1 00:01:32,234 --> 00:01:34,334 ( applauds ) 2 00:01:34,334 --> 00:01:38,067 * I know I'm a winner, I know that I'm hot... * 3 00:01:38,067 --> 00:01:39,968 Reporter: This is the Phoenix family. 4 00:01:39,968 --> 00:01:43,334 * Straight to the top, gonna make it * 5 00:01:43,334 --> 00:01:46,133 - * Gonna make it... - And with talent like this, 6 00:01:46,133 --> 00:01:48,701 these kids are really gonna make it. 7 00:01:48,701 --> 00:01:52,033 * Gonna make it, gonna make it, gonna make it * 8 00:01:52,033 --> 00:01:54,567 * Gonna make it. 9 00:01:56,000 --> 00:01:59,067 ( cheering ) 10 00:01:59,067 --> 00:02:02,067 - ( woman shouts ) - Jay Leno: My first guest... 11 00:02:02,067 --> 00:02:05,200 - Burning up the big screen... - Academy-award nominated actor... 12 00:02:05,200 --> 00:02:06,868 - "Gladiator"... - "Gladiator"... 13 00:02:06,868 --> 00:02:08,901 - ...and "Signs." - All: Here's Joaquin Phoenix. 14 00:02:08,901 --> 00:02:11,434 ( cheering ) 15 00:02:11,434 --> 00:02:14,300 ( "I Walk the Line" instrumental playing ) 16 00:02:23,000 --> 00:02:25,400 You never played guitar or sang before this? 17 00:02:25,400 --> 00:02:27,167 Interviewer: Had you ever sung before? 18 00:02:27,167 --> 00:02:29,734 ( overlapping ) It was completely foreign to me. 19 00:02:29,734 --> 00:02:32,367 When I held the guitar the first time I didn't know what to make of it. 20 00:02:32,367 --> 00:02:34,434 Joaquin Phoenix, "Walk the Line." 21 00:02:34,434 --> 00:02:39,267 * I keep a close watch on this heart of mine * 22 00:02:39,267 --> 00:02:44,567 * I keep my eyes wide open all the time * 23 00:02:44,567 --> 00:02:48,801 * I keep the ends out for the tie that binds * 24 00:02:48,801 --> 00:02:50,934 * Because you're mine * 25 00:02:50,934 --> 00:02:53,033 * I walk the line. 26 00:03:10,801 --> 00:03:13,767 Joaquin Phoenix: I'M JUST FUCKING, LIKE, STUCK IN THIS 27 00:03:13,767 --> 00:03:17,000 RIDICULOUS, LIKE, SELF-IMPOSED 28 00:03:17,000 --> 00:03:19,901 FUCKING PRISON OF 29 00:03:19,901 --> 00:03:22,767 CHARACTERIZATION, YOU KNOW? 30 00:03:22,767 --> 00:03:25,767 IT HAPPENED TO ME YOUNG. IT'S LIKE THE CHICKEN OR THE EGG. 31 00:03:25,767 --> 00:03:27,501 I DON'T KNOW WHAT CAME FIRST-- 32 00:03:27,501 --> 00:03:30,234 WHETHER THEY SAID THAT I WAS 33 00:03:30,234 --> 00:03:33,067 EMOTIONAL AND INTENSE AND COMPLICATED, 34 00:03:33,067 --> 00:03:36,067 OR WHETHER I-- 35 00:03:36,067 --> 00:03:39,601 OR WHETHER I WAS TRULY COMPLICATED 36 00:03:39,601 --> 00:03:41,934 AND INTENSE AND THEN THEY RESPONDED TO IT. 37 00:03:41,934 --> 00:03:44,467 THEN, LIKE, ONCE THEY RESPONDED TO IT, 38 00:03:44,467 --> 00:03:47,100 THEN I RESPONDED TO WHAT THEY WERE SAYING. 39 00:03:47,100 --> 00:03:50,200 AND, YEAH, I UTILIZED IT IN SOME WAYS. 40 00:03:50,200 --> 00:03:52,634 AND THERE'S-- I-- I AM EMBARRASSED ABOUT THAT. 41 00:03:52,634 --> 00:03:54,701 AND THAT'S WHAT A LOT OF THIS IS ABOUT. 42 00:03:54,701 --> 00:03:58,267 I MEAN, I GUESS THAT'S WHY I AGREED TO DO THIS DOCUMENTARY 43 00:03:58,267 --> 00:04:01,133 IS BECAUSE I DON'T WANNA-- 44 00:04:01,133 --> 00:04:04,300 I DON'T WANT TO PLAY THE CHARACTER OF JOAQUIN ANYMORE. 45 00:04:04,300 --> 00:04:07,200 LIKE, I WANT TO BE WHATEVER I AM. 46 00:04:07,200 --> 00:04:10,200 AND MY ARTISTIC OUTPUT THUS FAR, 47 00:04:10,200 --> 00:04:12,334 WHEN I AM REALLY FUCKING HONEST WITH MYSELF, 48 00:04:12,334 --> 00:04:14,133 HAS BEEN FUCKING FRAUDULENT. 49 00:04:14,133 --> 00:04:17,968 AND NOW FOR THE FIRST TIME I'M DOING SOMETHING 50 00:04:17,968 --> 00:04:20,033 THAT IS-- WHETHER YOU LIKE IT OR NOT, 51 00:04:20,033 --> 00:04:22,234 IT REALLY REPRESENTS ME. 52 00:04:22,234 --> 00:04:26,200 AND MAYBE THAT'S FUCKING STUPID, TO WANT TO BE REPRESENTED, 53 00:04:26,200 --> 00:04:28,367 TO CARE-- I DON'T CARE. 54 00:04:28,367 --> 00:04:30,868 NOT THAT. BUT I DON'T WANT TO BE-- 55 00:04:30,868 --> 00:04:33,033 YOU KNOW, THINK WHAT YOU THINK ABOUT ME. 56 00:04:33,033 --> 00:04:35,868 HATE ME OR LIKE ME, JUST DON'T MISUNDERSTAND ME. 57 00:04:35,868 --> 00:04:37,968 THAT'S IT. 58 00:04:37,968 --> 00:04:40,467 ( chirping ) 59 00:04:43,968 --> 00:04:46,200 HELLO. 60 00:04:46,200 --> 00:04:50,834 Joaquin: I LOVE THOSE RARE PURE MOMENTS IN BETWEEN ACTION AND CUT, 61 00:04:50,834 --> 00:04:54,167 BUT EVERYTHING ELSE WAS FUCKING MISERY TO ME. 62 00:04:54,167 --> 00:04:57,200 WE TALK ABOUT IT BEING THIS CREATIVE EXPRESSION, 63 00:04:57,200 --> 00:04:59,534 AND REALLY YOU'RE JUST A FUCKING PUPPET. 64 00:04:59,534 --> 00:05:01,334 YOU'RE THIS DUMB FUCKING DOLL 65 00:05:01,334 --> 00:05:03,934 THAT WEARS WHAT SOMEONE ELSE TELLS YOU TO WEAR, 66 00:05:03,934 --> 00:05:06,501 STANDS WHERE SOMEONE ELSE TELLS YOU TO STAND, 67 00:05:06,501 --> 00:05:09,000 SAYS WHAT SOMEBODY ELSE TELLS YOU TO SAY. 68 00:05:09,000 --> 00:05:11,501 THAT'S NOT EXPRESSION. THAT'S NOT CREATIVITY. 69 00:05:11,501 --> 00:05:13,367 AND I HAVE MORE TO OFFER THAN THAT. 70 00:05:13,367 --> 00:05:18,400 MY PURPOSE ON THIS EARTH IS NOT TO INTERPRET 71 00:05:18,400 --> 00:05:21,701 SOMEBODY ELSE'S WORDS OR TO TRY AND CAPTURE 72 00:05:21,701 --> 00:05:24,234 A MOMENT FOR SOMEBODY ELSE. 73 00:05:24,234 --> 00:05:27,868 IT'S TO BRING WHAT IS INSIDE ME OUT. 74 00:05:35,200 --> 00:05:38,067 EVERYBODY IN LIFE HAS AT ONE POINT SAID, 75 00:05:38,067 --> 00:05:39,801 "I DON'T LIKE MY JOB. 76 00:05:39,801 --> 00:05:41,901 I DON'T LIKE WHO I AM. 77 00:05:41,901 --> 00:05:44,100 I DON'T LIKE THE PEOPLE THAT ARE AROUND ME. 78 00:05:44,100 --> 00:05:47,434 I WANT SOMETHING BETTER FOR MYSELF," THAT "I HAVE A DREAM." 79 00:05:47,434 --> 00:05:50,067 - I THINK EVERYONE'S ABOUT THAT AT SOME POINT. - ( barks ) 80 00:05:50,067 --> 00:05:52,434 - MY DREAM, MY RESPONSIBILITY... - ( growling ) 81 00:05:52,434 --> 00:05:55,501 - ( barks ) - ...IS TO MESS UP-- GUYS, WE'RE SHOOTING. 82 00:05:55,501 --> 00:05:57,767 - HEY, ANTONY? - YEAH? 83 00:05:57,767 --> 00:06:00,934 MY MAN, CAN YOU GET THE DOGS OUT WHILE WE DO THIS INTERVIEW, PLEASE? 84 00:06:00,934 --> 00:06:04,834 Antony: I WORK FOR JOAQUIN ESSENTIALLY AS A GENERAL ASSISTANT. 85 00:06:04,834 --> 00:06:07,133 I'VE KNOWN HIM FOR 15 YEARS. HE'S A FRIEND. 86 00:06:07,133 --> 00:06:09,734 WE'VE MADE MUSIC TOGETHER. I'VE COOKED FOR HIM. I'VE CLEANED. 87 00:06:09,734 --> 00:06:12,868 - ( piano playing ) - * YOU SEE, I'VE BEEN WALKING BACKWARDS * 88 00:06:14,000 --> 00:06:16,033 * UP STEEPEST OF HILLS 89 00:06:18,000 --> 00:06:21,000 * THE TEARS CAN'T WASH AWAY * 90 00:06:21,000 --> 00:06:23,901 * WHAT MONEY COULD NOT BUY. 91 00:06:23,901 --> 00:06:26,767 THIS IS WHERE I LIVE AT THE MOMENT. 92 00:06:26,767 --> 00:06:29,767 IT IS A SOBER LIVING, 93 00:06:29,767 --> 00:06:32,634 UM, AND I AM ONE OF THE RESIDENTS HERE 94 00:06:32,634 --> 00:06:37,000 AFTER HAVING A PROBLEM DRINKING TOO MUCH. 95 00:06:37,000 --> 00:06:39,801 NOT TOO MUCH-- WELL, TOO MUCH. 96 00:06:39,801 --> 00:06:42,667 ( chuckles ) DRINKING TOO MUCH AND GETTING INTO TROUBLE. 97 00:06:42,667 --> 00:06:46,701 HOPEFULLY WORKING ON THIS, IF IT'S COOL WITH, YOU KNOW, 98 00:06:46,701 --> 00:06:50,133 YOU, CASE, AND JUST TO KIND OF GET SOMEBODY TO ASSIST 99 00:06:50,133 --> 00:06:53,100 AND WE CAN THROW HIM SOME BREAD NOW AND AGAIN AND STUFF. 100 00:06:53,100 --> 00:06:55,834 I MET HIM WHEN I PLAYED A CONCERT. 101 00:06:55,834 --> 00:06:58,334 I USED TO PLAY IN A BAND 102 00:06:58,334 --> 00:07:01,834 AND I PLAYED A CONCERT AT THE WHISKY A GO GO HERE IN LOS ANGELES. 103 00:07:01,834 --> 00:07:04,133 WE STARTED TO BECOME FRIENDS WHEN WE BOTH GOT INTO MOTORBIKES. 104 00:07:04,133 --> 00:07:07,067 AND YOU GOT ONE AS WELL, AND WE ALL STARTED RIDING AROUND ON MOTORBIKES IN NEW YORK. 105 00:07:07,067 --> 00:07:09,367 THAT WAS, IN A WAY, WHERE WE SORT OF, LIKE, 106 00:07:09,367 --> 00:07:11,167 HIT IT OFF AS FRIENDS. 107 00:07:11,167 --> 00:07:12,968 IF YOU CAN CALL IT THAT. 108 00:07:12,968 --> 00:07:15,200 SMILE, DUDE. THIS IS GOING TO BE FUCKING GREAT. 109 00:07:15,200 --> 00:07:17,601 WE'RE GOING TO GO TO SAN FRANCISCO. WE DEFINITELY NEED YOU THERE. 110 00:07:23,968 --> 00:07:26,501 Carey Perloff: WE WERE ASKED TO CREATE 111 00:07:26,501 --> 00:07:28,834 AN EVENING AT DAVIES SYMPHONY HALL 112 00:07:28,834 --> 00:07:32,000 TO HONOR PAUL NEWMAN WHO HAD JUST PASSED AWAY 113 00:07:32,000 --> 00:07:34,200 AND TO RAISE A LOT OF MONEY 114 00:07:34,200 --> 00:07:36,934 FOR VERY CHRONICALLY ILL CHILDREN. 115 00:07:36,934 --> 00:07:40,601 Casey Affleck: WHEN DID YOU FIND OUT YOU WERE GONNA COME HERE? 116 00:07:40,601 --> 00:07:43,000 IT SEEMS LIKE THIS AFTERNOON, BUT IT COULDN'T HAVE BEEN. 117 00:07:43,000 --> 00:07:45,367 LAST NIGHT. YEAH, LAST NIGHT ABOUT 10:20 118 00:07:45,367 --> 00:07:47,167 I GOT A TEXT FROM JOAQ. 119 00:07:55,567 --> 00:07:58,234 - I'M PLAYING A HIT MAN? - YEAH. 120 00:07:58,234 --> 00:07:59,334 - BULLSHIT. - YEAH. 121 00:07:59,334 --> 00:08:01,067 ARE YOU FUCKING SERIOUS? 122 00:08:01,067 --> 00:08:04,300 I'M NOT BEING TYPECAST IN MY FUCKING THEATER DEBUT 123 00:08:04,300 --> 00:08:06,601 - WHEN I'M ALSO RETIRING. - ( siren wailing ) 124 00:08:06,601 --> 00:08:08,567 THAT'S WHAT FUCKING STUP-- 125 00:08:08,567 --> 00:08:10,434 THAT'S FUCKING STUPID. 126 00:08:10,434 --> 00:08:12,934 THERE HE IS! HOW ARE YOU? 127 00:08:12,934 --> 00:08:15,634 Joaquin: IT'S ALL OF US COMING TOGETHER WHICH IS EXCITING. 128 00:08:15,634 --> 00:08:18,868 THAT'S A COOL THING, IS FOR-- THIS IS KINDA LIKE... 129 00:08:18,868 --> 00:08:21,033 IT'S KINDA LIKE THE DREAM TEAM. 130 00:08:23,100 --> 00:08:26,067 I LOVE YOU. 131 00:08:28,968 --> 00:08:31,033 ( pants ) 132 00:08:32,534 --> 00:08:34,734 - OKAY, THAT'S ALL. - THIS IS THE WORLD-- 133 00:08:34,734 --> 00:08:36,868 THAT'S-- "THE WORLD OF NICK ADAMS" IS THE PIECE? 134 00:08:36,868 --> 00:08:39,067 - YEAH. - ARE YOU PLAYING NICK, CASE? 135 00:08:39,067 --> 00:08:42,934 HE HAS IT MUCH WORSE. HE NEVER LEAVES THE STAGE. 136 00:08:42,934 --> 00:08:44,934 OH, I SEE, START THERE. 137 00:09:08,601 --> 00:09:11,300 ( snickers ) 138 00:09:11,300 --> 00:09:13,868 I REMEMBER I STARTED SAYING SOME LINES AND HE KINDA STOPS ME, 139 00:09:13,868 --> 00:09:15,200 HE WHISPERS AT ME AND HE GOES, 140 00:09:15,200 --> 00:09:16,801 "HEY, MAN, I DIDN'T KNOW 141 00:09:16,801 --> 00:09:18,868 WE WERE SUPPOSED TO DO IT IN AN ACCENT." 142 00:09:18,868 --> 00:09:20,434 "WHAT DO YOU WANT TO EAT, AL?" 143 00:09:20,434 --> 00:09:23,367 "I DON'T KNOW--" WHY ARE YOU DOING AN ACCENT? 144 00:09:23,367 --> 00:09:25,033 I'M NOT. 145 00:09:25,033 --> 00:09:27,133 "I DON'T KNOW. WHAT DO YOU WANT TO EAT, AL--" OH NO. 146 00:09:27,133 --> 00:09:29,801 SO I TRIED TO DO THE SCENE AND ABOUT HALFWAY THROUGH IT 147 00:09:29,801 --> 00:09:32,801 HE'S LIKE, "DUDE, YOU'RE DOING IT IN AN ACCENT NOW." I'M LIKE, "I'M NOT!" 148 00:09:32,801 --> 00:09:37,000 "I'LL HAVE THE ROAST PORK TENDERLOIN WITH APPLESAUCE AND MASHED POTATOES." 149 00:09:37,000 --> 00:09:39,868 - ( whispering ) ARE YOU DOING AN ACCENT? - NO, I'M NOT. 150 00:09:39,868 --> 00:09:42,834 Joaquin: I'M FUCKING STRESSED BECAUSE I JUST FEEL THE FUCKING-- 151 00:09:42,834 --> 00:09:45,467 JUST THE FUCKING OBLIGATION IS NOT ON YOU. 152 00:09:45,467 --> 00:09:47,834 YOU DON'T HAVE THE PRESSURE OF FUCKING HUNDREDS OF KIDS 153 00:09:47,834 --> 00:09:50,167 THAT ARE GETTING THIS FUNDING FOR THIS FUCKING PLAY. 154 00:09:50,167 --> 00:09:52,901 SO THAT IF THE PERFORMANCE ISN'T RECEIVED WELL 155 00:09:52,901 --> 00:09:56,200 OR IF I'M NOT RECEIVED WELL, THAT IT COMES BACK-- THAT IT'S BIGGER THAN ME. 156 00:09:56,200 --> 00:09:57,968 ALL YOU HAVE TO DEAL WITH IS ME. 157 00:09:57,968 --> 00:09:59,901 YOU DON'T SEE ME COMPLAINING. 158 00:09:59,901 --> 00:10:02,000 IT'S LIKE FUCKING SEAN SAID, 159 00:10:02,000 --> 00:10:04,367 WE'RE HERE FOR THE KIDS. THAT'S WHAT IT'S ABOUT. 160 00:10:04,367 --> 00:10:07,133 YOU'RE NOT. YOU'RE HERE FOR ME. JUST HELP-- JUST DO THAT. 161 00:10:07,133 --> 00:10:09,400 DUDE, THIS IS THE LAST THING THAT I'M DOING 162 00:10:09,400 --> 00:10:11,667 AND YOU'RE THINKING ABOUT YOURSELF AS THE LEAD, 163 00:10:11,667 --> 00:10:14,467 INSTEAD OF THINKING ABOUT WHAT THIS REALLY IS, WHICH IS MY LAST MOMENT. 164 00:10:14,467 --> 00:10:17,367 I WASN'T THINKING ABOUT MYSELF. I NEVER THOUGHT-- IT NEVER CROSSED MY MIND. 165 00:10:17,367 --> 00:10:19,234 YOU'RE ACTING WITH FUCKING EVERYBODY. 166 00:10:19,234 --> 00:10:21,567 YOU GET TO DO A SCENE WITH FUCKING HANKS. 167 00:10:21,567 --> 00:10:23,901 YOU DO A SCENE WITH FUCKING-- WITH SEAN. 168 00:10:23,901 --> 00:10:27,434 YOU DO A SCENE-- YOU'RE GONNA GET TO STAND THERE WHEN FUCKING-- 169 00:10:27,434 --> 00:10:29,100 JACK'S UP THERE DOING HIS THING. 170 00:10:29,100 --> 00:10:31,400 AND, WITH ALL DUE RESPECT, 171 00:10:31,400 --> 00:10:33,167 I'M WITH FUCKING DANNY DE VITO. 172 00:10:33,167 --> 00:10:36,334 WHY DID YOU HAVE HIM PUT IT ON THE CARD FOR? 173 00:10:36,334 --> 00:10:39,100 THAT'S THE DINNER. YOU GET THAT AT 6:00. SEE, IT'S 10 TO 6:00? 174 00:10:39,100 --> 00:10:41,734 - THAT CLOCK SAYS 6:00. - YEAH, IT'S 10 MINUTES FAST. 175 00:10:41,734 --> 00:10:44,334 - ( audience laughs, applauds ) - THE CLOCK SAYS 6:00. 176 00:10:46,601 --> 00:10:49,234 Jerry Penacoli: JOAQUIN, HOW ARE YOU, MY MAN? 177 00:10:49,234 --> 00:10:51,300 NICE TO SEE YOU AGAIN. HEY, CASEY, HOW ARE YOU? 178 00:10:51,300 --> 00:10:52,868 - WHAT'S UP?HOW ARE YOU? - GOOD TO SEE YOU. 179 00:10:52,868 --> 00:10:55,400 LISTEN, I WANT TO TAKE THIS OPPORTUNITY 180 00:10:55,400 --> 00:10:58,367 ALSO TO GIVE YOU AN EXCLUSIVE AND JUST TALK A LITTLE BIT ABOUT THE FACT 181 00:10:58,367 --> 00:11:00,701 THAT THIS WILL BE MY LAST PERFORMANCE AS AN ACTOR. 182 00:11:00,701 --> 00:11:02,434 I'M NOT DOING FILMS ANYMORE. 183 00:11:02,434 --> 00:11:04,367 - ARE YOU SERIOUS? - YEAH. 184 00:11:04,367 --> 00:11:06,367 Reporter: Joaquin Phoenix done with acting? 185 00:11:06,367 --> 00:11:08,467 Listen, I want to take this opportunity 186 00:11:08,467 --> 00:11:11,601 also to give you an exclusive and just talk a little bit about the fact 187 00:11:11,601 --> 00:11:14,601 that this will be my last performance as an actor. 188 00:11:14,601 --> 00:11:17,467 - I'm not doing films anymore. - That's what he told our Jerry Penacoli. 189 00:11:17,467 --> 00:11:19,934 Joaquin, say it ain't so. 190 00:11:19,934 --> 00:11:22,934 The phone has been ringing off the hook. The emails are out of control. 191 00:11:22,934 --> 00:11:25,734 SUE, "TWO LOVERS" WILL BE MY LAST PRESS STUFF THAT I'LL DO. 192 00:11:25,734 --> 00:11:29,434 AND I'M NOT ACTING ANYMORE AND I'M DOING THIS HIP-HOP RECORD. 193 00:11:29,434 --> 00:11:32,734 ( Antony singing ) * AND ALL THE WORLD IS GREEN 194 00:11:34,234 --> 00:11:37,067 * SO PRETEND THAT YOU OWE... * 195 00:11:37,067 --> 00:11:40,567 IT'S NOT HARD ENOUGH TO MAKE A TRANSITION AND I DON'T NEED MY FUCKING BROTHER-IN-LAW 196 00:11:40,567 --> 00:11:42,834 - MAKING IT MORE DIFFICULT. - IF YOU WANTED THIS TO BE HANDLED BETTER 197 00:11:42,834 --> 00:11:45,467 THEN YOU SHOULD HAVE FUCKING TALKED TO YOUR PUBLICIST. 198 00:11:45,467 --> 00:11:48,767 YOU SHOULD HAVE HAD A PRESS RELEASE, BUT YOU DON'T WANT TO TALK TO ANYONE LIKE THAT 199 00:11:48,767 --> 00:11:51,667 BECAUSE YOU DON'T WANT TO DEAL WITH ANY OF THAT FUCKING BULLSHIT. 200 00:11:51,667 --> 00:11:55,834 SO THEN DON'T DEAL WITH THAT BULLSHIT, BUT WHAT HAPPENS IS WHEN YOU WALK DOWN A RED CARPET, 201 00:11:55,834 --> 00:11:58,734 YOU HAVE TO ANSWER THE FUCKING QUESTIONS ON YOUR OWN. 202 00:12:00,267 --> 00:12:02,267 I DIDN'T KNOW WHAT YOU WANTED ME TO SAY, MAN. 203 00:12:02,267 --> 00:12:04,534 - ( both laughing ) - Casey: THIS IS YOU, DUDE. 204 00:12:10,200 --> 00:12:12,133 Joaquin: I LOVE IT, MAN. 205 00:12:12,133 --> 00:12:14,000 THAT'S WHAT MOTHERFUCKING RETIREMENT'S ABOUT. 206 00:12:14,000 --> 00:12:16,133 - PLAYING BY OUR OWN RULES. - I KNOW, I KNOW. 207 00:12:16,133 --> 00:12:18,968 - ARE YOU READY? - ( piano playing ) 208 00:12:21,033 --> 00:12:22,868 FINE. BUT MY SHIT SMELLS, DUDE. 209 00:12:30,300 --> 00:12:31,567 LAR, OUT! 210 00:12:34,634 --> 00:12:36,868 Antony: WHAT ABOUT IF THEY LAUGH AT YOU? 211 00:12:36,868 --> 00:12:38,801 Joaquin: I'VE BEEN LAUGHED AT BEFORE, MAN. 212 00:12:38,801 --> 00:12:41,634 I MEAN, HAVE YOU SEEN SOME OF THE MOVIES I'VE DONE? 213 00:12:43,868 --> 00:12:46,334 Reporter: Joaquin Phoenix announced his retirement today. 214 00:12:46,334 --> 00:12:49,067 Reporter #2: Phoenix announced that he was retiring from acting. 215 00:12:49,067 --> 00:12:52,200 ( overlapping newscasts ) Phoenix has announced he is retiring from Hollywood... 