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MAN 1:
Where you from?
2
00:01:20,095 --> 00:01:22,290
MAN 2:
I'm from Holland, and this is like...
3
00:01:23,031 --> 00:01:25,226
Ten hours for me.
It's, like, across the world.
4
00:01:25,434 --> 00:01:27,061
I came here for this audition.
5
00:01:27,302 --> 00:01:30,738
I told all my boys at home I'm coming
to funk in front of Michael onstage.
6
00:01:30,939 --> 00:01:34,272
I'm just gonna dance for him. I don't care
if I make it, I don't care about nothing.
7
00:01:34,543 --> 00:01:36,238
Thank you, Michael. I'm excited.
8
00:01:36,445 --> 00:01:40,575
You've inspired everything
in my life. My energy.
9
00:01:40,782 --> 00:01:42,079
You're why I dance.
10
00:01:42,284 --> 00:01:45,412
I can remember being a little girl and
watching "Thriller" on TV with my mom
11
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and thinking that that was
the coolest thing in the world.
12
00:01:48,423 --> 00:01:51,859
I go to sleep and just wake up,
and the first thing I do is not even eat.
13
00:01:52,094 --> 00:01:56,997
I just start playing your music and start
just dancing and moonwalking on a rug.
14
00:01:57,199 --> 00:02:00,635
I was like, "What I would give
to be onstage with you."
15
00:02:00,836 --> 00:02:04,829
And the fact that I get to do
that is... It's amazing, so...
16
00:02:05,507 --> 00:02:07,975
I'm from Australia...
17
00:02:11,646 --> 00:02:15,980
And, um, I got word of your audition
two days before it was about to happen
18
00:02:16,184 --> 00:02:18,982
and I was on the next flight over.
19
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It begins. This is... This is the
beginning. I'm not even onstage yet.
20
00:02:23,525 --> 00:02:28,462
Like, I can't even imagine what's gonna
happen backstage that first show in London.
21
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I'm looking even farther ahead. I don't even know
what I wanna do after this because this is Michael.
22
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I wanted to dance,
you know what I mean?
23
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And that inspiration came from,
you know, you.
24
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And you've inspired me and given me
a reason to want to inspire others.
25
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Uh...
26
00:02:45,714 --> 00:02:47,113
Life is hard, right?
27
00:02:47,315 --> 00:02:50,648
And I've kind of been searching for
something to shake me up a little bit
28
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and give me a kind of a meaning,
to believe in something.
29
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And this is it.
30
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ORTEGA: So we open the show, as
you know, with all the lights down.
31
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We're gonna create a spectacular
opening with pyrotechnics.
32
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And we want some sizzles
and some cracks and some pops.
33
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We have our video that is called
"Glimpses and Flashes."
34
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And that's where Light Man comes out
on the gantry, floating above the stage,
35
00:03:36,198 --> 00:03:41,261
and he'll just be dazzling
in video information.
36
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And piece by piece
by piece by piece,
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MJ is revealed, until he jumps out
38
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and on Michael's command,
we begin.
39
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["WANNA BE STARTIN'
SOMETHIN"' PLAYING]
40
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# You wanna be startin' somethin' #
41
00:04:10,699 --> 00:04:12,132
# You got to be startin' somethin' #
42
00:04:12,334 --> 00:04:14,097
# You wanna be startin' somethin' #
43
00:04:14,836 --> 00:04:15,962
CHORUS:
# Startin' somethin' #
44
00:04:16,204 --> 00:04:18,729
# Hard to get over #
CHORUS: # Yeah, yeah #
45
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# Yeah, yeah #
46
00:04:20,242 --> 00:04:21,709
# Stuck in the middle #
# Yeah, yeah #
47
00:04:21,910 --> 00:04:23,707
# And the pain is thunder #
# Yeah, yeah #
48
00:04:23,878 --> 00:04:25,470
# Hard to get over #
# Yeah, yeah #
49
00:04:25,647 --> 00:04:27,137
# Too low to get under #
# Yeah, yeah #
50
00:04:27,315 --> 00:04:29,442
# Stuck in the middle #
# Yeah, yeah #
51
00:04:29,651 --> 00:04:31,414
# And the pain is thunder #
# Yeah, yeah #
52
00:04:31,586 --> 00:04:33,451
# You love to pretend
That you're good #
53
00:04:33,655 --> 00:04:35,714
# When you're always
Up to no good #
54
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# So your tongue became a razor #
55
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# Someone's always #
# Tryin' #
56
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# To start my baby #
# Cryin' #
57
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# Lyin' #
58
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# Now baby's
Slowly dyin' #
59
00:04:47,302 --> 00:04:48,360
# Startin' somethin' #
60
00:04:48,536 --> 00:04:50,128
# You got to be #
# Startin' somethin' #
61
00:04:50,438 --> 00:04:52,235
# I said you wanna be #
# Startin' somethin' #
62
00:04:52,874 --> 00:04:54,364
# Startin' somethin' #
63
00:04:54,609 --> 00:04:56,634
# Hard to get over #
# Yeah, yeah #
64
00:04:56,978 --> 00:04:58,036
# Yeah, yeah #
65
00:04:58,246 --> 00:04:59,804
# Stuck in the middle #
# Yeah, yeah #
66
00:04:59,981 --> 00:05:01,846
# And the pain is thunder #
# Yeah, yeah #
67
00:05:02,017 --> 00:05:04,451
# Hard to get over #
# Yeah, yeah #
68
00:05:04,619 --> 00:05:05,643
# Yeah, yeah #
69
00:05:05,820 --> 00:05:08,186
# Stuck in the middle #
# Yeah, yeah #
70
00:05:08,356 --> 00:05:09,448
# Yeah, yeah #
71
00:05:09,624 --> 00:05:11,489
# You're a vegetable #
# You're a vegetable #
72
00:05:11,660 --> 00:05:13,287
# You're a vegetable #
# You're a vegetable #
73
00:05:13,461 --> 00:05:15,053
# Still they hate you #
# Still they hate you #
74
00:05:15,263 --> 00:05:16,992
# You're a vegetable #
# You're a vegetable #
75
00:05:17,165 --> 00:05:18,962
# A buffet #
# A buffet #
76
00:05:19,134 --> 00:05:20,795
# You're a vegetable #
# You're a vegetable #
77
00:05:20,969 --> 00:05:22,869
# They eat off of you #
# They eat off of you #
78
00:05:23,038 --> 00:05:25,836
# You're a vegetable
Ow! #
79
00:05:39,421 --> 00:05:41,218
# He-he-he-ha ##
80
00:05:54,202 --> 00:05:55,726
You know I'm gonna
want that more, right?
81
00:05:55,937 --> 00:05:56,995
[IMITATES BASS GUITAR]
82
00:05:57,205 --> 00:05:58,672
It's funkier.
83
00:05:58,873 --> 00:06:00,568
I'm not feeling
that part enough.
84
00:06:00,809 --> 00:06:03,607
[IMITATING BASS GUITAR]
85
00:06:05,513 --> 00:06:07,310
BEARDEN:
As in running next to him.
86
00:06:07,515 --> 00:06:09,176
It's not there.
BEARDEN: Okay, it should be.
87
00:06:09,384 --> 00:06:11,352
It should be.
I know, it's all for love.
88
00:06:11,553 --> 00:06:14,386
BEARDEN: It's coming there.
We'll get it there.
89
00:06:15,724 --> 00:06:20,593
# Your love is magical #
90
00:06:20,829 --> 00:06:24,390
# That's how I feel #
91
00:06:24,599 --> 00:06:30,936
# But I have not the words
To explain #
92
00:06:31,139 --> 00:06:34,404
# To tell you #
93
00:06:34,609 --> 00:06:35,769
# I love you ##
94
00:06:35,977 --> 00:06:38,605
[CROWD SCREAMING
AND CHEERING]
95
00:06:38,847 --> 00:06:40,940
WOMAN [OVER RADIO]:
Jackson's ETA is 15 minutes.
96
00:06:41,149 --> 00:06:44,448
Michael Jackson last performed
live right here in London
97
00:06:44,652 --> 00:06:46,984
at the 2006 World Music Awards.
98
00:06:47,222 --> 00:06:50,623
WOMAN [OVER RADIO]: Michael
Jackson's here. Go straight onstage.
99
00:06:51,226 --> 00:06:52,386
CROWD [CHANTING]:
This is it!
100
00:06:53,361 --> 00:06:54,385
Yeah!
101
00:06:54,763 --> 00:06:57,891
This is it. This is it.
102
00:06:58,867 --> 00:07:01,768
[CHANTING]
This is it! This is it!
103
00:07:03,571 --> 00:07:05,630
I love you.
104
00:07:05,874 --> 00:07:06,863
[LAUGHS]
105
00:07:07,041 --> 00:07:08,975
MAN:
We love you!
106
00:07:10,745 --> 00:07:16,149
I'll be... I'll be performing the songs
my fans wanna hear.
107
00:07:17,152 --> 00:07:21,145
This is really it.
This is the final curtain call.
108
00:07:22,424 --> 00:07:25,018
Okay? And see you in July.
109
00:07:34,169 --> 00:07:35,966
# If you can't feed your baby #
# Yeah, yeah #
110
00:07:36,137 --> 00:07:37,764
# Then don't have a baby #
# Yeah, yeah #
111
00:07:37,939 --> 00:07:39,531
# And don't think maybe #
# Yeah, yeah #
112
00:07:39,774 --> 00:07:42,470
# If you can't feed your baby #
# Yeah, yeah #
113
00:07:42,677 --> 00:07:44,508
# Tryin' #
114
00:07:44,712 --> 00:07:46,043
# Cryin' #
115
00:07:46,281 --> 00:07:47,270
# Lyin' #
116
00:07:47,482 --> 00:07:49,347
# Now baby's slowly dyin' #
117
00:07:49,551 --> 00:07:50,916
# Hoo #
# Startin' somethin' #
118
00:07:51,119 --> 00:07:52,916
# You got to be #
# Startin' somethin' #
119
00:07:53,121 --> 00:07:54,713
# You wanna be #
# Startin' somethin' #
120
00:07:54,956 --> 00:07:56,719
# You got to be #
# Startin' somethin' #
121
00:07:56,958 --> 00:07:58,550
# Hard to get over #
# Yeah, yeah #
122
00:07:58,726 --> 00:08:00,523
# Too low to get under #
# Yeah, yeah #
123
00:08:00,695 --> 00:08:02,458
# You're stuck in the middle #
# Yeah, yeah #
124
00:08:02,630 --> 00:08:04,427
# And the pain is thunder #
# Yeah, yeah #
125
00:08:04,599 --> 00:08:05,998
# Hard to get over #
# Yeah, yeah #
126
00:08:06,167 --> 00:08:08,067
# Too low to get under #
# Yeah, yeah #
127
00:08:08,303 --> 00:08:11,431
# You're stuck in the middle #
# Yeah, yeah #
128
00:08:11,639 --> 00:08:13,072
# Lift your head up high #
129
00:08:13,308 --> 00:08:15,139
# And scream out to the world #
130
00:08:15,343 --> 00:08:16,810
# I know I am someone #
131
00:08:17,011 --> 00:08:18,672
# And let the truth unfurl #
132
00:08:18,880 --> 00:08:20,643
# No one can hurt you now #
133
00:08:20,849 --> 00:08:22,817
# Because you know what's true #
134
00:08:23,017 --> 00:08:24,450
# I believe in me #
135
00:08:24,652 --> 00:08:27,485
# So you believe in you
Help me sing it #
136
00:08:27,655 --> 00:08:29,247
CHORUS: # Ma ma se,
ma ma sa Ma ma coo sa #
137
00:08:29,457 --> 00:08:30,822
# Ma ma se, ma ma sa
Ma ma coo sa #
138
00:08:30,992 --> 00:08:32,755
# Ma ma se, ma ma sa
Ma ma coo sa #
139
00:08:32,961 --> 00:08:34,690
# Ma ma se, ma ma sa
Ma ma coo sa #
140
00:08:34,863 --> 00:08:36,524
# Ma ma se, ma ma sa
Ma ma coo sa #
141
00:08:36,698 --> 00:08:38,495
# Ma ma se, ma ma sa
Ma ma coo sa #
142
00:08:38,666 --> 00:08:40,395
# Ma ma se, ma ma sa
Ma ma coo sa #
143
00:08:40,568 --> 00:08:41,762
# Ma ma se, ma ma sa
Ma ma coo sa #
144
00:08:41,970 --> 00:08:43,597
# Sing it to the world #
145
00:08:43,838 --> 00:08:45,465
# Sing it out loud #
146
00:08:45,673 --> 00:08:47,470
# Oo-hoo #
147
00:08:47,675 --> 00:08:50,337
# Whoa #
148
00:08:50,545 --> 00:08:51,876
# Ma ma se, ma ma sa
Ma ma coo sa #
149
00:08:52,046 --> 00:08:53,741
# Ma ma se, ma ma sa
Ma ma coo sa #
150
00:08:53,915 --> 00:08:55,610
# Ma ma se, ma ma sa
Ma ma coo sa #
151
00:08:55,783 --> 00:08:56,875
# Ma ma se, ma ma sa
Ma ma coo sa #
152
00:08:57,051 --> 00:08:59,042
# Help me sing it
Ooh! #
153
00:08:59,254 --> 00:09:01,484
# Ma ma se, ma ma sa
Ma ma coo sa #
154
00:09:01,689 --> 00:09:02,917
# Ma ma se, ma ma sa
Ma ma coo sa #
155
00:09:03,124 --> 00:09:04,113
# Ma ma se, ma ma sa
Ma ma coo sa #
156
00:09:04,359 --> 00:09:05,417
# Help me sing it #
157
00:09:05,627 --> 00:09:07,117
# Ma ma se, ma ma sa
Ma ma coo sa #
158
00:09:07,362 --> 00:09:09,193
# Ma ma se, ma ma sa
Ma ma coo sa #
159
00:09:09,397 --> 00:09:10,796
# Ma ma se, ma ma sa
Ma ma coo sa #
160
00:09:11,032 --> 00:09:12,499
# Ma ma se, ma ma sa
Ma ma coo sa #
161
00:09:12,700 --> 00:09:14,634
# Ma ma se, ma ma sa
Ma ma coo sa #
162
00:09:14,869 --> 00:09:16,496
# Ma ma se, ma ma sa
Ma ma coo sa #
163
00:09:16,704 --> 00:09:18,399
# Ma ma se, ma ma sa
Ma ma coo sa #
164
00:09:18,606 --> 00:09:20,403
# Ma ma se, ma ma sa
Ma ma coo sa #
165
00:09:20,608 --> 00:09:21,939
# Ma ma se, ma ma sa
Ma ma coo sa #
166
00:09:22,143 --> 00:09:23,872
# Ma ma se, ma ma sa
Ma ma coo sa #
167
00:09:24,078 --> 00:09:26,012
# Ma ma se, ma ma sa
Ma ma coo sa #
168
00:09:26,214 --> 00:09:27,772
# Ma ma se, ma ma sa
Ma ma coo sa #
169
00:09:28,016 --> 00:09:29,313
# Ma ma se, ma ma sa
Ma ma coo sa #
170
00:09:29,551 --> 00:09:30,575
# Ma ma se, ma ma sa
Ma ma coo sa #
171
00:09:30,785 --> 00:09:32,082
# Help me sing it #
172
00:09:32,287 --> 00:09:33,720
# Ma ma se, ma ma sa
Ma ma coo sa #
173
00:09:33,922 --> 00:09:35,150
# Ma ma se, ma ma sa
Ma ma coo sa #
174
00:09:35,390 --> 00:09:37,255
# You wanna be startin' somethin' #
175
00:09:37,458 --> 00:09:39,085
# You got to be #
# Startin' somethin' #
176
00:09:39,294 --> 00:09:41,057
# I said you wanna be #
# Startin' somethin' #
177
00:09:41,262 --> 00:09:43,560
# Ooh! #
# Startin' somethin' ##
178
00:09:43,765 --> 00:09:46,529
[PEOPLE APPLAUDING]
179
00:09:49,904 --> 00:09:52,728
["BAD" PLAYING]
180
00:09:56,811 --> 00:09:59,473
Good. Great. Good to see all of
you. Thank you for being here.
181
00:10:01,082 --> 00:10:05,644
The idea was get the big fish from all over
the world and put them in the same pond.
182
00:10:05,820 --> 00:10:08,118
["SMOOTH CRIMINAL" PLAYING]
183
00:10:10,091 --> 00:10:12,184
ORTEGA: The dancers in
a Michael Jackson show
184
00:10:12,360 --> 00:10:14,487
are an extension
of Michael Jackson.
185
00:10:14,696 --> 00:10:17,187
They are an extension of the man.
186
00:10:17,432 --> 00:10:20,868
Everything is bigger
and more intense in his world.
187
00:10:21,102 --> 00:10:22,569
First cut, thank you.
188
00:10:30,111 --> 00:10:32,011
Next group. Ladies, brava.
189
00:10:32,213 --> 00:10:34,704
["DON'T STOP 'TIL YOU
GET ENOUGH" PLAYING]
190
00:10:37,085 --> 00:10:38,780
WALKER:
Lean, gorgeous, hot.
191
00:10:38,987 --> 00:10:41,854
Dancers that can rock it.
But if you don't have that goo,
192
00:10:42,090 --> 00:10:44,957
that ooze coming out of you,
not gonna get the job.
193
00:10:46,094 --> 00:10:49,359
MICHAEL [ON RECORDING]: # Don't
stop till you get enough Ow! ##
194
00:10:49,597 --> 00:10:52,589
["SMOOTH CRIMINAL" PLAYING]
195
00:10:59,540 --> 00:11:01,098
She's the one.
196
00:11:01,309 --> 00:11:02,333
[PEOPLE APPLAUDING]
197
00:11:02,510 --> 00:11:09,006
And the Michael Jackson principal
dancers for This Is It are:
198
00:11:13,221 --> 00:11:16,349
["BAD" PLAYING]
199
00:11:24,399 --> 00:11:26,833
MAN 1:
Guys, those go over here.
200
00:11:27,568 --> 00:11:29,832
Hey, guys?
Those go over here, actually.
201
00:11:30,004 --> 00:11:31,062
MAN 2:
Aww.
202
00:11:31,239 --> 00:11:33,036
Truss moving.
203
00:11:33,875 --> 00:11:36,639
["JAM" PLAYING]
204
00:11:36,844 --> 00:11:40,405
Quite the eventful day
because we got to be toasted.
205
00:11:40,748 --> 00:11:44,275
There's elevator speed
and toaster speed.
206
00:11:45,253 --> 00:11:47,721
Part of this, guys,
is anticipating the stop.
207
00:11:48,923 --> 00:11:51,357
Keep your shoulders square,
keep your center,
208
00:11:51,559 --> 00:11:54,926
and just get, like, right down into
a nice, good squat position like that,
209
00:11:55,163 --> 00:11:56,687
and you're gonna come up and...
210
00:11:56,898 --> 00:11:59,366
You feel that initial...?
Yeah, I do.
211
00:11:59,567 --> 00:12:01,159
Yeah, that's
the adrenaline, baby.
