1
00:00:39,120 --> 00:00:42,840
♪ EVERY TIME
THAT YOU GO BY ♪
2
00:00:42,880 --> 00:00:46,400
♪ BOY, YOU SMILE AT ME
AND YOU TAKE MY BREATH AWAY ♪
3
00:00:46,400 --> 00:00:50,520
♪ EVERY TIME
I CATCH YOUR EYE ♪
4
00:00:50,560 --> 00:00:54,400
♪ I CAN SEE THAT YOU’VE GOT
A WHOLE LOT MORE TO SAY ♪
5
00:00:54,440 --> 00:00:57,880
♪ SO DON’T BE SHY
’CAUSE I’M WAITING HERE ♪
6
00:00:57,920 --> 00:01:01,520
♪ HOPING YOU’LL
OPEN YOUR HEART ♪
7
00:01:02,160 --> 00:01:06,080
♪ THE MORE I WAIT
THE MORE I FIND ♪
8
00:01:06,160 --> 00:01:10,200
♪ I CAN’T GET YOU
OFF MY MIND ♪
9
00:01:10,280 --> 00:01:12,520
♪ WHATEVER
THE SEASON ♪
10
00:01:12,560 --> 00:01:15,480
♪ WHATEVER I’M
GOING THROUGH ♪
11
00:01:15,520 --> 00:01:18,400
♪ I’M ALWAYS THINKING
OF YOU ♪
12
00:01:18,480 --> 00:01:23,200
♪ ’CAUSE YOU ARE THE REASON
FOR ALL THAT I SAY AND DO ♪
13
00:01:23,280 --> 00:01:26,720
♪ YOU’VE GOT TO BELIEVE
THAT IT’S TRUE ♪
14
00:01:26,760 --> 00:01:31,040
♪ HEY, BABY
IN BIG WAYS AND SMALL WAYS ♪
15
00:01:31,080 --> 00:01:34,160
♪ I’M ALWAYS
THINKING OF YOU ♪
16
00:01:52,760 --> 00:01:56,240
♪ HOW YOU DO IT
I DON’T KNOW ♪
17
00:01:56,320 --> 00:02:00,440
♪ I KEEP HAVING DREAMS AND
YOU’RE ALL I’M DREAMING OF ♪
18
00:02:00,520 --> 00:02:03,920
♪ EVERY DAY
MY FEELINGS GROW ♪
19
00:02:04,000 --> 00:02:05,960
♪ I KEEP THINKING, BABY ♪
20
00:02:06,040 --> 00:02:08,560
♪ THAT MAYBE
THIS IS LOVE ♪
21
00:02:08,640 --> 00:02:12,120
♪ I WAS ALONE, BUT
NOW THAT YOU’RE HERE ♪
22
00:02:12,200 --> 00:02:15,920
♪ I’M FINALLY
FEELING ALIVE ♪
23
00:02:16,000 --> 00:02:19,840
♪ THE MORE I FEEL
THE MORE I FIND ♪
24
00:02:19,880 --> 00:02:23,840
♪ I CAN’T GET YOU
OFF MY MIND ♪
25
00:02:23,920 --> 00:02:26,160
♪ WHATEVER
THE SEASON ♪
26
00:02:26,200 --> 00:02:29,160
♪ WHATEVER I’M
GOING THROUGH ♪
27
00:02:29,200 --> 00:02:32,040
♪ I’M ALWAYS
THINKING OF YOU ♪
28
00:02:32,120 --> 00:02:36,920
♪ ’CAUSE YOU ARE THE REASON
FOR ALL THAT I SAY AND DO ♪
29
00:02:37,000 --> 00:02:40,640
♪ YOU’VE GOT TO BELIEVE
THAT IT’S TRUE ♪
30
00:02:40,720 --> 00:02:44,840
♪ HEY, BABY
IN BIG WAYS AND SMALL WAYS ♪
31
00:02:44,880 --> 00:02:48,480
♪ I’M ALWAYS
THINKING OF YOU ♪
32
00:02:51,920 --> 00:02:55,720
♪ FROM THE TIME
I WAKE UP ♪
33
00:02:55,800 --> 00:02:58,560
♪ ’TIL I FALL
INTO BED ♪
34
00:02:59,880 --> 00:03:03,320
♪ I’VE GOT PICTURES
OF YOU ♪
35
00:03:03,400 --> 00:03:06,520
♪ RUNNING STRAIGHT
THROUGH MY HEAD ♪
36
00:03:06,560 --> 00:03:10,200
♪ I THINK IT’S CLEAR
AS A, B, C ♪
37
00:03:10,240 --> 00:03:15,480
♪ THAT’S THE WAY LOVE’S
’SPOSED TO BE ♪
38
00:03:29,640 --> 00:03:33,360
♪ THE MORE I FEEL
THE MORE I FIND ♪
39
00:03:33,440 --> 00:03:38,560
♪ I CAN’T GET YOU
OFF MY MIND ♪
40
00:03:39,800 --> 00:03:41,720
♪ WHATEVER
THE SEASON ♪
41
00:03:41,800 --> 00:03:44,720
♪ WHATEVER I’M
GOING THROUGH ♪
42
00:03:44,760 --> 00:03:47,520
♪ I’M ALWAYS
THINKING OF YOU ♪
43
00:03:47,560 --> 00:03:52,440
♪ ’CAUSE YOU ARE THE REASON
FOR ALL THAT I SAY AND DO ♪
44
00:03:52,520 --> 00:03:56,200
♪ YOU’VE GOT TO BELIEVE
THAT IT’S TRUE ♪
45
00:03:56,240 --> 00:03:57,720
♪ HEY, BABY ♪
46
00:03:57,840 --> 00:04:00,400
♪ IN BIG WAYS
AND SMALL WAYS ♪
47
00:04:00,480 --> 00:04:03,680
♪ I’M ALWAYS THINKING
OF YOU ♪♪
48
00:04:03,800 --> 00:04:07,600
MARY, COME
AND EAT BREAKFAST.
49
00:04:12,960 --> 00:04:16,640
[ Chanting Mantra ]
MAMA-A-POPALA,
50
00:04:16,720 --> 00:04:19,200
MAMA-A-POPALA,
MAMA-A-POPALA.
51
00:04:19,240 --> 00:04:22,240
HUH-HUM, MAMA,
HUH-HUM, MAMA.
52
00:04:22,360 --> 00:04:26,160
OH, YOU’RE JUST THE PERSON
I’VE BEEN WAITING FOR.
53
00:04:26,240 --> 00:04:28,760
GOOD MORNING,
BUTTERCUP.
GOOD MORNING,
JACK.
54
00:04:28,840 --> 00:04:32,520
HELP ME PICK A TIE.
HOW’S THIS ONE ?
55
00:04:32,600 --> 00:04:35,680
TOO TRADITIONAL ?
ABSOLUTELY RIGHT.
56
00:04:35,720 --> 00:04:39,680
HOW ’BOUT THIS ONE ?
TOO AVANT GARDE.
57
00:04:39,760 --> 00:04:41,200
NO.
58
00:04:41,240 --> 00:04:43,240
THIS ONE ?
I LIKE
THAT ONE.
59
00:04:43,320 --> 00:04:46,280
WHAT WOULD I DO
WITHOUT YOU ?
60
00:04:46,360 --> 00:04:49,600
DID YOU SEE
MY RED SHOE ?
YOUR RED SHOE ?
61
00:04:49,680 --> 00:04:52,480
I DON’T THINK
I HAVE.
62
00:04:52,560 --> 00:04:56,680
IF I WERE A RED SHOE,
WHERE WOULD I HIDE ?
63
00:04:56,720 --> 00:04:58,680
RIGHT OVER HERE ?
NO.
64
00:04:58,720 --> 00:05:00,680
HERE ? NO.
65
00:05:00,720 --> 00:05:03,160
WHAT ABOUT BACK HERE ?
NOPE.
66
00:05:08,960 --> 00:05:11,680
MARY, HONEY,
YOUR BREAKFAST IS READY !
67
00:05:14,840 --> 00:05:17,240
[ Humming ]
68
00:05:22,280 --> 00:05:26,080
ARE YOU GOING TO
THE "INNER" ?
THE INTERVIEW ?
OF COURSE.
69
00:05:26,160 --> 00:05:27,680
I’M GOING TO MEET
YOUR TEACHERS,
70
00:05:27,800 --> 00:05:30,760
TELL ’EM WHAT A
GREAT KID YOU ARE.
71
00:05:30,840 --> 00:05:33,240
WHAT SHOULD
I WEAR ?
LET’S PICK
SOMETHING OUT.
72
00:05:34,040 --> 00:05:36,480
THANKS.
I NEEDED THAT.
73
00:05:37,800 --> 00:05:38,920
MARY ?
74
00:05:39,680 --> 00:05:41,640
GO EAT YOUR BREAKFAST.
HURRY UP.
75
00:05:42,400 --> 00:05:45,440
DID YOU GET
THAT REVIEW ?
YES, THANK YOU.
76
00:05:45,520 --> 00:05:48,760
I LOVED SEEING THAT GUY
EAT CROW AFTER WHAT
HE SAID ABOUT YOU.
77
00:05:49,240 --> 00:05:53,360
YOU TAKE MY REVIEWS
TOO PERSONALLY.
I DON’T THINK SO.
78
00:05:53,440 --> 00:05:55,520
WHEN WE’RE IN A RESTAURANT
AND YOU SEE A CRITIC,
79
00:05:55,600 --> 00:05:57,520
YOU WANT TO THROW
YOUR BUTTER KNIFE.
80
00:05:57,600 --> 00:06:00,160
I WOULD’VE GOT THE LAST
GUY IF HE HADN’T MOVED.
81
00:06:00,880 --> 00:06:02,480
OH, YOU MISSED
A SPOT.
82
00:06:19,920 --> 00:06:22,040
HELLO, LOVELY LADIES.
83
00:06:22,080 --> 00:06:24,680
HERE’S YOUR
BREAKFAST, MICHAEL.
THANKS.
84
00:06:24,720 --> 00:06:26,960
TOAST IS DONE.
DAMN !
85
00:06:28,640 --> 00:06:32,800
JERRY, I REALIZE YOU’RE
TRYING TO SAVE MONEY,
86
00:06:32,880 --> 00:06:36,840
BUT WE ARE BUILDING AN
OFFICE FOR 12,000 PEOPLE.
87
00:06:36,920 --> 00:06:40,000
YOU CAN’T PUT A BATHROOM
ON EVERY OTHER FLOOR.
88
00:06:40,040 --> 00:06:43,840
WHAT IF THEY DON’T GO
BEFORE THEY COME TO WORK ?
89
00:06:43,960 --> 00:06:45,560
FINE, OKAY.
90
00:06:45,640 --> 00:06:47,960
I’LL HOLD.
MORNING, EVERYONE.
91
00:06:48,040 --> 00:06:52,120
CAN YOU BELIEVE HOW
PEOPLE TRY TO SAVE MONEY ?
JERRY AGAIN ?
92
00:06:52,200 --> 00:06:54,680
YEAH, THE ALBERT SCHWEITZER
OF REAL ESTATE.
93
00:06:56,560 --> 00:06:57,880
OH, NO !
94
00:06:57,960 --> 00:07:03,040
LOOK, MY FOOT MUST
HAVE GROWN LAST NIGHT.
THAT’S MY SHOE.
95
00:07:03,120 --> 00:07:06,400
THANK GOD.
I THOUGHT IT WAS ME.
96
00:07:06,440 --> 00:07:08,520
MARY, DON’T YOU
LIKE YOUR OATMEAL ?
97
00:07:08,600 --> 00:07:11,480
IT TASTES LIKE RUBBER.
IT’S
SUPPOSED TO.
98
00:07:11,560 --> 00:07:14,680
WHAT A CROCK.
WHERE DID YOU HEAR
THAT EXPRESSION ?
99
00:07:14,720 --> 00:07:16,720
WHAT A CROCK !
100
00:07:19,480 --> 00:07:20,760
WHAT ?
WHAT’D I DO ?
101
00:07:22,720 --> 00:07:25,640
FINISH GETTING DRESSED.
I’LL FIX SOMETHING ELSE.
102
00:07:31,040 --> 00:07:32,040
OH.
103
00:07:32,080 --> 00:07:35,040
DID I SAY "OVER NIGHT" ?
I MEANT "OVER LIGHT."
104
00:07:35,080 --> 00:07:37,760
YOU DON’T LIKE MY EGGS ?
YOU KIDDING ?
105
00:07:37,840 --> 00:07:40,160
THAT’S THE BEST
PART ABOUT YOU.
106
00:07:40,200 --> 00:07:42,240
THEY’RE PERFECT
JUST LIKE YOU ARE.
107
00:07:42,320 --> 00:07:45,560
LOOK.
YOU DID YOUR HAIR.
SOMEONE NOTICED !
108
00:07:46,240 --> 00:07:48,440
ARE WE READY
FOR THE INTERVIEW ?
109
00:07:48,520 --> 00:07:50,880
ABSOLUTELY.
DEFINITELY.
110
00:07:50,920 --> 00:07:54,160
WHAT ABOUT YOUR
COMMERCIAL SHOOT ?
111
00:07:54,240 --> 00:07:56,200
THEY GAVE ME
AN HOUR OFF.
112
00:07:56,280 --> 00:07:59,200
THIS IS THE
SCHOOL WE WANT
MARY TO GO TO.
113
00:07:59,240 --> 00:08:02,680
I’VE BEEN HERE
THE 5 YEARS IT
TOOK US TO DECIDE !
114
00:08:02,720 --> 00:08:05,120
THEY PUT LESS RESEARCH
INTO THE SALT TREATY.
115
00:08:05,200 --> 00:08:08,920
PRIMARY SCHOOL...
"IS THE FIRST WATERSHED
EVENT OF A CHILD’S LIFE."
116
00:08:09,000 --> 00:08:12,040
HAVE I SAID
THAT BEFORE ?
NOT IN THE
LAST 5 MINUTES.
117
00:08:12,080 --> 00:08:15,360
- I’LL BE THERE.
- DON’T BE LATE.
118
00:08:15,400 --> 00:08:18,280
HAVE I EVER LET
YOU DOWN BEFORE ?
119
00:08:26,080 --> 00:08:28,720
MARY, WHILE WE’RE
TALKING WITH THE LADY,
120
00:08:28,760 --> 00:08:32,240
YOU’LL BE IN A CLASS
WITH OTHER BOYS AND GIRLS.
OKAY.
121
00:08:51,680 --> 00:08:55,280
RELAX. THIS
ISN’T GOING TO HURT.
122
00:08:56,160 --> 00:08:59,200
I THINK WE
BETTER START.
123
00:08:59,280 --> 00:09:01,720
IT’S GETTING LATE.
YES, IT IS.
124
00:09:01,800 --> 00:09:04,080
YOU’RE THE
ARCHITECT ?
THAT’S RIGHT.
125
00:09:04,160 --> 00:09:06,320
AND YOU ARE
THE CARTOONIST ?
126
00:09:06,400 --> 00:09:09,640
ACTUALLY,
I’M A SATIRIST.
MICHAEL DRAWS JOHNNY COOL.
127
00:09:09,720 --> 00:09:14,240
OH, THAT
CUTE KITTEN !
HE’S REALLY NOT A KITTEN.
128
00:09:14,320 --> 00:09:17,800
HE’S A CAT WHO
SYMBOLIZES THE ANGST
OF THE SINGLE MAN.
129
00:09:17,840 --> 00:09:22,160
I ADORE THAT LITTLE
HAT HE WEARS.
MR. HOLDEN IS--
130
00:09:22,200 --> 00:09:26,280
THE ACTOR.
BUT VERY STABLE.
NOT ONE OF --
131
00:09:26,360 --> 00:09:30,680
MICHAEL, THEY KNOW
ACTORS ARE NORMAL PEOPLE.
132
00:09:32,200 --> 00:09:34,480
[ As Dracula ]
GOOD AFTERNOON !
133
00:09:34,520 --> 00:09:36,720
OH, MY GOD !
134
00:09:36,800 --> 00:09:42,640
I DIDN’T MEAN TO FRIGHTEN YOU.
FORGIVE THE MAKEUP.
135
00:09:42,720 --> 00:09:44,600
I’M IN THE MIDDLE
OF A COMMERCIAL...
136
00:09:44,680 --> 00:09:47,560
FOR FAIRLAWN MARGARINE
ABOUT COUNT CHOLESTEROL.
137
00:09:49,240 --> 00:09:51,080
PROBABLY SEEN ME
ON TV, HUH ?
138
00:09:51,160 --> 00:09:53,080
HOW DO YOU DO ?
139
00:09:53,160 --> 00:09:55,840
HMM ? HOW DO YOU DO ?
[ Chuckle ]
140
00:09:57,400 --> 00:10:00,320
I HAD A HELL OF A TIME
CATCHING A CAB.
141
00:10:02,200 --> 00:10:05,520
WHAT ? OH !
THANK YOU.
142
00:10:06,000 --> 00:10:07,080
OOO ! LOOK.
143
00:10:07,920 --> 00:10:10,600
MARY’S DRAWN A PICTURE
OF HER FAMILY.
144
00:10:10,680 --> 00:10:13,480
ISN’T THAT WONDERFUL ?
THAT’S WONDERFUL, MARY.
145
00:10:13,520 --> 00:10:15,640
IS THAT YOU ?
YEAH ?
146
00:10:15,680 --> 00:10:18,120
IS THAT
YOUR MOMMY ?
YES.
147
00:10:18,200 --> 00:10:21,880
AND WHO’S THAT ?
THAT’S MY
BIOLOGICAL DADDY.
148
00:10:21,960 --> 00:10:23,880
OH.
WHO’S THAT ?
149
00:10:23,960 --> 00:10:28,160
THAT’S MY ONE HONORARY DADDY,
AND THAT’S MY OTHER.
150
00:10:28,200 --> 00:10:30,600
WE ALL LIVE
TOGETHER.
151
00:10:31,920 --> 00:10:33,240
OKAY.
152
00:10:33,360 --> 00:10:34,800
[ Bell ]
153
00:10:34,880 --> 00:10:37,640
EVERYBODY PUT THE TOPS
BACK ON YOUR MARKERS.
154
00:10:37,720 --> 00:10:39,760
TAKE YOUR DRAWINGS
UP TO THE FRONT.
155
00:10:42,680 --> 00:10:45,320
YOU HAVE 3 DADDIES ?
THAT’S WEIRD.
156
00:10:45,360 --> 00:10:49,480
HOW COME ?
JULIE HAS 2 DADDIES,
BUT NOT AT THE SAME TIME.
157
00:10:49,560 --> 00:10:52,120
WHY NOT ?
YOU CAN’T
HAVE MORE THAN...
158
00:10:52,200 --> 00:10:56,680
ONE FATHER AT A TIME LIVING
WITH YOU. THAT’S THE LAW.
159
00:10:58,960 --> 00:11:01,320
WHAT’S THE ROLE
OF OTHER WOMEN ?
160
00:11:01,360 --> 00:11:05,520
NONE WHATSOEVER.
CAN’T SAY I’VE EVER
SEEN ANY IN THE HOUSE.
161
00:11:05,640 --> 00:11:09,120
- STRICTLY PROFESSIONAL.
- THEN YOU’RE GAY.
162
00:11:09,200 --> 00:11:11,120
IS SHE KIDDING ?
GAY !
163
00:11:11,200 --> 00:11:13,880
HOW MANY WOMEN
THIS MONTH ?
164
00:11:13,920 --> 00:11:17,280
- THAT’S HARD TO SAY.
- I NEED A CALCULATOR.
165
00:11:17,400 --> 00:11:20,920
WE HAVE A STRICT RULE,
NO OVERNIGHT GUESTS...
166
00:11:21,000 --> 00:11:22,480
WHILE MARY’S
IN THE HOUSE.
167
00:11:22,560 --> 00:11:26,760
THIS IS A MOST UNIQUE
FAMILY ENVIRONMENT.
168
00:11:26,840 --> 00:11:29,040
AS A SCHOOL
PSYCHOLOGIST,
169
00:11:29,080 --> 00:11:32,320
I’VE TOLD THE COMMITTEE
IN NO UNCERTAIN TERMS,
170
00:11:32,360 --> 00:11:35,040
THAT I WAS MOST
IMPRESSED BY MARY.
171
00:11:35,120 --> 00:11:38,800
I FOUND HER TO BE A
DELIGHTFUL AND HAPPY CHILD.
172
00:11:38,880 --> 00:11:40,640
YES, SHE IS.
THANK YOU.
173
00:11:40,720 --> 00:11:44,800
HOWEVER, I MUST WARN YOU
SHE’S COMING TO AN AGE...
174
00:11:44,880 --> 00:11:47,200
WHEN EVEN SLIGHT
DIFFERENCES...
175
00:11:47,240 --> 00:11:50,280
CAN THREATEN HER
SENSE OF FITTING IN.
176
00:11:50,360 --> 00:11:54,800
THE LITTLEST THINGS:
A PARENT’S ACCENT,
HOW THEY DRESS.
177
00:11:54,880 --> 00:12:00,640
WHILE WE THINK OF OURSELVES
AS PROGRESSIVE,
178
00:12:00,720 --> 00:12:03,000
I’D BE LESS
THAN CANDID...
179
00:12:03,080 --> 00:12:07,000
IF I SAID THAT 3 MEN WITHOUT
ANY LEGAL RESPONSIBILITY,
180
00:12:07,120 --> 00:12:09,520
DIDN’T CONCERN ME
A GREAT DEAL.
181
00:12:09,600 --> 00:12:13,240
WE HAVE RESPONSIBILITIES.
I KNOW WHAT
YOU’RE TRYING TO SAY.
182
00:12:13,320 --> 00:12:15,360
I SHOULD BE THE ONE
TO RESPOND.
183
00:12:15,400 --> 00:12:18,360
I KNOW SOME OF THE
CHILDREN IN THIS SCHOOL,
184
00:12:18,400 --> 00:12:22,600
AND THEIR PARENTS.
FAMILY LIFE IS NOT EASY.
185
00:12:22,720 --> 00:12:27,120
OF ALL THE FATHERS,
STEPFATHERS, HALF-FATHERS,
186
00:12:27,200 --> 00:12:31,600
NO 3 MEN SUPPORT AND LOVE
A CHILD LIKE THESE 3 MEN.
187
00:12:31,680 --> 00:12:34,240
THERE IS NOTHING
THEY WOULDN’T DO FOR HER.
188
00:12:34,320 --> 00:12:36,840
I CAN ONLY HOPE THAT
WHEN IT COMES TO FATHERS,
189
00:12:36,920 --> 00:12:40,480
THE CHILDREN IN THIS SCHOOL
ARE AS LUCKY AS MARY IS.
