR WHAT THAT LITTLE BITCH JUST SAID TO ME? 75 00:07:06,251 --> 00:07:08,602 - SHE DIDN'T KNOW. - IN SHOW BUSINESS, 76 00:07:08,645 --> 00:07:12,040 WE SAY "BREAK A LEG," NEVER FUCKING "GOOD LUCK"! 77 00:07:12,083 --> 00:07:15,826 THAT'S JUST AN OLD SUPERSTITION. - MS. WHITLOCK, THERE'S PHOTO OPS WITH THE MAYOR IN THE LOBBY. 78 00:07:15,870 --> 00:07:19,482 YOU KNOW, THAT LITTLE COCKSUCKER JUST PUT A CURSE ON MY GODDAMN PREMIERE. 79 00:07:19,526 --> 00:07:21,876 80 00:07:21,919 --> 00:07:24,618 IS EVERY PERSON IN THE WORLD AN ASSHOLE? 81 00:07:24,661 --> 00:07:27,359 6:42. OH, THAT'S NICE. 82 00:07:27,403 --> 00:07:30,319 83 00:07:35,759 --> 00:07:39,633 6:44 P.M. BY WHATEVER MEANS NECESSARY. 84 00:07:39,676 --> 00:07:41,852 TWO POPCORNS, PLEASE. - BUTTER OR PLAIN? 85 00:07:41,896 --> 00:07:43,898 HONEY WHITLOCK! 86 00:07:43,941 --> 00:07:47,379 THERE SHE IS. YOU BETTER GET A SHOT. 87 00:07:47,423 --> 00:07:49,686 OVER THERE! MISS WHITLOCK, WHAT AN HONOR. 88 00:07:49,730 --> 00:07:52,863 MAYOR FENWICK! 89 00:07:52,907 --> 00:07:55,910 90 00:07:59,827 --> 00:08:04,092 6:46 P.M. IN THE NAME OF UNDERGROUND CINEMA. 91 00:08:04,135 --> 00:08:07,878 I HAVE TO TELL YOU THAT I JUST LOVE WHAT YOU'VE DONE WITH THE CITY. 92 00:08:07,922 --> 00:08:11,752 AND BALTIMORE LOVES YOU BACK. 93 00:08:13,405 --> 00:08:17,801 I, ADAM FENWICK, MAYOR OF THE CITY OF BALTIMORE, 94 00:08:17,845 --> 00:08:20,630 DO HEREBY PROCLAIM OCTOBER 29... 95 00:08:20,674 --> 00:08:23,241 TO BE HONEY WHITLOCK DAY IN BALTIMORE... 96 00:08:23,285 --> 00:08:26,636 AND DO COMMAND THIS OBSERVATION TO ALL OF OUR CITIZENS. 97 00:08:26,680 --> 00:08:28,812 WHEREAS-- 98 00:08:35,123 --> 00:08:37,517 6:47 P.M. 99 00:08:37,560 --> 00:08:41,172 HEY, HEY, M.P.A.A., HOW MANY MOVIES DID YOU CENSOR TODAY? 100 00:08:45,437 --> 00:08:47,178 101 00:08:49,441 --> 00:08:51,835 WHAT'S THE MATTER, MISS WHITLOCK? 102 00:08:51,879 --> 00:08:54,142 A WHITE FUCKING LIMOUSINE! 103 00:08:55,709 --> 00:08:58,059 NOBODY'LL KNOW. WE'RE IN BALTIMORE. 104 00:08:58,102 --> 00:09:02,411 DO I LOOK LIKE LIBERACE'S GODDAMN BOYFRIEND, FOR CHRIST'S SAKE? 105 00:09:02,454 --> 00:09:06,763 I HAVE "BLACK LIMOUSINE ONLY" IN MY CONTRACT. 106 00:09:06,807 --> 00:09:10,245 THE CHARITY PROBABLY MADE THE ARRANGEMENTS. IT WAS AN HONEST MISTAKE. 107 00:09:10,288 --> 00:09:13,465 DO I LOOK LIKE A COKE DEALER? - NO, MISS WHITLOCK. 108 00:09:13,509 --> 00:09:16,381 DO I LOOK LIKE I AM GOING TO THE FUCKING PROM? 109 00:09:16,425 --> 00:09:19,994 BREAK A LEG, MISS WHITLOCK. 110 00:09:20,037 --> 00:09:21,996 HERE YOU GO, SIR. 111 00:09:24,955 --> 00:09:27,523 112 00:09:27,567 --> 00:09:31,832 UH, MISS WHITLOCK, SECURITY'S GONNA HAVE MY ASS IF WE'RE LATE. WE GOTTA GO. 113 00:09:31,875 --> 00:09:34,965 DO NOT SAY "ASS" TO ME, TRAILER TRASH. 114 00:09:35,009 --> 00:09:38,186 I WILL HAVE YOU FIRED. 115 00:09:38,229 --> 00:09:41,232 116 00:09:44,496 --> 00:09:46,934 NOW, YOU'RE WITH THE STUDIO, IS THAT CORRECT? 117 00:09:46,977 --> 00:09:50,546 YES. OH, OH, I'M SORRY. LET ME GET THAT FOR YOU. 118 00:09:50,590 --> 00:09:54,289 GOT IT RIGHT HERE. YEAH. HERE YOU GO. 119 00:09:54,332 --> 00:09:58,075 I'M SO SORRY. HERE, THESE FIRST TWO RIGHT THERE. OKAY, ENJOY THE SHOW. 120 00:09:58,119 --> 00:10:01,731 YEAH, 6:48 P.M. AN USHER'S JOB IS NEVER DONE. 121 00:10:01,775 --> 00:10:04,691 PUT DOWN THE FLASHLIGHT, PICK UP THE GUN. 122 00:10:21,011 --> 00:10:26,190 SOME KIND OF HAPPINESS IS, YOU KNOW, A SCREWBALL ROMANTIC COMEDY. 123 00:10:26,234 --> 00:10:30,891 IT'S LIFE-AFFIRMING BUT REALISTIC, AND, WELL, TO BE HONEST, 124 00:10:30,934 --> 00:10:33,981 WITH ALL THE MISERY THAT GOES ON IN THE WORLD TODAY, 125 00:10:34,024 --> 00:10:36,636 COULDN'T WE USE A LITTLE OPTIMISM IN THE MOVIES? 126 00:10:36,679 --> 00:10:39,421 127 00:10:48,386 --> 00:10:52,173 6:50 P.M. FUCK THE STUDIO SYSTEM! 128 00:10:52,216 --> 00:10:54,262 TICKETS, PLEASE. 129 00:10:58,788 --> 00:11:02,226 THE HEART FUND'S A WONDERFUL CAUSE. THANKS FOR YOUR SUPPORT. 130 00:11:02,270 --> 00:11:04,228 YOU'RE WELCOME. 131 00:11:04,272 --> 00:11:08,537 7:01 P.M. INCH BY MOTHERFUCKING INCH. 132 00:11:08,580 --> 00:11:10,757 YES, SIR? TWO FOR HENMAN. 133 00:11:10,800 --> 00:11:14,151 WHY DON'T YOU JUST SIT RIGHT THERE? 134 00:11:19,722 --> 00:11:21,855 135 00:11:26,120 --> 00:11:28,339 7:02 P.M. 136 00:11:28,383 --> 00:11:31,691 WHEN THE WORD IS GIVEN, WE WILL SEIZE THE CINEMA. 137 00:11:33,127 --> 00:11:36,217 138 00:11:36,260 --> 00:11:39,263 HEY, COME BACK! GIVE ME AN AUTOGRAPH! 139 00:11:42,527 --> 00:11:45,008 7:06 P.M. THE BIG SNATCH. 140 00:11:45,052 --> 00:11:47,750 GOOD EVENING, MISS WHITLOCK, 141 00:11:47,794 --> 00:11:50,405 AND WELCOME TO THE HISTORIC SENATOR THEATER. 142 00:11:50,448 --> 00:11:52,407 THANK YOU. 143 00:11:52,450 --> 00:11:54,278 144 00:12:07,944 --> 00:12:10,294 ENJOY THE SHOW. - THANK YOU. 145 00:12:10,338 --> 00:12:13,341 GOOD EVENING. I'M SYLVIA MALLORY, 146 00:12:13,384 --> 00:12:15,517 THE CHAIRMAN OF THE BALTIMORE HEART FUND, 147 00:12:15,560 --> 00:12:18,041 AND THIS IS WILLIAM. 148 00:12:18,085 --> 00:12:20,217 HE'S SO CUTE. 149 00:12:23,873 --> 00:12:28,051 WILLIAM HAD HEART SURGERY JUST 7 DAYS AGO. 150 00:12:28,095 --> 00:12:32,099 AND THANKS TO THE BLOOD TRANSFUSIONS PAID FOR BY YOUR GENEROSITY... 151 00:12:32,142 --> 00:12:35,711 AT TONIGHT'S PREMIERE, HE'S GOING TO BE ALL RIGHT. 152 00:12:35,755 --> 00:12:37,713 AREN'T YOU, WILLIAM? 153 00:12:37,757 --> 00:12:39,976 I DON'T WANNA BE HERE! 154 00:12:40,020 --> 00:12:42,457 WILLIAM'S A LITTLE GRUMPY. 155 00:12:42,500 --> 00:12:44,372 GET OFF OF ME, UGLY! 156 00:12:44,415 --> 00:12:46,809 BUT HE'S ALIVE, AND THAT'S WHAT COUNTS. 157 00:12:46,853 --> 00:12:50,944 158 00:12:50,987 --> 00:12:53,424 MISS WHITLOCK! MISS WHITLOCK! 159 00:12:53,468 --> 00:12:56,645 MISS WHITLOCK, PLEASE! 160 00:12:56,688 --> 00:12:58,908 WHAT? 161 00:12:58,952 --> 00:13:01,345 CHANNEL 45 HERE. CAN I ASK YOU A COUPLE QUESTIONS? 162 00:13:05,219 --> 00:13:08,526 AND NOW FOR THE MOMENT YOU'VE ALL BEEN WAITING FOR. 163 00:13:08,570 --> 00:13:11,312 YOU FIRST SAW HONEY WHITLOCK ON THE SCREEN-- 164 00:13:11,355 --> 00:13:13,836 YOU GUYS HAVE RESERVED SEATS. - THANK YOU. 165 00:13:13,880 --> 00:13:16,621 166 00:13:23,454 --> 00:13:27,589 7:09 P.M. HONEY WHITLOCK, WELCOME TO FILM HELL. 167 00:13:27,632 --> 00:13:30,113 168 00:13:30,157 --> 00:13:34,988 AND FROM THEN ON, HIT AFTER HIT. 7:09 P.M. AND 30 SECONDS. 169 00:13:35,031 --> 00:13:38,469 THE BIG HURT. - WATCH IT, YOU LITTLE FUCKER! 170 00:13:40,123 --> 00:13:43,910 HER OSCAR-NOMINATED PERFORMANCE IN FORCED ENTRY. 171 00:13:43,953 --> 00:13:48,392 AND TONIGHT, SOME KIND OF HAPPINESS. 172 00:13:48,436 --> 00:13:50,438 173 00:13:50,481 --> 00:13:52,744 AND NOW, LADIES AND GENTLEMEN, 174 00:13:52,788 --> 00:13:56,836 A BIG BALTIMORE WELCOME FOR MISS HONEY WHITLOCK. 175 00:13:56,879 --> 00:13:59,839 176 00:14:33,481 --> 00:14:36,266 THANK YOU, THANK YOU. YOU'RE SO KIND. 177 00:14:36,310 --> 00:14:41,271 UM, I JUST WANTED TO SAY THAT I HOPE YOU ENJOY THE MOVIE, AND I JUST-- 178 00:14:41,315 --> 00:14:44,013 I LOVE YOU, BALTIMORE. I REALLY DO. 179 00:14:45,972 --> 00:14:50,367 I AM CECIL B. DEMENTED, AND THIS IS A FUCKING KIDNAPPING! 180 00:14:50,411 --> 00:14:52,848 181 00:14:52,892 --> 00:14:55,068 GET DOWN, EVERYBODY! 182 00:14:56,983 --> 00:14:59,768 183 00:15:01,161 --> 00:15:03,119 184 00:15:07,994 --> 00:15:10,300 SON OF A BITCH! 185 00:15:15,349 --> 00:15:18,047 KEEP MOVING! 186 00:15:19,919 --> 00:15:22,138 187 00:15:26,926 --> 00:15:29,929 188 00:15:29,972 --> 00:15:32,409 189 00:15:32,453 --> 00:15:36,370 190 00:15:36,413 --> 00:15:38,981 HELP! HEY! 191 00:15:39,025 --> 00:15:41,766 192 00:15:41,810 --> 00:15:44,465 WOMEN IN FILM! ALL RIGHT, SISTER! 193 00:15:44,508 --> 00:15:48,730 HEY, SHE'S GOT PHOTO APPROVAL! 194 00:15:48,773 --> 00:15:52,342 HONEY! HONEY! 195 00:15:52,386 --> 00:15:54,692 HELP ME! GET OUT! PREMIERE'S OVER! 196 00:15:54,736 --> 00:15:56,607 COME ON, YOU GUYS! COME ON, COME ON! 197 00:16:03,223 --> 00:16:06,922 YEAH! YEAH! 198 00:16:11,057 --> 00:16:13,450 DROP YOUR WEAPON! 199 00:16:13,494 --> 00:16:16,192 200 00:16:18,499 --> 00:16:20,501 GET DOWN! 201 00:16:20,544 --> 00:16:23,504 HELP! CALL THE STUDIO! CALL JACK VALENTI! 202 00:16:23,547 --> 00:16:26,507 HELP ME, SOMEBODY! GET IN THE TRUNK! 203 00:16:26,550 --> 00:16:29,466 SHUT UP! GET IN THERE! - NO! NO! NO! 204 00:16:29,510 --> 00:16:32,295 GET IN THERE! - OH, SHIT! OH! NO! 205 00:16:32,339 --> 00:16:35,081 GET IN THERE! RODNEY, COME ON! LET'S GO! 206 00:16:35,124 --> 00:16:39,346 POWER TO THE PEOPLE WHO PUNISH BAD CINEMA! 207 00:16:39,389 --> 00:16:41,609 HELP! 208 00:16:41,652 --> 00:16:44,220 BANKABLE BITCH, WE DON'T NEED NO PITCH 209 00:16:44,264 --> 00:16:47,049 BANKABLE BITCH, WE DON'T NEED NO PITCH 210 00:16:47,093 --> 00:16:49,051 I'M SORRY, SHORTY IT'S BUSINESS 211 00:16:49,095 --> 00:16:51,532 'CAUSE THIS IS, HOW WE LIVE THIS THIS BUSINESS IS HARD 212 00:16:51,575 --> 00:16:53,621 WITHOUT A STAR, KID, YEAH, YOU ALL THAT 213 00:16:53,664 --> 00:16:55,797 BUT YOU WON'T BE RECEIVING NO CALLBACKS 214 00:16:55,840 --> 00:16:57,799 OR GETTING MONEY IN TALL STACKS 215 00:16:57,842 --> 00:16:59,931 WE GOTCHA, AND WE GONNA USE YOUR FACE PROPER 216 00:16:59,975 --> 00:17:02,064 BITCH, YOU CAN FORGET ABOUT AN OSCAR 217 00:17:02,108 --> 00:17:04,066 AND SHRIMP AND LOBSTER 218 00:17:04,110 --> 00:17:06,068 HOPIN' WE COULD GET YA 219 00:17:06,112 --> 00:17:09,071 TO COME HERE AND OPEN OUR PICTURE 220 00:17:09,115 --> 00:17:12,335 YOU ALL ALONE WITH THE CINE-NIGGAS FUCK THE PRIVATE TRAILER 221 00:17:12,379 --> 00:17:15,382 DANCE LESSONS WITH IRENE CARA, IT'S FLAGRANT WE USING YOUR NAME TRICK 222 00:17:15,425 --> 00:17:17,601 DISCUSS GROSS POINTS WITH YOUR AGENT 223 00:17:17,645 --> 00:17:19,516 'CAUSE FROM US YOU AIN'T GETTIN' SHIT 224 00:17:19,560 --> 00:17:21,823 BANKABLE BITCH, WE DON'T NEED NO PITCH 225 00:17:21,866 --> 00:17:24,217 BANKABLE BITCH, WE DON'T NEED NO PITCH 226 00:17:24,260 --> 00:17:26,610 SHE'S A BANKABLE BITCH, WE DON'T NEED NO PITCH 227 00:17:26,654 --> 00:17:29,265 SHE'S A BANKABLE BITCH, WE DON'T NEED NO PITCH 228 00:17:29,309 --> 00:17:32,486 SHE'S A BANKABLE BITCH, WE DON'T NEED NO PITCH 229 00:17:32,529 --> 00:17:35,141 230 00:17:46,152 --> 00:17:48,241 HELLO, MISS WHITLOCK. 231 00:17:53,985 --> 00:17:57,076 I AM CECIL B. DEMENTED, AND I'M YOUR NEW DIRECTOR. 232 00:17:57,119 --> 00:18:00,427 I'D LIKE YOU TO MEET YOUR CO-STARS. 233 00:18:00,470 --> 00:18:03,082 I CALL THEM THE SPROCKET HOLES. THIS IS CHERISH. 234 00:18:04,909 --> 00:18:08,522 HI. I PLAYED YOU IN LOTS OF PORNO MOVIES. 