212
00:12:05,873 --> 00:12:07,773
CHORUS:
# Jam #
213
00:12:09,544 --> 00:12:11,478
# Jam #
214
00:12:13,915 --> 00:12:15,678
# Jam #
215
00:12:17,885 --> 00:12:21,116
# Nation to nation, all the world
Must come together #
216
00:12:21,322 --> 00:12:23,085
# Face the problems that we see #
217
00:12:23,291 --> 00:12:25,782
# Then maybe somehow
We can work it out #
218
00:12:25,993 --> 00:12:27,824
# I asked my neighbor for a favor #
219
00:12:28,062 --> 00:12:29,393
# She said, later #
220
00:12:29,597 --> 00:12:31,428
# What has come of all the people? #
221
00:12:31,632 --> 00:12:33,827
# Have we lost love
Of what it's about? #
222
00:12:34,068 --> 00:12:37,799
# I have to find my peace
Cos no one seems to let me be #
223
00:12:38,005 --> 00:12:39,597
# False prophets cry of doom #
224
00:12:39,807 --> 00:12:41,968
# What are the possibilities? #
225
00:12:42,210 --> 00:12:44,508
# I told my brother
There'll be problem times #
226
00:12:44,746 --> 00:12:46,077
# And tears for fears #
227
00:12:46,280 --> 00:12:48,111
# We must live each day
Like it's the last #
228
00:12:48,316 --> 00:12:50,113
# Go with it, go with it! #
229
00:12:50,318 --> 00:12:51,512
# Jam #
230
00:12:51,753 --> 00:12:53,983
# It ain't
It ain't too much stuff #
231
00:12:54,222 --> 00:12:55,814
# Jam #
232
00:12:56,023 --> 00:12:57,923
# It ain't too much for me to #
233
00:12:58,126 --> 00:12:59,286
# Jam #
234
00:12:59,494 --> 00:13:01,792
# It ain't
It ain't too much stuff #
235
00:13:01,996 --> 00:13:04,157
# Jam #
236
00:13:04,365 --> 00:13:06,026
# It ain't too much for me to #
237
00:13:06,267 --> 00:13:07,291
# Jam #
238
00:13:07,502 --> 00:13:10,335
# Uh-huh
It ain't too much stuff #
239
00:13:10,538 --> 00:13:12,165
# Jam #
240
00:13:12,373 --> 00:13:14,170
# It ain't too much for me to #
241
00:13:14,375 --> 00:13:15,364
# Jam #
242
00:13:15,543 --> 00:13:18,034
# Uh-huh
It ain't too much stuff #
243
00:13:18,279 --> 00:13:19,303
# Jam #
244
00:13:19,514 --> 00:13:22,779
# Don't you...
It ain't too much for me #
245
00:13:38,533 --> 00:13:40,125
[WHIP CRACKING]
246
00:13:48,376 --> 00:13:50,401
[GLASS SHATTERS]
247
00:13:56,350 --> 00:13:58,181
[WHIP CRACKS]
248
00:14:01,489 --> 00:14:03,218
# It ain't too hot for me to jam #
249
00:14:03,424 --> 00:14:05,187
# It ain't too hot for me to jam #
250
00:14:05,393 --> 00:14:07,293
# It ain't too hot for me to jam #
251
00:14:07,495 --> 00:14:09,156
# It ain't too hot for me to jam #
252
00:14:09,363 --> 00:14:11,422
# It ain't too hot for me to jam #
253
00:14:11,666 --> 00:14:13,224
# It ain't too hot for me to jam #
254
00:14:13,434 --> 00:14:15,732
# It ain't too hot for me to jam
It ain't too hot for me to jam #
255
00:14:15,903 --> 00:14:17,564
# It ain't too hot for me to jam #
256
00:14:32,086 --> 00:14:33,713
# Ooh! #
# Jam #
257
00:14:33,921 --> 00:14:36,389
# It ain't
It ain't too much stuff #
258
00:14:36,591 --> 00:14:37,580
# Jam #
259
00:14:37,825 --> 00:14:40,760
# It ain't... Don't you...
It ain't too much for me #
260
00:14:40,962 --> 00:14:42,725
# Jam #
261
00:14:42,930 --> 00:14:44,761
# It ain't too much stuff #
262
00:14:44,966 --> 00:14:46,365
# Jam #
263
00:14:46,567 --> 00:14:49,263
# It ain't too much for me #
264
00:14:49,470 --> 00:14:50,459
# Get on it #
265
00:14:50,705 --> 00:14:53,105
# Get on it, give it, baby #
266
00:14:53,341 --> 00:14:54,831
# Give it to me #
267
00:14:56,911 --> 00:15:02,372
# Got to get it
You just want to give it ##
268
00:15:02,583 --> 00:15:05,245
[PEOPLE APPLAUDING]
269
00:15:06,787 --> 00:15:09,756
We're at Culver Studios,
shooting green screen.
270
00:15:09,957 --> 00:15:13,859
We're gonna do "The Drill" into "Cadence"
into "They Don't Really Care About Us."
271
00:15:14,061 --> 00:15:16,996
And it's gonna be really cool because
they're gonna multiply the guys.
272
00:15:17,465 --> 00:15:22,562
So our existing 11 guys
are gonna become 1100 guys,
273
00:15:22,770 --> 00:15:24,465
and it'll be really, really cool.
274
00:15:24,672 --> 00:15:27,106
So we're kind of excited.
And Michael's coming today.
275
00:15:27,308 --> 00:15:28,775
MAN 1: There's the man.
MAN 2: There's Michael.
276
00:15:28,976 --> 00:15:29,965
MAN 1:
The man is here.
277
00:15:30,177 --> 00:15:31,872
MAN 3:
Whoo! Ow! Ow!
278
00:15:32,079 --> 00:15:34,980
So that we can give you this:
A million people.
279
00:15:35,182 --> 00:15:37,116
Michael, do you like this,
first of all?
280
00:15:37,318 --> 00:15:41,186
Yeah, that's a cool move, a cool move,
but it spreads out too much to the end.
281
00:15:41,422 --> 00:15:43,913
JONES: So we can just stop it
whenever you hit the space bar.
282
00:15:44,091 --> 00:15:45,615
You can go to infinity.
283
00:15:45,793 --> 00:15:47,260
Yeah. As though
there's no more than
284
00:15:47,461 --> 00:15:52,296
1, 2, 3, 4, 5, 6, 7, 8, 9, 10 perhaps?
Or maybe just your nine dancers?
285
00:15:52,500 --> 00:15:53,694
Ten.
Great.
286
00:15:54,769 --> 00:15:56,930
# Bah ooh bah ooh bah #
287
00:15:58,172 --> 00:15:59,935
What is that?
288
00:16:00,141 --> 00:16:02,507
# Jah ooh aah uh aah #
289
00:16:02,710 --> 00:16:04,769
One more time.
Six, seven, eight...
290
00:16:12,653 --> 00:16:14,143
ALL:
# Who? #
291
00:16:17,625 --> 00:16:18,922
# Who's bad? #
292
00:16:31,739 --> 00:16:33,502
# Who? #
293
00:16:38,579 --> 00:16:40,240
# Who? #
294
00:17:12,880 --> 00:17:14,370
# Skin head, dead head #
295
00:17:14,582 --> 00:17:15,606
# Everybody gone bad #
296
00:17:15,850 --> 00:17:16,976
# Situation, aggravation #
297
00:17:17,184 --> 00:17:18,173
# Everybody allegation #
298
00:17:18,352 --> 00:17:19,614
# In the suit, on the news #
299
00:17:19,787 --> 00:17:20,879
# Everybody dog food #
300
00:17:21,055 --> 00:17:22,249
# Bang bang, shot dead #
301
00:17:22,423 --> 00:17:23,583
# Everybody's gone mad #
302
00:17:23,758 --> 00:17:27,387
# All I wanna say is that
They don't really care about us #
303
00:17:28,763 --> 00:17:32,221
# All I wanna say is that
They don't really care about us #
304
00:17:36,737 --> 00:17:39,035
# Tell me what has become
Of my rights #
305
00:17:39,240 --> 00:17:41,765
# Am I invisible cos you ignore me? #
306
00:17:42,009 --> 00:17:47,140
# The proclamation promised me
Free liberty, now #
307
00:17:47,381 --> 00:17:49,406
# I'm tired of bein'
The victim of shame #
308
00:17:49,617 --> 00:17:51,949
# They're throwing me
In a class with a bad name #
309
00:17:52,153 --> 00:17:56,283
# I can't believe this is the land
From which I came #
310
00:17:57,024 --> 00:17:58,252
# Skin head, dead head #
311
00:17:58,459 --> 00:17:59,585
# Everybody gone bad #
312
00:17:59,794 --> 00:18:00,818
# Situation, speculation #
313
00:18:01,062 --> 00:18:02,120
# Everybody allegation #
314
00:18:02,329 --> 00:18:04,593
# Beat me, bash me
You can never trash me #
315
00:18:04,799 --> 00:18:07,427
# Hit me, kick me
You can never get me #
316
00:18:07,635 --> 00:18:11,264
# All I wanna say is that
They don't really care about us #
317
00:18:12,606 --> 00:18:16,064
# All I wanna say is that
They don't really care about us #
318
00:18:33,994 --> 00:18:37,828
# Oh! #
319
00:18:41,702 --> 00:18:45,194
KING [ON RECORDING]:
In what will go down in history
320
00:18:45,439 --> 00:18:51,639
as the greatest demonstration for
freedom in the history of our nation.
321
00:18:51,846 --> 00:18:56,010
# Every day, create your history #
322
00:18:59,220 --> 00:19:02,986
# Some things in life
They just don't wanna see #
323
00:19:03,190 --> 00:19:05,488
# But if Martin Luther was livin' #
324
00:19:05,693 --> 00:19:08,890
# He wouldn't let this be #
325
00:19:09,130 --> 00:19:12,122
# All I wanna say is that
They don't really care about us #
326
00:19:14,301 --> 00:19:17,964
# All I wanna say is that
They don't really care about us #
327
00:19:19,373 --> 00:19:23,366
# All I wanna say is that
They don't really care about us #
328
00:19:24,411 --> 00:19:26,811
# All I wanna say is that
They don't really care about #
329
00:19:27,014 --> 00:19:29,642
# All I wanna say is that
They don't really care about #
330
00:19:29,850 --> 00:19:32,250
# All I wanna say is that
They don't really care about us ##
331
00:19:32,486 --> 00:19:34,317
[HORN HONKING]
332
00:19:41,228 --> 00:19:43,321
[HORN HONKING]
333
00:19:43,998 --> 00:19:46,057
ORTEGA: Hold for applause,
hold for applause.
334
00:19:46,267 --> 00:19:49,327
Slow umbrella fade out.
335
00:19:53,040 --> 00:19:55,167
# Why? Why? #
336
00:19:55,376 --> 00:19:57,742
Yeah. Yeah.
Let's just go for it.
337
00:19:57,945 --> 00:20:02,382
# Why? Why? Why? #
338
00:20:04,018 --> 00:20:06,384
# Tell 'em that is
Human nature #
339
00:20:06,587 --> 00:20:08,851
# Why? Why? #
340
00:20:09,056 --> 00:20:11,354
# Does he do me that way? #
341
00:20:11,559 --> 00:20:14,460
# If they say
Why? Why? #
342
00:20:14,695 --> 00:20:17,255
# Tell 'em that is human nature #
343
00:20:17,464 --> 00:20:19,022
# Why? Why? #
344
00:20:19,233 --> 00:20:20,257
MAN:
Ooh!
345
00:20:20,467 --> 00:20:22,162
# Does he do me that way? #
346
00:20:22,369 --> 00:20:24,929
# I like livin' this way #
347
00:20:25,172 --> 00:20:27,197
# I like lovin' this way #
348
00:20:27,408 --> 00:20:28,466
[ORTEGA LAUGHS]
349
00:20:28,709 --> 00:20:30,973
[SPEAKING INDISTINCTLY]
350
00:20:32,880 --> 00:20:34,472
# Reaching out #
351
00:20:34,748 --> 00:20:37,273
[MEN SPEAKING INDISTINCTLY]
352
00:20:39,320 --> 00:20:42,289
[SINGS INDISTINCTLY]
353
00:20:42,489 --> 00:20:43,924
[WOMAN SPEAKS INDISTINCTLY]
354
00:20:43,991 --> 00:20:46,323
# At a stranger #
355
00:20:46,560 --> 00:20:49,620
# The city winks a sleepless eye #
356
00:20:49,830 --> 00:20:51,889
# Hear her voice #
357
00:20:52,733 --> 00:20:53,927
# Shake my window #
358
00:20:54,134 --> 00:20:55,567
You sound great, MJ.
You sound great.
359
00:20:55,769 --> 00:20:58,897
# Sweet seducing sighs #
360
00:20:59,106 --> 00:21:00,403
# Get me out #
361
00:21:00,608 --> 00:21:02,576
Bam, something right there.
362
00:21:02,776 --> 00:21:05,074
# Into the night-time #
363
00:21:05,279 --> 00:21:09,340
# Four walls
Won't hold me tonight #
364
00:21:10,317 --> 00:21:13,013
# If this town #
365
00:21:13,254 --> 00:21:15,745
# Is just an apple #
366
00:21:15,956 --> 00:21:19,323
# Let me take a bite #
367
00:21:19,526 --> 00:21:22,654
# If they say
Why? Why? #
368
00:21:22,863 --> 00:21:25,263
# Tell 'em that is human nature #
369
00:21:25,466 --> 00:21:27,593
# Why? Why? #
370
00:21:27,801 --> 00:21:29,826
# Does he do me that way? #
371
00:21:30,037 --> 00:21:32,733
# If they say
Why? Why? #
372
00:21:32,940 --> 00:21:35,272
# Tell 'em that is human nature #
373
00:21:35,476 --> 00:21:37,637
# Why? Why? #
374
00:21:37,845 --> 00:21:40,473
# Does he do me that way? #
375
00:21:40,681 --> 00:21:43,172
# Reaching out #
376
00:21:43,784 --> 00:21:46,184
# Into the night-time #
377
00:21:46,387 --> 00:21:50,016
# Electric eyes are everywhere #
378
00:21:50,824 --> 00:21:53,019
# See that girl #
379
00:21:53,260 --> 00:21:55,854
# She knows I'm watching #
380
00:21:56,063 --> 00:21:59,760
# She likes the way I stare #
381
00:21:59,967 --> 00:22:03,300
# If they say
Why? Why? #
382
00:22:03,504 --> 00:22:05,836
# Tell 'em that is human nature #
383
00:22:06,040 --> 00:22:08,338
# Why? Why? #
384
00:22:08,542 --> 00:22:10,373
# Does he do me that way? #
385
00:22:10,577 --> 00:22:13,478
# If they say
Why? Why? #
386
00:22:13,681 --> 00:22:16,047
# Tell 'em that is human nature #
387
00:22:16,283 --> 00:22:18,513
# Why? Why? #
388
00:22:18,719 --> 00:22:20,584
# Does he do me that way? #
389
00:22:20,821 --> 00:22:23,312
# I like livin' this way #
390
00:22:23,524 --> 00:22:25,924
# I like lovin' this way #
391
00:22:30,831 --> 00:22:35,666
# Hey, why, oh, why? #
392
00:22:35,869 --> 00:22:41,432
# Hey, why, oh, why? #
393
00:22:41,675 --> 00:22:44,007
# Looking out #
394
00:22:44,211 --> 00:22:45,906
[MUSIC PAUSES]
395
00:22:53,354 --> 00:22:55,413
# Across the morning #
396
00:22:55,622 --> 00:22:58,557
# The city's heart begins to beat #
397
00:23:00,461 --> 00:23:02,827
# See that girl #
398
00:23:03,030 --> 00:23:05,760
# She knows I'm watching #
399
00:23:05,966 --> 00:23:09,129
# She likes the way I stare #
400
00:23:09,370 --> 00:23:12,862
# If they say
Why? Why? #
401
00:23:13,073 --> 00:23:15,473
# Tell 'em that is human nature #
402
00:23:15,709 --> 00:23:17,939
# Why? Why? #
403
00:23:18,145 --> 00:23:19,908
# Does he do me that way? #
404
00:23:20,114 --> 00:23:22,981
# If they say
Why? Why? #
405
00:23:23,217 --> 00:23:25,549
# Tell 'em that is human nature #
406
00:23:25,753 --> 00:23:27,983
# Why? Why? #
407
00:23:28,222 --> 00:23:30,053
# Does he do me that way? #
408
00:23:30,257 --> 00:23:33,158
# If they say
Why? Why? #
409
00:23:33,394 --> 00:23:35,885
# Tell 'em that is human nature #
410
00:23:36,096 --> 00:23:38,064
# Why? Why? #
411
00:23:38,265 --> 00:23:40,756
# Does she do me that way? #
412
00:23:40,968 --> 00:23:44,665
# Why? Why? Why? #
413
00:23:46,640 --> 00:23:48,471
# Hey #
414
00:23:48,675 --> 00:23:50,142
# Does he do me that way? #
415
00:23:50,377 --> 00:23:54,245
# If they say
Why? Why? Why? Why? #
416
00:23:54,448 --> 00:23:55,437
# Ooh #
417
00:23:55,649 --> 00:23:56,911
# Tell 'em #
418
00:23:57,117 --> 00:23:58,516
# Hey #
419
00:23:58,752 --> 00:24:00,947
# I like livin' this way #
420
00:24:01,155 --> 00:24:04,591
# I like lovin' this way #
421
00:24:04,792 --> 00:24:06,487
# Ooh #
422
00:24:06,693 --> 00:24:10,891
# Why? Why? #
423
00:24:11,098 --> 00:24:12,759
# Oh, why? #
424
00:24:12,966 --> 00:24:18,802
# Oh, why? Oh, why? #
425
00:24:19,006 --> 00:24:22,203
# Oh, why? ##
426
00:24:53,841 --> 00:24:56,639
[BIG-BAND MUSIC PLAYING]
427
00:25:00,814 --> 00:25:05,183
# Put the blame on Mame, boys #
428
00:25:05,385 --> 00:25:08,877
# Put the blame on Mame #
429
00:25:09,089 --> 00:25:13,719
# Mame did a dance
Called the Hitchy-koo #
430
00:25:13,961 --> 00:25:18,057
# That's the thing
That slew McGrew #
431
00:25:18,265 --> 00:25:21,598
# Put the blame on Mame, boys #
432
00:25:21,835 --> 00:25:23,063
ORTEGA:
We're seconds away, Mike.
433
00:25:23,270 --> 00:25:24,897
MAN 1: Rolling.
MAN 2: Rolling.
434
00:25:25,072 --> 00:25:26,733
And Gilda singing.
435
00:25:26,974 --> 00:25:30,535
# Put the blame #
436
00:25:30,744 --> 00:25:36,273
# On Mame ##
437
00:25:37,351 --> 00:25:39,012
MAN:
Bravo!
438
00:25:49,730 --> 00:25:51,027
What's he doing here?
439
00:26:04,244 --> 00:26:06,405
And cut. Ha-ha-ha.
That was a good one.
440
00:26:06,613 --> 00:26:08,046
Let's cut.
441
00:26:08,248 --> 00:26:09,374
ORTEGA: Okay, Bruce?
JONES: Yes, sir?
442
00:26:09,550 --> 00:26:11,643
ORTEGA: Rehearsed, and Michael
was great. We can do this.