190
00:12:48,200 --> 00:12:52,760
YEAH, YOU’RE IN.
CONGRATULATIONS.
191
00:12:53,880 --> 00:12:55,640
LOOK AT YOU.
192
00:12:55,680 --> 00:12:58,160
WHAT’S
THE MATTER ?
193
00:12:58,200 --> 00:13:01,760
STUFF.
WHAT KIND
OF STUFF ?
194
00:13:01,880 --> 00:13:04,240
I DON’T KNOW.
I FEEL DIFFERENT.
195
00:13:04,320 --> 00:13:07,160
- SAYS WHO ?
- PEOPLE.
196
00:13:07,200 --> 00:13:10,680
OH. WHO CARES
WHAT PEOPLE THINK ?
197
00:13:10,720 --> 00:13:12,760
PEOPLE THINK
I’M DIFFERENT.
YOU ARE.
198
00:13:12,840 --> 00:13:15,840
YEAH, WELL, SO,
SEE ?
199
00:13:15,880 --> 00:13:17,000
THAT’S GOOD.
200
00:13:18,000 --> 00:13:21,760
LISTEN, LET ME
TELL YOU SOMETHING HERE.
201
00:13:21,840 --> 00:13:24,120
IT’S OKAY
TO BE DIFFERENT.
202
00:13:24,240 --> 00:13:26,240
YOU DON’T HAVE TO BE
LIKE EVERYBODY ELSE.
203
00:13:26,320 --> 00:13:29,720
OKAY ?
OKAY.
204
00:13:30,960 --> 00:13:33,720
OKAY, NOW,
205
00:13:33,800 --> 00:13:37,280
UNFORTUNATELY, YOUR DADDY
HAS TO GO OFF AND BE FAMOUS.
206
00:13:37,360 --> 00:13:40,240
BUT YOU...
A-HA-HA.
207
00:13:40,320 --> 00:13:44,320
BUT YOU ARE MINE
FOREVER !
208
00:13:46,720 --> 00:13:49,240
ANYTHING YOU WANT.
MONEY’S NO OBJECT.
209
00:13:49,320 --> 00:13:51,880
HAMBURGERS LOOK GREAT !
WHAT CAN I
GET FOR YOU ?
210
00:13:51,960 --> 00:13:54,480
DO YOU HAVE
A PENIS ?
211
00:14:00,720 --> 00:14:03,160
CAN WE HEAR
YOUR SPECIALS ?
212
00:14:03,200 --> 00:14:05,080
THIS TABLE’S
A LITTLE WOBBLY.
213
00:14:05,160 --> 00:14:07,200
GIVE US A MINUTE.
214
00:14:08,480 --> 00:14:12,360
MARY, THAT’S A VERY ADULT WORD.
WHERE DID YOU HEAR IT ?
215
00:14:12,440 --> 00:14:17,240
JENNY SAID HER FATHER
AND BROTHER HAVE A PENIS.
216
00:14:18,160 --> 00:14:20,440
PETER, YOU’RE
THE ARCHITECT.
217
00:14:20,520 --> 00:14:22,360
YOU EXPLAIN IT
TO HER.
218
00:14:24,920 --> 00:14:26,440
THE PENIS IS...
219
00:14:26,520 --> 00:14:29,680
THE URINARY AND
COPULATORY ORGAN...
220
00:14:29,760 --> 00:14:31,200
OF THE
MALE MAMMAL.
221
00:14:31,280 --> 00:14:32,960
IT’S COMPOSED
PRIMARILY --
222
00:14:33,040 --> 00:14:33,840
THANK YOU.
223
00:14:34,640 --> 00:14:36,960
WHAT ?
DID YOU
MEMORIZE THAT ?
224
00:14:37,040 --> 00:14:40,400
I BET HE SAYS THAT
TO ALL THE GIRLS.
225
00:14:40,480 --> 00:14:44,000
MARY AND I ARE
GOING TO WASH OUR HANDS.
226
00:14:50,840 --> 00:14:53,280
I CAN’T BELIEVE
SHE SAID THAT.
227
00:14:53,360 --> 00:14:56,720
I DIDN’T KNOW ABOUT SEX
UNTIL I WAS IN COLLEGE.
I’M STUNNED !
228
00:14:56,800 --> 00:15:00,280
I WAS
EXAGGERATING.
I’M TALKING
ABOUT MARY.
229
00:15:00,360 --> 00:15:02,200
SHE’S NOT
A BABY ANYMORE.
230
00:15:02,280 --> 00:15:04,920
THAT ONE WORD WAS
LIKE A TRUMPET...
231
00:15:05,000 --> 00:15:07,280
ANNOUNCING
HER ADULTHOOD.
232
00:15:07,360 --> 00:15:11,400
FIRST COMES PENIS,
THEN --
PETE,
CAN YOU SAY IT LOUDER ?
233
00:15:11,840 --> 00:15:15,120
SHE’S SUSCEPTIBLE
TO THE OUTSIDE WORLD,
234
00:15:15,200 --> 00:15:17,600
BOYS, SEX.
YOU’RE
OVERREACTING.
235
00:15:17,680 --> 00:15:20,920
YEAH, WHAT’S A GENITAL
HERE AND THERE ?
236
00:15:21,000 --> 00:15:23,920
BE QUIET.
THEY’RE COMING.
237
00:15:34,360 --> 00:15:36,280
STOP, PETER,
STOP.
238
00:15:36,360 --> 00:15:39,560
I CAN’T.
MY LIPS ARE STUCK.
239
00:15:39,640 --> 00:15:42,600
IT TICKLES !
I CAN’T GET ’EM
UNSTUCK.
240
00:15:42,680 --> 00:15:46,560
WHAT ARE
YOU DOING ?
HIS LIPS
ARE STUCK.
241
00:15:46,640 --> 00:15:48,840
WHOA ! WHOA !
242
00:15:48,880 --> 00:15:51,520
BOY, THAT WAS
A CLOSE ONE !
243
00:15:51,560 --> 00:15:53,880
GOOD NIGHT.
I GOTTA GO.
GOOD NIGHT.
244
00:15:53,920 --> 00:15:57,320
YOU TWO
ARE CRAZY !
245
00:15:57,360 --> 00:15:59,520
IT’S TIME FOR YOU
TO GO TO BED, LITTLE LADY.
246
00:15:59,520 --> 00:16:02,640
HAVE SWEET
DREAMS.
OKAY.
247
00:16:24,400 --> 00:16:26,520
HI, STAN.
HOW YOU DOING ?
248
00:16:39,760 --> 00:16:42,360
HELLO, GORGEOUS.
HELLO, DARLING.
249
00:16:42,480 --> 00:16:46,560
LOOK WHAT MARY
MADE FOR YOU.
WHAT A TALENT.
250
00:16:46,640 --> 00:16:48,800
LOVE, I NEED
TO TALK TO YOU.
251
00:16:48,880 --> 00:16:52,760
I DID SOMETHING WRONG
LAST NIGHT, DIDN’T I ?
252
00:16:52,840 --> 00:16:56,840
I MISSED A CUE AT
THE END OF THE FIRST ACT ?
SYLVIA, RELAX.
253
00:16:56,920 --> 00:16:59,680
YOU WERE YOUR
BRILLIANT SELF.
254
00:16:59,720 --> 00:17:02,720
I HAVE BEEN ASKED
TO DIRECT...
255
00:17:02,800 --> 00:17:06,200
"MIDSUMMER NIGHT’S DREAM"
AT THE NATIONAL.
256
00:17:06,280 --> 00:17:09,560
REALLY ?
OH, CONGRATULATIONS !
257
00:17:09,640 --> 00:17:12,680
I WANT YOU
TO PLAY HELENA.
258
00:17:12,800 --> 00:17:15,560
ME ?
YES, YOU’LL BE
SENSATIONAL !
259
00:17:15,680 --> 00:17:18,440
WILL YOU DO IT ?
I’D LOVE TO DO IT.
260
00:17:18,520 --> 00:17:21,640
BUT ?
MARY’S STARTING
SCHOOL HERE.
261
00:17:21,720 --> 00:17:25,440
TAKE HER. WE DO HAVE
SCHOOLS IN ENGLAND.
262
00:17:26,640 --> 00:17:30,120
HER FAMILY
IS HERE.
YOUR ROOMMATES,
YOU MEAN ?
263
00:17:30,200 --> 00:17:33,120
THEY’RE MORE
THAN ROOMMATES.
I REALIZE THAT.
264
00:17:33,200 --> 00:17:36,280
IT’S A
WONDERFUL OFFER,
265
00:17:36,360 --> 00:17:39,400
BUT IT’S A CRUCIAL
TIME FOR MARY.
266
00:17:40,640 --> 00:17:44,360
IT’S NOT BECAUSE OF
OUR RELATIONSHIP, IS IT ?
267
00:17:44,440 --> 00:17:46,360
NO, NOT AT ALL.
268
00:17:46,440 --> 00:17:49,240
MY ASKING YOU
IS PURELY PROFESSIONAL.
269
00:17:49,320 --> 00:17:51,280
I NEVER LET MY EMOTIONS
INTERFERE...
270
00:17:51,360 --> 00:17:53,280
WITH MY PROFESSIONAL
DECISIONS.
271
00:17:53,600 --> 00:17:56,920
EXCEPT, OF COURSE,
WHEN I’M HORNY.
272
00:17:57,920 --> 00:18:01,480
LOOK, I WON’T PRETEND
THAT I DON’T ADORE YOU,
273
00:18:01,520 --> 00:18:03,800
OR THAT I WOULDN’T
GIVE ANYTHING...
274
00:18:03,880 --> 00:18:06,640
IF YOU’D FINALLY AGREE
TO MARRY ME.
I KNOW,
275
00:18:06,720 --> 00:18:10,520
BUT I HAVE TO CONSIDER
MARY’S NEEDS.
276
00:18:15,080 --> 00:18:18,800
AND WHAT ABOUT
YOUR NEEDS ?
277
00:18:22,520 --> 00:18:25,160
I’LL THINK
ABOUT IT.
278
00:18:41,360 --> 00:18:43,360
THERE YOU GO.
279
00:18:43,400 --> 00:18:45,680
[ Mary ]
WHAT’S THIS BUTTON ?
280
00:18:45,720 --> 00:18:48,160
DON’T TOUCH THAT.
THAT’S THE DELETE BUTTON.
281
00:18:48,200 --> 00:18:52,000
- HOW DO I GET IT TO MOVE ?
- MOVE THE CURSOR DOWN.
282
00:18:53,000 --> 00:18:54,320
TRY IT.
283
00:18:54,400 --> 00:18:57,040
- I DID IT.
- GOOD. THAT WAS EASY.
284
00:18:59,280 --> 00:19:03,000
- WHAT ABOUT MARY’S NEW SHOES ?
- GOT ’EM YESTERDAY.
285
00:19:03,040 --> 00:19:05,640
MARY HAS A DENTIST
APPOINTMENT FRIDAY MORNING.
286
00:19:05,720 --> 00:19:08,320
I’VE GOT MY
COOKING CLASS.
287
00:19:08,360 --> 00:19:11,040
JACK, CAN
YOU COVER IT ?
YEAH.
288
00:19:11,080 --> 00:19:14,040
WHO’S COMING TO THE AIRPORT
TO PICK UP MY MOTHER ?
289
00:19:14,080 --> 00:19:17,320
YOUR MOM ? DAMN, I HAVE
THAT KIDNEY OPERATION.
290
00:19:17,360 --> 00:19:21,040
WHAT ABOUT YOU, PETE ?
MICHAEL, I’LL GIVE YOU
$1,000 IF YOU’LL DO IT.
291
00:19:21,120 --> 00:19:24,080
I WOULD, BUT I’VE GOT
A MEETING WITH MY, UM,
292
00:19:24,160 --> 00:19:26,080
PUBLISHER !
293
00:19:26,160 --> 00:19:28,160
I THOUGHT YOU HAD
A DATE WITH LAURIE.
294
00:19:28,200 --> 00:19:30,600
THAT’S TOMORROW.
295
00:19:30,680 --> 00:19:33,720
I LIKE LAURIE.
SO DO I.
296
00:19:33,760 --> 00:19:36,080
BEEN A WHILE,
HUH, MICHAEL ?
297
00:19:36,160 --> 00:19:40,040
HOW’S IT GOING ?
THAT’S WHAT WE’RE
GOING TO TALK ABOUT.
298
00:19:40,120 --> 00:19:44,160
OOO, TIME TO FISH
OR CUT BAIT, HUH ?
THAT’S REALLY ROMANTIC.
299
00:19:44,200 --> 00:19:46,960
YOU’D BE SURPRISED
HOW PRACTICAL WOMEN ARE.
300
00:19:47,040 --> 00:19:49,640
NO MATTER
WHAT THEY SAY,
301
00:19:49,680 --> 00:19:52,400
A WOMAN WANTS TO BE
SWEPT OFF HER FEET.
302
00:19:52,480 --> 00:19:56,880
LIKE I SWEPT YOU OFF
YOUR FEET ?
KNOCKED ME OFF MY FEET.
303
00:19:56,920 --> 00:19:58,880
WOMEN WANT SECURITY.
304
00:19:58,920 --> 00:20:00,880
YOU KNOW
WHAT I WANT ?
305
00:20:00,960 --> 00:20:04,880
I WANT A MAN TO MAKE
A FOOL OF HIMSELF OVER ME.
306
00:20:04,960 --> 00:20:08,480
I’D MAKE A FOOL OF MYSELF
OVER YOU ANY DAY.
307
00:20:10,120 --> 00:20:14,040
MICHAEL, YOU’RE NOT BREAKING
UP WITH LAURIE, ARE YOU ?
308
00:20:14,080 --> 00:20:16,720
WE HAVE TO SHAKE
OUR RELATIONSHIP UP.
309
00:20:16,800 --> 00:20:19,040
NOTHING SHAKES UP A
RELATIONSHIP LIKE...
MARRIAGE !
310
00:20:19,120 --> 00:20:21,200
WHO SAID ANYTHING
ABOUT MARRIAGE ?
311
00:20:21,280 --> 00:20:25,840
I DON’T KNOW IF I LIKE
THIS ATTITUDE AROUND MARY.
HOW COME YOU’RE NOT MARRIED ?
312
00:20:25,880 --> 00:20:28,480
OH --
OH --
OH --
313
00:20:28,520 --> 00:20:30,840
I’D LIKE TO GET
BACK TO THE PENIS.
314
00:20:30,920 --> 00:20:32,840
WE NEVER DID
COVER THAT.
315
00:20:32,960 --> 00:20:35,560
COME ALONG, BEFORE
YOU’RE PERMANENTLY WARPED.
316
00:20:39,040 --> 00:20:42,520
THANK YOU FOR COMING.
I CAN ALWAYS COUNT ON YOU.
SURE.
317
00:20:42,560 --> 00:20:46,760
DARLING !
IT’S WONDERFUL
TO SEE YOU.
318
00:20:46,840 --> 00:20:50,040
WELCOME,
MRS. BENNINGTON.
MICHAEL.
319
00:20:50,080 --> 00:20:51,800
PETER.
OH, YES.
320
00:20:51,880 --> 00:20:54,560
JACK WANTED TO COME,
BUT HE WAS BUSY.
321
00:20:54,640 --> 00:20:57,360
SPREADING HIS SEED,
NO DOUBT.
322
00:20:57,360 --> 00:21:02,040
HOW IS MARY ?
YOU WON’T BELIEVE
HOW MUCH SHE’S GROWN.
323
00:21:12,480 --> 00:21:13,600
MICHAEL ?
324
00:21:18,560 --> 00:21:20,440
WHAT ?
NO FURNITURE ?
325
00:21:26,960 --> 00:21:29,320
OH, THANK YOU,
MICHAEL.
PETER.
326
00:21:31,320 --> 00:21:34,480
LOOK. IT’S
THE BIOLOGICAL ONE.
327
00:21:35,680 --> 00:21:36,920
MOM.
328
00:21:37,000 --> 00:21:40,840
WHY WHEN YOU SAY IT,
DOES IT SOUND FRIGHTENING ?
329
00:21:40,880 --> 00:21:44,080
GREAT TO SEE YOU.
YOU’RE LOOKING... SO CLOSE.
330
00:21:44,160 --> 00:21:46,040
I HOPE YOU CAN STAY
FOR A WHILE.
331
00:21:46,120 --> 00:21:50,680
MOTHER’S STAYING
AT THE PLAZA.
I’M LEAVING
THE DAY AFTER TOMORROW.
332
00:21:50,720 --> 00:21:52,240
GEE, SO SOON ?
333
00:21:54,440 --> 00:21:58,200
COME ALONG. I’VE MADE
YOUR FAVORITE BISCUITS.
334
00:22:00,240 --> 00:22:01,600
OH, GOOD SHOT,
MOM.
335
00:22:01,680 --> 00:22:04,200
DON’T YOU THINK YOU
CAN STAY LONGER ?
336
00:22:04,240 --> 00:22:08,520
I TRIED TO CHANGE HER MIND.
DID SOMEONE LEAVE
A WINDOW OPEN ?
337
00:22:08,640 --> 00:22:13,200
IN YOU GET, DARLING.
LIE DOWN. THAT’S IT.
338
00:22:13,280 --> 00:22:15,200
LOVELY.
339
00:22:15,280 --> 00:22:20,160
TOMORROW, WE CAN DO
ANYTHING YOU WANT.
340
00:22:20,200 --> 00:22:21,600
CAN WE TOSS
A FRISBEE ?
341
00:22:22,720 --> 00:22:25,520
WE’LL DISCUSS THAT
IN THE MORNING.
342
00:22:25,560 --> 00:22:28,160
WOULD YOU LIKE ME
TO SING YOU A LULLABY ?
343
00:22:28,160 --> 00:22:30,040
I WANT A RAP SONG.
344
00:22:31,400 --> 00:22:32,240
OH.
345
00:22:33,440 --> 00:22:36,800
♪ KICK IT ♪
♪ TSS, TSS, TSS
HUH ♪
346
00:22:36,840 --> 00:22:38,440
[ Beat Boxing ]
347
00:22:41,040 --> 00:22:43,640
♪ INTRODUCING
MIKE, PETER AND JACK ♪
348
00:22:43,680 --> 00:22:46,160
♪ YOUR RHYMIN’ 3 DADS
DOING THE MARY RAP ♪
349
00:22:46,200 --> 00:22:48,640
♪ JUST A LITTLE LADY
YOU NEED YOUR SLEEP ♪
350
00:22:48,720 --> 00:22:52,400
♪ DON’T WANT NO JIVE
ABOUT SOMETHING TO EAT ♪
351
00:22:52,480 --> 00:22:55,640
♪ WE WERE PARTYING-DOWN
DANCING ’TIL DAWN ♪
352
00:22:55,720 --> 00:22:58,720
♪ YOUR FOOD-SPITTIN’,
TOILET-TRAININ’
CHANGED OUR SONG ♪
353
00:22:58,800 --> 00:23:01,880
♪ WE’RE SITUATED BACHELORS,
FATHERS-IN-WAITIN’ ♪
354
00:23:01,960 --> 00:23:05,200
♪ RATHER HANG WITH YOU THAN
THE ONE HE’S BEEN DATING ♪
355
00:23:05,280 --> 00:23:08,680
♪ SAY, MARY, DID YOU
WASH YOUR FACE ♪
356
00:23:08,760 --> 00:23:12,840
♪ SAY, MARY, DID YOU
BRUSH YOUR TEETH ♪
357
00:23:12,880 --> 00:23:15,520
♪ MIKE BE NIMBLE,
PETER BE QUICK ♪
358
00:23:15,600 --> 00:23:17,840
♪ JACK BUST A RHYME
AND MAKE IT SLICK ♪
359
00:23:17,920 --> 00:23:20,200
♪ TO LITTLE LADY MARY
WE SAY PLEASE ♪
360
00:23:20,280 --> 00:23:22,520
♪ JUST CLOSE YOUR EYES
AND COP SOME Z’s ♪
361
00:23:22,600 --> 00:23:24,360
♪ OOGA-OOGA-OOGA ♪
362
00:23:24,440 --> 00:23:26,680
♪ JUST CLOSE THEM EYES
AND COP SOME Z’s ♪
363
00:23:26,800 --> 00:23:28,560
♪ WINK-A-WINK-A-WINK ♪
364
00:23:28,640 --> 00:23:30,880
♪ JUST CLOSE THEM EYES
AND COP SOME Z’s ♪
365
00:23:30,920 --> 00:23:32,720
♪ OOGA-OOGA-OOGA ♪
366
00:23:32,800 --> 00:23:35,760
♪ JUST CLOSE THEM EYES
AND COP SOME Z’s ♪♪
367
00:23:35,840 --> 00:23:38,840
I NEED A DRINK.
368
00:23:48,920 --> 00:23:50,960
HAVE YOU
SEEN JACK ?
369
00:23:51,000 --> 00:23:53,720
I THINK HE WENT OUT
WITH CASSIE.
370
00:23:54,480 --> 00:23:57,280
DAMN. HE PROMISED
TO REHEARSE THIS SCENE.
371
00:23:57,360 --> 00:23:59,080
I’VE GOT TO
DO IT IN CLASS.
372
00:23:59,160 --> 00:24:00,880
HE PROBABLY
FORGOT.
373
00:24:00,960 --> 00:24:03,360
YEAH.
374
00:24:03,400 --> 00:24:07,960
SYLVIA, WAIT A MINUTE.
I’LL DO IT WITH YOU.
375
00:24:08,040 --> 00:24:11,280
- YOU ?
- SURE, WHY NOT ?
376
00:24:11,360 --> 00:24:15,000
I REHEARSED WITH JACK.
I WAS A TERRIFIC LADY MACBETH.
377
00:24:15,040 --> 00:24:18,640
WHAT’S THE PLAY ?
"RAINMAKER."
378
00:24:19,400 --> 00:24:22,040
WELL, WHERE
DO YOU WANT ME ?
379
00:24:22,080 --> 00:24:24,840
ALL RIGHT.
STAND HERE.
380
00:24:24,880 --> 00:24:27,760
YOU’RE SURE ?
YEAH,
THIS IS GREAT.
381
00:24:27,840 --> 00:24:30,240
THEN HERE.
ALL RIGHT.
382
00:24:30,840 --> 00:24:32,840
AH,
I’M STARBUCK ?
383
00:24:33,840 --> 00:24:36,360
UNLESS YOU WANT
TO PLAY LIZZIE.
384
00:24:36,400 --> 00:24:39,200
STARBUCK
WILL BE FINE.
385
00:24:39,240 --> 00:24:42,200
STARBUCK IS A VERY
DYNAMIC, PASSIONATE,
386
00:24:42,240 --> 00:24:44,200
VERY CHARISMATIC MAN.