235 00:18:08,565 --> 00:18:12,221 SOME KIND OF HAPPINESS-- I'VE ALREADY SHOT IT, 236 00:18:12,265 --> 00:18:14,658 ONLY IT'S CALLED SOME KIND OF HORNINESS. 237 00:18:14,702 --> 00:18:19,576 THAT'S ALL BEHIND ME. I'M AN OUTLAW CINEMA GIRL NOW. 238 00:18:19,620 --> 00:18:22,318 LYLE. - HI. I'M LYLE. 239 00:18:24,364 --> 00:18:27,106 I'M YOUR LEADING MAN. 240 00:18:29,195 --> 00:18:32,937 I'VE HAD A BONER FOR YOU FOR YEARS. 241 00:18:32,981 --> 00:18:37,594 DON'T WORRY. WE'VE ALL TAKEN A VOW OF CELIBACY FOR CELLULOID. 242 00:18:37,638 --> 00:18:40,467 NO ONE GETS LAID UNTIL WE'VE FINISHED OUR MOVIE. 243 00:18:40,510 --> 00:18:44,732 WE'RE HORNY... 244 00:18:44,775 --> 00:18:47,256 BUT OUR FILM COMES FIRST. 245 00:18:47,300 --> 00:18:49,345 AND NOW FOR THE CREW. 246 00:18:52,305 --> 00:18:54,872 I'M PAM. 247 00:18:56,570 --> 00:18:59,703 I'M DIRECTOR OF PHOTOGRAPHY, AND YOU BETTER HIT YOUR MARK. 248 00:19:03,968 --> 00:19:07,276 AND REMEMBER, SPEAK UP, BITCH! 249 00:19:07,320 --> 00:19:09,409 I'M CHARDONNAY, AND I DO THE SOUND. 250 00:19:14,414 --> 00:19:16,720 251 00:19:16,764 --> 00:19:20,333 I'M LEWIS, THE ART DIRECTOR, AND I HOPE YOU DIG IT HERE. 252 00:19:22,073 --> 00:19:25,033 'CAUSE YOU AIN'T GOIN' NOWHERE ELSE. 253 00:19:26,426 --> 00:19:30,212 I'M FIDGET, THE COSTUMER. 254 00:19:30,256 --> 00:19:34,129 SORRY. I GOTTA GIVE YOU A NEW LOOK. 255 00:19:35,826 --> 00:19:38,481 HI. 256 00:19:38,525 --> 00:19:41,528 I'M RAVEN. I'M A SATANIST, AND I'LL BE DOING YOUR MAKEUP. 257 00:19:41,571 --> 00:19:45,227 OH, MY GOD, YOU LOOK SO PALE. 258 00:19:46,750 --> 00:19:49,100 SORRY... 259 00:19:49,144 --> 00:19:51,842 BUT SATAN SAYS YOU NEED MORE COLOR. 260 00:19:53,670 --> 00:19:56,630 CALL ME RODNEY. 261 00:19:56,673 --> 00:20:00,242 TOMORROW, I'M BLEACHING YOUR HAIR OUT PLATINUM. 262 00:20:00,286 --> 00:20:02,462 AND I SHOULD WARN YOU. 263 00:20:02,505 --> 00:20:04,812 I HATE FUCKING ROOTS! 264 00:20:06,553 --> 00:20:09,991 HEY, REMEMBER ME? I'M PETIE. I'LL BE YOUR DRIVER. 265 00:20:10,034 --> 00:20:13,124 I'LL TAKE YOU ANYWHERE. 266 00:20:13,168 --> 00:20:17,694 ANYWHERE BUT HOME. 267 00:20:24,658 --> 00:20:26,399 I'M DINAH, CECIL'S PRODUCER. 268 00:20:28,531 --> 00:20:30,838 AND I DO EVERYTHING. 269 00:20:30,881 --> 00:20:33,623 I'VE BEEN KNOCKING DOWN MONEY FROM EVERY BIG HOLLYWOOD HIT 270 00:20:33,667 --> 00:20:36,191 FOR YEARS JUST TO PAY FOR THIS EQUIPMENT! 271 00:20:36,235 --> 00:20:39,150 SO FUCK WITH ME, SISTER, AND YOU'RE DEAD! 272 00:20:42,328 --> 00:20:44,939 WE MADE THE NEWS. 273 00:20:46,549 --> 00:20:49,291 SO ONCE AGAIN, OUR TOP STORY: SYLVIA MALLORY, 274 00:20:49,335 --> 00:20:51,946 THE 52-YEAR-OLD CHAIRWOMAN OF THE BALTIMORE HEART FUND, 275 00:20:51,989 --> 00:20:55,254 DIED TONIGHT AT UNION MEMORIAL HOSPITAL... 276 00:20:55,297 --> 00:20:57,778 FOLLOWING AN ONSTAGE HEART ATTACK SHE SUFFERED... 277 00:20:57,821 --> 00:21:01,347 IN THE MIDDLE OF HONEY WHITLOCK'S KIDNAPPING AT TONIGHT'S MOVIE PREMIERE. 278 00:21:01,390 --> 00:21:04,219 THE TEENAGE GANG OF CINEMA TERRORISTS... 279 00:21:04,263 --> 00:21:07,527 WHO APPARENTLY INFILTRATED THE STAFF OF THE SENATOR THEATER... 280 00:21:07,570 --> 00:21:10,617 ARE NOW ELIGIBLE FOR THE DEATH PENALTY IN THE STATE OF MARYLAND. 281 00:21:10,660 --> 00:21:13,054 NONE OF THEM HAVE BEEN APPREHENDED. 282 00:21:15,317 --> 00:21:19,408 WE'RE GONNA MAKE OUR FIRST FILM, MISS WHITLOCK, AND NOBODY'S GONNA STOP US. 283 00:21:19,452 --> 00:21:22,324 LOTS OF KIDS DREAM OF MAKING A MOVIE, 284 00:21:22,368 --> 00:21:25,545 BUT ONLY THE ONES WILLING TO DIE FOR IT SUCCEED. 285 00:21:25,588 --> 00:21:28,548 286 00:21:30,376 --> 00:21:33,161 287 00:21:35,381 --> 00:21:38,340 288 00:21:38,384 --> 00:21:42,475 OW! OW! OW! OW! OW! 289 00:21:42,518 --> 00:21:44,607 I DON'T WANNA BE BLONDE! 290 00:21:44,651 --> 00:21:47,610 YOU'RE GOING OFF THE DEEP END OF THE CLAIROL COLOR CHART. 291 00:21:47,654 --> 00:21:50,134 OW! IT IS BURNING MY SCALP! 292 00:21:50,178 --> 00:21:53,834 HEY, BEAUTY COMES FROM AGONY. 293 00:21:53,877 --> 00:21:55,879 EVERYBODY KNOWS THAT. 294 00:21:55,923 --> 00:22:00,754 I HAVEN'T HAD THIS MUCH FUN SINCE MY LAST LIVESTOCK MUTILATION. 295 00:22:00,797 --> 00:22:03,713 OUCH! THAT REALLY HURTS! 296 00:22:03,757 --> 00:22:07,978 IN THE HOUSE OF PAIN, THERE ARE 10,000 SHRINES. 297 00:22:08,022 --> 00:22:10,372 ALISTAIR CROWLEY SAID THAT. 298 00:22:10,416 --> 00:22:12,635 LET'S WASH HER OUT. 299 00:22:12,679 --> 00:22:16,726 NO, NO. PLEASE LET ME GO. I WON'T TELL ANYBODY ABOUT YOUR LITTLE MOVIE. 300 00:22:16,770 --> 00:22:19,076 LITTLE? 301 00:22:20,991 --> 00:22:25,561 WELL, I DIDN'T MEAN LITTLE. I MEANT, LIKE, LOW BUDGET, LIKE CULT. 302 00:22:25,605 --> 00:22:28,695 GOOD MORNING, MISS WHITLOCK. KNOW YOUR LINES? 303 00:22:28,738 --> 00:22:30,914 PLEASE, MR. DEMENTO-- IS THAT CORRECT? 304 00:22:30,958 --> 00:22:33,221 DEMENTED! 305 00:22:33,264 --> 00:22:36,398 YOU HAVE THE WRONG STAR FOR THIS MOVIE. 306 00:22:36,442 --> 00:22:40,359 NONSENSE, MISS WHITLOCK. I WROTE THE PART JUST FOR YOU. 307 00:22:40,402 --> 00:22:43,405 AND THE WHOLE WORLD IS WATCHING. 308 00:22:43,449 --> 00:22:46,190 NOT EVEN YOUR AGENT CAN HELP YOU NOW. 309 00:22:46,234 --> 00:22:49,280 FINISH HER HAIR! 310 00:22:49,324 --> 00:22:52,588 OW! OW, OW! IT'S BURNING MY SCALP! 311 00:22:52,632 --> 00:22:54,982 OW! SHIT! SHUT UP! 312 00:22:55,025 --> 00:22:59,247 I HATE THESE FUCKING THINGS. DAMN SECURITY DEVICES! 313 00:22:59,290 --> 00:23:02,032 FIDGET, FIDGET, MY LITTLE GENIUS FIDGET. 314 00:23:02,076 --> 00:23:05,427 OW! - PLEASE TAKE OFF YOUR CLOTHES. 315 00:23:05,471 --> 00:23:07,777 WHAT? 316 00:23:07,821 --> 00:23:10,214 I SAID TAKE OFF YOUR CLOTHES. 317 00:23:10,258 --> 00:23:14,218 YOU HEARD ME. DON'T BE A PRUDE. 318 00:23:14,262 --> 00:23:17,091 COME ON, STRIP! OH, SHIT. 319 00:23:17,134 --> 00:23:20,268 YEAH, YEAH, TAKE 'EM OFF. 320 00:23:20,311 --> 00:23:24,446 321 00:23:24,490 --> 00:23:27,231 UM... 322 00:23:27,275 --> 00:23:30,757 DO I HAVE A DRESSING ROOM OR A TRAILER? 323 00:23:30,800 --> 00:23:34,369 MISS WHITLOCK, WE'RE ON A SCHEDULE. 324 00:23:34,413 --> 00:23:38,286 325 00:23:42,333 --> 00:23:45,467 THEY'RE NOT ALLOWED ANY FORM OF SEXUAL RELEASE. 326 00:23:45,511 --> 00:23:49,471 SCREEN ACTORS GUILD IS GONNA HEAR ABOUT THIS, AND I MEAN IT. GOD! 327 00:23:49,515 --> 00:23:52,474 328 00:23:52,518 --> 00:23:55,782 LOOK AT THAT ASS! GODDAMN! 329 00:23:55,825 --> 00:23:58,001 NICE VESSEL. 330 00:24:00,134 --> 00:24:03,354 I SEE LONDON. - I SEE FRANCE. 331 00:24:03,398 --> 00:24:05,531 I SEE HONEY'S UNDERPANTS. 332 00:24:05,574 --> 00:24:08,272 333 00:24:10,318 --> 00:24:13,190 OH, MY GOD! I LOOK TERRIBLE! 334 00:24:17,238 --> 00:24:20,894 ALL RIGHT! ALL RIGHT! YOU'RE WANTED ON SET. 335 00:24:20,937 --> 00:24:22,896 336 00:24:24,550 --> 00:24:26,987 THIS IS SPROCKET HOUSE, MISS WHITLOCK. 337 00:24:27,030 --> 00:24:29,772 THINK OF IT AS YOUR STUDIO. 338 00:24:29,816 --> 00:24:32,122 MORNING. 339 00:24:32,166 --> 00:24:34,734 CAN'T YOU EVEN SAY GOOD MORNING TO LEWIS? 340 00:24:34,777 --> 00:24:37,476 HE'S WORKED VERY HARD ON THIS SET WITH A BUDGET OF ZERO. 341 00:24:37,519 --> 00:24:40,348 MORNING. - ALL THESE MATERIALS... 342 00:24:40,391 --> 00:24:43,960 WERE STOLEN FROM CITY-OWNED CONSTRUCTION SITES, JUST FOR YOU. 343 00:24:44,004 --> 00:24:46,963 SEE, WE GONNA HAVE US A HIT, MISS WHITLOCK. 344 00:24:47,007 --> 00:24:49,879 NOW, OUR PICTURE IS CALLED RAVING BEAUTY. 345 00:24:49,923 --> 00:24:52,578 YOU PLAY THE INSANE OWNER OF A FAILED ART THEATER... 346 00:24:52,621 --> 00:24:54,841 WHO, ALONG WITH HER FILM-FANATIC BOYFRIEND LYLE-- 347 00:24:54,884 --> 00:24:56,799 LYLE, COME ON OVER. 348 00:24:56,843 --> 00:25:00,063 AND HER VIOLENCE-PRONE DAUGHTER CHERISH-- 349 00:25:00,107 --> 00:25:02,065 DAUGHTER? 350 00:25:02,109 --> 00:25:05,199 TOGETHER, THE 3 OF YOU VOW... 351 00:25:05,242 --> 00:25:08,811 TO START A REVOLUTION TO DESTROY MAINSTREAM CINEMA. 352 00:25:09,943 --> 00:25:12,467 I CAN'T BE IN THIS MOVIE. 353 00:25:12,511 --> 00:25:15,644 YOU DARE TO TELL CECIL B. DEMENTED YOU REFUSE? 354 00:25:15,688 --> 00:25:19,343 - I AM TOO YOUNG TO PLAY HER MOTHER. 355 00:25:19,387 --> 00:25:21,520 I KNOW HOW OLD YOU ARE. 356 00:25:23,086 --> 00:25:25,393 ALL RIGHT, WELL, I JUST DON'T FEEL IT. 357 00:25:25,436 --> 00:25:28,527 I JUST AM NOT MOTIVATED. - HOW'S THIS FOR MOTIVATION, HUH? 358 00:25:28,570 --> 00:25:30,746 OW! 359 00:25:30,790 --> 00:25:33,749 THERE ARE NO CREATIVE DIFFERENCES ON A CECIL B. DEMENTED SET. 360 00:25:33,793 --> 00:25:36,056 YOU GOT THAT? 361 00:25:36,099 --> 00:25:39,363 ONE DAY YOU'LL THANK ME FOR SAVING YOU FROM YOUR BAD CAREER. PLACES! 362 00:25:39,407 --> 00:25:42,366 ALL RIGHT, WALK-THROUGH REHEARSAL. 363 00:25:42,410 --> 00:25:44,978 COME ON, YOU HEARD HIM. THIS AIN'T HOLLYWOOD. 364 00:25:45,021 --> 00:25:47,502 HEY, HONEY, YOU WANT SOME ECSTASY? 365 00:25:47,546 --> 00:25:50,244 NO. 366 00:25:50,287 --> 00:25:55,075 AND... ACTION. 367 00:25:56,642 --> 00:25:59,253 HEY, CHERISH, IT'S 8:00. 368 00:25:59,296 --> 00:26:01,560 IS IT TIME TO GET THIS SHOW ON THE SCREEN OR WHAT? 369 00:26:01,603 --> 00:26:04,737 WE DIDN'T SELL ONE TICKET, LYLE. NOBODY CAME. 370 00:26:04,780 --> 00:26:08,218 WHAT? PASOLINI'S PLAYING, AND WE HAVE AN EMPTY THEATER? 371 00:26:12,309 --> 00:26:15,704 "IT'S THAT FUCKING NEW MULTIPLEX THAT OPENED IN THE MALL." 372 00:26:15,748 --> 00:26:18,664 I HEARD THEY WERE SOLD OUT LAST NIGHT, MOM. 373 00:26:18,707 --> 00:26:22,102 NO, NOT FOR THE FLINTSTONES SEQUEL! 374 00:26:22,145 --> 00:26:25,235 "SOMEBODY'S GOT TO PAY FOR THIS INSULT." 375 00:26:25,279 --> 00:26:28,587 OH, GOD! 376 00:26:28,630 --> 00:26:31,590 377 00:26:31,633 --> 00:26:36,856 "FROM THE EMPTY SEATS OF EVERY GOOD MOVIE THEATER IN AMERICA... 378 00:26:36,899 --> 00:26:39,293 379 00:26:39,336 --> 00:26:42,296 "WE WILL RISE UP TO TAKE BACK THE SCREEN. 380 00:26:42,339 --> 00:26:47,301 381 00:26:47,344 --> 00:26:51,566 DEATH TO THOSE WHO SUPPORT MAINSTREAM CINEMA." 382 00:26:51,610 --> 00:26:55,439 DO YOU SEE THE PAIN YOUR PERFORMANCE IS CAUSING ME, HUH! 383 00:26:55,483 --> 00:26:58,834 OKAY, YES, I DO. FINE, I'LL DO IT. 384 00:26:58,878 --> 00:27:01,228 OKAY? LET'S JUST SHOOT IT. FINE! 385 00:27:01,271 --> 00:27:05,188 ALL RIGHT, PLACES! PAM! 386 00:27:05,232 --> 00:27:09,410 PICTURE'S UP! CAMERA ROLLING! 387 00:27:09,453 --> 00:27:11,630 SPEED. MARK IT! 388 00:27:11,673 --> 00:27:13,849 AND... ACTION! 389 00:27:13,893 --> 00:27:17,113 HEY, CHERISH, IT'S 8:00. 390 00:27:17,157 --> 00:27:19,420 IS IT TIME TO GET THIS SHOW ON THE SCREEN OR WHAT? 391 00:27:19,463 --> 00:27:22,379 WE DIDN'T SELL ONE TICKET, LYLE. NOBODY CAME. 392 00:27:22,423 --> 00:27:25,992 WHAT? PASOLINI'S PLAYING, AND WE HAVE AN EMPTY THEATER? 