443
00:26:11,885 --> 00:26:12,874
JONES: Ready to shoot?
ORTEGA: Yup.
444
00:26:13,086 --> 00:26:15,816
JONES: Okay, guys, let's shoot this.
MAN: Here we go, ready.
445
00:26:16,023 --> 00:26:18,389
We are rolling.
ORTEGA: Action.
446
00:26:28,936 --> 00:26:32,235
What do you want me to do? Count
three like they do in the movies?
447
00:26:47,120 --> 00:26:48,781
ORTEGA:
Guys, that's the cue.
448
00:26:48,989 --> 00:26:51,287
I'm sorry, are we
misunderstanding something here?
449
00:26:51,491 --> 00:26:52,549
BEARDEN: No, we're not misunderstanding.
450
00:26:52,759 --> 00:26:53,748
We're sizzling.
451
00:26:53,961 --> 00:26:55,292
BEARDEN: He's sizzling.
I'm sizzling.
452
00:26:55,495 --> 00:26:57,053
He's waiting for my point,
it's coming.
453
00:26:57,230 --> 00:26:58,458
ORTEGA:
Oh, I thought...
454
00:26:58,632 --> 00:27:02,830
Michael, I was telling them to start when
you turn toward the audience. Do you wanna...?
455
00:27:03,070 --> 00:27:07,063
Oh, no, I wanna turn first,
face the audience with nothing.
456
00:27:07,274 --> 00:27:08,298
ORTEGA:
Okay.
457
00:27:08,475 --> 00:27:10,670
And then when he gets
my cue, then we go.
458
00:27:10,844 --> 00:27:16,111
ORTEGA: The only thing is how will you see
the video change from the marquee to the city?
459
00:27:16,483 --> 00:27:18,974
I gotta feel that. I'll feel it,
the screen behind me.
460
00:27:19,186 --> 00:27:23,213
ORTEGA: All right. Now this
is all sizzle, sizzle, sizzle.
461
00:27:23,457 --> 00:27:25,118
It says "Smooth Criminal."
462
00:27:25,325 --> 00:27:31,821
The audience is going wild. The camera
now slowly starts to move over the marquee.
463
00:27:34,635 --> 00:27:38,230
[BAND PLAYING
"SMOOTH CRIMINAL"]
464
00:27:42,743 --> 00:27:44,210
# Ow! #
465
00:27:58,859 --> 00:28:00,190
# As he came into the window #
466
00:28:00,394 --> 00:28:02,692
# It was the sound
Of a crescendo #
467
00:28:02,896 --> 00:28:04,329
# He came into her apartment #
468
00:28:04,531 --> 00:28:06,658
# He left the bloodstains
On the carpet #
469
00:28:06,867 --> 00:28:08,266
# She ran underneath the table #
470
00:28:08,502 --> 00:28:10,629
# He could see she was unable #
471
00:28:10,837 --> 00:28:12,202
# So she ran into the bedroom #
472
00:28:12,406 --> 00:28:14,499
# She was struck down
It was her doom #
473
00:28:14,675 --> 00:28:15,664
# Annie, are you okay? #
474
00:28:15,876 --> 00:28:17,173
# So, Annie, are you okay? #
475
00:28:17,377 --> 00:28:18,503
# Are you okay, Annie? #
476
00:28:18,712 --> 00:28:21,044
# Annie, are you okay?
So, Annie, are you okay? #
477
00:28:21,214 --> 00:28:22,408
# Are you okay, Annie? #
478
00:28:22,582 --> 00:28:23,640
# Annie, are you okay? #
479
00:28:23,850 --> 00:28:25,283
# So, Annie, are you okay? #
480
00:28:25,519 --> 00:28:27,384
# Are you okay, Annie?
Annie, are you okay? #
481
00:28:27,587 --> 00:28:30,522
# Annie, are you okay?
Are you okay, Annie? #
482
00:28:30,724 --> 00:28:34,353
# Annie, are you okay?
Will you tell us that you're okay? #
483
00:28:34,561 --> 00:28:36,051
# There's a sign in the window #
484
00:28:36,263 --> 00:28:38,424
# That he struck you
A crescendo, Annie #
485
00:28:38,665 --> 00:28:40,030
# He came into your apartment #
486
00:28:40,233 --> 00:28:42,394
# Left the bloodstains on the carpet #
487
00:28:42,569 --> 00:28:43,797
# Then you ran into the bedroom #
488
00:28:44,037 --> 00:28:46,028
# You were struck down
It was your doom #
489
00:28:46,239 --> 00:28:47,228
# Annie, are you okay? #
490
00:28:47,441 --> 00:28:48,703
# So, Annie, are you okay? #
491
00:28:48,909 --> 00:28:50,171
# Are you okay, Annie? #
492
00:28:50,377 --> 00:28:51,435
# Annie, are you okay? #
493
00:28:51,678 --> 00:28:52,770
# So, Annie, are you okay? #
494
00:28:52,979 --> 00:28:54,173
# Are you okay, Annie? #
495
00:28:54,381 --> 00:28:55,370
# Annie, are you okay? #
496
00:28:55,582 --> 00:28:56,947
# So, Annie, are you okay? #
497
00:28:57,184 --> 00:28:58,173
# Are you okay, Annie? #
498
00:28:58,385 --> 00:28:59,750
# You've been hit by #
499
00:28:59,953 --> 00:29:03,320
# You've been struck by
A smooth criminal #
500
00:29:05,759 --> 00:29:07,886
# Ow! #
501
00:29:10,430 --> 00:29:11,692
# So they came into the outway #
502
00:29:11,898 --> 00:29:14,093
# It was Sunday
What a black day #
503
00:29:14,301 --> 00:29:15,700
# Mouth-to-mouth resuscitation #
504
00:29:15,902 --> 00:29:17,767
# Sounding heartbeats
Intimidations #
505
00:29:17,971 --> 00:29:19,063
# Annie, are you okay? #
506
00:29:19,272 --> 00:29:20,432
# So, Annie, are you okay? #
507
00:29:20,640 --> 00:29:21,937
# Are you okay, Annie? #
508
00:29:22,142 --> 00:29:23,575
# Annie, are you okay? #
509
00:29:23,777 --> 00:29:25,608
# So, Annie, are you okay?
Are you okay, Annie? #
510
00:29:25,812 --> 00:29:26,801
# Annie, are you okay? #
511
00:29:27,013 --> 00:29:28,640
# So, Annie, are you okay? #
512
00:29:28,849 --> 00:29:29,838
# Are you okay, Annie? #
513
00:29:30,083 --> 00:29:31,209
# Annie, are you okay? #
514
00:29:31,418 --> 00:29:34,114
# Annie, are you okay?
Are you okay, Annie? #
515
00:29:34,321 --> 00:29:37,848
# Annie, are you okay?
Will you tell us that you're okay? #
516
00:29:38,091 --> 00:29:39,319
# There's a sign in the window #
517
00:29:39,526 --> 00:29:41,824
# That he struck you
A crescendo, Annie #
518
00:29:42,028 --> 00:29:43,427
# He came into your apartment #
519
00:29:43,630 --> 00:29:45,825
# Left the bloodstains on the carpet #
520
00:29:46,032 --> 00:29:47,363
# Then you ran into the bedroom #
521
00:29:47,601 --> 00:29:49,592
# You were struck down
It was your doom #
522
00:29:49,770 --> 00:29:50,794
# Annie, are you okay? #
523
00:29:50,971 --> 00:29:52,165
# So, Annie, are you okay? #
524
00:29:52,339 --> 00:29:53,670
# Are you okay, Annie? #
525
00:29:53,874 --> 00:29:55,136
# You've been hit by #
526
00:29:55,342 --> 00:29:58,505
# You've been struck by
A smooth criminal #
527
00:30:01,381 --> 00:30:02,973
# Ow! #
528
00:30:13,393 --> 00:30:14,382
# Ow! #
529
00:30:14,628 --> 00:30:17,859
# Annie, are you okay?
Will you tell us that you're okay? #
530
00:30:18,064 --> 00:30:19,463
# There's a sign in the window #
531
00:30:19,666 --> 00:30:21,634
# That he struck you
A crescendo, Annie #
532
00:30:21,835 --> 00:30:23,132
# He came into your apartment #
533
00:30:23,336 --> 00:30:25,270
# Left the bloodstains on the carpet #
534
00:30:25,472 --> 00:30:27,167
# Then you ran into the bedroom #
535
00:30:27,374 --> 00:30:29,535
# You were struck down
It was your doom #
536
00:30:29,776 --> 00:30:33,405
# Annie, are you okay?
Will you tell us that you're okay? #
537
00:30:33,647 --> 00:30:34,978
# There's a sign in the window #
538
00:30:35,182 --> 00:30:37,548
# That he struck you
A crescendo, Annie #
539
00:30:37,784 --> 00:30:38,978
# He came into your apartment #
540
00:30:39,186 --> 00:30:41,347
# Left the bloodstains on the carpet #
541
00:30:41,555 --> 00:30:43,045
# Then you ran into the bedroom #
542
00:30:43,290 --> 00:30:46,418
# You were struck down
It was your doom, Annie #
543
00:31:32,973 --> 00:31:34,440
# You've been hit by #
544
00:31:34,641 --> 00:31:37,474
# You've been struck by
A smooth criminal ##
545
00:31:56,129 --> 00:31:59,860
[PLAYING "THE WAY
YOU MAKE ME FEEL"]
546
00:32:04,137 --> 00:32:05,729
Pretty good.
Pretty good.
547
00:32:14,247 --> 00:32:15,373
[LAUGHS]
548
00:32:15,582 --> 00:32:17,447
# Ah ##
549
00:32:17,651 --> 00:32:21,587
[HUMMING]
550
00:32:21,788 --> 00:32:23,415
BEARDEN:
You're gonna put that in?
551
00:32:23,623 --> 00:32:25,955
Uh-huh.
MAN: Uh-huh.
552
00:32:26,159 --> 00:32:28,957
BEARDEN: It's really cool
for me as a musical director
553
00:32:29,162 --> 00:32:31,460
because I need the artist
to be hands-on
554
00:32:31,665 --> 00:32:34,657
and MJ is always hands-on
with everything that he does.
555
00:32:34,901 --> 00:32:37,631
He knows all of his records.
He knows all of his tempos.
556
00:32:37,837 --> 00:32:39,270
He knows all of his keys
of songs.
557
00:32:39,472 --> 00:32:40,496
# Doo dah ##
558
00:32:40,707 --> 00:32:43,039
No. Just a little drag,
a little bit more behind the beat.
559
00:32:43,276 --> 00:32:44,903
Yeah. It's not
the right sound.
560
00:32:45,111 --> 00:32:46,942
Like you're dragging
yourself out of bed.
561
00:32:47,147 --> 00:32:49,513
Imagine this is the right sound.
Check this.
562
00:32:55,789 --> 00:32:57,780
Don't change so soon, though.
563
00:32:57,991 --> 00:33:00,289
Don't wanna change over so
soon yet. See, you're going:
564
00:33:00,460 --> 00:33:02,519
[IMITATING KE YBOARD]
565
00:33:16,376 --> 00:33:18,071
Don't do that one.
Don't do that one.
566
00:33:18,311 --> 00:33:20,245
Don't do that one yet?
No, no.
567
00:33:20,480 --> 00:33:21,947
It should be simpler.
568
00:33:22,148 --> 00:33:24,378
[IMITATING KE YBOARD]
569
00:33:31,391 --> 00:33:34,588
Uh-huh. Yeah.
570
00:33:37,497 --> 00:33:39,328
We'll get the sound,
we'll get the sound.
571
00:33:39,532 --> 00:33:41,659
BEARDEN: We'll get the sound
but that's not till tomorrow.
572
00:33:41,901 --> 00:33:44,165
MICHAEL: We gotta do a
sound check tomorrow night.
573
00:33:44,371 --> 00:33:45,463
That's what we need to do.
574
00:33:45,672 --> 00:33:47,765
MICHAEL: And don't start
unless you do a sound check.
575
00:33:48,008 --> 00:33:49,737
I know, that's why we doing it.
576
00:33:49,976 --> 00:33:51,603
We need you to do
the sound check
577
00:33:51,845 --> 00:33:53,676
because can't nobody hear
what you need to hear.
578
00:33:53,880 --> 00:33:55,905
Some people might
not wanna have that bass...
579
00:33:56,116 --> 00:33:58,209
I want it the way I wrote it.
I mean...
580
00:33:58,418 --> 00:34:00,409
Like the audience hears it.
581
00:34:00,720 --> 00:34:03,553
So whatever the record's doing,
that's how I want it to sound.
582
00:34:03,757 --> 00:34:07,488
That's what it's gonna sound like, but
you gotta get closer to what you want.
583
00:34:07,694 --> 00:34:12,097
Then if you wanna hear a little more
booty on something else, know what I mean?
584
00:34:12,298 --> 00:34:13,890
Only you can say that.
You know what I'm saying?
585
00:34:14,100 --> 00:34:15,089
[LAUGHING]
586
00:34:15,301 --> 00:34:16,700
A little more booty.
587
00:34:16,903 --> 00:34:18,200
That's funny.
588
00:34:19,139 --> 00:34:20,868
But you knew
what I meant though too.
589
00:34:21,041 --> 00:34:22,133
MICHAEL:
I know exactly what you meant.
590
00:34:22,308 --> 00:34:23,297
Yeah, all right, then.
591
00:34:23,510 --> 00:34:25,603
One more time from the top.
592
00:34:27,414 --> 00:34:30,542
CHORUS:
# Ooh-ooh #
593
00:34:30,750 --> 00:34:32,911
# Ooh-ooh #
594
00:34:33,119 --> 00:34:35,883
# Ooh-ooh #
595
00:34:36,089 --> 00:34:38,751
# Ooh-ooh #
596
00:34:38,958 --> 00:34:41,620
# Ooh-ooh #
597
00:34:41,828 --> 00:34:44,058
# Ooh-ooh #
598
00:34:44,264 --> 00:34:45,253
MICHAEL:
Ssh-ssh.
599
00:34:45,465 --> 00:34:47,763
Try to get the same sound.
600
00:34:50,270 --> 00:34:52,898
# Ooh-ooh #
601
00:34:53,106 --> 00:34:55,973
MICHAEL:
Good sound on that. Good sound.
602
00:35:00,180 --> 00:35:01,807
BEARDEN:
No, no, not yet, Prince.
603
00:35:02,048 --> 00:35:03,276
MICHAEL:
No. You gotta...
604
00:35:03,550 --> 00:35:05,848
You gotta let it simmer.
605
00:35:06,086 --> 00:35:07,951
It's got a moment
where it has to simmer.
606
00:35:08,154 --> 00:35:10,588
BEARDEN: That's right.
You're not letting it simmer.
607
00:35:11,324 --> 00:35:14,760
Just bathe in the moonlight. You
have to let it simmer a bit, you know?
608
00:35:15,628 --> 00:35:19,689
BEARDEN: All right, Prince? We're
gonna add two bars after the "ch-ooh."
609
00:35:19,866 --> 00:35:21,857
Or at least a bar.
610
00:35:23,103 --> 00:35:25,367
Yeah. MJ, check it
from the top again.
611
00:35:25,572 --> 00:35:27,267
See what we got,
simmer-wise.
612
00:35:27,474 --> 00:35:29,700
One, two, three, four.
613
00:35:29,943 --> 00:35:31,433
[PLAYING "THE WAY YOU
MAKE ME FEEL"]
614
00:35:31,644 --> 00:35:33,373
CHORUS:
# Doo-doo #
615
00:35:33,613 --> 00:35:36,275
# Doo-doo #
616
00:35:36,483 --> 00:35:39,111
# Doo-doo #
617
00:35:39,319 --> 00:35:41,947
# Doo-doo #
618
00:35:42,155 --> 00:35:44,783
# Doo-doo #
619
00:35:44,991 --> 00:35:47,653
# Doo-doo #
620
00:35:47,861 --> 00:35:50,455
# Doo-doo #
621
00:35:56,603 --> 00:36:01,802
# Pretty baby
With the high heels on #
622
00:36:02,008 --> 00:36:07,344
# You give me fever
Like I've never, never known #
623
00:36:07,547 --> 00:36:13,543
# I feel your fever
From miles around #
624
00:36:13,753 --> 00:36:18,884
# I'll pick you up in my car
And we'll paint the town #
625
00:36:19,125 --> 00:36:24,757
# Just kiss me, baby
And tell me twice #
626
00:36:24,998 --> 00:36:28,525
# That you're the one for #
627
00:36:31,404 --> 00:36:33,838
# You make me feel real #
628
00:36:34,040 --> 00:36:36,531
# Doo-doo #
629
00:36:36,743 --> 00:36:39,371
# You really turn me on #
630
00:36:39,579 --> 00:36:42,139
# Doo-doo #
631
00:36:42,348 --> 00:36:47,650
# Knocking me off of my feet now
Whoo! #
632
00:36:47,854 --> 00:36:50,789
# Lonely days are gone #
633
00:36:51,024 --> 00:36:53,254
# Doo-doo #
634
00:36:53,459 --> 00:36:55,723
# Ooh ##
635
00:37:00,567 --> 00:37:02,262
I gotta cue that.
I gotta cue that.
636
00:37:02,468 --> 00:37:05,266
That shouldn't trigger
on its own.
637
00:37:05,438 --> 00:37:07,736
That can't trigger
on its own.
638
00:37:07,941 --> 00:37:09,772
I gotta cue that.
639
00:37:11,177 --> 00:37:14,881
So you gotta watch me
for that growl, okay?
640
00:37:16,082 --> 00:37:17,947
[DRUMBEATS]
641
00:37:18,418 --> 00:37:20,886
[SONG RESUMES]
642
00:37:35,735 --> 00:37:39,694
# I never felt so in love before #
643
00:37:39,906 --> 00:37:43,774
# Promise, baby
You'll love me for evermore #
644
00:37:43,977 --> 00:37:48,004
# I swear I'm keeping you satisfied #
645
00:37:48,248 --> 00:37:50,273
# Cos you're the one for me #
646
00:37:50,483 --> 00:37:52,314
# The way you make me feel #
647
00:37:52,518 --> 00:37:54,281
CHORUS:
# The way you make me feel #
648
00:37:54,487 --> 00:37:56,478
# You really turn me on #
649
00:37:56,723 --> 00:37:58,520
# You really turn me on #
650
00:37:58,758 --> 00:38:01,192
# You knock me off
Of my feet now #
651
00:38:01,361 --> 00:38:02,828
# You knock me off of my feet #
652
00:38:02,996 --> 00:38:04,964
# C'mon, girl, come on #
653
00:38:05,131 --> 00:38:07,463
# My lonely days are gone #
654
00:38:09,135 --> 00:38:12,127
# The way you make me feel #
655
00:38:13,539 --> 00:38:15,734
# You really turn me on #
656
00:38:15,942 --> 00:38:17,534
# Whee-hee-hee #
657
00:38:17,777 --> 00:38:20,473
# You knock me off of my feet #
658
00:38:22,248 --> 00:38:24,808
# My lonely days are gone #
659
00:38:29,255 --> 00:38:30,882
# Cha
Cha #
660
00:38:31,124 --> 00:38:32,887
# Cha #
661
00:38:43,903 --> 00:38:45,632
# Shoo, shoo #
662
00:38:46,172 --> 00:38:47,901
# Shoo, shoo, shoo #
663
00:38:48,141 --> 00:38:51,372
# Shoo, shoo, shoo #
664
00:38:52,645 --> 00:38:55,978
# Ohh #
665
00:38:59,519 --> 00:39:02,716
# The way you make me feel #
666
00:39:04,324 --> 00:39:06,792
# You really turn me on #
667
00:39:08,294 --> 00:39:10,819
# You knock me off of my feet #
668
00:39:12,398 --> 00:39:14,730
# My lonely days are gone #
669
00:39:14,934 --> 00:39:16,834
# Come on, give it to me #
670
00:39:17,036 --> 00:39:19,027
# He-he #
671
00:39:19,238 --> 00:39:20,671
One more time.