387
00:24:44,240 --> 00:24:46,320
RIGHT.
388
00:24:47,200 --> 00:24:49,200
YOU READY ?
READY.
389
00:24:51,600 --> 00:24:54,400
"LET ME ASK YOU, LIZZIE,
ARE YOU PRETTY ?"
390
00:24:54,480 --> 00:24:56,520
WHAT’S
THE MATTER ?
391
00:24:56,640 --> 00:24:59,200
NOTHING, NOTHING.
JUST BE NATURAL.
392
00:24:59,240 --> 00:25:01,920
YOU’RE BEING
A LITTLE TOO LARGE.
393
00:25:02,000 --> 00:25:04,680
OKAY. NATURAL.
I CAN DO THAT.
394
00:25:05,880 --> 00:25:07,200
NATURAL.
395
00:25:07,880 --> 00:25:10,560
"LET ME ASK YOU, LIZZIE,
ARE YOU PRETTY ?"
396
00:25:10,640 --> 00:25:14,520
NO, I’M PLAIN.
"YOU DON’T KNOW
YOU’RE A WOMAN ?"
397
00:25:14,600 --> 00:25:18,360
I AM A WOMAN !
A PLAIN ONE.
"EVERY WOMAN
IS PRETTY."
398
00:25:18,400 --> 00:25:20,200
NOT ME.
399
00:25:20,280 --> 00:25:24,200
"CLOSE YOUR EYES, LIZZIE.
CLOSE ’EM.
400
00:25:24,240 --> 00:25:26,320
NOW SAY,
I’M PRETTY."
401
00:25:27,200 --> 00:25:29,840
I CAN’T.
"SAY IT !
402
00:25:29,920 --> 00:25:32,880
SAY IT, LIZZIE."
I’M PRETTY !
403
00:25:37,840 --> 00:25:39,600
WHAT’D YOU DO
THAT FOR ?
404
00:25:39,680 --> 00:25:43,040
IT’S...
IN THE SCRIPT.
405
00:25:45,680 --> 00:25:47,360
WELL, NO.
406
00:25:47,440 --> 00:25:50,520
ACTUALLY IT SAYS,
"HE KISSES HER."
407
00:25:51,200 --> 00:25:52,880
RIGHT.
408
00:25:52,960 --> 00:25:55,720
DO YOU WANT
TO TRY IT AGAIN ?
409
00:25:55,800 --> 00:25:58,160
OKAY.
410
00:25:59,000 --> 00:26:01,480
YOU READY ?
READY.
411
00:26:03,440 --> 00:26:05,280
CLOSE YOUR EYES.
412
00:26:07,160 --> 00:26:10,000
SAY,
"I’M PRETTY."
I CAN’T.
413
00:26:10,040 --> 00:26:13,040
SAY IT, LIZZIE.
I AM PRETTY.
414
00:26:26,360 --> 00:26:27,840
UM,
415
00:26:29,360 --> 00:26:31,120
JACK SHOULD
BE DOING THIS.
416
00:26:31,200 --> 00:26:33,360
HE’S THE ACTOR.
I WAS TERRIBLE.
417
00:26:33,440 --> 00:26:35,440
YOU WERE DOING
SO WELL !
418
00:26:36,360 --> 00:26:38,360
I WAS TOTALLY
UNBELIEVABLE.
419
00:26:39,280 --> 00:26:41,400
I THOUGHT YOU WERE
VERY BELIEVABLE.
420
00:27:01,920 --> 00:27:04,040
OH, MY GOD.
421
00:27:10,880 --> 00:27:13,800
I THOUGHT THIS
WAS AGAINST THE RULES.
422
00:27:13,880 --> 00:27:16,000
NO ONE’S HOME.
423
00:27:16,080 --> 00:27:19,480
EXCEPT MARY.
AND SHE’S
SOUND ASLEEP.
424
00:27:19,520 --> 00:27:23,200
LAURIE, I’VE BEEN
THINKING ABOUT US.
HAVE YOU ?
425
00:27:23,240 --> 00:27:25,360
I THINK THAT IT’S...
426
00:27:25,440 --> 00:27:27,360
TIME FOR US TO --
427
00:27:27,440 --> 00:27:30,040
TO FISH
OR CUT BAIT.
428
00:27:30,120 --> 00:27:34,320
ALL MY LIFE, I’VE DREAMT
OF A MAN SAYING THAT TO ME.
429
00:27:34,360 --> 00:27:38,200
SORRY. I DON’T KNOW
WHERE THAT CAME FROM.
430
00:27:47,360 --> 00:27:50,040
AAAH ! THERE’S
SNAKES IN MY BED !
431
00:27:50,080 --> 00:27:52,720
AH, MARY !
432
00:27:52,760 --> 00:27:55,880
YOU REMEMBER MY FRIEND,
LAURIE.
IT’S NICE TO SEE YOU.
433
00:27:55,960 --> 00:27:58,880
WE WERE JUST MAKING,
AH, AH,
434
00:27:58,960 --> 00:28:02,240
WHAT WERE
YOU SAYING ?
435
00:28:02,320 --> 00:28:04,680
SNAKES !
SNAKES, A-HA.
436
00:28:04,720 --> 00:28:08,680
THERE ARE NO
SNAKES IN YOUR BED.
MAYBE RATS.
437
00:28:08,760 --> 00:28:10,240
NO RATS, EITHER.
438
00:28:10,320 --> 00:28:12,040
I’LL
BE BACK.
BYE.
439
00:28:12,080 --> 00:28:14,680
YOU’RE LOOKING
TIRED.
I’M NOT.
440
00:28:14,720 --> 00:28:16,720
YOU’RE LOOKING
SLEEPY.
441
00:28:16,800 --> 00:28:18,560
I’M NOT SLEEPY.
442
00:28:20,360 --> 00:28:23,520
IS EVERYTHING
ALL RIGHT ?
WHY DO YOU ASK ?
443
00:28:23,600 --> 00:28:25,360
YOU SEEM TENSE.
444
00:28:25,440 --> 00:28:28,360
I DON’T KNOW.
445
00:28:29,600 --> 00:28:32,880
SOMETIMES I FEEL LIKE MY LIFE
IS ONE LONG IMPROVISATION.
446
00:28:32,920 --> 00:28:36,400
I DON’T HAVE TIME TO THINK,
PLAN OR TAKE IT IN.
447
00:28:36,480 --> 00:28:38,720
THINGS ARE THROWN AT ME
AND I REACT.
448
00:28:38,800 --> 00:28:42,840
I KEEP ASKING MYSELF,
"AM I A GOOD MOTHER ?"
449
00:28:42,880 --> 00:28:45,840
EVERY MOTHER ASKS
HERSELF THAT.
450
00:28:45,880 --> 00:28:47,880
DID YOU ?
CONSTANTLY.
451
00:28:47,960 --> 00:28:51,360
REALLY ?
YOU’RE A
WONDERFUL MOTHER.
452
00:28:53,040 --> 00:28:55,960
ALL YOU NEED NOW
IS A HUSBAND.
453
00:28:56,040 --> 00:28:59,440
ROMANCE IS THE LAST
THING ON MY MIND NOW.
454
00:28:59,520 --> 00:29:02,600
I’M NOT TALKING
ABOUT ROMANCE.
455
00:29:02,720 --> 00:29:04,880
I’M TALKING
ABOUT MARRIAGE.
456
00:29:05,440 --> 00:29:08,160
WHAT’S HAPPENING
BETWEEN YOU AND EDWARD ?
457
00:29:09,720 --> 00:29:11,840
HE PROPOSED
TO ME.
458
00:29:12,480 --> 00:29:13,880
AND ?
459
00:29:14,960 --> 00:29:17,440
EDWARD IS A
WONDERFUL MAN.
460
00:29:17,520 --> 00:29:20,200
IN SOME WAYS,
I LOVE HIM VERY MUCH.
461
00:29:20,320 --> 00:29:23,760
BUT... SOMETHING
KEEPS ME FROM SAYING "YES."
462
00:29:23,840 --> 00:29:28,160
WOULD THAT SOMETHING HAPPEN
TO BE A TALL ARCHITECT ?
463
00:29:28,200 --> 00:29:33,880
WHAT DO YOU MEAN ?
YOU’RE WASTING YOUR
TIME WITH THAT ONE.
464
00:29:34,000 --> 00:29:35,760
WHY DO YOU
SAY THAT ?
465
00:29:35,840 --> 00:29:39,280
SOME MEN ARE
NEVER COMFORTABLE
WITH THEIR FEELINGS.
466
00:29:39,360 --> 00:29:41,280
THEY CAN’T OPEN UP.
467
00:29:41,360 --> 00:29:44,160
HE DOES WITH MARY.
HE’S WONDERFUL WITH HER.
468
00:29:44,200 --> 00:29:46,160
THAT’S DIFFERENT.
469
00:29:46,200 --> 00:29:50,480
IF YOU THINK YOU CAN GET
HIM TO OPEN UP TO YOU,
470
00:29:50,560 --> 00:29:52,880
THEN, BY ALL MEANS,
MARRY HIM.
471
00:29:54,200 --> 00:29:58,280
YOU’LL FIND YOU’VE
WASTED PRECIOUS TIME...
472
00:29:58,400 --> 00:30:00,240
WAITING
FOR NOTHING.
473
00:30:10,200 --> 00:30:14,120
MARY, TURN OFF THE TV
AND GO TO SLEEP.
474
00:30:14,200 --> 00:30:17,120
NO !
WE LEAVE HER
WITH YOU...
475
00:30:17,200 --> 00:30:20,760
AND SHE’S CRAZY.
SHE’S GOING THROUGH
SOME WEIRD PHASE.
476
00:30:20,880 --> 00:30:24,600
IT’S NO DIFFERENT
THAN BEFORE.
IT’S A
LOT DIFFERENT !
477
00:30:24,720 --> 00:30:27,280
THINGS HAVE GOT
TO CHANGE AROUND HERE.
I HEARD YOU.
478
00:30:27,360 --> 00:30:30,920
IT’S NOT HEALTHY FOR
A GUY TO GET EXCITED
AND HAVE TO STOP !
479
00:30:31,000 --> 00:30:34,640
SHE WOULDN’T STOP
BOTHERING US ALL NIGHT.
GIVE ME THAT.
480
00:30:34,720 --> 00:30:37,440
LAURIE
FINALLY LEFT.
481
00:30:37,560 --> 00:30:39,720
I’M PULLING
THE PLUG.
482
00:30:39,760 --> 00:30:42,240
I’VE GOT A LIFE, TOO,
YOU KNOW !
483
00:30:43,440 --> 00:30:44,880
SHIT !
484
00:30:44,960 --> 00:30:47,880
- YOU SAID THE "S" WORD.
- I DIDN’T. AH, SHIT !
485
00:30:47,960 --> 00:30:51,320
- ARE YOU LISTENING ?
- I’M ELECTROCUTING MYSELF.
486
00:30:51,360 --> 00:30:54,000
[ Sylvia ]
WHAT IS GOING ON ?
487
00:30:54,120 --> 00:30:56,760
WHAT ARE YOU DOING UP,
YOUNG LADY ?
488
00:30:57,520 --> 00:30:59,800
EXCUSE US.
489
00:31:03,600 --> 00:31:06,240
WHAT STARTED
ALL THIS ?
490
00:31:06,320 --> 00:31:09,680
I THINK WE’RE GETTING INTO
SOME UNCHARTED TERRITORY.
491
00:31:30,040 --> 00:31:33,120
IS IT MINE
OR YOURS ?
IT’S ME.
492
00:31:33,200 --> 00:31:35,680
I’LL TAKE
THAT ONE.
493
00:31:35,720 --> 00:31:38,200
HOW’S MARY ?
ASLEEP
FOR NOW.
494
00:31:38,280 --> 00:31:40,200
WHAT’S THE MATTER
WITH HER ?
495
00:31:40,280 --> 00:31:44,080
WE’RE GETTING A TASTE
OF TOUGH THINGS AHEAD.
496
00:31:44,160 --> 00:31:46,360
ADOLESCENCE !
PUBERTY.
497
00:31:46,400 --> 00:31:49,360
PUBERTY WAS MY
FAVORITE STAGE.
I’M SERIOUS, JACK.
498
00:31:49,440 --> 00:31:52,640
SO AM I ! THAT’S ONE
THING I WAS GOOD AT.
499
00:31:52,720 --> 00:31:56,960
HOW LONG DO YOU THINK WE’RE
GONNA BE ABLE TO DO THIS ?
500
00:31:57,040 --> 00:32:00,240
DO WHAT, HONEY ?
LIVE
LIKE THIS.
501
00:32:00,320 --> 00:32:02,160
ME, YOU, MARY.
502
00:32:04,320 --> 00:32:06,400
IT’S WORKED SO FAR,
HASN’T IT ?
503
00:32:06,480 --> 00:32:08,680
IT WAS NECESSARY
AT FIRST.
504
00:32:08,760 --> 00:32:12,320
AND NOW YOU’RE SUCH A
BIG STAR YOU DON’T NEED US.
505
00:32:12,360 --> 00:32:14,640
THAT’S NOT FAIR,
JACK.
506
00:32:14,680 --> 00:32:17,120
I DON’T THINK
WE’RE MEETING...
507
00:32:17,200 --> 00:32:19,840
MARY’S OR MY
OR YOUR NEEDS.
508
00:32:19,920 --> 00:32:23,200
[ Peter ]
WHAT NEEDS ARE
YOU TALKING ABOUT ?
509
00:32:23,280 --> 00:32:27,240
PASSION, MARRIAGE,
CHILDREN, SEX !
510
00:32:27,320 --> 00:32:29,560
YOU TOOK THE WORDS
OUT OF MY MOUTH !
511
00:32:29,640 --> 00:32:32,560
I’LL TALK TO MARY
ABOUT SEX IF YOU WANT.
512
00:32:32,640 --> 00:32:35,480
NOT SEX FOR MARY,
SEX FOR ME.
UH-OH.
513
00:32:35,520 --> 00:32:37,880
TIME TO DUST OFF
THE OLD PENIS SPEECH.
514
00:32:37,960 --> 00:32:40,680
I NEVER HAVE IT WITH ME
WHEN I NEED IT.
I’M SERIOUS !
515
00:32:40,720 --> 00:32:44,400
I WANT TO GET MARRIED.
I WANT MORE CHILDREN.
516
00:32:44,520 --> 00:32:47,080
THIS MUST BE
LIMITING FOR YOU.
517
00:32:47,160 --> 00:32:50,240
IT IS.
THAT’S THE PROBLEM.
518
00:32:50,360 --> 00:32:52,600
IF MARY AND I
HADN’T MOVED IN,
519
00:32:52,680 --> 00:32:56,200
YOU’D BE IN DIFFERENT
PLACES NOW.
WE’D BE MARRIED.
520
00:32:56,280 --> 00:32:58,960
WE’D BE DIVORCED.
YOU SAVED US A FORTUNE.
521
00:32:59,040 --> 00:33:01,280
JOKE ALL YOU WANT,
522
00:33:01,360 --> 00:33:04,440
BUT MARY NEEDS A
MORE NORMAL ENVIRONMENT.
523
00:33:04,520 --> 00:33:08,280
SHE’S VERY CONFUSED
AND SO AM I.
524
00:33:16,240 --> 00:33:19,520
OKAY, I’LL LIVE UP
TO MY RESPONSIBILITY.
525
00:33:20,560 --> 00:33:22,360
YOU WANT
TO MARRY ME ?
526
00:33:22,400 --> 00:33:24,960
JACK, BE SERIOUS.
527
00:33:25,040 --> 00:33:27,920
I AM ! WE HAD
A CHILD TOGETHER.
528
00:33:28,000 --> 00:33:30,000
WHAT DO YOU SAY ?
529
00:33:31,680 --> 00:33:35,200
- WANT TO SLEEP ON IT ?
- SHE DID THAT ONCE.
530
00:33:35,240 --> 00:33:37,680
HEY, SHUT UP !
531
00:33:41,040 --> 00:33:43,480
DO YOU WANT
TO MARRY ME ?
532
00:33:45,920 --> 00:33:47,200
NO.
533
00:33:47,280 --> 00:33:48,960
NO ?
534
00:33:49,040 --> 00:33:51,200
BUT THANK YOU
FOR ASKING.
535
00:33:52,960 --> 00:33:54,960
WHEW !
THAT WAS A CLOSE ONE.
536
00:33:55,040 --> 00:33:59,120
JACK, YOU’RE A WONDERFUL
MAN AND A GREAT FATHER,
537
00:33:59,200 --> 00:34:02,080
BUT YOU’D BE A
TERRIBLE HUSBAND.
I CAN LIVE WITH THAT.
538
00:34:02,160 --> 00:34:04,600
BESIDES,
I DON’T LOVE YOU.
539
00:34:04,680 --> 00:34:07,800
NOT ROMANTICALLY.
YOU DON’T LOVE ME EITHER.
540
00:34:07,880 --> 00:34:10,760
- HOW DO YOU KNOW ?
- I KNOW.
MAYBE HE DOES.
541
00:34:10,840 --> 00:34:13,840
NO, HE’S NOT
THAT GOOD AN ACTOR.
542
00:34:13,880 --> 00:34:16,160
I KNOW YOU
TOO WELL.
543
00:34:16,240 --> 00:34:18,160
I COULD FOOL YOU.
NEVER !
544
00:34:18,240 --> 00:34:20,840
I NEVER KNOW WHAT
TO DO WITH MY HANDS.
545
00:34:20,880 --> 00:34:23,400
MY HANDS ARE ALWAYS
GIVING ME AWAY.
546
00:34:23,480 --> 00:34:25,560
I DIDN’T
COME DOWN HERE...
547
00:34:25,640 --> 00:34:28,880
EXPECTING THE 3 OF YOU
TO DRAW STRAWS FOR ME.
548
00:34:29,840 --> 00:34:32,080
A LOT OF THINGS
ARE CHANGING.
549
00:34:32,160 --> 00:34:34,120
IT’S TIME
WE FACE IT.
550
00:34:49,800 --> 00:34:52,520
[ Knocking ]
COME IN.
551
00:34:54,360 --> 00:34:57,120
OH, PETER !
IS MARY ALL RIGHT ?
SHE’S FINE.
552
00:34:57,200 --> 00:34:59,760
LAST TIME YOU CAME
TO THE THEATER,
553
00:34:59,840 --> 00:35:01,760
SHE HAD A RAISIN
IN HER EAR.
554
00:35:01,840 --> 00:35:05,640
THAT WAS JACK WHO PUT
THE RAISIN IN HER EAR.
I SHOULD’VE KNOWN.
555
00:35:05,680 --> 00:35:08,640
THAT’S A
VERY PRETTY DRESS.
556
00:35:08,680 --> 00:35:10,800
THANK YOU.
557
00:35:10,880 --> 00:35:14,080
WHAT BRINGS
YOU HERE ?
YOU.
558
00:35:14,160 --> 00:35:18,440
ME ?
YOU’RE RIGHT.
WE HAVEN’T BEEN...
559
00:35:18,520 --> 00:35:21,400
PAYING ENOUGH
ATTENTION TO YOUR NEEDS.
560
00:35:21,480 --> 00:35:25,520
THERE’S SOMETHING THAT
I WANTED TO SAY TO YOU...
561
00:35:25,520 --> 00:35:28,320
WITHOUT MICHAEL
AND JACK AROUND.
562
00:35:32,280 --> 00:35:34,840
WHAT IS IT ?
563
00:35:34,880 --> 00:35:35,880
WELL,
564
00:35:36,880 --> 00:35:40,320
I THINK YOU SHOULD GET
MARRIED AND HAVE MORE KIDS.
565
00:35:40,360 --> 00:35:42,800
IF THEY’RE LIKE MARY,
YOU SHOULD HAVE A DOZEN.
566
00:35:44,520 --> 00:35:47,160
I JUST WANTED YOU
TO KNOW THAT.
567
00:35:48,480 --> 00:35:51,520
WHATEVER YOU DECIDE,
I’LL SUPPORT YOU.
568
00:35:52,640 --> 00:35:54,080
IS THAT ALL ?
569
00:35:55,440 --> 00:35:58,400
WELL, MAKE SURE
YOU PICK THE RIGHT GUY !
570
00:35:58,480 --> 00:36:00,560
DON’T JUST RUSH
INTO IT.
571
00:36:01,360 --> 00:36:03,840
I’M NOT RUSHING
INTO ANYTHING.
572
00:36:03,880 --> 00:36:07,160
THAT’S WHAT EVERYBODY THINKS
WHEN THEY’RE DOING IT.
573
00:36:07,200 --> 00:36:10,760
THIS IS A HUGE STEP.
MAYBE IT’S TIME
WE TAKE SOME HUGE STEPS.
574
00:36:10,840 --> 00:36:14,400
PICKING THE WRONG PERSON
IS THE WORST MISTAKE.
575
00:36:14,480 --> 00:36:15,960
I KNOW.
DO YOU ?
576
00:36:16,040 --> 00:36:18,720
HOW MANY TIMES HAVE
YOU BEEN MARRIED ?
ONCE.
577
00:36:19,000 --> 00:36:20,280
WHAT ?
578
00:36:22,360 --> 00:36:23,520
WHEN ?
579
00:36:23,600 --> 00:36:25,960
WE’VE SPENT ALL
THIS TIME TOGETHER,
580
00:36:26,080 --> 00:36:28,000
AND YOU’VE NEVER
TOLD ME.
581
00:36:28,120 --> 00:36:30,360
WELL, IT WAS
A LONG TIME AGO...
582
00:36:30,400 --> 00:36:32,360
FOR ABOUT
AN HOUR.
583
00:36:32,400 --> 00:36:35,320
- DO JACK AND MICHAEL KNOW ?
- JACK KNOWS.
584
00:36:35,360 --> 00:36:36,720
NO ONE ELSE ?
585
00:36:36,800 --> 00:36:40,160
MY EX-WIFE HAS
A DIM RECOLLECTION.
586
00:36:40,200 --> 00:36:43,080
OBVIOUSLY IT WAS A
WONDERFUL EXPERIENCE FOR YOU.
587
00:36:44,840 --> 00:36:46,720
ONE THAT CAN NEVER
BE EQUALED,
588
00:36:46,760 --> 00:36:48,880
NOT WITHOUT BLOODSHED,
ANYWAY.
589
00:36:48,920 --> 00:36:52,120
LOOK.
DARLING !
OH.
590
00:36:52,200 --> 00:36:56,440
PETER, I DIDN’T
KNOW YOU WERE HERE.
HELLO, DARLING.
591
00:36:56,520 --> 00:36:58,240
I WAS...
