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Filming began one snowy day.

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Takeshi Beat plays the part

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of a man who confronts

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life, death, then love.

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As a director,

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he portrays serenity and violence.

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You have no qualms.

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You shoot in cold blood.

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Hold your arm like that and shoot.

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Cut.

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Good.

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Well aimed.

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Very good.

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That's a good scene.

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Takeshi plays Detective Nishi.

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He asks a colleague
to do a stakeout

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while he goes to see
his wife who's in hospital.

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But Horib� gets shot.

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To avenge his friend,

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Nishi goes too far
in his duties as a policeman.

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But his pain
is more than just revenge.

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What pushes a man to act like this?

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Why did we come up
with a scene like that?

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It kind of scares me.

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Cut.

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OK, that's fine.

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Oh, it hurts.

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I almost died once.

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My face was all squashed.

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My films

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are considered violent, abroad.

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This image is firmly rooted
in their minds.

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Violence is indispensable

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to get other messages across.

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This bothers me a lot.

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But I can't make compromises.

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Tormented
by his colleague's wounds,

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he leaves the police force.

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We have to sort out
how the shadows move.

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You see, like that.

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Hey!

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Money becomes essential to Nishi.

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Don't wanna sell it to me?

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Where'll you find the cash?

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I'll get it from the bank.

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Huh!

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That's your problem.

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He sends the stolen money to Horib�

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who finds a new reason for living

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in painting.

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Takashi Kitano
wrote this musical sequence

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personally.

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That's good.

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OK, that's done.

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I wanted to do a flower.

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But I turned it

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into this "kappa".

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Let's go to the florist for the rest.

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For the little time that's left,

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he travels with his wife.

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The trip he makes with her

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contains little dialogue.

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It's quite hard to understand.

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But gradually the context

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makes the situation clear.

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I try to reach this,

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but I fall.

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Hold me.

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I have to take it.

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A little more.

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That's good.

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You didn't push me.

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The little time that's left

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passes by quietly.

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On this side of the beach,
a couple are arguing.

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And in the end,
they start joking.

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This scene goes on over here.

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On the other side,
the other scene is going on.

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Look at that.

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Have you ever seen
a screenplay like it?

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If I lose it, that's it.

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You're crazy,
because a guy dumped you?

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Huh?

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No need to make a face like that.

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You look like a scarecrow.

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More like a gorilla.

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He has a horrible face.

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Cut.

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Even the moments of calm
don't last.

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The bad guys are after his loot.

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Well, bro?

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I do that... Ow!

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I do that, and the blood spurts.

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OK, I do that and that.

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I just come...

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The time spent with his wife

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goes quietly by
toward a certain end.

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What are you doing?

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What're you doing there?

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What the hell are you doing?

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Cut.

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Thank you.

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Ah, that's it.

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Sorry about your eye.

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Is it open?

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Yes, I think so.

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It's really cold.

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It's gone hard.

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That can't happen often.

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What if we released the cylinder?

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For the snow scenes,

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we'll use the rushes.

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Yes, that'll work.

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We shot at the car.

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As there were four of us,

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it made a lot of damage.

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When you're hit...

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raise your arm like this.

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Up to here.

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You're hit, you do this,
and then, that.

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He made a mistake.

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He fired

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before I fired my gun.

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Action.

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A deserted beach.

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My old colleagues.

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The detectives.

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However, my trip with my wife

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isn't over yet.

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Do what you can.

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We won't be able to do anything

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if it rains any harder.

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We may have to call it a day.

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Fortunately, the weather improved.

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If it had been too dark,

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the shot wouldn't have worked.

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I'd have looked

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like a pirate in the Sea of Japan.

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One moment.

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- What is it?
- The take's OK.

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It's a wrap.

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I think I was too rough on them.

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Cut. Thank you.

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Are you OK? Not too tired?

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Thank you very much.

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The film's in the box!

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It looks good to me.

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It's sad when the team splits up.

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I don't think

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that my style will change
in my next films.

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Subtitling: CEDRA