393 00:27:26,035 --> 00:27:30,605 IT'S THAT FUCKING NEW MULTIPLEX THAT OPENED IN THE MALL, ISN'T IT? 394 00:27:30,649 --> 00:27:33,477 I HEARD THEY WERE SOLD OUT LAST NIGHT, MOM. 395 00:27:33,521 --> 00:27:35,784 NO, NOT FOR THE FLINTSTONES SEQUEL. 396 00:27:35,828 --> 00:27:39,048 SOMEBODY'S GOTTA PAY FOR THIS INSULT. 397 00:27:39,092 --> 00:27:42,486 FROM THE EMPTY SEATS OF EVERY GOOD MOVIE THEATER IN AMERICA... 398 00:27:42,530 --> 00:27:45,925 WE WILL RISE UP TO TAKE BACK THE SCREEN. 399 00:27:45,968 --> 00:27:49,363 DEATH TO THOSE WHO SUPPORT MAINSTREAM CINEMA! 400 00:27:49,406 --> 00:27:51,757 CUT! AND PRINT IT! 401 00:27:51,800 --> 00:27:53,889 402 00:27:53,933 --> 00:27:56,587 THAT'S MORE LIKE IT, MISS WHITLOCK. 403 00:27:56,631 --> 00:27:59,765 YEAH! YEAH! 404 00:27:59,808 --> 00:28:03,246 BUT, YOU KNOW, TO BE FRANK, CECIL-- 405 00:28:03,290 --> 00:28:07,120 I MEAN, IN MY REAL FILM LIFE, I WOULD NEVER MAKE THIS MOVIE. 406 00:28:07,163 --> 00:28:09,905 I MEAN, THE MESSAGE IS ABSOLUTELY RIDICULOUS. 407 00:28:09,949 --> 00:28:12,865 ASK THEATER OWNERS IN ANY COUNTRY, 408 00:28:12,908 --> 00:28:16,346 AND THEY WILL TELL YOU THAT HOLLYWOOD MAKES THE BEST FILMS IN THE WORLD, 409 00:28:16,390 --> 00:28:18,479 AND I AM PROUD TO BE A PART OF THAT SYSTEM. 410 00:28:18,522 --> 00:28:20,437 LET'S MOVE ON. 411 00:28:22,352 --> 00:28:24,224 WELL, WAIT A MINUTE. NO COVERAGE? 412 00:28:26,182 --> 00:28:28,445 THE FIRST TAKE IS THE ONLY REAL TRUTH. 413 00:28:28,489 --> 00:28:31,666 BUT YOU CAN'T CUT A FILM WITH JUST A MASTER. 414 00:28:31,710 --> 00:28:35,975 THERE ARE NO RULES IN OUTLAW CINEMA, MISS WHITLOCK. ONLY EDGES. 415 00:28:36,018 --> 00:28:39,587 WE BELIEVE TECHNIQUE TO BE NOTHING MORE THAN FAILED STYLE. 416 00:28:39,630 --> 00:28:42,242 YOU SEE, I'VE HAD A VISION. 417 00:28:45,462 --> 00:28:48,074 AND THAT VISION IS CALLED ULTIMATE REALITY! 418 00:28:48,117 --> 00:28:52,992 THE REST OF OUR FILM IS SHOT IN REAL LIFE WITH REAL PEOPLE... 419 00:28:53,035 --> 00:28:55,559 AND, YES, WITH REAL TERROR. 420 00:29:07,006 --> 00:29:09,573 I SEE A FUCKING ROOT ALREADY. 421 00:29:09,617 --> 00:29:12,838 OW! CECIL, I'M A MUCH BETTER ACTRESS IN A STUDIO. 422 00:29:12,881 --> 00:29:15,971 THAT'S NOT WHAT TIME MAGAZINE HAS TO SAY. 423 00:29:16,015 --> 00:29:18,582 "MISS WHITLOCK SEEMS A LITTLE ILL AT EASE AND PAST HER PRIME... 424 00:29:18,626 --> 00:29:21,237 "TO CARRY A PICTURE BY HERSELF. 425 00:29:21,281 --> 00:29:24,763 ESPECIALLY ONE AS SAPPY AND OVERPRODUCED AS SOME KIND OF HAPPINESS." 426 00:29:24,806 --> 00:29:28,897 - TIME MAGAZINE SAID THAT? – YOUR MOVIE'S GONNA LOSE $30 MILLION. 427 00:29:28,941 --> 00:29:32,292 CAN I ASK YOU A QUESTION? 428 00:29:32,335 --> 00:29:34,947 DID YOU EVER FUCK MEL GIBSON? 429 00:29:36,426 --> 00:29:38,907 CECIL, GIVE YOURSELF UP. IT'S NOT TOO LATE. 430 00:29:38,951 --> 00:29:42,650 OUR MOVIE GOES INTO PROFIT THE DAY WE SELL THE FIRST TICKET. 431 00:29:42,693 --> 00:29:45,087 HOW BIG IS HIS DICK, ANYWAY? 432 00:29:45,131 --> 00:29:47,568 YOU KNOW WHAT? COME WITH ME TO HOLLYWOOD, 433 00:29:47,611 --> 00:29:51,224 AND I WILL GET YOU A JOB AS A PRODUCTION ASSISTANT ON A REAL HOLLYWOOD MOVIE. 434 00:29:51,267 --> 00:29:54,618 TELL ME ABOUT MEL GIBSON'S DICK AND BALLS! 435 00:29:54,662 --> 00:29:57,404 436 00:30:17,337 --> 00:30:21,732 DR. PATCH, DR. PATCH, WE NEED IT! HELP US! 437 00:30:21,776 --> 00:30:24,344 DR. PATCH! 438 00:30:24,387 --> 00:30:27,173 DR. PATCH, DR. PATCH, PLEASE! 439 00:30:27,216 --> 00:30:30,829 OKAY, NOW REMEMBER, THERE ARE NO BAD TAKES IN A CECIL B. DEMENTED PICTURE. 440 00:30:30,872 --> 00:30:35,050 JUST KEEP THE SCENE GOING. - HEY, HONEY, I'VE NEVER TAKEN THIS MUCH ACID BEFORE. 441 00:30:35,094 --> 00:30:37,487 SO IF I FORGET MY LINES, CUE ME. 442 00:30:37,531 --> 00:30:41,883 DO MY TITS LOOK OKAY? - THEY'RE MORE NATURAL THAN YOURS, YOU KNOW. 443 00:30:41,927 --> 00:30:44,755 CECIL, PLEASE DON'T MAKE ME DO THIS SCENE. 444 00:30:44,799 --> 00:30:47,933 YOUR HOLLYWOOD SYSTEM STOLE OUR SEX AND CO-OPTED OUR VIOLENCE, 445 00:30:47,976 --> 00:30:50,849 SO THERE'S NOTHING LEFT FOR OUR KINDS OF MOVIES, EXCEPT THIS. 446 00:30:50,892 --> 00:30:54,156 PICTURE'S UP! 447 00:30:56,419 --> 00:30:58,552 GO! GO! 448 00:30:58,595 --> 00:31:02,904 PAM, RIGHT HERE! ROLL CAMERA! 449 00:31:02,948 --> 00:31:04,906 - CAMERA ROLLING. - SPEED! 450 00:31:04,950 --> 00:31:07,300 - MARK IT! - ACTION! 451 00:31:07,343 --> 00:31:10,912 SABOTAGE THE CINEMA! TAKE BACK THE SCREEN! 452 00:31:10,956 --> 00:31:14,742 VANDALIZE THE MOVIES! BRING BACK THE DREAM! 453 00:31:14,785 --> 00:31:18,528 THIS IS SO STUPID. 454 00:31:18,572 --> 00:31:21,880 - SAY THE LINES THE WAY THEY'RE WRITTEN! - OKAY. 455 00:31:21,923 --> 00:31:23,925 YOU READ THE FUCKING SCRIPT! 456 00:31:23,969 --> 00:31:26,145 ALL RIGHT, RODNEY! 457 00:31:26,188 --> 00:31:28,277 ENOUGH, RODNEY! SHE LOOKS GREAT! 458 00:31:28,321 --> 00:31:32,281 THANK YOU. WE GOTTA GO! I SAID, ACTION! 459 00:31:32,325 --> 00:31:34,240 HOW DARE YOU PLAY PATCH ADAMS! 460 00:31:34,283 --> 00:31:36,416 OH, MY GOD! IT'S HONEY WHITLOCK! 461 00:31:36,459 --> 00:31:39,506 PATCH ADAMS DOES NOT DESERVE A DIRECTOR'S CUT. 462 00:31:39,549 --> 00:31:41,551 THE FIRST ONE WAS LONG ENOUGH! 463 00:31:41,595 --> 00:31:44,511 HEY, YOU! YOU GOT A PROBLEM? 464 00:31:44,554 --> 00:31:46,905 FEEL THE PAIN OF UNDERGROUND FILM! 465 00:31:46,948 --> 00:31:49,124 THE KICK OF OUTLAW CINEMA! 466 00:31:49,168 --> 00:31:52,301 WOW, HONEY, I'M PEAKING. 467 00:31:53,955 --> 00:31:56,610 I'M CECIL B. DEMENTED, AND YOU'RE IN MY MOVIE. 468 00:31:56,653 --> 00:31:59,526 IF YOU LOOK IN THE CAMERA AND RUIN A TAKE, YOU'RE DEAD. 469 00:31:59,569 --> 00:32:02,268 DO YOU KNOW QUENTIN TARANTINO? I LOVE HIS MOVIES! 470 00:32:02,311 --> 00:32:04,357 NO AD-LIBBING! 471 00:32:04,400 --> 00:32:07,403 3 DOLLARS FOR A FUCKING CANDY BAR! 472 00:32:07,447 --> 00:32:09,623 YOU CALL THAT A MEDIUM! 473 00:32:09,666 --> 00:32:12,843 THIS IS STILL POPPED IN COCONUT OIL, ISN'T IT? 474 00:32:12,887 --> 00:32:15,020 475 00:32:15,063 --> 00:32:16,891 HEY, WHAT'S THE TROUBLE HERE? 476 00:32:16,935 --> 00:32:19,720 NOBODY NEEDS THIS GARBAGE. 477 00:32:21,940 --> 00:32:25,073 WE ARE THE ULTIMATE BAD REVIEW. 478 00:32:25,117 --> 00:32:29,643 PLEASE, PLEASE. I-I DIDN'T MAKE THIS MOVIE. I'M JUST THE MANAGER. 479 00:32:29,686 --> 00:32:32,559 LET'S GO! 480 00:32:32,602 --> 00:32:35,344 NO, IT'S MINE! GIVE IT TO ME, YOU BASTARD! 481 00:32:35,388 --> 00:32:39,131 DR. PATCH, THESE BRATS WON'T GIVE ME THE-- 482 00:32:39,174 --> 00:32:42,047 DR. PATCH, DR. PATCH, PLEASE! 483 00:32:42,090 --> 00:32:45,050 PLACES EVERYBODY! LYLE, CHERISH, GET IN HERE! 484 00:32:45,093 --> 00:32:48,314 SAY THE LINES! AND ACTION! 485 00:32:48,357 --> 00:32:51,186 YOU DON'T HAVE TO LIKE THIS MOVIE. 486 00:32:51,230 --> 00:32:53,362 YOU'RE A VICTIM OF ADVERTISING! 487 00:32:53,406 --> 00:32:55,886 YOU'VE BEEN MANIPULATED BY PRESS AGENTS! 488 00:32:55,930 --> 00:32:59,412 PATCH ADAMS, YOU'RE DEAD. 489 00:32:59,455 --> 00:33:01,805 490 00:33:01,849 --> 00:33:04,460 491 00:33:04,504 --> 00:33:07,724 EVERYBODY WRAP IT UP AND RUN! 492 00:33:07,768 --> 00:33:10,771 493 00:33:21,825 --> 00:33:23,958 HEY, YO, MAN, LISTEN UP 494 00:33:24,002 --> 00:33:26,352 WHEN WE SAY ACTION, WE MEAN ACTION, YO 495 00:33:26,395 --> 00:33:28,876 AIN'T NOBODY PUTTIN' US IN TURNAROUND 496 00:33:28,919 --> 00:33:31,531 YOU GOT THAT, MOTHERFUCKER, WE AIN'T GOT NO BUDGET 497 00:33:31,574 --> 00:33:33,750 NO BUDGET, NO CRAFT SERVICE, MAN 498 00:33:33,794 --> 00:33:36,797 NO BUDGET, WE DON'T TAKE NO NOTES 499 00:33:36,840 --> 00:33:39,191 NO BUDGET, NO FUCKING CALL SHEETS, YO 500 00:33:39,234 --> 00:33:41,758 NO BUDGET, WE AIN'T RECOUPING SHIT 501 00:33:41,802 --> 00:33:45,066 COME ON, CECIL, I WANT A LITTLE ACTION OF MY OWN. 502 00:33:45,110 --> 00:33:47,112 I'M TRYING TO WRITE, CHERISH. 503 00:33:47,155 --> 00:33:49,679 WE GONNA TURN HOLLYWOOD OUT, NO BUDGET 504 00:33:49,723 --> 00:33:52,682 WE DON'T NEED THE HELP OF SO-CALLED CRITICS 505 00:33:52,726 --> 00:33:55,076 OUTLAW CINEMA, BROTHER WITH THE HOTTEST GUNSLINGERS YEAH! 506 00:33:55,120 --> 00:33:57,383 WHEN WE SAY ACTION, CAMERAS START TO SPIN 507 00:33:57,426 --> 00:33:59,341 RIP ALL YOUR STUDIO'S FUCKING ASSHOLE CLEAN 508 00:33:59,385 --> 00:34:02,301 IF I DIRECT, AIN'T GONNA BE NO MOTHERFUCKIN' SCENES 509 00:34:02,344 --> 00:34:04,564 WE'LL DO THE EDITS SEE WHAT NO BUDGET MEANS 510 00:34:04,607 --> 00:34:07,045 IT'S EITHER OUR WAY OR NO WAY FUCK KEEPING IT CLEAN 511 00:34:07,088 --> 00:34:09,612 OHHH! NO BUDGET 512 00:34:09,656 --> 00:34:11,701 NO CRAFT SERVICE MAN, NO BUDGET 513 00:34:11,745 --> 00:34:13,964 WE DON'T TAKE NO NOTES, NO BUDGET 514 00:34:14,008 --> 00:34:16,402 NO FUCKING CALL SHEETS YO, NO BUDGET 515 00:34:16,445 --> 00:34:18,578 WE AIN'T RECOUPING SHIT NO BUDGET 516 00:34:18,621 --> 00:34:20,754 YEAH, WE GOT A START DATE FOR REAL, NO BUDGET 517 00:34:20,797 --> 00:34:23,061 YO, THIS PICTURE'S A GO, NO BUDGET 518 00:34:23,104 --> 00:34:26,325 WE GONNA TURN HOLLYWOOD OUT, NO BUDGET 519 00:34:26,368 --> 00:34:29,328 IT'S GOAT URINE. 520 00:34:29,371 --> 00:34:32,200 YOU WANT SOME? - NO. 521 00:34:32,244 --> 00:34:36,509 IT'S A SATAN THING. 522 00:34:36,552 --> 00:34:39,425 OH, GOD, YOU'RE SO GOOD IN OUR MOVIE. 523 00:34:39,468 --> 00:34:41,601 WE AIN'T GOT NO BUDGET NO BUDGET 524 00:34:41,644 --> 00:34:43,603 NO CRAFT SERVICE, MAN NO BUDGET 525 00:34:43,646 --> 00:34:45,605 WE DON'T TAKE NO NOTES, NO BUDGET 526 00:34:45,648 --> 00:34:47,607 NO FUCKING CALL SHEETS YO, NO BUDGET 527 00:34:47,650 --> 00:34:50,523 CRAFT SERVICE? WE AIN'T RECOUPING SHIT 528 00:34:50,566 --> 00:34:54,135 NO, THANK YOU, FIDGET. I NEVER DRINK WHEN I'M WORKING. 529 00:34:54,179 --> 00:34:56,746 THAT'S VERY KIND OF YOU. 530 00:34:56,790 --> 00:35:01,534 HEY, FIDGET, DO YOUR PARENTS KNOW WHERE YOU ARE TONIGHT? 531 00:35:01,577 --> 00:35:05,190 THEY'RE PROBABLY MAD. 532 00:35:05,233 --> 00:35:08,280 WHY DON'T YOU GIVE THEM A CALL? 533 00:35:10,760 --> 00:35:15,765 CECIL SAYS OUR PARENTS ARE THE ENEMIES OF FILM. 534 00:35:15,809 --> 00:35:19,856 THAT'S SUCH NONSENSE. GO AHEAD, CALL 'EM UP. 535 00:35:19,900 --> 00:35:22,076 I BET THEY REALLY MISS YOU. 536 00:35:22,120 --> 00:35:24,296 HEY, HONEY, YOU WANT SOME CRACK? 537 00:35:24,339 --> 00:35:27,342 I MOST CERTAINLY DO NOT, LYLE. 538 00:35:27,386 --> 00:35:31,564 HOW CAN YOU BE A DRUG ADDICT IN THE NEW MILLENNIUM? IT'S SO RETRO. 539 00:35:31,607 --> 00:35:36,177 BEFORE I WAS A DRUG ADDICT, I HAD SO MANY DIFFERENT PROBLEMS. 540 00:35:36,221 --> 00:35:40,964 NOW I JUST HAVE ONE. DRUGS GAVE MY LIFE REAL FOCUS. 