592
00:36:58,520 --> 00:36:59,840
JUST LEAVING,
593
00:37:00,680 --> 00:37:01,600
EDWARD.
594
00:37:08,000 --> 00:37:09,160
THINK
ABOUT IT.
595
00:37:09,240 --> 00:37:10,240
I WILL.
596
00:37:14,520 --> 00:37:17,840
WE CAN’T FORCE SYLVIA TO MARRY
SOMEBODY WE CHOOSE FOR HER.
597
00:37:17,840 --> 00:37:21,320
ALL WE’RE SAYING IS THAT
SHE WANTS TO GET MARRIED,
598
00:37:21,360 --> 00:37:24,760
SO LET’S INTRODUCE
HER TO SOME NICE GUYS.
599
00:37:24,840 --> 00:37:28,320
IF IT’S A FRIEND, IT’LL
MAKE THINGS EASIER ON US.
600
00:37:28,480 --> 00:37:29,720
THAT’S TRUE.
601
00:37:30,200 --> 00:37:33,520
GOOD.
READ THE LIST.
OKAY.
CARL ?
602
00:37:33,560 --> 00:37:37,120
- CARL IS TOO SHORT.
- HE WON’T BE A THREAT TO MARY.
603
00:37:37,160 --> 00:37:38,760
SHE’S BIGGER.
604
00:37:38,840 --> 00:37:41,560
WHAT ABOUT BILL ?
I LIKE BILL.
605
00:37:41,640 --> 00:37:44,320
DON’T WE NEED SOMEONE
A LITTLE MORE ELEGANT ?
606
00:37:44,360 --> 00:37:47,000
MOOSE ?
PROBABLY NOT.
607
00:37:47,120 --> 00:37:49,040
DENNY.
DENNY’S
A GREAT IDEA.
608
00:37:49,160 --> 00:37:51,520
- DENNY’S ALWAYS BROKE.
- WHAT ABOUT JIM ?
609
00:37:51,600 --> 00:37:55,640
SOMEONE A LITTLE MORE MATURE
THAN MARY WOULD BE PREFERABLE.
610
00:37:55,680 --> 00:37:58,680
SLIM PICKINGS.
GLAD I’M NOT SEARCHING
FOR A HUSBAND.
611
00:37:58,760 --> 00:38:00,680
I’M LOOKING BETTER.
612
00:38:00,800 --> 00:38:02,640
- GREG ?
- TOO YOUNG.
613
00:38:02,680 --> 00:38:04,200
- MATT ?
- TOO OLD.
614
00:38:04,240 --> 00:38:06,120
- TREVOR ?
- TOO FAT.
615
00:38:06,200 --> 00:38:08,440
BILL ? BILLY-BOB ?
BILLY-JOE ?
616
00:38:08,520 --> 00:38:11,720
PETER, WE’RE NOT ASKING
YOU TO MARRY THE GUY.
WHAT ABOUT EDWARD ?
617
00:38:12,640 --> 00:38:14,880
HE’S ENGLISH.
618
00:38:14,920 --> 00:38:19,160
SO IS SYLVIA.
NAH, THAT’S ONE OF THOSE
ACTOR-DIRECTOR THINGS.
619
00:38:19,200 --> 00:38:21,760
THEY NEVER LAST.
TRUST ME.
620
00:38:23,760 --> 00:38:27,200
YOU KNOW WHAT
I’M THINKING ?
WHAT ?
621
00:38:27,240 --> 00:38:31,360
I’M THINKING I’D LIKE
TO HAVE ANOTHER CHILD.
622
00:38:31,400 --> 00:38:34,200
MAYBE TWO MORE.
623
00:38:34,280 --> 00:38:37,320
MAYBE EVEN
A DOZEN !
624
00:38:38,880 --> 00:38:41,360
I’D LIKE
TO HAVE CHILDREN.
625
00:38:41,440 --> 00:38:44,720
REALLY ?
YOU DIDN’T BEFORE.
626
00:38:44,800 --> 00:38:46,800
I MUST BE
GROWING UP.
627
00:38:46,880 --> 00:38:49,480
I THOUGHT YOU LIKED
THOSE OPENING NIGHT PARTIES.
628
00:38:49,520 --> 00:38:51,520
THE HOTELS,
THE STARS !
629
00:38:51,600 --> 00:38:54,280
I THOUGHT THAT
WAS THE BEST PART.
I LIED.
630
00:38:54,360 --> 00:38:56,560
YOU’RE THE
BEST PART.
631
00:38:56,600 --> 00:38:59,320
I LOVE YOU,
SYLVIA BENNINGTON.
632
00:38:59,440 --> 00:39:01,440
MARRY ME.
633
00:39:05,840 --> 00:39:07,760
I’M GETTING
MARRIED.
634
00:39:07,840 --> 00:39:09,760
I’M GETTING
MARRIED !
635
00:39:09,840 --> 00:39:12,600
I’M, I’M --
I’M GETTING MARRIED.
636
00:39:12,680 --> 00:39:15,360
AH, NO !
637
00:39:15,400 --> 00:39:17,760
SYLVIA, THERE’S
NO MORE MILK.
638
00:39:17,840 --> 00:39:21,360
I’M GETTING MARRIED.
DON’T OVERREACT.
I CAN GET SOME MILK.
639
00:39:21,440 --> 00:39:25,760
I THINK SHE’S SERIOUS.
YOU SERIOUS ?
I’M VERY
SERIOUS.
640
00:39:25,880 --> 00:39:28,440
YOU’RE GETTING
MARRIED ?
YES.
641
00:39:28,520 --> 00:39:32,800
TO SOMEONE
SPECIFIC ?
NO, TO THE
MORMON TABERNACLE CHOIR.
642
00:39:32,880 --> 00:39:37,360
WE SPENT ALL NIGHT
AND COULDN’T COME
UP WITH SQUAT.
WHAT ?
643
00:39:37,400 --> 00:39:39,880
NEVER MIND.
644
00:39:39,920 --> 00:39:42,040
WHO IS HE ?
EDWARD.
645
00:39:42,120 --> 00:39:43,440
YES !
646
00:39:43,520 --> 00:39:47,200
SWEETHEART, COME ON,
HE’S A DIRECTOR.
647
00:39:47,640 --> 00:39:48,840
WHY HIM ?
648
00:39:48,920 --> 00:39:50,800
BECAUSE
HE ASKED ME,
649
00:39:50,880 --> 00:39:53,440
AND BECAUSE
I LOVE HIM.
650
00:39:53,520 --> 00:39:56,680
I’VE GOT SO MUCH TO DO.
WE’RE BEING MARRIED IN ENGLAND.
651
00:39:56,720 --> 00:39:58,280
- WHEN ?
- SOON.
652
00:39:58,360 --> 00:40:01,360
EDWARD’S DIRECTING
"MIDSUMMER NIGHT’S DREAM,"
653
00:40:01,400 --> 00:40:05,360
AND I’LL BE DOING
IT WITH HIM.
ANYTHING FOR ME ?
654
00:40:05,400 --> 00:40:07,080
JACK !
655
00:40:08,840 --> 00:40:10,720
AREN’T YOU
HAPPY FOR ME ?
656
00:40:10,760 --> 00:40:13,240
YEAH, YEAH,
OF COURSE WE ARE.
657
00:40:13,320 --> 00:40:16,560
HOW MANY TIMES DOES
A LADY GET MARRIED, HUH ?
658
00:40:16,680 --> 00:40:19,760
2, 3 TIMES
AT THE MOST ?
JUST ONCE FOR ME.
659
00:40:19,840 --> 00:40:22,000
WHERE ARE YOU
GOING TO LIVE ?
660
00:40:24,280 --> 00:40:25,480
LONDON.
661
00:40:26,320 --> 00:40:28,840
- LONDON, ENGLAND ?
- NO, LONDON, NEW JERSEY.
662
00:40:28,880 --> 00:40:30,760
AND MARY ?
663
00:40:33,320 --> 00:40:34,840
I’M TAKING MARY
WITH ME.
664
00:40:42,640 --> 00:40:45,440
MOMMY, I CAN’T
FIND SABRINA.
665
00:40:45,520 --> 00:40:48,120
I’LL BE RIGHT THERE,
DARLING.
666
00:40:48,200 --> 00:40:51,880
LOOK, I KNOW
THIS IS SUDDEN.
667
00:40:51,920 --> 00:40:54,480
IT’S NOT EASY FOR ME,
EITHER.
668
00:40:54,520 --> 00:40:58,360
I LOVE YOU ALL
VERY, VERY MUCH.
669
00:40:58,400 --> 00:41:01,560
I’M COUNTING
ON YOU.
670
00:41:01,600 --> 00:41:04,840
I REALLY NEED
YOUR UNDERSTANDING !
671
00:41:04,880 --> 00:41:07,120
IT’S THE BEST THING
FOR EVERYONE,
672
00:41:07,160 --> 00:41:09,760
SO TRY AND SUPPORT ME
IN THIS, WILL YOU ?
673
00:41:19,240 --> 00:41:20,720
MOVING TO LONDON ?
674
00:41:27,080 --> 00:41:30,200
[ Mary ]
I DON’T WANT
TO GO TO ENGLAND.
675
00:41:30,240 --> 00:41:33,200
SOMETIMES WE
GOTTA DO THINGS...
676
00:41:33,240 --> 00:41:36,200
THAT SEEM
KINDA HARD AT FIRST.
677
00:41:36,240 --> 00:41:39,080
MOST OF THE TIME THEY
TURN OUT TO BE GREAT.
678
00:41:39,160 --> 00:41:41,440
NO, THEY DON’T.
SURE, THEY DO.
679
00:41:41,520 --> 00:41:44,520
LIKE YOU.
WHAT DO
YOU MEAN ?
680
00:41:44,560 --> 00:41:48,600
WHEN YOU FIRST SHOWED UP,
WE WEREN’T SURE WE’D LIKE YOU.
681
00:41:48,680 --> 00:41:50,400
WHY NOT ?
682
00:41:50,480 --> 00:41:55,360
ALL YOU DID WAS
EAT, SLEEP AND CRY.
683
00:41:55,440 --> 00:41:57,840
LOOK HOW GREAT
IT TURNED OUT.
684
00:42:00,360 --> 00:42:02,400
BUT I’LL NEVER
SEE YOU AGAIN.
685
00:42:02,480 --> 00:42:06,040
WE’LL COME VISIT YOU
AND YOU CAN VISIT US.
686
00:42:06,120 --> 00:42:08,040
NOT EVERY DAY.
687
00:42:08,120 --> 00:42:10,400
NO, NOT EVERY DAY.
688
00:42:10,480 --> 00:42:13,080
I’LL TELL YOU WHAT.
CLOSE YOUR EYES.
689
00:42:13,160 --> 00:42:15,400
I DON’T WANT TO.
COME ON,
CLOSE YOUR EYES.
690
00:42:15,480 --> 00:42:18,760
ARE YOU CHEATING ?
ARE THEY CLOSED ?
691
00:42:18,840 --> 00:42:21,600
OKAY.
CAN YOU SEE US ?
692
00:42:21,680 --> 00:42:24,840
NO.
THEN YOU’RE NOT
LOOKING HARD ENOUGH.
693
00:42:24,880 --> 00:42:29,120
LOOK REAL HARD,
WAY IN THE BACK.
694
00:42:29,160 --> 00:42:31,720
CAN YOU
SEE US NOW ?
695
00:42:33,120 --> 00:42:36,240
YEAH,
I CAN SEE YOU.
THERE YOU GO.
696
00:42:36,320 --> 00:42:39,800
WHAT ARE
WE DOING ?
MICHAEL’S DRAWING.
697
00:42:39,840 --> 00:42:43,680
WHAT’S JACK DOING ?
JACK’S LOOKING
IN THE MIRROR.
698
00:42:43,720 --> 00:42:47,240
YOU ARE WATCHING
BASKETBALL ON TV,
699
00:42:47,320 --> 00:42:50,240
YELLING AT JACK FOR NOT
CLEANING UP THE KITCHEN.
700
00:42:51,160 --> 00:42:54,800
SEE ? THAT SOUNDS
ABOUT RIGHT TO ME.
701
00:42:54,880 --> 00:42:57,680
WHENEVER YOU NEED US,
YOU CLOSE YOUR EYES REAL TIGHT.
702
00:42:57,800 --> 00:42:59,720
YOU LOOK FOR US,
703
00:43:00,360 --> 00:43:03,320
AND WE’LL BE
RIGHT THERE WITH YOU.
704
00:43:03,360 --> 00:43:05,840
SIT ON MY LAP.
705
00:43:18,160 --> 00:43:20,480
REMEMBER,
DON’T OPEN IT...
706
00:43:20,520 --> 00:43:23,480
UNLESS YOU’RE PREPARED TO LOVE
AND CARE FOR WHAT’S IN IT.
707
00:43:23,520 --> 00:43:26,440
WHAT IS IT ?
YOU WON’T KNOW
UNTIL YOU OPEN IT.
708
00:43:26,520 --> 00:43:28,640
YOU’RE WONDERFUL
WITH HER.
709
00:43:28,680 --> 00:43:31,840
BROADWAY’S NOTHING
COMPARED TO CHILDREN,
THE TOUGHEST AUDIENCE.
710
00:43:31,840 --> 00:43:35,080
GLAD YOU COULD COME,
EDWARD.
GOOD TO SEE YOU,
PETER.
711
00:43:35,160 --> 00:43:39,400
MICHAEL, I ADORED YOUR
CARTOON THIS MORNING.
712
00:43:39,480 --> 00:43:41,840
WHAT ASTONISHES ME
IS THE WAY A SATIRIST,
713
00:43:41,880 --> 00:43:44,480
LIKE YOURSELF,
CAN DRAW IN ONE FRAME,
714
00:43:44,560 --> 00:43:47,680
WHAT IT TAKES 2 OR 3 HOURS
IN A PLAY TO ACCOMPLISH.
715
00:43:47,720 --> 00:43:51,840
I LIKE TO THINK I TOUCH UPON
THE DEEPER ISSUES OF SOCIETY.
716
00:43:51,880 --> 00:43:55,480
JACK,
HOW ARE YOU ?
UNEMPLOYED.
717
00:43:55,520 --> 00:43:59,640
I MEANT TO EXPLAIN
WHY I DIDN’T CAST YOU.
718
00:43:59,680 --> 00:44:01,840
YOU DON’T --
IT’S ALL RIGHT.
719
00:44:01,880 --> 00:44:04,280
- WHY DIDN’T YOU ?
- THAT’S ALL RIGHT.
720
00:44:04,360 --> 00:44:07,200
I REALIZED THAT JACK
IS FAR TOO...
721
00:44:07,240 --> 00:44:09,680
LARGE AN ACTOR
FOR THAT PART.
722
00:44:09,720 --> 00:44:12,880
YOUR COMIC EXPERTISE
WOULD’VE THROWN THE
PLAY OUT OF BALANCE.
723
00:44:12,880 --> 00:44:16,280
I LOVED YOUR LAST
COMMERCIAL, BY THE WAY.
724
00:44:16,360 --> 00:44:19,200
- THE LAXATIVE ONE ?
- YOU WERE HYSTERICAL.
725
00:44:19,240 --> 00:44:21,680
I DON’T WANT TO SOUND
CONCEITED,
726
00:44:21,800 --> 00:44:26,480
BUT A LOT OF PEOPLE REALLY
BELIEVED I WAS CONSTIPATED.
727
00:44:26,560 --> 00:44:28,280
AS I DID.
TRULY.
728
00:44:28,360 --> 00:44:32,640
THANKS.
THAT MEANS A LOT TO ME.
729
00:44:32,680 --> 00:44:35,680
I THINK
WE NEED DRINKS.
730
00:44:37,440 --> 00:44:40,280
I THINK
WE NEED SHOVELS.
731
00:44:42,280 --> 00:44:44,680
[ Laughter ]
732
00:44:46,200 --> 00:44:48,120
THIS IS CRAZY.
733
00:44:48,200 --> 00:44:50,360
ALL I’M DOING IS
TALKING ABOUT MYSELF.
734
00:44:50,400 --> 00:44:53,200
CAN I FILL YOUR
DRINK UP FOR YOU, ED ?
735
00:44:53,280 --> 00:44:55,440
YOU DON’T MIND
IF I CALL YOU ED ?
NOT AT ALL.
736
00:44:56,880 --> 00:44:58,880
I OPENED
MY PRESENT.
YOU DID ?
737
00:44:58,920 --> 00:45:01,600
WHAT IS IT ?
A PICTURE
OF A HORSE.
738
00:45:01,680 --> 00:45:04,440
YOU’VE GOT TO LOVE
AND CARE FOR THAT HORSE.
IT’S ONLY A PICTURE.
739
00:45:04,520 --> 00:45:06,280
MY KIND OF HORSE.
740
00:45:06,840 --> 00:45:11,040
HOME IN ENGLAND,
IT’S A REAL HORSE.
IT IS ?
741
00:45:11,120 --> 00:45:13,160
YOU GOT HER
A REAL HORSE ?
742
00:45:14,120 --> 00:45:15,680
THANK EDWARD.
743
00:45:16,720 --> 00:45:19,000
THANK YOU,
EDWARD.
744
00:45:19,080 --> 00:45:21,760
JACK, EDWARD
GAVE ME A HORSE.
745
00:45:21,840 --> 00:45:25,120
YOU MADE HER DAY,
HER YEAR.
EDWARD ?
746
00:45:25,200 --> 00:45:28,600
IT CAN BE DANGEROUS TO BARGAIN
FOR A CHILD’S AFFECTION.
747
00:45:28,680 --> 00:45:33,280
I’M SORRY ?
WOULD ANYONE LIKE MY
LIVER MOUSSE HORS D’OEUVRES ?
748
00:45:33,360 --> 00:45:36,240
YOU BUY HER A HORSE,
WHAT’S NEXT ?
749
00:45:36,320 --> 00:45:39,080
TWO HORSES ?
THREE HORSES ?
750
00:45:39,160 --> 00:45:41,440
THEY’RE MADE FROM
FRESH GOAT LIVER.
751
00:45:41,520 --> 00:45:44,040
THEN WHAT ?
A MOTORCYCLE, A CAR ?
752
00:45:44,120 --> 00:45:46,040
PETE, PUT ONE
IN YOUR MOUTH.
753
00:45:46,120 --> 00:45:49,440
- WHERE DOES IT END ?
- I SEE YOUR POINT.
754
00:45:52,320 --> 00:45:54,760
YOU’VE NEVER BEEN AROUND
A KID BEFORE, HAVE YOU ?
755
00:45:54,840 --> 00:45:58,600
NO. LIKE YOURSELF, I’VE
NEVER HAD A CHILD OF MY OWN.
756
00:45:58,680 --> 00:46:01,600
RAISING A CHILD IS
NOT AS EASY AS IT LOOKS.
757
00:46:01,680 --> 00:46:04,280
- IT DOESN’T LOOK EASY.
- IT ISN’T.
758
00:46:04,360 --> 00:46:07,280
THEY SEE THROUGH PEOPLE
QUICKER THAN ADULTS DO.
759
00:46:08,160 --> 00:46:10,640
I THINK
WE SHOULD EAT.
760
00:46:16,000 --> 00:46:17,360
I’M SORRY
ABOUT PETER.
761
00:46:17,400 --> 00:46:20,120
I DON’T KNOW WHAT
HE THOUGHT HE WAS DOING.
762
00:46:20,200 --> 00:46:21,840
I CAN HANDLE HIM.
763
00:46:34,840 --> 00:46:37,600
MY FAVORITE
WAS WHEN HE SAID
HE REALLY THOUGHT...
764
00:46:37,680 --> 00:46:40,440
JACK WAS CONSTIPATED
IN THAT COMMERCIAL.
765
00:46:40,520 --> 00:46:42,720
CAN YOU
BELIEVE THAT ?
WHAT A CROCK.
766
00:46:42,800 --> 00:46:46,480
ARE YOU SAYING YOU DIDN’T
THINK I WAS CONSTIPATED ?
767
00:46:46,520 --> 00:46:48,600
ARE YOU SAYING THAT ?
DON’T TAKE
IT PERSONALLY.
768
00:46:48,680 --> 00:46:52,360
WHAT DO YOU KNOW ABOUT ACTING ?
YOU ACT CONSTIPATED !
769
00:46:52,400 --> 00:46:54,360
PETER.
770
00:46:54,400 --> 00:46:57,720
WHAT YOU DID TODAY
WAS TOTALLY UNCALLED-FOR.
771
00:47:00,280 --> 00:47:01,240
WHAT DID I DO ?
772
00:47:01,320 --> 00:47:04,040
YOU ACTED LIKE
A SPOILED CHILD !
773
00:47:04,120 --> 00:47:06,720
WELL, I DON’T
LIKE THE GUY.
774
00:47:06,800 --> 00:47:10,360
- YOU NEVER GAVE HIM A CHANCE.
- HE’S NOT RIGHT FOR MARY.
775
00:47:10,400 --> 00:47:14,840
NO ONE SUPPOSES THAT
HE’S AS PERFECT AS YOU ARE.
776
00:47:15,520 --> 00:47:17,120
I’M ONLY THINKING
OF MARY.
777
00:47:17,160 --> 00:47:20,680
YOU’RE NOT ! YOU’RE
ONLY THINKING OF YOURSELF,
778
00:47:20,760 --> 00:47:23,520
HOW YOU’RE GOING
TO MISS MARY,
779
00:47:23,560 --> 00:47:26,320
HOW SOMEONE ELSE WILL
BE WITH HER WHEN YOU’RE NOT.
780
00:47:26,360 --> 00:47:29,040
YOU HAVEN’T ONCE THOUGHT
OF WHAT SHE OR I NEED.
781
00:47:29,120 --> 00:47:30,360
NOT TRUE.
782
00:47:30,440 --> 00:47:32,800
DO YOU KNOW HOW HARD
TODAY WAS FOR ME ?
783
00:47:32,840 --> 00:47:34,800
IT WAS VERY HARD.
784
00:47:34,840 --> 00:47:37,240
I NEEDED A LITTLE
SUPPORT FROM YOU.
785
00:47:37,320 --> 00:47:41,360
ALL I GOT WAS A HELPING
OF YOUR BRUISED EGO.
786
00:47:41,400 --> 00:47:43,360
YOU’RE A
SELFISH BASTARD !
787
00:47:43,440 --> 00:47:45,000
I’M SELFISH ?
788
00:47:45,040 --> 00:47:48,320
I DIDN’T LEAVE MY BABY ON
A DOORSTEP AT 6 MONTHS OLD.
789
00:48:10,840 --> 00:48:15,120
THEY’RE REALLY STARTING
TO HATE EACH OTHER.