672
00:39:20,873 --> 00:39:24,001
# You really turn me on #
673
00:39:24,210 --> 00:39:25,677
That's why we rehearse.
674
00:39:25,878 --> 00:39:28,904
It's okay, it's okay.
Right here on this one.
675
00:39:29,115 --> 00:39:31,049
# My lonely days are gone #
676
00:39:31,250 --> 00:39:32,683
# Ooh ##
677
00:39:32,885 --> 00:39:34,876
BEARDEN: They wanted us to
take those eight out so...
678
00:39:35,088 --> 00:39:37,579
It's okay, it's okay, no.
It was a little too soon.
679
00:39:37,824 --> 00:39:39,815
ORTEGA: Yeah, I agree, Michael.
Yeah.
680
00:39:40,026 --> 00:39:42,893
ORTEGA: I think let's add them back.
BEARDEN: Just leave it.
681
00:39:43,096 --> 00:39:46,065
You don't feel totally
nourished by it, you know?
682
00:39:46,265 --> 00:39:48,961
ORTEGA: MJ, we'll also have a fan
there, right there in the center.
683
00:39:49,202 --> 00:39:50,863
I'm trying to hear you.
Say it again?
684
00:39:51,070 --> 00:39:54,039
ORTEGA: There'll be a fan, right
there off the stage for you.
685
00:39:54,240 --> 00:39:56,231
Boom, right there.
686
00:39:56,442 --> 00:39:58,342
Okay, watching Michael.
687
00:39:58,544 --> 00:40:01,342
[SNAPPING FINGERS]
688
00:40:07,153 --> 00:40:09,781
CHORUS:
# Doo-doo #
689
00:40:09,989 --> 00:40:12,583
# Doo-doo #
690
00:40:12,792 --> 00:40:15,283
# Doo-doo #
691
00:40:15,495 --> 00:40:18,430
# Doo-doo #
692
00:40:18,631 --> 00:40:20,997
# Doo-doo #
693
00:40:21,234 --> 00:40:23,896
# Doo-doo #
694
00:40:24,103 --> 00:40:26,628
# Doo-doo #
695
00:40:40,887 --> 00:40:43,253
# Doo-doo #
696
00:40:43,456 --> 00:40:45,924
# Doo-doo #
697
00:40:46,125 --> 00:40:48,685
# Doo-doo #
698
00:40:48,928 --> 00:40:51,260
# Doo-doo #
699
00:40:51,464 --> 00:40:54,297
# Doo-doo #
700
00:40:54,500 --> 00:40:59,938
# Doo-doo ##
701
00:41:02,442 --> 00:41:03,807
[DRUMROLL]
702
00:41:04,010 --> 00:41:06,342
[AUDIENCE APPLAUDING]
703
00:41:06,813 --> 00:41:10,715
DIANA ROSS [ON RECORDING]: Once again, ladies
and gentlemen, the world's most fabulous group:
704
00:41:10,950 --> 00:41:12,542
The Jackson 5.
705
00:41:12,785 --> 00:41:15,811
[PLAYING "I WANT YOU BACK"]
706
00:41:46,052 --> 00:41:48,486
Everybody clap your hands.
Come on!
707
00:41:54,760 --> 00:41:56,819
# When I had you to myself #
708
00:41:57,029 --> 00:41:58,997
# I didn't want you around #
709
00:42:01,567 --> 00:42:03,057
# In a crowd #
710
00:42:03,269 --> 00:42:05,863
# But someone picked you
From the bunch #
711
00:42:09,375 --> 00:42:11,240
# Take a second look #
712
00:42:14,480 --> 00:42:16,414
# Show you that I love you #
713
00:42:17,350 --> 00:42:18,544
# Let me now #
714
00:42:18,751 --> 00:42:20,241
# Back in your heart #
715
00:42:21,354 --> 00:42:23,982
# Blind to let you go #
# Let you go, baby #
716
00:42:24,190 --> 00:42:26,715
# Now since I see you #
717
00:42:27,260 --> 00:42:29,194
# I want you back #
# Yes, I do, now #
718
00:42:29,395 --> 00:42:31,420
# I want you back #
# Ooh, ooh, baby #
719
00:42:31,597 --> 00:42:33,258
# I want you back #
# Yeah, yeah, yeah, yeah #
720
00:42:33,432 --> 00:42:35,491
# I want you back #
# Na, na, na, na #
721
00:42:35,701 --> 00:42:37,066
# I want you back ##
722
00:42:37,270 --> 00:42:39,135
You guys, I gotta tell you this.
723
00:42:39,372 --> 00:42:43,138
When I'm trying to hear and it feels like
somebody's fist is pushed into my ear,
724
00:42:43,376 --> 00:42:45,310
it's really very difficult.
725
00:42:45,545 --> 00:42:47,308
I know you mean well,
so, but it's...
726
00:42:47,547 --> 00:42:51,210
I'm trying to adjust to the ear,
the inner ears, okay?
727
00:42:51,417 --> 00:42:53,749
With the love,
with the love. L-O-V-E.
728
00:42:53,953 --> 00:42:56,421
ORTEGA: Michael.
This is not easy though.
729
00:42:56,622 --> 00:42:59,022
ORTEGA: Michael, one more
time. I couldn't hear you, sir.
730
00:42:59,225 --> 00:43:02,717
The inner ears are very difficult
for me when you're raised
731
00:43:02,929 --> 00:43:07,764
to use just your real own,
you know, aural... Auditory ears.
732
00:43:08,134 --> 00:43:11,900
Now it feels like somebody's fist,
just their fist, is shoved into your ear.
733
00:43:12,104 --> 00:43:15,130
ORTEGA: Okay.
I'm trying to hear and I can't.
734
00:43:15,341 --> 00:43:17,832
So I'm adjusting
to the situation.
735
00:43:18,077 --> 00:43:20,773
ORTEGA: Right. Michael, is there
anything they can give you now
736
00:43:20,980 --> 00:43:25,144
in your ears to make it better
in terms of volume or mix?
737
00:43:25,985 --> 00:43:27,282
Um...
738
00:43:27,486 --> 00:43:29,351
If we could just
bring it down a little bit.
739
00:43:29,589 --> 00:43:31,853
ORTEGA:
Bring it down a little bit, please.
740
00:43:32,758 --> 00:43:35,318
Anything else, Michael? You
wanna hear more of anything?
741
00:43:35,561 --> 00:43:37,586
You wanna hear more voice,
you wanna hear more...?
742
00:43:37,763 --> 00:43:39,162
No.
ORTEGA: Okay, Michael,
743
00:43:39,365 --> 00:43:42,562
after the next song, if it hasn't adjusted
to your liking, will you please let us know?
744
00:43:42,735 --> 00:43:44,100
For sure.
ORTEGA: Thank you.
745
00:43:44,303 --> 00:43:46,567
Would you like to
pick it up from?
746
00:43:46,772 --> 00:43:49,108
"Stop! The Love You Save."
ORTEGA: "Stop! The Love You Save."
747
00:43:49,875 --> 00:43:51,843
[BAND PLAYING
"THE LOVE YOU SAVE"]
748
00:44:01,354 --> 00:44:02,844
# Played tag in grade school #
749
00:44:03,089 --> 00:44:04,522
# You wanted to be "it" #
750
00:44:04,724 --> 00:44:06,624
# Now chasing boys was justified #
751
00:44:06,826 --> 00:44:08,384
# Crossed your heart, you quit #
752
00:44:08,628 --> 00:44:12,029
# When we grew up you traded
Your promise for my ring #
753
00:44:12,231 --> 00:44:14,222
# Now just like
Back in grade school #
754
00:44:14,467 --> 00:44:16,094
# You're doing the same old thing #
755
00:44:16,302 --> 00:44:18,896
# Stop!
The love you save may be your own #
756
00:44:19,138 --> 00:44:20,730
# Darling, take it slow #
757
00:44:20,973 --> 00:44:23,601
# Or someday you'll be all alone #
758
00:44:23,809 --> 00:44:26,505
# Stop!
The love you save may be your own #
759
00:44:26,712 --> 00:44:29,237
# Darling, look both ways
Before you cross me #
760
00:44:29,482 --> 00:44:32,542
# You're headed for a danger zone ##
761
00:44:48,334 --> 00:44:50,768
[PEOPLE CHEERING
AND APPLAUDING]
762
00:44:51,003 --> 00:44:52,766
God bless you.
763
00:44:53,005 --> 00:44:55,233
[BAND PLAYING "I'LL BE THERE"]
764
00:45:02,181 --> 00:45:07,278
# You and I must make a pact #
765
00:45:07,520 --> 00:45:13,390
# We must bring salvation back #
766
00:45:13,592 --> 00:45:17,358
# Where there is love #
767
00:45:17,563 --> 00:45:23,798
# I'll be there #
# I'll be there #
768
00:45:24,036 --> 00:45:29,599
# I'll reach out my hand to you #
769
00:45:29,809 --> 00:45:35,304
# I'll have faith in all you do #
770
00:45:35,548 --> 00:45:39,314
# Just call my name #
771
00:45:39,552 --> 00:45:43,215
# And I'll be there #
# I'll be there #
772
00:45:43,422 --> 00:45:46,084
# Ohh, yeah #
773
00:45:46,292 --> 00:45:50,695
# I'll be there to comfort you #
774
00:45:50,896 --> 00:45:53,888
# Build my world of dreams
Around you #
775
00:45:54,100 --> 00:45:56,898
# I'm so glad I found you #
776
00:45:57,103 --> 00:46:01,233
# I'll be there
With a love that's strong #
777
00:46:01,440 --> 00:46:03,772
# I'll be your strength #
778
00:46:03,976 --> 00:46:08,606
# I'll keep holding on #
779
00:46:08,814 --> 00:46:11,612
# I love you #
780
00:46:13,953 --> 00:46:19,414
# If you should ever find
Someone new #
781
00:46:19,625 --> 00:46:25,825
# I know he'd better be good to you #
782
00:46:26,031 --> 00:46:29,933
# Cos if he doesn't #
783
00:46:30,136 --> 00:46:33,264
# I'll be there #
784
00:46:33,472 --> 00:46:35,770
# Look over your shoulders, honey #
785
00:46:35,975 --> 00:46:37,465
# Whoo #
786
00:46:37,676 --> 00:46:40,804
# I'll be there #
787
00:46:41,013 --> 00:46:42,344
Everybody!
788
00:46:42,548 --> 00:46:48,145
# I'll be there #
789
00:46:48,354 --> 00:46:52,154
# Just call my name #
790
00:46:52,358 --> 00:46:55,384
# I'll be there #
791
00:46:55,628 --> 00:46:57,858
# Just look over
Your shoulders, honey #
792
00:46:58,063 --> 00:46:59,530
# Ooh #
793
00:46:59,765 --> 00:47:04,532
# I'll be there #
794
00:47:04,770 --> 00:47:10,640
# I'll be there #
795
00:47:13,546 --> 00:47:20,884
# There #
796
00:47:22,054 --> 00:47:26,150
I'll say, "Jackie, Jermaine, Marlon,
797
00:47:26,358 --> 00:47:30,488
Tito, Randy, I love you.
798
00:47:31,931 --> 00:47:35,526
Joseph and Katherine,
God bless you. I love you."
799
00:47:39,438 --> 00:47:43,397
# And #
800
00:47:46,078 --> 00:47:49,741
Just trying to conserve my
throat, please, so understand.
801
00:47:49,949 --> 00:47:54,079
# I will be #
802
00:47:54,320 --> 00:47:57,881
# I will be #
803
00:47:58,090 --> 00:48:02,186
# I will be #
804
00:48:02,394 --> 00:48:04,589
# I will be #
805
00:48:04,830 --> 00:48:06,730
MAN:
# Darling, be #
806
00:48:06,932 --> 00:48:12,529
# I will be #
807
00:48:13,939 --> 00:48:16,601
CHORUS:
# There #
808
00:48:16,842 --> 00:48:20,938
# Hoo ##
809
00:48:26,952 --> 00:48:28,283
[PEOPLE APPLAUDING]
810
00:48:28,487 --> 00:48:31,284
ORTEGA: And blackout.
We'll make it cleaner at the back.
811
00:48:31,490 --> 00:48:35,586
So you wanna get rid of the bad
specials, those profiles coming in.
812
00:48:35,794 --> 00:48:37,625
There's a lot going on.
The dancers, you know,
813
00:48:37,863 --> 00:48:40,457
we do maintenance with them,
you know, two to three times a week.
814
00:48:40,666 --> 00:48:44,261
We do Pilates and stretching and
ballet, and they have physical therapy.
815
00:48:44,470 --> 00:48:46,438
You know,
just keeping everybody together.
816
00:48:46,672 --> 00:48:48,970
I saw you, you were
going like this, what is this?
817
00:48:49,174 --> 00:48:50,505
That's Russian. This is Russian.
818
00:48:50,743 --> 00:48:55,146
So Baryshnikov does it like this and
you guys are doing like this. Same thing.
819
00:48:55,648 --> 00:48:57,013
MAN:
Good.
820
00:48:57,182 --> 00:48:58,672
One more time.
MAN: Sure.
821
00:48:58,884 --> 00:49:00,784
I mean, but we're straight
up and down now, right?
822
00:49:00,986 --> 00:49:03,511
I don't think it's anything
except hand moving.
823
00:49:03,756 --> 00:49:06,316
I think that's smoother,
you know what I mean?
824
00:49:06,492 --> 00:49:07,618
I mean, I have nothing to move.
825
00:49:08,494 --> 00:49:09,518
[PEOPLE APPLAUDING]
826
00:49:09,962 --> 00:49:11,395
ORTEGA:
Dancers, music.
827
00:49:11,597 --> 00:49:14,589
[BAND PLAYING "SHAKE YOUR
BOD Y (DOWN TO THE GROUND)"]
828
00:49:27,012 --> 00:49:29,276
CHORUS:
# Let's dance, let's shout #
829
00:49:29,481 --> 00:49:31,108
# Shake your body
Down to the ground #
830
00:49:31,317 --> 00:49:32,944
# Let's dance, let's shout #
831
00:49:33,152 --> 00:49:34,983
# Shake your body
Down to the ground #
832
00:49:35,187 --> 00:49:37,178
# Let's dance, let's shout #
833
00:49:37,423 --> 00:49:39,220
# Shake your body
Down to the ground #
834
00:49:39,458 --> 00:49:41,187
# Let's dance, let's shout #
835
00:49:41,427 --> 00:49:43,452
# Shake your body
Down to the ground #
836
00:49:57,676 --> 00:50:00,008
# Down, down, down, down #
837
00:50:13,459 --> 00:50:15,757
# Down, down, down, down ##
838
00:50:16,462 --> 00:50:17,986
[PEOPLE APPLAUDING]
839
00:50:18,197 --> 00:50:20,358
[MAN SPEAKS INDISTINCTLY]
840
00:50:23,569 --> 00:50:26,902
All right, "I Just Can't Stop
Loving You." Judith.
841
00:50:27,106 --> 00:50:28,368
Let me know
when you're ready.
842
00:50:28,574 --> 00:50:30,508
# A mi amor eres t� #
843
00:50:31,977 --> 00:50:34,571
# A mi amor eres t� #
844
00:50:34,847 --> 00:50:40,080
# Cuando no estas
No hay quien me d� lo que das t� #
845
00:50:41,920 --> 00:50:44,514
# A mi amor eres t� ##
846
00:50:44,690 --> 00:50:45,987
[LAUGHING]
847
00:50:46,191 --> 00:50:48,421
BEARDEN [IN SPANISH ACCENT]:
Do it for Ortega.
848
00:50:49,028 --> 00:50:50,689
Ortega.
Here we go.
849
00:50:50,896 --> 00:50:53,228
BEARDEN:
For his people.
850
00:50:54,600 --> 00:50:56,124
MOFFETT:
One, two, three.
851
00:50:56,368 --> 00:50:58,199
[PLAYING "I JUST CAN'T
STOP LOVING YOU"]
852
00:50:58,404 --> 00:51:00,531
More echo in here?
