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MAN 1:
Where you from?
2
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MAN 2:
I'm from Holland, and this is like...
3
00:01:23,106 --> 00:01:25,301
Ten hours for me.
It's, like, across the world.
4
00:01:25,509 --> 00:01:27,137
I came here for this audition.
5
00:01:27,378 --> 00:01:30,814
I told all my boys at home I'm coming
to funk in front of Michael onstage.
6
00:01:31,015 --> 00:01:34,348
I'm just gonna dance for him. I don't care
if I make it, I don't care about nothing.
7
00:01:34,619 --> 00:01:36,314
Thank you, Michael. I'm excited.
8
00:01:36,521 --> 00:01:40,651
You've inspired everything
in my life. My energy.
9
00:01:40,858 --> 00:01:42,155
You're why I dance.
10
00:01:42,360 --> 00:01:45,489
I can remember being a little girl and
watching "Thriller" on TV with my mom
11
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and thinking that that was
the coolest thing in the world.
12
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I go to sleep and just wake up,
and the first thing I do is not even eat.
13
00:01:52,171 --> 00:01:57,074
I just start playing your music and start
just dancing and moonwalking on a rug.
14
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I was like, "What I would give
to be onstage with you."
15
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And the fact that I get to do
that is... It's amazing, so...
16
00:02:05,585 --> 00:02:08,053
I'm from Australia...
17
00:02:11,724 --> 00:02:16,058
And, um, I got word of your audition
two days before it was about to happen
18
00:02:16,263 --> 00:02:19,061
and I was on the next flight over.
19
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It begins. This is... This is the
beginning. I'm not even onstage yet.
20
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Like, I can't even imagine what's gonna
happen backstage that first show in London.
21
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I'm looking even farther ahead. I don't even know
what I wanna do after this because this is Michael.
22
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I wanted to dance,
you know what I mean?
23
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And that inspiration came from,
you know, you.
24
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And you've inspired me and given me
a reason to want to inspire others.
25
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Uh...
26
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Life is hard, right?
27
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And I've kind of been searching for
something to shake me up a little bit
28
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and give me a kind of a meaning,
to believe in something.
29
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And this is it.
30
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ORTEGA: So we open the show, as
you know, with all the lights down.
31
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We're gonna create a spectacular
opening with pyrotechnics.
32
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And we want some sizzles
and some cracks and some pops.
33
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We have our video that is called
"Glimpses and Flashes."
34
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And that's where Light Man comes out
on the gantry, floating above the stage,
35
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and he'll just be dazzling
in video information.
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And piece by piece
by piece by piece,
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MJ is revealed, until he jumps out
38
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and on Michael's command,
we begin.
39
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["WANNA BE STARTIN'
SOMETHIN"' PLAYING]
40
00:04:08,848 --> 00:04:10,543
# You wanna be startin' somethin' #
41
00:04:10,784 --> 00:04:12,218
# You got to be startin' somethin' #
42
00:04:12,420 --> 00:04:14,183
# You wanna be startin' somethin' #
43
00:04:14,922 --> 00:04:16,048
CHORUS:
# Startin' somethin' #
44
00:04:16,290 --> 00:04:18,815
# Hard to get over #
CHORUS: # Yeah, yeah #
45
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# Yeah, yeah #
46
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# Stuck in the middle #
# Yeah, yeah #
47
00:04:21,996 --> 00:04:23,793
# And the pain is thunder #
# Yeah, yeah #
48
00:04:23,964 --> 00:04:25,556
# Hard to get over #
# Yeah, yeah #
49
00:04:25,733 --> 00:04:27,223
# Too low to get under #
# Yeah, yeah #
50
00:04:27,401 --> 00:04:29,529
# Stuck in the middle #
# Yeah, yeah #
51
00:04:29,738 --> 00:04:31,501
# And the pain is thunder #
# Yeah, yeah #
52
00:04:31,673 --> 00:04:33,538
# You love to pretend
That you're good #
53
00:04:33,742 --> 00:04:35,801
# When you're always
Up to no good #
54
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# So your tongue became a razor #
55
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# Someone's always #
# Tryin' #
56
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# To start my baby #
# Cryin' #
57
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# Lyin' #
58
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# Now baby's
Slowly dyin' #
59
00:04:47,390 --> 00:04:48,448
# Startin' somethin' #
60
00:04:48,624 --> 00:04:50,216
# You got to be #
# Startin' somethin' #
61
00:04:50,526 --> 00:04:52,323
# I said you wanna be #
# Startin' somethin' #
62
00:04:52,962 --> 00:04:54,452
# Startin' somethin' #
63
00:04:54,697 --> 00:04:56,722
# Hard to get over #
# Yeah, yeah #
64
00:04:57,066 --> 00:04:58,124
# Yeah, yeah #
65
00:04:58,334 --> 00:04:59,892
# Stuck in the middle #
# Yeah, yeah #
66
00:05:00,069 --> 00:05:01,935
# And the pain is thunder #
# Yeah, yeah #
67
00:05:02,106 --> 00:05:04,540
# Hard to get over #
# Yeah, yeah #
68
00:05:04,708 --> 00:05:05,732
# Yeah, yeah #
69
00:05:05,909 --> 00:05:08,275
# Stuck in the middle #
# Yeah, yeah #
70
00:05:08,445 --> 00:05:09,537
# Yeah, yeah #
71
00:05:09,713 --> 00:05:11,578
# You're a vegetable #
# You're a vegetable #
72
00:05:11,749 --> 00:05:13,376
# You're a vegetable #
# You're a vegetable #
73
00:05:13,550 --> 00:05:15,142
# Still they hate you #
# Still they hate you #
74
00:05:15,352 --> 00:05:17,081
# You're a vegetable #
# You're a vegetable #
75
00:05:17,255 --> 00:05:19,052
# A buffet #
# A buffet #
76
00:05:19,224 --> 00:05:20,885
# You're a vegetable #
# You're a vegetable #
77
00:05:21,059 --> 00:05:22,959
# They eat off of you #
# They eat off of you #
78
00:05:23,128 --> 00:05:25,926
# You're a vegetable
Ow! #
79
00:05:39,512 --> 00:05:41,309
# He-he-he-ha ##
80
00:05:54,294 --> 00:05:55,818
You know I'm gonna
want that more, right?
81
00:05:56,029 --> 00:05:57,087
[IMITATES BASS GUITAR]
82
00:05:57,297 --> 00:05:58,764
It's funkier.
83
00:05:58,965 --> 00:06:00,660
I'm not feeling
that part enough.
84
00:06:00,901 --> 00:06:03,699
[IMITATING BASS GUITAR]
85
00:06:05,605 --> 00:06:07,403
BEARDEN:
As in running next to him.
86
00:06:07,608 --> 00:06:09,269
It's not there.
BEARDEN: Okay, it should be.
87
00:06:09,477 --> 00:06:11,445
It should be.
I know, it's all for love.
88
00:06:11,646 --> 00:06:14,479
BEARDEN: It's coming there.
We'll get it there.
89
00:06:15,817 --> 00:06:20,686
# Your love is magical #
90
00:06:20,922 --> 00:06:24,484
# That's how I feel #
91
00:06:24,693 --> 00:06:31,030
# But I have not the words
To explain #
92
00:06:31,233 --> 00:06:34,498
# To tell you #
93
00:06:34,703 --> 00:06:35,863
# I love you ##
94
00:06:36,071 --> 00:06:38,699
[CROWD SCREAMING
AND CHEERING]
95
00:06:38,941 --> 00:06:41,035
WOMAN [OVER RADIO]:
Jackson's ETA is 15 minutes.
96
00:06:41,244 --> 00:06:44,543
Michael Jackson last performed
live right here in London
97
00:06:44,747 --> 00:06:47,079
at the 2006 World Music Awards.
98
00:06:47,317 --> 00:06:50,718
WOMAN [OVER RADIO]: Michael
Jackson's here. Go straight onstage.
99
00:06:51,321 --> 00:06:52,481
CROWD [CHANTING]:
This is it!
100
00:06:53,456 --> 00:06:54,480
Yeah!
101
00:06:54,858 --> 00:06:57,987
This is it. This is it.
102
00:06:58,963 --> 00:07:01,864
[CHANTING]
This is it! This is it!
103
00:07:03,667 --> 00:07:05,726
I love you.
104
00:07:05,970 --> 00:07:06,959
[LAUGHS]
105
00:07:07,137 --> 00:07:09,071
MAN:
We love you!
106
00:07:10,841 --> 00:07:16,246
I'll be... I'll be performing the songs
my fans wanna hear.
107
00:07:17,249 --> 00:07:21,242
This is really it.
This is the final curtain call.
108
00:07:22,521 --> 00:07:25,115
Okay? And see you in July.
109
00:07:34,267 --> 00:07:36,064
# If you can't feed your baby #
# Yeah, yeah #
110
00:07:36,235 --> 00:07:37,862
# Then don't have a baby #
# Yeah, yeah #
111
00:07:38,037 --> 00:07:39,629
# And don't think maybe #
# Yeah, yeah #
112
00:07:39,872 --> 00:07:42,568
# If you can't feed your baby #
# Yeah, yeah #
113
00:07:42,775 --> 00:07:44,606
# Tryin' #
114
00:07:44,810 --> 00:07:46,142
# Cryin' #
115
00:07:46,380 --> 00:07:47,369
# Lyin' #
116
00:07:47,581 --> 00:07:49,446
# Now baby's slowly dyin' #
117
00:07:49,650 --> 00:07:51,015
# Hoo #
# Startin' somethin' #
118
00:07:51,218 --> 00:07:53,015
# You got to be #
# Startin' somethin' #
119
00:07:53,220 --> 00:07:54,812
# You wanna be #
# Startin' somethin' #
120
00:07:55,055 --> 00:07:56,818
# You got to be #
# Startin' somethin' #
121
00:07:57,057 --> 00:07:58,649
# Hard to get over #
# Yeah, yeah #
122
00:07:58,825 --> 00:08:00,622
# Too low to get under #
# Yeah, yeah #
123
00:08:00,794 --> 00:08:02,558
# You're stuck in the middle #
# Yeah, yeah #
124
00:08:02,730 --> 00:08:04,527
# And the pain is thunder #
# Yeah, yeah #
125
00:08:04,699 --> 00:08:06,098
# Hard to get over #
# Yeah, yeah #
126
00:08:06,267 --> 00:08:08,167
# Too low to get under #
# Yeah, yeah #
127
00:08:08,403 --> 00:08:11,531
# You're stuck in the middle #
# Yeah, yeah #
128
00:08:11,739 --> 00:08:13,172
# Lift your head up high #
129
00:08:13,408 --> 00:08:15,239
# And scream out to the world #
130
00:08:15,443 --> 00:08:16,910
# I know I am someone #
131
00:08:17,111 --> 00:08:18,773
# And let the truth unfurl #
132
00:08:18,981 --> 00:08:20,744
# No one can hurt you now #
133
00:08:20,950 --> 00:08:22,918
# Because you know what's true #
134
00:08:23,118 --> 00:08:24,551
# I believe in me #
135
00:08:24,753 --> 00:08:27,586
# So you believe in you
Help me sing it #
136
00:08:27,756 --> 00:08:29,348
CHORUS: # Ma ma se,
ma ma sa Ma ma coo sa #
137
00:08:29,558 --> 00:08:30,923
# Ma ma se, ma ma sa
Ma ma coo sa #
138
00:08:31,093 --> 00:08:32,856
# Ma ma se, ma ma sa
Ma ma coo sa #
139
00:08:33,062 --> 00:08:34,792
# Ma ma se, ma ma sa
Ma ma coo sa #
140
00:08:34,965 --> 00:08:36,626
# Ma ma se, ma ma sa
Ma ma coo sa #
141
00:08:36,800 --> 00:08:38,597
# Ma ma se, ma ma sa
Ma ma coo sa #
142
00:08:38,768 --> 00:08:40,497
# Ma ma se, ma ma sa
Ma ma coo sa #
143
00:08:40,670 --> 00:08:41,864
# Ma ma se, ma ma sa
Ma ma coo sa #
144
00:08:42,072 --> 00:08:43,699
# Sing it to the world #
145
00:08:43,940 --> 00:08:45,567
# Sing it out loud #
146
00:08:45,775 --> 00:08:47,572
# Oo-hoo #
147
00:08:47,777 --> 00:08:50,439
# Whoa #
148
00:08:50,647 --> 00:08:51,979
# Ma ma se, ma ma sa
Ma ma coo sa #
149
00:08:52,149 --> 00:08:53,844
# Ma ma se, ma ma sa
Ma ma coo sa #
150
00:08:54,018 --> 00:08:55,713
# Ma ma se, ma ma sa
Ma ma coo sa #
151
00:08:55,886 --> 00:08:56,978
# Ma ma se, ma ma sa
Ma ma coo sa #
152
00:08:57,154 --> 00:08:59,145
# Help me sing it
Ooh! #
153
00:08:59,357 --> 00:09:01,587
# Ma ma se, ma ma sa
Ma ma coo sa #
154
00:09:01,792 --> 00:09:03,020
# Ma ma se, ma ma sa
Ma ma coo sa #
155
00:09:03,227 --> 00:09:04,216
# Ma ma se, ma ma sa
Ma ma coo sa #
156
00:09:04,462 --> 00:09:05,520
# Help me sing it #
157
00:09:05,730 --> 00:09:07,220
# Ma ma se, ma ma sa
Ma ma coo sa #
158
00:09:07,466 --> 00:09:09,297
# Ma ma se, ma ma sa
Ma ma coo sa #
159
00:09:09,501 --> 00:09:10,900
# Ma ma se, ma ma sa
Ma ma coo sa #
160
00:09:11,136 --> 00:09:12,603
# Ma ma se, ma ma sa
Ma ma coo sa #
161
00:09:12,804 --> 00:09:14,738
# Ma ma se, ma ma sa
Ma ma coo sa #
162
00:09:14,973 --> 00:09:16,600
# Ma ma se, ma ma sa
Ma ma coo sa #
163
00:09:16,808 --> 00:09:18,503
# Ma ma se, ma ma sa
Ma ma coo sa #
164
00:09:18,710 --> 00:09:20,507
# Ma ma se, ma ma sa
Ma ma coo sa #
165
00:09:20,712 --> 00:09:22,043
# Ma ma se, ma ma sa
Ma ma coo sa #
166
00:09:22,247 --> 00:09:23,977
# Ma ma se, ma ma sa
Ma ma coo sa #
167
00:09:24,183 --> 00:09:26,117
# Ma ma se, ma ma sa
Ma ma coo sa #
168
00:09:26,319 --> 00:09:27,877
# Ma ma se, ma ma sa
Ma ma coo sa #
169
00:09:28,121 --> 00:09:29,418
# Ma ma se, ma ma sa
Ma ma coo sa #
170
00:09:29,656 --> 00:09:30,680
# Ma ma se, ma ma sa
Ma ma coo sa #
171
00:09:30,890 --> 00:09:32,187
# Help me sing it #
172
00:09:32,392 --> 00:09:33,825
# Ma ma se, ma ma sa
Ma ma coo sa #
173
00:09:34,027 --> 00:09:35,255
# Ma ma se, ma ma sa
Ma ma coo sa #
174
00:09:35,495 --> 00:09:37,360
# You wanna be startin' somethin' #
175
00:09:37,563 --> 00:09:39,190
# You got to be #
# Startin' somethin' #
176
00:09:39,399 --> 00:09:41,163
# I said you wanna be #
# Startin' somethin' #
177
00:09:41,368 --> 00:09:43,666
# Ooh! #
# Startin' somethin' ##
178
00:09:43,871 --> 00:09:46,635
[PEOPLE APPLAUDING]
179
00:09:50,010 --> 00:09:52,834
["BAD" PLAYING]
180
00:09:56,918 --> 00:09:59,580
Good. Great. Good to see all of
you. Thank you for being here.
181
00:10:01,189 --> 00:10:05,751
The idea was get the big fish from all over
the world and put them in the same pond.
182
00:10:05,927 --> 00:10:08,225
["SMOOTH CRIMINAL" PLAYING]
183
00:10:10,198 --> 00:10:12,291
ORTEGA: The dancers in
a Michael Jackson show
184
00:10:12,467 --> 00:10:14,595
are an extension
of Michael Jackson.
185
00:10:14,804 --> 00:10:17,295
They are an extension of the man.
186
00:10:17,540 --> 00:10:20,976
Everything is bigger
and more intense in his world.
187
00:10:21,210 --> 00:10:22,677
First cut, thank you.
188
00:10:30,220 --> 00:10:32,120
Next group. Ladies, brava.
189
00:10:32,322 --> 00:10:34,813
["DON'T STOP 'TIL YOU
GET ENOUGH" PLAYING]
190
00:10:37,194 --> 00:10:38,889
WALKER:
Lean, gorgeous, hot.
191
00:10:39,096 --> 00:10:41,963
Dancers that can rock it.
But if you don't have that goo,
192
00:10:42,199 --> 00:10:45,066
that ooze coming out of you,
not gonna get the job.
193
00:10:46,204 --> 00:10:49,469
MICHAEL [ON RECORDING]: # Don't
stop till you get enough Ow! ##
194
00:10:49,707 --> 00:10:52,699
["SMOOTH CRIMINAL" PLAYING]
195
00:10:59,650 --> 00:11:01,208
She's the one.
196
00:11:01,419 --> 00:11:02,443
[PEOPLE APPLAUDING]
197
00:11:02,621 --> 00:11:09,117
And the Michael Jackson principal
dancers for This Is It are:
198
00:11:13,332 --> 00:11:16,460
["BAD" PLAYING]
199
00:11:24,511 --> 00:11:26,945
MAN 1:
Guys, those go over here.
200
00:11:27,680 --> 00:11:29,944
Hey, guys?
Those go over here, actually.
201
00:11:30,116 --> 00:11:31,174
MAN 2:
Aww.
202
00:11:31,351 --> 00:11:33,148
Truss moving.
203
00:11:33,987 --> 00:11:36,752
["JAM" PLAYING]
204
00:11:36,957 --> 00:11:40,518
Quite the eventful day
because we got to be toasted.
205
00:11:40,861 --> 00:11:44,388
There's elevator speed
and toaster speed.
206
00:11:45,366 --> 00:11:47,834
Part of this, guys,
is anticipating the stop.
207
00:11:49,036 --> 00:11:51,470
Keep your shoulders square,
keep your center,
208
00:11:51,672 --> 00:11:55,040
and just get, like, right down into
a nice, good squat position like that,
209
00:11:55,277 --> 00:11:56,801
and you're gonna come up and...
210
00:11:57,012 --> 00:11:59,480
You feel that initial...?
Yeah, I do.
211
00:11:59,681 --> 00:12:01,273
Yeah, that's
the adrenaline, baby.