DON’T KID YOURSELF.
790
00:48:15,200 --> 00:48:17,360
I STILL LOVE THE FIRST
WOMAN WHO HIT ME.
791
00:48:23,480 --> 00:48:25,880
[ Jack ]
REMEMBER THE DAY
I GOT SABRINA,
792
00:48:25,960 --> 00:48:28,080
AND YOU LEFT HER
ON THE BUS ?
793
00:48:28,160 --> 00:48:29,200
REMEMBER THAT ?
794
00:48:29,840 --> 00:48:33,760
DO YOU REMEMBER THE DAY
SHE FELL IN THE POND ?
795
00:48:33,840 --> 00:48:39,160
YOU DROPPED HER WHEN YOU
WERE SMILING AT THAT LADY.
I DID ?
796
00:48:39,240 --> 00:48:43,040
YES, I DID.
I FORGOT THAT.
797
00:48:43,120 --> 00:48:46,840
ME AND SABRINA
HAVE A CONNECTION.
798
00:48:46,920 --> 00:48:49,840
WHEN YOU’RE IN
ENGLAND WITH SABRINA,
799
00:48:49,920 --> 00:48:54,760
IT’LL BE LIKE YOU’RE
THERE WITH ME. DEAL ?
800
00:48:54,840 --> 00:48:57,040
WILL YOU
MISS ME ?
801
00:48:58,280 --> 00:49:01,520
WILL I MISS YOU ?
MARY, I LOVE YOU.
802
00:49:03,440 --> 00:49:07,600
YOU’RE THE MOST PERFECT
THING I’VE DONE IN MY LIFE.
803
00:49:07,680 --> 00:49:10,840
- WHAT DO YOU MEAN ?
- SOMEDAY I’LL EXPLAIN.
804
00:49:10,880 --> 00:49:14,120
RIGHT NOW, YOU SHOULD
GO BACK TO BED. OKAY ?
805
00:49:16,880 --> 00:49:19,280
I’LL SEE YOU LATER.
806
00:49:41,440 --> 00:49:44,400
WELL.
THERE, SWEETIE.
807
00:49:45,360 --> 00:49:49,360
I’M GONNA MISS YOU.
I’M GOING
TO MISS YOU, TOO.
808
00:49:49,400 --> 00:49:52,720
OKAY, SWEETIE.
809
00:49:53,920 --> 00:49:57,880
OKAY, YOU BE
A STRONG LITTLE GIRL.
810
00:49:57,920 --> 00:50:01,120
HELP YOUR MOTHER,
RIGHT ?
811
00:50:01,200 --> 00:50:03,520
I WILL.
812
00:50:06,160 --> 00:50:07,120
OKAY.
813
00:50:13,440 --> 00:50:16,080
CALL WHEN
YOU GET THERE.
WE WILL.
814
00:50:50,640 --> 00:50:52,040
ARE YOU GOING
TO THE WEDDING ?
815
00:50:52,120 --> 00:50:53,480
NOPE.
816
00:50:55,560 --> 00:50:57,520
YOU ?
NAH.
817
00:50:57,560 --> 00:50:59,600
I GOT DEADLINES.
818
00:51:00,880 --> 00:51:02,520
YOU ?
819
00:51:02,560 --> 00:51:06,200
NO, I HAVE THAT
TV MOVIE IN BRAZIL.
820
00:51:06,280 --> 00:51:08,760
I DON’T THINK I CAN
WATCH SYLVIA GET MARRIED.
821
00:51:08,880 --> 00:51:11,760
IT’D BE LIKE WATCHING
OUR FAMILY END.
822
00:51:17,680 --> 00:51:19,000
LET’S HAVE A PARTY.
823
00:51:20,360 --> 00:51:22,080
YEAH ?
WHAT KIND ?
824
00:51:22,160 --> 00:51:24,880
THE KIND WE USED TO THROW
ALL THE TIME.
825
00:51:24,960 --> 00:51:26,840
I LIKE THAT IDEA !
826
00:51:26,880 --> 00:51:29,320
WE COULD EVEN HAVE
IT ON A SCHOOL NIGHT.
827
00:51:29,360 --> 00:51:32,840
YEAH ! IT’D BE LIKE
OUR RETURN TO BACHELORHOOD.
828
00:51:32,880 --> 00:51:35,840
ENOUGH ?
THAT’S GREAT.
829
00:51:35,880 --> 00:51:39,400
♪♪ [ Rock ’N’ Roll ]
830
00:51:44,640 --> 00:51:47,080
HI,
HOW ARE YOU ?
FINE.
831
00:51:47,160 --> 00:51:49,200
IS THIS FUN,
OR WHAT ?
YEAH !
832
00:51:49,240 --> 00:51:52,160
WE GOTTA MAKE UP
FOR LOST TIME, FELLAS.
833
00:51:52,200 --> 00:51:54,640
WHY DON’T I
TAKE THE BLONDES ?
834
00:51:54,680 --> 00:51:56,640
I’LL TAKE
THE BRUNETTES.
835
00:51:56,720 --> 00:51:58,760
I GUESS THAT
LEAVES ME THE REDHEADS.
836
00:51:58,840 --> 00:52:03,840
EXCUSE ME. WOULD
YOU LIKE TO DANCE ?
SURE.
837
00:52:03,880 --> 00:52:06,560
YOU’RE GONNA HAVE
TO KEEP UP WITH ME.
838
00:52:06,640 --> 00:52:08,880
I’M ONE HELL
OF A DANCER.
OH !
839
00:52:15,120 --> 00:52:16,720
AHHH !
840
00:52:16,800 --> 00:52:18,680
ARE YOU OKAY ?
841
00:52:18,720 --> 00:52:21,760
OH,
DON’T WORRY.
842
00:52:21,840 --> 00:52:26,400
LOOK. EVERY PICTURE,
SHE GETS CUTER AND CUTER.
843
00:52:26,480 --> 00:52:30,800
DID I TELL YOU WHAT
MARY SAID LAST YEAR ?
ONLY UNTIL MAY.
844
00:52:30,840 --> 00:52:35,600
I’M GONNA GET A DRINK,
THEN WE CAN START ON JUNE.
845
00:52:38,480 --> 00:52:42,120
I DID SOME OF
THE WORK MYSELF.
846
00:52:42,200 --> 00:52:44,840
THIS BOOKCASE
IS FROM A FARM.
WHERE ?
847
00:52:44,880 --> 00:52:46,920
WHAT DID YOU SAY
YOUR NAME WAS ?
ALLISIA.
848
00:52:47,000 --> 00:52:49,120
I’M PETER.
THE FARM WAS IN VERMONT.
849
00:52:49,160 --> 00:52:51,320
IT’S OLD,
FROM THE 18th CENTURY.
850
00:52:51,360 --> 00:52:55,120
I LIKE IT.
WHEN ARE YOU GONNA PAINT IT ?
851
00:52:55,160 --> 00:52:56,960
WANNA DANCE ?
852
00:52:59,800 --> 00:53:02,360
♪ RUBBER DUCKIE
YOU’RE THE ONE ♪
853
00:53:02,400 --> 00:53:06,520
♪ YOU MAKE BATH TIME
LOTS OF FUN ♪
854
00:53:06,560 --> 00:53:10,840
♪ RUBBER DUCKIE I’M
AWFULLY FOND OF YOU ♪
855
00:53:10,960 --> 00:53:12,800
♪ BO-BO
BO-DI-OH ♪
856
00:53:12,880 --> 00:53:15,840
♪ RUBBER DUCKIE
JOY OF JOYS ♪
857
00:53:15,960 --> 00:53:18,480
♪ WHEN I SQUEEZE YOU
YOU MAKE NOISE ♪
858
00:53:18,520 --> 00:53:24,480
♪ RUBBER DUCKIE
I’M AWFULLY FOND OF YOU ♪♪
859
00:53:44,560 --> 00:53:46,800
HERE IT IS.
MY SPECIALITY,
860
00:53:46,840 --> 00:53:49,480
LIVER MOUSSE
AND POACHED EGGS.
861
00:53:53,920 --> 00:53:56,240
AN ATTRACTIVE
COMBINATION.
862
00:53:56,320 --> 00:53:59,400
IT’S GREAT.
DON’T YOU
LIKE IT ?
863
00:53:59,480 --> 00:54:04,520
I LOVE IT,
BUT WE DO HAVE A COOK.
I LIKE DOING IT.
864
00:54:04,640 --> 00:54:07,600
TRY IT, EDWARD.
YOU’LL LIKE IT.
865
00:54:08,760 --> 00:54:12,200
WHOEVER TAUGHT YOU TO
HOLD YOUR TEACUP LIKE THAT ?
866
00:54:18,320 --> 00:54:20,720
I DON’T KNOW
ANYBODY HERE.
867
00:54:20,800 --> 00:54:25,200
I THOUGHT GLENN
WAS COMING.
HIS KIDS
HAVE MEASLES.
868
00:54:25,280 --> 00:54:28,520
MARTHA ?
SHE HAD TO MAKE AN ASPARAGUS
COSTUME FOR TOMMY.
869
00:54:28,600 --> 00:54:30,920
SO MUCH FOR LIFE
IN THE FAST LANE.
870
00:54:31,040 --> 00:54:33,120
WHAT ARE WE
DOING HERE ?
871
00:54:33,200 --> 00:54:35,360
HAVING A GREAT TIME.
CAN’T YOU TELL ?
872
00:54:35,440 --> 00:54:38,400
- WHY AREN’T WE IN ENGLAND ?
- AH, MICHAEL.
873
00:54:38,480 --> 00:54:40,440
I SPOKE TO MARY.
874
00:54:40,520 --> 00:54:42,880
I COULD SENSE
SHE WAS NOT HAPPY.
875
00:54:42,960 --> 00:54:45,200
SHE SAID SHE WAS
HAVING A GOOD TIME.
876
00:54:45,280 --> 00:54:47,520
I KNOW WHAT
I’M TALKING ABOUT.
877
00:54:47,600 --> 00:54:50,720
MY PARENTS SENT ME
TO CAMP EVERY SUMMER.
878
00:54:50,800 --> 00:54:53,600
THE COUNSELORS MADE US
WRITE POSTCARDS HOME.
879
00:54:53,680 --> 00:54:57,600
I’D BE SHARING A CABIN WITH
A GUY WHO COLLECTED FARTS,
880
00:54:57,680 --> 00:55:01,840
AND I’D BE PRAYING THE
WHOLE PLACE WOULD BURN.
881
00:55:01,920 --> 00:55:05,360
BUT I’D ALWAYS WRITE WHAT
A GOOD TIME I WAS HAVING.
882
00:55:07,200 --> 00:55:09,360
BELIEVE ME,
YOU GUYS,
883
00:55:09,440 --> 00:55:11,840
OUR LITTLE GIRL
IS MISERABLE.
884
00:55:11,880 --> 00:55:14,120
I’M GOING
TO ENGLAND.
885
00:55:14,200 --> 00:55:16,440
YOU CAN STAY HERE
IF YOU LIKE.
886
00:55:17,000 --> 00:55:18,120
I’M GOING.
887
00:55:18,200 --> 00:55:20,640
[ Thunder ]
888
00:55:33,720 --> 00:55:35,680
[ Peter ]
WHAT’S THIS THING
RUN ON, BATTERIES ?
889
00:55:35,760 --> 00:55:37,960
THE LAST ONE
THEY HAD.
890
00:55:38,000 --> 00:55:40,320
[ Grinding ]
891
00:55:47,480 --> 00:55:49,600
I HATE ENGLAND.
I ALWAYS HAVE.
892
00:55:49,680 --> 00:55:52,360
AS LONG AS WE’RE HERE,
LOOK ON THE BRIGHT SIDE.
893
00:55:52,400 --> 00:55:55,040
YOU’RE RIGHT.
I’M SORRY.
894
00:55:55,160 --> 00:55:58,040
THE TOILET PAPER’S
LIKE REYNOLDS WRAP.
THAT’S A START.
895
00:55:58,080 --> 00:56:01,440
IT’S SO DAMN COLD, THE ONLY
THING THAT’S WARM IS THE ICE.
896
00:56:01,520 --> 00:56:03,680
YOU KNOW WHAT
I HATE MOST ?
WHAT ?
897
00:56:03,760 --> 00:56:07,120
THE WAY THEY USE WORDS
LIKE "SCHEDULE."
AND "VITAMINS."
898
00:56:08,320 --> 00:56:10,440
[ Horn ]
899
00:56:10,520 --> 00:56:12,800
- OTHER SIDE, PETE !
- DAMN !
900
00:56:12,880 --> 00:56:15,240
- WANT ME TO DRIVE ?
- RELAX.
901
00:56:15,320 --> 00:56:19,720
WE’RE LOST. I HAVEN’T
SEEN A ROAD THAT’S MARKED.
902
00:56:19,800 --> 00:56:22,600
[ Baaing ]
WHAT’S
THAT NOISE ?
903
00:56:22,680 --> 00:56:25,600
DO YOU THINK
IT’S THE ENGINE ?
UH-UH.
904
00:56:28,040 --> 00:56:30,600
[ Baaing ]
905
00:56:32,920 --> 00:56:35,480
THE NEXT ROAD.
906
00:56:35,560 --> 00:56:38,000
I CAN’T HEAR
A WORD HE’S SAYING.
907
00:56:38,120 --> 00:56:41,360
[ Baaing ]
908
00:56:44,000 --> 00:56:46,160
OKAY, I GOT IT.
909
00:56:46,240 --> 00:56:48,640
ON YOUR RIGHT,
910
00:56:48,720 --> 00:56:52,640
YOU’LL SEE TWO LARGE
TREES AND A GRAY STONE,
911
00:56:52,760 --> 00:56:55,720
WHICH MY WIFE SAYS
REMINDS HER OF A TORTOISE.
912
00:56:55,800 --> 00:56:58,080
IN BETWEEN
THOSE TREES...
913
00:56:58,160 --> 00:57:00,480
IS A LONG,
NARROW ROAD...
914
00:57:00,560 --> 00:57:03,560
WITH A SHALLOW BROOK
RUNNING ALONGSIDE...
915
00:57:03,640 --> 00:57:07,280
AND A SHORT HEDGE
FULL OF WHITE BLOSSOMS.
916
00:57:07,360 --> 00:57:10,720
NOW, DON’T TAKE
THAT ROAD !
917
00:57:12,920 --> 00:57:17,400
LET’S GET OUT OF HERE
AS FAST AS WE POSSIBLY CAN.
918
00:57:18,840 --> 00:57:21,040
[ Backfire ]
919
00:57:32,240 --> 00:57:35,200
MAYBE WE SHOULD
HAVE CALLED FIRST.
920
00:57:35,240 --> 00:57:38,880
DON’T WORRY ABOUT IT.
THIS’LL BE MORE FUN.
921
00:57:38,960 --> 00:57:41,240
[ Party Chatter ]
922
00:57:53,480 --> 00:57:55,840
[ Backfire ]
923
00:57:57,680 --> 00:58:01,160
[ Michael ]
THIS IS IT ?
IT’S SO HUGE.
924
00:58:01,240 --> 00:58:04,320
LOOKS LIKE
A HOTEL.
925
00:58:08,160 --> 00:58:10,720
WOW, LOOK AT
THIS PLACE.
926
00:58:10,840 --> 00:58:12,840
FAMILY MONEY.
927
00:58:12,880 --> 00:58:14,320
YEAH.
928
00:58:14,360 --> 00:58:15,880
HEY.
929
00:58:15,920 --> 00:58:18,960
THE MEDIEVAL VERSION
OF PERMANENT PRESS.
930
00:58:19,000 --> 00:58:22,040
HOW DO YOU TAKE A LEAK
IN ONE OF THESE THINGS ?
931
00:58:22,120 --> 00:58:25,160
CAREFULLY,
VERY CAREFULLY.
932
00:58:34,960 --> 00:58:37,000
COME ON.
933
00:58:42,200 --> 00:58:45,360
THERE SHE IS !
934
00:58:45,400 --> 00:58:48,000
LOOK, IT’S MICHAEL
AND PETER !
935
00:58:50,800 --> 00:58:53,080
MY LIFE IS COMPLETE.
936
00:58:55,480 --> 00:58:58,400
YEA !
YEA !
937
00:59:00,840 --> 00:59:04,160
WE MISSED YOU !
MISSED YOU MORE.
938
00:59:06,640 --> 00:59:08,280
WELCOME.
939
00:59:08,320 --> 00:59:12,040
GOOD OF YOU
TO COME.
EDWARD.
940
00:59:12,120 --> 00:59:14,040
HI, SYLVIA.
941
00:59:14,160 --> 00:59:16,080
WHERE’S JACK ?
MAKING A MOVIE.
942
00:59:16,160 --> 00:59:18,400
HE GOT A JOB ?
YEAH.
943
00:59:18,480 --> 00:59:20,480
WE THOUGHT WE’D
SURPRISE YOU.
944
00:59:20,560 --> 00:59:23,280
YOU CERTAINLY DID.
IT’S WONDERFUL.
945
00:59:23,360 --> 00:59:27,040
YOU MUST STAY WITH US.
IS THAT ALL RIGHT ?
OF COURSE.
946
00:59:27,120 --> 00:59:29,520
[ Mary ]
HOW DID YOU FIND US ?
947
00:59:29,600 --> 00:59:33,000
[ Michael ]
IT WAS NO TROUBLE AT ALL.
948
00:59:33,080 --> 00:59:35,000
[ Vera ]
I’M NOT SURPRISED.
949
00:59:35,080 --> 00:59:38,640
MY HORSE’S NAME
IS SLAMDUNK.
LET’S GO
SEE HIM !
950
00:59:38,760 --> 00:59:42,360
- YOU’D PROBABLY LIKE TO UNPACK.
- OH, SURE. SORRY.
951
00:59:42,440 --> 00:59:44,680
BARROW, SHOW
THESE GENTLEMEN...
952
00:59:44,760 --> 00:59:47,000
TO THE GUEST ROOMS
IN THE WEST WING.
953
00:59:47,080 --> 00:59:49,360
VERY GOOD, MISS.
954
00:59:54,240 --> 00:59:56,520
NOT BAD.
NICE.
955
00:59:58,800 --> 01:00:02,000
THE WATER CLOSET
IS IN HERE, SIR.
956
01:00:03,960 --> 01:00:06,480
YOU WERE VERY
WELL BEHAVED BEFORE.
957
01:00:06,520 --> 01:00:09,520
WELL, WE’RE ALL
CIVILIZED PEOPLE.
958
01:00:09,560 --> 01:00:14,400
[ Bathroom Sounds ]
959
01:00:14,480 --> 01:00:17,240
MICHAEL !
PETER !
HEY !
960
01:00:23,200 --> 01:00:25,080
WHAT’D YOU
BRING ME ?
961
01:00:25,160 --> 01:00:27,400
DID WE BRING
ANYTHING FOR MARY ?
962
01:00:27,520 --> 01:00:31,000
I CAN’T REMEMBER.
LOOK IN THAT SUITCASE.
YEAH !
963
01:00:31,080 --> 01:00:33,120
LOOK AT THAT,
964
01:00:33,200 --> 01:00:35,640
AND JACK SENT YOU
A MAKEUP CASE.
965
01:00:35,720 --> 01:00:37,800
IT’S JUST
LIKE HIS !
966
01:00:37,880 --> 01:00:40,760
DINNER WILL
BE SERVED...
967
01:00:40,840 --> 01:00:43,760
PROMPTLY AT 8:00,
GENTLEMEN.
968
01:00:51,440 --> 01:00:54,320
SURE WE’RE
NOT OVERDRESSED ?
TRUST ME.
969
01:00:54,360 --> 01:00:57,680
I SAW "BRIDESHEAD
REVISITED" 3 TIMES.
970
01:01:05,120 --> 01:01:07,440
HAS SOMEONE DIED ?
971
01:01:07,520 --> 01:01:09,440
NOT YET.
972
01:01:11,560 --> 01:01:14,000
PETER, MICHAEL,
LET ME INTRODUCE YOU.
973
01:01:14,080 --> 01:01:17,120
THIS IS DIERDRE COLEMAN,
WITH THE FOREIGN SERVICE,
974
01:01:17,200 --> 01:01:20,240
AND WILFRED BLAIR, DIRECTOR
OF THE NATIONAL THEATER.
975
01:01:20,320 --> 01:01:22,400
EDWARD’S TOLD ME
ABOUT YOUR COMMUNE.
976
01:01:22,480 --> 01:01:26,520
HOW DO YOU DO ?
AND REVEREND HEWITT,
WHO’LL BE MARRYING US.
977
01:01:26,600 --> 01:01:28,920
HOW DO YOU DO ?
IS THERE MORE SALMON ?
978
01:01:29,040 --> 01:01:31,440
PETER AND MICHAEL,
FRIENDS OF SYLVIA’S.
979
01:01:31,520 --> 01:01:33,760
YES, BUT IS THERE
ANY MORE SALMON ?
YES.
980
01:01:33,840 --> 01:01:35,920
THERE IS
SYLVIA NOW.
981
01:01:36,000 --> 01:01:39,600
PETER, THERE’S SOMEONE OVER
HERE I’D LOVE YOU TO MEET.
982
01:01:43,600 --> 01:01:46,640
ELSPETH, I’D LOVE YOU
TO MEET PETER MITCHELL.
983
01:01:46,720 --> 01:01:48,920
MISS ELSPETH LOMAX.
984
01:01:49,000 --> 01:01:52,600
HOW DO YOU DO ?
MISS LOMAX IS
FROM GUERNSEY.
985
01:01:52,680 --> 01:01:55,480
OH, WHERE THE
COWS COME FROM.
986
01:01:55,560 --> 01:01:58,400
- MR. MITCHELL IS --
- AN ARCHITECT.
987
01:01:58,480 --> 01:02:00,400
WELL, THEN,
988
01:02:00,480 --> 01:02:03,320
DO YOU ALIGN YOURSELF
WITH THE POST-MODERNISTS,
989
01:02:03,400 --> 01:02:06,600
OR ARE YOU MORE
OF A CLASSICIST ?
WHAT ?
990
01:02:06,680 --> 01:02:10,600
PRINCE CHARLES IS HAVING WAR
IN THIS COUNTRY WITH --
991
01:02:13,840 --> 01:02:16,240
OOH, BANG !
SORRY.
992
01:02:16,320 --> 01:02:18,320
UM...
993
01:02:18,400 --> 01:02:20,640
NO, UH...
994
01:02:25,200 --> 01:02:28,000
THERE’S SOME ROE
ON YOUR NOSE.
995
01:02:28,080 --> 01:02:31,640
OH, GOODNESS.
I’M SORRY.
IT’S ALL RIGHT.