853
00:51:00,739 --> 00:51:04,698
# Ahhh-ah #
854
00:51:06,812 --> 00:51:08,803
# Each time the wind blows #
855
00:51:09,048 --> 00:51:11,414
# I hear your voice so #
856
00:51:11,617 --> 00:51:15,018
# I call your name #
857
00:51:16,121 --> 00:51:18,248
# Whispers at morning #
858
00:51:18,457 --> 00:51:21,051
# Our love is dawning #
859
00:51:21,260 --> 00:51:24,388
# Heaven's glad you came #
860
00:51:25,431 --> 00:51:27,729
# You know how I feel #
861
00:51:27,933 --> 00:51:30,401
# This thing can't go wrong #
862
00:51:30,602 --> 00:51:34,561
# I'm so proud to say I love you #
863
00:51:34,773 --> 00:51:37,241
# Your love's got me high #
864
00:51:37,443 --> 00:51:39,775
# I long to get by #
865
00:51:39,978 --> 00:51:45,075
# My life ain't worth living
If I can't be with you #
866
00:51:45,284 --> 00:51:47,184
HILL:
# I hear your voice now #
867
00:51:47,419 --> 00:51:50,047
# You are my choice now #
868
00:51:50,255 --> 00:51:54,123
# The love you bring #
869
00:51:54,326 --> 00:51:56,692
# Heaven's in my heart #
870
00:51:56,929 --> 00:51:59,830
# At your call, I hear harps #
871
00:52:00,065 --> 00:52:03,796
# And angels sing #
872
00:52:04,002 --> 00:52:06,129
BOTH:
# You know how I feel #
873
00:52:06,338 --> 00:52:08,670
# This thing can't go wrong #
874
00:52:08,874 --> 00:52:13,106
# I can't live my life without you #
875
00:52:13,312 --> 00:52:15,644
# Your love's got me high #
876
00:52:15,848 --> 00:52:17,839
# I feel we belong #
877
00:52:18,650 --> 00:52:23,212
# My life ain't worth living
If I can't be with you #
878
00:52:23,455 --> 00:52:28,222
# I just can't stop loving you #
879
00:52:28,460 --> 00:52:32,794
# I just can't stop loving you #
880
00:52:32,998 --> 00:52:34,795
# And if I stop #
881
00:52:35,000 --> 00:52:39,801
# Then tell me, just what will I do? #
882
00:52:40,005 --> 00:52:44,339
# I just can't stop loving you #
883
00:52:47,246 --> 00:52:49,373
# At night when the stars shine #
884
00:52:49,615 --> 00:52:52,015
# I think in you I'll find #
885
00:52:52,217 --> 00:52:54,708
# A love so true #
886
00:52:54,920 --> 00:52:56,478
# Hey #
887
00:52:56,688 --> 00:52:59,122
# When morning awakes me #
888
00:52:59,324 --> 00:53:01,690
# Will you come and take me? #
889
00:53:01,894 --> 00:53:06,126
# I'll wait for you #
890
00:53:06,331 --> 00:53:08,561
# You know how I feel #
891
00:53:08,767 --> 00:53:11,065
# This thing can't go wrong #
892
00:53:11,270 --> 00:53:14,137
# I'm so proud to say I love you #
893
00:53:14,339 --> 00:53:15,772
# I do #
894
00:53:16,008 --> 00:53:18,203
# This thing can't go wrong #
895
00:53:18,410 --> 00:53:19,934
# This feeling's so strong #
896
00:53:20,179 --> 00:53:21,168
# Well #
897
00:53:21,380 --> 00:53:25,680
# My life ain't worth living
If I can't be with you #
898
00:53:25,884 --> 00:53:28,944
# I just can't stop loving you #
899
00:53:29,188 --> 00:53:30,655
# Oh, oh, no #
900
00:53:30,856 --> 00:53:34,758
# I just can't stop loving you #
901
00:53:34,960 --> 00:53:35,949
# Said I can't stop #
902
00:53:36,195 --> 00:53:37,355
# And if I stop #
903
00:53:37,563 --> 00:53:42,523
# Then tell me, just what will I do? #
904
00:53:42,734 --> 00:53:46,602
# I just can't stop loving you #
905
00:53:46,805 --> 00:53:50,138
# We can change
All the world #
906
00:53:50,309 --> 00:53:51,606
# Tomorrow #
907
00:53:51,810 --> 00:53:56,406
# We can sing songs
Of yesterday #
908
00:53:56,615 --> 00:54:00,984
# I can say
Hey, farewell to sorrow #
909
00:54:01,220 --> 00:54:03,120
# This is my life and I #
910
00:54:03,322 --> 00:54:06,416
# I want to see you for always #
911
00:54:06,625 --> 00:54:09,093
# I just can't stop loving you #
912
00:54:09,294 --> 00:54:10,886
# No, baby #
913
00:54:11,096 --> 00:54:15,123
# I just can't stop loving you #
914
00:54:15,334 --> 00:54:16,562
# Said I can't stop #
915
00:54:16,768 --> 00:54:17,996
# And if I stop #
916
00:54:18,237 --> 00:54:21,434
# Then tell me, just what will I do? #
917
00:54:21,640 --> 00:54:23,699
# What will I do?
No, no #
918
00:54:23,909 --> 00:54:26,776
# I just can't stop loving you #
# He-he-he #
919
00:54:26,979 --> 00:54:28,606
# He-he-he #
920
00:54:28,814 --> 00:54:31,749
# I just can't stop loving you #
# He-he-he #
921
00:54:31,950 --> 00:54:33,144
# Know I do, girl #
922
00:54:33,352 --> 00:54:34,944
# And if I stop #
923
00:54:35,153 --> 00:54:38,122
# Then tell me, just what will I do? #
924
00:54:38,323 --> 00:54:40,291
# Tell me #
925
00:54:40,492 --> 00:54:45,020
# I just can't stop loving you #
926
00:54:45,230 --> 00:54:48,097
# I just can't stop loving you #
927
00:54:48,300 --> 00:54:49,790
# Hey #
928
00:54:50,002 --> 00:54:51,629
# And if I stop #
929
00:54:51,837 --> 00:54:57,776
# Then tell me, just what will I do? #
# Break down #
930
00:54:57,976 --> 00:55:00,843
# Because #
931
00:55:01,046 --> 00:55:03,037
# Because #
932
00:55:03,282 --> 00:55:07,343
# I just can't stop #
933
00:55:07,552 --> 00:55:12,489
# I just can't stop #
934
00:55:12,691 --> 00:55:15,182
# I just can't stop, baby #
935
00:55:15,394 --> 00:55:19,888
# I just can't stop, yeah #
936
00:55:20,132 --> 00:55:22,999
# I can't stop, no, baby #
937
00:55:23,201 --> 00:55:28,537
# I just can't stop, no #
938
00:55:28,774 --> 00:55:31,140
# I just can't stop, no #
939
00:55:31,343 --> 00:55:34,835
# I just can't stop #
940
00:55:35,047 --> 00:55:38,778
# I can't stop, baby #
941
00:55:38,984 --> 00:55:41,885
# I can't stop, no #
942
00:55:42,087 --> 00:55:44,715
# I can't stop, no, baby #
943
00:55:44,923 --> 00:55:46,982
# I can't stop, no #
944
00:55:47,192 --> 00:55:48,853
HILL:
# Yeah #
945
00:55:49,061 --> 00:55:52,360
# Oh, I just can't stop #
946
00:55:52,564 --> 00:55:56,830
# Oh, I just can't stop loving #
947
00:55:57,302 --> 00:56:01,295
# You ##
948
00:56:15,253 --> 00:56:19,883
Now, don't make me sing out
when I shouldn't be singing out.
949
00:56:20,092 --> 00:56:24,426
I'm warming... I'm trying to warm up
my voice for this moment.
950
00:56:24,629 --> 00:56:27,928
Why do you do this to me?
I shouldn't be singing right now.
951
00:56:28,900 --> 00:56:32,961
No. No, no.
BEARDEN: You better sing!
952
00:56:34,206 --> 00:56:36,834
I'm warming up to the moment.
953
00:56:37,042 --> 00:56:39,237
BEARDEN:
But you just can't help it, MJ.
954
00:56:39,411 --> 00:56:41,402
No, but, I shouldn't. I really shouldn't.
955
00:56:41,613 --> 00:56:43,581
BEARDEN: Yeah, but you felt it.
No, no.
956
00:56:43,749 --> 00:56:45,580
BEARDEN: But you can allow
yourself that one time.
957
00:56:45,784 --> 00:56:47,251
I can't do that.
958
00:56:47,452 --> 00:56:49,647
But you're fine to do it.
I gotta save my voice.
959
00:56:49,888 --> 00:56:53,585
That ending was just like the
smelliest ending of all the versions.
960
00:56:54,126 --> 00:56:55,957
Band, it's just this.
961
00:56:56,995 --> 00:56:59,225
This is what it is.
962
00:56:59,498 --> 00:57:02,433
[ALL CHATTERING]
963
00:57:06,104 --> 00:57:09,665
Whoo. What day is it?
What time is it?
964
00:57:09,875 --> 00:57:11,308
We're like, you know...
We're down to the wire.
965
00:57:11,476 --> 00:57:13,068
We're like halfway through
our film shoot
966
00:57:13,278 --> 00:57:14,728
...for all of our incredible...
1
00:57:14,828 --> 00:57:17,653
...new film content for This Is It.
2
00:57:17,949 --> 00:57:23,012
Today we are filming new
segments for "Thriller," 3-D.
3
00:57:23,221 --> 00:57:26,122
["THRILLER" PLAYING]
4
00:57:29,394 --> 00:57:30,588
Argh!
5
00:57:37,302 --> 00:57:39,236
Do I still have on my 3-D glasses?
Yes, you do.
6
00:57:39,404 --> 00:57:40,735
Oh, good.
7
00:57:41,139 --> 00:57:43,471
I think I look great
in these glasses.
8
00:57:44,042 --> 00:57:45,532
Do I look
as old as I feel?
9
00:57:46,144 --> 00:57:48,237
ORTEGA: Guys, please step
away if you're not in the shot.
10
00:57:48,413 --> 00:57:50,074
Photographers, everybody.
11
00:57:50,281 --> 00:57:51,976
Clear the set now for the crew.
12
00:57:52,183 --> 00:57:54,276
WOMAN: Rolling!
ORTEGA: Here we go.
13
00:57:55,119 --> 00:57:56,143
Action.
14
00:57:59,324 --> 00:58:01,121
This guy should be
getting out soon.
15
00:58:02,760 --> 00:58:04,193
PAYNE:
You guys, be aware of the camera.
16
00:58:04,362 --> 00:58:05,351
Look up to it.
17
00:58:05,563 --> 00:58:07,588
There's gonna be light on him,
Michael. There's no light on him now.
18
00:58:07,799 --> 00:58:08,857
Give the information
to him.
19
00:58:09,067 --> 00:58:11,467
ORTEGA: Gravedigger, right
into the camera. Put your...
20
00:58:11,669 --> 00:58:14,763
There it is. Right into it, right
in there. That's it, keep going.
21
00:58:14,973 --> 00:58:16,099
Right there.
ORTEGA: That's it.
22
00:58:16,441 --> 00:58:19,171
Right into the camera. Reach your
hands out in front of you, guys.
23
00:58:19,377 --> 00:58:20,708
Yeah, yeah, yeah!
That's it, beautiful!
24
00:58:20,945 --> 00:58:22,606
Whoo!
25
00:58:23,081 --> 00:58:26,016
ORTEGA: Keep coming. Yeah, right
into the lens, in the center.
26
00:58:26,184 --> 00:58:28,152
I'm in the center of the camera.
There you go.
27
00:58:28,653 --> 00:58:34,353
Now, go out. Go out. Good. And cut.
It's brilliant. Thank you, everybody.
28
00:58:41,032 --> 00:58:44,001
ORTEGA: We call these the dead
brides and the dead grooms.
29
00:58:44,369 --> 00:58:48,965
And there'll be a parade of them
moving through the aisles in "Thriller."
30
00:58:50,708 --> 00:58:52,503
[THUNDER CRASHING]
31
00:58:52,710 --> 00:58:55,736
[BATS SCREECHING]
32
00:59:01,219 --> 00:59:04,154
[VINCENT PRICE CACKLING]
33
00:59:16,000 --> 00:59:17,490
[SCREAMS]
34
00:59:19,937 --> 00:59:22,906
VINCENT PRICE [IN VOICE-OVER]:
Darkness falls across the land
35
00:59:23,641 --> 00:59:26,542
The midnight hour is close at hand
36
00:59:26,911 --> 00:59:30,074
Creatures crawl in search of blood
37
00:59:30,381 --> 00:59:33,350
To terrorize y'all's neighborhood
38
00:59:34,152 --> 00:59:36,950
And whosoever shall be found
39
00:59:37,155 --> 00:59:38,247
[HOWLING]
40
00:59:38,423 --> 00:59:40,015
Without the soul for getting down
41
00:59:40,858 --> 00:59:44,453
Must stand and face
The hounds of hell
42
00:59:44,696 --> 00:59:47,790
And rot inside a corpse's shell
43
00:59:49,567 --> 00:59:52,092
MICHAEL:
# It's close to midnight #
44
00:59:52,270 --> 00:59:55,603
# And something evil's
Lurking in the dark #
45
00:59:57,775 --> 01:00:03,372
# Under the moonlight, you see a sight
That almost stops your heart #
46
01:00:03,581 --> 01:00:05,947
# You try to scream #
47
01:00:06,184 --> 01:00:10,086
# But terror
Takes the sound before you make it #
48
01:00:11,589 --> 01:00:13,716
# You start to freeze #
49
01:00:13,925 --> 01:00:17,122
# As horror
Looks you right between the eyes #
50
01:00:17,328 --> 01:00:19,421
# You're paralyzed #
51
01:00:19,630 --> 01:00:22,064
# Cos this is thriller #
52
01:00:22,266 --> 01:00:23,893
# Thriller night #
53
01:00:24,102 --> 01:00:27,503
# And no one's gonna save you
From the beast about to strike #
54
01:00:27,739 --> 01:00:29,969
# You know it's thriller #
55
01:00:30,208 --> 01:00:32,108
# Thriller night #
56
01:00:32,310 --> 01:00:38,977
# You're fighting for your life
Inside a killer, thriller tonight #
57
01:00:45,656 --> 01:00:47,920
# You hear the door slam #
58
01:00:48,092 --> 01:00:52,654
# And realize there's nowhere
Left to run #
59
01:00:53,464 --> 01:00:59,494
# You feel the cold hand
And wonder if you'll ever see the sun #
60
01:00:59,737 --> 01:01:02,137
# You close your eyes #
61
01:01:02,306 --> 01:01:06,265
# And hope that this is
Just imagination #
62
01:01:06,477 --> 01:01:07,466
# Girl #
63
01:01:07,678 --> 01:01:08,838
# But all the while #
64
01:01:09,881 --> 01:01:13,180
# You hear a creature
Creeping up behind #
65
01:01:13,384 --> 01:01:15,352
# You're out of time #
66
01:01:15,553 --> 01:01:17,987
# Cos this is thriller #
67
01:01:18,189 --> 01:01:19,747
# Thriller night #
68
01:01:19,957 --> 01:01:24,257
# Girl, I can thrill you more
Than any ghost would ever dare try #
69
01:01:24,462 --> 01:01:26,521
# Thriller#
# Whoo-hoo! #
70
01:01:26,764 --> 01:01:27,856
# Thriller night #
71
01:01:28,065 --> 01:01:31,967
# So let me hold you tight
And share a killer, thriller #
72
01:01:32,170 --> 01:01:34,161
# Ow! #
73
01:01:53,057 --> 01:01:55,082
[SCREECHES]
74
01:02:25,923 --> 01:02:29,051
VINCENT PRICE:
The demons squeal in sheer delight
75
01:02:29,260 --> 01:02:34,027
It's you they spy, so plump, so right
76
01:02:34,232 --> 01:02:37,133
For though the groove
Is hard to beat
77
01:02:37,368 --> 01:02:40,269
Yet still you stand with frozen feet
78
01:02:40,471 --> 01:02:43,463
You try to run, you try to scream
79
01:02:44,642 --> 01:02:47,202
But no more sun you'll ever see
80
01:02:47,411 --> 01:02:50,107
For evil reaches from the crypt
81
01:02:50,348 --> 01:02:53,408
To crush you in its icy grip
82
01:02:53,618 --> 01:02:56,052
# Cos this is thriller #
83
01:02:56,254 --> 01:02:57,778
# Thriller night #
84
01:02:57,989 --> 01:03:01,982
# Cos I can thrill you more
Than any ghost would ever dare try #
85
01:03:02,226 --> 01:03:04,558
# Thriller #
# Whoo-hoo! #
86
01:03:04,762 --> 01:03:05,854
# Thriller night #
87
01:03:06,063 --> 01:03:09,794
# So let me hold you tight
And share a killer, thriller #
88
01:03:10,001 --> 01:03:12,469
# Ow! Ow! ##
89
01:03:13,971 --> 01:03:17,236
[BAND PLAYING SOFT MUSIC]
90
01:03:39,130 --> 01:03:42,429
[BAND PLAYING ROCK MUSIC]
91
01:04:19,136 --> 01:04:22,037
[VINCENT PRICE CACKLING
OVER SPEAKERS]
92
01:04:27,478 --> 01:04:30,208
ORTEGA: Make sure that there's
somebody waiting for Michael there
93
01:04:30,448 --> 01:04:33,150
with a flashlight
and everything. Great.
94
01:04:39,223 --> 01:04:40,986
MAN 1:
Whoo!
95
01:04:42,360 --> 01:04:44,055
MAN 2:
Yeah!
96
01:04:45,730 --> 01:04:50,497
Now, you know,
could we do that times 10?
97
01:04:51,002 --> 01:04:52,094
Absolutely!
98
01:04:52,336 --> 01:04:53,496
[PEOPLE LAUGHING]
99
01:04:53,671 --> 01:04:57,698
Okay, so next is the fire screen. We're
gonna show you some chase sequences.
100
01:05:05,616 --> 01:05:08,414
[PEOPLE CHEERING]
101
01:05:14,291 --> 01:05:16,589
Rock 'n' roll!
102
01:05:17,928 --> 01:05:20,089
["WHO IS IT" PLAYING]
103
01:05:31,742 --> 01:05:36,805
Today was all about testing the
chandelier and bed props for the show
104
01:05:37,014 --> 01:05:39,881
with our aerialists
and pole-dancing experts.
105
01:05:40,084 --> 01:05:42,382
It's all about
checking dimension
106
01:05:42,586 --> 01:05:44,554
and widths and pipe
and how things work together.
107
01:05:44,755 --> 01:05:46,450
COTTEN:
Building props with people on it
108
01:05:46,657 --> 01:05:48,887
is a big responsibility
and a lot of fun
109
01:05:49,093 --> 01:05:52,790
because we have to design things
around the human body.
110
01:05:55,466 --> 01:05:58,299
This is the first time in the history
that we've worked with Michael,
111
01:05:58,536 --> 01:06:02,472
for the past 25 years, that we
are including lighted elements
112
01:06:02,673 --> 01:06:04,163
in his "Billie Jean" costume.
113
01:06:04,408 --> 01:06:06,933
The cut of the stones,
the refraction of the light
114
01:06:07,144 --> 01:06:10,580
as we're applying them, you almost need sunglasses,
just the reflection if you're trying to get them on.
115
01:06:10,781 --> 01:06:12,476
We're bringing things
into his performance
116
01:06:12,683 --> 01:06:16,619
where they haven't been developed at all.
And it's just being developed for Michael.
117
01:06:16,821 --> 01:06:18,914
I'm working with scientists
in the Netherlands,
118
01:06:19,123 --> 01:06:21,648
I'm working with people in California,
I'm working with Swarovski.
119
01:06:21,859 --> 01:06:25,761
Always trying to push the boundaries, you
know, because that's what Michael's about.
120
01:06:27,865 --> 01:06:30,925
ORTEGA:
Now, is this working this evening?
121
01:06:31,135 --> 01:06:34,263
Without running the number, I would
just like it, if Michael would like to,
122
01:06:34,472 --> 01:06:37,999
just to give him a little ride so that
he feels his new cherry picker out.
123
01:06:38,209 --> 01:06:39,699
From the top of "Beat It."
124
01:06:39,944 --> 01:06:41,673
ORTEGA: Uh, you wanna
do it with music already?
125
01:06:41,879 --> 01:06:42,937
Yeah.
126
01:06:43,147 --> 01:06:45,172
ORTEGA:
Can I just give you a ride first?
127
01:06:45,382 --> 01:06:46,713
Sure. If you want.
ORTEGA: Okay.
128
01:06:46,951 --> 01:06:48,714
ORTEGA: Yeah. Just for
safety. Thank you, sir.
129
01:06:48,886 --> 01:06:50,285
Thank you, Michael.
130
01:06:50,488 --> 01:06:53,013
Sure. Sure.
BEARDEN: Daredevil MJ.
131
01:06:53,224 --> 01:06:55,124
I trust in you.
ORTEGA: Thank you.
132
01:06:55,326 --> 01:06:56,350
[BEARDEN CHUCKLES]
133
01:06:56,594 --> 01:06:58,528
ORTEGA:
Just for safety. Thank you.
134
01:06:58,729 --> 01:07:00,822
BEARDEN:
Stand by, guys.
135
01:07:02,666 --> 01:07:04,725
ORTEGA:
You've been there before.
136
01:07:04,969 --> 01:07:06,231
Whee.
137
01:07:06,470 --> 01:07:09,337
ORTEGA:
MJ, this is just at mid-height.
