1
00:04:30,637 --> 00:04:31,831
Silence!

2
00:08:02,448 --> 00:08:06,441
<i>Because he really is, </i>
<i>as we mentioned, </i>

3
00:08:06,652 --> 00:08:11,817
<i>the orchestra leader who must conduct</i>
<i>all those working under him</i>

4
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<i>to produce a coherent, </i>
<i>harmonious concert. </i>

5
00:08:16,829 --> 00:08:22,699
<i>Once his collaborators</i>
<i>understood</i>

6
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<i>his intention</i>
<i>and what he wanted, </i>

7
00:08:27,673 --> 00:08:36,513
<i>what he believed would make</i>
<i>the most consistent statement, </i>

8
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<i>then he gave them free rein. </i>

9
00:08:39,752 --> 00:08:46,590
<i>But they had to understand his approach</i>
<i>completely before that would happen. </i>

10
00:08:56,035 --> 00:09:00,938
At the end of the script,

11
00:09:01,274 --> 00:09:05,836
the village doctor,
the vampire's accomplice...

12
00:09:07,747 --> 00:09:11,046
was to flee the village.

13
00:09:11,250 --> 00:09:17,052
In the middle of a marsh

14
00:09:17,623 --> 00:09:22,424
he was to fall into a mire

15
00:09:22,628 --> 00:09:29,761
where, unable to save himself,

16
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he would lose his life.

17
00:09:38,177 --> 00:09:42,170
One day we set out
to find a suitable mire,

18
00:09:42,381 --> 00:09:44,679
and we drove around
looking at marshes.

19
00:09:44,884 --> 00:09:48,285
But we discovered
a house by the road

20
00:09:48,487 --> 00:09:53,982
where strange white shadows danced
around the windows and doors

21
00:09:54,193 --> 00:10:00,564
as though some white fire inside
was throwing off clear flames

22
00:10:00,766 --> 00:10:03,963
through the openings and cracks.

23
00:10:04,403 --> 00:10:06,371
We couldn't resist.

24
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We had to explore that white fire.

25
00:10:10,910 --> 00:10:16,712
We went inside
and saw some dark silhouettes

26
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walking around a grindstone,

27
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making plaster of Paris.

28
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The air was thick
with fine powder.

29
00:10:33,299 --> 00:10:39,067
When we saw that,
we knew what our style had to be:

30
00:10:39,271 --> 00:10:43,901
black silhouettes

31
00:10:44,310 --> 00:10:47,677
against a white background.

32
00:10:47,880 --> 00:10:54,376
So we had to think
of the ending taking place

33
00:10:54,587 --> 00:10:57,420
inside a white mill.

34
00:10:57,623 --> 00:11:01,081
We knew then
how the doctor should die:

35
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He'd be suffocated
under an endless stream

36
00:11:05,931 --> 00:11:08,126
of milled flour.

37
00:12:36,922 --> 00:12:42,383
We had planned
on a rather heavy style,

38
00:12:43,162 --> 00:12:50,534
but by chance we discovered
something much better,

39
00:12:50,736 --> 00:12:55,400
so we changed our plans.

40
00:12:59,979 --> 00:13:06,885
Examining the first rushes...

41
00:13:08,320 --> 00:13:14,623
we stopped at a scene

42
00:13:14,927 --> 00:13:18,920
that seemed
to have been shot in fog,

43
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a muddle of grayish white.

44
00:13:24,036 --> 00:13:28,905
To us this was the solution,

45
00:13:29,675 --> 00:13:32,439
at least for the interiors.

46
00:23:46,191 --> 00:23:58,001
NIGHTSTICKS AT VIENNESE THEATER
SCANDAL AT SCREENING OF <i>VAMPYR</i>

47
00:27:20,705 --> 00:27:23,401
But the dogs!

48
00:27:26,111 --> 00:27:29,274
There are no children
or dogs here!