216 00:12:52,200 --> 00:12:54,334 He is a former Oscar nominee who walked away... 217 00:12:54,334 --> 00:12:56,634 ...may be calling it quits right in the prime of his career. 218 00:12:56,634 --> 00:12:58,300 ...leaving Tinseltown... 219 00:12:58,300 --> 00:13:01,400 We're hearing that he's done. 220 00:13:01,400 --> 00:13:04,968 Patrick Whitesell: IF YOU'RE TELLING ME "I CANNOT ACT ANYMORE," RIGHT, 221 00:13:04,968 --> 00:13:07,934 I THINK IT'D BE A SHAME. BUT IF YOU'RE SAYING 222 00:13:07,934 --> 00:13:11,267 "I JUST DON'T-- DON'T SEND ME ANY SCRIPTS. I JUST WANT TO BE SHUT OFF 223 00:13:11,267 --> 00:13:14,601 TO IT," I THINK THAT'S A MISTAKE, BECAUSE I THINK IT IS SOMETHING-- 224 00:13:14,601 --> 00:13:17,634 YEAH, OF COURSE, BUT WITHIN REASON. YEAH, NO.YOU KNOW. 225 00:13:21,601 --> 00:13:25,033 SO THERE'S, UM... 226 00:13:25,033 --> 00:13:27,033 WHAT? 227 00:13:27,033 --> 00:13:29,501 THE ONE THAT'S-- * THERE GOES FAME LIKE A TRAIN 228 00:13:29,501 --> 00:13:32,000 * SPEEDING FASTER THAN BULLETS, EVERYBODY'S MOVING BACK * 229 00:13:32,000 --> 00:13:34,267 * ARMS FLYING UP ON SOME "NO SIR," BACKS IS BREAKING * 230 00:13:34,267 --> 00:13:36,601 * AND TIMES WERE TINKERED, WE'LL ALL GO DRINKING * 231 00:13:36,601 --> 00:13:39,701 * TIME TO GO AWAY WHEN THE WORKERS STREAKING-- * REFERENCE TO RETIRING. 232 00:13:39,701 --> 00:13:41,968 * NOBODY ELSE HAD THE GUTS TO STAND UP AND NOT GIVE A FUCK * 233 00:13:41,968 --> 00:13:43,934 * AND WALK OUT ON ALL THAT LOVE... * 234 00:13:43,934 --> 00:13:45,634 Woman: THAT ONE'S BETTER THAN THE FIRST ONE. 235 00:13:45,634 --> 00:13:47,534 * IT'S A DRUG, THIS WHOLE FAME GAME * 236 00:13:47,534 --> 00:13:50,701 * GONNA PLUG YOUR LAME SHIT ON SOFAS WITH DAVID LETTERMAN * 237 00:13:50,701 --> 00:13:53,367 * WORSE YET, JAYBIRD GET TO SINGING YOU TO WELCOME DEATH * 238 00:13:53,367 --> 00:13:55,767 * BUT YOU SEE, THE FUCKING THING IS I'M GONNA GET UP * 239 00:13:55,767 --> 00:13:57,767 * AND DUST MYSELF OFF AGAIN 240 00:13:57,767 --> 00:13:59,968 * YOU CAN DO THIS, JOAQUIN, WITH THE HELP OF YOUR FANS * 241 00:13:59,968 --> 00:14:01,934 * WITH THE HELP OF YOUR FANS. * 242 00:14:01,934 --> 00:14:04,434 Joaquin: SO I STARTED WITH THIS PIANO... 243 00:14:04,434 --> 00:14:07,067 ( piano music playing ) 244 00:14:07,067 --> 00:14:08,834 THIS'LL BE HOW THE BASS... 245 00:14:10,634 --> 00:14:12,901 ( music playing ) 246 00:14:17,000 --> 00:14:19,234 ( silent ) 247 00:14:19,234 --> 00:14:21,634 * TAKE IT ALL, KID, DON'T YOU WANNA GET RICH? * 248 00:14:21,634 --> 00:14:24,334 * YOUR MOTHER GOT A STAGE, NOW GET YOUR ASS UP ON THERE, KID * 249 00:14:24,334 --> 00:14:26,467 * IF YOU WANNA MAKE THE CREW HAPPIER THAN SHIT * 250 00:14:26,467 --> 00:14:29,734 * THEN YOU'LL SHUT HER ASS UP, YOU LITTLE SON OF A BITCH. * 251 00:14:29,734 --> 00:14:32,067 HEY, TOM, IT'S NIC. 252 00:14:32,067 --> 00:14:35,000 UH, YEAH, I'M CALLING ABOUT COMING IN TONIGHT WITH J.P. 253 00:14:37,000 --> 00:14:38,767 YEP. 254 00:14:38,767 --> 00:14:42,234 AND DO YOU HAVE A MIKE IF HE WANTS TO PERFORM? 255 00:14:43,901 --> 00:14:45,601 ( muttering lyrics ) 256 00:14:57,534 --> 00:15:00,267 Emcee: YOU GOT THE HOME BOY JOAQUIN PHOENIX 257 00:15:00,267 --> 00:15:02,968 ABOUT TO KICK SOME RAP FOR YOU ALL ONE TIME. 258 00:15:02,968 --> 00:15:05,267 - LET'S GO, BROTHER. - ( cheering ) 259 00:15:05,267 --> 00:15:08,400 - ( rapping ) - ( crowd chatting ) 260 00:15:37,734 --> 00:15:40,067 - I LIKED IT. - THANKS, MAN. 261 00:15:40,067 --> 00:15:41,734 I THOUGHT, "SO FUCK THEM," RIGHT? 262 00:15:41,734 --> 00:15:44,000 AND J.P.-- OH, JOAQUIN PHOENIX 263 00:15:44,000 --> 00:15:47,067 OR JOHNNY CASH, WHATEVER THE FUCK HIS NAME IS. 264 00:15:47,067 --> 00:15:49,167 I MADE IT TO THE POINT IN MY CAREER WHERE 265 00:15:49,167 --> 00:15:52,000 I DIDN'T HAVE TO, LIKE, IMPRESS OR SHOW PEOPLE. 266 00:15:52,000 --> 00:15:54,234 THEY JUST KNEW AND I THINK I GREW COMFORTABLE IN THAT 267 00:15:54,234 --> 00:15:56,834 AND I THOUGHT THAT I COULD JUST, LIKE, 268 00:15:56,834 --> 00:15:59,100 JUMP INTO THIS AND HAVE THE SAME IMPACT, 269 00:15:59,100 --> 00:16:02,200 BUT... 270 00:16:02,200 --> 00:16:03,868 Man: THEY WEREN'T SEEING IT, 271 00:16:03,868 --> 00:16:05,667 BUT YOU HAVE TO GIVE PEOPLE TIME, YOU KNOW? 272 00:16:05,667 --> 00:16:07,501 AND MAYBE THEY WERE SEEING, YOU KNOW, 273 00:16:07,501 --> 00:16:10,434 THE MOVIE ACTOR UP THERE RAPPING AND... 274 00:16:10,434 --> 00:16:12,701 BUT-- BUT MY-- 275 00:16:12,701 --> 00:16:14,834 RIGHT, BUT THERE'S NOTHING ABOUT 276 00:16:14,834 --> 00:16:16,834 THE FUCK-- THE LYRICS, 277 00:16:16,834 --> 00:16:19,167 THERE'S TRUTH IF THEY JUST WOULD HAVE JUST FUCKING LISTENED. 278 00:16:19,167 --> 00:16:21,334 * BILLING BE TOP, KID BE ROCKING THE STAR * 279 00:16:21,334 --> 00:16:23,868 * FLASH CARS AND BULBS TAKING OVER HIS WHOLE FUCKING YARD * 280 00:16:23,868 --> 00:16:26,901 * TIMES IS CRAZY, MOTHERS BE PACKING UP THEIR BABIES * 281 00:16:26,901 --> 00:16:29,767 * PAPA'D BE SWAYZE, LIT UP ON SOME JOHNNY BLAZE SHIT * 282 00:16:29,767 --> 00:16:32,400 * BILLY CRUDUP GOT THE STAGE SHIT, I NEVER TRY TO PLAY THIS * 283 00:16:32,400 --> 00:16:34,934 * ALL I EVER NEEDED WAS A BAND OF PEOPLE SCREAMING * 284 00:16:34,934 --> 00:16:37,534 * CALLING OUT FROM THEIR CARS AND THEIR WINDOWS, WHAT THEY'RE STARING * 285 00:16:37,534 --> 00:16:40,100 * AND PEERING IN TO GET A CREEP AT THIS CRAZY MOTHERFUCKER * 286 00:16:40,100 --> 00:16:42,901 * TEARING UP THE SCREEN AND ALWAYS PAPARAZZI DUCKING * 287 00:16:42,901 --> 00:16:45,200 - * STEPPED AWAY FROM THE LIGHT, IT WASN'T RIGHT-- * - YEAH YEAH. 288 00:16:45,200 --> 00:16:47,567 * TOOK THE BULL BY THE HORNS, I AIN'T GONNA GIVE UP THE FIGHT * 289 00:16:47,567 --> 00:16:50,400 * TONIGHT'S MY NIGHT AND ANY MOTHERFUCKER THAT WANNA BE-- * 290 00:16:50,400 --> 00:16:52,434 - NO NO, I CHANGED IT. - THAT WAS GREAT. 291 00:16:52,434 --> 00:16:54,267 - THAT WAS GREAT. - NO, I DON'T NEED YOU. 292 00:16:54,267 --> 00:16:56,968 - NO, I MEAN, BUT IT WAS-- - I KNOW, BUT WHAT I'M SAYING IS 293 00:16:56,968 --> 00:16:59,834 IF YOU LISTEN-- THAT'S WHAT I'M SAYING, YOUR REACTION, "IT WAS GREAT," 294 00:16:59,834 --> 00:17:02,000 YOU FELT IT. THEY DIDN'T, 295 00:17:02,000 --> 00:17:04,801 BECAUSE THEY WERE PRECONCEIVED. 296 00:17:04,801 --> 00:17:07,467 I FEEL LIKE THIS IS OUT OF MY CONTROL NOW. 297 00:17:07,467 --> 00:17:09,400 LIKE, WHO'S FUCKING PRODUCING THIS SHIT? 298 00:17:09,400 --> 00:17:11,667 I DON'T KNOW WHERE THE-- I NEED A-- 299 00:17:11,667 --> 00:17:14,667 A PRODUCER WHO CAN FUCKING EXPLODE THE FUCKING EGGSHELL AWAY 300 00:17:14,667 --> 00:17:16,667 AND LET THE ALBUM START ITS LIFE. 301 00:17:16,667 --> 00:17:18,467 SO, DRE. 302 00:17:18,467 --> 00:17:20,067 DRE? 303 00:17:20,067 --> 00:17:23,133 I MEAN, HE'S LIKE ONE OF THE BEST OUT THERE. 304 00:17:23,133 --> 00:17:25,334 DUDE, I'M SAYING IF DRE FUCKING-- 305 00:17:25,334 --> 00:17:27,467 - DRE'S GONNA BE INTO IT. - OKAY. 306 00:17:27,467 --> 00:17:29,067 BUT THEN IT'S JUST A DRE ALBUM. 307 00:17:29,067 --> 00:17:30,934 I DON'T KNOW. D'YOU KNOW WHAT I MEAN? 308 00:17:30,934 --> 00:17:33,601 WHAT ABOUT-- WHAT ABOUT, WHAT ABOUT, WHAT ABOUT RICK RUBIN? 309 00:17:33,601 --> 00:17:37,467 So the bad news is Rick Rubin and Dr. Dre are both booked. 310 00:17:37,467 --> 00:17:39,801 - ARE YOU SERIOUS? - Yeah. 311 00:17:39,801 --> 00:17:42,634 - UM, ALL RIGHT. - But the good news is 312 00:17:42,634 --> 00:17:45,634 - that it looks like P Diddy might be available. - OH, NO WAY. 313 00:17:45,634 --> 00:17:47,834 So I've got a call into his people right now, 314 00:17:47,834 --> 00:17:50,100 but I just wanted to touch base before I went any further. 315 00:17:50,100 --> 00:17:52,801 Joaquin: YOU KNOW, ALL YOU CAN DO IS DO SOMETHING FOR YOURSELF, 316 00:17:52,801 --> 00:17:54,200 BELIEVE IN IT, LOVE IT 317 00:17:54,200 --> 00:17:56,467 AND THEN FUCKING PUT IT OUT IN THEIR WORLD 318 00:17:56,467 --> 00:17:58,701 AND HOPE THAT PEOPLE LIKE IT-- 319 00:17:58,701 --> 00:18:00,133 LOVE IT. 320 00:18:00,133 --> 00:18:03,300 I JUST TALKED TO CARLINE AT BAD BOY. 321 00:18:03,300 --> 00:18:05,901 YEP, SO HE'LL MEET WITH HIM? 322 00:18:05,901 --> 00:18:08,734 DIDDY'S GOING TO BE IN NEW YORK THIS WEEKEND, 323 00:18:08,734 --> 00:18:11,734 SO WE CAN-- AND HE WANTS TO MEET WITH YOU. 324 00:18:11,734 --> 00:18:13,701 WELL, I'M JUST GONNA LET HIM KNOW 325 00:18:13,701 --> 00:18:16,901 THAT WE'LL KNOW SOMETIME BETWEEN FRIDAY AND SUNDAY. 326 00:18:16,901 --> 00:18:19,234 IT MIGHT JUST BE LAST MINUTE. YOU MIGHT GET THERE 327 00:18:19,234 --> 00:18:21,834 THURSDAY NIGHT AND FRIDAY I MIGHT GET A CALL 328 00:18:21,834 --> 00:18:23,534 AND YOU MIGHT HAVE TO SEE HIM FRIDAY. 329 00:18:23,534 --> 00:18:26,501 NO, I UNDERSTAND. WE'LL JUST BE THERE. 330 00:18:26,501 --> 00:18:29,067 HOPEFULLY WE CAN GET THEM TWO TOGETHER 331 00:18:29,067 --> 00:18:32,133 AND GET THEM TO MEET UP, BUT I'M NOT PROMISING ANYTHING. 332 00:18:32,133 --> 00:18:36,367 - SO I GO TO FUCKING NEW YORK-- - AND WE WAIT FOR HER TO GIVE US A CALL. 333 00:18:36,367 --> 00:18:38,167 IT'S LIKE-- 334 00:18:38,167 --> 00:18:41,567 WE'LL MAKE IT WORK WHENEVER DIDDY'S AVAILABLE. 335 00:18:41,567 --> 00:18:43,534 THIS IS FUCKING RIDICULOUS. 336 00:18:43,534 --> 00:18:45,167 - GOOD? - ( groans ) 337 00:18:45,167 --> 00:18:47,167 IT'S GOOD. 338 00:18:47,167 --> 00:18:49,367 * NEW YORK, NEW YORK, IT'S THE CAPTAIN SPEAKING * 339 00:18:49,367 --> 00:18:52,033 * BUCKLE UP, SIT TIGHT, WE ABOUT TO KICK THE STREETS IN * 340 00:18:52,033 --> 00:18:54,067 * START FROM SCRATCH, NO, IT AIN'T A THING, MAN * 341 00:18:54,067 --> 00:18:56,667 * I COME WITH DIDDY AND I KEEP ON CREEPING CREEPING * 342 00:18:56,667 --> 00:18:58,734 * CREEPING. 343 00:18:58,734 --> 00:19:00,667 SO IS THIS TRUE? 344 00:19:00,667 --> 00:19:02,601 YOU'RE DONE? YOU'RE JUST-- 345 00:19:02,601 --> 00:19:04,434 YOU'RE GOING STRAIGHT FOR THE MUSIC? 346 00:19:04,434 --> 00:19:06,767 - YEAH. - WOW. 347 00:19:06,767 --> 00:19:08,501 YEAH, I REALLY WANT IT TO BE LIKE 348 00:19:08,501 --> 00:19:11,534 A HIP-HOP "BOHEMIAN RHAPSODY" KIND OF THING, YOU KNOW? 349 00:19:11,534 --> 00:19:13,601 I'M WANTING IT TO BE EPIC. 350 00:19:13,601 --> 00:19:16,901 EPIC IS GOOD. EPIC IS-- 351 00:19:16,901 --> 00:19:18,467 IT'S GOOD. 352 00:19:18,467 --> 00:19:20,434 EPIC IS-- 353 00:19:20,434 --> 00:19:22,067 EPIC IS EPIC. 354 00:19:24,100 --> 00:19:26,200 TV: Too big to burn up in our atmosphere, 355 00:19:26,200 --> 00:19:29,868 these pieces of ice and rocks come hurtling down 356 00:19:29,868 --> 00:19:32,601 on an unsuspecting metropolis. 357 00:19:32,601 --> 00:19:35,400 WELL, IT'S SUNDAY AFTERNOON AND I HAVEN'T HEARD NOTHING. 358 00:19:35,400 --> 00:19:37,734 CAN YOU JUST CALL THEM AND FIND OUT WHAT'S GOING ON? 359 00:19:48,400 --> 00:19:50,734 DO THE SNOW ANGEL, DUDE. I CAN BEAT YOU. 360 00:19:50,734 --> 00:19:53,467 DO THE SNOW ANGEL. DO THE FUCKING SNOW ANGEL. 361 00:19:53,467 --> 00:19:55,767 DUDE, DO THE FUCKING SNOW ANGEL. 362 00:19:55,767 --> 00:19:59,734 DO THE SNOW ANGEL, LAR. DO THE FUCKING SNOW ANGEL, DUDE. 363 00:19:59,734 --> 00:20:02,167 DO THE FUCKING SNOW ANGEL. 364 00:20:02,167 --> 00:20:04,634 DUDE, DO IT. LOOK AT MINE. 365 00:20:04,634 --> 00:20:07,167 LOOK AT MINE. LOOK AT MINE, DUDE. 366 00:20:07,167 --> 00:20:08,734 - THAT'S BAD. - HUH? 367 00:20:08,734 --> 00:20:10,934 YOU'RE FINE. DUDE, YOU ONLY HAVE WINGS! 368 00:20:10,934 --> 00:20:13,434 HIS ANGEL DOESN'T HAVE FUCKING LEGS. ( laughing ) 369 00:20:14,801 --> 00:20:16,634 LOOK, YOU DON'T HAVE ANY LEG-- 370 00:20:16,634 --> 00:20:18,367 - I DON'T THINK YOU HAVE BALLS. - THAT'S A FUNNY BIT. 371 00:20:18,367 --> 00:20:21,033 YOU KNOW, THE BIG YOUTUBE VIDEO IS JUST A LITTLE MIDGET-- 372 00:20:21,033 --> 00:20:24,834 A LITTLE MIDGET INDIAN BEING LIKE-- ( gibberish ) 373 00:20:24,834 --> 00:20:27,667 ( laughs ) THEY THINK EVERYTHING IS FUNNY. 374 00:20:27,667 --> 00:20:29,834 HAVE YOU SEEN THEIR SHOWS? 375 00:20:29,834 --> 00:20:31,467 AND THEY GOT-- THERE'S ONE-- 376 00:20:31,467 --> 00:20:34,100 I WISH I COULD REMEMBER WHAT THE FUCKING SONG WAS. 377 00:20:34,100 --> 00:20:36,000 IT'S FUCKING GENIUS. 378 00:20:36,000 --> 00:20:38,634 ( sings with Indian accent ) 379 00:20:38,634 --> 00:20:40,701 I CAN'T-- IT'S SO FUNNY. 380 00:20:40,701 --> 00:20:42,767 AND THE THING IS THEY THINK THEY'RE FUNNY 381 00:20:42,767 --> 00:20:44,801 AND THEY DON'T EVEN HEAR HOW THEY SOUND. 382 00:20:44,801 --> 00:20:46,834 YOU KNOW, THE ACCENT SOUNDS NORMAL TO THEM. 383 00:20:46,834 --> 00:20:50,334 AND THE CLOTHES LOOK NORMAL. THEY STILL THINK IT'S FUNNY. 384 00:20:50,334 --> 00:20:53,801 IT'S DOUBLY FUNNY FOR US. 385 00:20:53,801 --> 00:20:55,834 WHOO! 386 00:20:55,834 --> 00:20:58,334 WHOO. 387 00:20:58,334 --> 00:20:59,567 FREEZE-FRAME. 388 00:21:02,367 --> 00:21:04,300 AHH-- OW OW! 389 00:21:04,300 --> 00:21:06,200 - YOU FAGGOT!BUSTED. - OW OW OW! 390 00:21:06,200 --> 00:21:08,167 - YOU'RE A FUCKING-- - OW, FUCK! 391 00:21:08,167 --> 00:21:10,400 RUNNING AROUND LIKE A FUCKING IDIOT, DUDE. 392 00:21:10,400 --> 00:21:12,367 - YOU GOT SHIT ON YOUR FACE. - OKAY-- 393 00:21:12,367 --> 00:21:14,734 OW, FUCK! OW! 394 00:21:14,734 --> 00:21:18,367 Nicole: Hey, Diddy can't do it now for a few days, I'm being told. 395 00:21:18,367 --> 00:21:20,968 I don't know, they said maybe we could try for Saturday morning. 396 00:21:20,968 --> 00:21:23,834 I don't know. I don't know if it's going to happen this weekend. 397 00:21:23,834 --> 00:21:25,934 I'm sorry. I wish I had better news for you. 398 00:21:25,934 --> 00:21:27,434 I WANT TO BE TRIUMPHANT, MAN. 399 00:21:27,434 --> 00:21:29,334 I WANT TO BE LIKE-- 400 00:21:29,334 --> 00:21:33,100 * AND I GOT THE BLUES ONCE AGAIN LIKE AN OLD FOOL * 401 00:21:33,100 --> 00:21:35,367 * AND THEN I JUMP DOWN AND JUMP BACK UP * 402 00:21:35,367 --> 00:21:37,367 * AND BROKE ALL THE RULES 403 00:21:37,367 --> 00:21:39,734 * I COULDN'T SAY YES ANYMORE TO THEIR GAMES * 404 00:21:39,734 --> 00:21:43,601 * I HAD TO SAY NO EVEN IF IT COSTS ME MY SANE-ITY. * 405 00:21:43,601 --> 00:21:47,501 Joaquin: WHAT THE FUCK IS GOING ON? WHO THE FUCK ACTS LIKE THIS? 406 00:21:47,501 --> 00:21:50,200 Nicole: I think he thinks you aren't serious now. 407 00:21:50,200 --> 00:21:53,000 - WHY? - I haven't read it, but I know there's something 408 00:21:53,000 --> 00:21:55,234 "Entertainment Weekly" just printed 409 00:21:55,234 --> 00:21:58,234 saying you aren't really quitting and it's a hoax. 410 00:21:58,234 --> 00:22:01,901 They said they had an anonymous source-- someone close to you. 411 00:22:01,901 --> 00:22:04,868 Larry: I DON'T KNOW TOO MUCH ABOUT ALL THE DETAILS, 412 00:22:04,868 --> 00:22:08,634 BUT, MAN, HE GOT A PHONE CALL AND THAT WAS IT. 413 00:22:08,634 --> 00:22:11,200 Casey: IT SAYS IN QUOTATIONS, "HE SAID, 'IT'S A PUT ON. 414 00:22:11,200 --> 00:22:13,467 I'M GOING TO PRETEND TO HAVE A MELTDOWN AND CHANGE CAREERS 415 00:22:13,467 --> 00:22:15,300 AND CASEY'S GOING TO FILM IT,' 416 00:22:15,300 --> 00:22:18,267 SAYS ONE SOURCE WHO RECENTLY WORKED WITH PHOENIX." 417 00:22:18,267 --> 00:22:21,734 CAN YOU TELL ME WHO THE SOURCES ARE FOR THE MAGAZINE? 418 00:22:21,734 --> 00:22:24,300 DUDE, NO. 419 00:22:24,300 --> 00:22:25,901 - YOU CAN'T TELL ME? - NO. 420 00:22:25,901 --> 00:22:27,400 - DO YOU KNOW WHO THEY ARE? - YES. 421 00:22:27,400 --> 00:22:29,367 - YOU DO KNOW? - YES. 422 00:22:29,367 --> 00:22:31,567 Joaquin: PEOPLE AREN'T GOING TO RECOGNIZE THIS ART 423 00:22:31,567 --> 00:22:34,567 BECAUSE OF THEIR OWN STUPID, YOU KNOW, PRECONCEPTIONS. 424 00:22:34,567 --> 00:22:38,667 I MEAN, IS IT THAT YOUR DREAM IS UNATTAINABLE 425 00:22:38,667 --> 00:22:42,734 OR IS IT THAT YOU HAD THE WRONG DREAM? 426 00:22:47,634 --> 00:22:49,434 Joaquin: THIS BITCH IS GETTING A STORM. 427 00:22:49,434 --> 00:22:51,601 SHE DID NOT EVEN KNOW A FUCKING STORM WAS COMING. 428 00:22:51,601 --> 00:22:54,400 I'M GOING TO FUCK HER FUCKING FACE. 429 00:22:54,400 --> 00:22:56,601 SHE HAS NO FUCKING IDEA. 430 00:22:56,601 --> 00:22:59,067 HEY, HONEY, MY NAME'S ANTONY. 431 00:22:59,067 --> 00:23:01,467 I WAS LOOKING FOR A LITTLE BIT OF COMPANY. 432 00:23:01,467 --> 00:23:04,634 ( hisses ) OOOH, SIT. 433 00:23:04,634 --> 00:23:07,100 I WANT TO SMELL HER BUTTHOLE. 434 00:23:07,100 --> 00:23:10,100 DUDE, IF YOU DO NOTHING ELSE FOR ME, LET ME SMELL A GIRL'S BUTTHOLE, 435 00:23:10,100 --> 00:23:12,667 YOU FUCKING ASSHOLE. NO, YOU CAN'T CALL. 436 00:23:12,667 --> 00:23:14,467 YOU'RE A FUCKING IDIOT, DUDE. 437 00:23:14,467 --> 00:23:16,701 WHY ARE YOU HOVERING OVER ME? 438 00:23:16,701 --> 00:23:19,501 OH, BROOKE-- BROOKE, BROOKE. 