138
01:07:09,540 --> 01:07:12,304
It goes much higher than this.
139
01:07:12,510 --> 01:07:14,671
This is the low height.
140
01:07:14,879 --> 01:07:16,813
MICHAEL: Why would you say
that to me? You know better.
141
01:07:16,981 --> 01:07:18,175
[ORTEGA LAUGHING]
142
01:07:18,382 --> 01:07:20,247
BEARDEN:
See, why did you say that to him?
143
01:07:20,484 --> 01:07:22,384
MICHAEL:
He's teasing me. That's why.
144
01:07:22,620 --> 01:07:23,746
He know I wants to go higher.
145
01:07:23,988 --> 01:07:25,114
[MICHAEL & ORTEGA LAUGHING]
146
01:07:25,322 --> 01:07:27,347
God bless you, Kenny.
147
01:07:27,525 --> 01:07:28,856
Hi.
148
01:07:29,059 --> 01:07:32,426
ORTEGA: Yeah, yeah.
Are the fans working on this?
149
01:07:32,663 --> 01:07:33,925
MICHAEL:
It's great.
150
01:07:34,165 --> 01:07:35,723
ORTEGA:
Michael, please hold on.
151
01:07:35,933 --> 01:07:38,663
Thank you.
It's very nice.
152
01:07:38,869 --> 01:07:40,894
ORTEGA: Yeah? Is it smooth?
Yeah.
153
01:07:41,138 --> 01:07:45,438
ORTEGA: Great. This is monumental,
Michael's back on the cherry picker.
154
01:07:45,643 --> 01:07:47,634
Yeah.
Thank you.
155
01:07:47,845 --> 01:07:49,540
ORTEGA:
We love you, Michael.
156
01:07:49,713 --> 01:07:51,578
Love you too.
157
01:07:51,782 --> 01:07:53,875
[BAND PLAYING "BEAT IT"]
158
01:07:54,084 --> 01:07:55,745
# Ho! #
159
01:07:55,953 --> 01:07:57,215
# Ho! #
160
01:07:57,421 --> 01:07:59,013
# Ho! #
161
01:07:59,223 --> 01:08:00,554
# Ho! #
162
01:08:00,758 --> 01:08:02,225
# Oh! #
# Oh! #
163
01:08:02,426 --> 01:08:04,223
# Ho! #
# Ho! #
164
01:08:04,428 --> 01:08:06,794
# Ow! #
165
01:08:18,275 --> 01:08:21,267
# They told him
Don't you ever come around here #
166
01:08:21,478 --> 01:08:24,470
# Don't wanna see your face
You better disappear #
167
01:08:24,715 --> 01:08:28,048
# The fire's in their eyes
And their words are really clear #
168
01:08:28,252 --> 01:08:29,742
# So beat it #
169
01:08:29,954 --> 01:08:31,945
# Just beat it #
# Huh! #
170
01:08:32,189 --> 01:08:35,181
# You better run
You better do what you can #
171
01:08:35,392 --> 01:08:38,759
# Don't wanna see no blood
Don't be a macho man #
172
01:08:38,963 --> 01:08:41,932
# You wanna be tough
Better do what you can #
173
01:08:42,132 --> 01:08:43,690
# So beat it #
174
01:08:43,901 --> 01:08:45,459
# But you wanna be bad #
175
01:08:45,703 --> 01:08:47,728
# Just beat it #
# Beat it #
176
01:08:47,938 --> 01:08:49,200
# Beat it #
# Beat it #
177
01:08:49,406 --> 01:08:52,603
# No one wants to be defeated #
178
01:08:52,810 --> 01:08:56,143
# Showin' how funky
And strong is your fight #
179
01:08:56,347 --> 01:08:59,441
# It doesn't matter
Who's wrong or right #
180
01:08:59,650 --> 01:09:01,618
# Just beat it #
# Beat it #
181
01:09:01,819 --> 01:09:03,309
# Beat it #
# Beat it #
182
01:09:03,487 --> 01:09:04,920
# Just beat it #
# Beat it #
183
01:09:05,089 --> 01:09:06,147
# Beat it #
# Beat it #
184
01:09:06,323 --> 01:09:07,756
# Whoo! #
185
01:09:09,660 --> 01:09:11,491
# Beat it, beat it #
186
01:09:16,100 --> 01:09:18,660
# Beat it, beat it, beat it #
187
01:09:19,737 --> 01:09:21,102
# Beat it #
188
01:10:02,813 --> 01:10:04,303
# Beat it #
# Beat it #
189
01:10:04,515 --> 01:10:05,914
# Beat it #
# Beat it #
190
01:10:06,150 --> 01:10:09,051
# No one wants to be defeated #
191
01:10:09,286 --> 01:10:12,847
# Showin' how funky
And strong is your fight #
192
01:10:13,057 --> 01:10:16,026
# It doesn't matter
Who's wrong or right #
193
01:10:16,226 --> 01:10:18,194
# Just beat it #
# Beat it #
194
01:10:18,395 --> 01:10:19,919
# Beat it #
# Beat it #
195
01:10:20,164 --> 01:10:23,065
# No one wants to be defeated #
196
01:10:23,300 --> 01:10:26,827
# Showin' how funky
And strong is your fight #
197
01:10:27,037 --> 01:10:30,905
# It doesn't matter
Who's wrong or right #
198
01:10:33,944 --> 01:10:35,809
# Ho! #
199
01:10:36,013 --> 01:10:37,412
# Ho! #
200
01:10:37,614 --> 01:10:39,343
MICHAEL:
# Ho! #
201
01:10:39,550 --> 01:10:41,518
# Ho! #
202
01:11:09,279 --> 01:11:10,541
# Beat it #
# Beat it #
203
01:11:10,714 --> 01:11:12,079
# Beat it #
# Beat it #
204
01:11:12,249 --> 01:11:15,412
# No one wants to be defeated #
205
01:11:15,619 --> 01:11:18,782
# Showin' how funky
And strong is your fight #
206
01:11:18,989 --> 01:11:22,117
# It doesn't matter
Who's wrong or right #
207
01:11:22,359 --> 01:11:24,418
# Just beat it #
# Beat it #
208
01:11:24,628 --> 01:11:26,061
# Beat it #
# Beat it #
209
01:11:26,263 --> 01:11:29,289
# No one wants to be defeated #
210
01:11:29,500 --> 01:11:32,936
# Showin' how funky
And strong is your fight #
211
01:11:33,137 --> 01:11:36,231
# It doesn't matter
Who's wrong or right #
212
01:11:36,440 --> 01:11:37,634
# Just #
213
01:11:37,875 --> 01:11:40,173
# Beat it
Beat it #
214
01:11:40,411 --> 01:11:43,380
# No one wants to be defeated #
215
01:11:43,580 --> 01:11:46,811
# Showin' how funky
And strong is your fight #
216
01:11:47,017 --> 01:11:49,952
# It doesn't matter
Who's wrong or right #
217
01:11:50,154 --> 01:11:51,587
# Just #
218
01:11:51,789 --> 01:11:53,984
# Beat it
Beat it #
219
01:11:54,191 --> 01:11:57,319
# No one wants to be defeated #
220
01:11:57,528 --> 01:12:00,793
# Showin' how funky
And strong is your fight #
221
01:12:00,998 --> 01:12:04,661
# It doesn't matter
Who's wrong or right ##
222
01:12:04,835 --> 01:12:05,927
[MUSIC STOPS]
223
01:12:09,640 --> 01:12:10,766
[MUSIC PLAYING]
224
01:12:44,241 --> 01:12:45,333
[MICHAEL SINGS]
225
01:12:45,542 --> 01:12:48,477
BEARDEN: Okay, that's where
you want it? When we come up...
226
01:12:48,712 --> 01:12:50,077
What we're doing is...
227
01:12:50,314 --> 01:12:51,941
We're doing it for the height.
228
01:12:52,749 --> 01:12:54,341
I'm gonna take off the jacket
229
01:12:54,551 --> 01:12:58,043
and kick it, and beat it, and beat it
and we're gonna burn it.
230
01:12:58,722 --> 01:13:01,054
The jacket's gonna be too hot.
It's gonna be on fire.
231
01:13:01,225 --> 01:13:02,658
BEARDEN: I just wanted to
know when that last one was.
232
01:13:02,826 --> 01:13:05,659
That's the one, I was pointing to it.
233
01:13:08,165 --> 01:13:10,099
I was pointing that to you.
234
01:13:11,368 --> 01:13:14,201
BEARDEN: I got you.
You don't have to do it again.
235
01:13:15,038 --> 01:13:16,369
We can. Do it again.
236
01:13:16,573 --> 01:13:18,768
BEARDEN: Here it is right
here, just do me the last one.
237
01:13:19,176 --> 01:13:21,110
Come on the one before it.
238
01:13:21,278 --> 01:13:23,075
BEARDEN:
Let's go on to C. One before.
239
01:13:24,581 --> 01:13:26,674
MAN:
Whoo!
240
01:13:27,918 --> 01:13:30,478
[MUSIC PLAYING]
241
01:14:10,060 --> 01:14:12,756
And let it burn, and the lights out!
242
01:14:13,130 --> 01:14:14,597
ORTEGA:
Lights out.
243
01:14:14,798 --> 01:14:16,959
MICHAEL:
Lights out! Let it burn!
244
01:14:17,134 --> 01:14:19,261
ORTEGA:
We're on a 10-minute break.
245
01:14:20,671 --> 01:14:22,901
PANAGARIS: I'm just so happy.
This is a dream come true.
246
01:14:23,106 --> 01:14:26,542
When MJ comes in the room
to rehearse with us, he, um...
247
01:14:26,743 --> 01:14:31,476
It's just... His presence is just amazing.
It's pretty, pretty cool. Really, really cool.
248
01:14:31,682 --> 01:14:33,946
[IMITATES GUITAR PLAYING
"BLACK OR WHITE"]
249
01:14:34,151 --> 01:14:35,675
[LAUGHING]
250
01:14:35,919 --> 01:14:37,443
Thank you.
251
01:14:37,654 --> 01:14:42,990
Michael is the epitome of one of
the great entertainers of our time.
252
01:14:43,193 --> 01:14:46,458
Performing with Michael
has just been a thrill.
253
01:14:46,663 --> 01:14:50,497
You know, I've been, like, a Michael
Jackson fan since he was 8 years old.
254
01:14:50,701 --> 01:14:54,000
It's like a lifelong dream for me
to actually work with Michael.
255
01:14:54,204 --> 01:14:56,764
I've worked with
a lot of great, great artists,
256
01:14:56,974 --> 01:14:59,306
but, you know, I consider this,
like, really a pinnacle.
257
01:14:59,509 --> 01:15:01,101
Michael's a perfectionist.
258
01:15:01,311 --> 01:15:04,838
And you don't really find that in
pop musicians. You can't fool Michael.
259
01:15:05,082 --> 01:15:06,845
You have to come in
knowing the record.
260
01:15:07,084 --> 01:15:11,214
And then, hopefully, finding a middle ground
to embellish it to make it even better.
261
01:15:11,455 --> 01:15:13,821
He's just an icon of performance.
262
01:15:14,024 --> 01:15:18,222
His talent runs so deep in creativity.
And he draws from a deeper emotion
263
01:15:18,462 --> 01:15:20,794
than anybody else
I've ever seen or worked with.
264
01:15:21,498 --> 01:15:23,489
Right here, right here, right here.
265
01:15:23,700 --> 01:15:27,136
Okay, no second verse.
Sorry. Okay, sorry, sorry.
266
01:15:27,871 --> 01:15:31,238
That was a mistake, there is no second
verse. Sorry about that, you guys.
267
01:15:31,475 --> 01:15:34,672
First verse, oooh, then right
to the bridge, okay?
268
01:15:34,878 --> 01:15:37,039
Let's do it one more time.
BEARDEN: Sure.
269
01:15:37,214 --> 01:15:38,806
Wanna go down then come back up?
One more time.
270
01:15:38,982 --> 01:15:41,314
Yeah. This is why
we have rehearsal.
271
01:15:41,485 --> 01:15:42,747
BEARDEN:
There you go.
272
01:15:48,158 --> 01:15:52,060
[BAND PLAYING
"BLACK OR WHITE"]
273
01:16:04,675 --> 01:16:08,270
# I took my baby
On a Saturday bang #
274
01:16:08,512 --> 01:16:09,945
# Boy, is that girl with you? #
275
01:16:10,180 --> 01:16:12,080
# Yes, we're one and the same #
276
01:16:12,282 --> 01:16:14,079
# Now I believe in miracles #
277
01:16:14,284 --> 01:16:17,651
# And a miracle
Has happened tonight #
278
01:16:17,854 --> 01:16:19,754
# Ooh #
279
01:16:20,757 --> 01:16:22,520
# But if you're thinkin'
About my baby #
280
01:16:22,726 --> 01:16:26,184
# It don't matter
If you're black or white #
281
01:16:37,607 --> 01:16:39,666
So we'll run this way.
282
01:16:40,944 --> 01:16:42,707
# I am tired of this devil #
283
01:16:42,913 --> 01:16:44,904
# I am tired of this stuff #
284
01:16:45,115 --> 01:16:46,742
# I am tired of this business #
285
01:16:46,950 --> 01:16:48,975
# So when the going gets rough #
286
01:16:49,219 --> 01:16:50,948
# I ain't scared of your brother #
287
01:16:51,188 --> 01:16:53,122
# I ain't scared of no sheets #
288
01:16:53,323 --> 01:16:55,086
# I ain't scared of nobody #
289
01:16:55,292 --> 01:16:57,453
# Girl, when the goin' gets mean #
290
01:16:59,329 --> 01:17:01,456
# Protection
For gangs, clubs, and nations #
291
01:17:01,698 --> 01:17:03,256
# Causing grief in human relations #
292
01:17:03,467 --> 01:17:05,196
# It's a turf war on a global scale #
293
01:17:05,402 --> 01:17:06,994
# I'd rather hear
Both sides of the tale #
294
01:17:07,237 --> 01:17:09,068
# See, it's not about races
Just places #
295
01:17:09,272 --> 01:17:10,261
# Faces #
296
01:17:10,474 --> 01:17:12,237
# Where your blood comes from
Is where your space is #
297
01:17:12,409 --> 01:17:13,467
# I've seen the sharp get duller #
298
01:17:13,643 --> 01:17:15,838
# I'm not gonna spend my life
Being a color #
299
01:17:16,079 --> 01:17:17,341
# Did you agree with me #
300
01:17:17,581 --> 01:17:20,948
# When I saw you
Kicking dirt in my eye? #
301
01:17:22,486 --> 01:17:25,148
# But if you're thinkin'
About my baby #
302
01:17:25,355 --> 01:17:28,722
# It don't matter
If you're black or white #
303
01:17:30,961 --> 01:17:33,225
# I said if you're thinkin'
About my baby #
304
01:17:33,430 --> 01:17:36,763
# It don't matter
If you're black or white #
305
01:17:40,170 --> 01:17:44,630
# If you're thinkin' of being my brother
It don't matter if you're black or white #
306
01:17:44,841 --> 01:17:46,331
# Hoo! #
307
01:17:47,778 --> 01:17:49,678
# All right #
308
01:17:51,448 --> 01:17:53,439
# Ooh-hoo #
309
01:17:53,984 --> 01:17:55,042
# All right #
310
01:17:55,285 --> 01:17:56,809
# Yeah, yeah, yeah #
311
01:17:57,020 --> 01:17:59,011
# All right #
312
01:18:00,257 --> 01:18:02,282
# It's black, it's white #
313
01:18:02,492 --> 01:18:04,357
# It's tough for them to get by #
314
01:18:04,561 --> 01:18:07,462
# It's black, it's white, whoo #
315
01:18:08,298 --> 01:18:10,061
# It's black, it's white #
316
01:18:10,300 --> 01:18:12,393
# It's tough for them to get by #
317
01:18:12,636 --> 01:18:16,333
# It's black, it's white, whoo ##
318
01:18:32,055 --> 01:18:35,821
When they stop, you have to just
keep... Just hit your highest note.
319
01:18:36,026 --> 01:18:37,789
[SINGS]
320
01:18:38,061 --> 01:18:39,323
It's time for you to shine.
321
01:18:43,200 --> 01:18:45,691
And hit a high, long one.
322
01:18:45,869 --> 01:18:47,029
[SINGS]
323
01:18:47,204 --> 01:18:48,865
I mean, way up there.
324
01:18:49,806 --> 01:18:51,603
It's your time to shine.
325
01:18:52,342 --> 01:18:54,367
We'll be right there with you.
326
01:18:57,214 --> 01:19:00,407
[SINGS]
327
01:19:05,622 --> 01:19:09,956
It's remarkable, it's some genius stuff
going on over here, man.
328
01:19:11,528 --> 01:19:13,052
He is the king.
329
01:19:13,363 --> 01:19:15,854
And he's a good guy too.
He's real humble.
330
01:19:16,066 --> 01:19:17,931
You know.
And he knows his music.
331
01:19:18,134 --> 01:19:21,763
What more can you ask for? Because
I'm searching for that flavor too.
332
01:20:24,200 --> 01:20:27,601
[PEOPLE CHEERING
AND APPLAUDING]
333
01:20:32,442 --> 01:20:35,140
["EARTH SONG" PLAYING]
334
01:20:42,285 --> 01:20:45,618
Look at that.
I think it's beautiful.
335
01:20:46,122 --> 01:20:47,817
Show him
the second one.
336
01:20:48,024 --> 01:20:50,458
It'll come rolling out at us, right?
Yes.
337
01:20:50,660 --> 01:20:53,151
And all golden. Look at this one.
It'll be floating so much.
338
01:20:53,363 --> 01:20:54,694
I love her. I love the light.
339
01:20:54,931 --> 01:20:57,331
God, and the lighting's great.
ORTEGA: Yeah. You got it.
340
01:20:57,534 --> 01:20:59,968
["EARTH SONG" PLAYING]
341
01:21:06,710 --> 01:21:09,736
MICHAEL [ON RECORDING]: I respect
the secrets and magic of nature.
342
01:21:10,013 --> 01:21:14,211
That's why it makes me so angry when
I see these things that are happening,
343
01:21:14,451 --> 01:21:18,979
that every second, I hear, the size of a
football field is torn down in the Amazon.
344
01:21:19,189 --> 01:21:21,589
I mean, that kind of stuff
really bothers me.
345
01:21:21,825 --> 01:21:24,350
That's why I write these
kinds of songs, you know.
346
01:21:24,561 --> 01:21:28,463
It gives some sense of awareness
and awakening and hope to people.
347
01:21:28,898 --> 01:21:31,059
I love the planet.
348
01:21:31,267 --> 01:21:36,398
I love trees. I have this thing for trees
and the colors and changing of leaves.
349
01:21:36,606 --> 01:21:40,736
I love it.
And I respect those kind of things.