541 00:35:41,008 --> 00:35:43,924 KEEP THOSE CAMERAS ROLLING, MOTHERFUCKERS START TO SPIN 542 00:35:43,967 --> 00:35:46,361 IF I DIRECT, THERE AIN'T GONNA BE NO MOTHERFUCKIN' SCENES 543 00:35:46,405 --> 00:35:49,277 WE'LL DO THE EDITS, SEE WHAT NO BUDGET MEANS 544 00:35:49,321 --> 00:35:52,280 HOW CAN YOU SEE ME ON FILM AND NOT WANT TO FUCK ME? 545 00:35:52,324 --> 00:35:55,370 I DO WANT TO FUCK YOU, CHERISH, BUT YOU KNOW I CAN'T. 546 00:35:55,414 --> 00:35:58,808 WHY NOT? ALL MY DIRECTORS FUCK ME. 547 00:35:58,852 --> 00:36:02,682 I'M NOT ALL YOUR DIRECTORS! I'M CECIL B. DEMENTED, 548 00:36:02,725 --> 00:36:04,423 THE ULTIMATE AUTEUR! 549 00:36:06,990 --> 00:36:10,168 550 00:36:10,211 --> 00:36:12,518 WE AIN'T GOT NO BUDGET NO BUDGET 551 00:36:12,561 --> 00:36:17,914 SOLDIERS OF CINEMA, SAVE YOUR SEXUAL ENERGY FOR THE SCREEN. 552 00:36:17,958 --> 00:36:23,137 OUR FOOTAGE IS STRONGER THAN OTTO PREMINGER'S! 553 00:36:23,181 --> 00:36:27,141 CREEPIER AND DARKER THAN DAVID LYNCH'S! 554 00:36:27,185 --> 00:36:31,145 MORE EXPLOITIVE THAN HERSCHEL GORDON LEWIS. 555 00:36:31,189 --> 00:36:33,495 AND MORE VIOLENT THAN SAM FULLER. 556 00:36:36,194 --> 00:36:39,066 WE WILL RISE ABOVE OUR RAGING HORMONES... 557 00:36:39,109 --> 00:36:41,808 TO A NEW LEVEL OF CINEMA UNREST. 558 00:36:41,851 --> 00:36:45,638 DO WHATEVER IT TAKES TO AVOID SEXUAL RELEASE! 559 00:36:45,681 --> 00:36:49,250 GET AS DRUNK AS SAM PECKINPAH! 560 00:36:49,294 --> 00:36:52,732 AS HIGH AS RAINER WERNER FASSBINDER! 561 00:36:52,775 --> 00:36:55,604 BUT STAY CELIBATE FOR CELLULOID! YEAH! 562 00:36:55,648 --> 00:36:58,390 SEX IS FOR OUR MOVIES, NOT REAL LIFE. 563 00:36:58,433 --> 00:37:01,349 HELLO? HI, MOM. IT'S ME-- FIDGET. 564 00:37:01,393 --> 00:37:04,831 OH, GOD, FIDGET. WHERE ARE YOU? ARE YOU OKAY? 565 00:37:04,874 --> 00:37:07,399 I'M FINE. THE MOVIE'S GOING GREAT, MOM. 566 00:37:07,442 --> 00:37:10,924 GOING GREAT? FIDGET, YOU'RE WANTED FOR MURDER. 567 00:37:10,967 --> 00:37:14,797 FEEL THE BLACK HUMOR OF ALMODOVAR! 568 00:37:14,841 --> 00:37:19,280 THE SATANIC BRILLIANCE OF KENNETH ANGER! 569 00:37:19,324 --> 00:37:24,067 - THE RACIAL TENSION OF SPIKE LEE! - MM, MM, MM, MM! 570 00:37:24,111 --> 00:37:27,114 AND THE UNASHAMED EXHIBITIONISM OF WILLIAM CASTLE! 571 00:37:27,157 --> 00:37:29,943 HELLO? FIDGET, TALK TO ME. 572 00:37:29,986 --> 00:37:34,513 HELLO? WE WILL COME AND GET YOU. JUST TELL US WHERE YOU ARE. 573 00:37:34,556 --> 00:37:37,472 HELLO? HELLO? 574 00:37:37,516 --> 00:37:40,736 BLUE BALLS FOR CELLULOID! 575 00:37:40,780 --> 00:37:43,826 CECIL, IF WE CAN'T HAVE SEX, CAN WE AT LEAST MAKE SOME MONEY? 576 00:37:43,870 --> 00:37:47,569 YEAH. LEWIS THINKS I COULD HAVE A HIT RECORD. 577 00:37:47,613 --> 00:37:52,748 NO, NO, NO, SPROCKET HOLES! I'M A PROPHET AGAINST PROFIT! 578 00:37:52,792 --> 00:37:57,536 AND YOU SHOULD REFUSE TO SULLY YOUR ARTISTIC VISION WITH FINANCIAL SUCCESS! 579 00:37:57,579 --> 00:38:02,323 SPROCKET HOLES, BE STRONG AND JOIN ME IN PRAYER! 580 00:38:02,367 --> 00:38:07,067 OH, YEAH. OH. 581 00:38:07,110 --> 00:38:12,115 OH, ANDY WARHOL, WE WORSHIP YOU FROM THE NEW CINEMA UNDERGROUND. 582 00:38:12,159 --> 00:38:16,337 OH, ANDY WARHOL, WE WORSHIP YOU FROM THE NEW CINEMA UNDERGROUND. 583 00:38:16,381 --> 00:38:20,341 FIDGET, GIVE ME THAT DRINK, THANK YOU. - HELP US TO USE OUR SEXUAL FRUSTRATION AS YOU DID... 584 00:38:20,385 --> 00:38:23,213 THANK YOU FOR THE FUTURE OF OUTLAW FILM! 585 00:38:23,257 --> 00:38:27,522 - SAY IT, SPROCKET HOLES! - CELIBATE FOR CELLULOID! 586 00:38:27,566 --> 00:38:31,613 - SAY IT AGAIN, LOUDER! - CELIBATE FOR CELLULOID! 587 00:38:31,657 --> 00:38:33,615 NIGHTY-NIGHT. 588 00:38:33,659 --> 00:38:36,357 589 00:38:45,801 --> 00:38:48,804 590 00:38:55,420 --> 00:38:58,074 591 00:38:59,989 --> 00:39:02,862 592 00:39:02,905 --> 00:39:05,386 593 00:39:05,430 --> 00:39:08,302 HEY, KIDS, WAKE UP! 594 00:39:08,346 --> 00:39:11,044 LET'S MAKE A MOTHERFUCKIN' MOVIE! 595 00:39:11,087 --> 00:39:14,526 HEY, GO, GO! 596 00:39:23,491 --> 00:39:25,798 I SEE THAT FUCKING BROWN COLOR ALREADY! - NO, NO, RODNEY! 597 00:39:25,841 --> 00:39:29,584 THOSE ARE NOT ROOTS. THOSE ARE SCABS ON MY SCALP. - GET UP! 598 00:39:29,628 --> 00:39:32,413 AND THEY'RE RAW FROM THE DYE! - JUST CLOSE YOUR EYES... 599 00:39:32,457 --> 00:39:36,069 AND THINK OF THE FILMS OF GEORGE CUKOR. 600 00:39:36,112 --> 00:39:39,028 RAVEN, YOU KNOW YOU'RE A REALLY PRETTY GIRL. 601 00:39:39,072 --> 00:39:41,466 YOU COULD ESCAPE FROM ALL THIS MADNESS. 602 00:39:41,509 --> 00:39:44,512 ESCAPE TO WHAT, HONEY? 603 00:39:44,556 --> 00:39:49,082 I MEAN, MY FATHER IS ZO-ZO, THE 3-HEADED GUARD DOG AT THE GATES OF HELL. 604 00:39:49,125 --> 00:39:51,389 OW. I'M SORRY TO HEAR THAT. 605 00:39:51,432 --> 00:39:54,653 BUT ONE DAY I'M GONNA COMMIT REVOLUTIONARY SUICIDE FOR CELLULOID. 606 00:39:54,696 --> 00:39:58,265 NO, DON'T SAY THAT! RODNEY, TELL HER. NO MOVIE IS WORTH DYING FOR. 607 00:39:58,308 --> 00:40:01,007 OW! RODNEY, WHY DO YOU HAVE TO HURT ME? 608 00:40:01,050 --> 00:40:03,401 GAY MEN ARE SUPPOSED TO BE GENTLE. 609 00:40:03,444 --> 00:40:05,751 THAT'S JUST IT, HONEY. I'M NOT GAY. - OW. 610 00:40:05,794 --> 00:40:08,231 I'M STRAIGHT, AND I FUCKING HATE IT! 611 00:40:08,275 --> 00:40:12,758 PETIE LOVES ME, AND I CAN'T LOVE HIM BACK. I'VE TRIED. 612 00:40:12,801 --> 00:40:16,544 I KISS HIM, AND ALL I FEEL IS WHISKERS. 613 00:40:16,588 --> 00:40:20,287 I CAN'T TAKE THAT CERTAIN THICKNESS IN HIS PANTS. 614 00:40:20,330 --> 00:40:23,899 I'M ASHAMED OF MY HETEROSEXUALITY! 615 00:40:23,943 --> 00:40:26,162 OH, IT'S ALL RIGHT, RODNEY. 616 00:40:26,206 --> 00:40:29,470 THAT'S WHY SOME DAYS I GOTTA HURT PEOPLE! 617 00:40:29,514 --> 00:40:32,081 - NO! NO! - IT'S NOT HONEY'S FAULT. 618 00:40:32,125 --> 00:40:34,214 MAKE THEM PAY FOR ME LIKING PUSSY! 619 00:40:34,257 --> 00:40:37,609 NOBODY CHOOSES TO BE HETEROSEXUAL. HONEY KNOWS THAT. 620 00:40:37,652 --> 00:40:40,089 I'M STRAIGHT, AND I HATE! 621 00:40:40,133 --> 00:40:42,701 SO GET USED TO IT, HONEY WHITLOCK! 622 00:40:42,744 --> 00:40:45,007 OW! OW, IT'S BURNING ME! 623 00:40:45,051 --> 00:40:50,012 OW! OW! OW! OW! OW! YOU'RE HURTING ME! 624 00:40:50,056 --> 00:40:53,059 GOOD MORNING, MISS WHITLOCK. 625 00:40:53,102 --> 00:40:55,931 CECIL, I WANT TO GO BACK TO HOLLYWOOD. - WHATEVER FOR? 626 00:40:55,975 --> 00:40:58,499 YOUR OLD CAREER IS OVER, 627 00:40:58,543 --> 00:41:01,154 BUT YOUR COMEBACK HAS JUST BEGUN. 628 00:41:01,197 --> 00:41:03,504 ROLL IT. 629 00:41:03,548 --> 00:41:06,551 WELL, SEE, I WAS IN THE AUDIENCE WHEN THEY ATTACKED. 630 00:41:06,594 --> 00:41:09,684 OH! HONEY, MAN, HONEY WHITLOCK WAS AWESOME! 631 00:41:09,728 --> 00:41:11,686 SHE WAS SO COOL. 632 00:41:11,730 --> 00:41:15,211 I THINK HONEY WHITLOCK IS RIGHT. MOST FILMS SUCK, 633 00:41:15,255 --> 00:41:17,866 AND IT'S TIME SOMEBODY DID SOMETHING ABOUT IT. 634 00:41:17,910 --> 00:41:21,217 NOBODY FORCED HER TO BE IN THAT MOVIE, BUT SHE WAS DAMN GOOD. 635 00:41:21,261 --> 00:41:24,090 SCARIER THAN HELL, IF YOU ASK ME. 636 00:41:24,133 --> 00:41:27,746 SHE LOOKED DIFFERENT FROM HER OTHER FILMS TOO. I DON'T KNOW-- YOUNGER. 637 00:41:27,789 --> 00:41:30,270 MMM. 638 00:41:30,313 --> 00:41:33,229 NOW, THERE ARE STILL SOME PEOPLE WHO DON'T UNDERSTAND OUR WORK. 639 00:41:33,273 --> 00:41:35,797 THIS ONE'S LIVE. 640 00:41:35,841 --> 00:41:40,541 CECIL B. DEMENTED, THE MARYLAND FILM COMMISSION REFUSES TO BE INTIMIDATED... 641 00:41:40,585 --> 00:41:43,588 BY YOUR PATHETIC GANG OF CINEMATIC MISFITS. 642 00:41:47,374 --> 00:41:50,116 THAT'S WHY WE'RE HERE TODAY IN THE INNER HARBOR... 643 00:41:50,159 --> 00:41:53,206 TO CELEBRATE LOCATION SHOOTING IN MARYLAND... 644 00:41:53,249 --> 00:41:56,775 WITH MANY OF THE BRAVE PRODUCTION AND STUDIO HEADS FROM OUT OF STATE... 645 00:41:56,818 --> 00:42:00,996 WHO ALSO SAY NO TO CINEMA TERRORISM. 646 00:42:01,040 --> 00:42:03,303 647 00:42:03,346 --> 00:42:05,871 I HAVE A VISION. 648 00:42:08,351 --> 00:42:11,572 AND THIS TIME, SOMEBODY MIGHT HAVE TO DIE. 649 00:42:11,616 --> 00:42:14,096 OHHH. 650 00:42:14,140 --> 00:42:16,316 OHHH. 651 00:42:33,115 --> 00:42:35,814 OW! 652 00:42:45,345 --> 00:42:48,566 OKAY, IN THIS SCENE, YOU GUYS ARE THE AVENGING ANGELS OF UNDERGROUND CINEMA. 653 00:42:48,609 --> 00:42:50,959 WE'LL LET THOSE FAT-CAT PRODUCERS KNOW. 654 00:42:51,003 --> 00:42:54,833 YEAH, THAT MARYLAND ISN'T SAFE FOR THEIR KIND OF MOVIES. 655 00:42:54,876 --> 00:42:57,487 CHERISH, THIS IS AMERICA. IT'S A FREE COUNTRY. 656 00:42:57,531 --> 00:43:00,795 PEOPLE CAN MAKE BAD MOVIES IF THEY SO DESIRE. 657 00:43:00,839 --> 00:43:05,234 - NOT ANYMORE, THEY DON'T. - YOU THINK 'CAUSE YOU'VE MADE REAL MOVIES, YOU'RE BETTER? 658 00:43:05,278 --> 00:43:08,716 - OH, PLEASE. - DO YOU KNOW WHY I BECAME A PORNO STAR? 659 00:43:08,760 --> 00:43:11,023 660 00:43:11,066 --> 00:43:13,286 CHERISH HAS RECOVERED MEMORY. 661 00:43:13,329 --> 00:43:15,636 MM-HMM. WHEN I WAS 10 YEARS OLD, 662 00:43:15,680 --> 00:43:18,857 MY ENTIRE FAMILY FUCKED ME UNDER THE CHRISTMAS TREE. 663 00:43:18,900 --> 00:43:22,164 - I'M SO SORRY. - YEAH, I BET YOU ARE. 664 00:43:22,208 --> 00:43:27,169 "JINGLE BALLS, JINGLE BALLS," MY STUPID BROTHER STARTED SINGING. 665 00:43:27,213 --> 00:43:29,650 YOU THINK THAT'S FUNNY? 666 00:43:29,694 --> 00:43:32,827 - NO, I DON'T. - THAT'S ALL BEHIND YOU NOW, CHERISH. 667 00:43:32,871 --> 00:43:35,874 - WE'RE HERE, AND WE'RE MAKING MOVIES. 668 00:43:42,489 --> 00:43:44,186 THIS WAY. 669 00:43:46,188 --> 00:43:48,626 "FUCK HER," YELLED MY GRANDMOTHER. 670 00:43:48,669 --> 00:43:51,150 HOW WOULD YOU LIKE THAT IF IT HAPPENED TO YOU? - I WOULDN'T. 671 00:43:51,193 --> 00:43:53,369 IT'S OKAY, CHERISH. THIS WAY. 672 00:43:59,898 --> 00:44:02,074 HEY, HONEY. - WHAT? 673 00:44:02,117 --> 00:44:05,773 NERVOUS? WANNA TRY SOME SPECIAL K? - I AM WORKING, LYLE! 674 00:44:05,817 --> 00:44:09,559 "HUMAN PILE," SCREAMED MY GRANDFATHER AS THEY ALL JUMPED ON. 675 00:44:09,603 --> 00:44:12,345 DO YOU EVEN KNOW WHAT A HUMAN PILE IS? - I DO. 676 00:44:12,388 --> 00:44:14,564 I THINK I CAN FIGURE IT OUT. 677 00:44:14,608 --> 00:44:16,305 COME ON! 678 00:44:18,960 --> 00:44:22,703 ASK ANYONE WHO HAS SHOT THEIR FILM IN MARYLAND. 679 00:44:22,747 --> 00:44:26,141 WE HAVE THE EXACT LOCATION THAT YOU NEED FOR YOUR NEXT PRODUCTION. 680 00:44:26,185 --> 00:44:28,622 FROM MOUNTAINS TO BEACHES. 681 00:44:28,666 --> 00:44:31,712 FROM SMALL TOWNS TO URBAN SETTINGS. 682 00:44:31,756 --> 00:44:35,716 MY FATHER SAT ON MY FACE AS HE OPENED HIS CHRISTMAS PRESENTS. 683 00:44:35,760 --> 00:44:39,981 OH, REALLY? ARE YOU SURE ANY OF THIS REALLY HAPPENED? 684 00:44:40,025 --> 00:44:43,898 YES, IT REALLY HAPPENED! "OH, SANTA, WHY HAST THOU FORSAKEN ME," I SCREAMED. 