439 00:23:19,501 --> 00:23:23,033 OH SAD. LOOK AT THIS. 440 00:23:23,033 --> 00:23:24,601 OH, LEILA, YOU DIRTY-- 441 00:23:24,601 --> 00:23:27,534 LEILA, YOU DIRTY FUCKING LITTLE BITCH. 442 00:23:27,534 --> 00:23:31,100 LEILA, YOU DIRTY LITTLE FUCKING BITCH. 443 00:23:31,100 --> 00:23:34,667 OH, LEILA, YOU FUCKING HAVE NO IDEA. 444 00:23:34,667 --> 00:23:37,334 YES, I WAS CALLING FOR TIFFANY. 445 00:23:37,334 --> 00:23:41,234 SO TWO GIRLS FOR SIX? 446 00:23:42,968 --> 00:23:43,968 OKAY. 447 00:23:43,968 --> 00:23:45,834 ( stomping ) 448 00:23:47,133 --> 00:23:49,868 ( cackling ) 449 00:23:49,868 --> 00:23:51,834 SHUT YOUR FUCKING MOUTH. 450 00:23:51,834 --> 00:23:54,567 YOU DIDN'T SCORE IT. I SCORED IT AND I STASHED IT. 451 00:23:54,567 --> 00:23:57,200 YOU FUCKING IDIOT. YOU'VE DONE NOTHING FOR ME. 452 00:23:57,200 --> 00:23:59,400 ( vocalizing ) 453 00:24:01,400 --> 00:24:05,000 OH SHIT, OH SHIT. DUDE, WHO WAS THE NIGGER IN CHARGE OVER HERE? 454 00:24:05,000 --> 00:24:07,300 - WHO WAS THE NIGGER-- - JUST THAT LITTLE BIT? 455 00:24:07,300 --> 00:24:09,367 DON'T LOOK AT IT. NO, BITCH, I GOT A WHOLE LOT. 456 00:24:09,367 --> 00:24:11,234 YOU KNOW WHAT? I ALREADY HAVE TO SHIT. 457 00:24:11,234 --> 00:24:13,667 SO WHY DON'T YOU GO FUCKING LAY DOWN AND ASSUME THE POSITION, 458 00:24:13,667 --> 00:24:16,667 SINCE YOU'RE GOING TO BE THE ONE THAT'S THE RECEPTACLE OF MY DOO-DOO? 459 00:24:16,667 --> 00:24:19,334 YOU'RE GOING TO LOOK BACK IN YEARS ON THIS, WHEN YOU'RE OLD 460 00:24:19,334 --> 00:24:22,267 AND YOUR KIDS SEE THIS AND YOU'RE GOING TO BE SO FUCKING ASHAMED OF YOURSELF 461 00:24:22,267 --> 00:24:24,667 BECAUSE OF THE OPPORTUNITIES THAT WERE PROVIDED WITH FUN 462 00:24:24,667 --> 00:24:27,200 LITERALLY JUST TO FUCKING HANG OUT, THE FUN THAT WE HAVE 463 00:24:27,200 --> 00:24:29,934 AND YOU FUCKED IT UP BECAUSE YOU'RE-- ( sniffs ) AN IDIOT. 464 00:24:29,934 --> 00:24:33,234 ( piano playing ) * WHEN I DREAM 465 00:24:33,234 --> 00:24:35,167 * I DREAM OF YOU 466 00:24:39,534 --> 00:24:43,133 * AND IF I'M WRONG, WE'LL KNOW IT'S TRUE * 467 00:24:46,901 --> 00:24:49,400 * IT TAKES MORE THAN SACRIFICE * 468 00:24:49,400 --> 00:24:52,801 - * TO KEEP LOVE-- - ( Joaquin retches ) 469 00:24:55,400 --> 00:24:58,367 * IT DISAPPEARS JUST LIKE THE DEW * 470 00:24:58,367 --> 00:25:00,634 ( bad harmony ) * DEW-WWW 471 00:25:00,634 --> 00:25:02,901 ( whistling ) 472 00:25:20,501 --> 00:25:28,601 * WELL, THERE'S COOL WATER IN YOU * 473 00:25:28,601 --> 00:25:31,767 * WELL, YOU KNOW THAT THERE'S * 474 00:25:31,767 --> 00:25:36,234 * COOL WATER IN YOU 475 00:25:36,234 --> 00:25:39,334 * YOU KNOW THERE'S * 476 00:25:39,334 --> 00:25:44,067 * COOL WATER IN YOU 477 00:25:46,334 --> 00:25:49,934 * WELL, THERE'S COOL WATER * 478 00:25:49,934 --> 00:25:56,601 * IN YOU-OOOO. 479 00:25:59,534 --> 00:26:01,968 YOU KNOW HOW MANY TIMES I'VE STOOD AT THIS FUCKING WINDOW, 480 00:26:01,968 --> 00:26:04,267 LIKE, WAITING FOR HOOKERS, JUST STARING? 481 00:26:04,267 --> 00:26:06,501 IMAGINING WHAT THEIR LITTLE BUTTHOLES ARE GONNA SMELL LIKE? 482 00:26:06,501 --> 00:26:08,467 - ( blowing nose ) - ( phone ringing ) 483 00:26:08,467 --> 00:26:10,200 - ANSWER IT. - IT'S THE GIRLS. 484 00:26:10,200 --> 00:26:12,300 - YEAH. - HERE YOU GO. 485 00:26:14,868 --> 00:26:17,334 HELLO? HELLO? 486 00:26:17,334 --> 00:26:19,868 HI HI. 487 00:26:21,868 --> 00:26:24,133 OH, 11M. 488 00:26:24,133 --> 00:26:25,901 OKAY. 489 00:26:27,467 --> 00:26:30,033 DUDE, DON'T FILM THIS. COME ON, MAN. 490 00:26:30,033 --> 00:26:31,901 ANT, COME HERE. 491 00:26:31,901 --> 00:26:34,067 COME HERE, DUDE. SHOW US. PLEASE COME HERE. 492 00:26:34,067 --> 00:26:37,834 - SHOW-- SHOW 'EM. - IT'S A BIT SHRUNKEN RIGHT NOW. 493 00:26:37,834 --> 00:26:39,534 Girl: HOLY-- OH MY GOD. 494 00:26:39,534 --> 00:26:42,067 IS THAT LIKE, LIKE NOT EVEN, LIKE, AROUSED? 495 00:26:42,067 --> 00:26:45,167 - THAT'S NOT EVEN AROUSED. - DUDE, HOW DO YOU GUYS KNOW? 496 00:26:45,167 --> 00:26:47,634 WELL, LOOK AT IT. HOW DO YOU NOT KNOW? 497 00:26:47,634 --> 00:26:50,868 - DO YOU HAVE KIDS? YOU SHOULD. - BUT LISTEN-- 498 00:26:50,868 --> 00:26:53,067 ( rap music playing ) 499 00:26:54,901 --> 00:26:56,801 YEAH. 500 00:27:06,167 --> 00:27:09,667 - LIKE THIS. ( snorting ) - Nicole: Hi, J.P. Carline called. 501 00:27:09,667 --> 00:27:12,100 Puff is not even in New York City anymore. 502 00:27:12,100 --> 00:27:15,667 I don't know what to say. I am so so 503 00:27:15,667 --> 00:27:17,934 so so sorry. 504 00:27:17,934 --> 00:27:21,234 But she did say if you wanted to go to Miami right now 505 00:27:21,234 --> 00:27:23,868 she promises he'll have time for you. 506 00:27:23,868 --> 00:27:26,400 Joaquin: YEAH, JUST TELL HIM WE'RE IN. I'M GONNA GET 507 00:27:26,400 --> 00:27:29,367 THE FUCKING C.D. PREPPED. WE'RE GETTING TO THE HOTEL. I GOTTA TAKE A SHOWER AND SHIT. 508 00:27:29,367 --> 00:27:32,100 AND THEN WE'LL BE THERE AT 7:00.IT'S LIKE 4:30 NOW. DON'T FUCKING WORRY. 509 00:27:32,100 --> 00:27:34,267 Man: WE HAVE THE NIGHTCLUB RIGHT HERE, LIV. 510 00:27:34,267 --> 00:27:36,601 - IF YOU GUYS WANT WE'LL GET A TABLE. - HOW'S THE PUSSY? 511 00:27:36,601 --> 00:27:39,367 YOU OBVIOUSLY HAVEN'T SEEN THE CLUB.IT'S THE SICKEST CLUB IN THE WORLD. 512 00:27:39,367 --> 00:27:40,901 - IS IT? - IT'S RIGHT HERE. 513 00:27:40,901 --> 00:27:42,400 I'M SUPPOSED TO MEET DIDDY TONIGHT. 514 00:27:45,100 --> 00:27:46,100 YOU'RE KIDDING ME? 515 00:27:46,100 --> 00:27:48,234 ( rap music playing ) 516 00:28:03,534 --> 00:28:07,067 FANTASTIC, MAN! DUDE, I'M DOING A GIG HERE FOR SURE. 517 00:28:07,067 --> 00:28:09,100 7:00. WHAT TIME IS IT? 518 00:28:09,100 --> 00:28:11,767 Antony: WHERE'S THE OTHER FUCKING THING OVER THERE? 519 00:28:11,767 --> 00:28:13,934 Joaquin: SO I'M GONNA GO CHILL AT DIDD'S, 520 00:28:13,934 --> 00:28:16,234 AND I DON'T KNOW WHAT'S UP. 521 00:28:16,234 --> 00:28:18,834 I DON'T KNOW IF HE JUST WANTS TO CHILL AND HAVE SOME DRINKS, 522 00:28:18,834 --> 00:28:21,767 LISTEN TO MUSIC. I DON'T KNOW IF HE'S GONNA PLAY ME SOME TUNES. 523 00:28:21,767 --> 00:28:24,667 I'M GONNA JUST TRY AND BE RECEPTIVE TO WHAT GOES DOWN. 524 00:28:24,667 --> 00:28:26,534 ( inhales ) 525 00:28:28,601 --> 00:28:30,667 THIS IS A GOOD NIGHT. I'M FUCKING FEELING IT. 526 00:28:36,400 --> 00:28:40,167 ( laughs ) MAN, I CAN'T FUCKING BELIEVE IT. 527 00:28:40,167 --> 00:28:42,801 UM, SHIT, THIS IS FUCKING EMBARRASSING. 528 00:28:42,801 --> 00:28:45,300 I LITERALLY DON'T KNOW WHAT TO SAY. DO I SAY DIDDY? 529 00:28:45,300 --> 00:28:47,667 - Driver: HOW YOU DOING? - GOOD DAY, MAN. HOW'S IT GOING? 530 00:28:47,667 --> 00:28:49,767 - Guard: GOOD. - PHOENIX-- 531 00:28:49,767 --> 00:28:52,000 JOAQUIN PHOENIX TO SEE DIDDY. 532 00:28:52,000 --> 00:28:54,000 - TO SEE WHO? - DIDDY. 533 00:28:54,000 --> 00:28:56,033 MR. COMBS. SEAN. 534 00:28:56,033 --> 00:28:58,534 THIS IS IT. DUDE, WE'RE LATE, ALL RIGHT? 535 00:28:58,534 --> 00:29:01,133 PRESS THAT THING. 536 00:29:01,133 --> 00:29:02,968 - DID YOU PRESS IT? - YEAH. 537 00:29:02,968 --> 00:29:05,934 - ( beeps ) - ( gate creaks ) 538 00:29:05,934 --> 00:29:08,367 HEY! OH SHIT. 539 00:29:08,367 --> 00:29:11,801 - Combs residence. - HEY, THIS IS JOAQUIN PHOENIX. 540 00:29:11,801 --> 00:29:14,667 J.P. AND I SEE A CAR COMING OUT. WE'RE A LITTLE LATE. 541 00:29:14,667 --> 00:29:18,234 Yeah, he said he waited here for 30 minutes. He couldn't wait any longer. 542 00:29:18,234 --> 00:29:20,734 - He just left actually. - OH SHIT, THIS IS HIM NOW. 543 00:29:20,734 --> 00:29:22,667 You wanna try him on his cell phone? 544 00:29:22,667 --> 00:29:24,534 - YEAH, I'M GONNA-- I'LL CALL HIM. - ( honks ) 545 00:29:24,534 --> 00:29:26,300 OKAY, BACK UP. FUCKING BACK UP. 546 00:29:26,300 --> 00:29:29,000 ALL RIGHT, DUDE, WE'RE GONNA BACK UP. LET-- IS THIS HIM? 547 00:29:29,000 --> 00:29:31,467 OH JESUS. THIS IS SO FUCKING EMBARRASSING. 548 00:29:33,033 --> 00:29:34,400 BACK UP, BACK UP. 549 00:29:36,033 --> 00:29:38,467 OH SHIT, OH FUCK. 550 00:29:38,467 --> 00:29:41,534 - ( SIGHS ) - Joaquin: HI, CARRIN-- CARLEENA? 551 00:29:41,534 --> 00:29:43,734 HI, THIS IS JOAQUIN. 552 00:29:43,734 --> 00:29:47,167 YEAH, I WAS SUPPOSED TO MEET, UM-- 553 00:29:47,167 --> 00:29:50,200 UH, COME OVER AND MEET DIDDY JUST NOW. 554 00:29:50,200 --> 00:29:53,033 AND WE WERE LATE BECAUSE THE HOTEL... 555 00:29:55,000 --> 00:29:57,834 I JUST PULLED UP AND THERE WERE CARS PULLING OUT. 556 00:30:01,667 --> 00:30:04,701 I'M LEAVING TOMORROW MORNING. WELL, PLEASE 557 00:30:04,701 --> 00:30:06,534 TELL MR. COMBS I'M VERY SORRY 558 00:30:06,534 --> 00:30:09,601 AND I HOPE TO TALK TO HIM SOON. 559 00:30:09,601 --> 00:30:12,567 ( sobs ) OH SHIT. 560 00:30:12,567 --> 00:30:14,601 I JUST SENT PUFF A TEXT. 561 00:30:14,601 --> 00:30:16,601 - WHAT WAS IT? - I JUST SAID, "YOU TELL ME, 562 00:30:16,601 --> 00:30:18,434 I'LL BE THERE WHEREVER YOU WANT, SIR." 563 00:30:18,434 --> 00:30:20,868 - ( rings ) - OH MY GOD. 564 00:30:20,868 --> 00:30:25,200 "I CAN MEET YOU IN ROOM 1416." 565 00:30:25,200 --> 00:30:26,901 I'M NOT GONNA FUCKING FREESTYLE, DUDE. 566 00:30:26,901 --> 00:30:28,901 THAT'S WHY I WANTED THE iPOD. 567 00:30:28,901 --> 00:30:31,367 ( whispering ) DUDE, PLEASE, IF YOU CAN'T TAKE THIS SERIOUSLY-- 568 00:30:31,367 --> 00:30:33,133 JUST CHILL. 569 00:30:41,701 --> 00:30:42,667 ( knocks ) 570 00:30:44,367 --> 00:30:46,300 ( whispers ) I THINK YOU SHOULD KNOCK AGAIN. 571 00:30:46,300 --> 00:30:48,934 ( mutters ) SHUT UP! 572 00:30:48,934 --> 00:30:50,734 KNOCK AGAIN. 573 00:30:53,167 --> 00:30:57,033 HEY, MAN, IT'S JOA-- JOAQUIN. 574 00:31:02,133 --> 00:31:03,467 - ALL RIGHT. - WHAT'S UP? 575 00:31:03,467 --> 00:31:05,501 WHAT'S UP, DUDE? HEY, MAN. 576 00:31:14,968 --> 00:31:17,501 YOU WERE SUPPOSED TO MEET ME AT MY HOUSE LIKE AN HOUR AGO. 577 00:31:17,501 --> 00:31:20,701 I'M SORRY, DUDE. WE GOT-- THIS IS MY FRIEND LARRY. 578 00:31:22,400 --> 00:31:24,734 - Combs: WHO'S GOOD, MAN? - WHAT'S UP, MAN? 579 00:31:26,767 --> 00:31:29,801 - SHIT. - WHAT'S THE NAME OF THAT MOVIE YOU JUST DID? 580 00:31:29,801 --> 00:31:31,667 Casey: UH, "JESSE JAMES." 581 00:31:31,667 --> 00:31:34,133 NO, NOT THAT ONE. THE HOT ONE. 582 00:31:34,133 --> 00:31:36,701 "JESSE JAMES" WAS KINDA WACK. WHAT WAS THE OTHER ONE? 583 00:31:36,701 --> 00:31:39,868 - "GONE BABY GONE." - THAT WAS THE SHIT RIGHT THERE. 584 00:31:39,868 --> 00:31:42,000 WHAT'S UP? WHATCH'ALL DOING? 585 00:31:42,000 --> 00:31:45,434 Joaquin: OBVIOUSLY YOU HAD GREAT SUCCESS IN FUCKING FILM AND MUSIC. 586 00:31:45,434 --> 00:31:48,767 AND WHAT I WANT IT IS TO BE SOMETHING 587 00:31:48,767 --> 00:31:51,701 WHEW! 588 00:31:51,701 --> 00:31:55,133 DO YOU HAVE MONEY THOUGH? DO YOU HAVE MONEY TO DO THIS? 589 00:31:55,133 --> 00:31:57,200 LIKE HOW MUCH? 590 00:31:57,200 --> 00:31:59,501 I MEAN, I HAVE A LITTLE STUDIO, DO YOU KNOW? 591 00:31:59,501 --> 00:32:01,667 LIKE IN MY-- I HAVE A GARAGE. I GOT PRO TOOLS SET UP. 592 00:32:01,667 --> 00:32:04,467 SEE, THAT'S THE MOTHERFUCKING PROBLEM. WHEN PEOPLE TRY TO DO THINGS, 593 00:32:04,467 --> 00:32:07,367 THEY DON'T DO IT THE WAY THEY DO IT FOR THEIR OWN INDUSTRIES. 594 00:32:07,367 --> 00:32:10,868 WHEN YOU GO MAKE A MOVIE, YOU DON'T GO-- YOU GOT MONEY TO MAKE A MOVIE, RIGHT? 595 00:32:10,868 --> 00:32:14,234 SEE, YOU CAN'T BE-- YOU CAN'T COME INTO THIS SHIT DISRESPECTFULLY. 596 00:32:14,234 --> 00:32:17,868 BECAUSE WHEN I WANT TO MAKE A MOVIE, I'M GONNA COME WITH SOME MONEY. 597 00:32:17,868 --> 00:32:20,133 OH RIGHT. NO, I DON'T-- I DON'T-- THAT'S THE THING-- 598 00:32:20,133 --> 00:32:22,300 - DO YOU HAVE MONEY TO DO THIS? - I'M COMING FROM A PURE-- 599 00:32:22,300 --> 00:32:25,868 I'M COMING FROM-- WHAT I WANT IT TO BE IS LIKE A PLACE OF TRUE EXPLORATION. 600 00:32:25,868 --> 00:32:28,167 CAN YOU DO THAT IN ACTING? 601 00:32:28,167 --> 00:32:30,300 WELL, I DO. THAT'S THE THING, AS AN ACTOR 602 00:32:30,300 --> 00:32:32,734 YOU'RE SHIELDED-- IT'S A DIFFERENT-- YOU KNOW-- 603 00:32:32,734 --> 00:32:34,434 I MEAN, YOU KNOW THIS. CHRIST. 604 00:32:34,434 --> 00:32:36,601 NO, THAT'S NOT HOW THEY DO THE THING-- LIGHTS, RIGHT? 605 00:32:36,601 --> 00:32:38,534 - LIGHTS, MOTHERFUCKER, LIGHTS. - YES, HOW MUCH? 606 00:32:38,534 --> 00:32:40,033 - CRAFT SERVICES. - YEAH, THAT COSTS A LOT. 607 00:32:40,033 --> 00:32:41,767 TRAILERS. 608 00:32:41,767 --> 00:32:43,934 MAKEUP, HAIR, D.P. 609 00:32:43,934 --> 00:32:45,934 - THAT'S A GOOD POINT. I GET IT. - GAFFERS. 610 00:32:45,934 --> 00:32:48,234 SAME THING-- STUDIO, ENGINEER... 611 00:32:48,234 --> 00:32:49,501 - I GOT IT. - ...ME. 612 00:32:51,234 --> 00:32:52,868 - WELL-- YEAH, YOU. - ME. 613 00:32:52,868 --> 00:32:55,834 - THE SPEAKERS. - I GET IT. 614 00:32:55,834 --> 00:32:57,400 DO YOU HAVE ANY MONEY? 615 00:32:57,400 --> 00:32:59,868 UM, WELL, HOW MUCH YOU NEED? 616 00:32:59,868 --> 00:33:02,367 HOW MUCH YOU GOT? 617 00:33:02,367 --> 00:33:05,033 ( chuckles ) 618 00:33:05,033 --> 00:33:07,267 I'M EXCITED TO HEAR THIS STUFF THOUGH. 619 00:33:07,267 --> 00:33:09,868 I WANT TO HEAR IF YOU'RE REALLY GETTING BUSY OR YOU'RE PLAYING AROUND. 620 00:33:09,868 --> 00:33:11,467 - YOU KNOW WHAT I'M SAYING? - YEAH.I'M READY. 621 00:33:11,467 --> 00:33:13,868 - WE'RE READY. - PLEASURE TO MEET YOU. 622 00:33:13,868 --> 00:33:15,534 YOU TOO. ALL RIGHT, WELL, LOOK, 623 00:33:15,534 --> 00:33:18,567 I HAVE CARLINE'S NUMBERS, SO THEN 624 00:33:18,567 --> 00:33:21,033 - YOU'LL LET ME KNOW WHEN YOU'RE IN L.A.? - YEAH. 625 00:33:21,033 --> 00:33:23,968 - I'LL BE THERE IN A COUPLE OF DAYS. - OKAY.LARRY, GET UP. 626 00:33:26,367 --> 00:33:29,634 ( cheering, dance music playing ) 627 00:33:36,634 --> 00:33:39,267 MY ALBUM IS OUT. IT'S CALLED "INTUITION." 628 00:33:39,267 --> 00:33:42,667 IT'S THE #3 ALBUM IN THE COUNTRY RIGHT NOW. 629 00:33:42,667 --> 00:33:46,300 MY LAST NAME IS FOXX, MY FIRST NAME IS JAMIE. 630 00:33:46,300 --> 00:33:49,300 MY MIDDLE NAME IS MOTHERFUCKING. 631 00:33:49,300 --> 00:33:53,601 WHEN YOU SEE ME OUT-- WHEN YOU SEE ME OUT, JUST SAY, 632 00:33:53,601 --> 00:33:56,267 "THERE GOES JAMIE MOTHERFUCKING FOXX." 633 00:33:56,267 --> 00:33:58,968 WHAT? JAMIE MOTHERFUCKING FOXX. 634 00:33:58,968 --> 00:34:02,067 - SAY IT-- JAMIE MOTHERFUCKING FOXX. - JAMIE MOTHERFUCKING FOXX. 635 00:34:02,067 --> 00:34:03,801 - SAY IT-- - JAMIE MOTHERFUCKING FOXX. 636 00:34:03,801 --> 00:34:07,334 HERE'S ANOTHER ONE: JOAQUIN MOTHERFUCKING PHOENIX. 637 00:34:07,334 --> 00:34:10,601 JOAQUIN MOTHERFUCKING PHOENIX. 638 00:34:10,601 --> 00:34:13,100 JOAQUIN MOTHERFUCKING PHOENIX. 639 00:34:13,100 --> 00:34:15,100 ( crowd cheering ) 640 00:34:15,100 --> 00:34:17,200 ( dance music playing ) 641 00:34:59,501 --> 00:35:01,934 I'M NOT GETTING MY DICK OUT FOR THESE TWO. 642 00:35:12,467 --> 00:35:16,300 Joaquin: IT'S JOAQUIN TO TALK TO PATRICK. 643 00:35:16,300 --> 00:35:19,100 I NEED TO TALK TO HIM NOW BECAUSE BEN STILLER'S AT MY HOUSE. 644 00:35:19,100 --> 00:35:22,267 DUDE, WHAT THE FUCK? I MEAN, I TOLD YOU THAT I-- 645 00:35:22,267 --> 00:35:25,701 THIS-- I'M NOT GONNA DO THE-- DUDE! 646 00:35:25,701 --> 00:35:28,000 FIRST OF ALL, I RETIRED. 647 00:35:28,000 --> 00:35:30,501 ALL RIGHT, DUDE, LET ME CLEAN UP THE FUCKING MESS. 648 00:35:30,501 --> 00:35:32,834 I'M GONNA TRY NOT TO MAKE US ALL LOOK LIKE ASSHOLES, 649 00:35:32,834 --> 00:35:35,000 ESPECIALLY YOU FOR PUTTING ME IN THE SITUATION. 650 00:35:38,200 --> 00:35:40,601 GOOD TO SEE YOU, DUDE. 651 00:35:48,767 --> 00:35:50,400 WHY WOULD I WANT TO DO THIS? 652 00:35:50,400 --> 00:35:53,734 UM, JUST 'CAUSE... YOU KNOW, I-- 653 00:35:53,734 --> 00:35:55,734 I DON'T KNOW. I JUST FEEL LIKE IT'S-- YOU KNOW. 654 00:35:55,734 --> 00:35:57,267 I LOVE THE RELATIONSHIP IN THERE 655 00:35:57,267 --> 00:35:58,801 - AND I JUST THOUGHT THE-- - OURS? 656 00:35:58,801 --> 00:36:00,734 - YEAH.YEAH YEAH YEAH. - OR OUR CHARACTERS? 657 00:36:00,734 --> 00:36:03,300 WHAT IS THE CHARACTER? 658 00:36:04,534 --> 00:36:06,567 - IVAN.YOU-- IVAN. - IVAN? 659 00:36:06,567 --> 00:36:09,467 SO YOU DIDN'T-- YOU HAVEN'T READ IT YET? 660 00:36:09,467 --> 00:36:11,868 WELL, WE-- LARRY WAS TELLING ME ABOUT IT. 661 00:36:11,868 --> 00:36:14,100 BUT I-- DIDN'T YOU SAY I WAS GREENBERG? 662 00:36:14,100 --> 00:36:17,100 - WHO'S GREENBERG? - I AM GREENBERG. 663 00:36:17,100 --> 00:36:18,901 - ( laughing ) - OH GREAT! 