212
00:12:05,987 --> 00:12:07,887
CHORUS:
# Jam #
213
00:12:09,659 --> 00:12:11,593
# Jam #
214
00:12:14,030 --> 00:12:15,793
# Jam #
215
00:12:18,000 --> 00:12:21,231
# Nation to nation, all the world
Must come together #
216
00:12:21,437 --> 00:12:23,200
# Face the problems that we see #
217
00:12:23,406 --> 00:12:25,898
# Then maybe somehow
We can work it out #
218
00:12:26,109 --> 00:12:27,940
# I asked my neighbor for a favor #
219
00:12:28,178 --> 00:12:29,509
# She said, later #
220
00:12:29,713 --> 00:12:31,544
# What has come of all the people? #
221
00:12:31,748 --> 00:12:33,943
# Have we lost love
Of what it's about? #
222
00:12:34,184 --> 00:12:37,915
# I have to find my peace
Cos no one seems to let me be #
223
00:12:38,121 --> 00:12:39,713
# False prophets cry of doom #
224
00:12:39,923 --> 00:12:42,085
# What are the possibilities? #
225
00:12:42,327 --> 00:12:44,625
# I told my brother
There'll be problem times #
226
00:12:44,863 --> 00:12:46,194
# And tears for fears #
227
00:12:46,397 --> 00:12:48,228
# We must live each day
Like it's the last #
228
00:12:48,433 --> 00:12:50,230
# Go with it, go with it! #
229
00:12:50,435 --> 00:12:51,629
# Jam #
230
00:12:51,870 --> 00:12:54,100
# It ain't
It ain't too much stuff #
231
00:12:54,339 --> 00:12:55,931
# Jam #
232
00:12:56,140 --> 00:12:58,041
# It ain't too much for me to #
233
00:12:58,244 --> 00:12:59,404
# Jam #
234
00:12:59,612 --> 00:13:01,910
# It ain't
It ain't too much stuff #
235
00:13:02,114 --> 00:13:04,275
# Jam #
236
00:13:04,483 --> 00:13:06,144
# It ain't too much for me to #
237
00:13:06,385 --> 00:13:07,409
# Jam #
238
00:13:07,620 --> 00:13:10,453
# Uh-huh
It ain't too much stuff #
239
00:13:10,656 --> 00:13:12,283
# Jam #
240
00:13:12,491 --> 00:13:14,289
# It ain't too much for me to #
241
00:13:14,494 --> 00:13:15,483
# Jam #
242
00:13:15,662 --> 00:13:18,153
# Uh-huh
It ain't too much stuff #
243
00:13:18,398 --> 00:13:19,422
# Jam #
244
00:13:19,633 --> 00:13:22,898
# Don't you...
It ain't too much for me #
245
00:13:38,653 --> 00:13:40,245
[WHIP CRACKING]
246
00:13:48,497 --> 00:13:50,522
[GLASS SHATTERS]
247
00:13:56,471 --> 00:13:58,302
[WHIP CRACKS]
248
00:14:01,610 --> 00:14:03,339
# It ain't too hot for me to jam #
249
00:14:03,545 --> 00:14:05,309
# It ain't too hot for me to jam #
250
00:14:05,515 --> 00:14:07,415
# It ain't too hot for me to jam #
251
00:14:07,617 --> 00:14:09,278
# It ain't too hot for me to jam #
252
00:14:09,485 --> 00:14:11,544
# It ain't too hot for me to jam #
253
00:14:11,788 --> 00:14:13,346
# It ain't too hot for me to jam #
254
00:14:13,556 --> 00:14:15,854
# It ain't too hot for me to jam
It ain't too hot for me to jam #
255
00:14:16,025 --> 00:14:17,686
# It ain't too hot for me to jam #
256
00:14:32,209 --> 00:14:33,836
# Ooh! #
# Jam #
257
00:14:34,044 --> 00:14:36,513
# It ain't
It ain't too much stuff #
258
00:14:36,715 --> 00:14:37,704
# Jam #
259
00:14:37,949 --> 00:14:40,884
# It ain't... Don't you...
It ain't too much for me #
260
00:14:41,086 --> 00:14:42,849
# Jam #
261
00:14:43,054 --> 00:14:44,885
# It ain't too much stuff #
262
00:14:45,090 --> 00:14:46,489
# Jam #
263
00:14:46,691 --> 00:14:49,387
# It ain't too much for me #
264
00:14:49,594 --> 00:14:50,583
# Get on it #
265
00:14:50,829 --> 00:14:53,230
# Get on it, give it, baby #
266
00:14:53,466 --> 00:14:54,956
# Give it to me #
267
00:14:57,036 --> 00:15:02,497
# Got to get it
You just want to give it ##
268
00:15:02,708 --> 00:15:05,370
[PEOPLE APPLAUDING]
269
00:15:06,912 --> 00:15:09,882
We're at Culver Studios,
shooting green screen.
270
00:15:10,083 --> 00:15:13,985
We're gonna do "The Drill" into "Cadence"
into "They Don't Really Care About Us."
271
00:15:14,187 --> 00:15:17,122
And it's gonna be really cool because
they're gonna multiply the guys.
272
00:15:17,591 --> 00:15:22,688
So our existing 11 guys
are gonna become 1100 guys,
273
00:15:22,896 --> 00:15:24,591
and it'll be really, really cool.
274
00:15:24,798 --> 00:15:27,233
So we're kind of excited.
And Michael's coming today.
275
00:15:27,435 --> 00:15:28,902
MAN 1: There's the man.
MAN 2: There's Michael.
276
00:15:29,103 --> 00:15:30,092
MAN 1:
The man is here.
277
00:15:30,304 --> 00:15:31,999
MAN 3:
Whoo! Ow! Ow!
278
00:15:32,206 --> 00:15:35,107
So that we can give you this:
A million people.
279
00:15:35,309 --> 00:15:37,243
Michael, do you like this,
first of all?
280
00:15:37,445 --> 00:15:41,313
Yeah, that's a cool move, a cool move,
but it spreads out too much to the end.
281
00:15:41,549 --> 00:15:44,041
JONES: So we can just stop it
whenever you hit the space bar.
282
00:15:44,219 --> 00:15:45,743
You can go to infinity.
283
00:15:45,921 --> 00:15:47,388
Yeah. As though
there's no more than
284
00:15:47,589 --> 00:15:52,424
1, 2, 3, 4, 5, 6, 7, 8, 9, 10 perhaps?
Or maybe just your nine dancers?
285
00:15:52,628 --> 00:15:53,822
Ten.
Great.
286
00:15:54,897 --> 00:15:57,058
# Bah ooh bah ooh bah #
287
00:15:58,300 --> 00:16:00,064
What is that?
288
00:16:00,270 --> 00:16:02,636
# Jah ooh aah uh aah #
289
00:16:02,839 --> 00:16:04,898
One more time.
Six, seven, eight...
290
00:16:12,782 --> 00:16:14,272
ALL:
# Who? #
291
00:16:17,755 --> 00:16:19,052
# Who's bad? #
292
00:16:31,870 --> 00:16:33,633
# Who? #
293
00:16:38,710 --> 00:16:40,371
# Who? #
294
00:17:13,013 --> 00:17:14,503
# Skin head, dead head #
295
00:17:14,715 --> 00:17:15,739
# Everybody gone bad #
296
00:17:15,983 --> 00:17:17,109
# Situation, aggravation #
297
00:17:17,317 --> 00:17:18,306
# Everybody allegation #
298
00:17:18,485 --> 00:17:19,747
# In the suit, on the news #
299
00:17:19,920 --> 00:17:21,013
# Everybody dog food #
300
00:17:21,189 --> 00:17:22,383
# Bang bang, shot dead #
301
00:17:22,557 --> 00:17:23,717
# Everybody's gone mad #
302
00:17:23,892 --> 00:17:27,521
# All I wanna say is that
They don't really care about us #
303
00:17:28,897 --> 00:17:32,355
# All I wanna say is that
They don't really care about us #
304
00:17:36,871 --> 00:17:39,170
# Tell me what has become
Of my rights #
305
00:17:39,375 --> 00:17:41,900
# Am I invisible cos you ignore me? #
306
00:17:42,144 --> 00:17:47,275
# The proclamation promised me
Free liberty, now #
307
00:17:47,516 --> 00:17:49,541
# I'm tired of bein'
The victim of shame #
308
00:17:49,752 --> 00:17:52,084
# They're throwing me
In a class with a bad name #
309
00:17:52,288 --> 00:17:56,419
# I can't believe this is the land
From which I came #
310
00:17:57,160 --> 00:17:58,388
# Skin head, dead head #
311
00:17:58,595 --> 00:17:59,721
# Everybody gone bad #
312
00:17:59,930 --> 00:18:00,954
# Situation, speculation #
313
00:18:01,198 --> 00:18:02,256
# Everybody allegation #
314
00:18:02,465 --> 00:18:04,729
# Beat me, bash me
You can never trash me #
315
00:18:04,935 --> 00:18:07,563
# Hit me, kick me
You can never get me #
316
00:18:07,771 --> 00:18:11,401
# All I wanna say is that
They don't really care about us #
317
00:18:12,743 --> 00:18:16,201
# All I wanna say is that
They don't really care about us #
318
00:18:34,132 --> 00:18:37,966
# Oh! #
319
00:18:41,840 --> 00:18:45,333
KING [ON RECORDING]:
In what will go down in history
320
00:18:45,578 --> 00:18:51,778
as the greatest demonstration for
freedom in the history of our nation.
321
00:18:51,985 --> 00:18:56,149
# Every day, create your history #
322
00:18:59,359 --> 00:19:03,126
# Some things in life
They just don't wanna see #
323
00:19:03,330 --> 00:19:05,628
# But if Martin Luther was livin' #
324
00:19:05,833 --> 00:19:09,030
# He wouldn't let this be #
325
00:19:09,270 --> 00:19:12,262
# All I wanna say is that
They don't really care about us #
326
00:19:14,441 --> 00:19:18,105
# All I wanna say is that
They don't really care about us #
327
00:19:19,514 --> 00:19:23,507
# All I wanna say is that
They don't really care about us #
328
00:19:24,552 --> 00:19:26,952
# All I wanna say is that
They don't really care about #
329
00:19:27,155 --> 00:19:29,783
# All I wanna say is that
They don't really care about #
330
00:19:29,991 --> 00:19:32,391
# All I wanna say is that
They don't really care about us ##
331
00:19:32,628 --> 00:19:34,459
[HORN HONKING]
332
00:19:41,370 --> 00:19:43,463
[HORN HONKING]
333
00:19:44,140 --> 00:19:46,199
ORTEGA: Hold for applause,
hold for applause.
334
00:19:46,409 --> 00:19:49,470
Slow umbrella fade out.
335
00:19:53,183 --> 00:19:55,310
# Why? Why? #
336
00:19:55,519 --> 00:19:57,885
Yeah. Yeah.
Let's just go for it.
337
00:19:58,088 --> 00:20:02,525
# Why? Why? Why? #
338
00:20:04,161 --> 00:20:06,528
# Tell 'em that is
Human nature #
339
00:20:06,731 --> 00:20:08,995
# Why? Why? #
340
00:20:09,200 --> 00:20:11,498
# Does he do me that way? #
341
00:20:11,703 --> 00:20:14,604
# If they say
Why? Why? #
342
00:20:14,839 --> 00:20:17,399
# Tell 'em that is human nature #
343
00:20:17,608 --> 00:20:19,166
# Why? Why? #
344
00:20:19,377 --> 00:20:20,401
MAN:
Ooh!
345
00:20:20,611 --> 00:20:22,307
# Does he do me that way? #
346
00:20:22,514 --> 00:20:25,074
# I like livin' this way #
347
00:20:25,317 --> 00:20:27,342
# I like lovin' this way #
348
00:20:27,553 --> 00:20:28,611
[ORTEGA LAUGHS]
349
00:20:28,854 --> 00:20:31,118
[SPEAKING INDISTINCTLY]
350
00:20:33,025 --> 00:20:34,617
# Reaching out #
351
00:20:34,893 --> 00:20:37,418
[MEN SPEAKING INDISTINCTLY]
352
00:20:39,466 --> 00:20:42,435
[SINGS INDISTINCTLY]
353
00:20:42,635 --> 00:20:44,070
[WOMAN SPEAKS INDISTINCTLY]
354
00:20:44,137 --> 00:20:46,469
# At a stranger #
355
00:20:46,706 --> 00:20:49,766
# The city winks a sleepless eye #
356
00:20:49,976 --> 00:20:52,035
# Hear her voice #
357
00:20:52,879 --> 00:20:54,073
# Shake my window #
358
00:20:54,280 --> 00:20:55,714
You sound great, MJ.
You sound great.
359
00:20:55,916 --> 00:20:59,044
# Sweet seducing sighs #
360
00:20:59,253 --> 00:21:00,550
# Get me out #
361
00:21:00,755 --> 00:21:02,723
Bam, something right there.
362
00:21:02,923 --> 00:21:05,221
# Into the night-time #
363
00:21:05,426 --> 00:21:09,487
# Four walls
Won't hold me tonight #
364
00:21:10,464 --> 00:21:13,161
# If this town #
365
00:21:13,402 --> 00:21:15,893
# Is just an apple #
366
00:21:16,104 --> 00:21:19,471
# Let me take a bite #
367
00:21:19,674 --> 00:21:22,802
# If they say
Why? Why? #
368
00:21:23,011 --> 00:21:25,411
# Tell 'em that is human nature #
369
00:21:25,614 --> 00:21:27,742
# Why? Why? #
370
00:21:27,950 --> 00:21:29,975
# Does he do me that way? #
371
00:21:30,186 --> 00:21:32,882
# If they say
Why? Why? #
372
00:21:33,089 --> 00:21:35,421
# Tell 'em that is human nature #
373
00:21:35,625 --> 00:21:37,786
# Why? Why? #
374
00:21:37,994 --> 00:21:40,622
# Does he do me that way? #
375
00:21:40,830 --> 00:21:43,321
# Reaching out #
376
00:21:43,933 --> 00:21:46,334
# Into the night-time #
377
00:21:46,537 --> 00:21:50,166
# Electric eyes are everywhere #
378
00:21:50,974 --> 00:21:53,169
# See that girl #
379
00:21:53,410 --> 00:21:56,004
# She knows I'm watching #
380
00:21:56,213 --> 00:21:59,910
# She likes the way I stare #
381
00:22:00,117 --> 00:22:03,451
# If they say
Why? Why? #
382
00:22:03,655 --> 00:22:05,987
# Tell 'em that is human nature #
383
00:22:06,191 --> 00:22:08,489
# Why? Why? #
384
00:22:08,693 --> 00:22:10,524
# Does he do me that way? #
385
00:22:10,728 --> 00:22:13,629
# If they say
Why? Why? #
386
00:22:13,832 --> 00:22:16,198
# Tell 'em that is human nature #
387
00:22:16,434 --> 00:22:18,665
# Why? Why? #
388
00:22:18,871 --> 00:22:20,736
# Does he do me that way? #
389
00:22:20,973 --> 00:22:23,464
# I like livin' this way #
390
00:22:23,676 --> 00:22:26,076
# I like lovin' this way #
391
00:22:30,983 --> 00:22:35,819
# Hey, why, oh, why? #
392
00:22:36,022 --> 00:22:41,585
# Hey, why, oh, why? #
393
00:22:41,828 --> 00:22:44,160
# Looking out #
394
00:22:44,364 --> 00:22:46,059
[MUSIC PAUSES]
395
00:22:53,508 --> 00:22:55,567
# Across the morning #
396
00:22:55,776 --> 00:22:58,711
# The city's heart begins to beat #
397
00:23:00,615 --> 00:23:02,981
# See that girl #
398
00:23:03,184 --> 00:23:05,914
# She knows I'm watching #
399
00:23:06,120 --> 00:23:09,284
# She likes the way I stare #
400
00:23:09,525 --> 00:23:13,017
# If they say
Why? Why? #
401
00:23:13,228 --> 00:23:15,628
# Tell 'em that is human nature #
402
00:23:15,864 --> 00:23:18,094
# Why? Why? #
403
00:23:18,300 --> 00:23:20,063
# Does he do me that way? #
404
00:23:20,269 --> 00:23:23,137
# If they say
Why? Why? #
405
00:23:23,373 --> 00:23:25,705
# Tell 'em that is human nature #
406
00:23:25,909 --> 00:23:28,139
# Why? Why? #
407
00:23:28,378 --> 00:23:30,209
# Does he do me that way? #
408
00:23:30,413 --> 00:23:33,314
# If they say
Why? Why? #
409
00:23:33,550 --> 00:23:36,041
# Tell 'em that is human nature #
410
00:23:36,252 --> 00:23:38,220
# Why? Why? #
411
00:23:38,421 --> 00:23:40,913
# Does she do me that way? #
412
00:23:41,125 --> 00:23:44,822
# Why? Why? Why? #
413
00:23:46,797 --> 00:23:48,628
# Hey #
414
00:23:48,832 --> 00:23:50,299
# Does he do me that way? #
415
00:23:50,534 --> 00:23:54,402
# If they say
Why? Why? Why? Why? #
416
00:23:54,605 --> 00:23:55,594
# Ooh #
417
00:23:55,807 --> 00:23:57,069
# Tell 'em #
418
00:23:57,275 --> 00:23:58,674
# Hey #
419
00:23:58,910 --> 00:24:01,105
# I like livin' this way #
420
00:24:01,313 --> 00:24:04,749
# I like lovin' this way #
421
00:24:04,950 --> 00:24:06,645
# Ooh #
422
00:24:06,851 --> 00:24:11,049
# Why? Why? #
423
00:24:11,256 --> 00:24:12,918
# Oh, why? #
424
00:24:13,125 --> 00:24:18,961
# Oh, why? Oh, why? #
425
00:24:19,165 --> 00:24:22,362
# Oh, why? ##
426
00:24:54,002 --> 00:24:56,800
[BIG-BAND MUSIC PLAYING]
427
00:25:00,975 --> 00:25:05,345
# Put the blame on Mame, boys #
428
00:25:05,547 --> 00:25:09,039
# Put the blame on Mame #
429
00:25:09,251 --> 00:25:13,881
# Mame did a dance
Called the Hitchy-koo #
430
00:25:14,123 --> 00:25:18,220
# That's the thing
That slew McGrew #
431
00:25:18,428 --> 00:25:21,761
# Put the blame on Mame, boys #
432
00:25:21,998 --> 00:25:23,226
ORTEGA:
We're seconds away, Mike.
433
00:25:23,433 --> 00:25:25,060
MAN 1: Rolling.
MAN 2: Rolling.
434
00:25:25,235 --> 00:25:26,896
And Gilda singing.
435
00:25:27,137 --> 00:25:30,698
# Put the blame #
436
00:25:30,907 --> 00:25:36,437
# On Mame ##
437
00:25:37,515 --> 00:25:39,176
MAN:
Bravo!
438
00:25:49,894 --> 00:25:51,192
What's he doing here?
439
00:26:04,409 --> 00:26:06,570
And cut. Ha-ha-ha.
That was a good one.
440
00:26:06,778 --> 00:26:08,212
Let's cut.
441
00:26:08,414 --> 00:26:09,540
ORTEGA: Okay, Bruce?
JONES: Yes, sir?
442
00:26:09,716 --> 00:26:11,809
ORTEGA: Rehearsed, and Michael
was great. We can do this.
443
00:26:12,051 --> 00:26:13,040
JONES: Ready to shoot?
ORTEGA: Yup.
444
00:26:13,252 --> 00:26:15,982
JONES: Okay, guys, let's shoot this.
MAN: Here we go, ready.
445
00:26:16,189 --> 00:26:18,555
We are rolling.
ORTEGA: Action.
446
00:26:29,103 --> 00:26:32,402
What do you want me to do? Count
three like they do in the movies?
447
00:26:47,288 --> 00:26:48,949
ORTEGA:
Guys, that's the cue.
448
00:26:49,157 --> 00:26:51,455
I'm sorry, are we
misunderstanding something here?
449
00:26:51,659 --> 00:26:52,717
BEARDEN: No, we're not misunderstanding.