685 00:44:43,942 --> 00:44:46,988 BUT SHE DOESN'T BELIEVE ME! - I BELIEVE YOU. 686 00:44:47,032 --> 00:44:49,991 SHUT UP, CHERISH! I TOLD YOU, THAT'S ALL OVER WITH. 687 00:44:50,035 --> 00:44:53,038 SAVE YOUR RAGE AND USE IT IN THE CINEMA! - YES, CECIL. 688 00:44:53,081 --> 00:44:55,388 689 00:44:56,955 --> 00:45:00,610 GO! GO! 690 00:45:00,654 --> 00:45:06,138 THE MARYLAND FILM COMMISSION PLEDGES TO WORK WITH STATE AND FEDERAL AGENCIES... 691 00:45:06,181 --> 00:45:08,488 TO MAKE YOUR SHOOT HERE IN MARYLAND... 692 00:45:08,531 --> 00:45:10,533 AS INEXPENSIVE AND TROUBLE-FREE AS POSSIBLE. 693 00:45:10,577 --> 00:45:14,537 - HEY, HEY! 694 00:45:14,581 --> 00:45:18,846 THAT'S WHY WE CALL BALTIMORE THE HOLLYWOOD OF THE EAST. 695 00:45:18,890 --> 00:45:21,762 696 00:45:26,462 --> 00:45:30,249 697 00:45:30,292 --> 00:45:32,642 SEE PAM THERE? - YEAH. 698 00:45:32,686 --> 00:45:35,341 THAT'S YOUR MARK. 699 00:45:35,384 --> 00:45:38,213 WHEN YOU HEAR "ACTION," I WANT YOU TO JUMP OFF THE ROOF, 700 00:45:38,257 --> 00:45:40,694 LANDING IN FRONT OF PAM'S CAMERA. 701 00:45:49,572 --> 00:45:53,620 SURELY YOU REALIZE I COULD BE SERIOUSLY INJURED. 702 00:45:53,663 --> 00:45:56,971 - SUFFER FOR CELLULOID! - THERE SHOULD AT LEAST BE AN AIRBAG... 703 00:45:57,015 --> 00:46:00,192 OR SOME KIND OF SAFETY PRECAUTION. 704 00:46:00,235 --> 00:46:02,803 JUST CALL ME IRRESPONSIBLE. OUTLAW CINEMA HAS NO LIMITS. 705 00:46:02,847 --> 00:46:04,805 706 00:46:04,849 --> 00:46:07,895 PROVE YOURSELF, HONEY, 707 00:46:07,939 --> 00:46:10,506 AND MAYBE YOU'LL LIVE TO READ YOUR REVIEWS. 708 00:46:10,550 --> 00:46:13,379 ALL RIGHT, CECIL. 709 00:46:13,422 --> 00:46:16,164 I'M A PROFESSIONAL. ROLL THE CAMERA. 710 00:46:16,208 --> 00:46:18,166 PLACES, YOU FOOLS! 711 00:46:21,343 --> 00:46:24,477 NOW, DON'T WORRY. THEY'RE JUST PROPS. 712 00:46:24,520 --> 00:46:27,828 I WANT YOU TO THROW THE GRENADE AFTER YOUR 1ST LINE AT THE FILM COMMISSIONER. 713 00:46:27,872 --> 00:46:30,048 NOBODY WILL GET HURT. 714 00:46:32,877 --> 00:46:36,141 THERE ARE BULLETS IN HERE. 715 00:46:36,184 --> 00:46:38,752 THEY'RE BLANKS. TRUST ME, HONEY. 716 00:46:40,058 --> 00:46:42,800 LOCK IT UP. 717 00:46:55,377 --> 00:46:59,164 HMM... WHOO! 718 00:46:59,207 --> 00:47:01,514 OKAY. OKAY. 719 00:47:07,085 --> 00:47:08,956 SPEED! CAMERA ROLLING! 720 00:47:09,000 --> 00:47:12,438 MARK IT! 721 00:47:12,481 --> 00:47:14,179 ACTION. 722 00:47:17,138 --> 00:47:20,750 723 00:47:20,794 --> 00:47:24,145 - OH, MY GOD! 724 00:47:24,189 --> 00:47:27,453 725 00:47:27,496 --> 00:47:31,196 OKAY, WHICH ONE OF YOU ASSHOLES INSULTED OUR FILM? 726 00:47:31,239 --> 00:47:33,459 - WAS IT YOU? - NO. PLEASE. 727 00:47:33,502 --> 00:47:35,374 I-I WAS ONLY FOLLOWING STUDIO ORDERS. 728 00:47:37,158 --> 00:47:40,988 729 00:47:41,032 --> 00:47:43,164 730 00:47:43,208 --> 00:47:46,211 ALL EXTRAS, KEEP EATING THE OYSTERS, 731 00:47:46,254 --> 00:47:49,388 OR YOU WILL BE SHOT AND KILLED! 732 00:47:49,431 --> 00:47:53,261 PAM, SHOOT THOSE OYSTERS! HEY, YOU! 733 00:47:53,305 --> 00:47:55,220 KEEP EATING! 734 00:47:55,263 --> 00:47:58,136 KEEP EATING, YOU FUCKERS! 735 00:47:58,179 --> 00:48:01,704 DIDN'T YOU PRODUCE THAT BAD HOLLYWOOD REMAKE OF THAT BEAUTIFUL FOREIGN FILM? 736 00:48:01,748 --> 00:48:04,620 I HAD TO. YOU KNOW AMERICAN AUDIENCES WON'T WATCH SUBTITLES. 737 00:48:08,146 --> 00:48:11,366 DIDN'T YOU JUST GREEN LIGHT ANOTHER MOVIE BASED ON A VIDEO GAME? 738 00:48:11,410 --> 00:48:14,152 IT WASN'T MY IDEA! I'M JUST THE V.P. OF CREATIVE AFFAIRS! 739 00:48:15,675 --> 00:48:19,418 NO, PLEASE DON'T SHOOT ME! I DON'T EVEN GO TO THE MOVIES! 740 00:48:23,988 --> 00:48:26,512 RODNEY! 741 00:48:26,555 --> 00:48:28,514 742 00:48:35,347 --> 00:48:38,654 HELP! I'M HONEY WHITLOCK! 743 00:48:38,698 --> 00:48:41,396 - NOBODY SAID CUT! 744 00:48:43,529 --> 00:48:47,446 HELP, CHERISH! I'M STUCK IN A K-HOLE, AND I CAN'T GET OUT! 745 00:48:49,143 --> 00:48:52,973 - COME ON, LYLE. 746 00:48:53,017 --> 00:48:55,976 OH, SHIT! 747 00:48:56,020 --> 00:48:58,283 FINISH THE FUCKING SCENE! 748 00:48:59,980 --> 00:49:03,070 BAD MOVIES MUST BE AVENGED! 749 00:49:07,640 --> 00:49:09,816 750 00:49:09,859 --> 00:49:12,340 THAT'S A CUT! 751 00:49:12,384 --> 00:49:14,081 CECIL! 752 00:49:17,041 --> 00:49:20,131 HERE. 753 00:49:20,174 --> 00:49:22,524 - WHERE ARE YOU GOING? - DON'T SHOOT! 754 00:49:22,568 --> 00:49:25,832 - I'M HONEY WHITLOCK, AND I'VE BEEN KIDNAPPED. - COME BACK! 755 00:49:25,875 --> 00:49:29,879 NO! NO! WE'LL GO TO SUNDANCE TOGETHER, I PROMISE! 756 00:49:29,923 --> 00:49:34,580 HEY, DON'T YOU KNOW WHO I AM? EXCUSE ME, I WILL HAVE YOU FIRED! 757 00:49:34,623 --> 00:49:37,583 DON'T YOU KNOW THAT I'M AN ACADEMY AWARD NOMINEE? 758 00:49:37,626 --> 00:49:40,586 CECIL, HELP ME! 759 00:49:40,629 --> 00:49:42,936 HELP! OW! OW! OW! 760 00:49:42,980 --> 00:49:45,983 761 00:49:48,289 --> 00:49:50,291 HELP! LET'S ROLL! 762 00:49:50,335 --> 00:49:52,990 HELP, CECIL! 763 00:49:55,209 --> 00:49:57,864 764 00:49:57,907 --> 00:49:59,909 ATTICA! 765 00:49:59,953 --> 00:50:04,088 RODNEY KING! DAVID BEGELMAN! 766 00:50:04,871 --> 00:50:07,613 LET ME GO! LET ME OUT OF HERE! 767 00:50:07,656 --> 00:50:11,182 768 00:50:11,225 --> 00:50:12,966 PICTURE'S UP! - ROLL! 769 00:50:13,010 --> 00:50:15,969 SPEED! HEY, IT'S YOUR CLOSE-UP! 770 00:50:16,013 --> 00:50:18,102 771 00:50:18,145 --> 00:50:20,713 - I HATE YOUR MOVIES! - ACTION! 772 00:50:20,756 --> 00:50:23,716 LONG LIVE GUERRILLA FILMMAKING! 773 00:50:23,759 --> 00:50:25,761 LOOK OUT! SHIT! 774 00:50:25,805 --> 00:50:29,026 WHOA! WHOA! WHOA! 775 00:50:29,069 --> 00:50:31,767 CUT! CUT! 776 00:50:33,813 --> 00:50:37,382 777 00:50:37,425 --> 00:50:39,645 778 00:50:43,431 --> 00:50:45,433 779 00:50:47,740 --> 00:50:49,611 I AM CECIL B. DEMENTED, THE ENEMY OF FAMILY FILMS! 780 00:50:49,655 --> 00:50:51,961 SHIT! 781 00:50:52,005 --> 00:50:55,530 - YOU COULDN'T DIRECT TRAFFIC! - THESE COPS AREN'T GOIN' NOWHERE. 782 00:50:55,574 --> 00:50:58,751 GO BACK TO FILM SCHOOL, STUPID! - STRAIGHT TO VIDEO--THAT'S WHAT YOU ARE! 783 00:50:58,794 --> 00:51:01,797 I HATE FILMS! 784 00:51:01,841 --> 00:51:05,627 PAM, FILM THESE FUCKERS! - PICTURE'S UP! 785 00:51:05,671 --> 00:51:07,934 WE DON'T WANNA BE IN YOUR SICK LITTLE MOVIE! 786 00:51:07,977 --> 00:51:10,284 CAMERA ROLLING! SPEED! 787 00:51:10,328 --> 00:51:14,114 PAY US, CHEAPSKATE! - I'M NOT ANYBODY'S EXTRA! 788 00:51:14,158 --> 00:51:16,290 I DON'T DO ANYTHING FOR ART! ACTION! 789 00:51:16,334 --> 00:51:20,468 I'M SICK OF VIOLENCE! - OH, I CAN'T STAND THE F WORD! 790 00:51:20,512 --> 00:51:24,864 YEAH? WELL, YOUR MOVIES BITE THE BIG ONE! - WE WANT FRONTAL NUDITY! 791 00:51:24,907 --> 00:51:27,997 OW, OW, OW! OW! KEEP THE SCENE GOING! 792 00:51:28,041 --> 00:51:31,871 YOU STINK, HONEY WHITLOCK! - YOU CAME IN 5TH IN THE OSCARS. 793 00:51:31,914 --> 00:51:34,830 YOU DIDN'T WRITE ME DIALOGUE? - YOU'RE ONE OF US NOW. YOU KNOW WHAT TO SAY. 794 00:51:34,874 --> 00:51:37,224 I WALK OUT OF YOUR FILMS ON AIRPLANES! 795 00:51:37,268 --> 00:51:40,836 FAMILY IS JUST A DIRTY WORD FOR CENSORSHIP! NICE! 796 00:51:40,880 --> 00:51:43,839 CUT! MOVIN' ON! 797 00:51:43,883 --> 00:51:46,494 COME ON! LET'S GET OUT OF HERE! 798 00:51:46,538 --> 00:51:49,062 FUCKING FAMILIES! LET'S GO! 799 00:51:49,106 --> 00:51:51,717 WHOA-HO 800 00:51:51,760 --> 00:51:55,286 YA-HA-HO-HO COME ON! 801 00:51:55,329 --> 00:52:00,160 YA-HA-HO-HO 802 00:52:00,204 --> 00:52:02,597 COME ON, GO! COME ON, COME ON! COME ON, COME ON! 803 00:52:02,641 --> 00:52:05,034 GO, GO, GO, GO! MOVE, MOVE! 804 00:52:05,078 --> 00:52:07,167 805 00:52:07,211 --> 00:52:09,300 806 00:52:11,563 --> 00:52:15,001 807 00:52:15,044 --> 00:52:17,743 808 00:52:20,006 --> 00:52:22,356 ACTION FANS, HELP US! 809 00:52:22,400 --> 00:52:25,272 YEAH! COME ON, COME ON, COME ON! 810 00:52:25,316 --> 00:52:28,449 YEAH, CECIL! COME ON! 811 00:52:28,493 --> 00:52:31,626 COME ON, COME ON! GO, GO! 812 00:52:31,670 --> 00:52:34,934 813 00:52:34,977 --> 00:52:37,893 FAMILIES! FAMILIES! 814 00:52:37,937 --> 00:52:41,114 815 00:52:45,205 --> 00:52:47,164 GIVE ME YOUR AUTOGRAPH. 816 00:52:47,207 --> 00:52:51,080 HONEY, HONEY, HONEY. ALL RIGHT, ALL RIGHT. ENOUGH, ENOUGH. 817 00:52:57,913 --> 00:53:00,220 CECIL B. DEMENTED WANTS YOUR KEYS. 818 00:53:00,264 --> 00:53:02,440 FUCK HIM. HE AIN'T GONNA GET DISTRIBUTION. 819 00:53:02,483 --> 00:53:05,182 OH, YOU WANNA BET? 820 00:53:05,225 --> 00:53:07,967 821 00:53:08,010 --> 00:53:09,969 822 00:53:10,012 --> 00:53:12,798 YEAH, BABY, YEAH! LET'S GO! 823 00:53:12,841 --> 00:53:14,843 HONEY, HONEY! 824 00:53:14,887 --> 00:53:17,368 THANKS, HONEY. HONEY, - HONEY, I LOVE YOU! 825 00:53:17,411 --> 00:53:20,545 826 00:53:22,590 --> 00:53:24,940 GO! LET'S GO! LET'S GO! 827 00:53:24,984 --> 00:53:27,334 828 00:53:28,770 --> 00:53:30,729 HONEY, HONEY! 829 00:53:30,772 --> 00:53:33,732 HEY, HEY, HONEY, SIGN MY PAROLE CARD? 830 00:53:33,775 --> 00:53:37,214 IT'S OKAY! WE'RE CRIMINALS TOO! 831 00:53:37,257 --> 00:53:39,955 I LOVE YOU! WE LOVE YOU! 832 00:53:39,999 --> 00:53:42,741 YOU'RE CRAZY! 833 00:53:49,051 --> 00:53:51,663 834 00:53:51,706 --> 00:53:55,710 THE SLASH AND BURN OF THE WHITE-HOT METAL... 835 00:53:55,754 --> 00:53:59,888 WILL BRAND YOU FOREVER WITH THE LOGO OF CECIL B. DEMENTED. 836 00:53:59,932 --> 00:54:02,717 WEAR THE PRIVILEGED SCAR OF CINEMA SAINTHOOD... 837 00:54:02,761 --> 00:54:06,243 WITH PRIDE AND HORNINESS. 838 00:54:09,158 --> 00:54:12,466 839 00:54:21,301 --> 00:54:24,609 GOD, OUR PROTECTOR 840 00:54:24,652 --> 00:54:26,611 YEAH 841 00:54:26,654 --> 00:54:31,398 MAIN FILM DIRECTOR 842 00:54:31,442 --> 00:54:34,706 GIVE US A CUE 843 00:54:36,969 --> 00:54:40,102 WE'LL FOLLOW YOU 844 00:54:40,146 --> 00:54:44,672 DEMENTED FOREVER 845 00:54:44,716 --> 00:54:48,110 DEMENTED FOR LIFE 846 00:54:48,154 --> 00:54:51,331 THERE IS NO SUCH THING AS FAMILY. 847 00:54:51,375 --> 00:54:56,423 WE ARE THE ORPHANS OF CINEMA, AND WITHOUT OUR MOVIE, WE DO NOT EXIST. 848 00:54:56,467 --> 00:54:59,774 WE ARE NOT HUMAN. WE ARE ALL PART OF ONE GIANT PROJECTOR. 849 00:54:59,818 --> 00:55:03,474 AND OUR BLOOD IS THE FILM THAT WILL BE SHOWN TO THE WORLD. 850 00:55:03,517 --> 00:55:05,345 MY REAL LIFE BEGAN IN THE CINEMA. 851 00:55:05,389 --> 00:55:07,608 852 00:55:07,652 --> 00:55:10,132 AND IT WILL END IN THE CINEMA! 853 00:55:10,176 --> 00:55:14,180 DEMENTED FOREVER 854 00:55:14,223 --> 00:55:18,140 FROM THE VALLEYS OF LEBANON-- 855 00:55:18,184 --> 00:55:22,710 TO THE JUNGLES OF CUBA! 856 00:55:23,972 --> 00:55:25,713 857 00:55:27,802 --> 00:55:30,414 FILM REVOLUTIONARIES CAN NEVER BE STOPPED. 858 00:55:30,457 --> 00:55:33,634 DEMENTED FOREVER, DEMENTED FOREVER 859 00:55:35,375 --> 00:55:38,291 DEMENTED FOR LIFE 860 00:55:38,335 --> 00:55:41,512 RODNEY DIED FOR THE ROOTS OF CINEMATIC REBELLION. 