664 00:36:18,901 --> 00:36:21,300 THANKS, LAR. 665 00:36:21,300 --> 00:36:23,467 YOU'RE GREENBERG. OKAY, MY BAD. 666 00:36:23,467 --> 00:36:25,133 OH, I SEE. OH SHIT. 667 00:36:25,133 --> 00:36:27,300 AND I WAS COMPLAINING ABOUT THAT CHARACTER. 668 00:36:27,300 --> 00:36:29,133 I WAS LIKE-- OKAY. 669 00:36:29,133 --> 00:36:31,667 NO, SO I'M IVAN-- ER, I MEAN NOT-- I'M NOT GONNA DO-- 670 00:36:31,667 --> 00:36:33,601 I DON'T WANT IT TO BE-- I DON'T WANT 671 00:36:33,601 --> 00:36:35,467 THIS TO BE WEIRD AT ALL OR ANYTHING 'CAUSE, YOU KNOW. 672 00:36:35,467 --> 00:36:38,167 BEN, I'VE BEEN WITH YOU IN FUCKING MEETINGS BEFORE. 673 00:36:38,167 --> 00:36:41,234 - THIS IS NOT HOW YOU TALK AND YOU'RE ACTING ALL-- - NO. 674 00:36:41,234 --> 00:36:43,734 THESE GUYS HAVE SEEN THE WORST OF ME, THEY'VE SEEN THE BEST. 675 00:36:43,734 --> 00:36:46,734 - THEY'VE SEEN THE HONEST ME. - I'M NOT TRYING TO ACT ANY WAY. 676 00:36:46,734 --> 00:36:49,400 - I'M HONESTLY NOT TRYING TO ACT ANY WAY. - YOU WERE DOING BEN STILLER. 677 00:36:49,400 --> 00:36:51,334 - NO, I'M NOT! DUDE, THIS IS WHO I AM. - YOU ARE. 678 00:36:51,334 --> 00:36:53,100 - THAT'S WHO YOU ARE? - YEAH. 679 00:36:53,100 --> 00:36:55,467 I'M-- WHAT DO I HAVE TO DO, PUT LIKE A SHIRT ON MY HEAD 680 00:36:55,467 --> 00:36:57,000 AND ACT WEIRD? I'M NOT TRY-- 681 00:36:57,000 --> 00:36:59,801 I'M TRYING TO ACT WEIRD? DUDE, ALL THE TIME-- 682 00:36:59,801 --> 00:37:03,434 YOU'RE DOING A MOVIE WHERE IT'S LIKE A FUCKING CAT WILL BE IN A FULL-BODY CAST. 683 00:37:03,434 --> 00:37:05,434 THAT KIND OF HUMOR. WHO GIVES A SHIT? 684 00:37:05,434 --> 00:37:07,534 LIKE HOW IS THAT FUCKING FUNNY? 685 00:37:07,534 --> 00:37:10,434 THAT A FUCKING CAT BREAKS ALL OF ITS GODDAMNED BONES 686 00:37:10,434 --> 00:37:12,434 AND HAS TO BE PUT IN A CAST? THAT'S FUNNY? 687 00:37:12,434 --> 00:37:14,467 ( laughing ) 688 00:37:14,467 --> 00:37:17,367 - DO YOU HAVE A TISSUE? - IT IS PRETTY FUNNY. 689 00:37:17,367 --> 00:37:20,501 - UM, HONESTLY-- - I HAVE A TISSUE SOMEWHERE. 690 00:37:20,501 --> 00:37:23,300 SORRY. JUST-- IT'S A DOG. 691 00:37:23,300 --> 00:37:25,167 ( coughs ) IT'S THE DOG? 692 00:37:25,167 --> 00:37:28,434 YEAH. UM... 693 00:37:30,634 --> 00:37:33,734 NO NO, THE DOG-- HE'S TALKING ABOUT "SOMETHING ABOUT MARY." 694 00:37:39,501 --> 00:37:42,067 Joaquin: I JUST FOUND OUT IT WAS-- ( slurring ) 695 00:37:42,067 --> 00:37:44,834 THIS-- THIS HOUSE COST MORE THAN I HAVE. 696 00:37:46,534 --> 00:37:49,000 THAT MEANS IF I DON'T MAKE ANY BREAD, 697 00:37:49,000 --> 00:37:53,133 SIX MONTHS I LOSE THIS JOINT. 698 00:37:53,133 --> 00:37:55,667 Larry: PUFF SAID HE WAS GOING TO CALL IN A COUPLE OF DAYS. 699 00:37:55,667 --> 00:37:58,334 IT'S BEEN ALMOST THREE WEEKS NOW AND THEY WON'T RETURN MY CALLS. 700 00:37:58,334 --> 00:38:00,300 IT'LL SOUND DESPERATE IF I KEEP CALLING, SO... 701 00:38:00,300 --> 00:38:03,067 WE'RE GONNA SPIN THIS AND MAKE IT LOOK LIKE 702 00:38:03,067 --> 00:38:06,567 IT WAS MY FAULT AND THEN THEY CAN HAVE ANOTHER CHANCE. 703 00:38:06,567 --> 00:38:08,701 I'M JUST STUCK IN THE MIDDLE HERE. 704 00:38:08,701 --> 00:38:11,267 Joaquin: AT SOME POINT YOU HAVE TO TAKE IT FROM YOUR LITTLE NEST 705 00:38:11,267 --> 00:38:12,934 AND PUT IT IN THE WORLD, YOU KNOW? 706 00:38:12,934 --> 00:38:15,033 YOU GOTTA MAKE IT REAL. THAT MEANS GOING THROUGH 707 00:38:15,033 --> 00:38:17,033 WHATEVER FUCKING DOOR YOU CAN OPEN. 708 00:38:17,033 --> 00:38:19,767 I'M ACTUALLY TRYING TO FIGURE OUT WHAT REALISTICALLY 709 00:38:19,767 --> 00:38:21,667 YOU'D ACTUALLY DO AS THE NEXT STEP. 710 00:38:21,667 --> 00:38:25,334 SO YOU DO VEGAS, THEN YOU DO LIKE CHICAGO 711 00:38:25,334 --> 00:38:27,601 - OR WHATEVER. - Norm: DO MIAMI OR SOMETHING. 712 00:38:27,601 --> 00:38:29,934 - AND THEN? - AND THEN RUSSIA. 713 00:38:31,267 --> 00:38:32,701 HOW FUCKING DOPE. 714 00:38:40,367 --> 00:38:43,300 "The Hollywood Reporter" says Joaquin Phoenix's musical career 715 00:38:43,300 --> 00:38:45,634 kicks off with an appearance here in Las Vegas tonight. 716 00:38:45,634 --> 00:38:48,067 Phoenix is trying his hand at being a rapper 717 00:38:48,067 --> 00:38:51,434 with a CD to be produced by Sean "Don't call me Diddy" Combs. 718 00:38:51,434 --> 00:38:53,767 After announcing his retirement, actor Joaquin Phoenix-- 719 00:38:53,767 --> 00:38:57,601 former actor that is-- is making a comeback as a rapper. 720 00:38:57,601 --> 00:39:00,567 Keeping you in the loop, Las Vegas, the Oscar nominee 721 00:39:00,567 --> 00:39:02,634 picks Vegas for his big rap debut. 722 00:39:02,634 --> 00:39:04,734 HE CAN SPEND TIME UP ON THE BACK LEDGE HERE, 723 00:39:04,734 --> 00:39:06,601 WORKING THAT ENTIRE "T." 724 00:39:06,601 --> 00:39:08,634 RIGHT NOW WE'RE JUST WAITING FOR HIM TO COME DOWN 725 00:39:08,634 --> 00:39:10,434 DO THE SOUND CHECK, MAKE SURE THAT EVERYTHING'S 726 00:39:10,434 --> 00:39:11,901 OKAY ON THEIR END AND WE'RE GOOD TO GO. 727 00:39:11,901 --> 00:39:13,901 SOUND CHECK? FUCK THESE BITCHES. 728 00:39:13,901 --> 00:39:15,934 PIECE-OF-SHIT CATWALK FOR A STAGE? 729 00:39:15,934 --> 00:39:18,234 AND THEN THESE COCKSUCKERS WANT A FUCKING FREE SHOW 730 00:39:18,234 --> 00:39:21,267 SO THEY CAN JUST SIT IN THERE AND WATCH SOUND CHECK? THEY CAN SUCK MY DICK. 731 00:39:21,267 --> 00:39:24,267 IF I FORGET A LYRIC OR IF I HIT A BAD NOTE 732 00:39:24,267 --> 00:39:27,267 OR MY RHYTHM GETS OFF, THAT'S ON ME. 733 00:39:27,267 --> 00:39:29,934 AND THAT'S FAIR. BUT WHY DO I HAVE SO MUCH PRESSURE 734 00:39:29,934 --> 00:39:32,300 IN MY FUCKING LIFE AND EVERYONE ELSE SEEMS TO BE HAVING FUN 735 00:39:32,300 --> 00:39:33,901 AND ON A FREE FUCKING RIDE? 736 00:39:34,968 --> 00:39:37,367 ( Joaquin speaking ) 737 00:40:03,100 --> 00:40:05,701 CAN Y'ALL HEAR ME DOWN THERE? 738 00:40:05,701 --> 00:40:09,033 A.J.! IT'S A CRAZY TIME AND IT'S REAL EXCITING AND SHIT. 739 00:40:09,033 --> 00:40:12,100 I'M NERVOUS, BUT I'M GLAD TO SHARE IT WITH YOU. 740 00:40:12,100 --> 00:40:14,467 THIS IS OUR NIGHT. IT'S NOT MY NIGHT, THIS IS OUR NIGHT. 741 00:40:14,467 --> 00:40:16,367 J.P. IS ALL OF US. 742 00:40:16,367 --> 00:40:19,334 - PEACE! - ( cheering ) 743 00:40:19,334 --> 00:40:22,234 Emcee: JOAQUIN PHOENIX! 744 00:40:22,234 --> 00:40:24,400 * LEFT UP, RIGHT UP, SPIN YOURSELF AROUND * 745 00:40:24,400 --> 00:40:26,701 * KNEES DOWN, CHEST DOWN, FUCKING ON THE GROUND * 746 00:40:26,701 --> 00:40:28,734 * GET UP, TITS OUT, SHAKE 'EM ALL AROUND * 747 00:40:28,734 --> 00:40:30,901 * GET YOUR ASS IN THE GAME 748 00:40:30,901 --> 00:40:32,734 * LEFT UP, RIGHT UP, SPIN YOURSELF AROUND * 749 00:40:32,734 --> 00:40:35,033 * KNEES DOWN, CHEST DOWN, FUCKING ON THE GROUND * 750 00:40:35,033 --> 00:40:37,000 * GET UP, TITS OUT, SHAKE 'EM ALL AROUND. * 751 00:40:39,133 --> 00:40:41,634 - * CAN I GET A REFUND? - * What? 752 00:40:41,634 --> 00:40:45,167 * FOR THIS LIFE OF SIN, LET ME TRY IT AGAIN, LEMME HIT IT, MAN * 753 00:40:45,167 --> 00:40:48,067 * I WANT MY MONEY BACK, YOU KNOW I CAN DO BETTER * 754 00:40:48,067 --> 00:40:50,567 * IF THE DEVIL LET ME OFF, I SWEAR TO GOD I'M READY. * 755 00:40:50,567 --> 00:40:52,868 * PEDAL TO THE METAL, HEADING FOR THE BAY * 756 00:40:52,868 --> 00:40:55,234 * CHECKING MY LINES AND SHIT, JUST PREPPING FOR THIS PLAY. * 757 00:40:55,234 --> 00:40:58,834 Matt: "400 GAWKING TOURISTS HELD 400 CAMERA PHONES 758 00:40:58,834 --> 00:41:01,701 IN THE AIR TO DOCUMENT THE MOMENT. 759 00:41:01,701 --> 00:41:04,501 JOAQUIN PHOENIX DRESSED IN LITERAL TATTERS 760 00:41:04,501 --> 00:41:07,767 LOOKED OUT AT THIS AND MUST HAVE RECOGNIZED IT FOR WHAT IT WAS: 761 00:41:07,767 --> 00:41:10,868 THE END. THIS IS THE ONLY EXPLANATION 762 00:41:10,868 --> 00:41:13,000 FOR HIS AMATEUR PRATFALL OFFSTAGE. 763 00:41:13,000 --> 00:41:15,367 WE MOCK OUR OWN FAILURES, 764 00:41:15,367 --> 00:41:18,334 AS FIREMEN BURN A RING AROUND A WILDFIRE 765 00:41:18,334 --> 00:41:22,000 TO PREVENT IT FROM GETTING ANY CLOSER TO THE PLACES WE LIVE." 766 00:41:31,868 --> 00:41:34,200 ( groans ) BUT I-- WHATEVER. 767 00:41:34,200 --> 00:41:36,601 ALL IN ALL, PRETTY GOOD. I MEAN, THIS ONE HERE: 768 00:41:36,601 --> 00:41:38,667 CROWD PUMPING THEIR FISTS. 769 00:41:40,601 --> 00:41:42,267 "THE RUMOR MILLS ARE NOW BUZZING 770 00:41:42,267 --> 00:41:44,868 THAT JOAQUIN PHOENIX'S RETIREMENT FROM ACTING 771 00:41:44,868 --> 00:41:47,734 AND NEWFOUND CAREER AS A RAPPER IS ALL PART OF AN ELABORATE HOAX 772 00:41:47,734 --> 00:41:51,200 THAT IS BEING DOCUMENTED BY HIS BROTHER-IN-LAW CASEY AFFLECK. 773 00:41:51,200 --> 00:41:53,534 THAT DOESN'T EXACTLY PUT THE MATTER TO REST. 774 00:41:53,534 --> 00:41:55,367 ACCORDING TO MEDIA REPORTS, 775 00:41:55,367 --> 00:41:57,601 DIDDY IS PRODUCING PHOENIX'S RAP ALBUM. 776 00:41:57,601 --> 00:42:00,834 AT FIRST HIS REP SAID SHE WAS UNAWARE OF HIS INVOLVEMENT, 777 00:42:00,834 --> 00:42:03,234 BUT LATER SENT ABC NEWS 778 00:42:03,234 --> 00:42:07,400 AN EMAIL SAYING, 'I CANNOT COMMENT ON THIS AT THIS TIME.'" 779 00:42:18,267 --> 00:42:21,334 ( Casey speaks ) 780 00:42:30,734 --> 00:42:33,567 OH SHIT. THAT'S SO FUCKING COOL. 781 00:43:02,133 --> 00:43:05,534 GOOD TO SEE YOU, MAN. WHAT'S UP? 782 00:43:05,534 --> 00:43:07,968 HOW'S IT GOING? SIT DOWN. YOU WANT SOME WATER OR SOMETHING? 783 00:43:07,968 --> 00:43:10,567 ACTUALLY YEAH. I WANTED TO TALK TO YOU THE LAST TIME WE WERE TOGETHER. 784 00:43:10,567 --> 00:43:13,033 WHEN WE WERE DOING THE NICK ADAMS SHOW? 785 00:43:13,033 --> 00:43:15,634 BUT ALL OF A SUDDEN OUT OF NOWHERE, I TURNED 786 00:43:15,634 --> 00:43:18,701 AND YOU'RE TELLING THIS REPORTER THAT YOU'RE QUITTING. 787 00:43:18,701 --> 00:43:21,634 THIS IS IT. YOU'RE NOT GOING TO DO ANY MORE ACTING 788 00:43:21,634 --> 00:43:25,667 AND THAT YOUR PERFORMANCES WERE OVER AND THAT YOU WERE GOING TO GET INTO MUSIC? 789 00:43:25,667 --> 00:43:28,467 I OPENED MY MOUTH AND THE FUCKING WORDS CAME OUT. 790 00:43:28,467 --> 00:43:30,834 YOU KNOW WHAT I MEAN? AND I DIDN'T EXPECT THAT. 791 00:43:32,300 --> 00:43:34,400 MY MUSIC MAKES PEOPLE HAPPY. 792 00:43:34,400 --> 00:43:37,634 YOU KNOW? AND IT'S NOT ABOUT WHETHER SOMEBODY ELSE LIKES IT 793 00:43:37,634 --> 00:43:39,868 OR THIS PERSON. I'M NOT TRYING TO-- 794 00:43:39,868 --> 00:43:41,767 YOU KNOW-- APPEAL TO EVERYONE. 795 00:43:41,767 --> 00:43:43,167 I'M... 796 00:43:45,534 --> 00:43:47,267 YOU KNOW, IT'S LIKE... 797 00:43:50,501 --> 00:43:52,934 - FUCK. - TO ME... 798 00:43:56,033 --> 00:43:58,567 THAT'S ME, THAT'S YOU. 799 00:43:58,567 --> 00:44:00,901 DROPS OF WATER. 800 00:44:00,901 --> 00:44:03,834 AND YOU'RE ON TOP OF THE MOUNTAIN OF SUCCESS. 801 00:44:03,834 --> 00:44:07,701 BUT ONE DAY YOU START SLIDING DOWN THE MOUNTAIN AND YOU THINK, "WAIT A MINUTE. 802 00:44:07,701 --> 00:44:10,501 I'M A MOUNTAINTOP WATER DROP. 803 00:44:10,501 --> 00:44:13,133 I DON'T BELONG IN THIS VALLEY, IN THIS RIVER, 804 00:44:13,133 --> 00:44:16,767 THIS LOW, DARK OCEAN WITH ALL THESE DROPS OF WATER." 805 00:44:16,767 --> 00:44:17,767 YEAH? 806 00:44:17,767 --> 00:44:19,434 AND YOU FEEL CONFUSED. 807 00:44:19,434 --> 00:44:21,934 THEN ONE DAY IT GETS HOT 808 00:44:21,934 --> 00:44:24,434 AND YOU SLOWLY EVAPORATE IN THE AIR. 809 00:44:24,434 --> 00:44:26,267 WAY UP-- HIGHER THAN ANY MOUNTAINTOP, 810 00:44:26,267 --> 00:44:29,067 ALL THE WAY TO THE HEAVENS. 811 00:44:29,067 --> 00:44:33,901 THEN YOU UNDERSTAND THAT IT WAS AT YOUR LOWEST THAT YOU WERE CLOSEST TO GOD. 812 00:44:33,901 --> 00:44:36,868 BECAUSE LIFE'S A JOURNEY THAT GOES AROUND AND AROUND 813 00:44:36,868 --> 00:44:38,767 AND THE END IS CLOSEST TO THE BEGINNING. 814 00:44:38,767 --> 00:44:41,601 SO IT'S CHANGE YOU NEED, 815 00:44:41,601 --> 00:44:45,234 RELISH THE JOURNEY. BE A DROP OF RUNNING WATER. 816 00:44:45,234 --> 00:44:48,400 OBEY THOSE INVISIBLE PULLS ON YOUR SOUL-- 817 00:44:48,400 --> 00:44:53,234 GRAVITY, EVAPORATION, LOVE, 818 00:44:53,234 --> 00:44:55,234 CREATIVITY. 819 00:44:55,234 --> 00:44:57,267 IT'S-- IN THE DARKEST MOMENTS 820 00:44:57,267 --> 00:45:01,167 IS WHEN THE CRACKS ALLOW 821 00:45:01,167 --> 00:45:02,901 THE INNER LIGHT TO COME OUT. 822 00:45:04,300 --> 00:45:07,400 BUT THE SPOTLIGHTS-- ( mimics gunfire ) 823 00:45:07,400 --> 00:45:11,000 DON'T LET YOU SEE THE INNER LIGHT. 824 00:45:16,901 --> 00:45:19,767 BUT THEY'RE-- PART OF WHAT IT'S ABOUT 825 00:45:19,767 --> 00:45:22,300 IS THAT'S WHAT IT IS-- IS IT'S ACTUALLY ABOUT REVEALING. 826 00:45:22,300 --> 00:45:24,367 YEAH. 827 00:45:24,367 --> 00:45:27,200 Joaquin: I DON'T REALLY CARE ABOUT THINGS IN THIS WORLD. 828 00:45:27,200 --> 00:45:29,200 YOU KNOW? THAT'S NOT HOW I AM. 829 00:45:29,200 --> 00:45:31,267 TO ME IT'S ALL FUCKING ILLUSION. 830 00:45:31,267 --> 00:45:33,267 IT'S ALL FEAR AND LUST. 831 00:45:33,267 --> 00:45:35,367 WHAT DO YOU FEAR? YOU FEAR BEING MEDIOCRE. 832 00:45:35,367 --> 00:45:37,000 YOU KNOW? YOU WANNA BE GREAT. 833 00:45:37,000 --> 00:45:38,601 YOU WANT TO LEAVE A MARK. 834 00:45:38,601 --> 00:45:41,100 I WANT TO LEAVE SOMETHING SPECIAL ON EARTH. 835 00:45:41,100 --> 00:45:44,133 'CAUSE THAT'S ALL THAT MATTERS-- THIS EARTH AND WHAT HAPPENS ON THIS EARTH. 836 00:45:44,133 --> 00:45:48,267 "YES, THERE ARE PLACES IN THE WORLD WHERE DREAMS ARE ALMOST DEAD. 837 00:45:48,267 --> 00:45:53,067 SO PLEASE, MY CHILD, DO KEEP IN MIND BEFORE YOU GO TO BED 838 00:45:53,067 --> 00:45:57,334 TO DREAM A DREAM AS BIG AS BIG COULD EVER DREAM TO BE, 839 00:45:57,334 --> 00:46:00,701 THEN DREAM A DREAM 10 TIMES AS BIG 840 00:46:00,701 --> 00:46:03,834 AS THAT ONE DREAM YOU SEE. 841 00:46:03,834 --> 00:46:08,000 THEN ONCE YOU'VE GOT THAT DREAM IN MIND, PLEASE DREAM A MILLION MORE. 842 00:46:08,000 --> 00:46:11,901 AND NOT A MILLION QUIET DREAMS, A MILLION DREAMS THAT ROAR, 843 00:46:11,901 --> 00:46:15,400 A MILLION DREAMS SO LOUD THEY SCREAM, 844 00:46:15,400 --> 00:46:17,801 SO LOUD THEY SING AND SHOUT! 845 00:46:17,801 --> 00:46:21,501 SO SUPER-HUGE THEY SAY, 'HEY, WORLD! 846 00:46:21,501 --> 00:46:23,868 GUESS WHAT I'M DREAMIN' 'BOUT.' 847 00:46:23,868 --> 00:46:27,501 I'M DREAMING ABOUT EVERYTHING THAT NO ONE THOUGHT TO WONDER, 848 00:46:27,501 --> 00:46:31,200 DREAMS SO BIG THAT THEY'VE GOT DREAMS 849 00:46:31,200 --> 00:46:33,667 AND THEY GOT DREAMS UP UNDER. 850 00:46:33,667 --> 00:46:38,567 AND IF THEY SAY THAT ALL YOUR DREAMS ARE TOO BIG TO COME TRUE, 851 00:46:38,567 --> 00:46:41,100 YOU TELL THEM THAT I TOLD YOU, 852 00:46:41,100 --> 00:46:45,000 'THAT'S WHAT DREAMS ARE MEANT TO DO!' 853 00:46:45,000 --> 00:46:49,067 THEY'RE MEANT TO MAKE YOU SEEM AS IF YOU DON'T KNOW 854 00:46:49,067 --> 00:46:51,067 UP FROM DOWN, 855 00:46:51,067 --> 00:46:52,868 BECAUSE DREAMS ARE DREAMS 856 00:46:52,868 --> 00:46:56,033 AND THAT'S WHY DREAMS ARE WORTH HAVING AROUND." 857 00:47:03,634 --> 00:47:06,534 PRETTY AWESOME BOOK. 858 00:47:06,534 --> 00:47:08,767 Joaquin: WAIT, SO YOU CALL HER AND SHE SAYS, 859 00:47:08,767 --> 00:47:10,701 "OH, WE'RE GOING TO THE INAUGURATION AND HAVING A BALL--" 860 00:47:10,701 --> 00:47:12,601 MAYBE AFTER THE INAUGURATION IT'D BE BETTER. 861 00:47:12,601 --> 00:47:14,701 DID THEY SAY THAT? DID YOU ASK? 862 00:47:14,701 --> 00:47:16,601 NO, BECAUSE I DIDN'T WANT TO PUSH. I WANTED TO FIND OUT-- 863 00:47:16,601 --> 00:47:19,033 WHAT DO YOU MEAN PUSH IT, DUDE? I'M DOING HIM A FUCKING FAVOR. 864 00:47:21,567 --> 00:47:24,300 I'M SURE AFTER THE INAUGURATION WE CAN GO IN THE STUDIO. 865 00:47:24,300 --> 00:47:27,901 WHAT FUCKING PLANET DO YOU FUCKING LIVE ON? 866 00:47:27,901 --> 00:47:30,868 WHAT DON'T YOU FUCKING UNDERSTAND? 867 00:47:32,734 --> 00:47:35,067 I MEAN, THIS IS FUCKING RIDICULOUS, DUDE. 868 00:47:35,067 --> 00:47:36,634 NO, IT'S GONNA WORK OUT. 869 00:47:36,634 --> 00:47:39,901 - AS SOON-- - I WILL WORK IT OUT! 870 00:47:39,901 --> 00:47:41,400 YES! 871 00:47:44,000 --> 00:47:45,734 WHAT SHOULD I TELL HER? 872 00:47:45,734 --> 00:47:47,968 JUST SHUT THE FUCK UP. 873 00:47:47,968 --> 00:47:51,300 * I'M STILL HERE THROUGH THESE YEARS * 874 00:47:51,300 --> 00:47:53,133 * I DON'T SCARE-- * 875 00:47:53,133 --> 00:47:56,434 I CAN'T BELIEVE THIS. JOAQUIN'S WATCHING TV LAST NIGHT 876 00:47:56,434 --> 00:48:00,334 AND HE SAW LIKE HANKS AND DIDDY WERE AT THE INAUGURATION. 877 00:48:00,334 --> 00:48:03,000 I THINK HE'S PRETTY PISSED DIDDY HASN'T CALLED. 878 00:48:03,000 --> 00:48:04,968 SUDDENLY WE'VE GOT TO GO TO WASHINGTON. 879 00:48:04,968 --> 00:48:07,200 I DON'T KNOW WHAT WE'RE GONNA DO WHEN WE GET THERE 880 00:48:07,200 --> 00:48:09,434 'CAUSE WE DON'T HAVE A CAR, WE DON'T HAVE A PLACE TO STAY. 881 00:48:09,434 --> 00:48:11,634 ALL WE GOT WERE ONE-WAY TICKETS. 