450
00:26:52,927 --> 00:26:53,916
We're sizzling.
451
00:26:54,129 --> 00:26:55,460
BEARDEN: He's sizzling.
I'm sizzling.
452
00:26:55,663 --> 00:26:57,222
He's waiting for my point,
it's coming.
453
00:26:57,399 --> 00:26:58,627
ORTEGA:
Oh, I thought...
454
00:26:58,801 --> 00:27:02,999
Michael, I was telling them to start when
you turn toward the audience. Do you wanna...?
455
00:27:03,239 --> 00:27:07,232
Oh, no, I wanna turn first,
face the audience with nothing.
456
00:27:07,443 --> 00:27:08,467
ORTEGA:
Okay.
457
00:27:08,644 --> 00:27:10,839
And then when he gets
my cue, then we go.
458
00:27:11,013 --> 00:27:16,281
ORTEGA: The only thing is how will you see
the video change from the marquee to the city?
459
00:27:16,653 --> 00:27:19,144
I gotta feel that. I'll feel it,
the screen behind me.
460
00:27:19,356 --> 00:27:23,383
ORTEGA: All right. Now this
is all sizzle, sizzle, sizzle.
461
00:27:23,627 --> 00:27:25,288
It says "Smooth Criminal."
462
00:27:25,495 --> 00:27:31,992
The audience is going wild. The camera
now slowly starts to move over the marquee.
463
00:27:34,806 --> 00:27:38,401
[BAND PLAYING
"SMOOTH CRIMINAL"]
464
00:27:42,914 --> 00:27:44,381
# Ow! #
465
00:27:59,031 --> 00:28:00,362
# As he came into the window #
466
00:28:00,566 --> 00:28:02,865
# It was the sound
Of a crescendo #
467
00:28:03,069 --> 00:28:04,502
# He came into her apartment #
468
00:28:04,704 --> 00:28:06,831
# He left the bloodstains
On the carpet #
469
00:28:07,040 --> 00:28:08,439
# She ran underneath the table #
470
00:28:08,675 --> 00:28:10,802
# He could see she was unable #
471
00:28:11,010 --> 00:28:12,375
# So she ran into the bedroom #
472
00:28:12,579 --> 00:28:14,672
# She was struck down
It was her doom #
473
00:28:14,848 --> 00:28:15,837
# Annie, are you okay? #
474
00:28:16,049 --> 00:28:17,346
# So, Annie, are you okay? #
475
00:28:17,550 --> 00:28:18,676
# Are you okay, Annie? #
476
00:28:18,885 --> 00:28:21,218
# Annie, are you okay?
So, Annie, are you okay? #
477
00:28:21,388 --> 00:28:22,582
# Are you okay, Annie? #
478
00:28:22,756 --> 00:28:23,814
# Annie, are you okay? #
479
00:28:24,024 --> 00:28:25,457
# So, Annie, are you okay? #
480
00:28:25,693 --> 00:28:27,558
# Are you okay, Annie?
Annie, are you okay? #
481
00:28:27,761 --> 00:28:30,696
# Annie, are you okay?
Are you okay, Annie? #
482
00:28:30,898 --> 00:28:34,527
# Annie, are you okay?
Will you tell us that you're okay? #
483
00:28:34,735 --> 00:28:36,226
# There's a sign in the window #
484
00:28:36,438 --> 00:28:38,599
# That he struck you
A crescendo, Annie #
485
00:28:38,840 --> 00:28:40,205
# He came into your apartment #
486
00:28:40,408 --> 00:28:42,569
# Left the bloodstains on the carpet #
487
00:28:42,744 --> 00:28:43,972
# Then you ran into the bedroom #
488
00:28:44,212 --> 00:28:46,203
# You were struck down
It was your doom #
489
00:28:46,414 --> 00:28:47,403
# Annie, are you okay? #
490
00:28:47,616 --> 00:28:48,878
# So, Annie, are you okay? #
491
00:28:49,084 --> 00:28:50,346
# Are you okay, Annie? #
492
00:28:50,552 --> 00:28:51,610
# Annie, are you okay? #
493
00:28:51,853 --> 00:28:52,946
# So, Annie, are you okay? #
494
00:28:53,155 --> 00:28:54,349
# Are you okay, Annie? #
495
00:28:54,557 --> 00:28:55,546
# Annie, are you okay? #
496
00:28:55,758 --> 00:28:57,123
# So, Annie, are you okay? #
497
00:28:57,360 --> 00:28:58,349
# Are you okay, Annie? #
498
00:28:58,561 --> 00:28:59,926
# You've been hit by #
499
00:29:00,129 --> 00:29:03,496
# You've been struck by
A smooth criminal #
500
00:29:05,935 --> 00:29:08,062
# Ow! #
501
00:29:10,607 --> 00:29:11,869
# So they came into the outway #
502
00:29:12,075 --> 00:29:14,270
# It was Sunday
What a black day #
503
00:29:14,478 --> 00:29:15,877
# Mouth-to-mouth resuscitation #
504
00:29:16,079 --> 00:29:17,944
# Sounding heartbeats
Intimidations #
505
00:29:18,148 --> 00:29:19,240
# Annie, are you okay? #
506
00:29:19,449 --> 00:29:20,609
# So, Annie, are you okay? #
507
00:29:20,817 --> 00:29:22,114
# Are you okay, Annie? #
508
00:29:22,319 --> 00:29:23,752
# Annie, are you okay? #
509
00:29:23,954 --> 00:29:25,786
# So, Annie, are you okay?
Are you okay, Annie? #
510
00:29:25,990 --> 00:29:26,979
# Annie, are you okay? #
511
00:29:27,191 --> 00:29:28,818
# So, Annie, are you okay? #
512
00:29:29,027 --> 00:29:30,016
# Are you okay, Annie? #
513
00:29:30,261 --> 00:29:31,387
# Annie, are you okay? #
514
00:29:31,596 --> 00:29:34,292
# Annie, are you okay?
Are you okay, Annie? #
515
00:29:34,499 --> 00:29:38,026
# Annie, are you okay?
Will you tell us that you're okay? #
516
00:29:38,269 --> 00:29:39,497
# There's a sign in the window #
517
00:29:39,704 --> 00:29:42,003
# That he struck you
A crescendo, Annie #
518
00:29:42,207 --> 00:29:43,606
# He came into your apartment #
519
00:29:43,809 --> 00:29:46,004
# Left the bloodstains on the carpet #
520
00:29:46,211 --> 00:29:47,542
# Then you ran into the bedroom #
521
00:29:47,780 --> 00:29:49,771
# You were struck down
It was your doom #
522
00:29:49,949 --> 00:29:50,973
# Annie, are you okay? #
523
00:29:51,150 --> 00:29:52,344
# So, Annie, are you okay? #
524
00:29:52,518 --> 00:29:53,849
# Are you okay, Annie? #
525
00:29:54,053 --> 00:29:55,315
# You've been hit by #
526
00:29:55,521 --> 00:29:58,685
# You've been struck by
A smooth criminal #
527
00:30:01,561 --> 00:30:03,153
# Ow! #
528
00:30:13,573 --> 00:30:14,563
# Ow! #
529
00:30:14,809 --> 00:30:18,040
# Annie, are you okay?
Will you tell us that you're okay? #
530
00:30:18,245 --> 00:30:19,644
# There's a sign in the window #
531
00:30:19,847 --> 00:30:21,815
# That he struck you
A crescendo, Annie #
532
00:30:22,016 --> 00:30:23,313
# He came into your apartment #
533
00:30:23,517 --> 00:30:25,451
# Left the bloodstains on the carpet #
534
00:30:25,653 --> 00:30:27,348
# Then you ran into the bedroom #
535
00:30:27,555 --> 00:30:29,716
# You were struck down
It was your doom #
536
00:30:29,957 --> 00:30:33,587
# Annie, are you okay?
Will you tell us that you're okay? #
537
00:30:33,829 --> 00:30:35,160
# There's a sign in the window #
538
00:30:35,364 --> 00:30:37,730
# That he struck you
A crescendo, Annie #
539
00:30:37,966 --> 00:30:39,160
# He came into your apartment #
540
00:30:39,368 --> 00:30:41,529
# Left the bloodstains on the carpet #
541
00:30:41,737 --> 00:30:43,227
# Then you ran into the bedroom #
542
00:30:43,472 --> 00:30:46,600
# You were struck down
It was your doom, Annie #
543
00:31:33,158 --> 00:31:34,625
# You've been hit by #
544
00:31:34,826 --> 00:31:37,660
# You've been struck by
A smooth criminal ##
545
00:31:56,316 --> 00:32:00,047
[PLAYING "THE WAY
YOU MAKE ME FEEL"]
546
00:32:04,324 --> 00:32:05,916
Pretty good.
Pretty good.
547
00:32:14,435 --> 00:32:15,561
[LAUGHS]
548
00:32:15,770 --> 00:32:17,635
# Ah ##
549
00:32:17,839 --> 00:32:21,775
[HUMMING]
550
00:32:21,976 --> 00:32:23,603
BEARDEN:
You're gonna put that in?
551
00:32:23,811 --> 00:32:26,144
Uh-huh.
MAN: Uh-huh.
552
00:32:26,348 --> 00:32:29,146
BEARDEN: It's really cool
for me as a musical director
553
00:32:29,351 --> 00:32:31,649
because I need the artist
to be hands-on
554
00:32:31,854 --> 00:32:34,846
and MJ is always hands-on
with everything that he does.
555
00:32:35,090 --> 00:32:37,820
He knows all of his records.
He knows all of his tempos.
556
00:32:38,026 --> 00:32:39,459
He knows all of his keys
of songs.
557
00:32:39,661 --> 00:32:40,685
# Doo dah ##
558
00:32:40,896 --> 00:32:43,229
No. Just a little drag,
a little bit more behind the beat.
559
00:32:43,466 --> 00:32:45,093
Yeah. It's not
the right sound.
560
00:32:45,301 --> 00:32:47,132
Like you're dragging
yourself out of bed.
561
00:32:47,337 --> 00:32:49,703
Imagine this is the right sound.
Check this.
562
00:32:55,979 --> 00:32:57,970
Don't change so soon, though.
563
00:32:58,181 --> 00:33:00,480
Don't wanna change over so
soon yet. See, you're going:
564
00:33:00,651 --> 00:33:02,710
[IMITATING KE YBOARD]
565
00:33:16,568 --> 00:33:18,263
Don't do that one.
Don't do that one.
566
00:33:18,503 --> 00:33:20,437
Don't do that one yet?
No, no.
567
00:33:20,672 --> 00:33:22,139
It should be simpler.
568
00:33:22,340 --> 00:33:24,570
[IMITATING KE YBOARD]
569
00:33:31,584 --> 00:33:34,781
Uh-huh. Yeah.
570
00:33:37,690 --> 00:33:39,521
We'll get the sound,
we'll get the sound.
571
00:33:39,725 --> 00:33:41,852
BEARDEN: We'll get the sound
but that's not till tomorrow.
572
00:33:42,094 --> 00:33:44,358
MICHAEL: We gotta do a
sound check tomorrow night.
573
00:33:44,564 --> 00:33:45,656
That's what we need to do.
574
00:33:45,865 --> 00:33:47,958
MICHAEL: And don't start
unless you do a sound check.
575
00:33:48,202 --> 00:33:49,931
I know, that's why we doing it.
576
00:33:50,170 --> 00:33:51,797
We need you to do
the sound check
577
00:33:52,039 --> 00:33:53,870
because can't nobody hear
what you need to hear.
578
00:33:54,074 --> 00:33:56,099
Some people might
not wanna have that bass...
579
00:33:56,310 --> 00:33:58,403
I want it the way I wrote it.
I mean...
580
00:33:58,612 --> 00:34:00,603
Like the audience hears it.
581
00:34:00,914 --> 00:34:03,747
So whatever the record's doing,
that's how I want it to sound.
582
00:34:03,951 --> 00:34:07,683
That's what it's gonna sound like, but
you gotta get closer to what you want.
583
00:34:07,889 --> 00:34:12,292
Then if you wanna hear a little more
booty on something else, know what I mean?
584
00:34:12,493 --> 00:34:14,085
Only you can say that.
You know what I'm saying?
585
00:34:14,295 --> 00:34:15,284
[LAUGHING]
586
00:34:15,496 --> 00:34:16,895
A little more booty.
587
00:34:17,098 --> 00:34:18,395
That's funny.
588
00:34:19,334 --> 00:34:21,064
But you knew
what I meant though too.
589
00:34:21,237 --> 00:34:22,329
MICHAEL:
I know exactly what you meant.
590
00:34:22,504 --> 00:34:23,493
Yeah, all right, then.
591
00:34:23,706 --> 00:34:25,799
One more time from the top.
592
00:34:27,610 --> 00:34:30,738
CHORUS:
# Ooh-ooh #
593
00:34:30,946 --> 00:34:33,107
# Ooh-ooh #
594
00:34:33,315 --> 00:34:36,079
# Ooh-ooh #
595
00:34:36,285 --> 00:34:38,948
# Ooh-ooh #
596
00:34:39,155 --> 00:34:41,817
# Ooh-ooh #
597
00:34:42,025 --> 00:34:44,255
# Ooh-ooh #
598
00:34:44,461 --> 00:34:45,450
MICHAEL:
Ssh-ssh.
599
00:34:45,662 --> 00:34:47,960
Try to get the same sound.
600
00:34:50,467 --> 00:34:53,095
# Ooh-ooh #
601
00:34:53,303 --> 00:34:56,171
MICHAEL:
Good sound on that. Good sound.
602
00:35:00,378 --> 00:35:02,005
BEARDEN:
No, no, not yet, Prince.
603
00:35:02,246 --> 00:35:03,474
MICHAEL:
No. You gotta...
604
00:35:03,748 --> 00:35:06,046
You gotta let it simmer.
605
00:35:06,284 --> 00:35:08,149
It's got a moment
where it has to simmer.
606
00:35:08,352 --> 00:35:10,787
BEARDEN: That's right.
You're not letting it simmer.
607
00:35:11,523 --> 00:35:14,959
Just bathe in the moonlight. You
have to let it simmer a bit, you know?
608
00:35:15,827 --> 00:35:19,888
BEARDEN: All right, Prince? We're
gonna add two bars after the "ch-ooh."
609
00:35:20,065 --> 00:35:22,056
Or at least a bar.
610
00:35:23,302 --> 00:35:25,566
Yeah. MJ, check it
from the top again.
611
00:35:25,771 --> 00:35:27,467
See what we got,
simmer-wise.
612
00:35:27,674 --> 00:35:29,900
One, two, three, four.
613
00:35:30,143 --> 00:35:31,633
[PLAYING "THE WAY YOU
MAKE ME FEEL"]
614
00:35:31,844 --> 00:35:33,573
CHORUS:
# Doo-doo #
615
00:35:33,813 --> 00:35:36,475
# Doo-doo #
616
00:35:36,683 --> 00:35:39,311
# Doo-doo #
617
00:35:39,519 --> 00:35:42,147
# Doo-doo #
618
00:35:42,355 --> 00:35:44,984
# Doo-doo #
619
00:35:45,192 --> 00:35:47,854
# Doo-doo #
620
00:35:48,062 --> 00:35:50,656
# Doo-doo #
621
00:35:56,804 --> 00:36:02,004
# Pretty baby
With the high heels on #
622
00:36:02,210 --> 00:36:07,546
# You give me fever
Like I've never, never known #
623
00:36:07,749 --> 00:36:13,745
# I feel your fever
From miles around #
624
00:36:13,955 --> 00:36:19,087
# I'll pick you up in my car
And we'll paint the town #
625
00:36:19,328 --> 00:36:24,960
# Just kiss me, baby
And tell me twice #
626
00:36:25,201 --> 00:36:28,728
# That you're the one for #
627
00:36:31,607 --> 00:36:34,042
# You make me feel real #
628
00:36:34,244 --> 00:36:36,735
# Doo-doo #
629
00:36:36,947 --> 00:36:39,575
# You really turn me on #
630
00:36:39,783 --> 00:36:42,343
# Doo-doo #
631
00:36:42,552 --> 00:36:47,854
# Knocking me off of my feet now
Whoo! #
632
00:36:48,058 --> 00:36:50,994
# Lonely days are gone #
633
00:36:51,229 --> 00:36:53,459
# Doo-doo #
634
00:36:53,664 --> 00:36:55,928
# Ooh ##
635
00:37:00,772 --> 00:37:02,467
I gotta cue that.
I gotta cue that.
636
00:37:02,673 --> 00:37:05,472
That shouldn't trigger
on its own.
637
00:37:05,644 --> 00:37:07,942
That can't trigger
on its own.
638
00:37:08,147 --> 00:37:09,978
I gotta cue that.
639
00:37:11,383 --> 00:37:15,087
So you gotta watch me
for that growl, okay?
640
00:37:16,288 --> 00:37:18,153
[DRUMBEATS]
641
00:37:18,624 --> 00:37:21,092
[SONG RESUMES]
642
00:37:35,942 --> 00:37:39,902
# I never felt so in love before #
643
00:37:40,114 --> 00:37:43,982
# Promise, baby
You'll love me for evermore #
644
00:37:44,185 --> 00:37:48,212
# I swear I'm keeping you satisfied #
645
00:37:48,456 --> 00:37:50,481
# Cos you're the one for me #
646
00:37:50,691 --> 00:37:52,522
# The way you make me feel #
647
00:37:52,726 --> 00:37:54,489
CHORUS:
# The way you make me feel #
648
00:37:54,695 --> 00:37:56,687
# You really turn me on #
649
00:37:56,932 --> 00:37:58,729
# You really turn me on #
650
00:37:58,967 --> 00:38:01,401
# You knock me off
Of my feet now #
651
00:38:01,570 --> 00:38:03,037
# You knock me off of my feet #
652
00:38:03,205 --> 00:38:05,173
# C'mon, girl, come on #
653
00:38:05,340 --> 00:38:07,672
# My lonely days are gone #
654
00:38:09,344 --> 00:38:12,337
# The way you make me feel #
655
00:38:13,749 --> 00:38:15,944
# You really turn me on #
656
00:38:16,152 --> 00:38:17,744
# Whee-hee-hee #
657
00:38:17,987 --> 00:38:20,683
# You knock me off of my feet #
658
00:38:22,458 --> 00:38:25,018
# My lonely days are gone #
659
00:38:29,466 --> 00:38:31,093
# Cha
Cha #
660
00:38:31,335 --> 00:38:33,098
# Cha #
661
00:38:44,115 --> 00:38:45,844
# Shoo, shoo #
662
00:38:46,384 --> 00:38:48,113
# Shoo, shoo, shoo #
663
00:38:48,353 --> 00:38:51,584
# Shoo, shoo, shoo #
664
00:38:52,857 --> 00:38:56,190
# Ohh #
665
00:38:59,731 --> 00:39:02,929
# The way you make me feel #
666
00:39:04,537 --> 00:39:07,005
# You really turn me on #
667
00:39:08,507 --> 00:39:11,032
# You knock me off of my feet #
668
00:39:12,611 --> 00:39:14,943
# My lonely days are gone #
669
00:39:15,147 --> 00:39:17,048
# Come on, give it to me #
670
00:39:17,250 --> 00:39:19,241
# He-he #
671
00:39:19,452 --> 00:39:20,885
One more time.
672
00:39:21,087 --> 00:39:24,215
# You really turn me on #
673
00:39:24,424 --> 00:39:25,891
That's why we rehearse.