350
01:22:30,760 --> 01:22:33,957
# What about sunrise? #
351
01:22:34,164 --> 01:22:37,531
# What about rain? #
352
01:22:37,734 --> 01:22:43,297
# What about all the things
That you said we were to gain? #
353
01:22:44,541 --> 01:22:47,840
# What about flowering fields? #
354
01:22:48,078 --> 01:22:51,172
# Is there a time? #
355
01:22:51,414 --> 01:22:56,943
# What about all the things
That you said was yours and mine? #
356
01:22:57,153 --> 01:23:00,350
# Did you ever stop to notice #
357
01:23:00,590 --> 01:23:03,753
# All the blood we've shed before? #
358
01:23:03,960 --> 01:23:06,861
# Did you ever stop to notice #
359
01:23:07,097 --> 01:23:10,328
# This crying Earth
This weeping shore? #
360
01:23:10,567 --> 01:23:17,439
# A-aha-ah-ah-ah-ah-ahh aah aah #
361
01:23:17,640 --> 01:23:23,772
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
362
01:23:23,980 --> 01:23:30,476
# A-aha-ah-ah-ah-ah-ahh aah aah #
363
01:23:30,687 --> 01:23:37,718
# Ooh-hoo-oo-oo-oo-ooh ooh #
364
01:23:39,229 --> 01:23:42,528
# What have we done
To the world? #
365
01:23:42,732 --> 01:23:45,860
# Look what we've done #
366
01:23:46,102 --> 01:23:52,905
# What about all the peace
That you pledge your only son? #
367
01:23:53,143 --> 01:23:56,374
# What about flowering fields? #
368
01:23:56,613 --> 01:23:59,810
# Is there a time? #
369
01:24:00,016 --> 01:24:05,352
# What about all the dreams
That you said was yours and mine? #
370
01:24:05,555 --> 01:24:08,820
# Did you ever
Stop to notice #
371
01:24:09,025 --> 01:24:11,994
# All the children
Dead from war? #
372
01:24:12,195 --> 01:24:15,323
# Did you ever stop to notice #
373
01:24:15,532 --> 01:24:18,695
# This crying Earth
This weeping shore? #
374
01:24:18,902 --> 01:24:24,772
# A-aha-ah-ah-ah-ah-ahh aah #
375
01:24:25,775 --> 01:24:32,271
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
376
01:24:32,515 --> 01:24:39,182
# A-aha-ah-ah-ah-ah-ahh aah #
377
01:24:39,389 --> 01:24:46,727
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
378
01:24:47,063 --> 01:24:49,588
# I used to dream #
379
01:24:49,799 --> 01:24:53,667
# I used to glance beyond the stars #
380
01:24:53,870 --> 01:24:56,532
# Now I don't know where we are #
381
01:24:56,739 --> 01:24:58,764
# Although I know #
382
01:24:59,909 --> 01:25:06,712
# A-aha-ah-ah-ah-ah-ahh aah #
383
01:25:06,916 --> 01:25:13,583
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
384
01:25:13,790 --> 01:25:20,286
# A-aha-ah-ah-ah-ah-ahh aah #
385
01:25:20,496 --> 01:25:27,060
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
386
01:25:27,270 --> 01:25:33,732
# A-aha-ah-ah-ah-ah-ahh aah #
387
01:25:33,943 --> 01:25:40,815
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
388
01:25:41,017 --> 01:25:47,616
# A-aha-ah-ah-ah-ah-ahh aah #
389
01:25:47,824 --> 01:25:53,990
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
390
01:25:54,230 --> 01:25:56,027
# Hey #
391
01:25:56,266 --> 01:25:58,097
# What about yesterday? #
392
01:25:58,301 --> 01:25:59,529
CHORUS:
# What about us? #
393
01:25:59,769 --> 01:26:01,430
# What about those lions? #
394
01:26:01,638 --> 01:26:03,003
# What about us? #
395
01:26:03,239 --> 01:26:04,763
# What about yesterday? #
396
01:26:04,974 --> 01:26:06,100
# What about us? #
397
01:26:06,309 --> 01:26:08,300
# What about those lions? #
398
01:26:08,511 --> 01:26:09,637
# What about us? #
399
01:26:09,846 --> 01:26:11,871
# What about everything? #
400
01:26:12,115 --> 01:26:13,377
# What about us? #
401
01:26:13,616 --> 01:26:15,277
# I can't even breathe #
402
01:26:15,485 --> 01:26:16,645
# What about us? #
403
01:26:16,853 --> 01:26:20,254
# What about everything? #
404
01:26:20,456 --> 01:26:22,117
# What about death? #
405
01:26:22,325 --> 01:26:23,656
# What about us? #
406
01:26:23,860 --> 01:26:25,452
# What about everything? #
407
01:26:25,662 --> 01:26:26,754
# What about us? #
408
01:26:26,963 --> 01:26:28,897
# Deep within our skin #
409
01:26:29,132 --> 01:26:30,326
# What about us? #
410
01:26:30,500 --> 01:26:32,331
# What about you and me? #
411
01:26:32,502 --> 01:26:33,491
# What about us? #
412
01:26:33,703 --> 01:26:35,637
# What about my fear? #
413
01:26:35,838 --> 01:26:37,203
# What about us? #
414
01:26:37,407 --> 01:26:39,068
# What about everything? #
415
01:26:39,309 --> 01:26:40,537
# What about us? #
416
01:26:40,777 --> 01:26:42,404
# I can hear them sigh #
417
01:26:42,645 --> 01:26:43,873
# What about us? #
418
01:26:44,080 --> 01:26:47,413
# What about everything? #
419
01:26:47,650 --> 01:26:49,311
# What about the man? #
420
01:26:49,519 --> 01:26:50,986
# What about us? #
421
01:26:51,187 --> 01:26:52,711
# What about everything? #
422
01:26:52,922 --> 01:26:54,355
# What about us? #
423
01:26:54,557 --> 01:26:56,422
# What about the man? #
424
01:26:56,659 --> 01:26:57,648
# What about us? #
425
01:26:57,860 --> 01:26:59,725
# What about everything? #
426
01:26:59,929 --> 01:27:01,328
# What about us? #
427
01:27:01,531 --> 01:27:02,896
# Deep within our skin #
428
01:27:03,099 --> 01:27:04,498
# What about us? #
429
01:27:04,701 --> 01:27:06,362
# What about all the trees? #
430
01:27:06,569 --> 01:27:07,900
# What about us? #
431
01:27:08,104 --> 01:27:09,833
# What about the dream? #
432
01:27:10,039 --> 01:27:11,097
# What about us? #
433
01:27:11,341 --> 01:27:14,333
# What about everything? #
434
01:27:14,944 --> 01:27:17,742
# What about death? #
435
01:27:17,947 --> 01:27:23,749
# Aaah #
436
01:27:23,953 --> 01:27:30,756
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
437
01:27:30,960 --> 01:27:36,626
# A-aha-ah-ah-ah-ah-ahh aah aah #
438
01:27:37,233 --> 01:27:45,140
# Ooh-hoo-oo-oo-oo-ooh ooh ooh ##
439
01:28:06,562 --> 01:28:08,655
The value would be greater,
440
01:28:08,898 --> 01:28:10,866
you let it rumble,
441
01:28:11,067 --> 01:28:14,434
let it stay open,
let it close in silence.
442
01:28:17,640 --> 01:28:20,370
And when that door opens,
you start that piano.
443
01:28:20,576 --> 01:28:21,941
# Da-da da-da-da ##
444
01:28:22,145 --> 01:28:24,238
[PIANO PLAYING "EARTH SONG"]
445
01:28:26,582 --> 01:28:28,015
God bless you.
446
01:28:28,251 --> 01:28:30,776
MICHAEL [ON RECORDING]: I really
feel that nature is trying so hard
447
01:28:30,987 --> 01:28:35,321
to compensate for man's
mismanagement of the planet.
448
01:28:35,525 --> 01:28:38,983
Because the planet is sick.
Like a fever.
449
01:28:39,195 --> 01:28:42,392
If we don't fix it now,
it's at the point of no return.
450
01:28:42,598 --> 01:28:46,090
This is our last chance
to fix this problem that we have,
451
01:28:46,335 --> 01:28:48,496
where it's like a runaway train
452
01:28:48,704 --> 01:28:50,968
and the time has come.
This is it.
453
01:28:51,174 --> 01:28:53,142
I love you.
454
01:28:53,342 --> 01:28:56,607
That'll be the ending
of this under the words.
455
01:28:56,813 --> 01:28:59,304
# Oooh ##
456
01:29:00,450 --> 01:29:04,011
MICHAEL [ON RECORDING]: People are always saying,
"They'll take care of it. The government'll...
457
01:29:04,220 --> 01:29:08,623
Don't worry. They'll..."
"They" who? It starts with us. It's us.
458
01:29:08,825 --> 01:29:11,225
Or else it'll never be done.
459
01:29:15,131 --> 01:29:17,827
Guys, can I have
the lighting crew?
460
01:29:18,034 --> 01:29:20,059
Travis?
MAN: Yeah!
461
01:29:20,503 --> 01:29:23,063
First of all, Michael will be
coming on from offstage,
462
01:29:23,306 --> 01:29:25,433
and he's got, like,
an attach� case.
463
01:29:25,641 --> 01:29:28,804
And right here, Michael,
you call it here.
464
01:29:29,879 --> 01:29:33,315
So now it comes here. So it's a
light that is moving on his command.
465
01:29:33,516 --> 01:29:36,144
Absolutely.
Right? Then when he moves forward,
466
01:29:36,352 --> 01:29:37,819
he's in that light.
467
01:29:37,987 --> 01:29:39,386
Yeah.
He's in that light.
468
01:29:39,589 --> 01:29:42,581
But I wanna be able to step
into the pool once I'm fully dressed.
469
01:29:42,825 --> 01:29:46,158
So that... So after he does this...
Why don't you do this, Michael?
470
01:29:46,362 --> 01:29:48,728
After you go like this
and you send that down,
471
01:29:48,965 --> 01:29:51,263
a gesture and a pool of light
comes on.
472
01:29:51,501 --> 01:29:53,867
Now a pool of light comes on
down here,
473
01:29:54,036 --> 01:29:56,766
wherever his light is,
MAN: Mm-hm. Yeah.
474
01:29:57,006 --> 01:30:02,569
And the pool of light comes on and
now he'll walk into it, center stage.
475
01:30:04,847 --> 01:30:06,405
And now he'll start.
476
01:30:06,616 --> 01:30:08,277
["BILLIE JEAN" PLAYING]
477
01:30:35,144 --> 01:30:37,442
# She was more
Like a beauty queen #
478
01:30:37,647 --> 01:30:39,444
# From a movie scene #
479
01:30:39,649 --> 01:30:41,708
# I said don't mind
But what do you mean #
480
01:30:41,918 --> 01:30:44,512
# I am the one #
481
01:30:44,720 --> 01:30:48,781
# Who will dance on the floor
In the round? #
482
01:30:49,759 --> 01:30:52,660
# She said I am the one #
483
01:30:52,895 --> 01:30:56,797
# Who will dance on the floor
In the round #
484
01:31:00,036 --> 01:31:02,334
# She told me her name
Was Billie Jean #
485
01:31:02,572 --> 01:31:04,403
# As she caused a scene #
486
01:31:04,607 --> 01:31:09,306
# Then every head turned with eyes
That dreamed of being the one #
487
01:31:09,545 --> 01:31:13,538
# Who will dance on the floor
In the round #
488
01:31:16,252 --> 01:31:17,844
# People always told me #
489
01:31:18,087 --> 01:31:19,918
# Be careful of what you do #
490
01:31:20,122 --> 01:31:22,852
# And don't go around
Breaking young girls' hearts #
491
01:31:23,092 --> 01:31:24,252
# Hee #
492
01:31:24,460 --> 01:31:26,428
# And Mother always told me #
493
01:31:26,629 --> 01:31:28,096
# Be careful who you love #
494
01:31:28,297 --> 01:31:30,925
# And be careful of what you do #
495
01:31:31,634 --> 01:31:32,862
# Hey, hey, yeah #
496
01:31:33,102 --> 01:31:36,833
# Billie Jean is not my lover #
497
01:31:37,073 --> 01:31:42,670
# She's just a girl
Who says that I am the one #
498
01:31:42,878 --> 01:31:45,847
# But the kid is not my son #
499
01:31:46,082 --> 01:31:47,515
# Whoo #
500
01:31:47,717 --> 01:31:50,618
# She says I am the one #
501
01:31:50,820 --> 01:31:54,847
# But the kid is not my son #
502
01:32:02,198 --> 01:32:07,397
# She was...
Moving on and on all the time #
503
01:32:07,637 --> 01:32:10,800
# Cos we danced on the floor
In the round #
504
01:32:12,608 --> 01:32:15,099
# So take my strong advice #
505
01:32:15,311 --> 01:32:19,907
# Just remember
To always think twice #
506
01:32:20,883 --> 01:32:22,544
# Do think twice #
# Whoo! #
507
01:32:22,752 --> 01:32:25,118
# She told my baby
We'd danced till 3 #
508
01:32:25,321 --> 01:32:26,686
# Then she looked at me #
509
01:32:26,889 --> 01:32:29,221
# Then showed a photo
My baby cried #
510
01:32:29,425 --> 01:32:31,518
# His eyes were like mine #
511
01:32:32,261 --> 01:32:36,220
# Gonna dance on the floor
In the round #
512
01:32:39,001 --> 01:32:40,662
# People always told me #
513
01:32:40,870 --> 01:32:42,667
# Be careful what you do #
514
01:32:42,872 --> 01:32:46,137
# And don't go around
Breaking young girls' hearts #
515
01:32:47,143 --> 01:32:48,872
# She came
And stood right by me #
516
01:32:49,078 --> 01:32:51,046
# Then the smell
Of sweet perfume #
517
01:32:51,247 --> 01:32:53,545
# This happened
Much too soon #
518
01:32:54,884 --> 01:32:55,942
# Hey, hey, yeah #
519
01:32:56,185 --> 01:32:59,643
# Billie Jean is not my lover #
520
01:32:59,855 --> 01:33:01,345
# She's just a girl #
521
01:33:01,524 --> 01:33:04,721
# Who claims that I am the one #
522
01:33:04,927 --> 01:33:08,522
# But the kid is not my son #
523
01:33:08,731 --> 01:33:10,460
# He ain't that, no #
524
01:33:10,700 --> 01:33:12,565
# No, no, he ain't that, no #
525
01:33:12,768 --> 01:33:16,363
# Billie Jean is not my lover #
526
01:33:16,572 --> 01:33:20,941
# She's just a girl
Who claims that I am the one #
527
01:33:21,711 --> 01:33:25,613
# But the kid is not my son #
528
01:33:27,416 --> 01:33:28,815
# She says I am the one #
529
01:33:29,051 --> 01:33:30,109
# Oh, baby #
530
01:33:30,319 --> 01:33:33,720
# But the kid is not my son #
531
01:33:35,324 --> 01:33:37,485
# Hee-hee-hee #
532
01:33:38,561 --> 01:33:40,256
# Hey! #
533
01:33:40,463 --> 01:33:41,953
# Whoo! #
534
01:33:51,741 --> 01:33:54,710
# She says I am the one #
535
01:34:04,320 --> 01:34:06,948
# She says I am the one #
536
01:34:07,156 --> 01:34:10,614
# But the kid is not my son #
537
01:34:10,826 --> 01:34:12,726
# He ain't that, no #
538
01:34:12,928 --> 01:34:14,623
# Whoo! #
539
01:34:14,830 --> 01:34:18,322
# Billie Jean is not my lover #
540
01:34:18,534 --> 01:34:22,527
# She's just a girl
Who says that I am the one #
541
01:34:22,772 --> 01:34:24,171
# Oh, baby, baby #
542
01:34:24,373 --> 01:34:26,807
# But the kid is not my son #
543
01:34:27,009 --> 01:34:28,806
# No, no, no #
544
01:34:29,011 --> 01:34:31,946
# She says I am the one #
545
01:34:32,148 --> 01:34:36,107
# But the kid is not my son #
546
01:34:37,520 --> 01:34:40,045
# She says I am the one #
547
01:34:41,323 --> 01:34:43,257
# She says he is my son #
548
01:34:43,459 --> 01:34:45,120
# Breaking my heart now! #
549
01:34:45,327 --> 01:34:47,625
# She says I am the one #
550
01:34:47,830 --> 01:34:51,561
# Billie Jean is not my lover #
551
01:34:51,801 --> 01:34:55,669
# Billie Jean is not my lover #
552
01:34:55,871 --> 01:34:59,807
# Billie Jean is not my lover #
553
01:35:00,009 --> 01:35:04,002
# Billie Jean is not my lover #
554
01:35:04,213 --> 01:35:07,979
# Billie Jean is not my lover #
555
01:35:08,184 --> 01:35:12,143
# Billie Jean is not my lover #
556
01:35:12,354 --> 01:35:16,313
# Billie Jean is not my lover #
# Whoo! #
557
01:35:16,525 --> 01:35:20,359
# Billie Jean is not my lover #
558
01:35:21,230 --> 01:35:23,221
[DRUMS PLAYING]
559
01:35:28,170 --> 01:35:30,070
# Ah-cha! #
560
01:35:32,341 --> 01:35:34,036
# Ah-cha! #
561
01:35:36,378 --> 01:35:38,312
# Ah-cha! #
562
01:35:41,417 --> 01:35:43,408
[PEOPLE CHEERING]
563
01:35:55,698 --> 01:35:57,723
# Whoo! #
564
01:36:04,039 --> 01:36:06,098
MAN 1:
Ho, ho, ho!
565
01:36:07,109 --> 01:36:09,100
[CHEERING AND WHISTLING]
566
01:36:11,113 --> 01:36:13,047
MAN 2:
Oh! Oh!
567
01:36:20,122 --> 01:36:23,114
# Billie Jean is not my lover ##
568
01:36:23,292 --> 01:36:24,589
[EXPLOSION]
569
01:36:25,594 --> 01:36:27,152
I know.
570
01:36:27,429 --> 01:36:30,091
At least we get a feel of it.
571
01:36:30,966 --> 01:36:32,433
God bless you.
572
01:36:32,635 --> 01:36:34,899
[CHEERING AND WHISTLING]
573
01:36:42,745 --> 01:36:44,440
Church.
574
01:36:45,314 --> 01:36:47,976
The church
of rock and roll.
575
01:36:49,919 --> 01:36:50,943
BEARDEN:
I'm a fan.
576
01:36:51,153 --> 01:36:52,381
God bless you.
577
01:36:52,588 --> 01:36:54,180
Get some water.
578
01:36:54,423 --> 01:36:56,254
# Water, water ##
579
01:36:58,494 --> 01:37:01,657
ORTEGA: I just wanna say as Michael's
creative partner in this venture,
580
01:37:01,897 --> 01:37:06,527
this has been one of the most extraordinary
experiences of my creative life.
581
01:37:06,702 --> 01:37:09,102
I am so proud and so thrilled
and so excited,
582
01:37:09,305 --> 01:37:12,297
and I just wanna thank everybody
for their extraordinary work.
583
01:37:12,508 --> 01:37:15,807
And I'm gonna just give this
to Michael now.
584
01:37:16,712 --> 01:37:18,441
Everybody's doing a great job.
585
01:37:18,647 --> 01:37:23,016
Let's continue
and believe and have faith.
586
01:37:23,218 --> 01:37:28,349
Give me your all, your endurance,
your patience, and your understanding.
587
01:37:28,557 --> 01:37:32,220
But it's an adventure,
it's a great adventure.