882 00:48:11,634 --> 00:48:14,167 AND NOBODY EVEN ASKED HIM TO HOST A PARTY AT THE INAUGURATION. 883 00:48:14,167 --> 00:48:17,434 NOT EVEN A VICE PRESIDENT PARTY, SO HE'S NOT HAPPY ABOUT THAT EITHER. 884 00:48:17,434 --> 00:48:20,033 Joaquin: HOW COULD WE NOT HAVE A CAR? 885 00:48:20,033 --> 00:48:23,501 WHAT A GODDAMNED FUCKING JOKE THIS IS. 886 00:48:23,501 --> 00:48:25,200 Larry: YOU KNOW, I GOT UP, 887 00:48:25,200 --> 00:48:27,701 I TRIED TO WAKE UP JOAQ TO GO TO THE INAUGURATION, 888 00:48:27,701 --> 00:48:30,000 AND HE WOULDN'T GET UP. HE JUST WOULD NOT WAKE UP. 889 00:48:30,000 --> 00:48:33,634 SO WE LEFT HIM THERE AND THEN CAME BACK AND HE WAS ALL PISSED OFF 890 00:48:33,634 --> 00:48:36,000 WITH THE ONCE-IN-A-LIFETIME OPPORTUNITY 891 00:48:36,000 --> 00:48:38,133 AND HE MISSED IT. 892 00:48:38,133 --> 00:48:40,534 AND NOW HE'S FREAKING OUT ABOUT NOT HAVING WEED. 893 00:48:40,534 --> 00:48:43,968 SO THINGS AREN'T GOING WELL ON THIS LEG OF THE ADVENTURE. 894 00:48:45,534 --> 00:48:47,434 TV: ...every step of the way. 895 00:48:49,567 --> 00:48:51,834 That's why Weight Watchers created 896 00:48:51,834 --> 00:48:54,000 the brand new Momentum program. 897 00:48:54,000 --> 00:48:55,801 CAN WE CALL HIM PLEASE? I BEG YOU. 898 00:48:55,801 --> 00:48:58,367 I MEAN, IT'S TOTALLY-- IT'S TOTALLY INSANE THAT... 899 00:48:58,367 --> 00:49:01,567 - ARE YOU CRAZY? WE HAVE TO HAVE PATIENCE. - ...I SHOULD BE WITHOUT WEED. 900 00:49:01,567 --> 00:49:04,868 TV: We're going to take a look back at this truly remarkable day. 901 00:49:04,868 --> 00:49:07,467 CAN YOU PLEASE CLIP MY FUCKING HAIRS, DUDE? 902 00:49:07,467 --> 00:49:10,133 DON'T! YOU DON'T HAVE TO HOLD IT. I'LL HOLD IT. 903 00:49:10,133 --> 00:49:13,234 - I HAVE TO HOLD IT. - I'LL HOLD IT. DON'T TOUCH IT, JUST DO IT. 904 00:49:13,234 --> 00:49:16,767 - Larry: IT GROWS BACK TWICE AS FAST. - SO FUCKING WHAT, DUDE? 905 00:49:16,767 --> 00:49:19,501 QUIT BEING SO GODDAMNED NEGATIVE. 906 00:49:19,501 --> 00:49:21,834 WHY DON'T YOU SHAVE IT OFF, DUDE? 907 00:49:21,834 --> 00:49:24,033 I'M NOT GOING TO FUCKING SHAVE IT OFF. 908 00:49:24,033 --> 00:49:27,000 - IT'S DISGUSTING. - BECAUSE WE'RE NOT GETTING A FULL TRIM. 909 00:49:27,000 --> 00:49:29,234 - YOU'RE GONNA GET STUBBLE. - Larry: WE GOTTA GO. 910 00:49:29,234 --> 00:49:32,033 - WHY? - LEO'S HOSTING THE FIRST BALL. 911 00:49:32,033 --> 00:49:35,100 I DO FUCKING "RESERVATION ROAD," IT SUCKS, NO NOMINATIONS. 912 00:49:35,100 --> 00:49:38,400 HE DOES FUCKING "REVOLUTIONARY ROAD," AND FUCKING GETS NOMINATED. 913 00:49:38,400 --> 00:49:40,400 - IT'S BULLSHIT. - HE'S BITING YOUR SHIT. 914 00:49:40,400 --> 00:49:42,734 HE DIDN'T BITE MY SHIT. HE JUST FUCKING 915 00:49:42,734 --> 00:49:44,534 GOT A BETTER THING. HE'S LUCKIER. 916 00:49:44,534 --> 00:49:46,534 I WON'T-- I THINK WE SHOULD GET ROLLING. 917 00:49:46,534 --> 00:49:48,100 ( Antony speaks ) 918 00:49:48,100 --> 00:49:49,901 WELL, GREAT. I'D LIKE A FUCKING JOINT 919 00:49:49,901 --> 00:49:52,467 AND TO BE ANYWHERE OTHER THAN WASHINGTON-FUCKING-DC. 920 00:49:52,467 --> 00:49:54,534 BUT LIFE IS NOT A CHRISTMAS DAY. 921 00:49:56,300 --> 00:49:58,734 ( Joaquin speaking ) 922 00:50:14,100 --> 00:50:16,634 'CAUSE I DON'T EVEN GIVE A SHIT IF HE DOES THE RECORD OR NOT, DUDE. 923 00:50:16,634 --> 00:50:19,367 I DON'T FUCKING CARE. BUT HE SAID THAT HE WANTS TO DO IT. 924 00:50:19,367 --> 00:50:21,901 NOW EVERYONE'S TALKING ABOUT IT IN THE FUCKING PAPERS. 925 00:50:21,901 --> 00:50:24,434 THAT'S WHAT EVERYONE EXPECTS, NOW I'M IN THAT POSITION. 926 00:50:24,434 --> 00:50:26,334 HONESTLY, WHAT HAVE YOU FUCKING DONE? 927 00:50:26,334 --> 00:50:28,634 WHAT HAVE WE DONE THUS FAR? WE DON'T HAVE A FUCKING FLIGHT? 928 00:50:28,634 --> 00:50:30,601 WHAT DID FUCKING EJO SAY? 929 00:50:30,601 --> 00:50:32,968 WHAT DID EDWARD JAMES OLMOS SAY? 930 00:50:32,968 --> 00:50:35,467 SAID WE'RE FUCKING... 931 00:50:35,467 --> 00:50:38,334 TURNED INTO-- 10% OF US INTO WATER 932 00:50:38,334 --> 00:50:42,234 THAT GOES DOWN A STREAM AND EMANATES INTO THE FUCKING OCEAN 933 00:50:42,234 --> 00:50:45,400 WHERE WE'RE REHYDRATED INTO THE FUCKING CLOUDS 934 00:50:45,400 --> 00:50:48,834 AND PLACED BACK DOWN AS SNOW ON THE FUCKING MOUNTAIN-- ON TOP OF THE MOUNTAIN. 935 00:50:48,834 --> 00:50:51,300 THAT'S WHAT IT'S ABOUT. YOU KNOW WHAT I MEAN? 936 00:50:51,300 --> 00:50:54,434 AND THAT'S HOW I'M FUCKING LIVING. THAT'S WHY THIS IS BIG FOR ME. 937 00:50:54,434 --> 00:50:56,300 THAT'S WHY WHO CARES IF WE'RE FILMING? 938 00:50:56,300 --> 00:50:58,167 THIS IS ABOUT A PERSONAL JOURNEY. 939 00:50:58,167 --> 00:51:02,267 HOW MANY PEOPLE ACTUALLY SAY, "YOU KNOW WHAT? I GOTTA WORK ON ME, 940 00:51:02,267 --> 00:51:05,033 SO I CAN THINK ABOUT WE," AND ACTUALLY FUCKING DO IT? 941 00:51:05,033 --> 00:51:07,133 YOU KNOW WHAT I MEAN? THIS ISN'T SOME BULLSHIT THING. 942 00:51:07,133 --> 00:51:09,934 THIS IS ME CHANGING MY LIFE BEFORE YOUR EYES 943 00:51:09,934 --> 00:51:12,000 TO BE A FUCKING POSITIVE INFLUENCE. 944 00:51:12,000 --> 00:51:14,200 WE GOT ALL THIS EQUIPMENT, ALL THE CAMPING GEAR 945 00:51:14,200 --> 00:51:16,033 AND FOOD AND EVERYTHING. AND WE GET WAY OUT THERE, 946 00:51:16,033 --> 00:51:18,501 AND SUDDENLY THE WEATHER CHANGES. IT'S SNOWING. 947 00:51:18,501 --> 00:51:20,534 WE'RE FREEZING. AND WE'RE ON THE TOP OF THIS MOUNTAIN, 948 00:51:20,534 --> 00:51:23,000 AND THE WIND COMES UP, BLOWS ALL OUR SHIT OFF INTO THIS, 949 00:51:23,000 --> 00:51:24,968 LIKE, GULLY. WE'LL NEVER SEE IT AGAIN. 950 00:51:24,968 --> 00:51:26,968 AND WE HAVE TO FIGURE OUT A WAY TO GET BACK. 951 00:51:26,968 --> 00:51:29,968 - WHAT THE FUCK ARE YOU TALKING ABOUT? - WE GOTTA GET BACK 952 00:51:29,968 --> 00:51:31,634 WITHOUT-- WE ALL GOTTA SURVIVE. 953 00:51:31,634 --> 00:51:33,067 Antony: WHERE ARE WE GETTING BACK TO? 954 00:51:33,067 --> 00:51:35,367 WE'RE IN FUCKING D.C.. 955 00:51:35,367 --> 00:51:37,534 - BUT I'M TALKING ABOUT GET BACK TO-- - YOU MEAN IT METAPHORICALLY. 956 00:51:37,534 --> 00:51:40,033 --THE COMFORTABLE-- YEAH, METAPHORICALLY. THE COMFORTABLE PLACE 957 00:51:40,033 --> 00:51:43,400 - WHERE WE FEEL GOOD-- - WELL, SAY YOU'RE SPEAKING-- SAY "METAPHORICALLY SPEAKING" 958 00:51:43,400 --> 00:51:46,000 OR ELSE IT'S FUCKING CONFUSING. 959 00:51:46,000 --> 00:51:49,367 - "WHAT IS HE TALKING ABOUT? WE'RE IN FUCKING D.C.." - I GET WHERE YOU'RE GOING. 960 00:51:49,367 --> 00:51:51,834 - YOU DID NOT! - NO, EVERYTHING WAS COOL UP TO A CERTAIN-- 961 00:51:51,834 --> 00:51:54,334 - I DO THOUGH. - ANTON, YOU DID NOT FUCKING GET IT. 962 00:51:54,334 --> 00:51:57,701 Joaquin: IF I'M TIRED AND I'M GRUMPY, YOU STILL FUCKING WAKE ME UP. 963 00:51:57,701 --> 00:52:00,601 YOU KNOW WHAT I MEAN? IT'S, LIKE, HAVE THE FUCKING DECENCY 964 00:52:00,601 --> 00:52:02,734 TO LET ME BE A DECENT PERSON. 965 00:52:02,734 --> 00:52:05,234 BECAUSE I'M THE ONE THAT'S BEING LOOKED OUT THERE PUBLICALLY 966 00:52:05,234 --> 00:52:07,834 PERCEP-- BEING PERCEIVED. 967 00:52:07,834 --> 00:52:10,033 DO YOU KNOW WHAT I MEAN? ANTON, YOU CAN'T-- 968 00:52:10,033 --> 00:52:12,567 YOU FUCK UP A FLIGHT; YOU CAN'T GET A GODDAMNED FLIGHT. 969 00:52:12,567 --> 00:52:14,100 DUDE, IF I TRAVEL WITH YOU GUYS, 970 00:52:14,100 --> 00:52:16,033 I CAN'T GET ON THE FUCKING PRIVATE JET. 971 00:52:16,033 --> 00:52:18,267 FUCKING BEN FUCKING ISN'T COMFORTABLE-- 972 00:52:18,267 --> 00:52:20,000 ME AND CASEY CAN FUCKING ROLL. 973 00:52:20,000 --> 00:52:22,234 OKAY? BECAUSE WE FUCKING KNOW THAT WORLD. 974 00:52:22,234 --> 00:52:25,367 YOU GUYS NOT ONLY-- YOU MAKE US LOOK FUCKING STUPID, DUDE. 975 00:52:25,367 --> 00:52:28,667 TOBEY AND FUCKING LEO ARE ON A FUCKING JET, MAN. 976 00:52:28,667 --> 00:52:32,267 AND WE'RE IN THIS FUCKING MINIVAN. I'M IN A FUCKING GREEN 977 00:52:32,267 --> 00:52:34,968 RENT-A-CAR MINIVAN. IT'S A FUCKING JOKE. 978 00:52:34,968 --> 00:52:37,400 THIS IS A GODDAMNED FUCKING JOKE. 979 00:52:37,400 --> 00:52:40,901 * IT'S TIME FOR ME TO END THIS GAME WITH A BRAND-NEW START * 980 00:52:40,901 --> 00:52:44,400 * COMING TO YOU LIVE, DIRECT, I'LL FUCKING TEAR OUT MY SPLEEN * 981 00:52:44,400 --> 00:52:47,200 * IT'S NONE OTHER THAN THE ONE AND ONLY JOAQUIN * 982 00:52:47,200 --> 00:52:49,167 * BITCH, D.C.. 983 00:52:53,601 --> 00:52:55,300 Joaquin: OH SHIT! 984 00:52:55,300 --> 00:52:58,767 FUCKING SMOKED. THEY'RE IN CAHOOTS. 985 00:52:58,767 --> 00:53:00,701 SON OF A BITCH. 986 00:53:00,701 --> 00:53:05,367 FUCKING SMOKED! LOOK IT-- JUST TWO FUCKING WEASELS. 987 00:53:05,367 --> 00:53:08,601 SHIT, THEY'RE PROBABLY RIGHT THERE JUST SELLING THE FUCKING INFO. 988 00:53:08,601 --> 00:53:10,734 THAT'S WHY THEY JUST LEFT ALL SMILING AND SHIT. 989 00:53:10,734 --> 00:53:13,934 THEM WANNABE ROCK STARS-- FUCK YOU. I'LL FUCKING CRUSH YOU. 990 00:53:13,934 --> 00:53:17,467 I HAD A PRIVATE EYE FOLLOW FUCKING ANTON 991 00:53:17,467 --> 00:53:19,767 BECAUSE I'M PRETTY FUCKING SURE HE'S THE ONE 992 00:53:19,767 --> 00:53:22,434 THAT WAS SELLING INFORMATION TO MAGAZINES, SAYING, LIKE, 993 00:53:22,434 --> 00:53:24,834 THAT MY SHIT'S A HOAX OR SOMETHING. 994 00:53:24,834 --> 00:53:27,467 AND I JUST WANT TO FUCKING CRUSH HIM. 995 00:53:27,467 --> 00:53:30,501 * I HEARD THE CALL, SIRENS SOUNDING OFF * 996 00:53:30,501 --> 00:53:33,334 * FEELING GUILTY 'CAUSE MY DAY WAS SPENT FUCKING OFF * 997 00:53:33,334 --> 00:53:36,167 * HISTORY'S PERVERTED ME, WORDS DON'T REALLY COMFORT ME * 998 00:53:36,167 --> 00:53:38,334 * YOU'VE BECOME THE EPITOME OF A FUCKING-- * 999 00:53:40,334 --> 00:53:42,367 * I MADE IT HERE DESPITE THE EFFORTS OF A FEW * 1000 00:53:42,367 --> 00:53:45,267 * SO NOW IT'S TIME TO SIMPLY SAY, "FUCK YOU!" * 1001 00:53:48,601 --> 00:53:49,968 THAT'S FUCKING IRONIC. 1002 00:53:49,968 --> 00:53:52,868 CAN I COME IN? 1003 00:54:05,133 --> 00:54:07,534 I REALLY DON'T THINK YOU SHOULD FILM THIS, DUDE. 1004 00:54:07,534 --> 00:54:09,234 I MEAN-- 1005 00:54:12,367 --> 00:54:14,501 ANT, DUDE, 1006 00:54:14,501 --> 00:54:18,067 I KNOW IT WAS FUCKING YOU, DUDE. 1007 00:54:18,067 --> 00:54:19,467 WHAT WAS ME? 1008 00:54:19,467 --> 00:54:21,968 - THE PRESS. - THE PRESS?! 1009 00:54:21,968 --> 00:54:23,801 I HAVE NOT TALKED TO THE PRESS, DUDE. 1010 00:54:23,801 --> 00:54:26,400 I HAVE NOT-- OUT OF ANYTHING AT ALL, ON MY LIFE, DUDE, 1011 00:54:26,400 --> 00:54:28,367 - I HAVE NOT TALKED TO THE PRESS. - ANT, 1012 00:54:28,367 --> 00:54:31,067 DON'T FUCKING DO THIS TO YOURSELF. 1013 00:54:31,067 --> 00:54:33,801 - I-- - I CAN'T BELIEVE THAT YOU COULD COME INTO MY HOME 1014 00:54:33,801 --> 00:54:36,567 AFTER ALL THE THINGS I'VE DONE FOR YOU. 1015 00:54:36,567 --> 00:54:38,734 I TRIED TO GIVE YOU THIS OPPORTUNITY 1016 00:54:38,734 --> 00:54:41,167 AND YOU FUCKING BETRAY ME, DUDE-- 1017 00:54:41,167 --> 00:54:43,400 THE ONE FUCKING THING. 1018 00:54:43,400 --> 00:54:45,200 I DID NOT, JOAQ. HONESTLY, ON MY LIFE, 1019 00:54:45,200 --> 00:54:47,400 I DID NOT BETRAY YOU. I SWEAR ON MY LIFE, DUDE. 1020 00:54:47,400 --> 00:54:49,200 I HAVE NOT TALKED TO THE PRESS ABOUT ANYTHING. 1021 00:54:49,200 --> 00:54:50,834 DUDE, YOU THINK IT'S A FUCKING JOKE. 1022 00:54:50,834 --> 00:54:52,834 I DO NOT THINK IT'S A JOKE, DUDE. 1023 00:54:52,834 --> 00:54:55,000 HERE, IS THIS A JOKE? LET ME SHOW YOU THIS. 1024 00:54:55,000 --> 00:54:57,267 THIS IS... 1025 00:54:57,267 --> 00:54:59,734 - OBVIOUSLY YOU. - YEAH. 1026 00:54:59,734 --> 00:55:03,100 THAT IS ME, BUT THAT'S NOT ME-- I'M NOT TALKING TO THE PRESS, DUDE. 1027 00:55:03,100 --> 00:55:05,868 - THAT'S ME AND NORM. - I UNDERSTAND THAT. 1028 00:55:05,868 --> 00:55:09,033 I'M JUST SAYING THAT I AM GETTING INFORMATION 1029 00:55:09,033 --> 00:55:13,534 AND I ALREADY HAVE INFORMATION AND I'M FUCKING-- ANT, 1030 00:55:13,534 --> 00:55:16,267 I HAVE THIS. I'M NOT A FUCKING IDIOT. 1031 00:55:16,267 --> 00:55:21,067 PRIORITY DISPATCH-- TAKE NOTICE OF YOUR HEALTHCARE PROVIDER. 1032 00:55:21,067 --> 00:55:24,267 UM, "AMOUNT CLAIMED, 26,000." 1033 00:55:24,267 --> 00:55:26,467 WHAT THE FUCK IS THAT? 1034 00:55:26,467 --> 00:55:29,534 - UH, "TO ANTON." - RIGHT? 1035 00:55:31,467 --> 00:55:33,634 YEAH, BUT THAT'S FOR FUCKING TUCSON, DUDE. 1036 00:55:33,634 --> 00:55:35,701 I'M-- I'M-- I'M GOING TO-- I'M PAYING THAT. 1037 00:55:35,701 --> 00:55:37,534 I'M ALREADY TALKING TO THEM ABOUT THAT. 1038 00:55:37,534 --> 00:55:39,534 - HOW ARE YOU PAYING THAT? - I'M NOT PAYING-- 1039 00:55:39,534 --> 00:55:41,701 - WITH THE FUCKING MONEY FROM THE PRESS? - NO. 1040 00:55:41,701 --> 00:55:44,033 I HAVEN'T PAID IT. I SPOKE TO A LAWYER TODAY. I HAVEN'T PAID ANY OF THAT. 1041 00:55:44,033 --> 00:55:46,200 I AM SO FUCKING COOL AND OPEN AND GOOD TO PEOPLE. 1042 00:55:46,200 --> 00:55:48,634 WHATEVER IT IS, NOTHING BUT FUCKING LOVE, MAN. 1043 00:55:48,634 --> 00:55:52,100 I HAVE SUCH A-- I JUST WANT TO FUCKING PUT OUT POSITIVE VIBRATIONS 1044 00:55:52,100 --> 00:55:54,901 AND THEN YOU FUCKING BETRAY ME? 1045 00:55:54,901 --> 00:55:57,167 - YOU BETRAY US? - I HAVE NOT BETRAYED YOU, MAN. 1046 00:55:57,167 --> 00:55:59,801 - CASEY-- - YOU LITERALLY JUST FUCKED MY LIFE. 1047 00:55:59,801 --> 00:56:01,501 YOU FUCKED MY FUCKING LIFE, DUDE. 1048 00:56:01,501 --> 00:56:03,801 YOU FUCKED MY LIFE! 1049 00:56:03,801 --> 00:56:06,634 YOU FUCKED MY LIFE, DUDE. I KNOW THAT YOU FUCKED MY LIFE. 1050 00:56:06,634 --> 00:56:09,734 - I DID NOT, MAN.I DID NOT. - YOU ARE GOING TO CONTINUE-- 1051 00:56:09,734 --> 00:56:11,934 WILL YOU FUCKING TELL HIM THAT WE KNOW, DUDE? 1052 00:56:11,934 --> 00:56:16,934 YEAH, IT SEEMS THAT YOU PROVIDED INFORMATION TO THE PRESS. 1053 00:56:16,934 --> 00:56:19,934 OKAY, THIS IS WHAT HAPPENED, OKAY? ONE DAY EVERYTHING'S DOWN, DUDE. 1054 00:56:19,934 --> 00:56:21,667 THE NEXT DAY YOU'RE FURIOUS ABOUT AN ANONYMOUS QUOTE 1055 00:56:21,667 --> 00:56:23,467 IN A MAGAZINE THAT I'VE NEVER EVEN SEEN. 1056 00:56:23,467 --> 00:56:25,968 I DON'T KNOW WHETHER TO FUCKING LAUGH OR WHAT TO DO, DUDE. 1057 00:56:25,968 --> 00:56:27,934 - I'M AFRAID-- - I DARE YOU TO FUCKING LAUGH. 1058 00:56:27,934 --> 00:56:30,000 I'M NOT GONNA LAUGH. 1059 00:56:30,000 --> 00:56:32,200 I THINK THAT YOU ARE A FUCKING 1060 00:56:32,200 --> 00:56:35,868 SELFISH, ARROGANT, WORTHLESS CUNT. 1061 00:56:41,300 --> 00:56:44,000 DO YOU THINK THAT I'M JUST GOING TO FORGET ABOUT THIS, DUDE? 1062 00:56:44,000 --> 00:56:46,701 I HAVE GONE TO CASEY EVERY FUCKING DAY AND SAID TO HIM 1063 00:56:46,701 --> 00:56:49,000 "WHAT CAN I DO?" HE CAME TO ME WITH A PAPER 1064 00:56:49,000 --> 00:56:51,501 TO SIGN. THAT FUCKING FIRSTLY IT WAS THE CONFIDENTIALITY-- 1065 00:56:51,501 --> 00:56:54,434 WHICH I KNOW WE FELL OUT ABOUT BECAUSE I THOUGHT IT WAS-- I DID HONESTLY THINK-- 1066 00:56:54,434 --> 00:56:56,334 - THEN YOU WEREN'T GONNA SIGN-- - BUT I SIGNED THAT. 1067 00:56:56,334 --> 00:56:58,200 THE ONLY THING ABOUT THAT WAS 1068 00:56:58,200 --> 00:57:00,434 HE'S GOT ME WALKING AROUND WITH MY DICK BETWEEN MY LEGS. 1069 00:57:00,434 --> 00:57:02,701 YEAH. ARE YOU GONNA LOOK LIKE THE IDIOT 1070 00:57:02,701 --> 00:57:04,534 IN THIS FUCKING DOC? ABSOLUTELY. 1071 00:57:04,534 --> 00:57:08,801 AND THIS IS THE FUCKING MOMENT WHERE THE FUCKING GOOD GUY WINS. 1072 00:57:08,801 --> 00:57:12,334 SO IN SOME WAYS, MAYBE I ACTUALLY HAVE TO FUCKING CREDIT YOU, CUNTFACE, 1073 00:57:12,334 --> 00:57:14,400 BECAUSE I WROTE A FUCKING NEW SONG 1074 00:57:14,400 --> 00:57:17,834 THAT WAS FUCKING INSPIRED BY TO FUCKING CRUSH YOU 1075 00:57:17,834 --> 00:57:20,801 SO MAYBE THAT WAY-- I MEAN, THAT WOULD BE THE, YOU KNOW, 1076 00:57:20,801 --> 00:57:23,400 THE FUCKING IRONY OF COURSE. THIS IS THE FUCKING... 1077 00:57:23,400 --> 00:57:26,701 YOU KNOW, HIT, YOU KNOW, SONG. 1078 00:57:26,701 --> 00:57:29,167 THE WORST DAY OF MY LIFE ENDS UP BEING 1079 00:57:29,167 --> 00:57:31,734 THE DAY I EVAPORATE AND GO UP 1080 00:57:31,734 --> 00:57:33,834 OR WHATEVER. 1081 00:57:39,434 --> 00:57:41,467 ( Joaquin coughs ) 1082 00:57:44,434 --> 00:57:48,767 ( sings to himself ) 1083 00:57:48,767 --> 00:57:50,667 IT'S NEARLY READY! 1084 00:57:50,667 --> 00:57:52,901 I THINK IF, YOU KNOW, THIS IS HIS LAST FILM, 1085 00:57:52,901 --> 00:57:54,901 THAT HE SHOULD BE RESPECTFUL WITH JA-- 1086 00:57:54,901 --> 00:57:57,667 YOU KNOW, WITH JAMES AND THE MOVIE COMPANY. 1087 00:57:57,667 --> 00:57:59,701 AFTER ALL, THESE PEOPLE DID MAKE A MOVIE. 1088 00:57:59,701 --> 00:58:01,601 MAGAZINES, NEWSPAPERS, 1089 00:58:01,601 --> 00:58:03,734 TV SHOWS, 1090 00:58:03,734 --> 00:58:06,667 YOU KNOW, abc.com, "ROLLING STONE." 