996
01:02:31,680 --> 01:02:34,840
WHAT IS IT
THAT YOU DO ?
997
01:02:34,880 --> 01:02:37,840
I’M THE HEADMISTRESS
OF A GIRLS’ SCHOOL...
998
01:02:37,920 --> 01:02:39,840
IN WEST RIDING.
999
01:02:39,920 --> 01:02:42,000
YOU MAY HAVE
HEARD OF IT.
1000
01:02:42,080 --> 01:02:44,440
THE PILEFORTH
ACADEMY.
1001
01:02:44,520 --> 01:02:47,640
PILEFORTH ?
I CAN’T SAY THAT I HAVE.
1002
01:02:47,680 --> 01:02:50,520
WE’VE TURNED OUT ENGLAND’S
FINEST YOUNG LADIES...
1003
01:02:50,680 --> 01:02:52,960
SINCE THE 18th CENTURY.
1004
01:02:53,040 --> 01:02:56,240
EXCUSE ME.
MARY’D LIKE TO SEE US.
1005
01:02:56,320 --> 01:02:59,240
OH, SORRY.
LOVELY TO MEET YOU.
1006
01:02:59,320 --> 01:03:01,360
NICE MEETING YOU.
1007
01:03:08,920 --> 01:03:11,600
I THINK HE
FANCIES YOU.
1008
01:03:11,680 --> 01:03:14,600
DON’T BE SUCH
A ROGUE.
1009
01:03:14,680 --> 01:03:17,760
WHAT MAKES YOU
SAY THAT ?
HE ASKED TO MEET YOU.
1010
01:03:17,840 --> 01:03:20,320
I KNOW PETER
PRETTY WELL.
DO YOU ?
1011
01:03:20,440 --> 01:03:23,280
A WOMAN HAS TO WALK
A FINE LINE WITH HIM.
HOW SO ?
1012
01:03:23,360 --> 01:03:27,000
SHE HAS TO MAKE IT VERY CLEAR
THAT SHE’S ATTRACTED TO HIM,
1013
01:03:27,080 --> 01:03:29,720
BUT SHE CAN’T COME ON
TOO STRONGLY.
1014
01:03:31,600 --> 01:03:34,120
SAY NO MORE.
1015
01:03:34,200 --> 01:03:37,840
[ Michael ]
YOU EVER GET THE FEELING
YOU’RE BEING WATCHED ?
1016
01:03:37,920 --> 01:03:41,280
I MAKE UP STORIES
ABOUT THEM.
SHE WAS...
1017
01:03:41,360 --> 01:03:43,520
ON THE COVER
OF "ROLLING STONE."
1018
01:03:43,600 --> 01:03:46,560
WE BROUGHT SUPER-CHUNK
PEANUT BUTTER.
FROM NEW YORK.
1019
01:03:46,640 --> 01:03:48,720
YEAH !
OKAY.
1020
01:03:48,760 --> 01:03:51,160
WAIT HERE.
I’LL GET IT.
1021
01:03:57,440 --> 01:04:00,160
OH, PETER.
I WAS JUST --
HI.
1022
01:04:00,200 --> 01:04:03,760
I’M SORRY.
NO, WHAT WERE
YOU GONNA SAY ?
1023
01:04:03,840 --> 01:04:06,160
IS EVERYTHING
ALL RIGHT ?
1024
01:04:06,240 --> 01:04:08,280
TOWELS,
BLANKETS ?
1025
01:04:08,360 --> 01:04:10,800
EVERYTHING
IS FINE.
1026
01:04:10,840 --> 01:04:14,920
YOU LOOK GREAT.
SO DO YOU.
1027
01:04:15,040 --> 01:04:17,600
WELL, SYLVIA --
1028
01:04:22,920 --> 01:04:26,120
YOU KNOW HOW YOU WANT
TO SAY SOMETHING...
1029
01:04:26,200 --> 01:04:28,160
AND THEN
YOU DON’T,
1030
01:04:28,200 --> 01:04:30,560
AND THEN BY THE
TIME YOU SAY IT,
1031
01:04:30,640 --> 01:04:32,800
IT’S BEEN SUCH
A LONG TIME.
1032
01:04:32,840 --> 01:04:35,880
ONE TIME, SANDRA,
MY ASSISTANT,
1033
01:04:35,960 --> 01:04:39,800
SHE NEVER TOLD ME
THIS GUY CALLED --
WHAT IS IT...
1034
01:04:39,840 --> 01:04:41,600
YOU WANT TO SAY ?
1035
01:04:44,960 --> 01:04:47,160
I’M SORRY ABOUT WHAT
I SAID BEFORE YOU LEFT.
1036
01:04:48,480 --> 01:04:51,840
SO AM I.
I OVERREACTED.
1037
01:04:51,880 --> 01:04:54,400
YOU HAVE A PRETTY
GOOD RIGHT HOOK,
1038
01:04:54,480 --> 01:04:56,640
BUT I DESERVED IT.
1039
01:04:56,680 --> 01:05:00,520
I WAS OUT OF LINE,
WAY OUT OF LINE.
1040
01:05:02,520 --> 01:05:03,560
AHEM.
1041
01:05:03,640 --> 01:05:05,040
I BEG YOUR
PARDON, MISS.
1042
01:05:05,080 --> 01:05:07,680
LADY EASTWICK
IS LEAVING.
1043
01:05:10,160 --> 01:05:13,160
I HAVE TO GO.
IT’S ALL RIGHT.
1044
01:05:22,400 --> 01:05:24,680
JACK, HOW’S
THE MOVIE GOING ?
1045
01:05:24,720 --> 01:05:26,680
FABULOUS ROLE,
MICHAEL.
1046
01:05:26,720 --> 01:05:29,120
KIND OF A SOUTH
AMERICAN KING LEAR.
1047
01:05:29,160 --> 01:05:31,360
I DON’T WANT
TO TALK ABOUT ME.
1048
01:05:31,440 --> 01:05:34,200
WHERE’S MARY ?
ASLEEP.
1049
01:05:34,240 --> 01:05:37,360
HOW’S SHE DOING ?
IS SHE ANY BIGGER ?
1050
01:05:37,400 --> 01:05:39,800
HAS SHE GOT THE
ACCENT DOWN YET ?
1051
01:05:39,840 --> 01:05:43,840
SHE MISSED US.
SHE MISSES YOU, JACK.
1052
01:05:43,920 --> 01:05:47,040
TELL HER
I MISS HER, TOO.
1053
01:05:47,080 --> 01:05:50,720
- GONNA MAKE IT TO THE WEDDING ?
- I DON’T KNOW, MICHAEL.
1054
01:05:50,800 --> 01:05:53,880
I REALLY NEED THE WORK,
AND I’M PIVOTAL TO THE PLOT.
1055
01:05:53,960 --> 01:05:55,840
WE NEED YOU HERE.
1056
01:05:55,920 --> 01:05:59,240
FRUIT OF THE LOOM,
YOU’RE ON !
1057
01:05:59,320 --> 01:06:02,480
I GOTTA GO.
BYE-BYE.
1058
01:06:40,280 --> 01:06:42,600
NOT SO SPLENDID AS
YOUR MIGHTY ERECTIONS,
1059
01:06:42,680 --> 01:06:44,600
I IMAGINE.
1060
01:06:50,680 --> 01:06:53,760
- DID I FRIGHTEN YOU ?
- I WAS EXPECTING MARY.
1061
01:06:53,840 --> 01:06:56,280
LITTLE MARY, YES.
1062
01:06:56,360 --> 01:06:59,520
WHAT A DELIGHTFUL,
IF SOMEWHAT WILFUL CHILD.
1063
01:06:59,600 --> 01:07:02,560
SHE’LL MAKE AN EXCELLENT
PILEFORTH STUDENT.
1064
01:07:02,640 --> 01:07:05,360
SHE’S GOING
TO YOUR SCHOOL ?
1065
01:07:05,440 --> 01:07:09,280
NO, NOT IMMEDIATELY,
BUT EVENTUALLY.
1066
01:07:09,360 --> 01:07:12,800
- SHE WOULDN’T LIKE IT.
- WHAT MAKES YOU SAY THAT ?
1067
01:07:12,880 --> 01:07:16,120
BOARDING SCHOOL IS
DEFINITELY NOT FOR HER.
1068
01:07:16,200 --> 01:07:20,200
TELL ME, ARE YOU
ALWAYS SUCH A SLAVE...
1069
01:07:20,280 --> 01:07:22,840
TO YOUR INSTINCTS ?
1070
01:07:22,920 --> 01:07:25,280
NO, NOT USUALLY.
1071
01:07:25,320 --> 01:07:29,040
DON’T UNDERESTIMATE WHAT
PILEFORTH CAN DO FOR A LADY.
1072
01:07:29,120 --> 01:07:31,080
AFTER ALL,
1073
01:07:31,160 --> 01:07:34,720
I AM A PILEFORTH
GIRL MYSELF.
1074
01:07:34,800 --> 01:07:37,000
OH, THAT’S
REASSURING.
1075
01:07:37,080 --> 01:07:40,800
IN FACT, I’M GOING
BACK THERE THIS MORNING.
1076
01:07:40,840 --> 01:07:43,640
I WAS JUST
WONDERING...
1077
01:07:43,680 --> 01:07:47,120
WHETHER
YOU’D LIKE TO, UM,
1078
01:07:47,200 --> 01:07:49,240
VISIT.
1079
01:07:51,080 --> 01:07:53,520
NO, BUT THANK YOU.
1080
01:07:53,600 --> 01:07:55,320
NO.
1081
01:07:59,840 --> 01:08:02,480
I HOPE YOU DON’T MIND
MY SAYING THIS,
1082
01:08:02,560 --> 01:08:05,520
BUT YOU SEEM TO BE
A LITTLE DISTRACTED.
1083
01:08:05,560 --> 01:08:08,840
DO I ? WELL,
1084
01:08:08,920 --> 01:08:11,840
YOU’RE RIGHT.
1085
01:08:11,960 --> 01:08:14,880
I’M VERY CONFUSED
RIGHT NOW.
1086
01:08:14,960 --> 01:08:17,760
I CAN’T MAKE ANY SENSE
OUT OF ANYTHING.
1087
01:08:18,800 --> 01:08:21,000
REALLY ?
HOW DO YOU MEAN ?
1088
01:08:22,440 --> 01:08:24,360
WELL, YOU’RE A WOMAN.
1089
01:08:24,440 --> 01:08:26,760
YOU ARE CORRECT.
TELL ME SOMETHING.
1090
01:08:26,840 --> 01:08:29,160
HOW CAN A MAN
LOOK AT A WOMAN...
1091
01:08:29,200 --> 01:08:32,120
AND NOT REALIZE HOW
HE FEELS ABOUT HER ?
1092
01:08:32,200 --> 01:08:34,280
DO YOU UNDERSTAND
WHAT I’M SAYING ?
1093
01:08:34,360 --> 01:08:37,800
I MUST ADMIT TO NOT BEING
THE MOST WORLDLY OF WOMEN,
1094
01:08:37,880 --> 01:08:40,800
BUT I CAN ASSURE YOU
I’M NOT OBLIVIOUS...
1095
01:08:40,840 --> 01:08:43,160
OF THE WAYS
OF EROS.
1096
01:08:43,200 --> 01:08:46,800
IF I’M SO ATTRACTED TO HER,
WHY CAN’T I TELL HER ?
1097
01:08:46,840 --> 01:08:50,120
PERHAPS THOSE OF US
WHO HAVE...
1098
01:08:50,160 --> 01:08:53,520
NAVIGATED THE RIVER
OF LIFE SINGLY...
1099
01:08:53,600 --> 01:08:57,040
ARE WARY OF
ROCKING THE PUNT.
1100
01:08:59,560 --> 01:09:01,680
I DON’T KNOW
WHAT TO DO.
1101
01:09:01,760 --> 01:09:04,400
WELL, TELL HER.
1102
01:09:05,520 --> 01:09:07,920
SEEK THE
AUSPICIOUS MOMENT...
1103
01:09:08,000 --> 01:09:11,040
AND, UM, TELL HER.
1104
01:09:18,080 --> 01:09:20,960
[ Mary ]
COLDER, COLDER,
1105
01:09:21,040 --> 01:09:22,320
COLDER,
1106
01:09:23,000 --> 01:09:24,080
COLDER.
1107
01:09:25,200 --> 01:09:27,960
WARMER,
GETTING WARMER.
1108
01:09:29,400 --> 01:09:32,040
WARMER, WARMER.
1109
01:09:34,080 --> 01:09:37,840
- ISN’T THIS FUN ?
- A SPLENDID GAME.
1110
01:09:37,920 --> 01:09:40,840
I CAN SEE WHY
SO MANY CHERISH IT.
1111
01:09:42,320 --> 01:09:44,520
WARMER, HOTTER.
1112
01:09:44,560 --> 01:09:47,360
VERY HOT !
VERY HOT !
1113
01:09:47,440 --> 01:09:50,120
FOR GOD’S SAKE,
WHAT HAVE YOU DONE NOW ?
1114
01:09:50,200 --> 01:09:52,120
I’M TERRIBLY SORRY.
1115
01:09:52,200 --> 01:09:55,520
DO YOU HAVE ANY
IDEA HOW IMPORTANT
THESE LETTERS ARE ?
1116
01:09:55,600 --> 01:09:59,400
I MADE HIM PLAY.
I TOLD YOU NOT TO PLAY
YOUR GAMES IN THE HOUSE !
1117
01:10:01,360 --> 01:10:03,400
LEAVE THEM ALONE !
1118
01:10:03,480 --> 01:10:06,160
BARROW,
GET ME SOME TOWELS.
1119
01:10:06,240 --> 01:10:09,680
I’M SICK OF REARRANGING MY LIFE
BECAUSE OF A CHILD !
1120
01:10:09,760 --> 01:10:11,840
NOW GO TO YOUR ROOM !
1121
01:10:17,800 --> 01:10:21,040
HE DOESN’T LIKE ME.
HE’S ALWAYS YELLING AT ME.
1122
01:10:21,120 --> 01:10:23,360
HE YELLED AT ME
THIS MORNING...
1123
01:10:23,440 --> 01:10:25,920
WHEN MISS LOMAX
WAS MEASURING ME.
1124
01:10:26,000 --> 01:10:27,920
WHEN SHE
WAS WHAT ?
1125
01:10:28,000 --> 01:10:31,400
MEASURING ME
FOR MY NEW CLOTHES.
1126
01:10:31,480 --> 01:10:34,040
WHAT NEW
CLOTHES ?
1127
01:10:34,120 --> 01:10:38,200
A BLUE JACKET,
A PATCH RIGHT HERE...
1128
01:10:38,240 --> 01:10:41,200
LIKE THE OTHER
GIRLS WEAR.
1129
01:10:47,240 --> 01:10:49,240
SHE MEANS
A UNIFORM.
1130
01:10:49,320 --> 01:10:52,840
MISS LOMAX WAS MEASURING
MARY FOR A SCHOOL UNIFORM.
1131
01:10:52,880 --> 01:10:55,040
WHY ?
I THINK EDWARD’S...
1132
01:10:55,120 --> 01:10:57,760
PLANNING ON SENDING MARY
TO THAT BOARDING SCHOOL.
1133
01:10:57,840 --> 01:11:00,440
THOSE PLACES ARE
LIKE REFORMATORIES !
1134
01:11:00,520 --> 01:11:03,440
I THINK WE SHOULD
CHECK THIS OUT.
1135
01:11:28,960 --> 01:11:32,120
DO YOU LIKE
IT HERE ?
IT’S WONDERFUL, SIR.
1136
01:11:38,160 --> 01:11:40,680
HI THERE.
1137
01:11:47,120 --> 01:11:49,840
IT’S A
STEPFORD SCHOOL.
1138
01:11:49,880 --> 01:11:52,200
SO,
1139
01:11:52,240 --> 01:11:55,720
THE SKEPTICAL AMERICAN
HAS CHANGED HIS MIND...
1140
01:11:55,800 --> 01:11:58,160
AND COME TO JUDGE
FOR HIMSELF.
1141
01:11:58,200 --> 01:12:00,920
WE HAD
SOME TIME.
SO WE CAME UP.
1142
01:12:01,000 --> 01:12:04,520
OH, YOU MUST BE HUNGRY.
1143
01:12:04,560 --> 01:12:08,840
COME, LET ME SATISFY
YOUR APPETITE.
1144
01:12:19,000 --> 01:12:22,320
WHAT’S THE USUAL AGE
OF A GIRL WHO COMES HERE ?
1145
01:12:22,400 --> 01:12:25,720
THE USUAL AGE OF AN
ENROLLING STUDENT IS 8.
1146
01:12:25,800 --> 01:12:29,240
WE HAVE MADE EXCEPTIONS FOR
CHILDREN AS YOUNG AS 6 OR 7.
1147
01:12:29,320 --> 01:12:31,320
THAT SOUNDS
VERY YOUNG.
1148
01:12:31,360 --> 01:12:34,680
BUT THE SYSTEM HAS WORKED
FOR MORE THAN 200 YEARS.
1149
01:12:34,760 --> 01:12:37,200
WE TAKE GREAT CARE
OF OUR GIRLS.
1150
01:12:37,240 --> 01:12:40,200
WE HAVE A REGISTERED
NUTRITIONIST...
1151
01:12:40,240 --> 01:12:42,560
WHO SUPERVISES
ALL OUR MEALS.
1152
01:12:43,720 --> 01:12:46,040
DIDN’T YOU ENJOY
YOUR LUNCH ?
1153
01:12:46,120 --> 01:12:49,800
I’VE NEVER TASTED
ANYTHING BETTER.
YOU HAVEN’T TOUCHED IT.
1154
01:12:55,840 --> 01:13:00,080
THIS IS WHERE
THE GIRLS SLEEP.
NICE.
1155
01:13:00,160 --> 01:13:03,080
WELL, IT’S NOT
EXACTLY THE HILTON,
1156
01:13:03,160 --> 01:13:05,960
BUT IT’S CERTAINLY
CONDUCIVE TO STUDY.
1157
01:13:06,000 --> 01:13:10,280
I SPENT MANY A HAPPY NIGHT
IN THIS DORMITORY.
1158
01:13:10,360 --> 01:13:12,480
THIS IS THE ROOM...
1159
01:13:12,520 --> 01:13:16,240
WHERE THE LATE DUKE OF PILEFORTH
USED TO KENNEL HIS HOUNDS.
1160
01:13:16,320 --> 01:13:18,960
[ Peter ]
I CAN TELL.
1161
01:13:19,040 --> 01:13:23,200
LOOK, IT’S NOT AS COLD
AS IT MIGHT FIRST APPEAR.
1162
01:13:23,280 --> 01:13:25,200
YOU KNOW,
1163
01:13:25,280 --> 01:13:28,240
SOMETIMES BENEATH
THE MOST RIGID SURFACE...
1164
01:13:28,320 --> 01:13:31,160
LIES A SURPRISING FERVOR.
1165
01:13:40,920 --> 01:13:43,080
WHAT’S THE MATTER,
DARLING ?
1166
01:13:43,160 --> 01:13:45,640
I’M CONCERNED
ABOUT MARY.
1167
01:13:45,680 --> 01:13:48,720
SHE’LL COME AROUND.
YOU’LL SEE.
1168
01:13:49,840 --> 01:13:52,320
I’M NERVOUS
ABOUT TOMORROW.
1169
01:13:52,360 --> 01:13:56,000
DON’T YOU WANT
TO GET MARRIED ?
OF COURSE I DO.
1170
01:13:56,080 --> 01:13:58,600
I THINK SO.
YES, I DO.
1171
01:13:58,680 --> 01:14:02,760
WHY DO YOU ASK ?
EVERYTHING’S
GOING TO BE FINE.
1172
01:14:02,880 --> 01:14:06,680
YOU SON OF A BITCH.
YOU’RE SENDING MARY
TO THAT SCHOOL !
1173
01:14:06,720 --> 01:14:09,760
WHAT ARE YOU
TALKING ABOUT ?
WE WENT TO PILEFORTH.
1174
01:14:09,880 --> 01:14:12,000
HE’S PLANNING
TO SEND MARY THERE.
1175
01:14:12,080 --> 01:14:14,920
IN 5 OR 6 YEARS,
THAT’S A POSSIBILITY.
1176
01:14:15,000 --> 01:14:17,840
- NO, NEXT TERM !
- THAT’S NOT TRUE.
1177
01:14:17,920 --> 01:14:20,480
- HE’S LYING.
- RUBBISH.
1178
01:14:20,600 --> 01:14:23,320
WHY WAS MISS LOMAX
MEASURING MARY ?
WAS SHE ?
1179
01:14:23,360 --> 01:14:28,320
- FOR A UNIFORM.
- A GIFT. SHE ASKED ME IF
SHE COULD GIVE MARY A BLAZER.
1180
01:14:28,400 --> 01:14:33,520
- WHY ?
- WITH THE PRESENTS WE’LL GET,
MARY MIGHT FEEL LEFT OUT.
1181
01:14:33,600 --> 01:14:36,280
THAT’S A VERY
SWEET THOUGHT.
I THOUGHT SO.
1182
01:14:36,360 --> 01:14:37,680
WHAT A CROCK !
1183
01:14:37,720 --> 01:14:40,640
DID YOU COME HERE
TO STIR UP TROUBLE ?
1184
01:14:40,680 --> 01:14:43,360
DARLING, IT’S JUST
A MISUNDERSTANDING.
1185
01:14:43,440 --> 01:14:46,640
IT’S NOT A MISUNDERSTANDING.
YOU CAN’T TRUST THIS GUY.
1186
01:14:46,680 --> 01:14:48,120
HE’S LYING !
1187
01:14:48,200 --> 01:14:50,920
YOU HAVE NO
PROOF OF THAT.
1188
01:14:51,000 --> 01:14:54,160
I DON’T NEED ANY PROOF !
I FEEL IT.
1189
01:14:54,240 --> 01:14:56,720
WHO BLOODY CARES ?
1190
01:14:58,480 --> 01:15:01,320
EDWARD,
I MADE IT !
1191
01:15:01,360 --> 01:15:03,440
HALLELUJAH.
1192
01:15:05,080 --> 01:15:08,880
SYLVIA, YOU CAN’T
MARRY THIS GUY.
1193
01:15:08,960 --> 01:15:12,360
WHY NOT ?
TELL ME, PETER.
1194
01:15:12,440 --> 01:15:14,520
I WANT TO KNOW.
1195
01:15:14,600 --> 01:15:16,920
FOR MARY’S SAKE.
1196
01:15:19,600 --> 01:15:22,120
YOU MAY NOT
LIKE EDWARD,
1197
01:15:22,200 --> 01:15:25,120
BUT I LOVE HIM AND
I’M MARRYING HIM.