588
01:37:32,461 --> 01:37:34,326
It's nothing to be nervous about.
589
01:37:34,530 --> 01:37:37,693
They just want wonderful
experiences, they want escapism.
590
01:37:37,933 --> 01:37:40,663
We wanna take them places
that they've never been before.
591
01:37:40,869 --> 01:37:43,633
We wanna show them talent
like they've never seen before.
592
01:37:43,839 --> 01:37:45,238
So give your all.
593
01:37:45,474 --> 01:37:47,305
And I love you all.
And we're a family.
594
01:37:47,476 --> 01:37:48,841
Just know that.
We're a family.
595
01:37:49,044 --> 01:37:50,306
That's right.
Amen.
596
01:37:50,512 --> 01:37:56,007
We're putting love back into the world to
remind the world that love is important.
597
01:37:56,218 --> 01:37:59,654
Love is important. To love each other.
We're all one. That's the message.
598
01:37:59,855 --> 01:38:01,447
And take care of the planet.
599
01:38:01,657 --> 01:38:06,060
We have four years to get it right or else
it's irreversible, the damage we've done.
600
01:38:06,261 --> 01:38:09,162
So we have an important
message to give.
601
01:38:09,331 --> 01:38:10,764
Okay? It's important.
602
01:38:10,966 --> 01:38:15,232
But I thank you for your cooperation
so far. Thank you. Big thank you.
603
01:38:17,373 --> 01:38:19,739
Blessings! Blessings to all.
604
01:38:19,975 --> 01:38:22,466
ORTEGA:
Michael Jackson!
605
01:38:22,678 --> 01:38:24,669
[CHEERING]
606
01:38:31,120 --> 01:38:32,417
Have a beautiful Sunday.
607
01:38:32,621 --> 01:38:35,351
Be safe. Stay healthy.
Energy!
608
01:38:43,999 --> 01:38:46,360
ORTEGA:
On three! On three, "Michael."
609
01:38:46,568 --> 01:38:48,001
One, two, three!
610
01:38:48,203 --> 01:38:50,728
ALL:
Michael!
611
01:38:50,906 --> 01:38:53,374
["MAN IN THE MIRROR" PLAYING]
612
01:38:53,542 --> 01:38:57,444
What I'd like to do right now is just run,
for a sound check, "Man in the Mirror."
613
01:38:57,646 --> 01:39:00,376
Okay.
And then we'll talk about the ending.
614
01:39:00,582 --> 01:39:02,607
MJ Air.
615
01:39:03,752 --> 01:39:05,219
Your favorite part.
616
01:39:05,421 --> 01:39:07,150
Right?
617
01:39:07,923 --> 01:39:10,118
They'd love that.
You have to do it like MJ.
618
01:39:10,325 --> 01:39:11,383
No, no, no.
619
01:39:11,593 --> 01:39:12,821
PAYNE:
You know you love that part.
620
01:39:13,062 --> 01:39:14,051
I love when you...
621
01:39:14,663 --> 01:39:15,789
No, no.
622
01:39:16,331 --> 01:39:20,062
That's how the stewardesses do it,
I love when they do that.
623
01:39:20,669 --> 01:39:21,795
I love it.
624
01:39:22,037 --> 01:39:26,098
When I was in third grade, the first song
I sang in school was "Man in the Mirror."
625
01:39:26,308 --> 01:39:29,038
So it's kind of cool, like,
going from that to this,
626
01:39:29,244 --> 01:39:30,939
singing it onstage with Michael.
627
01:39:31,413 --> 01:39:34,405
So it's just an amazing experience
to be onstage with him.
628
01:39:34,616 --> 01:39:35,913
He's such an amazing artist.
629
01:39:36,118 --> 01:39:39,417
# And no message
Could have been any clearer #
630
01:39:39,621 --> 01:39:41,816
# If you wanna make the world
A better place #
631
01:39:42,057 --> 01:39:45,049
# Take a look at yourself
And then make a change #
632
01:39:45,260 --> 01:39:48,593
# I'm starting with
The man in the mirror #
633
01:39:48,797 --> 01:39:49,855
# Whoo #
634
01:39:50,099 --> 01:39:53,466
# I'm asking him
To change his ways #
635
01:39:53,669 --> 01:39:54,658
# Whoo #
636
01:39:54,870 --> 01:39:58,465
# And no message
Could have been any clearer #
637
01:39:58,674 --> 01:40:00,938
# If you wanna make the world
A better place #
638
01:40:01,143 --> 01:40:04,135
# Take a look at yourself
And then make that change #
639
01:40:04,313 --> 01:40:07,805
# I'm starting with
The man in the mirror #
640
01:40:08,016 --> 01:40:09,005
# Oh, yeah #
641
01:40:09,218 --> 01:40:12,619
# I'm asking him
To change his ways #
642
01:40:12,821 --> 01:40:13,947
# To change #
643
01:40:14,156 --> 01:40:17,956
# No message
Could have been any clearer #
644
01:40:18,160 --> 01:40:19,991
# If you wanna make the world
A better place #
645
01:40:20,195 --> 01:40:22,129
# Take a look at yourself
And then make a change #
646
01:40:22,331 --> 01:40:24,891
# You gotta get it right
While you got the time #
647
01:40:25,134 --> 01:40:28,297
# Cos when you close your heart #
# You can't close your, your mind #
648
01:40:28,504 --> 01:40:32,338
# That man #
# That man in the mirror, oh, yeah #
649
01:40:32,541 --> 01:40:34,031
# That man, that man #
650
01:40:34,243 --> 01:40:37,371
# That man, that man #
# Make a change #
651
01:40:37,613 --> 01:40:41,379
# You know, you know, you know #
652
01:40:41,617 --> 01:40:43,983
# If you wanna make the world
A better place #
653
01:40:44,186 --> 01:40:46,882
# Take a look at yourself
And then make that change #
654
01:40:47,389 --> 01:40:48,481
# Whoo! #
655
01:40:48,690 --> 01:40:50,715
# Whoo! Whoo! #
# Na-na-na, na-na-na #
656
01:40:50,926 --> 01:40:53,156
# Whoo! Whoo! #
# Na-na-na, na-na-na #
657
01:40:53,362 --> 01:40:55,023
# Whoo! Whoo! #
658
01:40:55,230 --> 01:40:56,891
# Gonna feel real good #
659
01:40:57,132 --> 01:40:58,360
# Yeah, yeah #
660
01:40:58,567 --> 01:41:00,933
# Yeah, yeah #
# Na-na-na, na-na-na #
661
01:41:01,170 --> 01:41:04,662
# Ooh #
# Oh, no, no, no #
662
01:41:06,275 --> 01:41:09,210
# I'm gonna make a change #
663
01:41:09,411 --> 01:41:12,505
# It's gonna feel real good #
664
01:41:12,714 --> 01:41:14,511
# Change #
665
01:41:14,716 --> 01:41:17,844
# Just lift yourself, you know #
666
01:41:18,053 --> 01:41:19,918
# You gotta stop it #
667
01:41:20,155 --> 01:41:22,419
# Yourself #
# Yeah! #
668
01:41:22,658 --> 01:41:24,091
# Make that change #
669
01:41:24,293 --> 01:41:25,726
# You gotta make that change #
670
01:41:25,928 --> 01:41:27,418
# Today #
671
01:41:27,663 --> 01:41:31,724
# Man in the mirror #
# You gotta move it, you know #
672
01:41:31,934 --> 01:41:33,799
# You know #
673
01:41:34,036 --> 01:41:35,936
# You gotta stand up #
674
01:41:36,171 --> 01:41:38,537
# Stand up, stand up! #
# Make that change #
675
01:41:38,740 --> 01:41:41,800
# Stand up and lift yourself now #
676
01:41:42,044 --> 01:41:43,306
# Man in the mirror #
677
01:41:43,979 --> 01:41:47,813
# You know it, you know it
You know it #
678
01:41:48,050 --> 01:41:49,574
# Whoo! #
679
01:41:49,785 --> 01:41:52,811
# Stand up and make that change #
680
01:41:52,988 --> 01:41:55,218
# Change #
681
01:41:55,390 --> 01:41:56,482
# You know #
682
01:41:56,692 --> 01:41:58,091
# Man in the mirror #
683
01:41:58,293 --> 01:42:02,457
# Yea-a-a-ah #
# Na-na, na-na #
684
01:42:03,966 --> 01:42:06,093
# Yeah! #
# Na-na, na-na #
685
01:42:06,301 --> 01:42:09,327
# Make that change #
686
01:42:10,472 --> 01:42:13,236
# Man in the mirror #
687
01:42:13,442 --> 01:42:16,639
# Na-na, na-na #
688
01:42:18,280 --> 01:42:20,214
# Yeah #
# Na-na, na-na #
689
01:42:20,415 --> 01:42:23,316
# Make that change #
690
01:42:24,753 --> 01:42:27,221
# Man in the mirror #
691
01:42:27,923 --> 01:42:31,324
# Na-na, na-na #
692
01:42:34,296 --> 01:42:36,662
# Make that change #
# Make that change #
693
01:42:36,865 --> 01:42:40,426
# Make that change
Make that change ##
694
01:42:41,603 --> 01:42:45,664
WOMAN:
Ready? One, two, three, uh...
695
01:42:45,841 --> 01:42:48,571
["THIS IS IT" PLAYING]
696
01:42:55,217 --> 01:42:57,447
MICHAEL:
# This is it #
697
01:42:57,653 --> 01:42:59,848
# Here I stand #
698
01:43:00,088 --> 01:43:02,454
# I'm the light of the world #
699
01:43:02,658 --> 01:43:04,990
# I feel grand #
700
01:43:05,227 --> 01:43:09,857
# Got this love I can feel #
701
01:43:10,098 --> 01:43:14,797
# And I know, yes, for sure, it is real #
702
01:43:15,003 --> 01:43:19,872
# And it feels as though I've seen
Your face a thousand times #
703
01:43:20,108 --> 01:43:24,875
# And you said
You really know me yourself #
704
01:43:25,113 --> 01:43:29,812
# And I know that you
Have got addicted with your eyes #
705
01:43:30,018 --> 01:43:34,682
# But you say
You're gonna live it for yourself #
706
01:43:34,890 --> 01:43:40,692
# Oh, I never heard
A single word about you #
707
01:43:40,896 --> 01:43:45,765
# Falling in love wasn't my plan #
# My plan #
708
01:43:45,967 --> 01:43:50,666
# I never thought
That I would be your lover #
709
01:43:50,872 --> 01:43:54,399
# Come on, baby, just understand #
710
01:43:54,643 --> 01:43:56,770
# This is it #
711
01:43:56,978 --> 01:43:59,276
# I can say #
712
01:43:59,481 --> 01:44:04,145
# I'm the light of the world
Run away #
713
01:44:04,453 --> 01:44:09,152
# We can feel
This is real #
714
01:44:09,391 --> 01:44:14,158
# Every time
I'm in love, yeah, I feel #
715
01:44:14,396 --> 01:44:19,424
# And I feel as though I've known you
Since a thousand years #
716
01:44:19,634 --> 01:44:24,128
# And you tell me
That you've seen my face before #
717
01:44:24,339 --> 01:44:29,208
# And you said to me
You don't want me hanging round #
718
01:44:29,444 --> 01:44:33,471
# Many times
Wanna do it, even before #
719
01:44:33,682 --> 01:44:35,274
# Oh, yeah #
720
01:44:35,484 --> 01:44:40,319
# I never heard
A single word about you #
721
01:44:40,522 --> 01:44:45,118
# Falling in love wasn't my plan #
# My plan #
722
01:44:45,327 --> 01:44:50,060
# I never thought
That I would be your lover #
723
01:44:50,298 --> 01:44:53,825
# Come on, baby
Just understand #
724
01:44:54,035 --> 01:44:56,333
# This is it #
# This is it #
725
01:44:56,538 --> 01:44:58,665
# I can feel #
726
01:44:58,874 --> 01:45:03,573
# I'm the light of the world
This is real #
727
01:45:03,812 --> 01:45:06,144
# Feel my song #
728
01:45:06,348 --> 01:45:08,578
# We can sing #
729
01:45:08,817 --> 01:45:13,516
# And I tell you
I feel that way #
730
01:45:13,722 --> 01:45:18,989
# And I feel as though I've known you
For a thousand years #
731
01:45:19,194 --> 01:45:23,528
# And you said
You want some of this yourself #
732
01:45:23,732 --> 01:45:28,567
# And you said you wanted to go
With me on a ride #
733
01:45:28,770 --> 01:45:32,570
# And I know
That it's really cool myself #
734
01:45:32,774 --> 01:45:34,605
# Oh, yeah #
735
01:45:34,843 --> 01:45:39,405
# I never heard
A single word about you #
736
01:45:39,614 --> 01:45:44,108
# Falling in love wasn't my plan #
# My plan #
737
01:45:44,352 --> 01:45:49,289
# I never thought
That I would be your lover #
738
01:45:49,524 --> 01:45:54,223
# Come on, please, dear, understand #
# Understand #
739
01:45:54,429 --> 01:45:59,059
# I never heard
A single word about you #
740
01:45:59,267 --> 01:46:04,068
# Falling in love wasn't my plan #
# My plan #
741
01:46:04,272 --> 01:46:08,732
# I never thought
That I would be your lover #
742
01:46:08,944 --> 01:46:12,710
# Come on, dear, please understand #
# Understand #
743
01:46:12,914 --> 01:46:14,245
# Oh, yeah #
744
01:46:14,449 --> 01:46:18,715
# I'd never heard
A single word about you #
745
01:46:18,887 --> 01:46:23,756
# Falling in love wasn't my plan #
# My plan #
746
01:46:23,959 --> 01:46:28,555
# I never thought
That I would be your lover #
747
01:46:28,730 --> 01:46:29,890
# Come on, please, dear ##
748
01:46:30,065 --> 01:46:33,057
["HEAL THE WORLD" PLAYING]
749
01:46:34,803 --> 01:46:37,397
# There's a place in your heart #
750
01:46:37,606 --> 01:46:40,632
# And I know that it is love #
751
01:46:40,876 --> 01:46:46,246
# And this place could be
Much brighter than tomorrow #
752
01:46:46,448 --> 01:46:49,246
# And if you really try #
753
01:46:49,451 --> 01:46:52,614
# You'll find there's no need to cry #
754
01:46:52,821 --> 01:46:58,657
# In this place you'll feel
There's no hurt or sorrow #
755
01:46:58,894 --> 01:47:01,624
# There are ways to get there #
756
01:47:01,830 --> 01:47:04,594
# If you care enough for the living #
757
01:47:04,799 --> 01:47:07,597
# Make a little space #
758
01:47:07,802 --> 01:47:10,032
# Make a better place #
759
01:47:10,272 --> 01:47:13,002
# Heal the world #
760
01:47:13,208 --> 01:47:16,405
# Make it a better place #
761
01:47:16,611 --> 01:47:21,639
# For you and for me
And the entire human race #
762
01:47:21,850 --> 01:47:25,217
# There are people dying #
763
01:47:25,453 --> 01:47:28,354
# If you care enough for the living #
764
01:47:28,557 --> 01:47:33,790
# Make a better place
For you and for me #
765
01:47:33,995 --> 01:47:36,725
# Heal the world #
# Heal the world #
766
01:47:36,965 --> 01:47:40,128
# Make it a better place #
# All of it #
767
01:47:40,335 --> 01:47:45,568
# For you and for me
And the entire human race #
768
01:47:45,807 --> 01:47:48,970
# There are people dying #
769
01:47:49,177 --> 01:47:52,146
# If you care enough for the living #
770
01:47:52,347 --> 01:47:56,716
# Make a better place
For you and for me #
771
01:47:56,952 --> 01:48:00,080
# You and for me #
# Heal the world we live in #
772
01:48:00,322 --> 01:48:03,052
# You and for me #
# Save it for our children #
773
01:48:03,258 --> 01:48:05,818
# You and for me #
# Heal the world we live in #
774
01:48:06,027 --> 01:48:08,860
# You and for me #
# Save it for our children #
775
01:48:09,064 --> 01:48:11,760
# You and for me #
# Heal the world we live in #
776
01:48:12,000 --> 01:48:18,906
# You and for me #
CHILD: # Save it for our children ##
777
01:48:33,855 --> 01:48:35,083
["HUMAN NATURE" PLAYING]
778
01:48:35,256 --> 01:48:37,417
MICHAEL:
# If this town #
779
01:48:37,626 --> 01:48:40,094
# Is just an apple #
780
01:48:40,295 --> 01:48:43,628
# Let me take a bite #
781
01:48:43,865 --> 01:48:47,028
# If they say
Why? Why? #
782
01:48:47,235 --> 01:48:49,601
# Tell 'em that is human nature #
783
01:48:49,804 --> 01:48:51,795
# Why? Why? #
784
01:48:52,040 --> 01:48:54,065
# Does he do me that way? #
785
01:48:54,275 --> 01:48:57,039
# If they say
Why? Why? #
786
01:48:57,245 --> 01:48:59,713
# Tell 'em that is human nature #
787
01:48:59,914 --> 01:49:02,007
# Why? Why? #
788
01:49:02,217 --> 01:49:05,277
# Does she do me that way? #
789
01:49:05,520 --> 01:49:08,455
# Why? Why? Why? #
790
01:49:10,959 --> 01:49:14,156
# Why does he do me that way? #
791
01:49:14,396 --> 01:49:18,332
# If they say
Why? Why? Why? Why? #
792
01:49:18,566 --> 01:49:20,295
# Ooh
Tell 'em #
793
01:49:20,535 --> 01:49:22,469
# Why? Why? #
794
01:49:22,671 --> 01:49:24,798
# I like livin' this way #
795
01:49:25,040 --> 01:49:27,736
# I like lovin' this way #
796
01:49:28,910 --> 01:49:34,746
# Oh, why, oh, why? #
797
01:49:34,949 --> 01:49:40,251
# Oh, why, oh, why? #
798
01:49:40,455 --> 01:49:42,320
# Looking out ##
799
01:49:42,657 --> 01:49:43,749
There should be
a break there.
800
01:49:43,925 --> 01:49:45,552
BEARDEN:
Yeah, we gotta work that out.
801
01:49:45,727 --> 01:49:46,785
Have it right there, okay?
802
01:49:46,961 --> 01:49:48,724
BEARDEN:
Yeah, we gotta work that one out.
803
01:49:48,963 --> 01:49:51,454
Let me bathe in my own time
when I come back in.
804
01:49:51,700 --> 01:49:52,962
BEARDEN:
Yeah, you got it.
805
01:49:53,201 --> 01:49:56,932
I'm gonna button my shirt
or my jacket or whatever it is.
806
01:49:57,172 --> 01:50:00,699
I'm gonna look around a little bit,
play with them.
807
01:50:01,209 --> 01:50:02,574
[SNAPPING FINGERS]
808
01:50:02,777 --> 01:50:04,745
Snap my fingers maybe, then bam!
809
01:50:04,946 --> 01:50:08,040
["HEAL THE WORLD" PLAYING]
810
01:50:45,787 --> 01:50:48,756
[CROWD CHEERING]
811
01:50:55,964 --> 01:50:57,659
[MICHAEL LAUGHS]
812
01:50:58,333 --> 01:50:59,857
Whoo!