1091 00:58:06,667 --> 00:58:09,200 - Joaquin: NO NO. - MTV NEWS. 1092 00:58:09,200 --> 00:58:12,634 I'D LIKE TO SEE HIM JUST, YOU KNOW, DRESS NICELY 1093 00:58:12,634 --> 00:58:14,934 AND DO HIS INTERVIEWS. BUT HE WILL. 1094 00:58:14,934 --> 00:58:18,567 THIS IS HIS LAST PREMIER, HIS LAST PRESS JUNKET. 1095 00:58:18,567 --> 00:58:20,567 DESPITE WHAT HE SAYS, 1096 00:58:20,567 --> 00:58:23,701 I THINK HE'D LIKE TO SAY GOODBYE IN A NICE WAY. 1097 00:58:23,701 --> 00:58:25,801 HEY, CARLINE, IT'S LARRY CALLING FOR J.P. 1098 00:58:25,801 --> 00:58:28,367 HE'S IN THE STUDIO RIGHT NOW WORKING ON SOME TRACKS. 1099 00:58:28,367 --> 00:58:31,467 IT'S READY TO GO. I NEED TO CONFIRM THE PLACE AND THE TIME, 1100 00:58:31,467 --> 00:58:34,534 SO IF YOU COULD GET BACK TO ME AS SOON AS POSSIBLE. THANK YOU. 1101 00:58:34,534 --> 00:58:37,100 I CAN'T TALK TO DIDDY. AND SO IT'S HIS PEOPLE, 1102 00:58:37,100 --> 00:58:39,234 LIKE, I HAVE NO IDEA WHO I'M TALKING TO 1103 00:58:39,234 --> 00:58:41,634 AND THEY DON'T FEEL LIKE THEY HAVE TO GET BACK TO ME. 1104 00:58:41,634 --> 00:58:43,400 Hi, you've reached Carline at Bad Boy Records... 1105 00:58:43,400 --> 00:58:45,501 - SHOULD I LEAVE A MESSAGE? - ( beeps ) 1106 00:58:45,501 --> 00:58:48,000 HEY, IT'S J.P.-- JOAQUIN. 1107 00:58:48,000 --> 00:58:50,934 UH, I LEFT A FEW MESSAGES, BUT I HAVEN'T HEARD BACK. 1108 00:58:50,934 --> 00:58:53,267 JUST NOT SURE WHAT'S GOING ON. 1109 00:58:53,267 --> 00:58:55,467 YOU'RE DROPPING THE FUCKING BALL WITH CARLINE. 1110 00:58:55,467 --> 00:58:57,400 SHE DOESN'T KNOW WHAT'S GOING ON. 1111 00:58:57,400 --> 00:58:59,801 AND I'M STRESSED. NO LONGER IS IT A FUNNY FUCKING THING 1112 00:58:59,801 --> 00:59:02,267 ABOUT TRIUMPH, BUT IT'S LIKE ABOUT THIS DUDE 1113 00:59:02,267 --> 00:59:04,834 WHO'S CONSTANTLY GETTING SQUEEZED BY EVERYBODY AROUND HIM, 1114 00:59:04,834 --> 00:59:07,501 TRYING TO FUCK HIM OVER. AND THAT'S THE FUCKING TRIUMPH-- 1115 00:59:07,501 --> 00:59:10,267 THAT I RISE ABOVE THIS SHIT. THAT'S THE FUCKING TRIUMPH. 1116 00:59:10,267 --> 00:59:12,133 - Larry: WELL, HE'S GONNA-- - ( door slams ) 1117 00:59:12,133 --> 00:59:14,133 HE'S DEFINITELY GONNA CALL. 1118 00:59:16,033 --> 00:59:18,033 ALL I CAN DO IS FUCKING WALK AROUND. 1119 00:59:18,033 --> 00:59:19,934 I CAN JUST GO-- I CAN GO FORWARD. 1120 00:59:19,934 --> 00:59:22,968 AND YOU KNOW WHAT? 1121 00:59:22,968 --> 00:59:24,801 ( phone ringing ) 1122 00:59:24,801 --> 00:59:27,767 THE FUCKING COCKSUCKER CALLS, RIGHT? HELLO? 1123 00:59:30,200 --> 00:59:31,534 I'M GOOD. WHAT'S UP? 1124 00:59:37,634 --> 00:59:40,801 SUE, I'M NOT GOING TO NEW YORK. I'M NOT FUCKING DOING PRESS. 1125 00:59:40,801 --> 00:59:43,534 BECAUSE I'M GOING IN THE STUDIO TO RECORD WITH PUFF. 1126 00:59:43,534 --> 00:59:45,334 THERE'S NO WAY I'M GOING TO CANCEL. 1127 00:59:45,334 --> 00:59:47,534 I-- I DON'T KNOW. IT'LL PROBABLY BE... 1128 00:59:47,534 --> 00:59:49,834 I DON'T KNOW, LIKE A WEEK OR SOMETHING. 1129 00:59:49,834 --> 00:59:52,200 WE'RE JUST STARTING OUT. I HAVE NO FUCKING IDEA. 1130 00:59:52,200 --> 00:59:54,667 IT'S JUST THE BEGINNING. 1131 00:59:54,667 --> 00:59:56,133 SUE, I'M DONE. 1132 00:59:59,534 --> 01:00:00,868 OH-- FUCKING HELL. 1133 01:00:00,868 --> 01:00:03,133 I DIDN'T EVEN SEE IT. 1134 01:00:03,133 --> 01:00:05,901 ( mumbles ) FUCKING THING. 1135 01:00:08,200 --> 01:00:11,567 YOU NEVER EVER BE LATE. NEVER EVER BE LATE. 1136 01:00:11,567 --> 01:00:13,334 ( beeps ) 1137 01:00:13,334 --> 01:00:16,467 - Woman: What session? - UH, DIDDY. 1138 01:00:26,734 --> 01:00:29,133 ( techno music playing ) 1139 01:00:30,734 --> 01:00:32,834 * As soon as I scream the name * 1140 01:00:37,000 --> 01:00:39,367 * Lost in the-- in the jungles * 1141 01:00:39,367 --> 01:00:43,934 * Offering everything, how much more soul? * 1142 01:00:43,934 --> 01:00:46,834 - * You burned my heart down... * - WHAT UP? 1143 01:00:46,834 --> 01:00:50,234 WHAT'S UP, MAN? THIS IS GREAT. 1144 01:00:50,234 --> 01:00:52,868 - HOW LONG YOU BEEN STANDING THERE FOR? - OH, JUST A FEW SECONDS. 1145 01:00:52,868 --> 01:00:54,934 SORRY, BUDDY. GOOD TO SEE YOU. 1146 01:00:54,934 --> 01:00:57,033 - HI, HOW YOU DOING? - THAT SOUNDS AWESOME. 1147 01:00:57,033 --> 01:00:59,567 - HAVE A SEAT. - ( music continuing ) 1148 01:00:59,567 --> 01:01:01,634 - ( phone rings ) - HELLO? 1149 01:01:09,601 --> 01:01:11,701 ( clears throat ) SORRY ABOUT THAT. 1150 01:01:11,701 --> 01:01:14,100 - NO, THAT'S COOL. - SO WHAT'S UP, MAN? 1151 01:01:14,100 --> 01:01:15,901 JUST... 1152 01:01:18,100 --> 01:01:20,634 HANGING OUT, UM, 1153 01:01:20,634 --> 01:01:22,601 I CAN'T FIND MY FUCKING TUNES. 1154 01:01:22,601 --> 01:01:24,467 - WHAT YOU LOOKING FOR? - MY C-- OKAY. 1155 01:01:24,467 --> 01:01:26,601 JUST MAKING SURE I HAVE MY C.D.. 1156 01:01:26,601 --> 01:01:28,501 I THOUGHT I FORGOT IT. 1157 01:01:28,501 --> 01:01:30,601 - WHAT'S GOING ON? - SO WHAT'S UP, MAN... 1158 01:01:30,601 --> 01:01:32,567 - NOTHING. - ...SINCE I SAW YOU IN MIAMI? 1159 01:01:32,567 --> 01:01:35,667 YOU SAID THAT, YOU KNOW, YOU WAS WORKING ON SOME MUSIC. 1160 01:01:35,667 --> 01:01:38,834 YEP. SO I GOT SOME STUFF, MAN. YOU WANT TO HEAR IT? 1161 01:01:38,834 --> 01:01:40,467 - YEAH YEAH. - ALL RIGHT. 1162 01:01:40,467 --> 01:01:42,834 I DON'T KNOW, MAN. MAYBE WE SHOULD... 1163 01:01:42,834 --> 01:01:45,000 START WITH TRACK 2-- I DON'T KNOW. 1164 01:01:45,000 --> 01:01:46,767 WHAT KIND OF VIBE DO YOU WANT? 1165 01:01:46,767 --> 01:01:49,100 JUST PLAY ME A HIT. I NEED TO HEAR A HIT, BABY. 1166 01:01:49,100 --> 01:01:50,667 UH, I DON'T-- I DON'T-- 1167 01:01:50,667 --> 01:01:52,934 ( chuckles ) DUDE.NO, TRY TRACK 2. 1168 01:01:52,934 --> 01:01:54,801 I DON'T-- THIS IS ONE OF MY NEWER ONES. 1169 01:01:54,801 --> 01:01:56,968 YOU KNOW HOW YOU LISTEN TO STUFF AND YOU LISTEN TO IT FOR A WHILE 1170 01:01:56,968 --> 01:01:59,000 SO YOU GET BORED OF IT, THEN YOU HEAR THE NEW THING. 1171 01:01:59,000 --> 01:02:00,667 SO MAYBE THIS IS WORSE. I DON'T KNOW, BUT... 1172 01:02:01,868 --> 01:02:03,434 ( rap music playing ) 1173 01:02:03,434 --> 01:02:05,601 * Can I get a refund? What? * 1174 01:02:05,601 --> 01:02:08,167 * For this life of sin, we're not trying again * 1175 01:02:08,167 --> 01:02:10,334 * Let me hit this, man, I want my money back * 1176 01:02:10,334 --> 01:02:12,968 * I know I can do better if the devil let me off * 1177 01:02:12,968 --> 01:02:14,934 * I swear to God I'm ready * 1178 01:02:14,934 --> 01:02:17,033 * We was dealt a hand by the man * 1179 01:02:17,033 --> 01:02:19,767 * Upstairs, the one they say that gots the plan * 1180 01:02:19,767 --> 01:02:22,367 * And we never questioned, assumed that he had blessed us * 1181 01:02:22,367 --> 01:02:24,868 * But every day, studied hard just in case he tests us-- * 1182 01:02:24,868 --> 01:02:27,334 - ( song stops abruptly ) - PLAY ME ANOTHER. 1183 01:02:27,334 --> 01:02:30,501 UH, I DON'T KNOW. WHAT'S THE NEXT-- 1184 01:02:30,501 --> 01:02:32,968 UM... 1185 01:02:32,968 --> 01:02:35,667 ( tracks skipping ) 1186 01:02:39,000 --> 01:02:41,534 * Bup bup bah-da-dup 1187 01:02:41,534 --> 01:02:44,400 * Bup bup bah-da-dup * 1188 01:02:44,400 --> 01:02:47,367 * Bup bup bah-da-dup 1189 01:02:47,367 --> 01:02:50,701 * Bup bup bup bup 1190 01:02:50,701 --> 01:02:53,234 * I was merely a child when I was discovered * 1191 01:02:53,234 --> 01:02:56,067 * Had jitters, all meek, you know us children * 1192 01:02:56,067 --> 01:02:58,834 * It was only chance that we met, your scent * 1193 01:02:58,834 --> 01:03:01,367 * Electric, overwhelming all my senses * 1194 01:03:01,367 --> 01:03:04,901 - * 19 years old, we's reacquainted * - * Bup bup bah-da-dup 1195 01:03:04,901 --> 01:03:07,067 * Up north with Goose who we filmed with * 1196 01:03:07,067 --> 01:03:09,267 * I thought I lost the taste for you-- * 1197 01:03:09,267 --> 01:03:11,267 ( clears throat ) PLAY SOMETHING ELSE. 1198 01:03:11,267 --> 01:03:12,701 DON'T PLAY THAT ONE. 1199 01:03:15,033 --> 01:03:19,100 ( organ music playing ) 1200 01:03:19,100 --> 01:03:21,267 * Compli-fucking- 1201 01:03:21,267 --> 01:03:23,868 * Cation 1202 01:03:23,868 --> 01:03:26,501 * Compli-fucking- 1203 01:03:26,501 --> 01:03:29,334 * Cation 1204 01:03:29,334 --> 01:03:31,701 * Compli-fucking- 1205 01:03:31,701 --> 01:03:34,367 * Cation 1206 01:03:34,367 --> 01:03:36,934 * Compli-fucking-cation, compli-motherfucking-cation * 1207 01:03:36,934 --> 01:03:39,667 * Compli-fucking-cation, compli-motherfucking-cation * 1208 01:03:39,667 --> 01:03:42,434 * Compli-motherfucking-cation, compli-fucking-cated * 1209 01:03:42,434 --> 01:03:44,901 * It's so fucking complicated that my mind can't even say it, check it * 1210 01:03:44,901 --> 01:03:47,734 * If everything was this motherfucking complicated * 1211 01:03:47,734 --> 01:03:49,734 * When Leo took the globe and played with-- * 1212 01:03:49,734 --> 01:03:52,033 NO NO NO, NOT FOR YOU. THAT'S ENOUGH. 1213 01:03:52,033 --> 01:03:54,200 THAT'S ENOUGH. 1214 01:03:57,400 --> 01:04:00,000 SO TELL ME, UM-- TELL ME WHY YOU WANTED TO DO THIS. 1215 01:04:02,200 --> 01:04:05,067 I MEAN WHY-- WHY DID YOU WANT TO DO HIP HOP? 1216 01:04:05,067 --> 01:04:07,133 'CAUSE, UH, UM... 1217 01:04:07,133 --> 01:04:09,968 YOU THINK IT'S-IT'S-- IT'S FUCKING FUNNY? 1218 01:04:14,801 --> 01:04:17,167 YOU'RE NOT LIKE MAKING IT, LIKE, YOU KNOW, LIKE, 1219 01:04:17,167 --> 01:04:19,667 "YO, WHAT UP?" YOU'RE NOT-- YOU DON'T BE DOING NONE OF THAT SHIT 1220 01:04:19,667 --> 01:04:23,567 - WHEN I'M NOT AROUND, RIGHT? - NO... NO NO. 1221 01:04:23,567 --> 01:04:25,734 I MEAN, THERE'S A-- NOT AT ALL. 1222 01:04:25,734 --> 01:04:29,634 LIKE, THAT'S WHAT THIS-- JUST-- GIVES IT A LOT OF CHANGE OF FORTUNES 1223 01:04:29,634 --> 01:04:33,167 AND I THINK, LIKE, I GOT TO A PLACE IN MY CAREER WHEN I JUST STARTED LOOKING BACK 1224 01:04:33,167 --> 01:04:36,501 ON MY LIFE AND LOOK AT THE THINGS THAT HAD AFFECTED ME 1225 01:04:36,501 --> 01:04:38,467 AND LIKE THE WRONG TURNS I COULD HAVE MADE 1226 01:04:38,467 --> 01:04:39,968 AND THE WRONG TURNS I DID MAKE. 1227 01:04:39,968 --> 01:04:42,133 AND THEN I WANTED THIS MUSIC JUST TO REPRESENT 1228 01:04:42,133 --> 01:04:45,801 KIND OF THAT STORY AND, LIKE, WHAT THAT IS 1229 01:04:45,801 --> 01:04:47,767 TO SAY THAT THERE'S THIS OTHER PART OF IT. 1230 01:04:47,767 --> 01:04:50,934 AND FOR ME, 1231 01:04:50,934 --> 01:04:54,534 I HAVE A CONNECTION TO HIP HOP THE WAY ANYONE HAS A CONNECTION TO ANY KIND OF MUSIC. 1232 01:04:54,534 --> 01:04:56,667 YOU KNOW? IT'S-- I DON'T-- 1233 01:04:56,667 --> 01:04:59,267 IT'S NOT WHERE YOU'RE-- I'M JUST PLAYING AROUND. 1234 01:04:59,267 --> 01:05:01,133 MM-HMM, ALL RIGHT. I'M JUST MAKING SURE. 1235 01:05:01,133 --> 01:05:03,334 YOU KNOW, HEARING THE MUSIC, I LIKE THE FIRST TWO CUTS. 1236 01:05:03,334 --> 01:05:05,834 UM, I THINK IT WENT DOWNHILL AFTER THAT, BUT, YOU KNOW, 1237 01:05:05,834 --> 01:05:08,300 THAT HAPPENS WITH EVERYBODY. YOU KNOW WHAT I'M SAYING? 1238 01:05:08,300 --> 01:05:10,501 YOU KNOW, I THINK YOU DO HAVE SOME POTENTIAL. IT JUST DEPENDS 1239 01:05:10,501 --> 01:05:12,801 ON HOW FAR YOU WANT TO TAKE IT, YOU KNOW WHAT I'M SAYING? 1240 01:05:12,801 --> 01:05:15,100 WHAT YOU'RE TRYING TO DO AND HOW FAR YOU'RE TRYING TO GO WITH IT. 1241 01:05:15,100 --> 01:05:17,267 LIKE-- YOU KNOW. 1242 01:05:17,267 --> 01:05:20,100 YOU KNOW, IF IT'S SOMETHING YOU WANT TO DO, 1243 01:05:20,100 --> 01:05:22,167 I BELIEVE ANYBODY CAN DO ANYTHING, YOU KNOW? 1244 01:05:22,167 --> 01:05:24,234 IF THEIR HEART IS REALLY IN IT. 1245 01:05:24,234 --> 01:05:25,968 I LIKED THOSE TWO SONGS, YOU KNOW? 1246 01:05:28,400 --> 01:05:31,133 SO WHAT'S THE NEXT MOVE? 1247 01:05:31,133 --> 01:05:34,400 - JUST... YOU GOT A VOCAL BOOTH? - WHAT YOU MEAN? 1248 01:05:34,400 --> 01:05:36,467 HOW DO YOU WANT TO START IT OFF? 1249 01:05:36,467 --> 01:05:39,000 - START WHAT OFF? - JUST RECORDING. 1250 01:05:39,000 --> 01:05:41,167 OH NO, I'M NOT-- I MEAN, 1251 01:05:41,167 --> 01:05:44,000 YOU'RE NOT READY TO RECORD WITH ME. 1252 01:05:44,000 --> 01:05:47,200 YOU KNOW? I MEAN, YOU'RE NOT AT THAT POINT YET. 1253 01:05:47,200 --> 01:05:49,734 - YOU KNOW? - I-- 'CAUSE I WAS-- 1254 01:05:52,467 --> 01:05:55,100 BECAUSE I THOUGHT THAT WE WERE GONNA MAKE IT WORK HERE. 1255 01:05:55,100 --> 01:05:56,901 ( stammers ) I THOUGHT WE HAD A DEAL... 1256 01:05:56,901 --> 01:05:58,534 ( mutters ) 1257 01:05:58,534 --> 01:06:00,267 OKAY. 1258 01:06:04,334 --> 01:06:06,167 ( sighs ) 1259 01:06:06,167 --> 01:06:07,868 I GOTTA GET BACK TO WORK, ALL RIGHT? 1260 01:06:07,868 --> 01:06:09,367 - ALL RIGHT. - LOVE YOU, MAN. 1261 01:06:09,367 --> 01:06:10,934 COME HERE. GIVE ME A HUG. 1262 01:06:10,934 --> 01:06:13,300 ALL RIGHT? 1263 01:06:17,434 --> 01:06:19,267 CAN I HAVE MY C.D.? 1264 01:06:19,267 --> 01:06:21,400 YEAH, I GAVE IT TO YOU. 1265 01:06:21,400 --> 01:06:23,567 - OKAY. - OH NO, HE'LL GIVE IT TO YOU OVER THERE. 1266 01:06:23,567 --> 01:06:25,634 OKAY. 1267 01:06:28,100 --> 01:06:30,534 SHIT. 1268 01:06:43,734 --> 01:06:46,300 OKAY. 1269 01:06:46,300 --> 01:06:48,267 TELL HIM I'M COMING 1270 01:06:48,267 --> 01:06:50,968 AND I'M JUST GOING TO FINISH IT OUT LIKE I SAID I WOULD. 1271 01:06:50,968 --> 01:06:53,434 Sue: Well, let me see if I can get Letterman back. 1272 01:06:53,434 --> 01:06:55,400 You'll have to get on a plane tomorrow. 1273 01:07:05,400 --> 01:07:07,567 P.A.: Please have your photo identification 1274 01:07:07,567 --> 01:07:09,901 out and available for the agent at the counter. 1275 01:07:09,901 --> 01:07:12,234 - IS IT TRUE YOU STOPPED ACTING, MAN? - LET'S START IT OFF, BABY. 1276 01:07:12,234 --> 01:07:14,634 * YO, WE GOT JOAQUIN IN JFK * 1277 01:07:14,634 --> 01:07:17,267 * I WANNA GET MY RAP CAREER ON MY WAY. * 1278 01:07:19,100 --> 01:07:21,434 Reporter: We spotted Joe Cocker-- wait a minute! 1279 01:07:21,434 --> 01:07:23,901 That's Joaquin Phoenix. The former actor 1280 01:07:23,901 --> 01:07:26,767 is still claiming to have left the biz of show for good, 1281 01:07:26,767 --> 01:07:29,234 choosing to focus more on his music career 1282 01:07:29,234 --> 01:07:32,400 and clearly less on his personal hygiene. 1283 01:07:32,400 --> 01:07:35,667 How about MC Tobias or Flavor Save? 1284 01:07:35,667 --> 01:07:37,133 Jofo? 1285 01:07:41,801 --> 01:07:46,334 So the question is will Phoenix rise from the ashes of his acting career 1286 01:07:46,334 --> 01:07:48,334 and conquer the music industry? 1287 01:07:48,334 --> 01:07:51,100 Is the whole thing a hoax? Will he put out a record? 1288 01:07:51,100 --> 01:07:53,400 Most of all, do we care? 1289 01:07:58,801 --> 01:08:02,367 Sue: HE HAS A JUNKET FOR HIS FILM "TWO LOVERS," 1290 01:08:02,367 --> 01:08:04,467 THREE ONE-ON-ONE INTERVIEWS, 1291 01:08:04,467 --> 01:08:07,334 "U.S.A. TODAY." 1292 01:08:07,334 --> 01:08:10,901 HE IS GOING TO DO A PRINT AND ONLINE ROUNDTABLE. 1293 01:08:12,968 --> 01:08:15,300 - Interviewer: HAVE YOU SEEN "TWO LOVERS"? - Joaquin: NO. 1294 01:08:15,300 --> 01:08:18,133 YOU'RE NOT CURIOUS ABOUT WHAT IT'S LIKE OR WHAT IT-- 1295 01:08:18,133 --> 01:08:20,033 I WAS THERE. 1296 01:08:20,033 --> 01:08:22,634 BUT YOU WEREN'T IN ALL THE SCENES. 1297 01:08:22,634 --> 01:08:24,067 NO, IT'S ALL RIGHT. 1298 01:08:24,067 --> 01:08:26,033 I MEAN, I'M SURE THEY WERE GREAT. 1299 01:08:26,033 --> 01:08:28,334 OKAY, JUST 'CAUSE MOST ACTORS THAT I TALK TO, 1300 01:08:28,334 --> 01:08:30,501 THEY'RE INTERESTED IN HOW THE DIRECTOR PUTS IT TOGETHER AND... 1301 01:08:30,501 --> 01:08:32,000 NO. 1302 01:08:32,000 --> 01:08:34,968 UM, DID YOU PREPARE FOR THIS MOVIE? 1303 01:08:34,968 --> 01:08:36,968 - IN WHAT WAY?NO. - IN LIKE-- DID YOU-- 1304 01:08:36,968 --> 01:08:39,467 THE JOURNALISTS OUTSIDE WHO ARE WAITING TO TALK TO YOU, 1305 01:08:39,467 --> 01:08:42,434 THEY'RE ALL WONDERING IF THIS IS A HOAX. THEY'RE TALKING TO EACH OTHER, 1306 01:08:42,434 --> 01:08:44,067 SAYING "IT'S A HOAX, IT'S A HOAX." BUT IT'S NOT. 1307 01:08:44,067 --> 01:08:45,901 LIKE, YOU SEEM LEGITIMATELY INTERESTED. 1308 01:08:45,901 --> 01:08:48,334 IT'S HARD NOT TO GET OFFENDED WHEN YOU SIT THERE 1309 01:08:48,334 --> 01:08:51,067 WITH YOUR LITTLE SMILE AND SAY "WE THINK THIS IS A HOAX," 1310 01:08:51,067 --> 01:08:54,100 BECAUSE YOU'RE TALKING ABOUT MY LIFE AS IF MY LIFE'S A FUCKING JOKE TO YOU. 1311 01:08:54,100 --> 01:08:56,701 NO, NOT-- I'M-- YOU KNOW, I'M NOT-- I DON'T MEAN TO OFFEND YOU. 1312 01:08:56,701 --> 01:08:58,667 YOU CAN DO THE FOX NEWS, GO "SOME MAY SAY..." 1313 01:08:58,667 --> 01:09:00,667 - RIGHT. - ...AND PUT IT ON THEM. 1314 01:09:00,667 --> 01:09:04,567 BUT IT'S YOUR QUESTION AND IT'S HARD NOT TO TAKE IT PERSONALLY 1315 01:09:04,567 --> 01:09:07,200 AND FEEL LIKE YOU'RE SAYING MY LIFE'S A FUCKING JOKE. 1316 01:09:07,200 --> 01:09:10,400 DO YOU REALIZE REALLY WHAT YOU'RE DOING BY TAKING THIS STEP 1317 01:09:10,400 --> 01:09:13,901 - AWAY FROM MOVIES? - BEING IN THE LIMELIGHT AS RAPPER WILL BE ANY DIFFERENT? 