1198
01:15:25,200 --> 01:15:28,200
I’D TELL YOU NOT TO COME,
BUT MARY WOULD BE CRUSHED.
1199
01:15:28,280 --> 01:15:30,920
FOR HER SAKE,
PLEASE, DO COME.
1200
01:15:31,000 --> 01:15:35,000
BUT AS FAR AS I’M CONCERNED,
STAY OUT OF MY LIFE.
1201
01:15:37,400 --> 01:15:40,000
HI.
HI.
1202
01:15:48,600 --> 01:15:51,280
YOU HAVEN’T LOST
YOUR TOUCH WITH WOMEN.
1203
01:15:51,360 --> 01:15:53,840
EVER THINK ABOUT MAKING
AN INSTRUCTIONAL VIDEO ?
1204
01:15:53,880 --> 01:15:56,000
WHAT’D YOU
WANT TO SAY ?
1205
01:15:56,040 --> 01:15:59,920
I KNOW A LOT OF PEOPLE
DON’T TAKE ME SERIOUSLY.
1206
01:16:00,000 --> 01:16:03,480
THEY THINK I’M CONCEITED,
SELF-CENTERED;
1207
01:16:03,520 --> 01:16:06,280
I CAN’T SEE ANYTHING EXCEPT
WHAT’S HAPPENING TO ME.
1208
01:16:06,360 --> 01:16:08,560
PLEASE CORRECT ME
IF I’M WRONG.
1209
01:16:08,640 --> 01:16:10,280
I WILL.
1210
01:16:17,600 --> 01:16:19,480
LOOK, PETE,
1211
01:16:19,520 --> 01:16:22,360
I’VE LIVED WITH YOU
FOR 7 YEARS NOW.
1212
01:16:22,440 --> 01:16:25,080
I KNOW YOU AS WELL
AS ANYBODY, BETTER.
1213
01:16:25,160 --> 01:16:27,000
THESE LAST
5 YEARS...
1214
01:16:27,040 --> 01:16:31,120
WITH MARY AND SYLVIA
AND MICHAEL AND ME,
1215
01:16:31,160 --> 01:16:34,480
YOU HAVE BEEN THE GLUE
THAT KEPT US TOGETHER.
1216
01:16:34,520 --> 01:16:37,880
WE DEPENDED ON YOU.
1217
01:16:37,960 --> 01:16:41,320
WE MADE YOU THE FATHER,
AND IT WORKED.
1218
01:16:41,360 --> 01:16:44,360
BUT IT’S KEPT YOU
FROM ADMITTING...
1219
01:16:44,400 --> 01:16:47,040
HOW YOU FEEL
ABOUT SYLVIA.
1220
01:16:47,080 --> 01:16:49,360
YOU LOVE HER,
DON’T YOU ?
1221
01:16:50,520 --> 01:16:53,000
WHY DO YOU
SAY THAT ?
1222
01:16:53,040 --> 01:16:54,560
DON’T YOU ?
1223
01:16:56,560 --> 01:16:59,120
AW, COME ON, PETE.
1224
01:16:59,160 --> 01:17:02,480
SAY HOW
YOU FEEL.
OKAY, I LOVE HER !
1225
01:17:02,520 --> 01:17:04,480
I KNEW IT !
1226
01:17:04,560 --> 01:17:07,520
I WISH THEY HAD A CATEGORY
LIKE THIS ON "JEOPARDY."
1227
01:17:07,560 --> 01:17:10,520
WHAT’S HOLDING
YOU BACK ?
I DON’T KNOW.
1228
01:17:10,560 --> 01:17:12,160
YOU KNOW !
1229
01:17:12,200 --> 01:17:14,560
YOU,
FOR ONE.
ME ?
1230
01:17:14,640 --> 01:17:17,040
- YOU’RE MARY’S FATHER.
- SO ?
1231
01:17:17,120 --> 01:17:19,200
YOU’RE MY BEST
FRIEND, TOO.
1232
01:17:19,200 --> 01:17:21,360
YOU KISS SYLVIA
ALL THE TIME.
1233
01:17:21,400 --> 01:17:25,520
YOU ALWAYS TELL HER
HOW MUCH YOU LOVE HER.
THAT’S ACTOR STUFF.
1234
01:17:25,560 --> 01:17:28,720
WELL, I ALWAYS FIGURED YOU
AND SHE WOULD EVENTUALLY --
1235
01:17:28,800 --> 01:17:32,320
YOU WERE THERE.
SHE SAID I DIDN’T
LOVE HER THAT WAY.
1236
01:17:32,360 --> 01:17:35,720
SHE WAS RIGHT. I DON’T.
NOT THAT I COULDN’T FOOL HER.
1237
01:17:35,840 --> 01:17:39,160
YOU DO LOVE HER THAT WAY,
AND SHE LOVES YOU !
1238
01:17:39,200 --> 01:17:40,840
SHE LOVES ME ?
1239
01:17:40,880 --> 01:17:44,480
THEN WHY IS SHE
MARRYING EDWARD ?
YOU NEVER ASKED HER !
1240
01:17:45,960 --> 01:17:48,040
YEAH, BUT YOU --
1241
01:17:48,120 --> 01:17:50,520
BUT WHAT, PETE ?
1242
01:17:59,520 --> 01:18:01,640
I’M SCARED.
1243
01:18:01,680 --> 01:18:04,600
OF WHAT, GETTING
MARRIED AGAIN ?
1244
01:18:04,680 --> 01:18:08,760
YES ! I LOVE SYLVIA.
OKAY, I SAID IT.
1245
01:18:08,840 --> 01:18:11,800
I LOVE HER SO MUCH
IT’S MAKING ME CRAZY,
1246
01:18:11,840 --> 01:18:15,600
BUT I’M SCARED OF SCREWING UP
LIKE I DID THE LAST TIME.
1247
01:18:15,680 --> 01:18:17,720
I’M SCARED OF
HURTING SYLVIA,
1248
01:18:17,840 --> 01:18:21,680
MARY, YOU,
AND MICHAEL...
1249
01:18:21,800 --> 01:18:24,000
AND ME.
1250
01:18:24,080 --> 01:18:27,880
IT’S TOUGH BEING
PAPA BEAR, ISN’T IT ?
1251
01:18:29,320 --> 01:18:32,200
I LOVE YOU. YOU’RE
A VERY SPECIAL MAN.
1252
01:18:32,280 --> 01:18:35,360
IF ANYONE DESERVES
TO BE HAPPY, IT’S YOU.
1253
01:18:35,480 --> 01:18:39,400
IF YOU LOVE HER,
YOU’VE GOTTA GO FOR IT.
1254
01:18:39,480 --> 01:18:42,320
YOU CAN MAKE IT WORK,
BELIEVE ME.
1255
01:18:45,360 --> 01:18:47,440
YOU’RE
A GOOD FRIEND.
1256
01:18:47,520 --> 01:18:50,840
I’M A GREAT FRIEND.
WHAT’S THIS GOOD SHIT ?
1257
01:18:50,880 --> 01:18:54,320
- I’M GOING TO PILEFORTH !
- THINK THIS THROUGH.
1258
01:18:54,360 --> 01:18:57,360
- I THINK TOO MUCH.
- HE DOES.
1259
01:18:57,400 --> 01:18:59,840
- I LOVE SYLVIA.
- THEN TELL HER !
1260
01:18:59,880 --> 01:19:02,640
I GOTTA PROVE
THE GUY’S A FRAUD.
1261
01:19:02,720 --> 01:19:04,080
HOW ?
1262
01:19:04,160 --> 01:19:06,120
THERE’S GOTTA
BE FILES,
1263
01:19:06,160 --> 01:19:08,560
SOMETHING TO SHOW THAT
HE’S SENDING MARY THERE.
1264
01:19:08,680 --> 01:19:12,320
SUPPOSE
YOU’RE WRONG ?
YOUR WORDS, JACK,
1265
01:19:12,400 --> 01:19:14,800
"IF YOU WANT SOMETHING,
GO FOR IT."
1266
01:19:14,840 --> 01:19:18,160
JACK !
THERE YOU ARE,
BABY DOLL !
1267
01:19:18,240 --> 01:19:22,800
I KNEW YOU WERE COMING.
I TOLD SABRINA YOU WOULD.
1268
01:19:22,840 --> 01:19:24,840
WHERE ARE
YOU GOING ?
1269
01:19:24,880 --> 01:19:28,360
I’LL BE BACK.
I LOVE YOUR MOM.
1270
01:19:29,520 --> 01:19:32,200
HE’S BEEN
REALLY WEIRD.
1271
01:20:44,680 --> 01:20:46,960
IS THERE
SOMEONE THERE ?
1272
01:20:58,440 --> 01:21:00,360
MR. MITCHELL !
1273
01:21:00,440 --> 01:21:02,880
WHAT ARE YOU DOING
IN MY CLOSET ?
1274
01:21:02,920 --> 01:21:05,880
SOMETIMES A MAN
HAS TO BE ALONE.
1275
01:21:07,400 --> 01:21:11,040
AND SOMETIMES
HE NEEDS COMPANIONSHIP.
1276
01:21:12,200 --> 01:21:14,680
I’M SORRY, BUT...
1277
01:21:14,760 --> 01:21:16,680
I’VE GOTTA BE TOTALLY
HONEST WITH YOU.
1278
01:21:16,760 --> 01:21:18,680
LET’S JUST LAY IT OUT
RIGHT ON THE TABLE !
1279
01:21:18,760 --> 01:21:20,680
OH, I’M GLAD THAT
YOUR INFATUATION...
1280
01:21:20,760 --> 01:21:22,680
HAS AT LAST
FOUND A VOICE.
1281
01:21:22,720 --> 01:21:24,920
IT HAS ?
WE HAVE NO MORE
EXCUSES NOW !
1282
01:21:25,000 --> 01:21:27,360
WE ARE CREATURES
OF THE NIGHT.
1283
01:21:27,440 --> 01:21:30,080
WE ARE CHILDREN
OF LA LUNA !
1284
01:21:30,160 --> 01:21:32,840
WAIT, WE’RE BREAKING
THE RULES OF PROPRIETY.
1285
01:21:32,920 --> 01:21:35,680
OH, RULES, RULES, RULES
ARE MADE TO BE BROKEN !
1286
01:21:35,760 --> 01:21:37,680
OH, KISS ME !
WHAT ABOUT
THE GIRLS ?
1287
01:21:37,760 --> 01:21:39,840
THEY CAN’T HAVE YOU !
1288
01:21:41,000 --> 01:21:42,880
I’VE NEVER MET
YOUR FAMILY.
1289
01:21:42,880 --> 01:21:45,360
I’VE NEVER ASKED
YOUR FATHER’S PERMISSION.
1290
01:21:45,400 --> 01:21:47,360
MY FATHER’S
A DODDERING OLD FOOL !
1291
01:21:47,440 --> 01:21:50,160
THERE’S SOMETHING
I HAVE TO TELL YOU.
1292
01:21:51,840 --> 01:21:53,480
I’M IMPOTENT !
1293
01:21:53,520 --> 01:21:56,880
I FIND THAT
SO CHARMING IN A MAN.
1294
01:21:58,560 --> 01:22:01,080
MISS LOMAX...
ELSPETH...
1295
01:22:01,160 --> 01:22:03,240
OH, SHUT UP
AND TAKE ME !
1296
01:22:06,320 --> 01:22:10,000
AM I EVERYTHING
YOU EXPECTED ?
AND MORE...
MUCH MORE !
1297
01:22:10,040 --> 01:22:12,520
NO ! WE CAN’T,
NOT TONIGHT !
1298
01:22:12,560 --> 01:22:14,920
WE MUSTN’T LET
ONE NIGHT OF PASSION...
1299
01:22:15,000 --> 01:22:17,280
CLOUD OUR ENTIRE
RELATIONSHIP.
1300
01:22:17,360 --> 01:22:19,280
I UNDERSTAND
WHAT YOU’RE SAYING.
1301
01:22:19,360 --> 01:22:21,160
AS HARD AS
IT MAY BE,
1302
01:22:21,200 --> 01:22:23,440
WE MUST CONTROL
OURSELVES !
1303
01:22:23,520 --> 01:22:25,440
GOOD NIGHT.
1304
01:22:30,960 --> 01:22:35,840
OH, YOU ARE
A TRUE GENTLEMAN.
1305
01:22:37,480 --> 01:22:39,400
DAMN IT !
1306
01:22:48,880 --> 01:22:51,840
[ Engine Sputtering ]
1307
01:23:00,080 --> 01:23:02,040
[ Engine Quits ]
1308
01:23:03,240 --> 01:23:04,880
DAMN !
1309
01:23:10,040 --> 01:23:13,840
DARLING, WHERE HAVE YOU BEEN ?
WE HAVE SO MUCH TO DO.
1310
01:23:13,880 --> 01:23:15,840
I WANTED A FEW
MOMENTS BY MYSELF.
1311
01:23:15,880 --> 01:23:18,320
FEELING
NERVOUS ?
A LITTLE.
1312
01:23:18,360 --> 01:23:20,840
IT’S QUITE NATURAL
TO FEEL NERVOUS.
1313
01:23:20,880 --> 01:23:23,960
IN LESS THAN
2 HOURS,
1314
01:23:24,000 --> 01:23:27,200
YOU’LL BE LEAVING A WHOLE PART
OF YOUR LIFE BEHIND YOU,
1315
01:23:27,280 --> 01:23:29,840
AND ENTERING
A LIFELONG CONTRACT...
1316
01:23:29,880 --> 01:23:32,160
THAT WILL CHANGE EVERYTHING
YOU’VE EVER KNOWN.
1317
01:23:32,240 --> 01:23:34,680
THANK YOU, MOTHER.
I FEEL MUCH BETTER.
1318
01:23:34,720 --> 01:23:36,680
THAT’S WHAT
MOTHERS ARE FOR.
1319
01:23:55,400 --> 01:23:57,400
THE GOOD NEWS IS,
I’VE GOT THE PROOF.
1320
01:23:57,480 --> 01:24:00,000
THE BAD NEWS IS,
I’M STILL A LONG WAY AWAY.
1321
01:24:00,080 --> 01:24:02,080
JACK AND I ARE
COOKING UP A PLAN.
1322
01:24:02,160 --> 01:24:04,640
JUST GET HERE.
THE CAVALRY
JUST SHOWED UP.
1323
01:24:04,680 --> 01:24:06,480
I’LL BE THERE.
1324
01:24:08,840 --> 01:24:10,440
WAIT !
STOP !
1325
01:24:10,520 --> 01:24:12,440
AM I GLAD
TO SEE YOU !
1326
01:24:12,520 --> 01:24:15,040
MR. MITCHELL !
WHAT ARE YOU DOING HERE ?
1327
01:24:15,120 --> 01:24:17,040
I’LL EXPLAIN.
LET’S GO.
1328
01:24:17,120 --> 01:24:19,880
WE’VE GOT
TO STALL THE WEDDING
UNTIL PETER GETS BACK.
1329
01:24:19,960 --> 01:24:22,480
I’M READY.
YOU WITH US ?
YES !
1330
01:24:22,520 --> 01:24:24,400
ALL RIGHT,
WE’VE GOT ONE HOUR.
1331
01:24:26,040 --> 01:24:28,160
THIS WAY, VICAR.
I HAVEN’T FINISHED
MY BREAKFAST.
1332
01:24:28,200 --> 01:24:30,160
WHERE ARE YOU
TAKING ME ?
1333
01:24:30,200 --> 01:24:32,160
THEY’VE MOVED
THE CEREMONY.
1334
01:24:32,200 --> 01:24:34,600
I’M DRIVING YOU
TO A NEW CHURCH.
WHO ARE YOU ?
1335
01:24:34,640 --> 01:24:36,800
THAT’S AN INTERESTING
THEOLOGICAL QUESTION.
1336
01:24:36,840 --> 01:24:38,800
WHO ARE
ANY OF US ?
1337
01:24:38,840 --> 01:24:41,160
GOOD POINT.
I’VE OFTEN SUGGESTED...
1338
01:24:41,240 --> 01:24:44,360
MY CONGREGATION ASK ITSELF
THAT VERY QUESTION.
1339
01:24:44,440 --> 01:24:47,680
AND IF, IN FACT,
WE EXIST AT ALL.
1340
01:24:47,760 --> 01:24:50,200
I HAVE A SYLLOGISM
THAT ANSWERS THAT PROBLEM.
1341
01:24:50,280 --> 01:24:52,320
IT GOES LIKE THIS --
1342
01:24:52,320 --> 01:24:56,680
ALL PIGS EXIST. I EXIST.
THEREFORE, I AM A... PIG.
1343
01:24:56,760 --> 01:25:00,760
THAT’S NOT RIGHT.
I’VE GOT IT !
1344
01:25:00,840 --> 01:25:03,760
ALL PEOPLE EXIST.
ALL PIGS EXIST.
1345
01:25:03,840 --> 01:25:06,000
THEREFORE ALL
PEOPLE ARE PIGS.
1346
01:25:06,080 --> 01:25:08,040
NO, THAT’S
NOT IT EITHER.
1347
01:25:10,760 --> 01:25:13,160
I WAS UNDER THE IMPRESSION
THAT SYLVIA KNEW...
1348
01:25:13,200 --> 01:25:15,440
THAT MARY WAS TO BE
ENROLLED FOR NEXT TERM.
1349
01:25:15,480 --> 01:25:17,800
SHE HAS ABSOLUTELY
NO IDEA.
1350
01:25:17,840 --> 01:25:19,800
HOW EXTRAORDINARY.
1351
01:25:22,560 --> 01:25:25,440
ALL THEY SAID WAS,
"THE VICAR WAS ILL."
1352
01:25:25,520 --> 01:25:27,440
WE’LL HAVE
TO FIND ANOTHER.
1353
01:25:27,520 --> 01:25:30,160
YOU CAN’T SWING A DEAD CAT
AROUND THE ENGLISH COUNTRYSIDE,
1354
01:25:30,240 --> 01:25:32,160
WITHOUT HITTING
A VICAR.
1355
01:25:32,240 --> 01:25:34,760
MORE NEWS FROM
THE VICARAGE.
1356
01:25:34,840 --> 01:25:36,800
THEY’RE SENDING
A REPLACEMENT.
1357
01:25:36,840 --> 01:25:38,640
OH, THERE
YOU ARE.
1358
01:25:38,680 --> 01:25:41,680
IT’S HARD TO BELIEVE
THAT IT’S TAKEN 5 YEARS...
1359
01:25:41,720 --> 01:25:44,440
TO REALIZE MY TRUE
FEELINGS FOR HER.
1360
01:25:44,520 --> 01:25:45,680
I’M SORRY IF
I MISLED YOU.
1361
01:25:45,760 --> 01:25:48,200
SAY NO MORE.
1362
01:25:48,280 --> 01:25:50,480
ALL IS FAIR
IN LOVE AND WAR.
1363
01:25:50,520 --> 01:25:54,040
YOU’RE A VERY
ATTRACTIVE WOMAN.
1364
01:25:54,080 --> 01:25:56,000
OH, I KNOW.
1365
01:25:56,040 --> 01:25:58,520
WE’VE GOT TO GET YOU TO
THE CHURCH BEFORE THE WEDDING.
1366
01:25:58,600 --> 01:26:00,560
WE SHALL SUCCEED !
1367
01:26:00,640 --> 01:26:03,040
I KNOW A SHORTCUT.
1368
01:26:20,800 --> 01:26:23,680
YOU’LL NEVER
GET THAT OUT, LAD.
1369
01:26:23,760 --> 01:26:26,200
DO YOU HAVE A CAR
WE COULD USE ?
1370
01:26:27,800 --> 01:26:31,040
A HORSE ?
ANYTHING THAT MOVES ?
1371
01:26:37,400 --> 01:26:39,760
[ Backfire ]
1372
01:26:49,600 --> 01:26:52,800
[ Church Bells ]
1373
01:26:56,880 --> 01:26:59,400
AHEM.
BRIDE OR GROOM, SIR ?
1374
01:26:59,480 --> 01:27:01,280
JUST A GUEST,
THANK YOU.
1375
01:27:02,520 --> 01:27:04,760
I THINK THAT’S
THE CHURCH UP THERE.
1376
01:27:07,400 --> 01:27:10,280
I CERTAINLY HOPE WE HAVEN’T
MISSED THE CHAMPAGNE.
1377
01:27:11,800 --> 01:27:13,640
VICAR, WAIT !
1378
01:27:13,680 --> 01:27:15,440
THIS ISN’T
THE WEDDING !
1379
01:27:15,520 --> 01:27:17,440
WHAT ?
1380
01:27:17,520 --> 01:27:21,280
♪♪ [ Singing ]
1381
01:27:21,320 --> 01:27:23,200
WHAT A JOYOUS EVENT...
1382
01:27:23,280 --> 01:27:26,320
WE HAVE COME HERE
TO CELEBRATE THIS GLORIOUS DAY.
1383
01:27:36,000 --> 01:27:37,960
I LOOK LIKE
A DORK.
1384
01:27:38,000 --> 01:27:41,280
YOU DON’T LOOK LIKE A DORK.
YOU LOOK VERY BEAUTIFUL.
1385
01:27:41,360 --> 01:27:43,320
EDWARD GIVE YOU
THE RING ?
1386
01:27:43,360 --> 01:27:45,400
YES.
WHERE IS IT ?
1387
01:27:45,480 --> 01:27:47,680
IT’S IN MY POCKET.
1388
01:27:47,720 --> 01:27:49,680
PETER’S NOT
HERE YET.
1389
01:27:49,720 --> 01:27:51,720
HE WILL BE.
1390
01:27:51,800 --> 01:27:53,880
IT’S NOT RIGHT
WITHOUT HIM.
1391
01:27:54,000 --> 01:27:57,160
YOU’RE TOO YOUNG NOW,
BUT ONE DAY YOU’LL UNDERSTAND.
1392
01:27:57,200 --> 01:27:59,400
I UNDERSTAND NOW.
1393
01:27:59,480 --> 01:28:01,040
DO YOU ?
1394
01:28:01,120 --> 01:28:03,040
PETER LOVES YOU.
1395
01:28:16,160 --> 01:28:19,280
KEEP EVERYBODY HAPPY.
THE VICAR’S NOT HERE YET.
1396
01:28:31,440 --> 01:28:34,200
I’M STARTING
A WAVE.
1397
01:28:37,440 --> 01:28:38,880
OH, VICAR !
1398
01:28:39,000 --> 01:28:42,320
WE’RE GRATEFUL YOU COULD
COME ON SHORT NOTICE.
1399
01:28:42,400 --> 01:28:44,720
NOT TO WORRY.
I LOVE WEDDINGS.