861 00:55:41,555 --> 00:55:43,862 AND HE'S NOW IN CINEMA HELL, 862 00:55:43,905 --> 00:55:47,300 WHERE ONE DAY WE'LL ALL BE REUNITED. 863 00:55:47,344 --> 00:55:49,389 PLEASURE IS PAIN! 864 00:55:49,433 --> 00:55:51,957 SLAVERY IS FREEDOM! 865 00:55:52,000 --> 00:55:54,307 SUICIDE FOR SATAN! 866 00:55:54,351 --> 00:55:57,354 DEMENTED FOREVER 867 00:56:01,140 --> 00:56:04,883 BUT OUR FILM COULD STILL BE A HIT EVEN AFTER WE'RE DEAD, RIGHT, CECIL? 868 00:56:04,926 --> 00:56:09,670 DEMENTED FOREVER. DEMENTED FOREVER 869 00:56:12,107 --> 00:56:14,066 FIDGET. 870 00:56:26,557 --> 00:56:30,082 FIDGET'S A GOOD BOY, AND WE LOVE HIM. 871 00:56:30,125 --> 00:56:32,606 AND WE WILL STAND BEHIND OUR SON NO MATTER WHAT HE'S DONE. 872 00:56:34,347 --> 00:56:36,915 NO! I WANNA GO HOME! 873 00:56:36,958 --> 00:56:39,091 I DON'T WANNA BE IN SHOW BUSINESS ANYMORE! 874 00:56:39,134 --> 00:56:41,528 I KNEW YOU WERE THE WEAK ONE, FIDGET. 875 00:56:45,053 --> 00:56:48,927 JUST REMEMBER, YOUR PARENTS LIKED GODZILLA. 876 00:56:48,970 --> 00:56:51,669 THEY WOULDN'T EVEN LET YOU SEE R-RATED FILMS AS A CHILD. 877 00:56:51,712 --> 00:56:55,237 THEY'VE NEVER EVEN BEEN TO A MIDNIGHT MOVIE. 878 00:56:55,281 --> 00:56:57,762 THEY ENJOY CLASSIC T.V. SITCOMS TURNED INTO FEATURE-LENGTH FILMS. 879 00:56:57,805 --> 00:57:00,765 THEY'VE NEVER RENTED A PORNO MOVIE. - AND TO TOP IT ALL OFF, 880 00:57:00,808 --> 00:57:03,332 THEY TALK OUT LOUD IN THE THEATER ONCE THE FEATURE HAS BEGUN. 881 00:57:03,376 --> 00:57:06,684 OH! - OH, THAT REALLY IS UNFORGIVABLE, FIDGET. 882 00:57:12,516 --> 00:57:15,127 OKAY, OKAY! MY PARENTS ARE THE ENEMIES OF FILM! 883 00:57:15,170 --> 00:57:17,390 DO IT! 884 00:57:17,434 --> 00:57:20,611 YEAH! ALL RIGHT! 885 00:57:20,654 --> 00:57:25,529 DEMENTED FOREVER! DEMENTED FOREVER! 886 00:57:25,572 --> 00:57:28,357 AND YOU, HONEY? 887 00:57:32,536 --> 00:57:34,538 NO, CECIL. 888 00:57:36,365 --> 00:57:38,716 SO TELL ME THE TRUTH NOW. 889 00:57:38,759 --> 00:57:40,457 DID YOU EVER, IN ALL THOSE YEARS, 890 00:57:40,500 --> 00:57:43,285 SUSPECT THAT YOUR EX-WIFE... 891 00:57:43,329 --> 00:57:46,506 HAD, WELL, YOU KNOW, RADICAL TENDENCIES? 892 00:57:46,550 --> 00:57:49,553 WELL, I'LL TELL YOU, ROSEANNE. 893 00:57:49,596 --> 00:57:53,382 I WAS MARRIED TO HONEY WHITLOCK FOR 7 YEARS, 894 00:57:53,426 --> 00:57:56,821 AND I'M NOT A BIT SURPRISED WHAT A NUT SHE REALLY IS. 895 00:57:56,864 --> 00:57:59,258 OH, THANKS A LOT. 896 00:57:59,301 --> 00:58:01,782 SATAN LOVES YOU, HONEY. 897 00:58:01,826 --> 00:58:04,263 AND SO DO I. 898 00:58:04,306 --> 00:58:07,701 HONEY WHITLOCK WAS ALWAYS ATTRACTED TO THE WRONG KIND OF MAN. 899 00:58:07,745 --> 00:58:10,312 I WOULDN'T BE SURPRISED IF SHE WAS IN ON HER KIDNAPPING FROM THE VERY BEGINNING. 900 00:58:10,356 --> 00:58:13,228 SHE'D DO ANYTHING FOR SEX. 901 00:58:13,272 --> 00:58:16,623 THE MARYLAND FILM COMMISSION-- - YOU AIN'T SEEN NOTHING YET. 902 00:58:16,667 --> 00:58:21,280 CECIL B. DEMENTED, YOU CAN NEVER STOP HOLLYWOOD. 903 00:58:21,323 --> 00:58:24,109 THE MARYLAND FILM COMMISSION IS PLEASED TO ANNOUNCE... 904 00:58:24,152 --> 00:58:28,679 THERE WILL BE NO DELAY IN TOMORROW'S ONCE-SECRET START DATE... 905 00:58:28,722 --> 00:58:34,641 FOR THE $65 MILLION SHOT ENTIRELY IN BALTIMORE SEQUEL... 906 00:58:34,685 --> 00:58:38,819 TO THE OSCAR-WINNING MASTERPIECE FORREST GUMP, 907 00:58:38,863 --> 00:58:42,606 GUMP AGAIN, STARRING KEVIN NEALON. 908 00:58:42,649 --> 00:58:46,479 I THINK I SPEAK FOR EVERY MEMBER OF THE ACADEMY OF THE ARTS AND SCIENCES... 909 00:58:46,523 --> 00:58:48,437 WHEN I SAY, HONEY WHITLOCK, 910 00:58:48,481 --> 00:58:52,224 YOU ARE A DISGRACE TO THE ENTIRE HOLLYWOOD COMMUNITY. 911 00:58:55,575 --> 00:58:57,534 SAY IT. 912 00:59:05,629 --> 00:59:07,935 DEMENTED FOREVER. 913 00:59:09,502 --> 00:59:11,504 YEAH, YEAH, YEAH. 914 00:59:11,548 --> 00:59:16,465 YEAH. OH, YEAH. 915 00:59:16,509 --> 00:59:21,645 THIS TIME, I HAVE A FUCKING VISION. 916 00:59:49,586 --> 00:59:51,762 WHOA, WHOA, WHOA, WHOA, WHOA. 917 00:59:56,375 --> 00:59:58,638 CAN I HELP YOU? 918 00:59:58,682 --> 01:00:01,510 WE GOT A DELIVERY FOR KEVIN NEALON FROM PARAMOUNT STUDIOS. 919 01:00:01,554 --> 01:00:03,556 SHH. 920 01:00:04,949 --> 01:00:07,299 LARGEST BOX OF CHOCOLATES WE EVER MADE. 921 01:00:07,342 --> 01:00:09,301 SHH, SHH. 922 01:00:11,738 --> 01:00:14,219 WELL, I'M GONNA HAVE TO CHECK YOUR TRUCK OUT. 923 01:00:14,262 --> 01:00:16,264 SURE. 924 01:00:21,922 --> 01:00:24,969 YOU NEVER KNOW WHAT YOU'RE GONNA FIND INSIDE. 925 01:00:25,012 --> 01:00:26,971 ACTION! 926 01:00:27,014 --> 01:00:30,714 GET HIM IN! 927 01:00:33,847 --> 01:00:36,154 ALL RIGHT. JUST KEEP AN EYE ON THE SHOT. 928 01:00:36,197 --> 01:00:38,547 ADD HIS HAIR DYE. THAT'S IT. 929 01:00:38,591 --> 01:00:40,854 LOOKS GOOD. NICE, NICE. 930 01:00:40,898 --> 01:00:43,378 JEAN-PIERRE, YOU OKAY? YOU NEED ANOTHER CAMERA REHEARSAL? 931 01:00:43,422 --> 01:00:46,555 NO, SIR. WE'RE SET. 932 01:00:46,599 --> 01:00:50,211 DO YOU BELIEVE HOW LONG IT TOOK 'EM TO DO THAT LAST SHOT? IT'S UNBELIEVABLE. 933 01:00:50,255 --> 01:00:53,693 THE MONEY THEY'RE THROWING AWAY HERE IS UNBELIEVABLE. YOU GOT A PAIR OF 7'S. 934 01:00:53,737 --> 01:00:56,000 THAT'S NOT BAD. HEY, YOU'RE CHEATIN' OVER THERE. 935 01:00:56,043 --> 01:00:58,045 WHAT DO YOU GOT, A JACK, KING? 936 01:00:58,089 --> 01:01:01,701 WHAT'S THE MATTER WITH YOU? - HEY! 937 01:01:01,745 --> 01:01:04,225 WE'RE NONUNION, AND WE'RE TAKING OVER THIS MOVIE! 938 01:01:04,269 --> 01:01:06,401 OKAY. LET'S SHOOT THIS SUCKER. YOU GOT IT. 939 01:01:06,445 --> 01:01:08,752 OKAY, PEOPLE. CLEAR THE SET. 940 01:01:08,795 --> 01:01:11,668 AND...LOCK IT UP! 941 01:01:12,712 --> 01:01:14,627 WE DON'T HAVE TO TAKE-- 942 01:01:14,671 --> 01:01:16,673 943 01:01:18,631 --> 01:01:22,026 SON OF A BITCH! 944 01:01:22,069 --> 01:01:25,246 GET THIS MOTHERFUCKER OFF OF ME! 945 01:01:25,290 --> 01:01:28,249 946 01:01:29,686 --> 01:01:32,210 IT'S ALREADY LOCKED DOWN. PICTURE'S UP. 947 01:01:32,253 --> 01:01:36,605 948 01:01:37,955 --> 01:01:42,394 WELL, IS THERE A PROBLEM? 949 01:01:42,437 --> 01:01:44,657 WHERE'S THE A.D.? 950 01:01:44,701 --> 01:01:46,659 951 01:01:46,703 --> 01:01:49,531 JANINE. WHERE THE FUCK IS JANINE? 952 01:01:51,185 --> 01:01:53,840 I'M GETTING OLDER HERE. 953 01:01:53,884 --> 01:01:56,495 BUDGET'S CLIMBING! 954 01:01:56,538 --> 01:01:59,193 $1,000 A SECOND. $1,000 A SECOND. 955 01:01:59,237 --> 01:02:01,326 $1,000 A SECOND. 956 01:02:01,369 --> 01:02:04,590 THAT'S WHAT IT'S COSTING WHILE WE WAIT, GANG! 957 01:02:06,287 --> 01:02:08,289 I DON'T KNOW WHAT THE PROBLEM IS. 958 01:02:09,638 --> 01:02:11,858 JESUS, CAN WE SHOOT? ROLL SOUND. 959 01:02:11,902 --> 01:02:14,121 SOUND SPEED. 960 01:02:14,165 --> 01:02:16,080 961 01:02:16,123 --> 01:02:18,778 CAN I HAVE FUCKING QUIET? 962 01:02:18,822 --> 01:02:21,999 CAMERA ROLLING. FINALLY! MARK IT. 963 01:02:22,739 --> 01:02:25,785 AND...ACTION. 964 01:02:30,834 --> 01:02:34,228 HELLO, MY NAME'S FORREST. FORREST GUMP. 965 01:02:34,272 --> 01:02:37,536 THAT'S A DAMN SHAME. 966 01:02:37,579 --> 01:02:39,973 YOU WANT SOME OF MY CRAB CAKES? 967 01:02:40,017 --> 01:02:43,411 I DON'T EAT SCAVENGERS. YOU KNOW WHAT CRABS EAT? 968 01:02:43,455 --> 01:02:45,936 FISH FECES. 969 01:02:45,979 --> 01:02:49,069 WELL, MY MOMMA ALWAYS SAID, "GUMP HAPPENS." 970 01:02:49,113 --> 01:02:51,898 SHUCKS, I GUESS LIFE IS A LOT LIKE A CRAB CAKE. 971 01:02:51,942 --> 01:02:54,640 THERE'S LOTS OF GOOD STUFF IN THE MIDDLE, 972 01:02:54,683 --> 01:02:56,947 BUT IT'S SURROUNDED BY A BUNCH OF CRAP. 973 01:02:56,990 --> 01:03:00,385 CUT! - WHAT THE HELL? 974 01:03:00,428 --> 01:03:03,475 I AM CECIL B. DEMENTED, AND THIS PICTURE IS TERMINATED! 975 01:03:03,518 --> 01:03:06,391 GET OFF MY SET NOW! WHAT DO YOU THINK YOU'RE DOING? 976 01:03:07,871 --> 01:03:11,309 NOBODY CAN STOP THE POPULARITY OF FORREST GUMP. 977 01:03:11,352 --> 01:03:16,314 FUCKIN' LITTLE SCABS! WE'LL GET THEIR LITTLE 16-MM. ASSES. 978 01:03:16,357 --> 01:03:20,144 I GOT IT. NOBODY FUCKS WITH THE BROTHERHOOD OF TEAMSTERS! 979 01:03:20,187 --> 01:03:23,669 980 01:03:23,712 --> 01:03:27,934 OW, THAT HURT! ARE YOU OUT OF YOUR MIND? GET ME OUT OF HERE! 981 01:03:27,978 --> 01:03:30,371 MARK IT. 982 01:03:30,415 --> 01:03:32,373 THAT'S ENTERTAINMENT. 983 01:03:32,417 --> 01:03:34,854 AND...ACTION! 984 01:03:34,898 --> 01:03:37,683 I FUCKING HATE FORREST GUMP! 985 01:03:37,726 --> 01:03:39,990 I ONLY TAKE THE ROLES I'M OFFERED, MA'AM. 986 01:03:40,033 --> 01:03:42,906 ARE YOU THIS DESPERATE FOR PUBLICITY, HONEY WHITLOCK? 987 01:03:42,949 --> 01:03:45,865 DON'T STEP ON MY LINES, ASSHOLE! 988 01:03:45,909 --> 01:03:47,954 SHH, SHH, SHH! QUIET! 989 01:03:49,695 --> 01:03:52,959 NO MORE PER DIEMS! - PLEASE, I'M A LOCAL HIRE! 990 01:03:53,003 --> 01:03:56,833 NO MORE MEAL PENALTIES. - YES, MA'AM. WE'RE OFF THE CLOCK. 991 01:03:56,876 --> 01:04:01,750 AND NO MORE FREE FOOD AT INTERNATIONAL FILM FESTIVALS FOR YOU EITHER, HACK! 992 01:04:01,794 --> 01:04:03,752 THE DIRECTOR'S GUILD OF AMERICA... 993 01:04:03,796 --> 01:04:06,973 WILL BRING DOWN ITS SWIFT SWORD OF JUSTICE ON YOU RANK AMATEURS. 994 01:04:09,193 --> 01:04:11,238 GO! 995 01:04:11,282 --> 01:04:15,155 DRUGS! GIVE ME POPPERS. 996 01:04:15,199 --> 01:04:17,854 IT'S OKAY. WE GOT IT ON FILM. KEEP GOING! 997 01:04:17,897 --> 01:04:20,421 998 01:04:20,465 --> 01:04:23,772 VISIONS OF LIGHT! 999 01:04:23,816 --> 01:04:26,253 DEATH TO ALL WHO ARE CINEMATICALLY INCORRECT! 1000 01:04:26,297 --> 01:04:29,604 THAT MEANS YOU FUCKERS! - YEAH! 1001 01:04:29,648 --> 01:04:31,606 CECIL! 1002 01:04:31,650 --> 01:04:34,871 1003 01:04:34,914 --> 01:04:36,829 YO, GET HIM! GET HIM! 1004 01:04:36,873 --> 01:04:40,050 1005 01:04:40,093 --> 01:04:42,748 SHIT! LET'S GET OUT OF HERE! CALL THE DRIVER! 1006 01:04:45,359 --> 01:04:47,579 CECIL, GET DOWN! - LOSERS, DIE! 1007 01:04:47,622 --> 01:04:51,235 1008 01:04:51,278 --> 01:04:53,759 CECIL! 1009 01:04:56,980 --> 01:05:01,114 LOOK OUT! GET HIM! GET HIM! 1010 01:05:05,510 --> 01:05:09,340 HONEY, GET DOWN! - CHERISH, LOOK OUT! GET DOWN! 1011 01:05:09,383 --> 01:05:11,342 GET HIM, GET HIM, BABY! 1012 01:05:11,385 --> 01:05:13,648 GOOD WORK, CHERISH! THANK YOU. 1013 01:05:13,692 --> 01:05:17,957 FIX YOUR COSTUME. COME ON. - WILD SOUND! 1014 01:05:18,001 --> 01:05:20,003 1015 01:05:25,269 --> 01:05:30,230 HELP, HELP! SHOOT! SHOOT! 1016 01:05:30,274 --> 01:05:33,190 OH, MY GOD! OH, NO! 1017 01:05:33,233 --> 01:05:38,673 DINAH! 