1318 01:09:13,901 --> 01:09:16,901 ...THAT YOU KNOW YOUR NEW CAREER IS OVERSHADOWING THE FILM? 1319 01:09:16,901 --> 01:09:20,234 IS DIDDY JUST DOING THE MUSIC OR IS HE WORKING ON THE LYRICS TOO? 1320 01:09:20,234 --> 01:09:23,734 UM, YEAH, WE'RE GONNA WORK TOGETHER. 1321 01:09:23,734 --> 01:09:25,467 Photographer: LOVELY, EXCELLENT, 1322 01:09:25,467 --> 01:09:26,901 AVERAGE, LOVELY. 1323 01:09:38,434 --> 01:09:40,300 ( elevator beeping ) 1324 01:09:40,300 --> 01:09:42,667 ( dings ) 1325 01:09:45,267 --> 01:09:48,167 ARE YOU REALLY FILMING JUST DRIVING IN A FUCKING CAR? 1326 01:09:55,400 --> 01:09:57,534 - OH OH! - ALL RIGHT, YOU GOTTA STOP. 1327 01:10:00,133 --> 01:10:02,934 Photographers: JOAQUIN PHOENIX, WHOO! JOAQUIN! 1328 01:10:02,934 --> 01:10:04,767 JOAQUIN! JOAQUIN! 1329 01:10:07,133 --> 01:10:09,434 ( booing ) 1330 01:10:09,434 --> 01:10:11,234 SEVEN MINUTES TO THE INTRODUCTION. 1331 01:10:11,234 --> 01:10:13,067 ALL "LATE SHOW" BAND MEMBERS BACKSTAGE. 1332 01:10:31,300 --> 01:10:34,634 ( theme music playing ) Coming up, Joaquin Phoenix. 1333 01:10:34,634 --> 01:10:38,434 ( toilet flushes ) 1334 01:10:38,434 --> 01:10:40,033 ( applause ) 1335 01:10:40,033 --> 01:10:42,501 OUR FIRST GUEST IS A-- HOW ABOUT THIS? 1336 01:10:42,501 --> 01:10:45,834 --TWO-TIME ACADEMY AWARD NOMINEE, JOAQUIN PHOENIX. 1337 01:10:45,834 --> 01:10:48,234 - ( band playing ) - ( applause, cheering ) 1338 01:11:03,968 --> 01:11:05,868 GOOD TO SEE YOU. 1339 01:11:05,868 --> 01:11:08,234 THANK YOU VERY MUCH FOR BEING ON THE PROGRAM AGAIN. 1340 01:11:08,234 --> 01:11:11,234 YOU KNOW, IT'S BEEN THREE YEARS SINCE THE LAST TIME YOU WERE ON THE SHOW. 1341 01:11:11,234 --> 01:11:13,200 AND I WILL SAY JUST RIGHT OFF THE TOP HERE, 1342 01:11:13,200 --> 01:11:14,968 YOU LOOK DIFFERENT THAN I REMEMBER. 1343 01:11:14,968 --> 01:11:16,467 ( audience laughs ) 1344 01:11:16,467 --> 01:11:18,534 YOU'VE GOT A NICE BEARD GOING AND... 1345 01:11:18,534 --> 01:11:21,000 - OH YEAH, THANK YOU. - HOW IS THAT-- THE BEARD? 1346 01:11:21,000 --> 01:11:24,067 - IN WHAT WAY? - IS IT COMFORTABLE? 1347 01:11:24,067 --> 01:11:26,801 IS IT ITCHY? ARE YOU PLEASED WITH IT? 1348 01:11:26,801 --> 01:11:30,434 I'M OKAY WITH IT, BUT NOW YOU'RE MAKING ME FEEL WEIRD ABOUT IT. 1349 01:11:30,434 --> 01:11:33,267 I'M SORRY, I'M MAKING YOU FEEL WEIRD ABOUT IT? 1350 01:11:33,267 --> 01:11:37,200 - IS THERE SOMETHING WRONG? - I CAN'T BE THE FIRST ONE TO MAKE YOU FEEL WEIRD ABOUT IT. 1351 01:11:37,200 --> 01:11:39,667 MMM, NO I GUESS NOT. 1352 01:11:39,667 --> 01:11:42,767 SEE, THAT'S WHAT I'M TALKING ABOUT. YOU DOING A LOT OF THIS? 1353 01:11:42,767 --> 01:11:46,100 - THAT'S JUST A NERVOUS TIC, I THINK. - OH, JUST A NERVOUS TIC. 1354 01:11:46,100 --> 01:11:48,501 UH, YOU KNOW, I SAW THIS-- 1355 01:11:48,501 --> 01:11:50,501 ( audience laughs ) 1356 01:11:50,501 --> 01:11:53,200 I SAW THIS MOVIE THE OTHER NIGHT-- TREMENDOUS. 1357 01:11:53,200 --> 01:11:56,200 WHAT A TREMENDOUS FILM. YOU AND WHO ELSE IS IN IT? 1358 01:11:56,200 --> 01:11:58,901 UH, WHAT'S HER NAME? BEAUTIFUL LOVELY... 1359 01:11:58,901 --> 01:12:02,133 MMM. 1360 01:12:02,133 --> 01:12:04,534 - GWYNETH PALTROW. - OH YEAH, GWYNETH PALTROW. 1361 01:12:04,534 --> 01:12:08,400 - I really enjoyed your work. - Thank you. 1362 01:12:08,400 --> 01:12:09,734 YEAH. 1363 01:12:09,734 --> 01:12:11,534 ( audience laughing ) 1364 01:12:15,634 --> 01:12:18,667 - ARE YOU-- - ( applause ) 1365 01:12:33,234 --> 01:12:35,501 UM... 1366 01:12:35,501 --> 01:12:39,567 WHAT-- WHAT CAN YOU TELL US ABOUT YOUR DAYS WITH THE UNABOMBER? 1367 01:12:39,567 --> 01:12:41,901 ( audience laughs ) 1368 01:12:51,400 --> 01:12:54,667 IT'S JUST A LITTLE JOKE. 1369 01:12:54,667 --> 01:12:57,934 You're not going to act anymore? 1370 01:12:57,934 --> 01:13:00,300 - NO. - HUH. 1371 01:13:00,300 --> 01:13:02,300 WHY IS THAT? 1372 01:13:02,300 --> 01:13:05,167 MMM... 1373 01:13:05,167 --> 01:13:07,634 - I DON'T KNOW. - ( audience laughs ) 1374 01:13:07,634 --> 01:13:11,100 - I MEAN-- - SO YOU HAVE GIVEN IT SOME THOUGHT. 1375 01:13:11,100 --> 01:13:12,767 YEAH, IT'S NOT REALLY... 1376 01:13:12,767 --> 01:13:15,300 AN EASY THING TO EXPLAIN. 1377 01:13:15,300 --> 01:13:17,033 IT'S SOMETHING THAT'S BEEN 1378 01:13:17,033 --> 01:13:19,200 A PART OF MY LIFE FOR A LONG TIME, D'YOU KNOW? 1379 01:13:19,200 --> 01:13:21,868 AND SO IT'S WEIRD TO, LIKE, COME OUT ON STAGE 1380 01:13:21,868 --> 01:13:23,968 WITH A BUNCH OF PEOPLE AND JUST TALK ABOUT IT. 1381 01:13:23,968 --> 01:13:25,934 - MM-HMM. - D'YOU KNOW?SO. 1382 01:13:25,934 --> 01:13:29,133 NOW WHEN WILL WE SEE THE NEW MUSIC CAREER? 1383 01:13:29,133 --> 01:13:33,601 THE NEW HIP-HOP CAREER, WHEN WILL WE SEE THAT TAKE OFF? 1384 01:13:33,601 --> 01:13:36,167 WHEN CAN WE-- 'CAUSE WE WANT TO BE THERE. 1385 01:13:36,167 --> 01:13:40,434 UH, WELL, I'D LOVE TO COME ON THE SHOW AND PERFORM... 1386 01:13:40,434 --> 01:13:42,133 - YEAH. - ...WHEN IT'S DONE. 1387 01:13:42,133 --> 01:13:44,434 ( applause ) 1388 01:13:46,367 --> 01:13:48,534 BUT I'M JUST-- I'M WORKING ON IT, YOU KNOW? 1389 01:13:48,534 --> 01:13:51,133 - IT'S A-- - YOU KNOW, THAT SEEMS UNLIKELY. 1390 01:13:56,734 --> 01:14:00,467 CAN YOU-- CAN YOU SET UP THE CLIP FOR US, JOAQUIN? 1391 01:14:00,467 --> 01:14:02,834 - I DON'T-- - ( maniacal laugh ) 1392 01:14:05,667 --> 01:14:07,834 ARE YOU KIDDING? ARE YOU SERIOUS? 1393 01:14:07,834 --> 01:14:10,634 DOES THE MANIACAL LAUGHTER-- I DON'T KNOW WHAT THE CLIP IS. 1394 01:14:10,634 --> 01:14:12,467 YOU DON'T KNOW WHAT THE CLIP IS? 1395 01:14:12,467 --> 01:14:14,801 IT'S YOU AND-- MAYBE A SCENE WITH YOU AND GWYNETH PALTROW? 1396 01:14:14,801 --> 01:14:16,400 ALL RIGHT, YOU'RE DOING FINE. 1397 01:14:16,400 --> 01:14:19,033 THANKS. UH, HIGH PRAISE COMING FROM YOU. 1398 01:14:19,033 --> 01:14:20,934 - ( Paul clears throat ) - ( Dave clears throat ) 1399 01:14:20,934 --> 01:14:23,501 - IS THAT REALLY-- THAT'S THE-- - WE'RE HAVING FUN. 1400 01:14:23,501 --> 01:14:26,200 - THAT'S FUN? - WE'RE HAVING FUN. JUST RELAX, SERIOUSLY. 1401 01:14:26,200 --> 01:14:28,767 I'LL COME TO YOUR HOUSE AND CHEW GUM. 1402 01:14:28,767 --> 01:14:31,400 - OKAY, I DON'T HAVE TO CHEW GUM. - NO, JUST RELAX. 1403 01:14:31,400 --> 01:14:35,701 - I WON'T CHEW THE GUM. I WON'T CHEW THE GUM. - WELL! 1404 01:14:35,701 --> 01:14:38,601 AND, JOAQUIN, I'M SORRY YOU COULDN'T BE HERE TONIGHT. 1405 01:14:38,601 --> 01:14:42,434 UH, THE FILM IS "TWO LOVERS." 1406 01:14:42,434 --> 01:14:44,834 OPENS FRIDAY IN SELECTED CITIES. 1407 01:14:44,834 --> 01:14:47,434 THANK YOU VERY MUCH AND GOOD LUCK IN YOUR NEW CAREER. 1408 01:14:47,434 --> 01:14:49,300 I HOPE THAT GOES WELL FOR YOU. 1409 01:14:49,300 --> 01:14:51,934 WE'LL BE RIGHT BACK WITH MODEL... 1410 01:14:51,934 --> 01:14:53,367 ( door opens ) 1411 01:15:01,701 --> 01:15:03,367 ( sighs ) 1412 01:15:05,234 --> 01:15:07,067 OH MY GOD. 1413 01:15:07,067 --> 01:15:10,200 ( faintly ) I DON'T KNOW, 1414 01:15:10,200 --> 01:15:14,567 I DON'T KNOW. OH NO. 1415 01:15:14,567 --> 01:15:16,400 OH NO. 1416 01:15:19,901 --> 01:15:22,067 ( dings ) 1417 01:15:22,067 --> 01:15:24,501 ( crowd shouting ) 1418 01:15:32,801 --> 01:15:35,033 ( boos ) 1419 01:15:42,901 --> 01:15:44,934 SIR, COULD YOU JUST PULL OVER FOR A SEC? 1420 01:15:44,934 --> 01:15:47,334 DUDE, JUST PULL OVER FOR A SEC. 1421 01:15:47,334 --> 01:15:49,100 I GOTTA FUCKING WALK AROUND A LITTLE. 1422 01:15:54,100 --> 01:15:56,100 GOD-- FUCKING-- 1423 01:15:56,100 --> 01:16:00,267 I DON'T FUCKING KNOW! 1424 01:16:00,267 --> 01:16:03,300 FUCKING WALL RIGHT HERE. GODDAMN FUCKING WALL. 1425 01:16:03,300 --> 01:16:05,501 I FUCKED IT. 1426 01:16:05,501 --> 01:16:08,701 I JUST FUCKING MADE AN ANNOUNCEMENT. 1427 01:16:08,701 --> 01:16:11,968 I SAID I'LL NEVER GO BACK TO ACTING AND NOW I CAN'T. 1428 01:16:11,968 --> 01:16:15,667 YOU KNOW WHAT? I'M MISERABLE. FUCKING MUSIC SUCKS. 1429 01:16:15,667 --> 01:16:19,167 ( sobbing ) AND I DIDN'T EVEN FUCKING KNOW IT.I'M SO STUPID. 1430 01:16:19,167 --> 01:16:22,667 - ( Larry mutters ) - OH, BULLSHIT, DUDE. 1431 01:16:22,667 --> 01:16:26,834 IT FUCKING SUCKS. I'M JUST GOING TO BE A GODDAMN JOKE FOREVER. 1432 01:16:26,834 --> 01:16:29,667 I CAN'T BELIEVE IT. WHY'D I DO THAT? WHY'D I DO THAT? 1433 01:16:29,667 --> 01:16:34,367 ( sniffles ) FUCK. 1434 01:16:34,367 --> 01:16:37,667 I'M FUCKED. I'M FUCKED. I'M FUCKED. 1435 01:16:37,667 --> 01:16:39,634 I FUCKED MY FUCKING LIFE, MAN. 1436 01:16:39,634 --> 01:16:42,000 I FUCKED MY LIFE. 1437 01:16:42,000 --> 01:16:45,300 ( crying ) OH SHIT. 1438 01:16:45,300 --> 01:16:48,534 SHIT. I CAN'T GO TO THIS FUCKING PREMIER, DUDE. 1439 01:16:48,534 --> 01:16:50,534 HOW AM I GONNA GO? FUCK 'EM. 1440 01:16:50,534 --> 01:16:52,400 I GOTTA GO TO THE FUCKING PREMIER. 1441 01:16:52,400 --> 01:16:54,834 ( clamoring ) 1442 01:16:54,834 --> 01:16:57,334 MR. PHOENIX, OVER HERE. 1443 01:16:57,334 --> 01:16:59,667 MR. PHOENIX, RIGHT IN FRONT OF YOU, PLEASE, SIR. 1444 01:17:09,901 --> 01:17:11,467 I'M SHOOTING RIGHT NOW. I'M SHOOTING. 1445 01:17:17,501 --> 01:17:19,767 ( rattling door ) 1446 01:17:19,767 --> 01:17:22,200 YOU FUCKING SON OF A BITCH. 1447 01:17:22,200 --> 01:17:25,000 ARE YOU FUCKING KIDDING ME? 1448 01:17:29,334 --> 01:17:31,567 ( door rattles ) 1449 01:17:31,567 --> 01:17:33,934 WHERE'S LARRY? I GOTTA GO. 1450 01:17:33,934 --> 01:17:35,868 WHERE'S LARRY? 1451 01:17:38,234 --> 01:17:41,767 THE DOORS DON'T FUCKING OPEN. CAN YOU GET THE FUCKING DOOR OPEN? 1452 01:17:41,767 --> 01:17:43,667 IT DOESN'T OPEN. 1453 01:17:45,367 --> 01:17:48,767 ( siren blaring ) 1454 01:17:48,767 --> 01:17:51,033 ( panting ) 1455 01:17:55,734 --> 01:17:58,567 ( applause on TV ) 1456 01:18:02,968 --> 01:18:05,901 Letterman: It's just a little joke. 1457 01:18:05,901 --> 01:18:08,567 I'M THE FUCKING JOKE? YOU'RE THE JOKE! 1458 01:18:08,567 --> 01:18:12,467 I'M DOING MORE THAN WHAT ANYONE FUCKING EXPECTS! 1459 01:18:12,467 --> 01:18:16,100 AND THEN-- AND YOU LITERALLY ARE FUCKING OFF. 1460 01:18:16,100 --> 01:18:19,234 WHEN PEOPLE REALLY SEE WHAT HAPPENS, THEY'RE GONNA LAUGH AT YOU! 1461 01:18:19,234 --> 01:18:21,767 NOT AT ME. 'CAUSE I SAW THE FUCKING HISTORY, DUDE. 1462 01:18:21,767 --> 01:18:24,467 I KNOW YOU WATCHED THE "LETTERMAN" THING 'CAUSE YOU THINK IT'S SO FUCKING FUNNY. 1463 01:18:24,467 --> 01:18:26,300 YOU'RE A BROKEN ALKIE. 1464 01:18:26,300 --> 01:18:29,434 YOU'RE A FUCKING PIECE OF SHIT. I SHIT ON YOUR FACE, MAN. 1465 01:18:29,434 --> 01:18:32,567 HONESTLY, I SHIT ON YOUR FUCKING FACE. 1466 01:18:32,567 --> 01:18:34,234 I AM REALLY SORRY THAT IT'S GONE THIS WAY. 1467 01:18:34,234 --> 01:18:35,834 I KNOW THAT THINGS HAVE BEEN GETTING WEIRD 1468 01:18:35,834 --> 01:18:37,434 BETWEEN US OVER THE PAST FUCKING FEW MONTHS. 1469 01:18:37,434 --> 01:18:39,133 WHAT'S BEEN WEIRD BETWEEN US? 1470 01:18:39,133 --> 01:18:41,567 THINGS HAVE GOTTEN WEIRD BETWEEN US, DUDE, AND I AM SORRY. 1471 01:18:41,567 --> 01:18:44,000 I AM SORRY FOR MY PART IN IT. I AM SORRY. 1472 01:18:44,000 --> 01:18:46,968 BUT YOU CAN'T FUCKING GO ON TREATING ME LIKE I'M AN ASSHOLE ALL THE TIME. 1473 01:18:46,968 --> 01:18:48,868 YOU KNOW WHAT? YOU ARE AN ASSHOLE. 1474 01:18:48,868 --> 01:18:51,000 JOAQ, YOU CANNOT KEEP TALKING TO ME THIS WAY... 1475 01:18:51,000 --> 01:18:52,968 - YOU'RE AN ASSHOLE. - ...THE WHOLE FUCKING TIME. 1476 01:18:52,968 --> 01:18:55,167 YOU'RE AN ASSHOLE. 1477 01:18:55,167 --> 01:18:57,968 - THERE IS SOME PART OF YOU... - I DON'T KNOW HOW COME YOU SEE-- 1478 01:18:57,968 --> 01:19:00,033 - ...THAT IS ENVIOUSLY JEALOUS. - OH, DUDE, PLEASE! 1479 01:19:00,033 --> 01:19:03,000 - LISTEN TO ME! - I AM LISTENING TO YOU! 1480 01:19:03,000 --> 01:19:04,968 WELL, NOT WHEN YOU'RE TALKING LIKE THAT! 1481 01:19:04,968 --> 01:19:07,000 YOU DON'T HAVE TO BE THE FUCKING EXORCIST, DUDE. 1482 01:19:07,000 --> 01:19:09,434 JUST FUCKING TALK LIKE A NORMAL HUMAN BEING. 1483 01:19:12,801 --> 01:19:15,834 Antony: YOU THINK YOU KNOW EVERYTHING THAT'S HAPPENING, BUT YOU DON'T. 1484 01:19:15,834 --> 01:19:18,167 LISTEN, YOU'VE GOT TO UNDERSTAND ONE THING, OKAY? 1485 01:19:18,167 --> 01:19:19,868 THAT'S WHY YOU DON'T SEE IT, DUDE. 1486 01:19:19,868 --> 01:19:21,667 ANTONY, I'M TELLING YOU I'M SERIOUS. 1487 01:19:21,667 --> 01:19:23,801 - DUDE, DON'T FUCKING HIT ME. - I'LL KNOCK YOUR FUCKING-- 1488 01:19:23,801 --> 01:19:26,868 I'LL KNOCK YOUR TEETH OUT AND I'LL SHIT ON YOUR FUCKING FACE. 1489 01:19:26,868 --> 01:19:28,801 FUCK YOU. YOU WANT TO TEST IT, DO IT. 1490 01:19:28,801 --> 01:19:31,000 YOU'VE SHIT ON MY FUCKING LIFE ENOUGH TIMES. 1491 01:19:31,000 --> 01:19:32,667 WHAT CAN I DO FOR YOU? 1492 01:19:32,667 --> 01:19:35,667 NOT FUCK THINGS UP! NOT FUCK UP MY FUCKING LIFE. 1493 01:19:35,667 --> 01:19:38,067 NOT MAKE ME LOOK LIKE I'M A FUCKING JOKE. 1494 01:19:44,400 --> 01:19:47,367 I KNOW THAT SOMETIMES I FUCKING GET OUT OF FUCKING PLACE. 1495 01:19:47,367 --> 01:19:49,667 I'M AN INTENSE GUY. I'M A PASSIONATE GUY. 1496 01:19:49,667 --> 01:19:53,334 AND THAT BLEEDS THROUGH INTO MY LIFE, BUT THAT'S BECAUSE I DO SOMETHING. 1497 01:19:53,334 --> 01:19:56,434 KNOW WHAT I MEAN? WHETHER I WAS ACTING OR WHETHER I WAS DOING MUSIC 1498 01:19:56,434 --> 01:19:58,901 OR WHATEVER IT IS, I GIVE MYSELF TO SOMETHING. 1499 01:19:58,901 --> 01:20:01,701 WHAT'S YOUR BIT? WHAT IS YOUR BIT? 1500 01:20:01,701 --> 01:20:04,868 ( laughs ) I MEAN, IT'S ALMOST COMICAL. 1501 01:20:04,868 --> 01:20:06,534 LIKE I LITERALLY WAS ANGRY 1502 01:20:06,534 --> 01:20:09,400 AND NOW I ALMOST-- LIKE, I FEEL SORRY FOR YOU, DUDE. 1503 01:20:09,400 --> 01:20:12,033 YOU'RE A BITLESS DUDE. I HAVE FUCKING BITS. 1504 01:20:12,033 --> 01:20:14,400 WHAT THE FUCK DO YOU HAVE? HAVEN'T YOU SEEN ME? 1505 01:20:14,400 --> 01:20:17,067 YOU'VE SEEN THE FUCKING STUFF I DO, YOU SEE HOW PEOPLE ARE AFFECTED BY IT. 1506 01:20:17,067 --> 01:20:19,334 YOU KNOW THAT I AFFECT PEOPLE IN A FUCKING POSITIVE WAY. 1507 01:20:19,334 --> 01:20:22,701 SO WHAT I'M SAYING IS WHAT ARE YOU GONNA DO WITH YOUR FUCKING LIFE? 1508 01:20:24,567 --> 01:20:26,801 YOU TOOK TOO LONG. 1509 01:20:26,801 --> 01:20:29,400 THAT'S WHAT I'M SAYING, DUDE. YOU'RE NOT FUCKING ASSERTIVE. 1510 01:20:29,400 --> 01:20:31,100 I AGREE. 1511 01:20:31,100 --> 01:20:33,200 I DON'T NEED TO HAVE THIS CONVERSATION. FUCK THE PEACE, 1512 01:20:33,200 --> 01:20:35,100 FUCK THE BULLSHIT. I'M TRYING TO DO YOU A FAVOR. 1513 01:20:35,100 --> 01:20:37,267 I'M TALKING TO YOU AS A FRIEND 1514 01:20:37,267 --> 01:20:39,133 AND I'M TRYING TO DO OTHER PEOPLE A FAVOR TO SEE THIS, 1515 01:20:39,133 --> 01:20:41,534 TO KNOW WHAT IT'S LIKE, TO UNDERSTAND WHAT I GO THROUGH. 1516 01:20:41,534 --> 01:20:43,067 THEY DON'T KNOW WHAT IT'S LIKE, DUDE. 1517 01:20:43,067 --> 01:20:44,734 DID YOU HAVE TO GO ON FUCKING LETTERMAN? 1518 01:20:44,734 --> 01:20:47,567 HOW COULD I POSSIBLY CONCENTRATE WHEN I'M DEALING WITH-- 1519 01:20:47,567 --> 01:20:50,200 - THEY DON'T WANT ME ON LETTERMAN. - EXCUSE ME! 1520 01:20:50,200 --> 01:20:53,267 --WHEN I'M FUCKING DEALING WITH FUCKING DIDDY 1521 01:20:53,267 --> 01:20:57,100 AND HIS FULLNESS, HIS IDEA OF WHAT'S RIGHT? 1522 01:20:57,100 --> 01:21:00,133 THEY'RE ACTUALLY GONNA SEE HOW FUCKING HARD IT IS. 1523 01:21:00,133 --> 01:21:04,667 I CAME IN HERE TO TALK AND NOW, YOU KNOW WHAT, DUDE? 1524 01:21:04,667 --> 01:21:08,300 THINK OF A FUCKING BIT WORTHWHILE. 1525 01:21:08,300 --> 01:21:11,934 BUT FUCK OFF ANYWAYS, DUDE. HONESTLY, ANT, I'M THROUGH WITH YOU. 1526 01:21:11,934 --> 01:21:15,634 DO WHATEVER THE FUCK YOU WANT. AND I HOPE ONE DAY 1527 01:21:15,634 --> 01:21:18,400 I SEE A BIT THAT'S WORTHWHILE THAT YOU WERE INVOLVED IN. 1528 01:21:18,400 --> 01:21:21,167 ALTHOUGH I FIND THAT HIGHLY UNLIKELY. 1529 01:21:21,167 --> 01:21:22,501 ( door closes ) 1530 01:21:40,534 --> 01:21:43,067 YOU WANT A BIT? I'LL GIVE YOU A BIT. 1531 01:22:07,033 --> 01:22:08,868 OH THE FUCK ARE YOU--?! 1532 01:22:08,868 --> 01:22:10,801 OH FUCK, OH! 1533 01:22:10,801 --> 01:22:13,334 WHAT THE FUCK ARE YOU FUCKING DOING? 1534 01:22:13,334 --> 01:22:15,901 - OH! - THE FUCK YOU DOING? 