1400
01:28:44,800 --> 01:28:47,160
PEOPLE ARE ALWAYS
SO... HOPEFUL.
1401
01:28:48,520 --> 01:28:51,160
NO, THIS WAY.
OH, YES.
1402
01:28:52,280 --> 01:28:53,720
OH !
1403
01:28:59,440 --> 01:29:01,800
WHAT TIME
IS IT ?
1404
01:29:12,920 --> 01:29:16,080
OH, YOU LOOK LOVELY,
DARLING.
1405
01:29:16,160 --> 01:29:18,960
WE’RE GOING TO HAVE TO
GO AHEAD WITHOUT THEM.
1406
01:29:19,040 --> 01:29:21,120
BUT WHO’LL
GIVE ME AWAY ?
1407
01:29:21,200 --> 01:29:22,440
OH...
1408
01:29:22,520 --> 01:29:29,280
♪♪ [ Wedding March ]
1409
01:30:10,400 --> 01:30:12,360
SIT DOWN.
1410
01:30:26,800 --> 01:30:30,360
OH, WHAT A
BEAUTIFUL GIRL !
1411
01:30:30,440 --> 01:30:32,560
IT’S NEVER TOO LATE,
YOU KNOW.
1412
01:30:32,640 --> 01:30:34,560
YOU CAN ALWAYS
CHANGE YOUR MIND.
1413
01:30:34,640 --> 01:30:36,320
I’M AVAILABLE.
1414
01:30:38,280 --> 01:30:40,080
[ Chuckle ]
1415
01:30:40,160 --> 01:30:42,640
JUST KIDDING.
1416
01:30:42,680 --> 01:30:44,800
DEARLY BELOVED,
1417
01:30:44,880 --> 01:30:48,560
WE ARE GATHERED
HERE TODAY...
1418
01:30:48,640 --> 01:30:51,120
TO JOIN IN
HOLY MATRIMONY...
1419
01:30:51,160 --> 01:30:55,800
EDWARD...
AND...
1420
01:30:55,840 --> 01:30:57,800
OH, DEAR.
1421
01:30:57,840 --> 01:30:59,160
SYLVIA.
1422
01:30:59,240 --> 01:31:01,960
SYLVIA,
OF COURSE.
1423
01:31:02,000 --> 01:31:04,320
I KNEW A
SYLVIA ONCE.
1424
01:31:04,400 --> 01:31:06,920
SHE... UH...
1425
01:31:07,000 --> 01:31:10,680
UH... NO.
SHE’S DEAD.
1426
01:31:10,720 --> 01:31:12,680
THAT’S NOT YOU.
1427
01:31:12,720 --> 01:31:14,680
ANYWAY, UH...
1428
01:31:14,720 --> 01:31:17,840
TO JOIN IN
HOLY MATRIMONY...
1429
01:31:17,920 --> 01:31:20,160
ED AND SYLVIA.
1430
01:31:20,200 --> 01:31:23,200
YOU DON’T MIND IF
I CALL YOU ED, DO YOU ?
1431
01:31:26,200 --> 01:31:28,320
YOU’RE DOING
SPLENDIDLY !
1432
01:31:28,400 --> 01:31:30,320
THANK YOU.
1433
01:31:31,400 --> 01:31:33,320
I CAN’T SEE !
1434
01:31:35,360 --> 01:31:37,800
I DON’T KNOW
WHERE IT IS.
1435
01:31:37,840 --> 01:31:41,280
SHE HAD IT JUST NOW !
YOU’RE DOING THIS ON PURPOSE.
1436
01:31:41,320 --> 01:31:43,280
I’LL HANDLE THIS.
1437
01:31:43,320 --> 01:31:45,640
DARLING, WHERE DID
YOU HAVE IT LAST ?
1438
01:31:45,680 --> 01:31:47,680
IT WAS ON
THE PILLOW.
1439
01:31:49,080 --> 01:31:51,680
WE CAN’T
WAIT FOREVER !
1440
01:31:51,720 --> 01:31:55,080
OH, DEAR, THIS
DOES NOT BODE WELL.
1441
01:31:56,280 --> 01:31:58,200
DOES ANYONE...
1442
01:31:58,280 --> 01:32:01,120
HAVE A RING ?
1443
01:32:02,680 --> 01:32:04,760
HERE.
1444
01:32:06,720 --> 01:32:08,640
I HAVE ONE.
1445
01:32:29,880 --> 01:32:33,200
[ Miss Lomax ]
THERE’S THE CHAPEL !
1446
01:32:33,280 --> 01:32:35,200
OH, DEAR.
I HATE THIS PART.
1447
01:32:35,320 --> 01:32:37,480
IT IS, AFTER ALL,
IN THE RULE BOOK.
1448
01:32:37,520 --> 01:32:39,480
IF THERE BE
ANYONE HERE...
1449
01:32:39,520 --> 01:32:42,800
WHO KNOWS OF
ANY REASON,
1450
01:32:42,840 --> 01:32:44,880
ANY REASON
WHATSOEVER --
1451
01:32:44,960 --> 01:32:49,200
IT MAY NOT SEEM LIKE AN
IMPORTANT DETAIL TO YOU,
1452
01:32:49,280 --> 01:32:53,440
BUT YOU NEVER CAN TELL IN
THE IMMORTAL SCHEME OF THINGS.
1453
01:32:53,480 --> 01:32:56,720
ONE MAN’S PIE...
AND ALL THAT.
1454
01:32:56,840 --> 01:32:59,760
SO, IF THERE
BE ANY DOUBT,
1455
01:32:59,840 --> 01:33:02,320
ANY DOUBT AT ALL,
1456
01:33:02,400 --> 01:33:04,320
WE MIGHT AS WELL...
1457
01:33:04,400 --> 01:33:07,120
LAY IT OUT ON
THE TABLE, RIGHT NOW,
1458
01:33:07,160 --> 01:33:09,960
WHY THESE TWO
LOVELY PEOPLE...
1459
01:33:10,000 --> 01:33:12,480
SHOULD NOT BE JOINED
IN HOLY MATRIMONY.
1460
01:33:12,520 --> 01:33:14,480
SPEAK NOW...
1461
01:33:14,520 --> 01:33:17,480
OR FOREVER HOLD
YOUR PEACE.
1462
01:33:23,800 --> 01:33:25,720
ANYONE ?
1463
01:33:25,800 --> 01:33:28,960
I THINK IT’S
SAFE TO CONTINUE.
1464
01:33:29,040 --> 01:33:31,200
OH, WAIT !
1465
01:33:31,280 --> 01:33:33,440
IS THAT YOUR HAND UP,
BACK THERE ?
1466
01:33:33,480 --> 01:33:35,040
YES, YOU.
1467
01:33:35,120 --> 01:33:37,840
THE LADY
IN THE BACK ROW.
1468
01:33:37,920 --> 01:33:40,040
2nd, 3rd, 4th,
5th FROM THE LEFT !
1469
01:33:41,960 --> 01:33:46,200
I’M SORRY. IT’S YOUR HAT.
LOOKED LIKE YOUR HAND --
1470
01:33:46,280 --> 01:33:48,520
CAN WE PLEASE
GET ON WITH THIS !
1471
01:33:48,600 --> 01:33:51,160
WHERE DO THEY
GET THESE HATS FROM ?
1472
01:33:51,240 --> 01:33:53,160
IMAGINE,
A PIECE OF MILLINERY...
1473
01:33:53,240 --> 01:33:56,000
ALMOST KEPT YOU
FROM GETTING MARRIED.
1474
01:34:05,600 --> 01:34:07,520
HANG ON !
1475
01:34:24,320 --> 01:34:25,760
GOOD SHOW !
1476
01:34:25,840 --> 01:34:28,680
WITHOUT FURTHER ADIEU,
1477
01:34:28,760 --> 01:34:31,920
[ Snoring ]
WITH THE POWER
VESTED IN ME...
1478
01:34:32,000 --> 01:34:34,920
BY ALMIGHTY GOD,
1479
01:34:35,000 --> 01:34:38,600
I NOW...
PRONOUNCE YOU...
1480
01:34:38,680 --> 01:34:40,760
MAN AND WIFE.
1481
01:34:41,760 --> 01:34:44,680
ABOUT BLOODY TIME !
1482
01:34:44,720 --> 01:34:48,000
YOU MAY KISS
THE BRIDE.
1483
01:34:56,720 --> 01:34:59,160
WHY AREN’T YOU INSIDE ?
IS IT TOO LATE ?
1484
01:34:59,240 --> 01:35:01,320
GO ON IN.
I’LL EXPLAIN LATER !
1485
01:35:01,400 --> 01:35:03,320
COME ON,
VICAR !
1486
01:35:03,400 --> 01:35:04,640
VICAR !
1487
01:35:08,040 --> 01:35:09,320
SYLVIA !
1488
01:35:10,880 --> 01:35:13,520
DON’T MARRY HIM !
1489
01:35:13,600 --> 01:35:15,000
WHAT ARE
YOU DOING ?
1490
01:35:15,040 --> 01:35:17,160
[ Michael ]
HE GOT IT !
WHAT ?
1491
01:35:17,200 --> 01:35:20,360
HE WENT TO PILEFORTH.
I GOT THE
ENROLLMENT LIST.
1492
01:35:20,440 --> 01:35:22,680
- MARY’S ON IT.
- NOT THIS AGAIN.
1493
01:35:22,760 --> 01:35:25,400
YOU SHUT UP !
TELL HER, ELSPETH.
1494
01:35:26,480 --> 01:35:28,000
IT’S TRUE.
1495
01:35:35,120 --> 01:35:37,000
YOU LIED TO ME.
1496
01:35:37,080 --> 01:35:39,000
THIS IS NOT
THE TIME OR PLACE.
1497
01:35:39,040 --> 01:35:42,000
YOU LIED TO MARY.
PETER WAS RIGHT.
1498
01:35:42,040 --> 01:35:44,000
I WAS GOING
TO TELL YOU.
1499
01:35:44,040 --> 01:35:45,400
TELL HER NOW.
1500
01:35:45,480 --> 01:35:49,360
I ONLY DID IT OUT
OF CONCERN FOR MARY.
1501
01:35:49,440 --> 01:35:51,920
ON THE ROAD WITH A PLAY
IS NO PLACE FOR A CHILD.
1502
01:35:52,000 --> 01:35:53,520
WHY DIDN’T
YOU TELL ME ?
1503
01:35:53,560 --> 01:35:55,880
I DIDN’T WANT
TO BURDEN YOU...
1504
01:35:55,960 --> 01:35:58,440
WHILE YOU WERE DEALING
WITH THE WEDDING.
1505
01:35:59,400 --> 01:36:01,360
WHAT I DID
WAS WRONG,
1506
01:36:01,400 --> 01:36:03,760
TERRIBLY WRONG,
AND I APOLOGIZE.
1507
01:36:03,840 --> 01:36:05,040
WHAT A CROCK !
1508
01:36:05,120 --> 01:36:06,440
YOU LITTLE SHIT !
1509
01:36:07,680 --> 01:36:08,720
THAT’S IT !
1510
01:36:12,520 --> 01:36:14,640
I’M GETTING OUT OF HERE.
COME ALONG, MARY.
1511
01:36:14,680 --> 01:36:17,560
SYLVIA, WAIT !
PLEASE !
1512
01:36:17,640 --> 01:36:19,200
LET ME FINISH.
1513
01:36:19,280 --> 01:36:21,000
MARRY ME.
1514
01:36:23,880 --> 01:36:26,160
MARRY YOU ?
1515
01:36:27,480 --> 01:36:29,440
WHY, PETER ?
1516
01:36:29,480 --> 01:36:31,440
FOR MARY’S SAKE ?
1517
01:36:31,520 --> 01:36:33,560
IS THAT WHY YOU WANT ME
TO MARRY YOU ?
1518
01:36:33,640 --> 01:36:35,800
YOU DON’T HAVE TO
DO THAT NOW.
1519
01:36:35,840 --> 01:36:39,760
I’M GOING TO NEW YORK. YOU CAN
SEE MARY AS MUCH AS YOU’D LIKE.
1520
01:36:39,840 --> 01:36:42,360
IT’S NOT FOR MARY
I’M DOING THIS--
1521
01:36:42,400 --> 01:36:44,480
I’M DOING IT
FOR ME !
1522
01:36:44,520 --> 01:36:46,480
I LOVE YOU.
1523
01:36:50,480 --> 01:36:52,480
NO, YOU DON’T.
1524
01:36:52,520 --> 01:36:54,800
YES, I DO.
I LOVE YOU.
1525
01:36:54,840 --> 01:36:58,200
I LOVE THE WAY YOU WALK.
I LOVE THE WAY YOU LAUGH.
1526
01:36:58,280 --> 01:37:02,200
I LOVE THE WAY YOU GET NERVOUS
AND BITE YOUR LOWER LIP,
1527
01:37:02,280 --> 01:37:03,960
LIKE YOU’RE DOING NOW.
1528
01:37:04,000 --> 01:37:05,640
I LOVE THE WAY
YOU LOVE MARY.
1529
01:37:07,360 --> 01:37:10,480
I EVEN LOVE HER
LIVER MOUSSE !
1530
01:37:12,920 --> 01:37:15,120
I LOVE YOU.
1531
01:37:15,160 --> 01:37:17,640
IF THERE WERE NO MARY,
IF THERE WERE NOTHING ELSE,
1532
01:37:17,680 --> 01:37:20,640
I’D STILL LOVE YOU.
1533
01:37:20,680 --> 01:37:23,800
AND I’D WANT TO MAKE MARY
ALL OVER AGAIN WITH YOU.
1534
01:37:28,520 --> 01:37:30,960
AM I MAKING A BIG ENOUGH
FOOL OF MYSELF ?
1535
01:37:31,000 --> 01:37:32,840
YES.
1536
01:37:35,360 --> 01:37:37,320
I LOVE YOU, TOO.
1537
01:37:53,400 --> 01:37:56,600
[ Clapping ]
1538
01:37:58,040 --> 01:38:00,240
LOVELY PERFORMANCE,
PETER.
1539
01:38:00,320 --> 01:38:03,080
FORGIVE ME FOR BRINGING UP
A STICKY POINT, DARLING,
1540
01:38:03,160 --> 01:38:05,080
BUT WE ARE
MARRIED NOW.
1541
01:38:05,160 --> 01:38:07,280
OH, GOD, HE’S RIGHT.
WE ARE.
1542
01:38:07,360 --> 01:38:10,240
I BEG TO DIFFER
WITH YOU, YOUNG MAN.
1543
01:38:11,760 --> 01:38:14,520
WHO ARE
YOU ?
NEVER MIND.
1544
01:38:14,560 --> 01:38:18,000
THE CEREMONY IS NOT
QUITE OFFICIAL YET.
1545
01:38:18,080 --> 01:38:19,920
SHUT UP,
YOU OLD FOOL !
1546
01:38:20,000 --> 01:38:23,480
DID HE CALL ME
AN OLD FOOL ?
1547
01:38:23,560 --> 01:38:26,520
OH, I CAN’T
BELIEVE MY EARS !
1548
01:38:26,600 --> 01:38:29,840
OOO, OOO !
1549
01:38:29,880 --> 01:38:31,360
BOY, THAT HURT !
1550
01:38:31,440 --> 01:38:33,840
HOLD THIS FOR ME,
WILL YOU ?
1551
01:38:33,880 --> 01:38:36,560
AND YOU SAID I
COULDN’T FOOL YOU !
1552
01:38:36,640 --> 01:38:38,840
YEAH, WELL...
1553
01:38:40,880 --> 01:38:43,600
LOUSY ACTOR, EH ?
1554
01:38:43,680 --> 01:38:49,080
CONSTIPATED ?
WELL, IN YOUR FACE, PAL !
1555
01:38:50,960 --> 01:38:52,800
HERE YOU GO.
DON’T BE FRIGHTENED.
1556
01:38:52,840 --> 01:38:54,800
HERE WE GO.
TEETH.
1557
01:38:54,840 --> 01:38:56,640
THANK YOU.
1558
01:38:56,680 --> 01:39:01,120
OH...
MOM...
1559
01:39:01,200 --> 01:39:05,160
I’VE DIED AND
GONE TO HELL.
1560
01:39:05,200 --> 01:39:07,560
VICAR, WILL YOU
MARRY US ?
1561
01:39:07,640 --> 01:39:09,560
CERTAINLY.
1562
01:39:09,640 --> 01:39:11,680
WHO ARE YOU ?
1563
01:39:11,680 --> 01:39:17,080
BY GIVING AND RECEIVING A RING
AND BY JOINING HANDS,
1564
01:39:17,160 --> 01:39:20,280
I PRONOUNCE THAT
THEY BE MAN AND WIFE.
1565
01:39:23,680 --> 01:39:26,440
YOU MAY NOW
KISS THE BRIDE...
1566
01:39:26,520 --> 01:39:28,440
AGAIN.
1567
01:39:39,360 --> 01:39:42,960
♪ I HEAR YOUR NAME
WHISPERED ON THE WIND ♪
1568
01:39:43,040 --> 01:39:48,200
♪ IT’S A SOUND
THAT MAKES ME CRY ♪
1569
01:39:48,280 --> 01:39:53,400
♪ I HEAR A SONG BLOW AGAIN
AND AGAIN THROUGH MY MIND ♪
1570
01:39:53,480 --> 01:39:56,480
♪ AND I DON’T KNOW WHY ♪
1571
01:39:56,520 --> 01:40:00,120
♪ I WISH I DIDN’T FEEL
SO STRONG ABOUT YOU ♪
1572
01:40:00,160 --> 01:40:04,240
♪ MY HAPPINESS AND LOVE
REVOLVE AROUND YOU ♪
1573
01:40:04,320 --> 01:40:07,200
♪ TRYING TO CATCH
YOUR HEART ♪
1574
01:40:07,280 --> 01:40:12,840
♪ IS LIKE TRYING
TO CATCH A STAR ♪
1575
01:40:12,880 --> 01:40:17,120
♪ SO MANY PEOPLE
LOVE YOU, BABY ♪
1576
01:40:17,200 --> 01:40:19,440
♪ THAT MUST BE
WHAT YOU ARE ♪
1577
01:40:20,840 --> 01:40:23,800
♪ WAITING FOR
A STAR TO FALL ♪
1578
01:40:23,840 --> 01:40:27,000
♪ AND CARRY YOUR HEART
INTO MY ARMS ♪
1579
01:40:27,040 --> 01:40:30,920
♪ THAT’S WHERE YOU BELONG
IN MY ARMS, BABY, YEAH ♪
1580
01:40:33,160 --> 01:40:36,040
♪ WAITING FOR
A STAR TO FALL ♪
1581
01:40:36,120 --> 01:40:39,200
♪ AND CARRY YOUR HEART
INTO MY ARMS ♪
1582
01:40:39,280 --> 01:40:43,320
♪ THAT’S WHERE YOU BELONG
IN MY ARMS, BABY, YEAH ♪
1583
01:40:45,960 --> 01:40:49,120
♪ I’VE LEARNED TO FEEL
WHAT I CANNOT SEE ♪
1584
01:40:49,160 --> 01:40:54,520
♪ BUT WITH YOU
I LOSE THAT FEELING ♪
1585
01:40:54,600 --> 01:40:57,360
♪ I DON’T KNOW HOW
TO DREAM YOUR DREAMS ♪
1586
01:40:57,400 --> 01:41:02,360
♪ SO I’M ALL CAUGHT UP
IN SUPERSTITION ♪
1587
01:41:02,400 --> 01:41:06,080
♪ I WANT TO REACH OUT
AND PULL YOU TO ME ♪
1588
01:41:06,160 --> 01:41:10,160
♪ WHO SAYS I SHOULD LET
A WILD ONE GO FREE ♪
1589
01:41:10,240 --> 01:41:13,360
♪ TRYING TO CATCH
YOUR HEART ♪
1590
01:41:13,440 --> 01:41:19,000
♪ IS LIKE TRYING
TO CATCH A STAR ♪
1591
01:41:19,080 --> 01:41:23,160
♪ BUT I CAN’T LOVE YOU
THIS MUCH, BABY ♪
1592
01:41:23,240 --> 01:41:25,520
♪ AND LOVE YOU
FROM THIS FAR ♪
1593
01:41:26,880 --> 01:41:29,520
♪ WAITING FOR
A STAR TO FALL ♪
1594
01:41:29,600 --> 01:41:33,000
♪ AND CARRY YOUR HEART
INTO MY ARMS ♪
1595
01:41:33,040 --> 01:41:36,840
♪ THAT’S WHERE YOU BELONG
IN MY ARMS, BABY, YEAH ♪
1596
01:41:39,240 --> 01:41:42,240
♪ WAITING FOR
A STAR TO FALL ♪
1597
01:41:42,320 --> 01:41:45,360
♪ AND CARRY YOUR HEART
INTO MY ARMS ♪
1598
01:41:45,400 --> 01:41:48,960
♪ THAT’S WHERE YOU BELONG
IN MY ARMS, BABY, YEAH ♪
1599
01:41:51,560 --> 01:41:54,400
♪ WAITING ♪
1600
01:41:54,480 --> 01:41:58,520
♪ I DON’T LIKE WAITING ♪
1601
01:41:58,600 --> 01:42:02,880
♪ IT’S SO HARD WAITING ♪
1602
01:42:02,960 --> 01:42:05,520
♪ SEEMS LIKE WAITING ♪
1603
01:42:05,640 --> 01:42:11,480
♪ MAKES ME LOVE YOU
EVEN MORE ♪
1604
01:42:39,120 --> 01:42:42,120
♪ WAITING FOR
A STAR TO FALL ♪
1605
01:42:42,160 --> 01:42:45,160
♪ TO CARRY YOUR HEART
INTO MY ARMS ♪
1606
01:42:45,240 --> 01:42:49,400
♪ THAT’S WHERE YOU BELONG
IN MY ARMS, BABY, YEAH ♪
1607
01:42:51,560 --> 01:42:54,600
♪ WAITING FOR
A STAR TO FALL ♪
1608
01:42:54,680 --> 01:42:57,840
♪ TO CARRY YOUR HEART
INTO MY ARMS ♪
1609
01:42:57,880 --> 01:43:01,640
♪ THAT’S WHERE YOU BELONG
IN MY ARMS, BABY, YEAH ♪
1610
01:43:03,680 --> 01:43:06,920
♪ WAITING FOR
A STAR TO FALL ♪
1611
01:43:07,040 --> 01:43:10,000
♪ TO CARRY YOUR HEART
INTO MY ARMS ♪
1612
01:43:10,120 --> 01:43:13,800
♪ THAT’S WHERE YOU BELONG
IN MY ARMS, BABY, YEAH ♪♪