1018 01:05:41,198 --> 01:05:42,939 1019 01:05:42,982 --> 01:05:44,941 OH, GOD. 1020 01:05:47,465 --> 01:05:50,685 HEY, HEY, MAN. WHAT'S WRONG? STAPLED? HUH! 1021 01:05:55,908 --> 01:06:00,913 OH, THANK GOD! 1022 01:06:00,957 --> 01:06:03,350 OH, GOD! 1023 01:06:06,614 --> 01:06:08,877 1024 01:06:08,921 --> 01:06:12,011 DEAR DIARY, 1025 01:06:12,055 --> 01:06:17,799 ANOTHER DAY, AND IT'S THE SAME OLD THING. 1026 01:06:17,843 --> 01:06:20,846 EVERYWHERE I GO, 1027 01:06:20,889 --> 01:06:24,458 EVERYTHING I DO JUST SEEMS TO LEAD... 1028 01:06:24,502 --> 01:06:27,461 TO THE SAME DEAD END-- 1029 01:06:27,505 --> 01:06:30,595 MY DERRIERE. 1030 01:06:32,075 --> 01:06:34,599 HEY, BUDDY, I'M IN A LITTLE BIT OF TROUBLE. 1031 01:06:34,642 --> 01:06:38,951 OH, MY GOD! IT'S YOU! I WAS JUST LOOKING AT YOUR ASS IN THIS MAGAZINE. 1032 01:06:38,995 --> 01:06:42,128 YEAH, THAT'S MY ASS, ALL RIGHT, AND IT'S IN TROUBLE. CAN ME AND MY FRIENDS COME INSIDE? 1033 01:06:42,172 --> 01:06:45,305 OH, SURE CAN. OH, WE SELL YOUR ASS. HI. 1034 01:06:45,349 --> 01:06:47,699 HI. 1035 01:06:47,742 --> 01:06:50,963 I CAN'T BELIEVE IT'S HER! I BEAT OFF TO HER EVERY NIGHT. 1036 01:06:51,007 --> 01:06:53,357 WOULD YOU SIGN IT...TO SNIFFLES? 1037 01:06:53,400 --> 01:06:55,968 ONE OR TWO? - TWO. 1038 01:06:56,012 --> 01:06:59,015 OH. BAD NIGHT, HUH? 1039 01:06:59,058 --> 01:07:02,975 RIGHT. - GO ON IN. POP A LOAD. 1040 01:07:03,019 --> 01:07:04,759 UH, GUYS. 1041 01:07:08,285 --> 01:07:13,377 WHY IS IT THAT MEN ONLY WANT MY ASS? 1042 01:07:13,420 --> 01:07:17,294 1043 01:07:17,337 --> 01:07:20,601 - DO YOU KNOW WHY, LITTLE PELLET? 1044 01:07:23,169 --> 01:07:25,911 GOOD PELLET. 1045 01:07:25,954 --> 01:07:29,088 OH, BAD PELLET. 1046 01:07:29,132 --> 01:07:31,873 1047 01:07:31,917 --> 01:07:36,574 OH, PELLET, YOU'RE A VERY NAUGHTY GERBIL. 1048 01:07:36,617 --> 01:07:39,751 YES, YOU ARE. 1049 01:07:39,794 --> 01:07:43,885 YOU'RE GONNA BE MOMMY'S GOOD PELLET, AREN'T YOU? 1050 01:07:43,929 --> 01:07:46,105 WHOOPS! 1051 01:07:46,149 --> 01:07:49,326 PELLET! 1052 01:07:49,369 --> 01:07:52,242 YEAH. WHERE ARE YOU, LITTLE GERBIL? 1053 01:07:52,285 --> 01:07:53,982 HEY! 1054 01:07:54,026 --> 01:07:57,203 SORRY. HERE, PELLET. 1055 01:07:57,247 --> 01:08:00,163 MOMMY'S GOT SOME CEREAL FOR YOU. 1056 01:08:00,206 --> 01:08:03,122 1057 01:08:06,169 --> 01:08:09,172 I'LL BE YOUR CINEMA SLAVE. 1058 01:08:13,828 --> 01:08:15,743 WHERE ARE THEY, YOU PERVERT? - WHO? 1059 01:08:15,787 --> 01:08:17,963 THERE'S NO ONE HERE BUT US WHACKERS. 1060 01:08:18,006 --> 01:08:19,747 1061 01:08:21,314 --> 01:08:24,012 DEMENTED FOREVER. 1062 01:08:25,884 --> 01:08:29,496 1063 01:08:31,194 --> 01:08:34,849 1064 01:08:34,893 --> 01:08:39,289 HEY, PAL, THAT'S ILLEGAL, HUH? - HEY, I PAID MY ADMISSION PRICE. 1065 01:08:39,332 --> 01:08:42,030 PELLET! OH! 1066 01:08:42,074 --> 01:08:45,643 1067 01:08:45,686 --> 01:08:49,168 NOT THERE, PELLET! REAR ENTRY! 1068 01:08:49,212 --> 01:08:51,866 1069 01:08:54,652 --> 01:08:56,610 THERE! 1070 01:08:56,654 --> 01:08:58,960 PORNO FANS! 1071 01:08:59,004 --> 01:09:03,269 IT'S ME! CHERISH! AND I NEED YOUR HARD-CORE HELP! 1072 01:09:03,313 --> 01:09:07,534 THE TEAMSTERS ARE HERE. WE LOVE YOU, CHERISH! 1073 01:09:07,578 --> 01:09:12,409 LONG LIVE CECIL B. DEMENTED, A FRIEND OF PORNOGRAPHY! 1074 01:09:12,452 --> 01:09:14,498 1075 01:09:14,541 --> 01:09:17,588 HEY, KEEP THAT THING AWAY FROM ME. 1076 01:09:17,631 --> 01:09:20,460 HEY, HEY, HEY! BACK IT UP! 1077 01:09:20,504 --> 01:09:23,507 HEY, WHOA, WHOA! HEY, HEY! 1078 01:09:23,550 --> 01:09:25,465 GET IT! GET IT! GET IN THERE! GET IN THERE! 1079 01:09:25,509 --> 01:09:28,773 OH, YES! PELLET! PELLET! 1080 01:09:28,816 --> 01:09:31,254 GET IT, BOY! GO ON, PELLET! 1081 01:09:31,297 --> 01:09:34,170 GET IT! YES! DO IT TO ME, BABY! 1082 01:09:44,528 --> 01:09:47,618 DEAR DIARY, 1083 01:09:49,402 --> 01:09:51,578 MY HUSBAND... 1084 01:09:51,622 --> 01:09:53,624 IS TRYING... 1085 01:09:53,667 --> 01:09:56,453 TO KILL ME. 1086 01:10:01,980 --> 01:10:04,548 3, PLEASE. - $15. 1087 01:10:10,945 --> 01:10:14,601 COOL AS SHIT. HONEY WHITLOCK CAN OPEN ANY PICTURE. 1088 01:10:14,645 --> 01:10:16,951 NOW SHE CAN. 1089 01:10:16,995 --> 01:10:20,607 WE SHOULD BLOW UP THE PEOPLE'S CHOICE AWARDS. THAT'S WHAT WE SHOULD DO. 1090 01:10:20,651 --> 01:10:24,002 HEY, CALM DOWN. BOMB PLANET HOLLYWOOD. 1091 01:10:24,045 --> 01:10:27,092 WOULD YOU GET A HOLD OF YOURSELF? 1092 01:10:27,135 --> 01:10:29,834 2 ADULTS. - $10. 1093 01:10:33,490 --> 01:10:35,666 HEY, THAT'S PRETTY GOOD! 1094 01:10:35,709 --> 01:10:38,103 THANKS. WHAT DO I GET IF I WIN? 1095 01:10:38,146 --> 01:10:41,149 A BIG HAM. WHAT ELSE? 1096 01:10:47,373 --> 01:10:49,332 1097 01:10:51,725 --> 01:10:54,119 THIS IS IT--OUR FINAL LOCATION. 1098 01:10:54,162 --> 01:10:56,121 WHERE WE'RE GONNA GET LAID! 1099 01:10:56,164 --> 01:10:58,950 NOBODY LEAVES THIS DRIVE-IN ALIVE UNTIL WE FINISH OUR FILM. 1100 01:10:58,993 --> 01:11:01,692 TOTALLY RADICAL! 1101 01:11:01,735 --> 01:11:04,347 1102 01:11:12,833 --> 01:11:16,576 ATTENTION, HONEY WHITLOCK LOOK-ALIKES. 1103 01:11:16,620 --> 01:11:19,884 PLEASE COME TO THE CONCESSION STAND AT THE END OF THE FILM... 1104 01:11:19,927 --> 01:11:22,713 TO SHOW YOUR FELLOW DRIVE-IN FANS YOUR COSTUMES... 1105 01:11:22,756 --> 01:11:25,411 AND MAYBE TAKE HOME A GRAND PRIZE... 1106 01:11:25,455 --> 01:11:29,676 OF A 10-POUND SMITHFIELD HAM. 1107 01:11:29,720 --> 01:11:33,114 WE ALSO FEATURE SODAS, BURGERS, 1108 01:11:33,158 --> 01:11:35,465 HOTDOGS, POPCORN... 1109 01:11:35,508 --> 01:11:37,902 AND THE CANDY OF YOUR CHOICE. 1110 01:11:37,945 --> 01:11:40,992 ALL RIGHT HERE AT THE BENGIE'S DRIVE-IN THEATER, 1111 01:11:41,035 --> 01:11:43,037 WHERE TONIGHT, 1112 01:11:43,081 --> 01:11:46,824 HONEY WHITLOCK IS ON THE SCREEN ALL NIGHT LONG. 1113 01:11:48,173 --> 01:11:49,914 1114 01:11:51,481 --> 01:11:53,570 OH, MY GOD. 1115 01:11:55,789 --> 01:11:58,270 THE GREATEST DIRECTOR OF ALL TIME! 1116 01:12:03,536 --> 01:12:06,452 COME ON. YOU DIDN'T KNOW. 1117 01:12:06,496 --> 01:12:08,454 YOU HAVE CINEMATIC IMMUNITY NOW. 1118 01:12:08,498 --> 01:12:10,543 YEAH, NONE OF YOUR OLD MOVIES COUNT. 1119 01:12:15,026 --> 01:12:18,551 THAT'S NOT YOU ON THE SCREEN. IT'S SOMEBODY ELSE. COME ON. 1120 01:12:22,468 --> 01:12:24,514 WHO IS IT? 1121 01:12:24,557 --> 01:12:27,647 CECIL B. DEMENTED. 1122 01:12:27,691 --> 01:12:31,608 OH, RIGHT. THAT'S REALLY FUNNY, ASSHOLE. 1123 01:12:33,784 --> 01:12:36,221 1124 01:12:38,963 --> 01:12:41,182 1125 01:12:41,226 --> 01:12:44,011 1126 01:12:44,055 --> 01:12:46,666 KILL THE BITCH! SHE NEVER COULD ACT! 1127 01:12:46,710 --> 01:12:48,668 HER CAREER IS OVER! HEY! 1128 01:12:48,712 --> 01:12:52,280 NO. HEY, BAD REVIEWS CAN'T HURT ME NOW. 1129 01:12:52,324 --> 01:12:54,370 YEAH. WE'RE BEYOND THE CRITICS' REACH. 1130 01:12:54,413 --> 01:12:56,850 WHO CARES WHAT ANYBODY THINKS ABOUT OUR MOVIE? 1131 01:12:56,894 --> 01:12:59,462 EXCEPT SATAN. - SHUT UP, BITCH! 1132 01:12:59,505 --> 01:13:01,464 1133 01:13:03,988 --> 01:13:05,816 HEY, WHAT'S GOING ON? 1134 01:13:05,859 --> 01:13:08,558 HELLO. 1135 01:13:08,601 --> 01:13:10,821 THIS IS CECIL B. DEMENTED, 1136 01:13:10,864 --> 01:13:14,955 SPEAKING TO YOU DIRECTLY FROM THIS THEATER. 1137 01:13:14,999 --> 01:13:19,133 I WANT YOU ALL TO BE IN MY NEW MOVIE. 1138 01:13:19,177 --> 01:13:21,919 IT IS CALLED RAVING BEAUTY. 1139 01:13:21,962 --> 01:13:26,097 WE ARE SHOOTING THE FINAL SCENE HERE TONIGHT. 1140 01:13:26,140 --> 01:13:29,230 I WISH CECIL WOULD KILL SOME MORE ASSHOLES. 1141 01:13:29,274 --> 01:13:32,756 YEAH, LIKE THOSE PHONY CRITICS WHO GIVE ALL GOOD REVIEWS IN THE MOVIE ADS. 1142 01:13:32,799 --> 01:13:35,193 OR THOSE LAST-MINUTE FUCK-HEAD TICKET BUYERS... 1143 01:13:35,236 --> 01:13:37,674 WHO ENTER THE THEATER AFTER THE FEATURE'S BEGUN. 1144 01:13:37,717 --> 01:13:40,285 JOIN THE REVOLUTION AGAINST HOLLYWOOD MOVIES. 1145 01:13:40,328 --> 01:13:43,636 BRING CINEMA WARS HOME TO THEATERS IN YOUR NEIGHBORHOOD... 1146 01:13:43,680 --> 01:13:47,335 AND PUNISH THOSE WHO STAND IN THE WAY OF YOUR KIND OF ENTERTAINMENT. 1147 01:13:47,379 --> 01:13:49,599 CINEMA HOODLUMS, 1148 01:13:49,642 --> 01:13:51,731 YOU CAN DESTROY COMMERCIAL CINEMA AS WE KNOW IT. 1149 01:13:51,775 --> 01:13:54,473 BURN DOWN THE MULTIPLEXES. 1150 01:13:54,517 --> 01:13:57,433 STOP THE MASS-DISTRIBUTION OF MEDIOCRE MOVIES! 1151 01:13:57,476 --> 01:13:59,913 THIS IS A WARNING TO ALL CINEMA-GOERS. 1152 01:13:59,957 --> 01:14:03,526 MAINSTREAM MOVIE FANS, WE WILL BURY YOU. 1153 01:14:03,569 --> 01:14:07,573 CECIL B. DEMENTED, YOU ARE SURROUNDED. 1154 01:14:07,617 --> 01:14:10,707 GIVE YOURSELF UP AND YOU AND YOUR CAST AND CREW WILL NOT BE INJURED. 1155 01:14:10,750 --> 01:14:14,711 PAY NO ATTENTION TO THE STUDIO EXECUTIVES IN THE POLICE VEHICLE. 1156 01:14:14,754 --> 01:14:16,713 YEAH, YEAH. TELL THEM. 1157 01:14:16,756 --> 01:14:20,325 I HAVE FINAL CUT! - WE ARE NOT STUDIO EXECUTIVES. 1158 01:14:20,368 --> 01:14:22,327 WE ARE THE BALTIMORE CITY POLICE DEPARTMENT. 1159 01:14:24,068 --> 01:14:26,505 FIDGET, WE KNOW YOU'RE HERE. 1160 01:14:26,549 --> 01:14:29,377 WE HEARD IT ON THE NEWS. COME HOME, SON. 1161 01:14:29,421 --> 01:14:32,816 FANS OF OUTLAW CINEMA, 1162 01:14:32,859 --> 01:14:35,775 THEY WANT TO USE YOU FOR MARKET TESTING. 1163 01:14:35,819 --> 01:14:40,171 YEAH! - THEY WANT TO DETAIN YOU AND PUT YOU IN FOCUS GROUPS. 1164 01:14:40,214 --> 01:14:42,347 UH-HUH! THAT'S RIGHT! THAT'S RIGHT! 1165 01:14:42,390 --> 01:14:44,523 BUT I WON'T LET THEM, 1166 01:14:44,567 --> 01:14:47,526 BECAUSE I DON'T BELIEVE IN PHONY LIFE-AFFIRMING ENDINGS! 1167 01:14:47,570 --> 01:14:50,007 I WOULD RATHER DIE THAN CHANGE MY MOVIE! 1168 01:14:50,050 --> 01:14:53,401 WACO! WACO! 1169 01:14:53,445 --> 01:14:55,752 THAT'S IT. 1170 01:14:55,795 --> 01:14:58,537 1171 01:14:58,581 --> 01:15:01,279 FIDGET, IT'S YOUR DAD. 1172 01:15:01,322 --> 01:15:03,281 WE'RE HERE WITH A PSYCHIATRIST. 1173 01:15:03,324 --> 01:15:06,197 HE SPECIALIZES IN CHILDREN LIKE YOU. 1174 01:15:06,240 --> 01:15:09,374 EVERYTHING'S GONNA BE OKAY, SON. 1175 01:15:09,417 --> 01:15:11,594 FIDGET, IT'S MOMMY. 1176 01:15:11,637 --> 01:15:14,466 WE KNOW YOU'VE SEEN TOO MANY R-RATED MOVIES, 1177 01:15:14,510 --> 01:15:16,468 AND WE'RE HERE TO HELP. 1178 01:15:16,512 --> 01:15:18,557 1182 01:15:26,870 --> 01:15:30,308 THOMAS ALVA EDISON IS THE ONLY FATHER I'VE EVER HAD! 1183 01:15:30,351 --> 01:15:33,354 I KNOW YOU'RE SICK IN THE HEAD, BUT WHATEVER MADE YOU THINK YOU COULD DIRECT? 1184 01:15:33,398 --> 01:15:35,400 1185 01:15:35,443 --> 01:15:37,141 YOU CAN DIRECT, CECIL. DON'T LISTEN TO THAT CHRISTIAN! 1186 01:15:38,577 --> 01:15:42,755 SINCLAIR, IT'S MOM. - OH! 1187 01:15:42,799 --> 01:15:46,585 REPEAT AFTER ME. IT'S ONLY A MOVIE. 1188 01:15:46,629 --> 01:15:49,022 IT'S ONLY A MOVIE. 