674
00:39:26,092 --> 00:39:29,118
It's okay, it's okay.
Right here on this one.
675
00:39:29,329 --> 00:39:31,263
# My lonely days are gone #
676
00:39:31,464 --> 00:39:32,897
# Ooh ##
677
00:39:33,099 --> 00:39:35,091
BEARDEN: They wanted us to
take those eight out so...
678
00:39:35,303 --> 00:39:37,794
It's okay, it's okay, no.
It was a little too soon.
679
00:39:38,039 --> 00:39:40,030
ORTEGA: Yeah, I agree, Michael.
Yeah.
680
00:39:40,241 --> 00:39:43,108
ORTEGA: I think let's add them back.
BEARDEN: Just leave it.
681
00:39:43,311 --> 00:39:46,280
You don't feel totally
nourished by it, you know?
682
00:39:46,480 --> 00:39:49,176
ORTEGA: MJ, we'll also have a fan
there, right there in the center.
683
00:39:49,417 --> 00:39:51,079
I'm trying to hear you.
Say it again?
684
00:39:51,286 --> 00:39:54,255
ORTEGA: There'll be a fan, right
there off the stage for you.
685
00:39:54,456 --> 00:39:56,447
Boom, right there.
686
00:39:56,658 --> 00:39:58,558
Okay, watching Michael.
687
00:39:58,760 --> 00:40:01,558
[SNAPPING FINGERS]
688
00:40:07,370 --> 00:40:09,998
CHORUS:
# Doo-doo #
689
00:40:10,206 --> 00:40:12,800
# Doo-doo #
690
00:40:13,009 --> 00:40:15,500
# Doo-doo #
691
00:40:15,712 --> 00:40:18,647
# Doo-doo #
692
00:40:18,848 --> 00:40:21,214
# Doo-doo #
693
00:40:21,451 --> 00:40:24,114
# Doo-doo #
694
00:40:24,321 --> 00:40:26,846
# Doo-doo #
695
00:40:41,106 --> 00:40:43,472
# Doo-doo #
696
00:40:43,675 --> 00:40:46,143
# Doo-doo #
697
00:40:46,344 --> 00:40:48,904
# Doo-doo #
698
00:40:49,147 --> 00:40:51,479
# Doo-doo #
699
00:40:51,683 --> 00:40:54,516
# Doo-doo #
700
00:40:54,719 --> 00:41:00,158
# Doo-doo ##
701
00:41:02,662 --> 00:41:04,027
[DRUMROLL]
702
00:41:04,230 --> 00:41:06,562
[AUDIENCE APPLAUDING]
703
00:41:07,033 --> 00:41:10,935
DIANA ROSS [ON RECORDING]: Once again, ladies
and gentlemen, the world's most fabulous group:
704
00:41:11,170 --> 00:41:12,763
The Jackson 5.
705
00:41:13,006 --> 00:41:16,032
[PLAYING "I WANT YOU BACK"]
706
00:41:46,275 --> 00:41:48,709
Everybody clap your hands.
Come on!
707
00:41:54,983 --> 00:41:57,042
# When I had you to myself #
708
00:41:57,252 --> 00:41:59,220
# I didn't want you around #
709
00:42:01,791 --> 00:42:03,281
# In a crowd #
710
00:42:03,493 --> 00:42:06,087
# But someone picked you
From the bunch #
711
00:42:09,599 --> 00:42:11,464
# Take a second look #
712
00:42:14,704 --> 00:42:16,638
# Show you that I love you #
713
00:42:17,574 --> 00:42:18,769
# Let me now #
714
00:42:18,976 --> 00:42:20,466
# Back in your heart #
715
00:42:21,579 --> 00:42:24,207
# Blind to let you go #
# Let you go, baby #
716
00:42:24,415 --> 00:42:26,940
# Now since I see you #
717
00:42:27,485 --> 00:42:29,419
# I want you back #
# Yes, I do, now #
718
00:42:29,620 --> 00:42:31,645
# I want you back #
# Ooh, ooh, baby #
719
00:42:31,822 --> 00:42:33,483
# I want you back #
# Yeah, yeah, yeah, yeah #
720
00:42:33,657 --> 00:42:35,717
# I want you back #
# Na, na, na, na #
721
00:42:35,927 --> 00:42:37,292
# I want you back ##
722
00:42:37,496 --> 00:42:39,361
You guys, I gotta tell you this.
723
00:42:39,598 --> 00:42:43,364
When I'm trying to hear and it feels like
somebody's fist is pushed into my ear,
724
00:42:43,602 --> 00:42:45,536
it's really very difficult.
725
00:42:45,771 --> 00:42:47,534
I know you mean well,
so, but it's...
726
00:42:47,773 --> 00:42:51,437
I'm trying to adjust to the ear,
the inner ears, okay?
727
00:42:51,644 --> 00:42:53,976
With the love,
with the love. L-O-V-E.
728
00:42:54,180 --> 00:42:56,648
ORTEGA: Michael.
This is not easy though.
729
00:42:56,849 --> 00:42:59,249
ORTEGA: Michael, one more
time. I couldn't hear you, sir.
730
00:42:59,452 --> 00:43:02,944
The inner ears are very difficult
for me when you're raised
731
00:43:03,156 --> 00:43:07,992
to use just your real own,
you know, aural... Auditory ears.
732
00:43:08,362 --> 00:43:12,128
Now it feels like somebody's fist,
just their fist, is shoved into your ear.
733
00:43:12,332 --> 00:43:15,358
ORTEGA: Okay.
I'm trying to hear and I can't.
734
00:43:15,569 --> 00:43:18,060
So I'm adjusting
to the situation.
735
00:43:18,305 --> 00:43:21,001
ORTEGA: Right. Michael, is there
anything they can give you now
736
00:43:21,208 --> 00:43:25,373
in your ears to make it better
in terms of volume or mix?
737
00:43:26,214 --> 00:43:27,511
Um...
738
00:43:27,715 --> 00:43:29,580
If we could just
bring it down a little bit.
739
00:43:29,818 --> 00:43:32,082
ORTEGA:
Bring it down a little bit, please.
740
00:43:32,987 --> 00:43:35,547
Anything else, Michael? You
wanna hear more of anything?
741
00:43:35,790 --> 00:43:37,815
You wanna hear more voice,
you wanna hear more...?
742
00:43:37,992 --> 00:43:39,391
No.
ORTEGA: Okay, Michael,
743
00:43:39,594 --> 00:43:42,792
after the next song, if it hasn't adjusted
to your liking, will you please let us know?
744
00:43:42,965 --> 00:43:44,330
For sure.
ORTEGA: Thank you.
745
00:43:44,533 --> 00:43:46,797
Would you like to
pick it up from?
746
00:43:47,002 --> 00:43:49,338
"Stop! The Love You Save."
ORTEGA: "Stop! The Love You Save."
747
00:43:50,105 --> 00:43:52,073
[BAND PLAYING
"THE LOVE YOU SAVE"]
748
00:44:01,585 --> 00:44:03,075
# Played tag in grade school #
749
00:44:03,320 --> 00:44:04,753
# You wanted to be "it" #
750
00:44:04,955 --> 00:44:06,855
# Now chasing boys was justified #
751
00:44:07,057 --> 00:44:08,615
# Crossed your heart, you quit #
752
00:44:08,859 --> 00:44:12,260
# When we grew up you traded
Your promise for my ring #
753
00:44:12,462 --> 00:44:14,454
# Now just like
Back in grade school #
754
00:44:14,699 --> 00:44:16,326
# You're doing the same old thing #
755
00:44:16,534 --> 00:44:19,128
# Stop!
The love you save may be your own #
756
00:44:19,370 --> 00:44:20,962
# Darling, take it slow #
757
00:44:21,205 --> 00:44:23,833
# Or someday you'll be all alone #
758
00:44:24,041 --> 00:44:26,737
# Stop!
The love you save may be your own #
759
00:44:26,944 --> 00:44:29,469
# Darling, look both ways
Before you cross me #
760
00:44:29,715 --> 00:44:32,775
# You're headed for a danger zone ##
761
00:44:48,568 --> 00:44:51,002
[PEOPLE CHEERING
AND APPLAUDING]
762
00:44:51,237 --> 00:44:53,000
God bless you.
763
00:44:53,239 --> 00:44:55,467
[BAND PLAYING "I'LL BE THERE"]
764
00:45:02,415 --> 00:45:07,513
# You and I must make a pact #
765
00:45:07,755 --> 00:45:13,625
# We must bring salvation back #
766
00:45:13,827 --> 00:45:17,593
# Where there is love #
767
00:45:17,798 --> 00:45:24,034
# I'll be there #
# I'll be there #
768
00:45:24,272 --> 00:45:29,835
# I'll reach out my hand to you #
769
00:45:30,045 --> 00:45:35,541
# I'll have faith in all you do #
770
00:45:35,785 --> 00:45:39,551
# Just call my name #
771
00:45:39,789 --> 00:45:43,452
# And I'll be there #
# I'll be there #
772
00:45:43,659 --> 00:45:46,321
# Ohh, yeah #
773
00:45:46,529 --> 00:45:50,932
# I'll be there to comfort you #
774
00:45:51,133 --> 00:45:54,126
# Build my world of dreams
Around you #
775
00:45:54,338 --> 00:45:57,136
# I'm so glad I found you #
776
00:45:57,341 --> 00:46:01,471
# I'll be there
With a love that's strong #
777
00:46:01,678 --> 00:46:04,010
# I'll be your strength #
778
00:46:04,214 --> 00:46:08,845
# I'll keep holding on #
779
00:46:09,053 --> 00:46:11,851
# I love you #
780
00:46:14,192 --> 00:46:19,653
# If you should ever find
Someone new #
781
00:46:19,864 --> 00:46:26,065
# I know he'd better be good to you #
782
00:46:26,271 --> 00:46:30,173
# Cos if he doesn't #
783
00:46:30,376 --> 00:46:33,504
# I'll be there #
784
00:46:33,712 --> 00:46:36,010
# Look over your shoulders, honey #
785
00:46:36,215 --> 00:46:37,705
# Whoo #
786
00:46:37,916 --> 00:46:41,044
# I'll be there #
787
00:46:41,254 --> 00:46:42,585
Everybody!
788
00:46:42,789 --> 00:46:48,386
# I'll be there #
789
00:46:48,595 --> 00:46:52,395
# Just call my name #
790
00:46:52,599 --> 00:46:55,625
# I'll be there #
791
00:46:55,869 --> 00:46:58,100
# Just look over
Your shoulders, honey #
792
00:46:58,305 --> 00:46:59,772
# Ooh #
793
00:47:00,007 --> 00:47:04,774
# I'll be there #
794
00:47:05,012 --> 00:47:10,882
# I'll be there #
795
00:47:13,788 --> 00:47:21,127
# There #
796
00:47:22,297 --> 00:47:26,393
I'll say, "Jackie, Jermaine, Marlon,
797
00:47:26,601 --> 00:47:30,732
Tito, Randy, I love you.
798
00:47:32,175 --> 00:47:35,770
Joseph and Katherine,
God bless you. I love you."
799
00:47:39,682 --> 00:47:43,641
# And #
800
00:47:46,322 --> 00:47:49,986
Just trying to conserve my
throat, please, so understand.
801
00:47:50,194 --> 00:47:54,324
# I will be #
802
00:47:54,565 --> 00:47:58,126
# I will be #
803
00:47:58,335 --> 00:48:02,431
# I will be #
804
00:48:02,639 --> 00:48:04,835
# I will be #
805
00:48:05,076 --> 00:48:06,976
MAN:
# Darling, be #
806
00:48:07,178 --> 00:48:12,775
# I will be #
807
00:48:14,185 --> 00:48:16,847
CHORUS:
# There #
808
00:48:17,088 --> 00:48:21,185
# Hoo ##
809
00:48:27,199 --> 00:48:28,530
[PEOPLE APPLAUDING]
810
00:48:28,734 --> 00:48:31,531
ORTEGA: And blackout.
We'll make it cleaner at the back.
811
00:48:31,737 --> 00:48:35,833
So you wanna get rid of the bad
specials, those profiles coming in.
812
00:48:36,041 --> 00:48:37,873
There's a lot going on.
The dancers, you know,
813
00:48:38,111 --> 00:48:40,705
we do maintenance with them,
you know, two to three times a week.
814
00:48:40,914 --> 00:48:44,509
We do Pilates and stretching and
ballet, and they have physical therapy.
815
00:48:44,718 --> 00:48:46,686
You know,
just keeping everybody together.
816
00:48:46,920 --> 00:48:49,218
I saw you, you were
going like this, what is this?
817
00:48:49,422 --> 00:48:50,753
That's Russian. This is Russian.
818
00:48:50,991 --> 00:48:55,395
So Baryshnikov does it like this and
you guys are doing like this. Same thing.
819
00:48:55,897 --> 00:48:57,262
MAN:
Good.
820
00:48:57,431 --> 00:48:58,921
One more time.
MAN: Sure.
821
00:48:59,133 --> 00:49:01,033
I mean, but we're straight
up and down now, right?
822
00:49:01,235 --> 00:49:03,760
I don't think it's anything
except hand moving.
823
00:49:04,005 --> 00:49:06,565
I think that's smoother,
you know what I mean?
824
00:49:06,741 --> 00:49:07,867
I mean, I have nothing to move.
825
00:49:08,743 --> 00:49:09,768
[PEOPLE APPLAUDING]
826
00:49:10,212 --> 00:49:11,645
ORTEGA:
Dancers, music.
827
00:49:11,847 --> 00:49:14,839
[BAND PLAYING "SHAKE YOUR
BOD Y (DOWN TO THE GROUND)"]
828
00:49:27,263 --> 00:49:29,527
CHORUS:
# Let's dance, let's shout #
829
00:49:29,732 --> 00:49:31,359
# Shake your body
Down to the ground #
830
00:49:31,568 --> 00:49:33,195
# Let's dance, let's shout #
831
00:49:33,403 --> 00:49:35,234
# Shake your body
Down to the ground #
832
00:49:35,438 --> 00:49:37,429
# Let's dance, let's shout #
833
00:49:37,674 --> 00:49:39,471
# Shake your body
Down to the ground #
834
00:49:39,709 --> 00:49:41,438
# Let's dance, let's shout #
835
00:49:41,678 --> 00:49:43,704
# Shake your body
Down to the ground #
836
00:49:57,928 --> 00:50:00,261
# Down, down, down, down #
837
00:50:13,712 --> 00:50:16,011
# Down, down, down, down ##
838
00:50:16,716 --> 00:50:18,240
[PEOPLE APPLAUDING]
839
00:50:18,451 --> 00:50:20,612
[MAN SPEAKS INDISTINCTLY]
840
00:50:23,823 --> 00:50:27,156
All right, "I Just Can't Stop
Loving You." Judith.
841
00:50:27,360 --> 00:50:28,622
Let me know
when you're ready.
842
00:50:28,828 --> 00:50:30,762
# A mi amor eres t� #
843
00:50:32,232 --> 00:50:34,826
# A mi amor eres t� #
844
00:50:35,102 --> 00:50:40,335
# Cuando no estas
No hay quien me d� lo que das t� #
845
00:50:42,175 --> 00:50:44,769
# A mi amor eres t� ##
846
00:50:44,945 --> 00:50:46,242
[LAUGHING]
847
00:50:46,446 --> 00:50:48,677
BEARDEN [IN SPANISH ACCENT]:
Do it for Ortega.
848
00:50:49,284 --> 00:50:50,945
Ortega.
Here we go.
849
00:50:51,152 --> 00:50:53,484
BEARDEN:
For his people.
850
00:50:54,856 --> 00:50:56,380
MOFFETT:
One, two, three.
851
00:50:56,624 --> 00:50:58,455
[PLAYING "I JUST CAN'T
STOP LOVING YOU"]
852
00:50:58,660 --> 00:51:00,787
More echo in here?
853
00:51:00,995 --> 00:51:04,955
# Ahhh-ah #
854
00:51:07,069 --> 00:51:09,060
# Each time the wind blows #
855
00:51:09,305 --> 00:51:11,671
# I hear your voice so #
856
00:51:11,874 --> 00:51:15,275
# I call your name #
857
00:51:16,378 --> 00:51:18,505
# Whispers at morning #
858
00:51:18,714 --> 00:51:21,309
# Our love is dawning #
859
00:51:21,518 --> 00:51:24,646
# Heaven's glad you came #
860
00:51:25,689 --> 00:51:27,987
# You know how I feel #
861
00:51:28,191 --> 00:51:30,659
# This thing can't go wrong #
862
00:51:30,860 --> 00:51:34,819
# I'm so proud to say I love you #
863
00:51:35,031 --> 00:51:37,500
# Your love's got me high #
864
00:51:37,702 --> 00:51:40,034
# I long to get by #
865
00:51:40,237 --> 00:51:45,334
# My life ain't worth living
If I can't be with you #
866
00:51:45,543 --> 00:51:47,443
HILL:
# I hear your voice now #
867
00:51:47,678 --> 00:51:50,306
# You are my choice now #
868
00:51:50,514 --> 00:51:54,383
# The love you bring #
869
00:51:54,586 --> 00:51:56,952
# Heaven's in my heart #
870
00:51:57,189 --> 00:52:00,090
# At your call, I hear harps #
871
00:52:00,325 --> 00:52:04,056
# And angels sing #
872
00:52:04,262 --> 00:52:06,389
BOTH:
# You know how I feel #
873
00:52:06,598 --> 00:52:08,930
# This thing can't go wrong #
874
00:52:09,134 --> 00:52:13,367
# I can't live my life without you #
875
00:52:13,573 --> 00:52:15,905
# Your love's got me high #
876
00:52:16,109 --> 00:52:18,100
# I feel we belong #
877
00:52:18,911 --> 00:52:23,473
# My life ain't worth living
If I can't be with you #
878
00:52:23,716 --> 00:52:28,484
# I just can't stop loving you #
879
00:52:28,722 --> 00:52:33,056
# I just can't stop loving you #
880
00:52:33,260 --> 00:52:35,057
# And if I stop #
881
00:52:35,262 --> 00:52:40,063
# Then tell me, just what will I do? #
882
00:52:40,267 --> 00:52:44,602
# I just can't stop loving you #
883
00:52:47,509 --> 00:52:49,636
# At night when the stars shine #
884
00:52:49,878 --> 00:52:52,278
# I think in you I'll find #
885
00:52:52,480 --> 00:52:54,971
# A love so true #
886
00:52:55,183 --> 00:52:56,741
# Hey #
887
00:52:56,951 --> 00:52:59,385
# When morning awakes me #
888
00:52:59,588 --> 00:53:01,954
# Will you come and take me? #
889
00:53:02,158 --> 00:53:06,390
# I'll wait for you #
890
00:53:06,595 --> 00:53:08,825
# You know how I feel #
891
00:53:09,031 --> 00:53:11,329
# This thing can't go wrong #
892
00:53:11,534 --> 00:53:14,401
# I'm so proud to say I love you #
893
00:53:14,603 --> 00:53:16,037
# I do #
894
00:53:16,273 --> 00:53:18,468
# This thing can't go wrong #
895
00:53:18,675 --> 00:53:20,199
# This feeling's so strong #
896
00:53:20,444 --> 00:53:21,433
# Well #
897
00:53:21,645 --> 00:53:25,945
# My life ain't worth living
If I can't be with you #
898
00:53:26,149 --> 00:53:29,209
# I just can't stop loving you #
899
00:53:29,453 --> 00:53:30,920
# Oh, oh, no #
900
00:53:31,121 --> 00:53:35,024
# I just can't stop loving you #
901
00:53:35,226 --> 00:53:36,215
# Said I can't stop #
902
00:53:36,461 --> 00:53:37,621
# And if I stop #
903
00:53:37,829 --> 00:53:42,789
# Then tell me, just what will I do? #
904
00:53:43,000 --> 00:53:46,868
# I just can't stop loving you #
905
00:53:47,071 --> 00:53:50,405
# We can change
All the world #
906
00:53:50,576 --> 00:53:51,873
# Tomorrow #
907
00:53:52,077 --> 00:53:56,673
# We can sing songs
Of yesterday #
908
00:53:56,882 --> 00:54:01,251
# I can say
Hey, farewell to sorrow #
909
00:54:01,487 --> 00:54:03,387
# This is my life and I #
910
00:54:03,589 --> 00:54:06,684
# I want to see you for always #
911
00:54:06,893 --> 00:54:09,361
# I just can't stop loving you #
912
00:54:09,562 --> 00:54:11,154
# No, baby #
913
00:54:11,364 --> 00:54:15,391
# I just can't stop loving you #
914
00:54:15,602 --> 00:54:16,830
# Said I can't stop #
915
00:54:17,036 --> 00:54:18,264
# And if I stop #
916
00:54:18,505 --> 00:54:21,702
# Then tell me, just what will I do? #
917
00:54:21,909 --> 00:54:23,968
# What will I do?
No, no #
918
00:54:24,178 --> 00:54:27,045
# I just can't stop loving you #
# He-he-he #
919
00:54:27,248 --> 00:54:28,875
# He-he-he #
920
00:54:29,083 --> 00:54:32,018
# I just can't stop loving you #
# He-he-he #
921
00:54:32,219 --> 00:54:33,413
# Know I do, girl #
922
00:54:33,621 --> 00:54:35,213
# And if I stop #
923
00:54:35,422 --> 00:54:38,392
# Then tell me, just what will I do? #
924
00:54:38,593 --> 00:54:40,561
# Tell me #
925
00:54:40,762 --> 00:54:45,290
# I just can't stop loving you #
926
00:54:45,500 --> 00:54:48,367
# I just can't stop loving you #
927
00:54:48,570 --> 00:54:50,060
# Hey #
928
00:54:50,272 --> 00:54:51,899
# And if I stop #
929
00:54:52,107 --> 00:54:58,047
# Then tell me, just what will I do? #
# Break down #
930
00:54:58,247 --> 00:55:01,114
# Because #
931
00:55:01,317 --> 00:55:03,308
# Because #
932
00:55:03,553 --> 00:55:07,614
# I just can't stop #
933
00:55:07,823 --> 00:55:12,761
# I just can't stop #
934
00:55:12,963 --> 00:55:15,454
# I just can't stop, baby #
935
00:55:15,666 --> 00:55:20,160
# I just can't stop, yeah #
936
00:55:20,404 --> 00:55:23,271
# I can't stop, no, baby #
937
00:55:23,473 --> 00:55:28,810
# I just can't stop, no #
938
00:55:29,047 --> 00:55:31,413
# I just can't stop, no #
939
00:55:31,616 --> 00:55:35,108
# I just can't stop #
940
00:55:35,320 --> 00:55:39,051
# I can't stop, baby #
941
00:55:39,257 --> 00:55:42,158
# I can't stop, no #
942
00:55:42,360 --> 00:55:44,989
# I can't stop, no, baby #
943
00:55:45,197 --> 00:55:47,256
# I can't stop, no #
944
00:55:47,466 --> 00:55:49,127
HILL:
# Yeah #
945
00:55:49,335 --> 00:55:52,634
# Oh, I just can't stop #
946
00:55:52,838 --> 00:55:57,104
# Oh, I just can't stop loving #
947
00:55:57,576 --> 00:56:01,570
# You ##
948
00:56:15,528 --> 00:56:20,159
Now, don't make me sing out
when I shouldn't be singing out.
949
00:56:20,368 --> 00:56:24,702
I'm warming... I'm trying to warm up
my voice for this moment.
950
00:56:24,905 --> 00:56:28,204
Why do you do this to me?
I shouldn't be singing right now.
951
00:56:29,176 --> 00:56:33,237
No. No, no.
BEARDEN: You better sing!
952
00:56:34,483 --> 00:56:37,111
I'm warming up to the moment.
953
00:56:37,319 --> 00:56:39,514
BEARDEN:
But you just can't help it, MJ.
954
00:56:39,688 --> 00:56:41,679
No, but, I shouldn't. I really shouldn't.
955
00:56:41,890 --> 00:56:43,858
BEARDEN: Yeah, but you felt it.
No, no.
956
00:56:44,026 --> 00:56:45,857
BEARDEN: But you can allow
yourself that one time.
957
00:56:46,061 --> 00:56:47,528
I can't do that.
958
00:56:47,729 --> 00:56:49,925
But you're fine to do it.
I gotta save my voice.
959
00:56:50,166 --> 00:56:53,863
That ending was just like the
smelliest ending of all the versions.
960
00:56:54,404 --> 00:56:56,235
Band, it's just this.
961
00:56:57,273 --> 00:56:59,503
This is what it is.
962
00:56:59,776 --> 00:57:02,711
[ALL CHATTERING]
963
00:57:06,383 --> 00:57:09,944
Whoo. What day is it?
What time is it?
964
00:57:10,154 --> 00:57:11,587
We're like, you know...
We're down to the wire.
965
00:57:11,755 --> 00:57:13,347
We're like halfway through
our film shoot
966
00:57:13,557 --> 00:57:17,220
for all of our incredible
new film content for This Is It.
967
00:57:18,095 --> 00:57:23,159
Today we are filming new
segments for "Thriller," 3-D.
968
00:57:23,368 --> 00:57:26,269
["THRILLER" PLAYING]
969
00:57:29,541 --> 00:57:30,735
Argh!
970
00:57:37,449 --> 00:57:39,384
Do I still have on my 3-D glasses?
Yes, you do.
971
00:57:39,552 --> 00:57:40,883
Oh, good.
972
00:57:41,287 --> 00:57:43,619
I think I look great
in these glasses.
973
00:57:44,190 --> 00:57:45,680
Do I look
as old as I feel?
974
00:57:46,292 --> 00:57:48,385
ORTEGA: Guys, please step
away if you're not in the shot.
975
00:57:48,561 --> 00:57:50,222
Photographers, everybody.
976
00:57:50,429 --> 00:57:52,124
Clear the set now for the crew.
977
00:57:52,331 --> 00:57:54,424
WOMAN: Rolling!
ORTEGA: Here we go.
978
00:57:55,267 --> 00:57:56,292
Action.
979
00:57:59,473 --> 00:58:01,270
This guy should be
getting out soon.
980
00:58:02,909 --> 00:58:04,342
PAYNE:
You guys, be aware of the camera.
981
00:58:04,511 --> 00:58:05,500
Look up to it.
982
00:58:05,712 --> 00:58:07,737
There's gonna be light on him,
Michael. There's no light on him now.
983
00:58:07,948 --> 00:58:09,006
Give the information
to him.
984
00:58:09,216 --> 00:58:11,616
ORTEGA: Gravedigger, right
into the camera. Put your...
985
00:58:11,818 --> 00:58:14,913
There it is. Right into it, right
in there. That's it, keep going.
986
00:58:15,123 --> 00:58:16,249
Right there.
ORTEGA: That's it.
987
00:58:16,591 --> 00:58:19,321
Right into the camera. Reach your
hands out in front of you, guys.
988
00:58:19,527 --> 00:58:20,858
Yeah, yeah, yeah!
That's it, beautiful!
989
00:58:21,095 --> 00:58:22,756
Whoo!
990
00:58:23,231 --> 00:58:26,166
ORTEGA: Keep coming. Yeah, right
into the lens, in the center.
991
00:58:26,334 --> 00:58:28,302
I'm in the center of the camera.
There you go.
992
00:58:28,804 --> 00:58:34,504
Now, go out. Go out. Good. And cut.
It's brilliant. Thank you, everybody.
993
00:58:41,183 --> 00:58:44,152
ORTEGA: We call these the dead
brides and the dead grooms.
994
00:58:44,520 --> 00:58:49,117
And there'll be a parade of them
moving through the aisles in "Thriller."
995
00:58:50,860 --> 00:58:52,655
[THUNDER CRASHING]
996
00:58:52,862 --> 00:58:55,888
[BATS SCREECHING]
997
00:59:01,371 --> 00:59:04,307
[VINCENT PRICE CACKLING]
998
00:59:16,153 --> 00:59:17,643
[SCREAMS]
999
00:59:20,091 --> 00:59:23,060
VINCENT PRICE [IN VOICE-OVER]:
Darkness falls across the land
1000
00:59:23,795 --> 00:59:26,696
The midnight hour is close at hand
1001
00:59:27,065 --> 00:59:30,228
Creatures crawl in search of blood
1002
00:59:30,535 --> 00:59:33,504
To terrorize y'all's neighborhood
1003
00:59:34,307 --> 00:59:37,105
And whosoever shall be found
1004
00:59:37,310 --> 00:59:38,402
[HOWLING]
1005
00:59:38,578 --> 00:59:40,170
Without the soul for getting down
1006
00:59:41,013 --> 00:59:44,608
Must stand and face
The hounds of hell
1007
00:59:44,851 --> 00:59:47,945
And rot inside a corpse's shell
1008
00:59:49,722 --> 00:59:52,248
MICHAEL:
# It's close to midnight #
1009
00:59:52,426 --> 00:59:55,759
# And something evil's
Lurking in the dark #
1010
00:59:57,931 --> 01:00:03,528
# Under the moonlight, you see a sight
That almost stops your heart #
1011
01:00:03,737 --> 01:00:06,103
# You try to scream #
1012
01:00:06,340 --> 01:00:10,243
# But terror
Takes the sound before you make it #
1013
01:00:11,746 --> 01:00:13,873
# You start to freeze #
1014
01:00:14,082 --> 01:00:17,279
# As horror
Looks you right between the eyes #
1015
01:00:17,485 --> 01:00:19,578
# You're paralyzed #
1016
01:00:19,787 --> 01:00:22,221
# Cos this is thriller #
1017
01:00:22,423 --> 01:00:24,051
# Thriller night #
1018
01:00:24,260 --> 01:00:27,661
# And no one's gonna save you
From the beast about to strike #
1019
01:00:27,897 --> 01:00:30,127
# You know it's thriller #
1020
01:00:30,366 --> 01:00:32,266
# Thriller night #
1021
01:00:32,468 --> 01:00:39,135
# You're fighting for your life
Inside a killer, thriller tonight #
1022
01:00:45,815 --> 01:00:48,079
# You hear the door slam #
1023
01:00:48,251 --> 01:00:52,813
# And realize there's nowhere
Left to run #
1024
01:00:53,623 --> 01:00:59,654
# You feel the cold hand
And wonder if you'll ever see the sun #
1025
01:00:59,897 --> 01:01:02,297
# You close your eyes #
1026
01:01:02,466 --> 01:01:06,425
# And hope that this is
Just imagination #
1027
01:01:06,637 --> 01:01:07,626
# Girl #
1028
01:01:07,838 --> 01:01:08,998
# But all the while #
1029
01:01:10,041 --> 01:01:13,341
# You hear a creature
Creeping up behind #
1030
01:01:13,545 --> 01:01:15,513
# You're out of time #
1031
01:01:15,714 --> 01:01:18,148
# Cos this is thriller #
1032
01:01:18,350 --> 01:01:19,908
# Thriller night #
1033
01:01:20,118 --> 01:01:24,418
# Girl, I can thrill you more
Than any ghost would ever dare try #
1034
01:01:24,623 --> 01:01:26,682
# Thriller#
# Whoo-hoo! #
1035
01:01:26,925 --> 01:01:28,017
# Thriller night #
1036
01:01:28,226 --> 01:01:32,129
# So let me hold you tight
And share a killer, thriller #
1037
01:01:32,332 --> 01:01:34,323
# Ow! #
1038
01:01:53,220 --> 01:01:55,245
[SCREECHES]
1039
01:02:26,088 --> 01:02:29,216
VINCENT PRICE:
The demons squeal in sheer delight
1040
01:02:29,425 --> 01:02:34,192
It's you they spy, so plump, so right
1041
01:02:34,397 --> 01:02:37,299
For though the groove
Is hard to beat
1042
01:02:37,534 --> 01:02:40,435
Yet still you stand with frozen feet
1043
01:02:40,637 --> 01:02:43,629
You try to run, you try to scream
1044
01:02:44,808 --> 01:02:47,368
But no more sun you'll ever see
1045
01:02:47,577 --> 01:02:50,273
For evil reaches from the crypt
1046
01:02:50,514 --> 01:02:53,575
To crush you in its icy grip
1047
01:02:53,785 --> 01:02:56,219
# Cos this is thriller #
1048
01:02:56,421 --> 01:02:57,945
# Thriller night #
1049
01:02:58,156 --> 01:03:02,149
# Cos I can thrill you more
Than any ghost would ever dare try #
1050
01:03:02,393 --> 01:03:04,725
# Thriller #
# Whoo-hoo! #
1051
01:03:04,929 --> 01:03:06,021
# Thriller night #
1052
01:03:06,230 --> 01:03:09,962
# So let me hold you tight
And share a killer, thriller #
1053
01:03:10,169 --> 01:03:12,637
# Ow! Ow! ##
1054
01:03:14,139 --> 01:03:17,404
[BAND PLAYING SOFT MUSIC]
1055
01:03:39,299 --> 01:03:42,599
[BAND PLAYING ROCK MUSIC]
1056
01:04:19,308 --> 01:04:22,209
[VINCENT PRICE CACKLING
OVER SPEAKERS]
1057
01:04:27,650 --> 01:04:30,380
ORTEGA: Make sure that there's
somebody waiting for Michael there
1058
01:04:30,621 --> 01:04:33,323
with a flashlight
and everything. Great.
1059
01:04:39,396 --> 01:04:41,159
MAN 1:
Whoo!
1060
01:04:42,533 --> 01:04:44,228
MAN 2:
Yeah!
1061
01:04:45,903 --> 01:04:50,671
Now, you know,
could we do that times 10?
1062
01:04:51,176 --> 01:04:52,268
Absolutely!
1063
01:04:52,510 --> 01:04:53,670
[PEOPLE LAUGHING]
1064
01:04:53,845 --> 01:04:57,872
Okay, so next is the fire screen. We're
gonna show you some chase sequences.
1065
01:05:05,791 --> 01:05:08,589
[PEOPLE CHEERING]
1066
01:05:14,466 --> 01:05:16,764
Rock 'n' roll!
1067
01:05:18,103 --> 01:05:20,265
["WHO IS IT" PLAYING]
1068
01:05:31,918 --> 01:05:36,982
Today was all about testing the
chandelier and bed props for the show
1069
01:05:37,191 --> 01:05:40,058
with our aerialists
and pole-dancing experts.
1070
01:05:40,261 --> 01:05:42,559
It's all about
checking dimension
1071
01:05:42,763 --> 01:05:44,731
and widths and pipe
and how things work together.
1072
01:05:44,932 --> 01:05:46,627
COTTEN:
Building props with people on it
1073
01:05:46,834 --> 01:05:49,064
is a big responsibility
and a lot of fun
1074
01:05:49,270 --> 01:05:52,968
because we have to design things
around the human body.
1075
01:05:55,644 --> 01:05:58,477
This is the first time in the history
that we've worked with Michael,
1076
01:05:58,714 --> 01:06:02,650
for the past 25 years, that we
are including lighted elements
1077
01:06:02,851 --> 01:06:04,341
in his "Billie Jean" costume.
1078
01:06:04,586 --> 01:06:07,111
The cut of the stones,
the refraction of the light
1079
01:06:07,322 --> 01:06:10,759
as we're applying them, you almost need sunglasses,
just the reflection if you're trying to get them on.
1080
01:06:10,960 --> 01:06:12,655
We're bringing things
into his performance
1081
01:06:12,862 --> 01:06:16,798
where they haven't been developed at all.
And it's just being developed for Michael.
1082
01:06:17,000 --> 01:06:19,093
I'm working with scientists
in the Netherlands,
1083
01:06:19,302 --> 01:06:21,827
I'm working with people in California,
I'm working with Swarovski.
1084
01:06:22,038 --> 01:06:25,941
Always trying to push the boundaries, you
know, because that's what Michael's about.
1085
01:06:28,045 --> 01:06:31,105
ORTEGA:
Now, is this working this evening?
1086
01:06:31,315 --> 01:06:34,443
Without running the number, I would
just like it, if Michael would like to,
1087
01:06:34,652 --> 01:06:38,179
just to give him a little ride so that
he feels his new cherry picker out.
1088
01:06:38,389 --> 01:06:39,879
From the top of "Beat It."
1089
01:06:40,124 --> 01:06:41,853
ORTEGA: Uh, you wanna
do it with music already?
1090
01:06:42,060 --> 01:06:43,118
Yeah.
1091
01:06:43,328 --> 01:06:45,353
ORTEGA:
Can I just give you a ride first?
1092
01:06:45,563 --> 01:06:46,894
Sure. If you want.
ORTEGA: Okay.
1093
01:06:47,132 --> 01:06:48,895
ORTEGA: Yeah. Just for
safety. Thank you, sir.
1094
01:06:49,067 --> 01:06:50,466
Thank you, Michael.
1095
01:06:50,669 --> 01:06:53,194
Sure. Sure.
BEARDEN: Daredevil MJ.
1096
01:06:53,405 --> 01:06:55,305
I trust in you.
ORTEGA: Thank you.
1097
01:06:55,507 --> 01:06:56,531
[BEARDEN CHUCKLES]
1098
01:06:56,775 --> 01:06:58,710
ORTEGA:
Just for safety. Thank you.
1099
01:06:58,911 --> 01:07:01,004
BEARDEN:
Stand by, guys.
1100
01:07:02,848 --> 01:07:04,907
ORTEGA:
You've been there before.
1101
01:07:05,151 --> 01:07:06,413
Whee.
1102
01:07:06,652 --> 01:07:09,519
ORTEGA:
MJ, this is just at mid-height.
1103
01:07:09,722 --> 01:07:12,486
It goes much higher than this.
1104
01:07:12,692 --> 01:07:14,853
This is the low height.
1105
01:07:15,062 --> 01:07:16,996
MICHAEL: Why would you say
that to me? You know better.
1106
01:07:17,164 --> 01:07:18,358
[ORTEGA LAUGHING]
1107
01:07:18,565 --> 01:07:20,430
BEARDEN:
See, why did you say that to him?
1108
01:07:20,667 --> 01:07:22,567
MICHAEL:
He's teasing me. That's why.
1109
01:07:22,803 --> 01:07:23,929
He know I wants to go higher.
1110
01:07:24,171 --> 01:07:25,297
[MICHAEL & ORTEGA LAUGHING]
1111
01:07:25,505 --> 01:07:27,530
God bless you, Kenny.
1112
01:07:27,708 --> 01:07:29,039
Hi.
1113
01:07:29,242 --> 01:07:32,610
ORTEGA: Yeah, yeah.
Are the fans working on this?
1114
01:07:32,847 --> 01:07:34,109
MICHAEL:
It's great.