1535 01:22:15,901 --> 01:22:18,434 ( retching ) 1536 01:22:21,000 --> 01:22:23,000 Joaquin: FUCK! 1537 01:22:25,133 --> 01:22:26,801 LAR! ( spits ) 1538 01:22:26,801 --> 01:22:29,501 - Larry: WHAT THE FUCK? - WHAT THE FUCK IS THAT? 1539 01:22:29,501 --> 01:22:32,667 IS THAT HUMAN FUCKING SHIT, DUDE? 1540 01:22:32,667 --> 01:22:34,701 DID SOMEONE JUST HUMAN SHIT ON ME? 1541 01:22:34,701 --> 01:22:36,868 LET ME SEE. 1542 01:22:36,868 --> 01:22:39,434 - OH MAN, FUCK. - ( retching ) 1543 01:22:39,434 --> 01:22:41,667 - JESUS. - I'M GONNA FUCKING KILL HIM. 1544 01:22:41,667 --> 01:22:44,567 I'M GONNA FUCKING MURDER HIM. GET THE FUCK OUT OF HERE. 1545 01:22:44,567 --> 01:22:47,434 GET OUT OF HERE. 1546 01:22:50,734 --> 01:22:54,534 Woman: PLEASE WELCOME NATALIE PORTMAN AND BEN STILLER. 1547 01:22:54,534 --> 01:22:56,300 ( applause ) 1548 01:23:10,200 --> 01:23:13,534 CINEMATOGRAPHERS ARE THE UNSUNG HEROES OF MOVIES. 1549 01:23:13,534 --> 01:23:16,400 THEY LIVE AND BREATHE SHADOW AND LIGHT. 1550 01:23:18,234 --> 01:23:21,234 THEIR WORK IS THE BEDROCK OF EVERY PRODUCTION. 1551 01:23:21,234 --> 01:23:24,200 THIS IS RIDICULOUS. YOU'RE CHEWING GUM AT THE OSCARS. 1552 01:23:25,634 --> 01:23:28,534 OKAY, I'LL TAKE IT OUT. 1553 01:23:28,534 --> 01:23:31,267 - Portman: WHAT'S GOING ON WITH YOU? - NOTHING. 1554 01:23:31,267 --> 01:23:34,200 I JUST WANT TO RETIRE FROM BEING A FUNNY GUY, THAT'S ALL. 1555 01:23:34,200 --> 01:23:37,467 YOU LOOK LIKE YOU WORK AT A HASIDIC METH LAB. 1556 01:23:37,467 --> 01:23:41,100 - ( laughter ) - What do you want to do? 1557 01:23:41,100 --> 01:23:43,601 - WHAT DO YOU WANT TO DO? - I DON'T KNOW. 1558 01:23:43,601 --> 01:23:45,667 MAYBE... 1559 01:23:45,667 --> 01:23:47,634 CINEMATOGRAPHY. 1560 01:23:47,634 --> 01:23:50,067 Man: The documentaries nominated here today 1561 01:23:50,067 --> 01:23:52,567 could not be more different. 1562 01:23:52,567 --> 01:23:55,267 - ( mumbling ) - AND YET AS WE FACE ANXIETY AND UNCERTAINTY 1563 01:23:55,267 --> 01:23:58,267 AT THE DAWN OF THIS-- WILL YOU SHUT THE FUCK UP? 1564 01:23:59,901 --> 01:24:02,234 It's fucking distracting. 1565 01:24:03,734 --> 01:24:05,300 I'VE GIVEN UP ACTING. 1566 01:24:05,300 --> 01:24:07,734 YOU'VE GIVEN UP ACTING?! YOU'VE GIVEN UP SHAVING. 1567 01:24:07,734 --> 01:24:09,100 THERE'S A DIFFERENCE. 1568 01:24:09,100 --> 01:24:11,567 I'm gonna do my Joaquin Phoenix for you. 1569 01:24:11,567 --> 01:24:13,234 I'm as giddy as Joaquin Phoenix 1570 01:24:13,234 --> 01:24:15,400 with a ballpoint pen and a blank prescription pad. 1571 01:24:15,400 --> 01:24:16,968 We better call Puff Daddy... 1572 01:24:16,968 --> 01:24:19,334 Phoenix has gone completely nuts. 1573 01:24:19,334 --> 01:24:21,667 Cooper: Earlier this month You might recall 1574 01:24:21,667 --> 01:24:24,834 actor Joaquin Phoenix made a rather odd appearance, to put it mildly. 1575 01:24:24,834 --> 01:24:27,300 ( overlapping voices ) 1576 01:24:27,300 --> 01:24:30,801 Man: Everybody, it looks like Joaquin Phoenix is finished. 1577 01:24:30,801 --> 01:24:33,868 And if he wasn't such an asshole, this would kinda be a sad day. 1578 01:24:33,868 --> 01:24:37,834 He should have stayed Joaquin Phoenix, the tortured actor. This rapping thing? 1579 01:24:37,834 --> 01:24:40,501 It like somebody turning the lights on in a bar at 2:00 a.m. 1580 01:24:40,501 --> 01:24:43,167 It just looks fucking horrible. 1581 01:24:43,167 --> 01:24:46,701 But before we mourn his 15 minutes, let's remember that prior to J.P., 1582 01:24:46,701 --> 01:24:49,701 he was Joaquin Phoenix, which wasn't even his real name either. 1583 01:24:49,701 --> 01:24:52,334 It was like Leaf Jacobs or some shit like that. 1584 01:24:52,334 --> 01:24:56,634 He is a product of ambition-- just a hipper vegan Tom Cruise. 1585 01:24:56,634 --> 01:24:59,868 You know, all that noise about "I am the guy who doesn't care what you think of me; 1586 01:24:59,868 --> 01:25:01,734 I don't watch my movies; I'm so real" 1587 01:25:01,734 --> 01:25:04,167 was not only annoying bullshit, but it obscured the fact 1588 01:25:04,167 --> 01:25:06,868 that he was just a fucking ham even when he mumbled. 1589 01:25:06,868 --> 01:25:09,868 Now maybe we can appreciate the subtle, more refined talents 1590 01:25:09,868 --> 01:25:13,133 of a-- dare I say-- Leonardo DiCaprio, 1591 01:25:13,133 --> 01:25:15,000 or a Matt Damon? 1592 01:25:15,000 --> 01:25:17,133 Is it real? It really doesn't matter. 1593 01:25:17,133 --> 01:25:19,367 Hugh Grant got head from that hooker and was forgiven 1594 01:25:19,367 --> 01:25:21,467 before his "Leno" appearance went to commercial. 1595 01:25:21,467 --> 01:25:23,434 And Britney shaved her head and showed us her pussy 1596 01:25:23,434 --> 01:25:25,000 and we still wanted more. 1597 01:25:25,000 --> 01:25:27,167 But Phoenix is fucked because even behind 1598 01:25:27,167 --> 01:25:30,167 that homeless man's beard and without showing his genitalia, 1599 01:25:30,167 --> 01:25:33,934 he has still managed to empty his little bucket of mystery all over the floor. 1600 01:25:33,934 --> 01:25:38,000 Leaf, Joaquin, J.P., all three of you are finished. 1601 01:25:38,000 --> 01:25:41,367 There's no spectacle to hope for, no fantasy to imagine. 1602 01:25:41,367 --> 01:25:43,834 The thrill is gone. 1603 01:25:47,067 --> 01:25:48,601 ( Larry speaks ) 1604 01:25:55,701 --> 01:25:57,767 HEY, DAVID. YEAH, IT'S LARRY. 1605 01:25:57,767 --> 01:25:59,767 WITH JOAQUIN. 1606 01:25:59,767 --> 01:26:01,968 YEAH, I WANTED TO TALK TO YOU ABOUT GETTING JOAQUIN 1607 01:26:01,968 --> 01:26:03,701 DOWN THERE AT LIV TO PERFORM THIS WEEK. 1608 01:26:05,734 --> 01:26:07,701 IS WEDNESDAY A BIG NIGHT? 1609 01:26:09,400 --> 01:26:12,133 I MEAN, IS THE PLACE GOING TO BE PACKED OR--? 1610 01:26:14,868 --> 01:26:16,968 - I JUST TALKED TO DAVID. - Joaquin: DAVID? 1611 01:26:16,968 --> 01:26:19,367 - YEAH, THE GUY FROM MIAMI. - OH YEAH? 1612 01:26:19,367 --> 01:26:21,534 - AND WHAT DID HE SAY? - WEDNESDAY NIGHT. 1613 01:26:22,968 --> 01:26:25,234 - WEDNESDAY? - YEAH. 1614 01:26:25,234 --> 01:26:26,934 WHY THE FUCK WEDNESDAY? 1615 01:26:26,934 --> 01:26:29,300 HE SAYS IT'S A GOOD NIGHT. 1616 01:26:29,300 --> 01:26:32,634 YOU KNOW, LIKE HIP CROWD, THEY'LL LIKE YOUR MUSIC. 1617 01:26:32,634 --> 01:26:35,467 THE GUY DOWN IN MIAMI HAD DOUBTS ABOUT, YOU KNOW, 1618 01:26:35,467 --> 01:26:38,067 JOAQUIN'S ABILITIES 1619 01:26:38,067 --> 01:26:40,234 AND I HAD TO REASSURE HIM A LITTLE BIT 1620 01:26:40,234 --> 01:26:43,267 THAT IT WASN'T GOING TO BE ANOTHER "LETTERMAN" THING. 1621 01:26:45,234 --> 01:26:47,200 I DON'T KNOW. I MEAN... 1622 01:26:49,567 --> 01:26:52,434 I CAN'T QUESTION THAT. IF HE WANTS TO DO SOMETHING, WE DO IT. 1623 01:27:26,501 --> 01:27:29,367 Joaquin: * A CHARITY'S BEING FORMED FOR THIS DEFORMITY * 1624 01:27:29,367 --> 01:27:32,267 * 'CAUSE MAN CAN'T CONFORM FOR NOBODY... * 1625 01:27:32,267 --> 01:27:34,367 HOW-- WHAT'S THAT SOUND LIKE? 1626 01:27:34,367 --> 01:27:37,467 * WHAT CAN I SAY TO ANTONY BUT "FUCK YOU"? * 1627 01:27:37,467 --> 01:27:41,033 NO, ALL RIGHT. DO YOU HAVE REVERB ON THE VOCAL? 1628 01:27:41,033 --> 01:27:43,501 - Mixer: UH, NO. - NO, NOTHING. 1629 01:27:43,501 --> 01:27:46,667 UH-HUH. AND THE TRACK ISN'T RUNNING THROUGH THE BOARD AT ALL? 1630 01:27:46,667 --> 01:27:48,667 THERE'S NO-- WE CAN'T E.Q. THE TRACK? 1631 01:27:48,667 --> 01:27:51,067 ( instrumental playing ) 1632 01:28:05,067 --> 01:28:07,901 ( Larry speaks ) 1633 01:28:21,501 --> 01:28:24,000 * I'M STILL REAL, I WON'T KNEEL * 1634 01:28:24,000 --> 01:28:26,601 * UNLESS IT'S GOD, MY TEAM WILL KNOW HOW I FEEL * 1635 01:28:26,601 --> 01:28:28,934 * I NEVER SOLD OUT, NEVER, MY GOOD SOUL, NEVER * 1636 01:28:28,934 --> 01:28:31,968 * I LIVE FOREVER, I'M THE ONE THAT GOD'S CHOSEN, BITCH. * 1637 01:28:47,434 --> 01:28:49,400 LAR? 1638 01:29:02,467 --> 01:29:04,400 Man on walkie: Go go go go. 1639 01:29:04,400 --> 01:29:06,968 COMING IN THROUGH THE DEEJAY BOOTH. BE BY THE DEEJAY BOOTH. 1640 01:29:14,033 --> 01:29:16,801 Side of the stage. Bring him through the stage. Go go go go! 1641 01:29:16,801 --> 01:29:19,367 The side of the stage-- bring him off the side of the stage-- go! 1642 01:29:21,667 --> 01:29:23,868 ( music blasting ) 1643 01:29:53,100 --> 01:29:55,200 ( song changes ) 1644 01:30:20,300 --> 01:30:23,367 - ( music ends ) - Deejay: What the fuck is up, Miami?! 1645 01:30:23,367 --> 01:30:26,067 ( cheering ) 1646 01:30:26,067 --> 01:30:29,367 And now let's hear it... 1647 01:30:29,367 --> 01:30:33,200 for J.P., baby. Let's motherfucking rock! 1648 01:30:33,200 --> 01:30:35,167 ( cheering ) 1649 01:30:44,067 --> 01:30:47,133 ( music playing ) 1650 01:30:52,901 --> 01:30:55,234 WHAT? 1651 01:30:55,234 --> 01:30:56,634 FUCK YOU. 1652 01:30:59,901 --> 01:31:02,667 * I'M STILL HERE, I DON'T SCARE * 1653 01:31:02,667 --> 01:31:05,501 * I DON'T FEAR, DON'T EVEN FEAR FUCKING FEAR * 1654 01:31:05,501 --> 01:31:08,367 * I NEVER CRACK, NEVER, I DON'T GIVE, NEVER * 1655 01:31:08,367 --> 01:31:11,000 * I LIVE FOREVER, I'M THE ONE THAT GOD... * 1656 01:31:11,000 --> 01:31:13,901 * I'M STILL REAL, I WON'T KNEEL * 1657 01:31:13,901 --> 01:31:16,834 * UNLESS IT'S GOD, MY TEAM KNOW HOW I FEEL * 1658 01:31:16,834 --> 01:31:19,567 * I NEVER SOLD OUT, NEVER, MY GOOD SOUL, NEVER * 1659 01:31:19,567 --> 01:31:22,334 * I LIVE FOREVER, I'M THE ONE THAT GOD CHOSE * 1660 01:31:22,334 --> 01:31:25,367 * I HEARD THE CALL, ALARMS SOUNDING OFF * 1661 01:31:25,367 --> 01:31:28,234 * FEELING GUILTY 'CAUSE MY NIGHT WAS SPENT FUCKING OFF * 1662 01:31:28,234 --> 01:31:31,234 * HISTORY PERVERTED ME, WORDS CAN NEVER HARM ME * 1663 01:31:31,234 --> 01:31:34,868 * SAYING I'M THE EPITOME OF A FUCKING RAP SELF-PARODY * 1664 01:31:34,868 --> 01:31:37,601 * A CHARITY'S BEING FORMED FOR THIS DEFORMITY * 1665 01:31:37,601 --> 01:31:40,300 * THIS MAN CAN'T CONFORM FOR NOBODY * 1666 01:31:40,300 --> 01:31:43,133 * I MADE IT HERE DESPITE THE EFFORTS OF A FEW * 1667 01:31:43,133 --> 01:31:45,901 * WHAT CAN I SAY TO A PUNK BUT "FUCK YOU"? * 1668 01:31:45,901 --> 01:31:48,367 * I MUST CONFESS, I'M PREPOSTEROUS AT BEST * 1669 01:31:48,367 --> 01:31:52,434 * A PRETENTIOUS MESS, CAN'T GET HIMSELF EVEN DRESSED * 1670 01:31:52,434 --> 01:31:55,267 * IN RESPONSE I DON'T GET MAD, I SHAKE YOU OFF * 1671 01:31:55,267 --> 01:31:57,901 * WAVING GOODBYE LIKE I WAS LAST YEAR'S FAD * 1672 01:31:57,901 --> 01:31:59,968 * TREND-SETTING, ON YOU I WON'T BE BETTING * 1673 01:31:59,968 --> 01:32:02,734 * I LET IT GO SO LONG AS YOU KNOW THAT I'M STORMY WEATHER * 1674 01:32:02,734 --> 01:32:05,267 * AND WHETHER OR NOT YOU'RE BETTER OR NOT * 1675 01:32:05,267 --> 01:32:08,601 * COULDN'T MAKE A LICK OF DIFFERENCE FROM WHERE I'M SITTING AT THE TOP * 1676 01:32:08,601 --> 01:32:11,334 * HERE THROUGH THESE YEARS, I DON'T SCARE * 1677 01:32:11,334 --> 01:32:13,901 * DON'T EVEN FEAR FUCKING FEAR * 1678 01:32:13,901 --> 01:32:16,467 * I NEVER CRACK, NEVER, I DON'T GIVE, NEVER * 1679 01:32:16,467 --> 01:32:19,434 * I'LL THROW IT DOWN, YOU CAN BET ON THAT, FELLA * 1680 01:32:19,434 --> 01:32:21,767 * I'M STILL REAL, I WON'T KNEEL * 1681 01:32:21,767 --> 01:32:24,901 * UNLESS IT'S GOD, MY TEAM KNOW HOW I FEEL * 1682 01:32:24,901 --> 01:32:27,767 * I NEVER SOLD OUT, NEVER, MY GOOD SOUL, NEVER * 1683 01:32:27,767 --> 01:32:31,634 * LIVE FOREVER, I'M THE ONE THAT GOD'S CHOSEN, BITCH * 1684 01:32:31,634 --> 01:32:34,300 * LONG-WINDED LETTERS THAT I'VE WRITTEN * 1685 01:32:34,300 --> 01:32:37,267 * ONCE A SNAKE HAS BITTEN, I'LL FORGIVE BUT WON'T FORGET IT * 1686 01:32:37,267 --> 01:32:40,133 * NOT TALKING REVENGE, I DON'T HAVE THE TIME TO DO TO YOU * 1687 01:32:40,133 --> 01:32:42,667 * ALL THE FUCKED-UP THINGS, FANTASIES OF RUINING YOU * 1688 01:32:42,667 --> 01:32:45,467 * AIN'T GOT A CREW, BUT I'LL TAKE ON YOURS * 1689 01:32:45,467 --> 01:32:48,467 * GOTTA WRAP THIS SHIT UP WITH YOU 'CAUSE I'M SO FUCKING BORED * 1690 01:32:48,467 --> 01:32:50,133 * JUST THIS ONE THING I GOTTA SAY * 1691 01:32:50,133 --> 01:32:52,267 * TO LET YOU KNOW, TO GET IT OFF MY CHEST * 1692 01:32:52,267 --> 01:32:54,200 * BEFORE THIS LONG REST 1693 01:32:54,200 --> 01:32:57,501 * I NEVER BETRAYED YOU, I NEVER DID WHAT YOU THOUGHT I DID * 1694 01:32:57,501 --> 01:32:59,767 * STILL YOU CAME AT ME SWINGING, KID * 1695 01:32:59,767 --> 01:33:02,801 * NEVERTHELESS I WISH YOU THE BEST AND PRAY YOU GET TO HEAVEN * 1696 01:33:02,801 --> 01:33:05,601 * BUT MORE THAN LIKELY YOU'LL BE BURNING WITH THE DEVIL * 1697 01:33:05,601 --> 01:33:07,467 * HERE THROUGH THESE YEARS 1698 01:33:07,467 --> 01:33:10,467 * I DON'T FEAR, DON'T EVEN FEAR FUCKING FEAR * 1699 01:33:10,467 --> 01:33:13,467 * I NEVER CRACK, NEVER, I DON'T GIVE, NEVER * 1700 01:33:13,467 --> 01:33:16,167 * I THROW IT DOWN, YOU CAN BET ON THAT, FELLA * 1701 01:33:16,167 --> 01:33:18,667 * I'M STILL REAL, I WON'T KNEEL * 1702 01:33:18,667 --> 01:33:21,834 * UNLESS IT'S GOD, MY TEAM KNOW HOW I FEEL * 1703 01:33:21,834 --> 01:33:24,567 * I NEVER SOLD OUT, NEVER, MY GOOD SOUL, NEVER * 1704 01:33:24,567 --> 01:33:27,734 * I LIVE FOREVER, I'M THE ONE THAT GOD'S CHOSEN * 1705 01:33:27,734 --> 01:33:30,133 * BITCH. 1706 01:33:30,133 --> 01:33:32,133 SO, LIV, IT'S GOOD TO SEE Y'ALL. 1707 01:33:32,133 --> 01:33:34,701 DUDE, WHAT'S YOUR FUCKING PROBLEM? 1708 01:33:34,701 --> 01:33:37,634 SHUT THE FUCK UP. 1709 01:33:37,634 --> 01:33:40,701 YOU WANNA GET UP HERE AND TRY AND FUCKING DO IT, BITCH? 1710 01:33:40,701 --> 01:33:42,501 SHOW IT, YEAH. 1711 01:33:42,501 --> 01:33:45,033 SORRY, WE GOT A FUCKING ASSHOLE IN THE AUDIENCE. 1712 01:33:45,033 --> 01:33:47,000 FUCKING SHUT UP, DUDE. 1713 01:33:47,000 --> 01:33:49,367 DOES MY SUIT COST MORE THAN YOU FUCKING MAKE 1714 01:33:49,367 --> 01:33:51,033 IN A FUCKING WEEK, DUDE? 1715 01:33:51,033 --> 01:33:53,167 IS THAT WHY? YEAH. 1716 01:33:55,033 --> 01:33:57,767 DUDE, I GOT A MILLION DOLLARS IN A FUCKING BANK ACCOUNT. 1717 01:33:57,767 --> 01:34:00,200 WHAT DO YOU GOT, BITCH? YOU WASHING DISHES? 1718 01:34:00,200 --> 01:34:03,601 YOU STANDING AROUND WASHING DISHES, YOU GONNA COME MAKE FUN OF ME? 1719 01:34:03,601 --> 01:34:05,901 ALL RIGHT, TAKING THE NEXT SONG-- 1720 01:34:05,901 --> 01:34:08,167 UH... WHAT? 1721 01:34:09,234 --> 01:34:11,033 YOU MOTHERFUCKING ASSHOLE. 1722 01:34:11,033 --> 01:34:13,501 ( shouting, crashing ) 1723 01:34:19,200 --> 01:34:21,334 OH, GRAB IT! 1724 01:34:25,434 --> 01:34:27,200 Joaquin: GET OFF. 1725 01:34:30,934 --> 01:34:34,300 ( crowd chanting ) JOAQUIN, JOAQUIN, JOAQUIN. 1726 01:34:40,267 --> 01:34:42,000 Emcee: IS THAT IT? 1727 01:34:46,133 --> 01:34:48,567 ( emcee speaking ) 1728 01:34:50,100 --> 01:34:52,033 ( retches ) 1729 01:34:56,334 --> 01:34:58,033 ( retches ) 1730 01:35:01,767 --> 01:35:04,234 ( club music playing ) 1731 01:35:12,901 --> 01:35:16,067 - Security #1: I'LL GET SOME TOWELS. - Security #2: AND WATER. 1732 01:35:26,300 --> 01:35:29,634 HERE YOU GO. 1733 01:35:29,634 --> 01:35:32,601 CAN I GET SOME WATER TOO, PLEASE? 1734 01:35:32,601 --> 01:35:35,033 ( dance music playing ) 1735 01:35:43,033 --> 01:35:46,033 WE'LL TAKE THE BACK SO THEY WON'T GET YOU. 1736 01:35:46,033 --> 01:35:48,033 I HOPE. 1737 01:35:51,634 --> 01:35:54,100 YOU ALL RIGHT? 1738 01:36:19,534 --> 01:36:21,334 Larry: DUDE, THAT WAS A GOOD SHOW. 1739 01:36:54,901 --> 01:36:56,834 ( lighter clicks ) 1740 01:37:05,567 --> 01:37:08,501 ( piano music playing ) 1741 01:37:25,734 --> 01:37:28,634 ( Larry speaks ) 1742 01:39:18,734 --> 01:39:20,634 ( barks ) 1743 01:40:03,267 --> 01:40:05,501 ( water rushing ) 1744 01:40:33,734 --> 01:40:36,567 ( instrumental music continuing throughout ) 1745 01:45:31,300 --> 01:45:34,200 - ( piano playing ) - * WHEN I DREAM 1746 01:45:34,200 --> 01:45:36,534 * I DREAM OF YOU 1747 01:45:40,400 --> 01:45:44,200 * AND IF I'M WRONG, WE'LL KNOW IT'S TRUE * 1748 01:45:47,801 --> 01:45:50,734 * IT TAKES MORE THAN SACRIFICE * 1749 01:45:50,734 --> 01:45:53,801 - * TO KEEP LOVE-- - ( Joaquin retches ) 1750 01:45:56,033 --> 01:45:59,300 * IT DISAPPEARS JUST LIKE THE DEW * 1751 01:45:59,300 --> 01:46:01,601 ( bad harmony ) * DEW-WWW 1752 01:46:01,601 --> 01:46:03,868 ( whistling ) 1753 01:46:21,434 --> 01:46:29,567 * WELL, THERE'S COOL WATER IN YOU * 1754 01:46:29,567 --> 01:46:32,701 * WELL, YOU KNOW THAT THERE'S * 1755 01:46:32,701 --> 01:46:37,167 * COOL WATER IN YOU 1756 01:46:37,167 --> 01:46:40,701 * YOU KNOW THERE'S * 1757 01:46:40,701 --> 01:46:45,033 * COOL WATER IN YOU 1758 01:46:47,601 --> 01:46:52,834 * WELL, THERE'S COOL WATER * 1759 01:46:52,834 --> 01:46:57,367 * IN YOU.