1189 01:15:49,066 --> 01:15:52,504 IT'S ONLY A MOVIE. PICTURE'S UP! 1190 01:15:52,548 --> 01:15:54,593 ALL RIGHT! 1191 01:15:54,637 --> 01:15:57,378 CECIL. 1192 01:15:57,422 --> 01:15:59,729 ARE YOU OKAY? - OH, SHIT. 1193 01:15:59,772 --> 01:16:01,774 COME ON, CECIL. WE GOT TO FINISH THE MOVIE. 1194 01:16:01,818 --> 01:16:03,733 COME ON. GET UP. COME ON. 1195 01:16:03,776 --> 01:16:06,039 COME ON. GET UP, CECIL. 1196 01:16:06,083 --> 01:16:08,085 HONEY WHITLOCK IS HERE TONIGHT, 1197 01:16:08,128 --> 01:16:10,740 LIVE AND IN PERSON. 1198 01:16:10,783 --> 01:16:13,177 AND SHE'S DYIN' TO MEET YA. 1199 01:16:13,220 --> 01:16:15,919 COME ON! MOVE OUT! GO! GO! LET'S GO! 1200 01:16:15,962 --> 01:16:17,703 1201 01:16:19,836 --> 01:16:22,273 1202 01:16:22,316 --> 01:16:25,493 YEAH! 1203 01:16:41,466 --> 01:16:43,686 YOU CAN MAKE IT. 1204 01:16:43,729 --> 01:16:45,818 JUST ONE MORE CAMERA SETUP, THEN WE CAN HAVE SEX. 1205 01:16:47,515 --> 01:16:51,215 HONEY, HONEY, HONEY. 1206 01:16:51,258 --> 01:16:54,784 I'VE HAD A FINAL VISION. 1207 01:16:54,827 --> 01:16:57,700 WOULD YOU SET YOUR HAIR ON FIRE FOR OUR MOVIE? 1208 01:17:00,180 --> 01:17:03,140 MY REAL HAIR? 1209 01:17:03,183 --> 01:17:05,533 1210 01:17:05,577 --> 01:17:10,538 PROVE YOURSELF ONE MORE TIME, FOR YOUR CAST. 1211 01:17:12,976 --> 01:17:17,154 YOUR CREW. THEY'VE GIVEN UP THEIR LIVES FOR THIS FILM, 1212 01:17:17,197 --> 01:17:19,286 AND THEY CARRY THE ETERNAL FLAME OF CINEMA INSANITY. 1213 01:17:19,330 --> 01:17:21,071 DO IT. 1214 01:17:21,114 --> 01:17:24,857 YOUR FANS-- THEY LOVE THE NEW HONEY. 1215 01:17:24,901 --> 01:17:28,208 THEY LOVE HER SO MUCH. 1216 01:17:28,252 --> 01:17:31,821 AND FOR ME--CECIL B. DEMENTED. 1217 01:17:39,219 --> 01:17:41,221 1218 01:17:55,932 --> 01:17:59,936 I'M READY FOR MY CLOSE-UP, MR. DEMENTED. 1219 01:17:59,979 --> 01:18:02,025 CECIL B. DEMENTED, YOU HAVE 60 SECONDS. 1220 01:18:02,068 --> 01:18:04,114 PICTURE'S UP! 1221 01:18:04,157 --> 01:18:07,944 ABANDON YOUR FILM OR WE WILL SHOOT TO KILL! 1222 01:18:07,987 --> 01:18:10,642 CAMERA ROLLING! SPEED! 1223 01:18:10,686 --> 01:18:13,514 AND...ACTION! 1224 01:18:13,558 --> 01:18:16,300 1225 01:18:16,343 --> 01:18:19,999 CELLULUNATICS AND CINEMA SURVIVALISTS! 1226 01:18:24,656 --> 01:18:26,789 MAKE GOOD MOVIES OR DIE! 1227 01:18:29,443 --> 01:18:31,402 WOW! 1228 01:18:33,317 --> 01:18:35,580 1229 01:18:38,148 --> 01:18:40,454 CUT, CUT, CUT! 1230 01:18:44,110 --> 01:18:47,635 THAT, FELLOW SPROCKET HOLES, IS A WRAP! 1231 01:18:47,679 --> 01:18:50,334 1232 01:18:50,377 --> 01:18:52,336 PRINCIPAL PHOTOGRAPHY HAS BEEN COMPLETED! 1233 01:18:52,379 --> 01:18:55,948 YOU MEAN WE CAN FUCK? - FROM HERE TO TIMBUKTU! 1234 01:18:56,949 --> 01:18:59,560 OH, YES! 1235 01:19:04,043 --> 01:19:05,958 1236 01:19:06,002 --> 01:19:08,613 1237 01:19:08,656 --> 01:19:10,833 HONEY! 1238 01:19:14,184 --> 01:19:17,622 RAVEN, I LOVE YOU! I LOVE ALL SATANISTS! PICK ME! 1239 01:19:17,665 --> 01:19:21,147 HONEY! OH! AH! 1240 01:19:21,191 --> 01:19:22,932 1241 01:19:36,032 --> 01:19:39,209 YOU PICKED ME. YEAH. 1242 01:19:40,210 --> 01:19:42,168 GET UP HERE! 1243 01:19:48,740 --> 01:19:51,482 1244 01:19:57,531 --> 01:19:59,446 OKAY. 1245 01:19:59,490 --> 01:20:02,623 1246 01:20:02,667 --> 01:20:05,365 1247 01:20:05,409 --> 01:20:07,933 OH, YEAH. OH, YEAH. 1248 01:20:09,805 --> 01:20:11,415 1249 01:20:14,331 --> 01:20:16,159 YEAH, YEAH, YEAH. 1250 01:20:22,818 --> 01:20:26,734 - HI, MOM! 1251 01:20:34,742 --> 01:20:36,048 1252 01:20:36,092 --> 01:20:38,355 1253 01:20:38,398 --> 01:20:40,313 OH, MY GOD! 1254 01:20:40,357 --> 01:20:44,404 OH, SHIT! COME ON! 1255 01:20:44,448 --> 01:20:46,102 1256 01:20:46,145 --> 01:20:49,192 1257 01:20:54,371 --> 01:20:56,764 1258 01:20:56,808 --> 01:20:59,419 GET THE FILM! I GOT IT! 1259 01:21:02,292 --> 01:21:06,209 CECIL! CECIL! 1260 01:21:06,252 --> 01:21:08,254 HONEY! - WHAT? 1261 01:21:09,995 --> 01:21:13,303 I SEEN WHAT YOU DID, YOU HOLLYWOOD BITCH! 1262 01:21:13,346 --> 01:21:17,394 MAYBE YOU CAN GET AWAY WITH THIS SHIT IN CALIFORNIA, BUT WE'RE IN MARYLAND NOW. 1263 01:21:17,437 --> 01:21:20,223 YOU'RE UNDER ARREST, HONEY WHITLOCK. 1264 01:21:20,266 --> 01:21:22,703 CECIL! 1265 01:21:25,663 --> 01:21:28,187 I HAVE... 1266 01:21:28,231 --> 01:21:32,539 A VISION! 1267 01:21:32,583 --> 01:21:36,369 1268 01:21:36,413 --> 01:21:39,982 1269 01:21:40,025 --> 01:21:44,508 OH, GOD! WELL, THAT'S WHAT YOU GET. 1270 01:21:44,551 --> 01:21:46,727 FIDGET, WE'RE LEAVING. 1271 01:21:46,771 --> 01:21:49,339 HOW MUCH IS A MOTHER SUPPOSED TO TAKE? 1272 01:21:49,382 --> 01:21:52,995 FUCKER! SON OF A BITCH! 1273 01:21:53,038 --> 01:21:55,432 GOOD-BYE, PETIE! 1274 01:21:55,475 --> 01:21:58,478 I'LL VISIT YOU IN PRISON, MAN! 1275 01:21:58,522 --> 01:22:01,481 WE GOT THE FOOTAGE, BABY! ANYBODY GOT A CELL PHONE? 1276 01:22:01,525 --> 01:22:03,440 CALL 20/20. GET ME AN AGENT! GO, GO! 1277 01:22:03,483 --> 01:22:06,312 HONEY! HONEY! THANK YOU, THANK YOU! 1278 01:22:06,356 --> 01:22:09,315 MISS WHITLOCK, YOU'RE UNDER ARREST! HANDS IN THE AIR. SHOW'S OVER. 1279 01:22:09,359 --> 01:22:11,013 HONEY, IT'S OKAY. WE FINISHED THE FILM! 1280 01:22:15,234 --> 01:22:17,236 HAIL SATAN! 1281 01:22:28,160 --> 01:22:31,294 OW! 1282 01:22:32,338 --> 01:22:35,472 OH, HI, MOM. 1283 01:22:35,515 --> 01:22:37,474 HEY, DAD. 1284 01:22:38,823 --> 01:22:43,523 HONEY! 1285 01:22:43,567 --> 01:22:46,874 NEVER SAY GOOD-BYE, SAY CIAO 1286 01:22:49,138 --> 01:22:51,314 TILL WE MEET AGAIN 1287 01:22:51,357 --> 01:22:55,361 SAY CIAO 1288 01:22:55,405 --> 01:22:58,451 TIME WILL DISAPPEAR 1289 01:22:58,495 --> 01:23:00,758 SO HOLD ME NEAR 1290 01:23:00,801 --> 01:23:03,848 AND NEVER SAY GOOD-BYE 1291 01:23:03,891 --> 01:23:05,632 SAY CIAO 1292 01:23:10,072 --> 01:23:13,118 PLEASE DON'T SHED A TEAR 1293 01:23:13,162 --> 01:23:15,164 SAY CIAO 1294 01:23:16,904 --> 01:23:20,908 YOU'LL BE ALWAYS NEAR SOMEHOW 1295 01:23:23,433 --> 01:23:26,436 TIME WILL DISAPPEAR 1296 01:23:26,479 --> 01:23:29,221 SO SMILE, MY DEAR 1297 01:23:29,265 --> 01:23:34,009 AND NEVER SAY GOOD-BYE, SAY CIAO 1298 01:23:38,665 --> 01:23:41,451 NO, NEVER SAY GOOD-BYE 1299 01:23:41,494 --> 01:23:46,151 SAY CIAO 1300 01:23:46,195 --> 01:23:48,371 CHOW. 1301 01:23:48,414 --> 01:23:50,677 1302 01:23:50,721 --> 01:23:55,639 CHOW 1303 01:23:55,682 --> 01:23:57,945 1304 01:23:57,989 --> 01:23:59,643 CHOW, CHOW, CHOW, CHOW, CHOW CHOW, CHOW, CHOW, CHOW 1305 01:23:59,686 --> 01:24:02,820 CHOW, CHOW, CHOW 1306 01:24:02,863 --> 01:24:04,604 1307 01:24:07,781 --> 01:24:10,523 CHOW, CHOW, CHOW, CHOW, CHOW 1308 01:25:18,417 --> 01:25:20,419 1309 01:25:22,421 --> 01:25:24,510 WE AIN'T GOT NO BUDGET NO BUDGET 1310 01:25:24,554 --> 01:25:27,034 NO CRAFT SERVICE, MAN NO BUDGET 1311 01:25:27,078 --> 01:25:29,080 WE DON'T TAKE NO NOTES NO BUDGET 1312 01:25:29,124 --> 01:25:31,387 NO FUCKIN' CALL SHEETS, YO NO BUDGET 1313 01:25:31,430 --> 01:25:33,606 WE AIN'T RECOUPIN' SHIT NO BUDGET 1314 01:25:33,650 --> 01:25:36,043 YEAH, WE GOT A START DATE FOR REAL NO BUDGET 1315 01:25:36,087 --> 01:25:38,394 YO, THIS PICTURE'S A GO NO BUDGET 1316 01:25:38,437 --> 01:25:40,700 AND WE GONNA TURN HOLLYWOOD OUT NO BUDGET 1317 01:25:40,744 --> 01:25:42,876 HOW THE FUCK YOU THINK YOU'RE JUST GONNA CHARGE ME RENT 1318 01:25:42,920 --> 01:25:45,009 DON'T NEED THE HELP OF SO-CALLED CRITICS 1319 01:25:45,052 --> 01:25:47,316 OUTLAW CINEMA WITH THE HOTTEST GUNSLINGERS 1320 01:25:47,359 --> 01:25:50,667 WHEN WE SAY ACTION CAMERAS ROLL, BEFORE YOUR DEAL IS FUCKIN' ASSHOLE CLEAN 1321 01:25:50,710 --> 01:25:53,365 IF I DIRECT, AIN'T GONNA BE NO MOTHERFUCKIN' SCENES 1322 01:25:53,409 --> 01:25:56,281 WE'LL DO THE EDITS TAKE THE CREDITS 1323 01:25:56,325 --> 01:25:59,110 IT'S OUR WAY OR NOBODY'S FUCK KEEPING IT CLEAN, HA 1324 01:25:59,154 --> 01:26:01,112 WE AIN'T GOT NO BUDGET, NO BUDGET 1325 01:26:01,156 --> 01:26:03,593 NO CRAFT SERVICE, MAN NO BUDGET 1326 01:26:03,636 --> 01:26:05,638 WE DON'T TAKE NO NOTES, NO BUDGET 1327 01:26:05,682 --> 01:26:07,640 NO FUCKIN' CALL SHEETS, YO NO BUDGET 1328 01:26:07,684 --> 01:26:09,642 WE AIN'T RECOUPIN' SHIT, NO BUDGET 1329 01:26:09,686 --> 01:26:11,644 YEAH, WE GOT A START DATE FOR REAL, NO BUDGET 1330 01:26:11,688 --> 01:26:14,995 YO, THIS PICTURE'S A GO, NO BUDGET 1331 01:26:15,039 --> 01:26:17,128 AND WE GONNA TURN HOLLYWOOD OUT, NO BUDGET 1332 01:26:17,172 --> 01:26:19,783 NO FOCUS THROUGH MY CAMERA LENS 1333 01:26:19,826 --> 01:26:21,959 PICTURE PERFECT, YOU THINK IT'S PERFECT 1334 01:26:22,002 --> 01:26:24,222 I'LL SECOND THAT FUCKIN' EMOTION 1335 01:26:24,266 --> 01:26:27,138 I'M WITH THE TEAM, WHAT YOU THINK 1336 01:26:27,182 --> 01:26:29,140 SHIT, MOTHERFUCKER WITH THE FUCKERS YOU NEED 1337 01:26:29,184 --> 01:26:31,055 NO BUDGET BITCHES, DROP YOUR MOTHERFUCKIN' KNEES 1338 01:26:31,098 --> 01:26:33,405 I'M SICK OF SPITTING ON THESE SO-CALLED DEEDS 1339 01:26:33,449 --> 01:26:35,668 THEN THEY WALKIN' UP TO CECIL PETTY BITCHES, BITE ME 1340 01:26:35,712 --> 01:26:38,018 WE AIN'T GOT NO BUDGET, NO BUDGET 1341 01:26:38,062 --> 01:26:40,020 AIN'T NOBODY PUTTIN' US IN TURNAROUND 1342 01:26:40,064 --> 01:26:42,458 WE DON'T TAKE NO NOTES, NO BUDGET 1343 01:26:42,501 --> 01:26:44,547 WE'LL DO THE EDITS TAKE THE CREDITS 1344 01:26:44,590 --> 01:26:46,984 WE AIN'T RECOUPIN' SHIT, NO BUDGET 1345 01:26:47,027 --> 01:26:49,029 YOU GOT THAT, MOTHERFUCKER 1346 01:26:49,073 --> 01:26:51,293 YO, THIS PICTURE'S A GO, NO BUDGET 1347 01:26:53,817 --> 01:26:55,601 WE AIN'T GOT NO BUDGET, NO BUDGET 1348 01:26:55,645 --> 01:26:58,387 NO BUDGET 1349 01:26:58,430 --> 01:27:01,085 WE DON'T TAKE NO NOTES, NO BUDGET 1350 01:27:01,128 --> 01:27:03,087 FUCK KEEPING IT CLEAN, NO BUDGET 1351 01:27:03,130 --> 01:27:05,481 WE AIN'T RECOUPIN' SHIT, NO BUDGET 1352 01:27:05,524 --> 01:27:07,483 PETTY BITCHES, BITE ME, NO BUDGET 1353 01:27:07,526 --> 01:27:09,528 YO, THIS PICTURE'S A GO, NO BUDGET 1354 01:27:09,572 --> 01:27:12,227 WHEN WE SAY ACTION, CAMERAS ROLL, NO BUDGET 1355 01:27:12,270 --> 01:27:14,229 WE AIN'T GOT NO BUDGET, NO BUDGET 1356 01:27:14,272 --> 01:27:16,840 AIN'T NOBODY PUTTIN' US IN TURNAROUND 1357 01:27:16,883 --> 01:27:18,842 WE DON'T TAKE NO NOTES, NO BUDGET 1358 01:27:18,885 --> 01:27:21,148 WE'LL DO THE EDITS, TAKE THE CREDITS 1359 01:27:21,192 --> 01:27:23,629 WE AIN'T RECOUPIN' SHIT, NO BUDGET 1360 01:27:23,673 --> 01:27:25,718 YOU GOT THAT, MOTHERFUCKER 1361 01:27:25,762 --> 01:27:27,677 YO, THIS PICTURE'S A GO, NO BUDGET 1362 01:27:30,462 --> 01:27:32,551 WE AIN'T GOT NO BUDGET 1363 01:27:32,595 --> 01:27:34,814 NO CRAFT SERVICE, MAN 1364 01:27:34,858 --> 01:27:37,034 WE DON'T TAKE NO NOTES 1365 01:27:37,077 --> 01:27:39,297 NO FUCKIN' CALL SHEETS, YO