1115
01:07:34,349 --> 01:07:35,907
ORTEGA:
Michael, please hold on.
1116
01:07:36,117 --> 01:07:38,847
Thank you.
It's very nice.
1117
01:07:39,053 --> 01:07:41,078
ORTEGA: Yeah? Is it smooth?
Yeah.
1118
01:07:41,322 --> 01:07:45,622
ORTEGA: Great. This is monumental,
Michael's back on the cherry picker.
1119
01:07:45,827 --> 01:07:47,819
Yeah.
Thank you.
1120
01:07:48,030 --> 01:07:49,725
ORTEGA:
We love you, Michael.
1121
01:07:49,898 --> 01:07:51,763
Love you too.
1122
01:07:51,967 --> 01:07:54,060
[BAND PLAYING "BEAT IT"]
1123
01:07:54,269 --> 01:07:55,930
# Ho! #
1124
01:07:56,138 --> 01:07:57,400
# Ho! #
1125
01:07:57,606 --> 01:07:59,198
# Ho! #
1126
01:07:59,408 --> 01:08:00,739
# Ho! #
1127
01:08:00,943 --> 01:08:02,410
# Oh! #
# Oh! #
1128
01:08:02,611 --> 01:08:04,409
# Ho! #
# Ho! #
1129
01:08:04,614 --> 01:08:06,980
# Ow! #
1130
01:08:18,461 --> 01:08:21,454
# They told him
Don't you ever come around here #
1131
01:08:21,665 --> 01:08:24,657
# Don't wanna see your face
You better disappear #
1132
01:08:24,902 --> 01:08:28,235
# The fire's in their eyes
And their words are really clear #
1133
01:08:28,439 --> 01:08:29,929
# So beat it #
1134
01:08:30,141 --> 01:08:32,132
# Just beat it #
# Huh! #
1135
01:08:32,376 --> 01:08:35,368
# You better run
You better do what you can #
1136
01:08:35,579 --> 01:08:38,947
# Don't wanna see no blood
Don't be a macho man #
1137
01:08:39,151 --> 01:08:42,120
# You wanna be tough
Better do what you can #
1138
01:08:42,320 --> 01:08:43,878
# So beat it #
1139
01:08:44,089 --> 01:08:45,647
# But you wanna be bad #
1140
01:08:45,891 --> 01:08:47,916
# Just beat it #
# Beat it #
1141
01:08:48,126 --> 01:08:49,388
# Beat it #
# Beat it #
1142
01:08:49,594 --> 01:08:52,791
# No one wants to be defeated #
1143
01:08:52,998 --> 01:08:56,332
# Showin' how funky
And strong is your fight #
1144
01:08:56,536 --> 01:08:59,630
# It doesn't matter
Who's wrong or right #
1145
01:08:59,839 --> 01:09:01,807
# Just beat it #
# Beat it #
1146
01:09:02,008 --> 01:09:03,498
# Beat it #
# Beat it #
1147
01:09:03,676 --> 01:09:05,109
# Just beat it #
# Beat it #
1148
01:09:05,278 --> 01:09:06,336
# Beat it #
# Beat it #
1149
01:09:06,512 --> 01:09:07,945
# Whoo! #
1150
01:09:09,849 --> 01:09:11,681
# Beat it, beat it #
1151
01:09:16,290 --> 01:09:18,850
# Beat it, beat it, beat it #
1152
01:09:19,927 --> 01:09:21,292
# Beat it #
1153
01:10:03,006 --> 01:10:04,496
# Beat it #
# Beat it #
1154
01:10:04,708 --> 01:10:06,107
# Beat it #
# Beat it #
1155
01:10:06,343 --> 01:10:09,244
# No one wants to be defeated #
1156
01:10:09,479 --> 01:10:13,040
# Showin' how funky
And strong is your fight #
1157
01:10:13,250 --> 01:10:16,220
# It doesn't matter
Who's wrong or right #
1158
01:10:16,420 --> 01:10:18,388
# Just beat it #
# Beat it #
1159
01:10:18,589 --> 01:10:20,113
# Beat it #
# Beat it #
1160
01:10:20,358 --> 01:10:23,259
# No one wants to be defeated #
1161
01:10:23,494 --> 01:10:27,021
# Showin' how funky
And strong is your fight #
1162
01:10:27,231 --> 01:10:31,099
# It doesn't matter
Who's wrong or right #
1163
01:10:34,139 --> 01:10:36,004
# Ho! #
1164
01:10:36,208 --> 01:10:37,607
# Ho! #
1165
01:10:37,809 --> 01:10:39,538
MICHAEL:
# Ho! #
1166
01:10:39,745 --> 01:10:41,713
# Ho! #
1167
01:11:09,476 --> 01:11:10,738
# Beat it #
# Beat it #
1168
01:11:10,911 --> 01:11:12,276
# Beat it #
# Beat it #
1169
01:11:12,446 --> 01:11:15,609
# No one wants to be defeated #
1170
01:11:15,816 --> 01:11:18,979
# Showin' how funky
And strong is your fight #
1171
01:11:19,186 --> 01:11:22,315
# It doesn't matter
Who's wrong or right #
1172
01:11:22,557 --> 01:11:24,616
# Just beat it #
# Beat it #
1173
01:11:24,826 --> 01:11:26,259
# Beat it #
# Beat it #
1174
01:11:26,461 --> 01:11:29,487
# No one wants to be defeated #
1175
01:11:29,698 --> 01:11:33,134
# Showin' how funky
And strong is your fight #
1176
01:11:33,335 --> 01:11:36,429
# It doesn't matter
Who's wrong or right #
1177
01:11:36,638 --> 01:11:37,832
# Just #
1178
01:11:38,073 --> 01:11:40,372
# Beat it
Beat it #
1179
01:11:40,610 --> 01:11:43,579
# No one wants to be defeated #
1180
01:11:43,779 --> 01:11:47,010
# Showin' how funky
And strong is your fight #
1181
01:11:47,216 --> 01:11:50,151
# It doesn't matter
Who's wrong or right #
1182
01:11:50,353 --> 01:11:51,786
# Just #
1183
01:11:51,988 --> 01:11:54,183
# Beat it
Beat it #
1184
01:11:54,390 --> 01:11:57,519
# No one wants to be defeated #
1185
01:11:57,728 --> 01:12:00,993
# Showin' how funky
And strong is your fight #
1186
01:12:01,198 --> 01:12:04,861
# It doesn't matter
Who's wrong or right ##
1187
01:12:05,035 --> 01:12:06,127
[MUSIC STOPS]
1188
01:12:09,840 --> 01:12:10,966
[MUSIC PLAYING]
1189
01:12:44,444 --> 01:12:45,536
[MICHAEL SINGS]
1190
01:12:45,745 --> 01:12:48,680
BEARDEN: Okay, that's where
you want it? When we come up...
1191
01:12:48,915 --> 01:12:50,280
What we're doing is...
1192
01:12:50,517 --> 01:12:52,144
We're doing it for the height.
1193
01:12:52,952 --> 01:12:54,544
I'm gonna take off the jacket
1194
01:12:54,754 --> 01:12:58,246
and kick it, and beat it, and beat it
and we're gonna burn it.
1195
01:12:58,925 --> 01:13:01,258
The jacket's gonna be too hot.
It's gonna be on fire.
1196
01:13:01,429 --> 01:13:02,862
BEARDEN: I just wanted to
know when that last one was.
1197
01:13:03,030 --> 01:13:05,863
That's the one, I was pointing to it.
1198
01:13:08,369 --> 01:13:10,303
I was pointing that to you.
1199
01:13:11,572 --> 01:13:14,405
BEARDEN: I got you.
You don't have to do it again.
1200
01:13:15,242 --> 01:13:16,573
We can. Do it again.
1201
01:13:16,777 --> 01:13:18,973
BEARDEN: Here it is right
here, just do me the last one.
1202
01:13:19,381 --> 01:13:21,315
Come on the one before it.
1203
01:13:21,483 --> 01:13:23,280
BEARDEN:
Let's go on to C. One before.
1204
01:13:24,786 --> 01:13:26,879
MAN:
Whoo!
1205
01:13:28,123 --> 01:13:30,683
[MUSIC PLAYING]
1206
01:14:10,268 --> 01:14:12,964
And let it burn, and the lights out!
1207
01:14:13,338 --> 01:14:14,805
ORTEGA:
Lights out.
1208
01:14:15,006 --> 01:14:17,167
MICHAEL:
Lights out! Let it burn!
1209
01:14:17,342 --> 01:14:19,469
ORTEGA:
We're on a 10-minute break.
1210
01:14:20,879 --> 01:14:23,110
PANAGARIS: I'm just so happy.
This is a dream come true.
1211
01:14:23,315 --> 01:14:26,751
When MJ comes in the room
to rehearse with us, he, um...
1212
01:14:26,952 --> 01:14:31,685
It's just... His presence is just amazing.
It's pretty, pretty cool. Really, really cool.
1213
01:14:31,891 --> 01:14:34,155
[IMITATES GUITAR PLAYING
"BLACK OR WHITE"]
1214
01:14:34,360 --> 01:14:35,884
[LAUGHING]
1215
01:14:36,128 --> 01:14:37,652
Thank you.
1216
01:14:37,863 --> 01:14:43,200
Michael is the epitome of one of
the great entertainers of our time.
1217
01:14:43,403 --> 01:14:46,668
Performing with Michael
has just been a thrill.
1218
01:14:46,873 --> 01:14:50,707
You know, I've been, like, a Michael
Jackson fan since he was 8 years old.
1219
01:14:50,911 --> 01:14:54,210
It's like a lifelong dream for me
to actually work with Michael.
1220
01:14:54,414 --> 01:14:56,975
I've worked with
a lot of great, great artists,
1221
01:14:57,185 --> 01:14:59,517
but, you know, I consider this,
like, really a pinnacle.
1222
01:14:59,720 --> 01:15:01,312
Michael's a perfectionist.
1223
01:15:01,522 --> 01:15:05,049
And you don't really find that in
pop musicians. You can't fool Michael.
1224
01:15:05,293 --> 01:15:07,056
You have to come in
knowing the record.
1225
01:15:07,295 --> 01:15:11,425
And then, hopefully, finding a middle ground
to embellish it to make it even better.
1226
01:15:11,666 --> 01:15:14,033
He's just an icon of performance.
1227
01:15:14,236 --> 01:15:18,434
His talent runs so deep in creativity.
And he draws from a deeper emotion
1228
01:15:18,674 --> 01:15:21,006
than anybody else
I've ever seen or worked with.
1229
01:15:21,710 --> 01:15:23,701
Right here, right here, right here.
1230
01:15:23,912 --> 01:15:27,348
Okay, no second verse.
Sorry. Okay, sorry, sorry.
1231
01:15:28,083 --> 01:15:31,451
That was a mistake, there is no second
verse. Sorry about that, you guys.
1232
01:15:31,688 --> 01:15:34,885
First verse, oooh, then right
to the bridge, okay?
1233
01:15:35,091 --> 01:15:37,252
Let's do it one more time.
BEARDEN: Sure.
1234
01:15:37,427 --> 01:15:39,019
Wanna go down then come back up?
One more time.
1235
01:15:39,195 --> 01:15:41,527
Yeah. This is why
we have rehearsal.
1236
01:15:41,698 --> 01:15:42,960
BEARDEN:
There you go.
1237
01:15:48,372 --> 01:15:52,274
[BAND PLAYING
"BLACK OR WHITE"]
1238
01:16:04,890 --> 01:16:08,485
# I took my baby
On a Saturday bang #
1239
01:16:08,727 --> 01:16:10,160
# Boy, is that girl with you? #
1240
01:16:10,395 --> 01:16:12,295
# Yes, we're one and the same #
1241
01:16:12,497 --> 01:16:14,294
# Now I believe in miracles #
1242
01:16:14,499 --> 01:16:17,867
# And a miracle
Has happened tonight #
1243
01:16:18,070 --> 01:16:19,970
# Ooh #
1244
01:16:20,973 --> 01:16:22,736
# But if you're thinkin'
About my baby #
1245
01:16:22,942 --> 01:16:26,400
# It don't matter
If you're black or white #
1246
01:16:37,824 --> 01:16:39,883
So we'll run this way.
1247
01:16:41,161 --> 01:16:42,924
# I am tired of this devil #
1248
01:16:43,130 --> 01:16:45,121
# I am tired of this stuff #
1249
01:16:45,332 --> 01:16:46,959
# I am tired of this business #
1250
01:16:47,167 --> 01:16:49,192
# So when the going gets rough #
1251
01:16:49,436 --> 01:16:51,166
# I ain't scared of your brother #
1252
01:16:51,406 --> 01:16:53,340
# I ain't scared of no sheets #
1253
01:16:53,541 --> 01:16:55,304
# I ain't scared of nobody #
1254
01:16:55,510 --> 01:16:57,671
# Girl, when the goin' gets mean #
1255
01:16:59,547 --> 01:17:01,674
# Protection
For gangs, clubs, and nations #
1256
01:17:01,916 --> 01:17:03,474
# Causing grief in human relations #
1257
01:17:03,685 --> 01:17:05,414
# It's a turf war on a global scale #
1258
01:17:05,620 --> 01:17:07,213
# I'd rather hear
Both sides of the tale #
1259
01:17:07,456 --> 01:17:09,287
# See, it's not about races
Just places #
1260
01:17:09,491 --> 01:17:10,480
# Faces #
1261
01:17:10,693 --> 01:17:12,456
# Where your blood comes from
Is where your space is #
1262
01:17:12,628 --> 01:17:13,686
# I've seen the sharp get duller #
1263
01:17:13,862 --> 01:17:16,057
# I'm not gonna spend my life
Being a color #
1264
01:17:16,298 --> 01:17:17,560
# Did you agree with me #
1265
01:17:17,800 --> 01:17:21,167
# When I saw you
Kicking dirt in my eye? #
1266
01:17:22,705 --> 01:17:25,368
# But if you're thinkin'
About my baby #
1267
01:17:25,575 --> 01:17:28,942
# It don't matter
If you're black or white #
1268
01:17:31,181 --> 01:17:33,445
# I said if you're thinkin'
About my baby #
1269
01:17:33,650 --> 01:17:36,983
# It don't matter
If you're black or white #
1270
01:17:40,391 --> 01:17:44,851
# If you're thinkin' of being my brother
It don't matter if you're black or white #
1271
01:17:45,062 --> 01:17:46,552
# Hoo! #
1272
01:17:47,999 --> 01:17:49,899
# All right #
1273
01:17:51,669 --> 01:17:53,660
# Ooh-hoo #
1274
01:17:54,205 --> 01:17:55,263
# All right #
1275
01:17:55,506 --> 01:17:57,031
# Yeah, yeah, yeah #
1276
01:17:57,242 --> 01:17:59,233
# All right #
1277
01:18:00,479 --> 01:18:02,504
# It's black, it's white #
1278
01:18:02,714 --> 01:18:04,579
# It's tough for them to get by #
1279
01:18:04,783 --> 01:18:07,684
# It's black, it's white, whoo #
1280
01:18:08,520 --> 01:18:10,283
# It's black, it's white #
1281
01:18:10,522 --> 01:18:12,615
# It's tough for them to get by #
1282
01:18:12,858 --> 01:18:16,556
# It's black, it's white, whoo ##
1283
01:18:32,279 --> 01:18:36,045
When they stop, you have to just
keep... Just hit your highest note.
1284
01:18:36,250 --> 01:18:38,013
[SINGS]
1285
01:18:38,285 --> 01:18:39,547
It's time for you to shine.
1286
01:18:43,424 --> 01:18:45,916
And hit a high, long one.
1287
01:18:46,094 --> 01:18:47,254
[SINGS]
1288
01:18:47,429 --> 01:18:49,090
I mean, way up there.
1289
01:18:50,031 --> 01:18:51,828
It's your time to shine.
1290
01:18:52,567 --> 01:18:54,592
We'll be right there with you.
1291
01:18:57,439 --> 01:19:00,632
[SINGS]
1292
01:19:05,848 --> 01:19:10,182
It's remarkable, it's some genius stuff
going on over here, man.
1293
01:19:11,754 --> 01:19:13,278
He is the king.
1294
01:19:13,589 --> 01:19:16,080
And he's a good guy too.
He's real humble.
1295
01:19:16,292 --> 01:19:18,157
You know.
And he knows his music.
1296
01:19:18,360 --> 01:19:21,990
What more can you ask for? Because
I'm searching for that flavor too.
1297
01:20:24,430 --> 01:20:27,832
[PEOPLE CHEERING
AND APPLAUDING]
1298
01:20:32,673 --> 01:20:35,371
["EARTH SONG" PLAYING]
1299
01:20:42,517 --> 01:20:45,850
Look at that.
I think it's beautiful.
1300
01:20:46,354 --> 01:20:48,049
Show him
the second one.
1301
01:20:48,256 --> 01:20:50,690
It'll come rolling out at us, right?
Yes.
1302
01:20:50,892 --> 01:20:53,383
And all golden. Look at this one.
It'll be floating so much.
1303
01:20:53,595 --> 01:20:54,926
I love her. I love the light.
1304
01:20:55,163 --> 01:20:57,564
God, and the lighting's great.
ORTEGA: Yeah. You got it.
1305
01:20:57,767 --> 01:21:00,201
["EARTH SONG" PLAYING]
1306
01:21:06,943 --> 01:21:09,969
MICHAEL [ON RECORDING]: I respect
the secrets and magic of nature.
1307
01:21:10,246 --> 01:21:14,445
That's why it makes me so angry when
I see these things that are happening,
1308
01:21:14,685 --> 01:21:19,213
that every second, I hear, the size of a
football field is torn down in the Amazon.
1309
01:21:19,423 --> 01:21:21,823
I mean, that kind of stuff
really bothers me.
1310
01:21:22,059 --> 01:21:24,584
That's why I write these
kinds of songs, you know.
1311
01:21:24,795 --> 01:21:28,697
It gives some sense of awareness
and awakening and hope to people.
1312
01:21:29,132 --> 01:21:31,294
I love the planet.
1313
01:21:31,502 --> 01:21:36,633
I love trees. I have this thing for trees
and the colors and changing of leaves.
1314
01:21:36,841 --> 01:21:40,971
I love it.
And I respect those kind of things.
1315
01:22:30,998 --> 01:22:34,195
# What about sunrise? #
1316
01:22:34,402 --> 01:22:37,770
# What about rain? #
1317
01:22:37,973 --> 01:22:43,536
# What about all the things
That you said we were to gain? #
1318
01:22:44,780 --> 01:22:48,079
# What about flowering fields? #
1319
01:22:48,317 --> 01:22:51,411
# Is there a time? #
1320
01:22:51,653 --> 01:22:57,183
# What about all the things
That you said was yours and mine? #
1321
01:22:57,393 --> 01:23:00,590
# Did you ever stop to notice #
1322
01:23:00,830 --> 01:23:03,993
# All the blood we've shed before? #
1323
01:23:04,200 --> 01:23:07,101
# Did you ever stop to notice #
1324
01:23:07,337 --> 01:23:10,569
# This crying Earth
This weeping shore? #
1325
01:23:10,808 --> 01:23:17,680
# A-aha-ah-ah-ah-ah-ahh aah aah #
1326
01:23:17,881 --> 01:23:24,013
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
1327
01:23:24,221 --> 01:23:30,718
# A-aha-ah-ah-ah-ah-ahh aah aah #
1328
01:23:30,929 --> 01:23:37,960
# Ooh-hoo-oo-oo-oo-ooh ooh #
1329
01:23:39,471 --> 01:23:42,771
# What have we done
To the world? #
1330
01:23:42,975 --> 01:23:46,103
# Look what we've done #
1331
01:23:46,345 --> 01:23:53,148
# What about all the peace
That you pledge your only son? #
1332
01:23:53,386 --> 01:23:56,617
# What about flowering fields? #
1333
01:23:56,856 --> 01:24:00,054
# Is there a time? #
1334
01:24:00,260 --> 01:24:05,596
# What about all the dreams
That you said was yours and mine? #
1335
01:24:05,799 --> 01:24:09,064
# Did you ever
Stop to notice #
1336
01:24:09,269 --> 01:24:12,238
# All the children
Dead from war? #
1337
01:24:12,439 --> 01:24:15,568
# Did you ever stop to notice #
1338
01:24:15,777 --> 01:24:18,940
# This crying Earth
This weeping shore? #
1339
01:24:19,147 --> 01:24:25,017
# A-aha-ah-ah-ah-ah-ahh aah #
1340
01:24:26,020 --> 01:24:32,517
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
1341
01:24:32,761 --> 01:24:39,428
# A-aha-ah-ah-ah-ah-ahh aah #
1342
01:24:39,635 --> 01:24:46,973
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
1343
01:24:47,309 --> 01:24:49,835
# I used to dream #
1344
01:24:50,046 --> 01:24:53,914
# I used to glance beyond the stars #
1345
01:24:54,117 --> 01:24:56,779
# Now I don't know where we are #
1346
01:24:56,986 --> 01:24:59,011
# Although I know #
1347
01:25:00,156 --> 01:25:06,960
# A-aha-ah-ah-ah-ah-ahh aah #
1348
01:25:07,164 --> 01:25:13,831
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
1349
01:25:14,038 --> 01:25:20,534
# A-aha-ah-ah-ah-ah-ahh aah #
1350
01:25:20,745 --> 01:25:27,309
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
1351
01:25:27,519 --> 01:25:33,981
# A-aha-ah-ah-ah-ah-ahh aah #
1352
01:25:34,192 --> 01:25:41,065
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
1353
01:25:41,267 --> 01:25:47,866
# A-aha-ah-ah-ah-ah-ahh aah #
1354
01:25:48,074 --> 01:25:54,241
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
1355
01:25:54,481 --> 01:25:56,278
# Hey #
1356
01:25:56,517 --> 01:25:58,348
# What about yesterday? #
1357
01:25:58,552 --> 01:25:59,780
CHORUS:
# What about us? #
1358
01:26:00,020 --> 01:26:01,681
# What about those lions? #
1359
01:26:01,889 --> 01:26:03,254
# What about us? #
1360
01:26:03,490 --> 01:26:05,014
# What about yesterday? #
1361
01:26:05,225 --> 01:26:06,351
# What about us? #
1362
01:26:06,560 --> 01:26:08,551
# What about those lions? #
1363
01:26:08,762 --> 01:26:09,888
# What about us? #
1364
01:26:10,098 --> 01:26:12,123
# What about everything? #
1365
01:26:12,367 --> 01:26:13,629
# What about us? #
1366
01:26:13,868 --> 01:26:15,529
# I can't even breathe #
1367
01:26:15,737 --> 01:26:16,897
# What about us? #
1368
01:26:17,105 --> 01:26:20,506
# What about everything? #
1369
01:26:20,708 --> 01:26:22,369
# What about death? #
1370
01:26:22,577 --> 01:26:23,908
# What about us? #
1371
01:26:24,112 --> 01:26:25,704
# What about everything? #
1372
01:26:25,914 --> 01:26:27,007
# What about us? #
1373
01:26:27,216 --> 01:26:29,150
# Deep within our skin #
1374
01:26:29,385 --> 01:26:30,579
# What about us? #
1375
01:26:30,753 --> 01:26:32,584
# What about you and me? #
1376
01:26:32,755 --> 01:26:33,744
# What about us? #
1377
01:26:33,956 --> 01:26:35,890
# What about my fear? #
1378
01:26:36,091 --> 01:26:37,456
# What about us? #
1379
01:26:37,660 --> 01:26:39,321
# What about everything? #
1380
01:26:39,562 --> 01:26:40,790
# What about us? #
1381
01:26:41,030 --> 01:26:42,657
# I can hear them sigh #
1382
01:26:42,899 --> 01:26:44,127
# What about us? #
1383
01:26:44,334 --> 01:26:47,667
# What about everything? #
1384
01:26:47,904 --> 01:26:49,565
# What about the man? #
1385
01:26:49,773 --> 01:26:51,240
# What about us? #
1386
01:26:51,441 --> 01:26:52,965
# What about everything? #
1387
01:26:53,176 --> 01:26:54,609
# What about us? #
1388
01:26:54,811 --> 01:26:56,676
# What about the man? #
1389
01:26:56,913 --> 01:26:57,902
# What about us? #
1390
01:26:58,114 --> 01:26:59,980
# What about everything? #
1391
01:27:00,184 --> 01:27:01,583
# What about us? #
1392
01:27:01,786 --> 01:27:03,151
# Deep within our skin #
1393
01:27:03,354 --> 01:27:04,753
# What about us? #
1394
01:27:04,956 --> 01:27:06,617
# What about all the trees? #
1395
01:27:06,824 --> 01:27:08,155
# What about us? #
1396
01:27:08,359 --> 01:27:10,088
# What about the dream? #
1397
01:27:10,294 --> 01:27:11,352
# What about us? #
1398
01:27:11,596 --> 01:27:14,588
# What about everything? #
1399
01:27:15,199 --> 01:27:17,998
# What about death? #
1400
01:27:18,203 --> 01:27:24,005
# Aaah #
1401
01:27:24,209 --> 01:27:31,012
# Ooh-hoo-oo-oo-oo-ooh ooh ooh #
1402
01:27:31,216 --> 01:27:36,883
# A-aha-ah-ah-ah-ah-ahh aah aah #
1403
01:27:37,490 --> 01:27:45,397
# Ooh-hoo-oo-oo-oo-ooh ooh ooh ##
1404
01:28:06,821 --> 01:28:08,914
The value would be greater,
1405
01:28:09,157 --> 01:28:11,125
you let it rumble,
1406
01:28:11,326 --> 01:28:14,693
let it stay open,
let it close in silence.
1407
01:28:17,899 --> 01:28:20,629
And when that door opens,
you start that piano.
1408
01:28:20,835 --> 01:28:22,201
# Da-da da-da-da ##
1409
01:28:22,405 --> 01:28:24,498
[PIANO PLAYING "EARTH SONG"]
1410
01:28:26,842 --> 01:28:28,275
God bless you.
1411
01:28:28,511 --> 01:28:31,036
MICHAEL [ON RECORDING]: I really
feel that nature is trying so hard
1412
01:28:31,247 --> 01:28:35,581
to compensate for man's
mismanagement of the planet.
1413
01:28:35,785 --> 01:28:39,244
Because the planet is sick.
Like a fever.
1414
01:28:39,456 --> 01:28:42,653
If we don't fix it now,
it's at the point of no return.
1415
01:28:42,859 --> 01:28:46,351
This is our last chance
to fix this problem that we have,
1416
01:28:46,596 --> 01:28:48,757
where it's like a runaway train
1417
01:28:48,965 --> 01:28:51,229
and the time has come.
This is it.
1418
01:28:51,435 --> 01:28:53,403
I love you.
1419
01:28:53,603 --> 01:28:56,869
That'll be the ending
of this under the words.
1420
01:28:57,075 --> 01:28:59,566
# Oooh ##
1421
01:29:00,712 --> 01:29:04,273
MICHAEL [ON RECORDING]: People are always saying,
"They'll take care of it. The government'll...
1422
01:29:04,482 --> 01:29:08,885
Don't worry. They'll..."
"They" who? It starts with us. It's us.
1423
01:29:09,087 --> 01:29:11,488
Or else it'll never be done.
1424
01:29:15,394 --> 01:29:18,090
Guys, can I have
the lighting crew?
1425
01:29:18,297 --> 01:29:20,322
Travis?
MAN: Yeah!
1426
01:29:20,766 --> 01:29:23,326
First of all, Michael will be
coming on from offstage,
1427
01:29:23,569 --> 01:29:25,696
and he's got, like,
an attach� case.
1428
01:29:25,904 --> 01:29:29,068
And right here, Michael,
you call it here.
1429
01:29:30,143 --> 01:29:33,579
So now it comes here. So it's a
light that is moving on his command.
1430
01:29:33,780 --> 01:29:36,408
Absolutely.
Right? Then when he moves forward,
1431
01:29:36,616 --> 01:29:38,083
he's in that light.
1432
01:29:38,251 --> 01:29:39,650
Yeah.
He's in that light.
1433
01:29:39,853 --> 01:29:42,845
But I wanna be able to step
into the pool once I'm fully dressed.
1434
01:29:43,089 --> 01:29:46,423
So that... So after he does this...
Why don't you do this, Michael?
1435
01:29:46,627 --> 01:29:48,993
After you go like this
and you send that down,
1436
01:29:49,230 --> 01:29:51,528
a gesture and a pool of light
comes on.
1437
01:29:51,766 --> 01:29:54,132
Now a pool of light comes on
down here,
1438
01:29:54,301 --> 01:29:57,031
wherever his light is,
MAN: Mm-hm. Yeah.
1439
01:29:57,271 --> 01:30:02,835
And the pool of light comes on and
now he'll walk into it, center stage.
1440
01:30:05,113 --> 01:30:06,671
And now he'll start.
1441
01:30:06,882 --> 01:30:08,543
["BILLIE JEAN" PLAYING]
1442
01:30:35,412 --> 01:30:37,710
# She was more
Like a beauty queen #
1443
01:30:37,915 --> 01:30:39,712
# From a movie scene #
1444
01:30:39,917 --> 01:30:41,976
# I said don't mind
But what do you mean #
1445
01:30:42,186 --> 01:30:44,780
# I am the one #
1446
01:30:44,988 --> 01:30:49,049
# Who will dance on the floor
In the round? #
1447
01:30:50,028 --> 01:30:52,929
# She said I am the one #
1448
01:30:53,164 --> 01:30:57,066
# Who will dance on the floor
In the round #
1449
01:31:00,305 --> 01:31:02,603
# She told me her name
Was Billie Jean #
1450
01:31:02,841 --> 01:31:04,672
# As she caused a scene #
1451
01:31:04,876 --> 01:31:09,576
# Then every head turned with eyes
That dreamed of being the one #
1452
01:31:09,815 --> 01:31:13,808
# Who will dance on the floor
In the round #
1453
01:31:16,522 --> 01:31:18,114
# People always told me #
1454
01:31:18,357 --> 01:31:20,188
# Be careful of what you do #
1455
01:31:20,392 --> 01:31:23,123
# And don't go around
Breaking young girls' hearts #
1456
01:31:23,363 --> 01:31:24,523
# Hee #
1457
01:31:24,731 --> 01:31:26,699
# And Mother always told me #
1458
01:31:26,900 --> 01:31:28,367
# Be careful who you love #
1459
01:31:28,568 --> 01:31:31,196
# And be careful of what you do #
1460
01:31:31,905 --> 01:31:33,133
# Hey, hey, yeah #
1461
01:31:33,373 --> 01:31:37,104
# Billie Jean is not my lover #
1462
01:31:37,344 --> 01:31:42,942
# She's just a girl
Who says that I am the one #
1463
01:31:43,150 --> 01:31:46,119
# But the kid is not my son #
1464
01:31:46,354 --> 01:31:47,787
# Whoo #
1465
01:31:47,989 --> 01:31:50,890
# She says I am the one #
1466
01:31:51,092 --> 01:31:55,119
# But the kid is not my son #
1467
01:32:02,471 --> 01:32:07,670
# She was...
Moving on and on all the time #
1468
01:32:07,910 --> 01:32:11,073
# Cos we danced on the floor
In the round #
1469
01:32:12,882 --> 01:32:15,373
# So take my strong advice #
1470
01:32:15,585 --> 01:32:20,181
# Just remember
To always think twice #
1471
01:32:21,157 --> 01:32:22,818
# Do think twice #
# Whoo! #
1472
01:32:23,026 --> 01:32:25,392
# She told my baby
We'd danced till 3 #
1473
01:32:25,595 --> 01:32:26,960
# Then she looked at me #
1474
01:32:27,163 --> 01:32:29,496
# Then showed a photo
My baby cried #
1475
01:32:29,700 --> 01:32:31,793
# His eyes were like mine #
1476
01:32:32,536 --> 01:32:36,495
# Gonna dance on the floor
In the round #
1477
01:32:39,276 --> 01:32:40,937
# People always told me #
1478
01:32:41,145 --> 01:32:42,942
# Be careful what you do #
1479
01:32:43,147 --> 01:32:46,413
# And don't go around
Breaking young girls' hearts #
1480
01:32:47,419 --> 01:32:49,148
# She came
And stood right by me #
1481
01:32:49,354 --> 01:32:51,322
# Then the smell
Of sweet perfume #
1482
01:32:51,523 --> 01:32:53,821
# This happened
Much too soon #
1483
01:32:55,160 --> 01:32:56,218
# Hey, hey, yeah #
1484
01:32:56,461 --> 01:32:59,919
# Billie Jean is not my lover #
1485
01:33:00,131 --> 01:33:01,622
# She's just a girl #
1486
01:33:01,801 --> 01:33:04,998
# Who claims that I am the one #
1487
01:33:05,204 --> 01:33:08,799
# But the kid is not my son #
1488
01:33:09,008 --> 01:33:10,737
# He ain't that, no #
1489
01:33:10,977 --> 01:33:12,842
# No, no, he ain't that, no #
1490
01:33:13,045 --> 01:33:16,640
# Billie Jean is not my lover #
1491
01:33:16,849 --> 01:33:21,219
# She's just a girl
Who claims that I am the one #
1492
01:33:21,989 --> 01:33:25,891
# But the kid is not my son #
1493
01:33:27,694 --> 01:33:29,093
# She says I am the one #
1494
01:33:29,329 --> 01:33:30,387
# Oh, baby #
1495
01:33:30,597 --> 01:33:33,998
# But the kid is not my son #
1496
01:33:35,603 --> 01:33:37,764
# Hee-hee-hee #
1497
01:33:38,840 --> 01:33:40,535
# Hey! #
1498
01:33:40,742 --> 01:33:42,232
# Whoo! #
1499
01:33:52,021 --> 01:33:54,990
# She says I am the one #
1500
01:34:04,600 --> 01:34:07,229
# She says I am the one #
1501
01:34:07,437 --> 01:34:10,895
# But the kid is not my son #
1502
01:34:11,107 --> 01:34:13,007
# He ain't that, no #
1503
01:34:13,209 --> 01:34:14,904
# Whoo! #
1504
01:34:15,111 --> 01:34:18,603
# Billie Jean is not my lover #
1505
01:34:18,815 --> 01:34:22,808
# She's just a girl
Who says that I am the one #
1506
01:34:23,053 --> 01:34:24,453
# Oh, baby, baby #
1507
01:34:24,655 --> 01:34:27,089
# But the kid is not my son #
1508
01:34:27,291 --> 01:34:29,088
# No, no, no #
1509
01:34:29,293 --> 01:34:32,228
# She says I am the one #
1510
01:34:32,430 --> 01:34:36,389
# But the kid is not my son #
1511
01:34:37,802 --> 01:34:40,328
# She says I am the one #
1512
01:34:41,606 --> 01:34:43,540
# She says he is my son #
1513
01:34:43,742 --> 01:34:45,403
# Breaking my heart now! #
1514
01:34:45,610 --> 01:34:47,908
# She says I am the one #
1515
01:34:48,113 --> 01:34:51,844
# Billie Jean is not my lover #
1516
01:34:52,084 --> 01:34:55,952
# Billie Jean is not my lover #
1517
01:34:56,154 --> 01:35:00,091
# Billie Jean is not my lover #
1518
01:35:00,293 --> 01:35:04,286
# Billie Jean is not my lover #
1519
01:35:04,497 --> 01:35:08,263
# Billie Jean is not my lover #
1520
01:35:08,468 --> 01:35:12,427
# Billie Jean is not my lover #
1521
01:35:12,638 --> 01:35:16,598
# Billie Jean is not my lover #
# Whoo! #
1522
01:35:16,810 --> 01:35:20,644
# Billie Jean is not my lover #
1523
01:35:21,515 --> 01:35:23,506
[DRUMS PLAYING]
1524
01:35:28,455 --> 01:35:30,356
# Ah-cha! #
1525
01:35:32,627 --> 01:35:34,322
# Ah-cha! #
1526
01:35:36,664 --> 01:35:38,598
# Ah-cha! #
1527
01:35:41,703 --> 01:35:43,694
[PEOPLE CHEERING]
1528
01:35:55,985 --> 01:35:58,010
# Whoo! #
1529
01:36:04,327 --> 01:36:06,386
MAN 1:
Ho, ho, ho!
1530
01:36:07,397 --> 01:36:09,388
[CHEERING AND WHISTLING]
1531
01:36:11,401 --> 01:36:13,335
MAN 2:
Oh! Oh!
1532
01:36:20,411 --> 01:36:23,403
# Billie Jean is not my lover ##
1533
01:36:23,581 --> 01:36:24,878
[EXPLOSION]
1534
01:36:25,883 --> 01:36:27,441
I know.
1535
01:36:27,718 --> 01:36:30,380
At least we get a feel of it.
1536
01:36:31,255 --> 01:36:32,722
God bless you.
1537
01:36:32,924 --> 01:36:35,189
[CHEERING AND WHISTLING]
1538
01:36:43,035 --> 01:36:44,730
Church.
1539
01:36:45,604 --> 01:36:48,266
The church
of rock and roll.
1540
01:36:50,209 --> 01:36:51,233
BEARDEN:
I'm a fan.
1541
01:36:51,443 --> 01:36:52,672
God bless you.
1542
01:36:52,879 --> 01:36:54,471
Get some water.
1543
01:36:54,714 --> 01:36:56,545
# Water, water ##
1544
01:36:58,785 --> 01:37:01,948
ORTEGA: I just wanna say as Michael's
creative partner in this venture,
1545
01:37:02,188 --> 01:37:06,818
this has been one of the most extraordinary
experiences of my creative life.
1546
01:37:06,993 --> 01:37:09,394
I am so proud and so thrilled
and so excited,
1547
01:37:09,597 --> 01:37:12,589
and I just wanna thank everybody
for their extraordinary work.
1548
01:37:12,800 --> 01:37:16,099
And I'm gonna just give this
to Michael now.
1549
01:37:17,004 --> 01:37:18,733
Everybody's doing a great job.
1550
01:37:18,939 --> 01:37:23,308
Let's continue
and believe and have faith.
1551
01:37:23,510 --> 01:37:28,642
Give me your all, your endurance,
your patience, and your understanding.
1552
01:37:28,850 --> 01:37:32,513
But it's an adventure,
it's a great adventure.
1553
01:37:32,754 --> 01:37:34,619
It's nothing to be nervous about.
1554
01:37:34,823 --> 01:37:37,986
They just want wonderful
experiences, they want escapism.
1555
01:37:38,226 --> 01:37:40,957
We wanna take them places
that they've never been before.
1556
01:37:41,163 --> 01:37:43,927
We wanna show them talent
like they've never seen before.
1557
01:37:44,133 --> 01:37:45,532
So give your all.
1558
01:37:45,768 --> 01:37:47,599
And I love you all.
And we're a family.
1559
01:37:47,770 --> 01:37:49,135
Just know that.
We're a family.
1560
01:37:49,338 --> 01:37:50,600
That's right.
Amen.
1561
01:37:50,806 --> 01:37:56,301
We're putting love back into the world to
remind the world that love is important.
1562
01:37:56,512 --> 01:37:59,949
Love is important. To love each other.
We're all one. That's the message.
1563
01:38:00,150 --> 01:38:01,742
And take care of the planet.
1564
01:38:01,952 --> 01:38:06,355
We have four years to get it right or else
it's irreversible, the damage we've done.
1565
01:38:06,556 --> 01:38:09,457
So we have an important
message to give.
1566
01:38:09,626 --> 01:38:11,059
Okay? It's important.
1567
01:38:11,261 --> 01:38:15,528
But I thank you for your cooperation
so far. Thank you. Big thank you.
1568
01:38:17,669 --> 01:38:20,035
Blessings! Blessings to all.
1569
01:38:20,271 --> 01:38:22,762
ORTEGA:
Michael Jackson!
1570
01:38:22,974 --> 01:38:24,965
[CHEERING]
1571
01:38:31,417 --> 01:38:32,714
Have a beautiful Sunday.
1572
01:38:32,918 --> 01:38:35,648
Be safe. Stay healthy.
Energy!
1573
01:38:44,296 --> 01:38:46,658
ORTEGA:
On three! On three, "Michael."
1574
01:38:46,866 --> 01:38:48,299
One, two, three!
1575
01:38:48,501 --> 01:38:51,026
ALL:
Michael!
1576
01:38:51,204 --> 01:38:53,672
["MAN IN THE MIRROR" PLAYING]
1577
01:38:53,840 --> 01:38:57,742
What I'd like to do right now is just run,
for a sound check, "Man in the Mirror."
1578
01:38:57,944 --> 01:39:00,674
Okay.
And then we'll talk about the ending.
1579
01:39:00,880 --> 01:39:02,905
MJ Air.
1580
01:39:04,051 --> 01:39:05,518
Your favorite part.
1581
01:39:05,720 --> 01:39:07,449
Right?
1582
01:39:08,222 --> 01:39:10,417
They'd love that.
You have to do it like MJ.
1583
01:39:10,624 --> 01:39:11,682
No, no, no.
1584
01:39:11,892 --> 01:39:13,120
PAYNE:
You know you love that part.
1585
01:39:13,361 --> 01:39:14,350
I love when you...
1586
01:39:14,962 --> 01:39:16,088
No, no.
1587
01:39:16,630 --> 01:39:20,362
That's how the stewardesses do it,
I love when they do that.
1588
01:39:20,969 --> 01:39:22,095
I love it.
1589
01:39:22,337 --> 01:39:26,398
When I was in third grade, the first song
I sang in school was "Man in the Mirror."
1590
01:39:26,608 --> 01:39:29,338
So it's kind of cool, like,
going from that to this,
1591
01:39:29,544 --> 01:39:31,239
singing it onstage with Michael.
1592
01:39:31,713 --> 01:39:34,705
So it's just an amazing experience
to be onstage with him.
1593
01:39:34,916 --> 01:39:36,214
He's such an amazing artist.
1594
01:39:36,419 --> 01:39:39,718
# And no message
Could have been any clearer #
1595
01:39:39,922 --> 01:39:42,117
# If you wanna make the world
A better place #
1596
01:39:42,358 --> 01:39:45,350
# Take a look at yourself
And then make a change #
1597
01:39:45,561 --> 01:39:48,894
# I'm starting with
The man in the mirror #
1598
01:39:49,098 --> 01:39:50,156
# Whoo #
1599
01:39:50,400 --> 01:39:53,768
# I'm asking him
To change his ways #
1600
01:39:53,971 --> 01:39:54,960
# Whoo #
1601
01:39:55,172 --> 01:39:58,767
# And no message
Could have been any clearer #
1602
01:39:58,976 --> 01:40:01,240
# If you wanna make the world
A better place #
1603
01:40:01,445 --> 01:40:04,437
# Take a look at yourself
And then make that change #
1604
01:40:04,615 --> 01:40:08,107
# I'm starting with
The man in the mirror #
1605
01:40:08,318 --> 01:40:09,308
# Oh, yeah #
1606
01:40:09,521 --> 01:40:12,922
# I'm asking him
To change his ways #
1607
01:40:13,124 --> 01:40:14,250
# To change #
1608
01:40:14,459 --> 01:40:18,259
# No message
Could have been any clearer #
1609
01:40:18,463 --> 01:40:20,294
# If you wanna make the world
A better place #
1610
01:40:20,498 --> 01:40:22,432
# Take a look at yourself
And then make a change #
1611
01:40:22,634 --> 01:40:25,194
# You gotta get it right
While you got the time #
1612
01:40:25,438 --> 01:40:28,601
# Cos when you close your heart #
# You can't close your, your mind #
1613
01:40:28,808 --> 01:40:32,642
# That man #
# That man in the mirror, oh, yeah #
1614
01:40:32,845 --> 01:40:34,335
# That man, that man #
1615
01:40:34,547 --> 01:40:37,675
# That man, that man #
# Make a change #
1616
01:40:37,917 --> 01:40:41,683
# You know, you know, you know #
1617
01:40:41,922 --> 01:40:44,288
# If you wanna make the world
A better place #
1618
01:40:44,491 --> 01:40:47,187
# Take a look at yourself
And then make that change #
1619
01:40:47,694 --> 01:40:48,786
# Whoo! #
1620
01:40:48,995 --> 01:40:51,020
# Whoo! Whoo! #
# Na-na-na, na-na-na #
1621
01:40:51,231 --> 01:40:53,461
# Whoo! Whoo! #
# Na-na-na, na-na-na #
1622
01:40:53,667 --> 01:40:55,328
# Whoo! Whoo! #
1623
01:40:55,535 --> 01:40:57,196
# Gonna feel real good #
1624
01:40:57,437 --> 01:40:58,666
# Yeah, yeah #
1625
01:40:58,873 --> 01:41:01,239
# Yeah, yeah #
# Na-na-na, na-na-na #
1626
01:41:01,476 --> 01:41:04,968
# Ooh #
# Oh, no, no, no #
1627
01:41:06,581 --> 01:41:09,516
# I'm gonna make a change #
1628
01:41:09,717 --> 01:41:12,811
# It's gonna feel real good #
1629
01:41:13,020 --> 01:41:14,818
# Change #
1630
01:41:15,023 --> 01:41:18,151
# Just lift yourself, you know #
1631
01:41:18,360 --> 01:41:20,225
# You gotta stop it #
1632
01:41:20,462 --> 01:41:22,726
# Yourself #
# Yeah! #
1633
01:41:22,965 --> 01:41:24,398
# Make that change #
1634
01:41:24,600 --> 01:41:26,033
# You gotta make that change #
1635
01:41:26,235 --> 01:41:27,725
# Today #
1636
01:41:27,970 --> 01:41:32,032
# Man in the mirror #
# You gotta move it, you know #
1637
01:41:32,242 --> 01:41:34,107
# You know #
1638
01:41:34,344 --> 01:41:36,244
# You gotta stand up #
1639
01:41:36,479 --> 01:41:38,845
# Stand up, stand up! #
# Make that change #
1640
01:41:39,048 --> 01:41:42,108
# Stand up and lift yourself now #
1641
01:41:42,352 --> 01:41:43,614
# Man in the mirror #
1642
01:41:44,287 --> 01:41:48,122
# You know it, you know it
You know it #
1643
01:41:48,359 --> 01:41:49,883
# Whoo! #
1644
01:41:50,094 --> 01:41:53,120
# Stand up and make that change #
1645
01:41:53,297 --> 01:41:55,527
# Change #
1646
01:41:55,699 --> 01:41:56,791
# You know #
1647
01:41:57,001 --> 01:41:58,400
# Man in the mirror #
1648
01:41:58,602 --> 01:42:02,766
# Yea-a-a-ah #
# Na-na, na-na #
1649
01:42:04,276 --> 01:42:06,403
# Yeah! #
# Na-na, na-na #
1650
01:42:06,611 --> 01:42:09,637
# Make that change #
1651
01:42:10,782 --> 01:42:13,546
# Man in the mirror #
1652
01:42:13,752 --> 01:42:16,949
# Na-na, na-na #
1653
01:42:18,590 --> 01:42:20,525
# Yeah #
# Na-na, na-na #
1654
01:42:20,726 --> 01:42:23,627
# Make that change #
1655
01:42:25,064 --> 01:42:27,532
# Man in the mirror #
1656
01:42:28,234 --> 01:42:31,635
# Na-na, na-na #
1657
01:42:34,607 --> 01:42:36,974
# Make that change #
# Make that change #
1658
01:42:37,177 --> 01:42:40,738
# Make that change
Make that change ##
1659
01:42:41,915 --> 01:42:45,976
WOMAN:
Ready? One, two, three, uh...
1660
01:42:46,153 --> 01:42:48,883
["THIS IS IT" PLAYING]
1661
01:42:55,530 --> 01:42:57,760
MICHAEL:
# This is it #
1662
01:42:57,966 --> 01:43:00,161
# Here I stand #
1663
01:43:00,401 --> 01:43:02,767
# I'm the light of the world #
1664
01:43:02,971 --> 01:43:05,303
# I feel grand #
1665
01:43:05,540 --> 01:43:10,171
# Got this love I can feel #
1666
01:43:10,412 --> 01:43:15,111
# And I know, yes, for sure, it is real #
1667
01:43:15,317 --> 01:43:20,186
# And it feels as though I've seen
Your face a thousand times #
1668
01:43:20,422 --> 01:43:25,189
# And you said
You really know me yourself #
1669
01:43:25,427 --> 01:43:30,127
# And I know that you
Have got addicted with your eyes #
1670
01:43:30,333 --> 01:43:34,997
# But you say
You're gonna live it for yourself #
1671
01:43:35,205 --> 01:43:41,007
# Oh, I never heard
A single word about you #
1672
01:43:41,211 --> 01:43:46,081
# Falling in love wasn't my plan #
# My plan #
1673
01:43:46,283 --> 01:43:50,982
# I never thought
That I would be your lover #
1674
01:43:51,188 --> 01:43:54,715
# Come on, baby, just understand #
1675
01:43:54,959 --> 01:43:57,086
# This is it #
1676
01:43:57,294 --> 01:43:59,593
# I can say #
1677
01:43:59,798 --> 01:44:04,462
# I'm the light of the world
Run away #
1678
01:44:04,770 --> 01:44:09,469
# We can feel
This is real #
1679
01:44:09,708 --> 01:44:14,475
# Every time
I'm in love, yeah, I feel #
1680
01:44:14,713 --> 01:44:19,742
# And I feel as though I've known you
Since a thousand years #
1681
01:44:19,952 --> 01:44:24,446
# And you tell me
That you've seen my face before #
1682
01:44:24,657 --> 01:44:29,526
# And you said to me
You don't want me hanging round #
1683
01:44:29,762 --> 01:44:33,790
# Many times
Wanna do it, even before #
1684
01:44:34,001 --> 01:44:35,593
# Oh, yeah #
1685
01:44:35,803 --> 01:44:40,638
# I never heard
A single word about you #
1686
01:44:40,841 --> 01:44:45,437
# Falling in love wasn't my plan #
# My plan #
1687
01:44:45,646 --> 01:44:50,380
# I never thought
That I would be your lover #
1688
01:44:50,618 --> 01:44:54,145
# Come on, baby
Just understand #
1689
01:44:54,355 --> 01:44:56,653
# This is it #
# This is it #
1690
01:44:56,858 --> 01:44:58,985
# I can feel #
1691
01:44:59,194 --> 01:45:03,893
# I'm the light of the world
This is real #
1692
01:45:04,132 --> 01:45:06,465
# Feel my song #
1693
01:45:06,669 --> 01:45:08,899
# We can sing #
1694
01:45:09,138 --> 01:45:13,837
# And I tell you
I feel that way #
1695
01:45:14,043 --> 01:45:19,310
# And I feel as though I've known you
For a thousand years #
1696
01:45:19,515 --> 01:45:23,850
# And you said
You want some of this yourself #
1697
01:45:24,054 --> 01:45:28,889
# And you said you wanted to go
With me on a ride #
1698
01:45:29,092 --> 01:45:32,892
# And I know
That it's really cool myself #
1699
01:45:33,096 --> 01:45:34,927
# Oh, yeah #
1700
01:45:35,165 --> 01:45:39,728
# I never heard
A single word about you #
1701
01:45:39,937 --> 01:45:44,431
# Falling in love wasn't my plan #
# My plan #
1702
01:45:44,675 --> 01:45:49,612
# I never thought
That I would be your lover #
1703
01:45:49,847 --> 01:45:54,547
# Come on, please, dear, understand #
# Understand #
1704
01:45:54,753 --> 01:45:59,383
# I never heard
A single word about you #
1705
01:45:59,591 --> 01:46:04,392
# Falling in love wasn't my plan #
# My plan #
1706
01:46:04,596 --> 01:46:09,056
# I never thought
That I would be your lover #
1707
01:46:09,268 --> 01:46:13,035
# Come on, dear, please understand #
# Understand #
1708
01:46:13,239 --> 01:46:14,570
# Oh, yeah #
1709
01:46:14,774 --> 01:46:19,040
# I'd never heard
A single word about you #
1710
01:46:19,212 --> 01:46:24,081
# Falling in love wasn't my plan #
# My plan #
1711
01:46:24,284 --> 01:46:28,881
# I never thought
That I would be your lover #
1712
01:46:29,056 --> 01:46:30,216
# Come on, please, dear ##
1713
01:46:30,391 --> 01:46:33,383
["HEAL THE WORLD" PLAYING]
1714
01:46:35,129 --> 01:46:37,723
# There's a place in your heart #
1715
01:46:37,932 --> 01:46:40,958
# And I know that it is love #
1716
01:46:41,202 --> 01:46:46,573
# And this place could be
Much brighter than tomorrow #
1717
01:46:46,775 --> 01:46:49,573
# And if you really try #
1718
01:46:49,778 --> 01:46:52,941
# You'll find there's no need to cry #
1719
01:46:53,148 --> 01:46:58,984
# In this place you'll feel
There's no hurt or sorrow #
1720
01:46:59,221 --> 01:47:01,952
# There are ways to get there #
1721
01:47:02,158 --> 01:47:04,922
# If you care enough for the living #
1722
01:47:05,127 --> 01:47:07,925
# Make a little space #
1723
01:47:08,130 --> 01:47:10,360
# Make a better place #
1724
01:47:10,600 --> 01:47:13,330
# Heal the world #
1725
01:47:13,536 --> 01:47:16,734
# Make it a better place #
1726
01:47:16,940 --> 01:47:21,968
# For you and for me
And the entire human race #
1727
01:47:22,179 --> 01:47:25,546
# There are people dying #
1728
01:47:25,782 --> 01:47:28,683
# If you care enough for the living #
1729
01:47:28,886 --> 01:47:34,120
# Make a better place
For you and for me #
1730
01:47:34,325 --> 01:47:37,055
# Heal the world #
# Heal the world #
1731
01:47:37,295 --> 01:47:40,458
# Make it a better place #
# All of it #
1732
01:47:40,665 --> 01:47:45,898
# For you and for me
And the entire human race #
1733
01:47:46,137 --> 01:47:49,300
# There are people dying #
1734
01:47:49,508 --> 01:47:52,477
# If you care enough for the living #
1735
01:47:52,678 --> 01:47:57,047
# Make a better place
For you and for me #
1736
01:47:57,283 --> 01:48:00,411
# You and for me #
# Heal the world we live in #
1737
01:48:00,653 --> 01:48:03,383
# You and for me #
# Save it for our children #
1738
01:48:03,589 --> 01:48:06,150
# You and for me #
# Heal the world we live in #
1739
01:48:06,359 --> 01:48:09,192
# You and for me #
# Save it for our children #
1740
01:48:09,396 --> 01:48:12,092
# You and for me #
# Heal the world we live in #
1741
01:48:12,332 --> 01:48:19,238
# You and for me #
CHILD: # Save it for our children ##
1742
01:48:34,188 --> 01:48:35,416
["HUMAN NATURE" PLAYING]
1743
01:48:35,589 --> 01:48:37,750
MICHAEL:
# If this town #
1744
01:48:37,959 --> 01:48:40,428
# Is just an apple #
1745
01:48:40,629 --> 01:48:43,962
# Let me take a bite #
1746
01:48:44,199 --> 01:48:47,362
# If they say
Why? Why? #
1747
01:48:47,569 --> 01:48:49,935
# Tell 'em that is human nature #
1748
01:48:50,138 --> 01:48:52,129
# Why? Why? #
1749
01:48:52,374 --> 01:48:54,399
# Does he do me that way? #
1750
01:48:54,609 --> 01:48:57,374
# If they say
Why? Why? #
1751
01:48:57,580 --> 01:49:00,048
# Tell 'em that is human nature #
1752
01:49:00,249 --> 01:49:02,342
# Why? Why? #
1753
01:49:02,552 --> 01:49:05,612
# Does she do me that way? #
1754
01:49:05,855 --> 01:49:08,790
# Why? Why? Why? #
1755
01:49:11,294 --> 01:49:14,492
# Why does he do me that way? #
1756
01:49:14,732 --> 01:49:18,668
# If they say
Why? Why? Why? Why? #
1757
01:49:18,902 --> 01:49:20,631
# Ooh
Tell 'em #
1758
01:49:20,871 --> 01:49:22,805
# Why? Why? #
1759
01:49:23,007 --> 01:49:25,134
# I like livin' this way #
1760
01:49:25,376 --> 01:49:28,072
# I like lovin' this way #
1761
01:49:29,247 --> 01:49:35,083
# Oh, why, oh, why? #
1762
01:49:35,286 --> 01:49:40,588
# Oh, why, oh, why? #
1763
01:49:40,792 --> 01:49:42,657
# Looking out ##
1764
01:49:42,994 --> 01:49:44,086
There should be
a break there.
1765
01:49:44,262 --> 01:49:45,890
BEARDEN:
Yeah, we gotta work that out.
1766
01:49:46,065 --> 01:49:47,123
Have it right there, okay?
1767
01:49:47,299 --> 01:49:49,062
BEARDEN:
Yeah, we gotta work that one out.
1768
01:49:49,301 --> 01:49:51,792
Let me bathe in my own time
when I come back in.
1769
01:49:52,038 --> 01:49:53,300
BEARDEN:
Yeah, you got it.
1770
01:49:53,539 --> 01:49:57,270
I'm gonna button my shirt
or my jacket or whatever it is.
1771
01:49:57,510 --> 01:50:01,037
I'm gonna look around a little bit,
play with them.
1772
01:50:01,548 --> 01:50:02,913
[SNAPPING FINGERS]
1773
01:50:03,116 --> 01:50:05,084
Snap my fingers maybe, then bam!
1774
01:50:05,285 --> 01:50:08,379
["HEAL THE WORLD" PLAYING]
1775
01:50:46,128 --> 01:50:49,097
[CROWD CHEERING]
1776
01:50:56,306 --> 01:50:58,001
[MICHAEL LAUGHS]
1777
01:50:58,675 --> 01:51:00,199
Whoo!